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CHEERING AND APPLAUSE | 0:00:22 | 0:00:23 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:30 | 0:00:34 | |
the show where three guests vie to cast their biggest bugbears | 0:00:34 | 0:00:38 | |
deep into the gloomy vault. | 0:00:38 | 0:00:40 | |
Let's meet this week's guests. | 0:00:40 | 0:00:41 | |
Joining me tonight are comedian Adam Hills, | 0:00:41 | 0:00:44 | |
broadcaster Gyles Brandreth and pop superstar Melanie C. | 0:00:44 | 0:00:47 | |
CHEERING | 0:00:47 | 0:00:50 | |
So, can we have our first category? | 0:00:53 | 0:00:55 | |
What kind of people wind up Gyles? | 0:01:01 | 0:01:05 | |
LAUGHTER | 0:01:11 | 0:01:13 | |
The electorate. | 0:01:16 | 0:01:18 | |
-Yes. -The people who vote. | 0:01:18 | 0:01:20 | |
I should say, that is a shot of our audience here tonight. | 0:01:20 | 0:01:23 | |
But they are the electorate. There's no getting round that. | 0:01:23 | 0:01:26 | |
I used to be a Member of Parliament, until the people spoke. | 0:01:26 | 0:01:29 | |
LAUGHTER | 0:01:29 | 0:01:31 | |
-Where were you MP for? -The city of Chester. | 0:01:31 | 0:01:34 | |
-Beautiful part of the world. -Yes, of course. | 0:01:34 | 0:01:36 | |
And many of them were nice people. This is just an act of revenge... | 0:01:36 | 0:01:39 | |
-Yes. -..on my part. I knew I had contempt for my constituents, | 0:01:39 | 0:01:42 | |
but it just came as a bit of a shock to the system | 0:01:42 | 0:01:45 | |
to find the feeling was entirely mutual. | 0:01:45 | 0:01:47 | |
So I lost my seat. That's the point. | 0:01:47 | 0:01:50 | |
I lost my seat at the General Election, and I thought, | 0:01:50 | 0:01:52 | |
"Well, they can do that to me." Here's my chance, Frank. | 0:01:52 | 0:01:55 | |
Thanks to you, I can do the same to them. | 0:01:55 | 0:01:57 | |
-I'm now voting for you to go down the plughole. -Fair enough. | 0:01:57 | 0:02:01 | |
So your political policy right now is, | 0:02:01 | 0:02:04 | |
"If you don't vote for me, I lock you in a room." | 0:02:04 | 0:02:06 | |
We have a picture of you in your politician days. | 0:02:08 | 0:02:12 | |
-LAUGHTER -Ah, yes. Yeah. | 0:02:12 | 0:02:15 | |
I don't know if you were just about to jump. | 0:02:15 | 0:02:17 | |
John Major became the leader of my party. | 0:02:18 | 0:02:21 | |
That's when, overnight, I began to go grey. | 0:02:21 | 0:02:23 | |
William Hague became the leader of my party. | 0:02:23 | 0:02:25 | |
Again, to show my loyalty, overnight, I began to go bald. | 0:02:25 | 0:02:29 | |
I was only grateful that Ann Widdecombe did not succeed. | 0:02:29 | 0:02:32 | |
During the General Election, in fact, my darling wife came back | 0:02:33 | 0:02:36 | |
to our house one day. I'd been out canvassing, campaigning, | 0:02:36 | 0:02:39 | |
and I found a 'for sale' notice outside our house. | 0:02:39 | 0:02:41 | |
I said, "What have you done?" She said, "I've put our house up for sale." | 0:02:41 | 0:02:44 | |
I said, "In the constituency? I'm running for election." | 0:02:44 | 0:02:46 | |
-She said, "Yes, I know, but I've seen the way the wind is blowing." -Blimey! | 0:02:46 | 0:02:50 | |
There's no vapid optimism with my wife, I can tell you. | 0:02:50 | 0:02:53 | |
As my wife says to me, "Gyles, when one door closes, it's shut." | 0:02:53 | 0:02:57 | |
LAUGHTER | 0:02:57 | 0:02:59 | |
Well, we have a clip of Iain Duncan Smith listening to | 0:02:59 | 0:03:03 | |
the voice of the people in Liverpool. | 0:03:03 | 0:03:05 | |
How's it feel to be a complete non-entity, Mr Duncan Smith? | 0:03:07 | 0:03:11 | |
