Browse content similar to Halloween Special. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:05 | |
-Oh, great! -LAUGHTER | 0:00:18 | 0:00:21 | |
Be careful! | 0:00:21 | 0:00:23 | |
SCREAMS ECHO | 0:00:40 | 0:00:42 | |
VOICES ECHO | 0:00:48 | 0:00:51 | |
DOOR CREAKS | 0:01:11 | 0:01:13 | |
< Come along! | 0:02:01 | 0:02:02 | |
DOOR OPENS | 0:02:05 | 0:02:06 | |
Put them on my desk. | 0:02:10 | 0:02:13 | |
The problem with Halloween these days, | 0:02:13 | 0:02:17 | |
is that people treat it like Christmas. | 0:02:17 | 0:02:20 | |
It's lost its true meaning. For instance, | 0:02:20 | 0:02:23 | |
do you know the real reason that you're wearing a mask? | 0:02:23 | 0:02:26 | |
Because you said my breath smelt? | 0:02:26 | 0:02:28 | |
Well, yes, it does. | 0:02:28 | 0:02:31 | |
But the real reason we don masks at Halloween is to ward off evil spirits. | 0:02:31 | 0:02:36 | |
It's the one night of the year when the divide between the living and the dead is at its thinnest. | 0:02:36 | 0:02:43 | |
Wearing a mask disguises us as dark spirits, and thus we avoid harm. | 0:02:43 | 0:02:50 | |
Where's your mask then? | 0:02:50 | 0:02:52 | |
Oh, I don't need one. | 0:02:52 | 0:02:54 | |
PHONE RINGS | 0:02:54 | 0:02:58 | |
Yes? | 0:02:58 | 0:03:00 | |
Good. | 0:03:00 | 0:03:02 | |
The trick-or-treaters have arrived. | 0:03:04 | 0:03:07 | |
Let's go and offer them a special Halloween muffin, shall we? | 0:03:07 | 0:03:11 | |
It's important to keep up these old traditions. | 0:03:11 | 0:03:15 | |
Oh! I nearly forgot to set the alarm. | 0:03:18 | 0:03:20 | |
< Trick or treat! | 0:03:46 | 0:03:50 | |
< Oh, how marvellous! Let's have a look at you! | 0:03:50 | 0:03:54 | |
< I suppose you all want a treat? | 0:03:54 | 0:03:56 | |
N-No. | 0:04:05 | 0:04:07 | |
BOY: Sorry. | 0:04:11 | 0:04:12 | |
ALARM RINGS | 0:04:28 | 0:04:30 | |
Right. So here we are... | 0:05:01 | 0:05:04 | |
round the back of the building. | 0:05:04 | 0:05:07 | |
Er...there's a door there. | 0:05:07 | 0:05:09 | |
I'll get some shots round the, er... | 0:05:09 | 0:05:13 | |
front later on and get a sense of the scale there. | 0:05:13 | 0:05:18 | |
Argh! | 0:05:18 | 0:05:19 | |
Sorry I'm late. | 0:05:19 | 0:05:20 | |
-That's OK, I've only just got here myself. Drew, isn't it? -Yeah. | 0:05:20 | 0:05:24 | |
Phil Walker, Goldfish Bowl Productions. Although I was involved in that. | 0:05:24 | 0:05:28 | |
-We spoke on the phone? -That's right, yeah. -Thanks for getting in touch. | 0:05:28 | 0:05:33 | |
We've been looking everywhere for a spooky location and we've had no luck. We've even been to Stoke. | 0:05:33 | 0:05:37 | |
Well, I think this place might be just what you need. | 0:05:37 | 0:05:40 | |
It certainly looks it from what I've seen so far. | 0:05:40 | 0:05:43 | |
You wait till we get inside. | 0:05:45 | 0:05:47 | |
Health and Safety would have a field day with this. | 0:05:48 | 0:05:52 | |
So you want to use it for a Most Haunted, is that right? | 0:05:52 | 0:05:55 | |
Oh, no, you said the M word! No, this is a totally different idea. | 0:05:55 | 0:05:59 | |
We've got a team of psychics investigating haunted houses, | 0:05:59 | 0:06:03 | |
and we're going to film them with night-vision cameras | 0:06:03 | 0:06:06 | |
-so they're totally in the dark but the audience can see everything. -OK. | 0:06:06 | 0:06:11 | |
So how is that different to Most Haunted? | 0:06:11 | 0:06:13 | |
Well, I haven't seen that show so I don't know if it's similar or not. | 0:06:13 | 0:06:18 | |
-But the big difference is, of course, we've got Dale. -Winton? -Yep. | 0:06:18 | 0:06:22 | |
He's sick of the balls, he wants to get back to something edgier, like his early stuff. | 0:06:22 | 0:06:26 | |
-What, like Supermarket Sweep? -Exactly. | 0:06:26 | 0:06:28 | |
So the plan is I get some shots tonight, you give me a bit of a tour. I take it all back to the director. | 0:06:28 | 0:06:32 | |
If he likes it, it could end up on Dale's Overnight Ghost Hunts. | 0:06:32 | 0:06:36 | |
-Catchy title. -Do you think? I'm not sure about it. | 0:06:36 | 0:06:39 | |
If the place is featured, you get 250 quid and a credit on the end roll. | 0:06:39 | 0:06:42 | |
I don't care about all that. | 0:06:42 | 0:06:44 | |
It's just... | 0:06:44 | 0:06:45 | |
when I saw your advert, | 0:06:45 | 0:06:48 | |
I knew I had to get in touch. | 0:06:48 | 0:06:50 | |
I grew up opposite this place. | 0:06:51 | 0:06:54 | |
It's a massive part of my life. | 0:06:55 | 0:06:58 | |
But there's such horrible memories too. | 0:06:59 | 0:07:02 | |
That's what Dale says about Pets Win Prizes. | 0:07:02 | 0:07:06 | |
-I told you I met the Governess who ran the place. -When you were a kid. | 0:07:09 | 0:07:14 | |
Well... | 0:07:14 | 0:07:16 | |
..this is where I met her. | 0:07:17 | 0:07:19 | |
No. Get... Stop it! Get off me. | 0:07:21 | 0:07:25 | |
Put me down! | 0:07:25 | 0:07:26 | |
All right, Mitchell, let him go. | 0:07:26 | 0:07:28 | |
Do you have a name, child? | 0:07:29 | 0:07:31 | |
-Drew. -Drew. | 0:07:31 | 0:07:34 | |
Well, thanks to you, I've had to reset my alarm. | 0:07:34 | 0:07:37 | |
What were you doing creeping around in my office? | 0:07:37 | 0:07:41 | |
Answer me, child, or I'll attach you to Goldilocks here and set you both off screaming. | 0:07:41 | 0:07:48 | |
It was just a dare. For Halloween. | 0:07:49 | 0:07:52 | |
I had to take something. | 0:07:53 | 0:07:55 | |
Did you indeed? | 0:07:55 | 0:07:57 | |
Empty your pockets. Now! | 0:08:03 | 0:08:06 | |
Who do you think you are? | 0:08:16 | 0:08:18 | |
Creeping in here and taking private property. | 0:08:18 | 0:08:21 | |
Do you know what this is worth? | 0:08:21 | 0:08:25 | |
Or what the consequences would be should it be lost or stolen? | 0:08:25 | 0:08:28 | |
I'm sorry. | 0:08:28 | 0:08:31 | |
-I didn't think. -No. People rarely do. | 0:08:31 | 0:08:36 | |
Sit down. | 0:08:38 | 0:08:40 | |
I'm going to tell you something about stealing. | 0:08:42 | 0:08:46 | |
And about consequences. | 0:08:46 | 0:08:48 | |
Something to make you think twice before contemplating such an action again. | 0:08:56 | 0:09:01 | |
And I don't tell you this story in the hope of frightening you... | 0:09:01 | 0:09:06 | |
..but I'm afraid it probably will. | 0:09:07 | 0:09:10 | |
It was Halloween, just like tonight, | 0:09:13 | 0:09:16 | |
and a man who didn't think about his actions | 0:09:16 | 0:09:19 | |
was soon to be taught a terrible lesson. | 0:09:19 | 0:09:22 | |
Nice costume. | 0:09:22 | 0:09:24 | |
It's not a costume! These are me work clothes. | 0:09:24 | 0:09:27 | |
It's Halloween every day for some people, pal! Idiot. | 0:09:27 | 0:09:30 | |
Look at that. | 0:09:30 | 0:09:32 | |
What a waste. | 0:09:32 | 0:09:34 | |
I'll have that when I get in. | 0:09:34 | 0:09:37 | |
DOORBELL RINGS | 0:09:42 | 0:09:44 | |
Trick or treat! | 0:09:44 | 0:09:46 | |
Oh, you look scary! | 0:09:46 | 0:09:48 | |
-How old are you? -We're both seven. | 0:09:48 | 0:09:50 | |
And can you read yet? | 0:09:50 | 0:09:52 | |
What does that say then? | 0:09:52 | 0:09:54 | |
Shall I read it for you? | 0:09:54 | 0:09:56 | |
No tricks. No treats. | 0:09:56 | 0:09:58 | |
Where's your mother? Is she hiding in the bushes? | 0:09:58 | 0:10:01 | |
Oh, yeah, so you send your kids out to do your dirty work for you? | 0:10:01 | 0:10:05 | |
They should be in bed. And she shouldn't be having any chocolate by the size of her. Piglet! | 0:10:05 | 0:10:09 | |
What are you supposed to be anyway, green elephants? | 0:10:09 | 0:10:12 | |
Don't you have any treats for us? | 0:10:12 | 0:10:14 | |
Don't push your luck, kid, I've drowned bigger cats than you. | 0:10:14 | 0:10:19 | |
Sorry about that. What time can you come round? | 0:10:26 | 0:10:29 | |
Well, let me have a think. I was going to have me tea now so it's not laying too heavy on my stomach. | 0:10:29 | 0:10:35 | |
Then I was going to watch Exorcist 1 and Exorcist 3. | 0:10:35 | 0:10:38 | |
I don't bother with Exorcist 2, it's shit. | 0:10:38 | 0:10:40 | |
Then I'll probably do the pots, just beans on toast, that's just a pan and a plate. | 0:10:40 | 0:10:45 | |
I think I'll be ready for you by about midnight, the witching hour! | 0:10:45 | 0:10:49 | |
And how much are we looking at? | 0:10:49 | 0:10:51 | |
80 quid! | 0:10:51 | 0:10:53 | |
Yeah, go on then, I'll treat myself. | 0:10:56 | 0:10:58 | |
Perfect. | 0:11:05 | 0:11:06 | |
-DOORBELL RINGS -Trick or treat! Trick or treat! | 0:11:06 | 0:11:11 | |
Go on, say it, then. | 0:11:18 | 0:11:21 | |
How old are you? | 0:11:23 | 0:11:26 | |
Can you not read? | 0:11:27 | 0:11:30 | |
Where's your mother? | 0:11:34 | 0:11:36 | |
Sod you then. | 0:11:39 | 0:11:41 | |
Look, I'm not giving you things just because you've turned up at me house with masks on. | 0:11:53 | 0:11:56 | |
I work hard to earn money to buy treats for myself. | 0:11:56 | 0:11:59 | |
All this trick or treat, penny for the guy, Cancer Research... | 0:11:59 | 0:12:03 | |
I don't do any of it. Go and beg somewhere else. | 0:12:03 | 0:12:06 | |
Are you deaf as well as stupid? I'm not involved in this night. | 0:12:08 | 0:12:12 | |
Me no likey. | 0:12:12 | 0:12:15 | |
Are you even doing trick or treat? | 0:12:19 | 0:12:21 | |
You're weird. All right, trick then. Piss off. | 0:12:23 | 0:12:28 | |
That doesn't mean shoving dog shit through my... | 0:12:28 | 0:12:30 | |
'And so he settles in for a night of unalloyed male pleasure. | 0:12:55 | 0:12:59 | |
'A potent mixture of horror films, junk food and a visit | 0:13:01 | 0:13:05 | |
'from a certain lady of the night and I don't mean Florence Nightingale. | 0:13:05 | 0:13:09 | |
'In short, it was all treats, and no tricks.' | 0:13:09 | 0:13:14 | |
Eh? I don't believe this. Where's the other one? | 0:13:26 | 0:13:29 | |
The Wiggles! Worse than Exorcist 2. | 0:13:33 | 0:13:36 | |
Must have put them in the wrong boxes. | 0:13:55 | 0:13:57 | |
Some five-year-old's going to be shitting themselves tonight. | 0:13:57 | 0:14:02 | |
CRUNCHING | 0:14:05 | 0:14:07 | |
Argh! ..Bloody little bastards! | 0:14:31 | 0:14:33 | |
-MAN'S VOICE: -Hello? | 0:14:33 | 0:14:35 | |
Hello, yes, I want to make a complaint. | 0:14:35 | 0:14:37 | |
-You want to make a complaint? -Yeah, I've got kids here tormenting me. | 0:14:37 | 0:14:40 | |
-Tormenting you? -They put a rat in me Pringles and a load of beetles in my chocolate. | 0:14:40 | 0:14:45 | |
-Beetles in your chocolate? -Yes! What are you going to do about it? | 0:14:45 | 0:14:48 | |
What are you going to do about it? | 0:14:48 | 0:14:50 | |
-Why are you repeating everything I say? -Everything you say? | 0:14:50 | 0:14:54 | |
-Who is this? -CHILD'S VOICE: -Who is this? | 0:14:54 | 0:14:57 | |
Who is this? | 0:14:57 | 0:14:58 | |
Trick or treat. | 0:14:58 | 0:15:00 | |
HAMMERING AT DOOR | 0:15:03 | 0:15:05 | |
-Boo! -Aargh! | 0:15:41 | 0:15:45 | |
Sorry about that! I'm Janet. | 0:15:45 | 0:15:47 | |
Busty Janet? | 0:15:47 | 0:15:49 | |
Well, what do you think? | 0:15:49 | 0:15:51 | |
It's nearly midnight and I've brought some pumpkins for you to play with. | 0:15:51 | 0:15:57 | |
You're my last trick of the night. | 0:15:58 | 0:16:00 | |
You're my biggest treat. | 0:16:00 | 0:16:03 | |
-So how many different attachments have you got then? -16. | 0:16:08 | 0:16:14 | |
Oh! Better than a Dyson. | 0:16:14 | 0:16:16 | |
Yeah, speaking of Dyson's, when are you going to start...? | 0:16:16 | 0:16:19 | |
All right, give us a chance, I've not even taken me coat off yet! | 0:16:19 | 0:16:22 | |