Scum of the earth! | 0:03:11 | 0:03:13 | |
And you've got cheap shoes! | 0:03:13 | 0:03:15 | |
LAUGHTER | 0:03:15 | 0:03:18 | |
Actually, all MPs of all parties, in my experience, | 0:03:20 | 0:03:23 | |
almost all of them, it's a vocation. | 0:03:23 | 0:03:24 | |
They do it because they want to make the world | 0:03:24 | 0:03:27 | |
-a better place, in small ways... -Is that true, Gyles? | 0:03:27 | 0:03:29 | |
It really is true, because, er, I mean, all right, | 0:03:29 | 0:03:31 | |
maybe the expenses are marvellous, | 0:03:31 | 0:03:33 | |
but the wages aren't that marvellous. | 0:03:33 | 0:03:35 | |
-The expenses aren't what they used to be. -They aren't. | 0:03:35 | 0:03:38 | |
I want you to know, though... May I say something? | 0:03:38 | 0:03:41 | |
May I say something, Frank? I was a respectable Member of Parliament. | 0:03:41 | 0:03:44 | |
I dug my own moat. | 0:03:44 | 0:03:46 | |
LAUGHTER | 0:03:46 | 0:03:48 | |
That was just to keep the electorate away. | 0:03:48 | 0:03:51 | |
Now, this is what I suspect politicians think of each other. | 0:03:52 | 0:03:56 | |
This is a Ukrainian MP called Rehawhi Suakis, | 0:03:56 | 0:04:01 | |
and he's talking to another politician, | 0:04:01 | 0:04:04 | |
and just watch what he does. | 0:04:04 | 0:04:06 | |
-Oh! -LAUGHTER | 0:04:10 | 0:04:13 | |
OK, so what kind of people wind up Adam? | 0:04:17 | 0:04:21 | |
People who predict what's going to happen next in a movie. | 0:04:25 | 0:04:30 | |
-AUDIENCE GROANS -Eugh! | 0:04:30 | 0:04:32 | |
Oh! See? I've got the electorate now! | 0:04:32 | 0:04:34 | |
LAUGHTER | 0:04:34 | 0:04:36 | |
Do you know what I mean? Like, I love movies. | 0:04:36 | 0:04:38 | |
I love watching a movie and I love losing myself in the movie, | 0:04:38 | 0:04:42 | |
to the point where everything else just disappears | 0:04:42 | 0:04:44 | |
and I'm fully engaged in the story. | 0:04:44 | 0:04:45 | |
And, for me, someone's written it, someone's directed it, | 0:04:45 | 0:04:49 | |
someone's's shot it in just a way that it's building up | 0:04:49 | 0:04:52 | |
to a moment that catches you unaware, | 0:04:52 | 0:04:54 | |
and to have the person next to you | 0:04:54 | 0:04:55 | |
suddenly lean over and go, "I know what's going to happen next." | 0:04:55 | 0:04:58 | |
No! I don't care! | 0:04:58 | 0:05:00 | |
And, basically, this is the person saying, | 0:05:00 | 0:05:03 | |
"I'm smarter than whoever wrote the movie." | 0:05:03 | 0:05:05 | |
Yeah, see, I find films are a bit too long. Nowadays. | 0:05:05 | 0:05:09 | |
So, if someone says to me, "I think that's the murderer," | 0:05:09 | 0:05:12 | |
I think, "You know, I'll take that as an ending." | 0:05:12 | 0:05:14 | |
LAUGHTER | 0:05:14 | 0:05:16 | |
"Shall we leave it there? Let's have a pizza. That'll do." | 0:05:16 | 0:05:19 | |
But I mean, your experience of The Sixth Sense | 0:05:19 | 0:05:21 | |
would be totally different to everybody else's. | 0:05:21 | 0:05:23 | |
You would think it was just a nice story about a kindly psychiatrist. | 0:05:23 | 0:05:27 | |
Yeah?! But that's all right. I've got my own little ending. | 0:05:27 | 0:05:30 | |
LAUGHTER | 0:05:30 | 0:05:31 | |
I mean, I like people having a guess. | 0:05:31 | 0:05:33 | |
I can't bear the idea of going to the cinema with either of you two, | 0:05:33 | 0:05:36 | |
though, because you're chatting through the film! | 0:05:36 | 0:05:39 | |
I can't bear it when people talk! Even whispering! Why do you allow | 0:05:39 | 0:05:42 | |
-your friend to whisper anything? -I completely agree! | 0:05:42 | 0:05:44 | |