-Sorry, sorry, it's just been a weird night. -How come? | 0:16:22 | 0:16:26 | |
-Never mind. So it says on your card you cater for all disabilities? -Yeah, that's right. | 0:16:26 | 0:16:31 | |
They're much more appreciative than most punters. | 0:16:31 | 0:16:34 | |
And they do all the work for me, especially the epileptics. | 0:16:34 | 0:16:38 | |
I have a chap in Chorlton-cum-Hardy gets me to wee on him once a fortnight. | 0:16:38 | 0:16:43 | |
I don't think he gets off on it, it just helps with his psoriasis. | 0:16:43 | 0:16:48 | |
Now then, let's get them trousers off, and get you latched on. | 0:16:48 | 0:16:53 | |
GRUNTING | 0:16:53 | 0:16:56 | |
Careful! | 0:16:57 | 0:16:59 | |
Ow, you're biting me. | 0:17:01 | 0:17:03 | |
Oh, it's too much! Ow! | 0:17:03 | 0:17:05 | |
You're scratching me! What are you doing? | 0:17:05 | 0:17:08 | |
What's the matter, don't you like it? | 0:17:17 | 0:17:20 | |
Trick or treat! | 0:17:29 | 0:17:31 | |
I told you I haven't got any treats! | 0:17:31 | 0:17:33 | |
What's that in your pocket then? | 0:17:33 | 0:17:36 | |
Maisie, come on. | 0:17:40 | 0:17:42 | |
I've got to go now. Be careful, mister, it's dangerous on this road. | 0:17:42 | 0:17:47 | |
Some children died. | 0:17:47 | 0:17:50 | |
I'm putting it back. | 0:18:20 | 0:18:22 | |
All right? | 0:18:22 | 0:18:24 | |
I'm sorry. | 0:18:24 | 0:18:27 | |
I didn't realise. | 0:18:27 | 0:18:28 | |
Hey! Where are you going? Stop! | 0:18:33 | 0:18:36 | |
Trick or treat! | 0:18:43 | 0:18:44 | |
She was right. | 0:18:49 | 0:18:51 | |
She scared me to death with that story. | 0:18:52 | 0:18:55 | |
But I never stole again. | 0:18:58 | 0:19:00 | |
Sorry, I hope you don't mind. That was just too good to miss. | 0:19:01 | 0:19:04 | |
I can just imagine Dale telling that story on the programme, | 0:19:04 | 0:19:07 | |
sat in a big armchair like Ronnie Corbett. | 0:19:07 | 0:19:09 | |
-It's terrifying. -I know. So what's the story with the locket? | 0:19:09 | 0:19:13 | |
I've no idea. Probably sentimental value. | 0:19:13 | 0:19:17 | |
Though she didn't strike me as the sentimental type. | 0:19:17 | 0:19:20 | |
-What is all this stuff? -Medical equipment mostly. | 0:19:22 | 0:19:27 | |
There were rumours she used to do experiments on the patients. | 0:19:27 | 0:19:32 | |
-Like putting shampoo in the eyes? -Possibly. | 0:19:32 | 0:19:35 | |
We'll never know now, will we? Didn't she burn to death in a big fire or explosion or something? | 0:19:35 | 0:19:41 | |
So they say. Some people think she's still here. | 0:19:41 | 0:19:45 | |
-What, as a ghost? -Yeah. | 0:19:46 | 0:19:48 | |
There have been several sightings. | 0:19:48 | 0:19:50 | |
Brilliant, I'll get our researchers onto it. | 0:19:50 | 0:19:53 | |
I say researchers, it's one big girl with an NVQ in Media Studies, but she gets some fascinating stories. | 0:19:53 | 0:19:59 | |
Like what? | 0:19:59 | 0:20:01 | |
Well, apparently there was a patient here that had a doll, and she treated it as if it were a real baby. | 0:20:01 | 0:20:08 | |
Yes, that rings a bell... | 0:20:08 | 0:20:09 | |
-Joy Aston. -I don't know, we usually make the names up. | 0:20:09 | 0:20:13 | |
But you'll never guess how she came to be in here. | 0:20:13 | 0:20:15 | |
'It was the day before Halloween, and this woman, Joan or Joy, was trying to sell her house. | 0:20:18 | 0:20:23 | |
'It'd been on the market for weeks, but she was rubbish at cleaning and they couldn't shift it.' | 0:20:23 | 0:20:27 | |
If you come through to the kitchen or morning room, if you prefer... | 0:20:27 | 0:20:32 | |
Well, I'm sorry about the mess. | 0:20:35 | 0:20:38 | |
My wife was supposed to have tidied up before she went to work. | 0:20:38 | 0:20:42 | |
Women, eh! | 0:20:42 | 0:20:44 | |
But it's a very bright room. We're south-west facing. | 0:20:44 | 0:20:47 | |
Oh, hello! Don't mind me. Just pretend I'm not here. | 0:20:47 | 0:20:51 | |
I won't shake your hand as I've been elbow deep in wombs since 6 o'clock this morning. | 0:20:51 | 0:20:57 | |
There's plenty of room here to spread yourself around. | 0:21:00 | 0:21:04 | |
Can you look after Freddy please, George, while I set up the breast pump. | 0:21:04 | 0:21:09 | |
I've got to express some milk, I'm bursting. | 0:21:09 | 0:21:13 | |
So, how many children do you have? | 0:21:14 | 0:21:16 | |
Just the one. | 0:21:17 | 0:21:18 | |
Well, shall we have a peek upstairs? I'll just shift some of this stuff. | 0:21:25 | 0:21:29 | |
One of these days, somebody's going to break their neck. | 0:21:29 | 0:21:34 | |
Oh, dear, Freddy. Looks like Daddy's cross with us again. | 0:21:34 | 0:21:39 | |
Now then, let's have a look and see if we can't extract a few dribbles for your din-dins. | 0:21:39 | 0:21:47 | |
Here you go. | 0:21:47 | 0:21:48 | |
MACHINE PUMPING | 0:21:48 | 0:21:51 | |
Well, we've a few more to see so we'll have a think and let you know. | 0:21:53 | 0:21:57 | |
OK. Well, fingers crossed then, eh! | 0:21:57 | 0:22:00 | |
Hope to hear from you soon. | 0:22:00 | 0:22:01 | |
Cheerio! Safe journey home. Bye! | 0:22:03 | 0:22:07 | |
-Do I look like a pig, Joy? -Sorry? | 0:22:20 | 0:22:23 | |
Do I look like a pig? | 0:22:23 | 0:22:25 | |
Well, sometimes when you've just stepped out of a hot bath... | 0:22:25 | 0:22:31 | |
Why am I living in a pigsty? You've got to keep on top of the cleaning! | 0:22:31 | 0:22:34 | |
A place for everything and everything in its place! | 0:22:34 | 0:22:37 | |
Well, it's not that easy with a toddler in the house, George. | 0:22:37 | 0:22:40 | |
Freddy messes up the place as quick as I can tidy it. | 0:22:40 | 0:22:43 | |
48 viewings so far. | 0:22:43 | 0:22:46 | |
48 people have walked out that door and never come back. | 0:22:46 | 0:22:50 | |