"There's a rule here! We don't talk when we're in here! | 0:05:44 | 0:05:47 | |
"Pretend we're married! We're not going to speak!" | 0:05:47 | 0:05:49 | |
LAUGHTER | 0:05:49 | 0:05:50 | |
What about at home when you're watching a video at home? | 0:05:50 | 0:05:53 | |
Oh, it's not allowed! It's not allowed! | 0:05:53 | 0:05:55 | |
If it's a worthwhile experience, | 0:05:55 | 0:05:58 | |
we close the blinds, we close the curtains, | 0:05:58 | 0:06:00 | |
and my children, now my grandchildren, | 0:06:00 | 0:06:02 | |
they sell tickets. | 0:06:02 | 0:06:04 | |
And they serve the popcorn. It becomes like a proper experience. | 0:06:05 | 0:06:08 | |
-I can't bear people chatting. -I completely agree! | 0:06:08 | 0:06:10 | |
And the other annoying thing is | 0:06:10 | 0:06:12 | |
people who laugh uproariously when it isn't funny. | 0:06:12 | 0:06:14 | |
You know, I quite like those people. LAUGHTER | 0:06:14 | 0:06:17 | |
Yeah, I built a career on those people. | 0:06:17 | 0:06:20 | |
I don't think I'd ever thought I'd say this, | 0:06:21 | 0:06:23 | |
but I want to go to every movie with you from now on. | 0:06:23 | 0:06:26 | |
You sound like the ideal person to watch a movie with. | 0:06:26 | 0:06:28 | |
Well, do you know, there's a touch | 0:06:28 | 0:06:30 | |
of the Tommy Two Ways about me. I think we could get on quite well. | 0:06:30 | 0:06:33 | |
LAUGHTER | 0:06:33 | 0:06:34 | |
Is this...? Is this the normal friend you go with? | 0:06:37 | 0:06:40 | |
I'm going to... I'm going to need an Australian-English translator. | 0:06:40 | 0:06:44 | |
LAUGHTER | 0:06:44 | 0:06:45 | |
I was just confused by the little plasticine model, um, | 0:06:46 | 0:06:49 | |
of these two lovely young Australian boys. | 0:06:49 | 0:06:52 | |
-Um... -LAUGHTER | 0:06:52 | 0:06:55 | |
-They're based on me. -Oh, I'm so sorry! | 0:06:55 | 0:06:57 | |
APPLAUSE | 0:06:59 | 0:07:01 | |
I take that as an enormous compliment! | 0:07:04 | 0:07:06 | |
But you don't get it in comedy. No-one would sit in a comedy club | 0:07:08 | 0:07:11 | |
and tell you, you know, you don't hear people | 0:07:11 | 0:07:13 | |
whispering how they think the punch line's going to end up. | 0:07:13 | 0:07:15 | |
I find if people go to tell you I joke, | 0:07:15 | 0:07:17 | |
and you say, "Oh, I know this one, | 0:07:17 | 0:07:19 | |
"it's blah-blah-blah," they'll still tell it. | 0:07:19 | 0:07:22 | |
I remember hearing a joke, and you may know this, of prisoners, | 0:07:22 | 0:07:25 | |
there are prisoners in a jail and a new guy comes in | 0:07:25 | 0:07:29 | |
and everything goes quiet, they're not allowed to talk after dark, | 0:07:29 | 0:07:31 | |
and someone just yells a number, and then everyone starts laughing, | 0:07:31 | 0:07:35 | |
then someone else yells a number, and everyone laughs. | 0:07:35 | 0:07:37 | |
He turns to his cell-mate and says, "What's going on?" | 0:07:37 | 0:07:40 | |
"We're not allowed to tell jokes, so we've memorised them | 0:07:40 | 0:07:42 | |
"and we just yell numbers out | 0:07:42 | 0:07:44 | |
"and everyone knows what the joke is." | 0:07:44 | 0:07:47 | |
And the guy went, "Can I have a go?" "Yeah, have a go!" | 0:07:47 | 0:07:50 | |
"72!" and gets nothing. | 0:07:50 | 0:07:52 | |
He looks at the cell-mate and goes, "What happened?" | 0:07:52 | 0:07:54 | |
And he went, "It's the way you told it." | 0:07:54 | 0:07:56 | |
LAUGHTER | 0:07:56 | 0:07:58 | |
Now, someone once started telling me that joke | 0:07:58 | 0:08:00 | |