Don't make me 49. | 0:22:50 | 0:22:52 | |
Great, we'll see you later then. Thanks. Bye. | 0:23:02 | 0:23:06 | |
Well, miracle of miracles. | 0:23:07 | 0:23:10 | |
That was the couple from yesterday. | 0:23:10 | 0:23:12 | |
They want to come back for a second viewing. | 0:23:12 | 0:23:15 | |
Well, it's tidier than it was yesterday anyway. | 0:23:15 | 0:23:17 | |
I went through the night, George, just like you said. | 0:23:17 | 0:23:20 | |
A place for everything and everything in its place. | 0:23:20 | 0:23:22 | |
Yes, you've done a good job, Joy. | 0:23:22 | 0:23:25 | |
I'm very pleased. | 0:23:25 | 0:23:27 | |
Right, I'll just clear away these breakfast things then. | 0:23:31 | 0:23:35 | |
Just pop them in the recycling. | 0:23:35 | 0:23:38 | |
No! No! No! No! No! You've put the shell in with the bread! | 0:24:04 | 0:24:08 | |
-But they're both food, George. -No, they are not. | 0:24:08 | 0:24:12 | |
Bread goes in the green bin, biodegradables. | 0:24:12 | 0:24:14 | |
Shell is like bones and goes in the...? | 0:24:14 | 0:24:16 | |
-Yellow? -No, that's plastics! | 0:24:16 | 0:24:20 | |
Shell goes in black, general waste. | 0:24:20 | 0:24:22 | |
Oh, what's the red for again? | 0:24:22 | 0:24:24 | |
How many more times? | 0:24:24 | 0:24:26 | |
Paper and cardboard, magazines and newspapers, milk and juice cartons, tetrapaks and pizza boxes. | 0:24:26 | 0:24:31 | |
-Waxed paper, tissue paper, foam trays, tin foil. -Tea bags. | 0:24:31 | 0:24:34 | |
Not tea bags! They're biodegradable. | 0:24:34 | 0:24:36 | |
-Blue. -Green! | 0:24:36 | 0:24:38 | |
Reduce, re-use, recycle! | 0:24:41 | 0:24:44 | |
Can't you get that into your thick skull, Joy? Can't you? | 0:24:44 | 0:24:47 | |
Can you not get this one simple thing into your thick, thick skull? | 0:24:47 | 0:24:51 | |
I'm trying, George, I am! | 0:24:51 | 0:24:53 | |
-Reduce, refuse... -Not refuse... | 0:24:53 | 0:24:56 | |
-Re-use. Reduce... -duce... | 0:24:56 | 0:25:00 | |
-Re-use... -use... -Recycle... -cycle. | 0:25:00 | 0:25:03 | |
I'll be back later for the viewing | 0:25:05 | 0:25:08 | |
and you'd better have this place spotless, Joy Aston, or so help me God... | 0:25:08 | 0:25:13 | |
'So she cleans the whole house, top to bottom, and then sits down to play with her...baby. | 0:25:18 | 0:25:24 | |
'But then she notices what day it was.' | 0:25:24 | 0:25:26 | |
Oh, it's Halloween today! | 0:25:26 | 0:25:29 | |
Oh, we should do a pumpkin. | 0:25:29 | 0:25:32 | |
You got to promise not to make a mess though? | 0:25:32 | 0:25:34 | |
Now let's see, it's 11 o'clock now... | 0:25:34 | 0:25:39 | |
Yes, we've got plenty of time! | 0:25:39 | 0:25:41 | |
And...out. And...bumph! | 0:25:47 | 0:25:52 | |
That's it. We put the sharp knife in. | 0:26:05 | 0:26:09 | |
Cut it. | 0:26:16 | 0:26:18 | |
Slurp. ..Slop. | 0:26:18 | 0:26:22 | |
And slop. | 0:26:23 | 0:26:25 | |
Ooh. Quarter past 11. Right, I think it's time you had a little nap | 0:26:30 | 0:26:36 | |
while Mummy has a quick tidy. | 0:26:36 | 0:26:39 | |
DOOR OPENS AND CLOSES | 0:26:55 | 0:26:59 | |
Come through. If you wouldn't mind popping your shoes off for me. > | 0:26:59 | 0:27:04 | |
We have just tidied and cleaned. > | 0:27:04 | 0:27:07 | |
And this, you may remember, is our spacious kitchen/morning room. | 0:27:07 | 0:27:12 | |
It's just not as big as we remembered it. But thanks, anyway. | 0:27:23 | 0:27:26 | |
Yes, yes, cheerio. | 0:27:26 | 0:27:28 | |
Oh, George! You gave me quite a fright there, George! | 0:27:48 | 0:27:52 | |
What, um... | 0:27:54 | 0:27:56 | |
-what time are they coming to look at the house? -They've already been. | 0:27:56 | 0:27:59 | |
Oh! | 0:27:59 | 0:28:02 | |
And...? | 0:28:02 | 0:28:03 | |
Not interested. | 0:28:03 | 0:28:06 | |
Right. | 0:28:06 | 0:28:08 | |
Oh, well. Did you mention the south-westerly aspect? | 0:28:08 | 0:28:14 | |
Well... | 0:28:15 | 0:28:16 | |
what's the point of mentioning the aspect when they can't even see out the bloody window! | 0:28:16 | 0:28:22 | |
Why don't we go the whole hog and just throw everything on the floor?! | 0:28:22 | 0:28:27 | |
That'd be easier for you, wouldn't it? Much better system! | 0:28:27 | 0:28:30 | |
There has to be some mess, George! This is a family home. | 0:28:30 | 0:28:34 | |
No, it's not. | 0:28:34 | 0:28:37 | |
Because do you know what, Joy? | 0:28:37 | 0:28:39 | |
There is no family. | 0:28:41 | 0:28:45 | |
Let's see how you manage on your own. | 0:28:51 | 0:28:55 | |
George? | 0:29:05 | 0:29:07 | |
George! | 0:29:11 | 0:29:13 | |
Oh, what a mess you're making... | 0:29:18 | 0:29:23 | |
Now then, that's better, isn't it, my little Freddy Fruitcake? | 0:29:29 | 0:29:33 | |
Everything's nice and tidy, just the way that Daddy likes it. | 0:29:33 | 0:29:38 | |
Reduced... | 0:29:38 | 0:29:41 | |
re-used... | 0:29:41 | 0:29:45 | |
and recycled. | 0:29:45 | 0:29:47 | |
Happy Halloween. | 0:29:48 | 0:29:51 | |
Where did your researcher get that story from? A friend of a friend? | 0:30:05 | 0:30:10 | |
I don't think she's got any friends. (Like I say, she is quite fat...) | 0:30:10 | 0:30:14 | |
Why, do you think she made it up? | 0:30:14 | 0:30:16 | |
Joy Aston lost a child to cot death then was institutionalised by her husband after a nervous breakdown. | 0:30:16 | 0:30:22 | |
Well, Dale did say he wanted to do edgier stuff. | 0:30:22 | 0:30:25 | |
FAINT SCREAMS | 0:30:25 | 0:30:28 | |
Did you hear that? | 0:30:29 | 0:30:32 | |
Yes, I did. | 0:30:32 | 0:30:33 | |
Did you bring anybody else with you tonight? | 0:30:33 | 0:30:37 | |
No. It's Kenchington's ghost! She's come looking for that locket! | 0:30:37 | 0:30:40 | |
Don't joke about it. It's not funny. | 0:30:40 | 0:30:42 | |