and I was like, "Oh, I know it," and then, I thought, "No, don't... | 0:08:00 | 0:08:03 | |
"Don't interrupt, it might not end the way you think it'll end." | 0:08:03 | 0:08:06 | |
And he said the joke and he went, "Right, 72!" | 0:08:06 | 0:08:09 | |
And the cell-mates just lost their minds and were applauding, | 0:08:09 | 0:08:12 | |
they're stamping, and he turns to his cell-mate and says, | 0:08:12 | 0:08:15 | |
"Why are they laughing so hard at that one?" He went, | 0:08:15 | 0:08:17 | |
"They've never heard that one before!" | 0:08:17 | 0:08:19 | |
LAUGHTER | 0:08:19 | 0:08:21 | |
Now, if I had interrupted that guy, | 0:08:21 | 0:08:23 | |
I wouldn't have got the extra punch line. | 0:08:23 | 0:08:25 | |
Good lesson, and also, I'm really happy to hear that | 0:08:25 | 0:08:28 | |
Australians are still telling prison jokes. | 0:08:28 | 0:08:31 | |
LAUGHTER | 0:08:31 | 0:08:33 | |
APPLAUSE | 0:08:33 | 0:08:35 | |
Er, what kind of people wind up Melanie C? | 0:08:37 | 0:08:41 | |
SHE LAUGHS | 0:08:44 | 0:08:45 | |
Aw... | 0:08:45 | 0:08:47 | |
People who think I'm deaf. | 0:08:47 | 0:08:50 | |
-Hmm. -It's a strange one! -LAUGHTER | 0:08:50 | 0:08:54 | |
Very frequently, people will pass me in the street and point at me | 0:08:54 | 0:08:58 | |
-and go, "Oh, my God, it's Melanie C!" -Yeah. | 0:08:58 | 0:09:01 | |
From this far away? | 0:09:01 | 0:09:02 | |
-But I can hear you! -Yes. Yeah, I get that. | 0:09:02 | 0:09:05 | |
-Yeah! -Yeah! I get, "Frankie!" | 0:09:05 | 0:09:08 | |
LAUGHTER | 0:09:08 | 0:09:09 | |
Which was very difficult when I was on the witness protection programme. | 0:09:09 | 0:09:12 | |
But there's lots of weird things that people do, you know, | 0:09:14 | 0:09:17 | |
when they recognise you, or think they recognise you. | 0:09:17 | 0:09:19 | |
Walking behind you and then they kind of pick up the pace | 0:09:19 | 0:09:22 | |
and they leave their mates behind | 0:09:22 | 0:09:23 | |
and they'll walk forward and go, "Oh... | 0:09:23 | 0:09:26 | |
-"I forgot something," and then they turn round, just to check... -Oh! | 0:09:26 | 0:09:29 | |
-..and go like that to their mate... -SHE MOUTHS: -Yes! -Wow! | 0:09:29 | 0:09:31 | |
-That's a clever one! -Yeah! | 0:09:31 | 0:09:33 | |
-So they're not saying it to you, just, as they walk past you... -Yeah. | 0:09:33 | 0:09:37 | |
..they kind of go, "Oh, Melanie C!" really loudly? | 0:09:37 | 0:09:39 | |
But I also get a lot of, "Mel B!" | 0:09:39 | 0:09:42 | |
Ooh! LAUGHTER | 0:09:42 | 0:09:45 | |
Another favourite is, | 0:09:45 | 0:09:46 | |
when you're just like sitting with a friend, and having a bit of food, | 0:09:46 | 0:09:49 | |
and you just see this, you know, and then a little click. | 0:09:49 | 0:09:54 | |
But I do quite like the secret photo as a genre. | 0:09:54 | 0:09:57 | |
We've got a few secretly taken photos of celebrities. | 0:09:57 | 0:10:02 | |
This is Bradley Walsh. | 0:10:02 | 0:10:03 | |
You see him, in the background there in a baseball cap? | 0:10:05 | 0:10:07 | |
LAUGHTER | 0:10:07 | 0:10:09 | |
And, my own particular favourite, Warwick Davis. | 0:10:10 | 0:10:14 | |
-Right? Now... -Where is he? | 0:10:16 | 0:10:18 | |
He's in the shop looking at magazines, I think they said. | 0:10:18 | 0:10:21 | |
Here he is. | 0:10:21 | 0:10:23 | |
That's him. LAUGHTER | 0:10:23 | 0:10:25 | |
But they're not... People take them... | 0:10:25 | 0:10:27 | |
It was so big, the Spice Girls, that nothing you do is ever going to be... | 0:10:27 | 0:10:33 | |
No-one's going to shout, | 0:10:33 | 0:10:34 | |