-I'm going to film this in night vision. It'll be just like DOGH. -What? | 0:30:53 | 0:30:56 | |
Dale's Overnight Ghost Hunts. | 0:30:56 | 0:30:58 | |
Oh, God. Can't see a thing. | 0:30:58 | 0:31:00 | |
Just wait. | 0:31:00 | 0:31:02 | |
Your eyes have to adjust. | 0:31:02 | 0:31:04 | |
-Only takes a minute. -I can't imagine Dale doing this, to be honest. | 0:31:04 | 0:31:07 | |
Stumbling round in the dark. He might scuff his shoes. | 0:31:07 | 0:31:09 | |
We'll need him in a studio somewhere. Like an anchorman we keep going back to. | 0:31:09 | 0:31:13 | |
-Like Paul Ross you mean? -What? -Nothing. | 0:31:13 | 0:31:16 | |
I've got a story for you. A friend of a friend one. | 0:31:18 | 0:31:20 | |
It starts with a blind man who's just had an operation to get a brand new pair of eyes. | 0:31:20 | 0:31:27 | |
He was a toy collector, name of Oscar Lomax, and he just couldn't wait to see his latest acquisition. | 0:31:27 | 0:31:34 | |
Morning, Mr L. | 0:31:34 | 0:31:36 | |
How are your eyes this morning, still itching? | 0:31:36 | 0:31:39 | |
Aye, I can't wait to get these bloody bandages off. | 0:31:39 | 0:31:43 | |
-I brought you some Roses. -Ah. | 0:31:43 | 0:31:45 | |
Tealeaf. | 0:31:45 | 0:31:47 | |
Can I smell them? | 0:31:47 | 0:31:49 | |
Oh, your package came this morning, the one you've been waiting for. | 0:31:51 | 0:31:55 | |
Open it up then, open it up! | 0:31:55 | 0:31:57 | |
-What? Is there something wrong with it? -You could say that. | 0:32:06 | 0:32:11 | |
Do you know how offensive this is? | 0:32:14 | 0:32:16 | |
I know, I know, it's got an ink stain on the collar, but you'd never find one in mint condition, Tealeaf. | 0:32:16 | 0:32:24 | |
It's a very rare commodity. | 0:32:24 | 0:32:26 | |
This is one of the only five remaining original Robertson's Gollywogs. | 0:32:26 | 0:32:31 | |
It's priceless. | 0:32:31 | 0:32:33 | |
-Where did you get it from? -I had to delve into the black market. | 0:32:33 | 0:32:37 | |
No pun intended. | 0:32:37 | 0:32:39 | |
And when you do that it's best not to ask too many questions. | 0:32:39 | 0:32:43 | |
Some folk would do anything for money. | 0:32:43 | 0:32:46 | |
Here, let me hold him. | 0:32:46 | 0:32:48 | |
You're going to come and stay with me aren't you, Jamjar? | 0:32:52 | 0:32:57 | |
I can't wait to make you part of the family. | 0:32:57 | 0:32:59 | |
You're worse than Madonna, you are. | 0:32:59 | 0:33:02 | |
Now do me a favour and put those roses in some water, will you? | 0:33:02 | 0:33:06 | |
I've got a vase on the side here somewhere. | 0:33:06 | 0:33:08 | |
Do you want a little tip, Jamjar? | 0:33:20 | 0:33:22 | |
Bicarbonate of soda and half a teaspoon of vinegar. | 0:33:22 | 0:33:26 | |
Pearly white for life. | 0:33:26 | 0:33:28 | |
That's better. | 0:33:33 | 0:33:35 | |
Now then, let's get you to bed, and tomorrow I'll take you home to my holy of holies. | 0:33:35 | 0:33:40 | |
Where are you? You've not fallen down the toilet, have you? | 0:33:40 | 0:33:43 | |
Nurse? Oh, this is ridiculous. | 0:33:43 | 0:33:46 | |
Wait a minute. | 0:33:46 | 0:33:48 | |
Hang on. | 0:34:01 | 0:34:02 | |
Better just turn this light off. | 0:34:02 | 0:34:05 | |
Now then. Let's see what we can see. | 0:34:13 | 0:34:16 | |
Oh. There you are, Jamjar. | 0:34:26 | 0:34:30 | |
Ohh! | 0:34:31 | 0:34:33 | |
I can't believe you took your bandages off. What did I tell you yesterday? | 0:35:02 | 0:35:05 | |
I'm fine, I'm fine, stop fussing, you're like a nagging wife. | 0:35:05 | 0:35:10 | |
I'm not going to need you for much longer, Tealeaf. | 0:35:10 | 0:35:13 | |
I've got my independence now. | 0:35:13 | 0:35:15 | |
-Yeah well, we'll let the doctor decide that. -He can wait. | 0:35:15 | 0:35:18 | |
I've got business to attend to. | 0:35:18 | 0:35:20 | |
Come on then. What's on the agenda for today? | 0:35:20 | 0:35:23 | |
You've had a request for an estate valuation. | 0:35:23 | 0:35:26 | |
What is it? | 0:35:26 | 0:35:28 | |
Small collection of period and modern soft toys. You want me to pass? | 0:35:28 | 0:35:32 | |
No, No, No, time to get back on the horse. | 0:35:32 | 0:35:34 | |
You never know what you might find. | 0:35:34 | 0:35:36 | |
Arthur Negus once found a first edition Mandy in a chiropodist's waiting room in Buxton. | 0:35:36 | 0:35:41 | |
Tell them I'll do it. | 0:35:41 | 0:35:43 | |
Cool. I'll go and find the doctor and get you discharged. | 0:35:43 | 0:35:47 | |
Ask him yourself, he's standing right there. | 0:35:47 | 0:35:55 | |
-Where? -There. | 0:35:55 | 0:35:57 | |
He's just been examining me. | 0:35:57 | 0:35:59 | |
There's no-one here, Mr Lomax. | 0:36:01 | 0:36:03 | |
Only me. Your eyes are playing tricks on you. | 0:36:03 | 0:36:06 | |
Who are you? | 0:36:16 | 0:36:17 | |
What do you want? | 0:36:20 | 0:36:21 | |
No. No, the problem here is that there's nothing left of the original stitching. | 0:36:38 | 0:36:42 | |
There's at least three different types of cotton in her crotch. | 0:36:42 | 0:36:46 | |
It completely devalues the item. | 0:36:46 | 0:36:48 | |
It is very old. | 0:36:48 | 0:36:50 | |
Old and worthless, I'm afraid. | 0:36:50 | 0:36:52 | |
Fine for a family heirloom but useless to a serious collector. | 0:36:52 | 0:36:57 | |
My husband thought there might be one or two things of worth. | 0:36:57 | 0:37:01 | |
No. A bear with stitch-nose and cut glass eyes, a ninth generation Andy | 0:37:01 | 0:37:07 | |
Pandy with indigo instead of the original candy-blue stripe, and a | 0:37:07 | 0:37:11 | |
Happy Meal Pluto. | 0:37:11 | 0:37:14 | |
Car boot fodder, I'm afraid. | 0:37:16 | 0:37:17 | |
I'll offer you five pounds for the lot, and that's only because I'm curious about your Bagpuss. | 0:37:17 | 0:37:22 | |
Doesn't seem much. She collected these since she was a little girl. | 0:37:22 | 0:37:27 | |
I know. But she played with them. | 0:37:27 | 0:37:30 | |
And hugged them, and squeezed all the worth out of them. | 0:37:30 | 0:37:36 | |
Now they're just husks. | 0:37:36 | 0:37:39 | |
May I? | 0:37:39 | 0:37:40 | |
Can I ask? | 0:37:46 | 0:37:48 | |
How did she die? | 0:37:48 | 0:37:51 | |
She died in her sleep. | 0:37:51 | 0:37:53 | |
Quite sudden, really, she was just in her bedroom watching Eastenders | 0:37:53 | 0:37:58 | |
and by the time I came up with her Bovril | 0:37:58 | 0:38:01 | |
she was just sat there. Slumped. | 0:38:01 | 0:38:04 | |
-Did she by any chance carry a donor card? -Yes. | 0:38:04 | 0:38:09 | |
Her heart was no good, but a kidney, they took. | 0:38:09 | 0:38:13 | |
And her liver. | 0:38:13 | 0:38:15 | |
Even her eyes. | 0:38:15 | 0:38:17 | |
Night night, Jamjar. | 0:38:40 | 0:38:42 | |
LOUD THUD | 0:38:46 | 0:38:48 | |
Is anybody there? | 0:39:05 | 0:39:06 | |
Who are you? | 0:39:31 | 0:39:33 | |
What do you want? | 0:39:54 | 0:39:56 | |
EASTENDERS THEME PLAYS ON TV | 0:40:06 | 0:40:08 | |
-Murdered? -Yes, I believe so. | 0:40:30 | 0:40:32 | |
I think I was given your mother's eyes and I'm seeing what she saw just before she died. | 0:40:32 | 0:40:38 | |
She was watching Eastenders, you say? | 0:40:38 | 0:40:40 | |
I think so, yes. | 0:40:40 | 0:40:43 | |
That makes sense. | 0:40:43 | 0:40:45 | |
I've done a drawing of the man I think killed her. | 0:40:45 | 0:40:47 | |
It's not perfect, but... | 0:40:47 | 0:40:49 | |
Does that ring any bells? | 0:40:52 | 0:40:54 | |
Not really. | 0:40:54 | 0:40:55 | |
But why would anybody want to kill her, she didn't do anything to anybody. | 0:40:55 | 0:40:59 | |
I only know what I saw. | 0:40:59 | 0:41:01 | |
She was killed, I'm telling you. | 0:41:01 | 0:41:03 | |
-I think we should call the police. -All right, | 0:41:03 | 0:41:06 | |
I'd better just tell my husband. | 0:41:06 | 0:41:08 | |
Eddie! Ed! | 0:41:08 | 0:41:10 | |
'My husband thought there might be one or two things of worth. | 0:41:29 | 0:41:32 | |
'I had to delve into the black market. | 0:41:32 | 0:41:34 | |
'Best not to ask too many questions.' | 0:41:34 | 0:41:36 | |
Hello there. | 0:41:36 | 0:41:37 | |
'Some folk would do anything for money.' | 0:41:37 | 0:41:40 | |
Now, what's all this nonsense about a murder? | 0:41:40 | 0:41:46 | |
Jamjar. | 0:41:46 | 0:41:49 | |
Oh, that is brilliant, we've got to use that! | 0:41:54 | 0:41:56 | |
-I know someone on 'Enders, actually, wait till I tell them that. They'll piss. -Can you see better now? | 0:41:56 | 0:42:02 | |
Uh, yeah. | 0:42:02 | 0:42:03 | |
What do you think that noise was really? | 0:42:04 | 0:42:06 | |
I don't know. | 0:42:06 | 0:42:08 | |
When I was little, I could hear screams coming from this place at night. | 0:42:08 | 0:42:12 | |
My mum used to tell me that it was just the seagulls. | 0:42:12 | 0:42:16 | |
-Seagulls go to bed though, don't they? -Yeah. But the mad don't. | 0:42:17 | 0:42:22 | |
No rest for the wicked. | 0:42:24 | 0:42:27 | |
Let's head out. | 0:42:27 | 0:42:29 | |
So what happened with Kenchington? | 0:42:29 | 0:42:31 | |
Did she let you go after she got her locket back? | 0:42:31 | 0:42:33 | |
No. She took me on her night round of the wards. | 0:42:33 | 0:42:35 | |
-Oh, my God! -Yeah. | 0:42:35 | 0:42:37 | |
She saved the best till last. | 0:42:37 | 0:42:40 | |
If I was scared before, I was petrified now. | 0:42:52 | 0:42:56 | |
She led me down the corridor introducing me to all the patients. | 0:42:56 | 0:43:01 | |
Then we came into the final cell. | 0:43:01 | 0:43:04 | |
Now then. I think you owe this poor creature an apology. | 0:43:06 | 0:43:11 | |
Hello, David, how are we this evening? | 0:43:17 | 0:43:22 | |
Can't sleep. | 0:43:22 | 0:43:25 | |
I'm not surprised. | 0:43:25 | 0:43:26 | |
-This young man fired 400 volts into your brain. -Sorry. | 0:43:26 | 0:43:32 | |
I can smell a wet mattress, David, | 0:43:32 | 0:43:35 | |
have you been having bad dreams again? | 0:43:35 | 0:43:39 | |
Tell us about it. | 0:43:39 | 0:43:41 | |
I'm sure the child would love to hear what's going on in your head, wouldn't you? | 0:43:41 | 0:43:47 | |
There you are, David, you have an audience. | 0:43:47 | 0:43:52 | |
Now what's on your mind? | 0:43:52 | 0:43:54 | |
Well, in the dream, | 0:43:56 | 0:43:58 | |
me and my mum are on our way to a party at Uncle Peter's house. | 0:43:58 | 0:44:03 | |
But there's a problem with the car. | 0:44:03 | 0:44:06 | |
And we get stranded in the woods. | 0:44:06 | 0:44:08 | |
Stupid bushes. | 0:44:17 | 0:44:19 | |
I hope you haven't weed on them boots, David. | 0:44:19 | 0:44:21 | |
-I don't think so. -Good. I borrowed them from Mr Hayward downstairs. | 0:44:21 | 0:44:25 | |
Apparently his son's a pinhead. | 0:44:25 | 0:44:26 | |
Skinhead. Didn't want to wear this anyway. Babyish. | 0:44:26 | 0:44:29 | |
Yeah, well I'm sorry, David, it would have been in bad taste to go as Fred West. It's too recent. | 0:44:29 | 0:44:35 | |
Well, why couldn't I go as Ed Gein? | 0:44:35 | 0:44:37 | |
No-one would have known who you were. | 0:44:37 | 0:44:39 | |
Yes, they would. Texas Chainsaw Massacre. | 0:44:39 | 0:44:41 | |
A belt of lady's nipples and a silver vagina on my face. | 0:44:41 | 0:44:45 | |
And where were you going to get one of them? | 0:44:45 | 0:44:47 | |
-Could have made one? -Out of what? | 0:44:47 | 0:44:51 | |
-Chamois leather. -David, you are not using my chamois as vaginas. | 0:44:51 | 0:44:56 | |
You look good anyway as Frankenstein. | 0:44:56 | 0:44:58 | |
Humph, Frankenstein is the Doctor and I am the creature. | 0:44:58 | 0:45:01 | |
Yeah, and I'm your bride. | 0:45:01 | 0:45:03 | |