"Oi! Congratulations on your musical theatre career!" | 0:10:34 | 0:10:37 | |
It's just not going to happen, is it? | 0:10:37 | 0:10:39 | |
-You know, you're a victim of your own success. -Yeah. | 0:10:39 | 0:10:43 | |
And I'm actually really lucky, because I've never had | 0:10:43 | 0:10:46 | |
anything negative, the public have been nothing but lovely to me. | 0:10:46 | 0:10:49 | |
Well, stick around. LAUGHTER | 0:10:49 | 0:10:52 | |
You have continued, though. | 0:10:52 | 0:10:53 | |
It's not like the Spice Girls is way in your past. | 0:10:53 | 0:10:56 | |
Every now and again, you sort of revive them a bit. | 0:10:56 | 0:10:59 | |
-You did the musical... -Yeah. -..which I went to. | 0:10:59 | 0:11:01 | |
I'm not saying this cos you're here, I really liked it. | 0:11:01 | 0:11:04 | |
-I know, me too! -I don't know why that went down. -I know! | 0:11:04 | 0:11:07 | |
But you did the press launch for that. | 0:11:07 | 0:11:09 | |
We've got pictures of you at the press launch. | 0:11:09 | 0:11:11 | |
I'm not sure that Victoria totally joined in. | 0:11:11 | 0:11:13 | |
You all look so smiley and happy. | 0:11:13 | 0:11:15 | |
-I know! -And she looks great, then another picture... | 0:11:15 | 0:11:19 | |
-Maybe she knew something we didn't. -Maybe. | 0:11:19 | 0:11:21 | |
But look, that's exactly the same! LAUGHTER | 0:11:21 | 0:11:24 | |
Look at this picture. | 0:11:24 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:28 | |
She's starting to tire at that stage! | 0:11:31 | 0:11:33 | |
SHE GIGGLES | 0:11:33 | 0:11:34 | |
You don't want to end up like Ringo Starr. | 0:11:34 | 0:11:37 | |
Ringo Starr got very angry about signing autographs | 0:11:37 | 0:11:40 | |
and he put this on his website. | 0:11:40 | 0:11:44 | |
This is a serious message | 0:11:44 | 0:11:46 | |
to everybody watching my update right now. | 0:11:46 | 0:11:50 | |
-Peace and love. Peace and love! -AUDIENCE LAUGHS | 0:11:50 | 0:11:53 | |
I want to tell you, please, after the 20th of October, | 0:11:53 | 0:11:59 | |
do not send fan mail to any address that you have. | 0:11:59 | 0:12:04 | |
Nothing will be signed after the 20th of October. | 0:12:04 | 0:12:08 | |
If that has a date on the envelope, it's going to be tossed. | 0:12:08 | 0:12:12 | |
I'm warning you, with peace and love, I have too much to do. | 0:12:12 | 0:12:16 | |
So no more fan mail. Thank you. Thank you. | 0:12:16 | 0:12:19 | |
LAUGHTER | 0:12:19 | 0:12:21 | |
I like "I'm warning you with peace and love!" | 0:12:21 | 0:12:24 | |
And also, Ringo Starr has too much to do?! | 0:12:24 | 0:12:28 | |
LAUGHTER | 0:12:28 | 0:12:29 | |
How did that happen?! | 0:12:29 | 0:12:31 | |
Well, he's got his anger management classes to go to, hasn't he? | 0:12:31 | 0:12:35 | |
I mean, also, he's got a little camcorder there, hasn't he? | 0:12:35 | 0:12:38 | |
He sat in a corner and done it on... | 0:12:38 | 0:12:41 | |
It's not like he's got a film crew in to make it like he could afford it. | 0:12:41 | 0:12:45 | |
-It's this angry old Scouser! -Yeah! | 0:12:45 | 0:12:48 | |
This thing about people thinking you're deaf, though, I think | 0:12:48 | 0:12:51 | |
the worst thing is when the fans seem like they might be deaf. | 0:12:51 | 0:12:55 | |
This is a fan of Mariah Carey | 0:12:55 | 0:12:57 | |
who I think is having problems with her hearing. | 0:12:57 | 0:13:01 | |
TO THE TUNE OF "Without You": | 0:13:13 | 0:13:17 | |
-LAUGHTER -Brilliant! That is brilliant! | 0:13:54 | 0:13:57 | |
OK, so, look, you argue very well, all three of you. | 0:14:02 | 0:14:07 | |