Look! There's a car coming. Maybe we can get a lift. | 0:45:07 | 0:45:10 | |
Check them out first though. They might be weirdos. | 0:45:10 | 0:45:12 | |
-Everything all right? -We were on our way to a party. | 0:45:21 | 0:45:24 | |
Our car broke down. You couldn't give us a lift, could you? | 0:45:24 | 0:45:27 | |
Of course. Jump in. | 0:45:27 | 0:45:31 | |
So I suppose you want dropping off at the castle, do you? | 0:45:31 | 0:45:35 | |
No. | 0:45:35 | 0:45:37 | |
52 Birchwood Avenue. | 0:45:37 | 0:45:40 | |
I told David to join the RAC, and he disappeared to Stratford for three months. | 0:45:40 | 0:45:45 | |
Yeah. I did A Winter's Tale with Simon Russell Beale. | 0:45:45 | 0:45:50 | |
He's a good theatre actor, but he's too big for telly. | 0:45:50 | 0:45:53 | |
And Anthony Sher's the same. | 0:45:53 | 0:45:57 | |
So I take it you're going to a fancy dress party? | 0:45:57 | 0:46:00 | |
Yes, David's uncle does them. He has parties all year round. | 0:46:00 | 0:46:03 | |
Remember that Easter one and we had to go as eggs? | 0:46:03 | 0:46:05 | |
Yeah. It was shit. | 0:46:05 | 0:46:07 | |
What's the matter with that lady? | 0:46:07 | 0:46:10 | |
Oh, that's my wife. | 0:46:10 | 0:46:13 | |
We've had rather a long journey I'm afraid. | 0:46:13 | 0:46:15 | |
She gets quite car sick. | 0:46:15 | 0:46:17 | |
The best thing for her is to sleep through it. | 0:46:17 | 0:46:19 | |
-She looks pale. -Well, she's just taken two Valium. | 0:46:19 | 0:46:23 | |
Mum, pass me your mirror. | 0:46:26 | 0:46:28 | |
-What for? -I don't think she's breathing. | 0:46:28 | 0:46:30 | |
-I want to check. -Look, David, the nice man's offered us a lift. Don't be calling his wife dead. | 0:46:30 | 0:46:35 | |
I just want to see. | 0:46:35 | 0:46:38 | |
-Please, I don't want her waking up. -I won't wake her. | 0:46:38 | 0:46:40 | |
-She needs to rest. -I'll just take her pulse. | 0:46:40 | 0:46:42 | |
DON'T TOUCH HER! | 0:46:42 | 0:46:43 | |
Police reports today confirmed the discovery of a fourth body on wasteland in North London. | 0:46:52 | 0:46:57 | |
-Not another one. -Shhhh! -The victim was badly mutilated and the attack bears all the | 0:46:57 | 0:47:01 | |
hallmarks of three other murders that the newspapers are dubbing the work of the Stanmore Slasher. | 0:47:01 | 0:47:07 | |
Police are asking... | 0:47:07 | 0:47:10 | |
Rather morbid. | 0:47:10 | 0:47:12 | |
-If he does one more he'll end up on your wall, won't he? -Maybe. | 0:47:12 | 0:47:15 | |
-What's that? -Oh, David's hobby. | 0:47:15 | 0:47:19 | |
He collects serial killers. | 0:47:19 | 0:47:21 | |
Don't collect them. | 0:47:21 | 0:47:23 | |
-Study them. -He's actually worked out who Jack the Ripper is, but won't tell me, will you? -It's confidential. | 0:47:23 | 0:47:29 | |
Most of them are rather pathetic individuals, aren't they? | 0:47:29 | 0:47:31 | |
I disagree. | 0:47:31 | 0:47:33 | |
From what I've read they're usually your average Joe Bloggs, just like you and I. | 0:47:33 | 0:47:37 | |
There's always signs. | 0:47:37 | 0:47:40 | |
You've just got to know where to look. | 0:47:40 | 0:47:43 | |
But don't they always get careless, give themselves away? | 0:47:44 | 0:47:48 | |
I mean, for example, if I were going to dispose of a body | 0:47:48 | 0:47:51 | |
I wouldn't flush it down the toilet with a portion of Kentucky Fried Chicken to disguise the smell. | 0:47:51 | 0:47:56 | |
Dennis Nilsen, 15 victims, 1982. | 0:47:56 | 0:47:58 | |
-1983. -'83. | 0:47:58 | 0:47:59 | |
Is that what he used, Kentucky? | 0:47:59 | 0:48:01 | |
Dirty pig. | 0:48:01 | 0:48:03 | |
-David mixes in a couple drops of my perfume if he's done a really stinky one, don't you, David? -Yeah. | 0:48:03 | 0:48:08 | |
Tweed by Lentheric. | 0:48:08 | 0:48:11 | |
Makes it worse. Really sweet. | 0:48:11 | 0:48:14 | |
So, who's expecting you at this party then? | 0:48:14 | 0:48:18 | |
-Is it just family? -I don't know half of them myself. | 0:48:18 | 0:48:21 | |
Just various uncles. There's a whole load coming in from Penzance dressed as The Addams Family, | 0:48:21 | 0:48:26 | |
though I'm not sure I'll be able to tell the difference. | 0:48:26 | 0:48:28 | |
-Are you all right, David? You look a bit green? -Yeah. | 0:48:28 | 0:48:32 | |
Can we stop the car? | 0:48:34 | 0:48:36 | |
-I want to use that phone box. -Why? | 0:48:36 | 0:48:38 | |
-Do you need a wee? -Tell Uncle Peter we're going to be late. | 0:48:38 | 0:48:40 | |
-No! I can't stop just yet. -Stop the car! Now! | 0:48:40 | 0:48:45 | |
Come on, Mum. You too. | 0:48:45 | 0:48:46 | |
I'm not getting out. I'm settled here. | 0:48:46 | 0:48:48 | |
Mum! | 0:48:52 | 0:48:53 | |
The man drives away with Mum still in the back of the car, | 0:48:56 | 0:49:00 | |
so I go and phone the police. | 0:49:00 | 0:49:02 | |
Hello, 999 Letsby Avenue? | 0:49:06 | 0:49:09 | |
Yeah, I think my mum's been taken | 0:49:09 | 0:49:12 | |
by the Stanmore Slasher. | 0:49:12 | 0:49:15 | |
Here, drink this. | 0:49:21 | 0:49:22 | |
It'll calm your nerves. | 0:49:22 | 0:49:24 | |
No, I just want to go back and get David. | 0:49:24 | 0:49:27 | |
He doesn't like being on his own. | 0:49:27 | 0:49:29 | |
He has to leave the door open when he's doing his number twos. | 0:49:29 | 0:49:32 | |
Can we not go back for him? | 0:49:32 | 0:49:33 | |
I'm afraid not. Look. You must understand. | 0:49:33 | 0:49:37 | |
I was only thinking about my wife. | 0:49:37 | 0:49:40 | |
Where is your wife? Is she still asleep? | 0:49:40 | 0:49:43 | |
MOBILE PHONE RINGS | 0:49:43 | 0:49:46 | |
Hello? Oh, hi, Mum. | 0:50:05 | 0:50:09 | |
Oh, we just got back, | 0:50:10 | 0:50:13 | |
I think. | 0:50:13 | 0:50:15 | |
I don't know, I was out cold. | 0:50:15 | 0:50:18 | |
Yes, it was fine. | 0:50:20 | 0:50:23 | |