I don't think I can put people who think you're deaf, because... | 0:14:07 | 0:14:10 | |
I know, I know I wasn't going to win that one, | 0:14:10 | 0:14:12 | |
-but I would quite like this doll, though. -OK. | 0:14:12 | 0:14:14 | |
You're telling me you don't have a Sporty Spice doll? | 0:14:14 | 0:14:18 | |
I've got a houseful! | 0:14:18 | 0:14:19 | |
LAUGHTER | 0:14:19 | 0:14:21 | |
But you're not getting it, because I think it's just excitement. | 0:14:21 | 0:14:24 | |
-People are so excited to see you, they forget themselves. -OK. | 0:14:24 | 0:14:27 | |
People who predict the end of the film I think are doing me a favour, | 0:14:27 | 0:14:30 | |
because I just don't want to hang around that long. | 0:14:30 | 0:14:33 | |
The electorate just make one terrible mistake after the next, | 0:14:33 | 0:14:36 | |
so I'm going to put the electorate into Room 101. | 0:14:36 | 0:14:39 | |
Well done! | 0:14:39 | 0:14:40 | |
APPLAUSE | 0:14:40 | 0:14:42 | |
OK, next category, please. | 0:14:50 | 0:14:52 | |
It's modern life! What doesn't Gyles like about modern life? | 0:14:57 | 0:15:02 | |
-Passwords! -Oh! | 0:15:07 | 0:15:09 | |
I've been exploring who gets to be happy, how and why, | 0:15:09 | 0:15:12 | |
looking for the seven secrets of happiness, and one of them | 0:15:12 | 0:15:15 | |
is to take change on board, not to resist change. | 0:15:15 | 0:15:18 | |
You've got to cope with a changing world if you want to be happy, | 0:15:18 | 0:15:21 | |
but I have to tell you, there's one thing | 0:15:21 | 0:15:24 | |
I really am finding it difficult to cope with, and that is passwords. | 0:15:24 | 0:15:28 | |
I do not want to learn another frigging password! | 0:15:28 | 0:15:31 | |
CHEERING | 0:15:31 | 0:15:33 | |
-I have a list here of the most popular passwords in the UK. -Ah! | 0:15:36 | 0:15:41 | |
Um, the most popular one, apparently, is your first name, | 0:15:41 | 0:15:46 | |
whatever that is, with the number 1 after it. | 0:15:46 | 0:15:49 | |
WOMAN CACKLES Someone recognised that! | 0:15:49 | 0:15:51 | |
LAUGHTER | 0:15:51 | 0:15:52 | |
I love the fact that it's not just the first name, | 0:15:52 | 0:15:55 | |
that people have put 1 over it, thinking, "That'll fool 'em!" | 0:15:55 | 0:15:59 | |
LAUGHTER | 0:15:59 | 0:16:00 | |
The third most popular, apparently, is "monkey"! | 0:16:00 | 0:16:04 | |
Why is that?! LAUGHTER | 0:16:05 | 0:16:07 | |
What's number two? Why have you avoided that? | 0:16:07 | 0:16:09 | |
-Well... -Is that yours? Yours is number two? | 0:16:09 | 0:16:12 | |
It is actually mine! | 0:16:12 | 0:16:14 | |
It's "password1"! | 0:16:14 | 0:16:16 | |
LAUGHTER | 0:16:16 | 0:16:17 | |
-That's annoying. -My wife, being a remarkable woman... | 0:16:17 | 0:16:20 | |
FRANK LAUGHS | 0:16:20 | 0:16:22 | |
..and having everything beautifully organised, | 0:16:22 | 0:16:25 | |
she has insisted on different passwords for everything. | 0:16:25 | 0:16:28 | |
She won't have universal passwords, | 0:16:28 | 0:16:30 | |
so even if we came up with quite a complicated password, that won't do. | 0:16:30 | 0:16:34 | |
So she has memorised dozens of these passwords | 0:16:34 | 0:16:38 | |
and I now have no access to anything! | 0:16:38 | 0:16:41 | |
-LAUGHTER -We actually discuss this | 0:16:41 | 0:16:43 | |
-at the Relate meetings most weeks! -LAUGHTER | 0:16:43 | 0:16:47 | |
I just... You know when they send you a password, | 0:16:47 | 0:16:50 | |
or a PIN number as an example, I just keep that. | 0:16:50 | 0:16:53 | |
-But then, they know it as well, then! They know it! -I don't mind. | 0:16:53 | 0:16:56 | |
I'm the sort of person, if I buy a wallet | 0:16:56 | 0:16:58 | |
and it's got a picture of a person in, I just keep that in. | 0:16:58 | 0:17:00 | |
LAUGHTER | 0:17:00 | 0:17:02 | |
Anyway, what does Adam Hills not like about modern life? | 0:17:02 | 0:17:06 | |
BOX CRACKS | 0:17:08 | 0:17:10 | |
LAUGHTER | 0:17:10 | 0:17:11 | |
-APPLAUSE MELANIE: -Hey! | 0:17:11 | 0:17:13 | |
-Looks fine! -Yeah! Yup! | 0:17:15 | 0:17:18 | |
What I don't like about modern life - | 0:17:18 | 0:17:20 | |
naming rights on public stadiums. | 0:17:20 | 0:17:23 | |
-APPLAUSE AND CHEERING -Woo! -Wow! | 0:17:23 | 0:17:25 | |
Ooh! | 0:17:25 | 0:17:27 | |
And especially... I mean, I love being in Britain | 0:17:27 | 0:17:29 | |
and I love going to sporting events | 0:17:29 | 0:17:31 | |
and I love places like Old Trafford and Edgbaston, Lords and The Oval! | 0:17:31 | 0:17:34 | |
I love those names and it's happened in Australia a lot, | 0:17:34 | 0:17:37 | |
and it's starting to happen here, as well, where... I mean, | 0:17:37 | 0:17:40 | |
there's the O2 - I get that - and there's Emirates Stadium, | 0:17:40 | 0:17:42 | |
but then, I mean, Newcastle had Sports Direct Stadium! | 0:17:42 | 0:17:46 | |
And just... | 0:17:46 | 0:17:47 | |
It just makes the stadiums sound like they've got loose morals. | 0:17:47 | 0:17:51 | |
You mock people when they name their children after brand names. | 0:17:51 | 0:17:54 | |
-Do you? -Oh, God, do you not(?) -LAUGHTER | 0:17:54 | 0:17:57 | |
I mean, you see people with children called Armani. | 0:17:57 | 0:18:00 | |
And, honestly, in the last count in America, | 0:18:00 | 0:18:02 | |
there are seven children named Del Monte! | 0:18:02 | 0:18:04 | |
LAUGHTER | 0:18:04 | 0:18:05 | |
I bet they're very positive people. | 0:18:05 | 0:18:07 | |
The New Zealand government this year had to issue a list of names | 0:18:09 | 0:18:12 | |
that you're not allowed to call your children. | 0:18:12 | 0:18:14 | |
-Oh, right. -Because of the names that people were using. -Hmm. | 0:18:14 | 0:18:17 | |
There was a Full Stop. | 0:18:17 | 0:18:19 | |
There was the number 89. | 0:18:19 | 0:18:21 | |
If you don't do it to a child, don't do it to a stadium. | 0:18:21 | 0:18:24 | |
-That's my rule. -LAUGHTER | 0:18:24 | 0:18:26 | |
That's a great motto for life! | 0:18:26 | 0:18:28 | |
And yet, I understand the benefits of it. | 0:18:30 | 0:18:32 | |
I understand that it's, you know, a lot of cash goes to the club, | 0:18:32 | 0:18:35 | |
because there's naming rights and sponsorship, | 0:18:35 | 0:18:37 | |
but for me, venues that have been around for ages | 0:18:37 | 0:18:39 | |
have a certain history and character to them | 0:18:39 | 0:18:41 | |
and as soon as you whack on a big McDonald's over the top of it | 0:18:41 | 0:18:44 | |
it just makes it feel a bit cheaper for me. | 0:18:44 | 0:18:46 | |
We have some examples. | 0:18:46 | 0:18:48 | |
Wincham Park was the home of Witton Albion | 0:18:48 | 0:18:51 | |
and in August 2000 it changed its name | 0:18:51 | 0:18:54 | |
to the Bargain Booze Stadium. | 0:18:54 | 0:18:56 | |
LAUGHTER | 0:18:56 | 0:18:57 | |
Oh! | 0:18:57 | 0:18:59 | |
York City played at Bootham Crescent, | 0:18:59 | 0:19:03 | |
-which was renamed KitKat Crescent... -Ah! -..in 2005, | 0:19:03 | 0:19:07 | |
-owing to a sponsorship deal with Nestle. -Yeah. | 0:19:07 | 0:19:10 | |
And they said if they won a trophy | 0:19:10 | 0:19:12 | |
it would be paraded round town in a Double Decker. | 0:19:12 | 0:19:15 | |
LAUGHTER | 0:19:15 | 0:19:17 | |