I went as a bride of Dracula | 0:50:23 | 0:50:26 | |
and Adrian went as Dennis Nilson, | 0:50:26 | 0:50:29 | |
you know, the strangler. | 0:50:29 | 0:50:31 | |
He gave me the creeps. | 0:50:32 | 0:50:34 | |
Yes. Police, please. | 0:50:34 | 0:50:36 | |
So my David is the Stanmore Slasher, you think? Well, I never. | 0:50:36 | 0:50:42 | |
Just goes to show, | 0:50:42 | 0:50:44 | |
you never really know who you've got under your roof, do you? | 0:50:44 | 0:50:47 | |
You really should have let me go. | 0:50:49 | 0:50:51 | |
HE SCREAMS | 0:50:59 | 0:51:01 | |
Ahhh! | 0:51:07 | 0:51:09 | |
It's a full moon tonight. She'll change again. | 0:51:22 | 0:51:26 | |
You've got to stop her. Please. She'll change again. | 0:51:26 | 0:51:29 | |
All right, David. That's enough. | 0:51:29 | 0:51:31 | |
Your mother's not a monster. | 0:51:31 | 0:51:34 | |
You are. Come along. | 0:51:34 | 0:51:38 | |
No. No. | 0:51:39 | 0:51:41 | |
Now then... | 0:51:44 | 0:51:46 | |
..this is interesting. | 0:51:47 | 0:51:50 | |
Look in here. | 0:51:50 | 0:51:52 | |
What do you see? | 0:51:55 | 0:51:58 | |
-It's empty. -That's right. | 0:51:58 | 0:52:00 | |
That's because this one, young man, this one, is for you. | 0:52:00 | 0:52:08 | |
Get him! | 0:52:13 | 0:52:14 | |
I'll find you! I'll find you! | 0:52:15 | 0:52:18 | |
You can't leave now, you'll never leave. | 0:52:18 | 0:52:23 | |
SHE CACKLES | 0:52:23 | 0:52:25 | |
I want some closure on this. I thought being involved in your programme might be able to help me. | 0:52:31 | 0:52:36 | |
We need to get some celebrities wandering round here. I'm sure the Dingles would do it. | 0:52:36 | 0:52:41 | |
And I'd love to get Frank Bruno. He'd tick a lot of boxes. | 0:52:41 | 0:52:44 | |
Anyway, I've taken up enough of your time already. Thank you. | 0:52:44 | 0:52:47 | |
Do you need me to show you out? | 0:52:47 | 0:52:49 | |
No, no, I'm going to go and get some shots round the front. | 0:52:49 | 0:52:51 | |
I've not even been round there yet. | 0:52:51 | 0:52:52 | |
OK. I'm going to grab my bag. | 0:52:52 | 0:52:55 | |
I don't want anyone knowing we were here. | 0:52:55 | 0:52:57 | |
Except the ghosts! | 0:52:57 | 0:52:58 | |
OK. So I'm just going to walk round the front of the building now. | 0:53:06 | 0:53:10 | |
What is that? | 0:53:22 | 0:53:24 | |
Is there a spirit in this room? | 0:53:35 | 0:53:39 | |
If there is a spirit, | 0:53:39 | 0:53:41 | |
good or evil, | 0:53:41 | 0:53:43 | |
commune with me. | 0:53:43 | 0:53:46 | |
Give me a sign. | 0:53:46 | 0:53:47 | |
EERIE KNOCKING | 0:53:47 | 0:53:50 | |
What are you doing snooping round in my office? | 0:53:50 | 0:53:56 | |
Well, it's a simple question. | 0:53:58 | 0:54:00 | |
Who sent you? | 0:54:00 | 0:54:03 | |
Are you the spirit of Edwina Kenchington? | 0:54:03 | 0:54:05 | |
Yes. | 0:54:05 | 0:54:08 | |
Well, I was. | 0:54:08 | 0:54:10 | |
Not any more. | 0:54:10 | 0:54:13 | |
Do you remember me? | 0:54:13 | 0:54:15 | |
Should I? | 0:54:15 | 0:54:17 | |
I met you. | 0:54:17 | 0:54:19 | |
Years ago. | 0:54:19 | 0:54:22 | |
-When I was a boy. -Well, you can't be a former patient. | 0:54:22 | 0:54:25 | |
You can form sentences. | 0:54:25 | 0:54:28 | |
It was Halloween night. | 0:54:28 | 0:54:30 | |
I stole your locket. | 0:54:30 | 0:54:32 | |
Oh! I remember. | 0:54:32 | 0:54:36 | |
Why was it so important to you? | 0:54:36 | 0:54:39 | |
-Why have you come back? -Unfinished business. Who sent you? | 0:54:39 | 0:54:43 | |
Andrews, or Stroheim? | 0:54:43 | 0:54:46 | |
-My money's on Andrews. -I don't know those people. | 0:54:46 | 0:54:49 | |
-Where is my locket? -I don't know. | 0:54:49 | 0:54:52 | |
Don't lie to me, boy! You took it before and you're back here again. | 0:54:52 | 0:54:55 | |
-Who do you work for? -Sainsbury's. | 0:54:55 | 0:54:58 | |
What are you doing here? | 0:54:58 | 0:55:00 | |
I came looking for you. | 0:55:02 | 0:55:05 | |
I just wanted to see a ghost. | 0:55:05 | 0:55:07 | |
Well, that can be arranged. | 0:55:10 | 0:55:12 | |
GUNSHOT | 0:55:12 | 0:55:13 | |
'I received an anonymous letter, | 0:55:32 | 0:55:34 | |
'explaining that my mother had been murdered | 0:55:34 | 0:55:36 | |
'and a list of those responsible. | 0:55:36 | 0:55:38 | |
'I took it to be a confession from someone who could no longer bear the guilt. | 0:55:38 | 0:55:43 | |
'David. | 0:55:43 | 0:55:44 | |
'He was always the weakest link. Goodbye. | 0:55:44 | 0:55:47 | |
It wasn't David. | 0:55:47 | 0:55:51 | |
-It was me. -Mummy! | 0:55:52 | 0:55:55 | |
You won't believe what I've just seen... Oh, my God, what happened? | 0:55:56 | 0:56:01 | |
Kenchington. She shot me. | 0:56:01 | 0:56:05 | |
She's not dead. | 0:56:06 | 0:56:08 | |
What? Come on, we'll get help. | 0:56:08 | 0:56:10 | |
MUMMY! | 0:56:11 | 0:56:12 | |
Look! | 0:56:15 | 0:56:16 | |
You idiot! | 0:56:22 | 0:56:24 | |
-And this is all of it? -Yes, Ma'am. | 0:56:35 | 0:56:37 | |
-How many dead? -Four dead, including those two. And two more critical. | 0:56:37 | 0:56:41 | |
What a mess. | 0:56:42 | 0:56:45 | |
Please tell me we found it? | 0:56:45 | 0:56:47 | |
No, Ma'am. No sign. | 0:56:50 | 0:56:53 | |
-Well, we can't proceed without it. -I know, Ma'am. | 0:56:54 | 0:56:57 | |
So deal with it, Kelvin. We can't have any loose ends. | 0:56:57 | 0:57:00 | |
Yes, Ma'am. | 0:57:00 | 0:57:01 | |
-Sorry, Ma'am, I just need to get the file back. -What? | 0:57:22 | 0:57:25 | |
Um. Can I get the file back, please? | 0:57:25 | 0:57:27 | |
I'm burning it! | 0:57:27 | 0:57:29 | |
That is our only copy, Ma'am. We do definitely need it. | 0:57:29 | 0:57:32 | |
Oh, for fuck's... | 0:57:32 | 0:57:34 | |
Subtitles by Red Bee Media Ltd | 0:58:12 | 0:58:14 | |
Email [email protected] | 0:58:14 | 0:58:16 |