I'd like to be sponsored by something! | 0:19:18 | 0:19:21 | |
Rather a fun idea! | 0:19:21 | 0:19:22 | |
-Yes! -Yeah, what would I choose? To be a sort of old Milky Bar kid? | 0:19:22 | 0:19:27 | |
LAUGHTER | 0:19:27 | 0:19:28 | |
We should all be sponsored. Who would you be sponsored by? | 0:19:30 | 0:19:33 | |
I suppose these days I should be sponsored by Old Spice. | 0:19:33 | 0:19:36 | |
What a lovely idea! | 0:19:38 | 0:19:40 | |
OK, what does Melanie C not like about modern life? | 0:19:43 | 0:19:47 | |
Ooh. | 0:19:52 | 0:19:54 | |
The overwhelming choice of toothpastes on the market. | 0:19:54 | 0:19:58 | |
-There are a lot. -I've got a little list in my pocket. | 0:19:58 | 0:20:02 | |
This is just one brand. | 0:20:02 | 0:20:04 | |
-I mean, I'm happy with there being lots of brands. -Mmm. | 0:20:04 | 0:20:07 | |
But this is just one brand. They offer lots of different things. | 0:20:07 | 0:20:10 | |
Whitening, cavity protection, advanced, advanced whitening, | 0:20:10 | 0:20:14 | |
advanced freshening, sensitive, fresh breath, antibacterial, | 0:20:14 | 0:20:19 | |
we have another whitening, which is for sensitive teeth. | 0:20:19 | 0:20:22 | |
Then they have gum health. And I just think, | 0:20:22 | 0:20:25 | |
"But I want all of those things." | 0:20:25 | 0:20:27 | |
So why isn't there just one toothpaste that does everything? | 0:20:27 | 0:20:31 | |
We should say before, you did do a campaign, | 0:20:31 | 0:20:34 | |
-did you not? For... -I did. I'd forgotten! Yeah. | 0:20:34 | 0:20:38 | |
Well, I thought, I don't want anyone thinking | 0:20:38 | 0:20:40 | |
"She's just advertising her toothpaste." | 0:20:40 | 0:20:42 | |
We'll be upfront about it. You did the Keep Britain Smiling... | 0:20:42 | 0:20:45 | |
-I did, yeah. -..campaign. -It was a lovely campaign actually. | 0:20:45 | 0:20:48 | |
-It was for Barnardo's, which is a wonderful charity. -Yes. | 0:20:48 | 0:20:51 | |
-And, yeah, it was earlier this year. -And who was the company? | 0:20:51 | 0:20:54 | |
-It was Colgate. -Colgate, yes. | 0:20:54 | 0:20:55 | |
Which I always think sounds like a scandal about pit closures. | 0:20:55 | 0:20:59 | |
Well, actually, they're the biggest culprits in this crime. | 0:21:02 | 0:21:05 | |
Yes, they are, because they have Colgate Total Advanced - | 0:21:05 | 0:21:09 | |
-which sounds like it's got everything... -Mm-hm. | 0:21:09 | 0:21:11 | |
-Colgate Total Advanced Whitening... -Mm-hm. | 0:21:11 | 0:21:13 | |
-..Colgate Total Advanced Freshening... -Mm-hm. | 0:21:13 | 0:21:16 | |
..and Colgate Total Advanced Clean. | 0:21:16 | 0:21:18 | |
LAUGHTER | 0:21:18 | 0:21:21 | |
Oh, clean! Yes, I'd like that for my teeth. | 0:21:21 | 0:21:23 | |
Maybe I'll choose that one. I met Bon Jovi. | 0:21:23 | 0:21:26 | |
You know, Jon Bon Jovi. His teeth, they don't look like teeth any more. | 0:21:26 | 0:21:30 | |
They go too perfect, don't they? | 0:21:30 | 0:21:32 | |
They were too... They didn't even have any of the little... | 0:21:32 | 0:21:35 | |
They just looked like... | 0:21:35 | 0:21:36 | |
Isn't that what children put on sore gums, Bon Jovi? | 0:21:36 | 0:21:38 | |
Yes, and it worked! | 0:21:40 | 0:21:41 | |
It worked absolutely, I must say. | 0:21:41 | 0:21:44 | |
My girlfriend is the only... You know when people joke about | 0:21:44 | 0:21:47 | |
leaving the top off the toothpaste as the ultimate sort of laziness? | 0:21:47 | 0:21:51 | |
She does that, and she'll do it with those ones, | 0:21:51 | 0:21:54 | |
not the screw off ones, but the ones that just flip! | 0:21:54 | 0:21:56 | |
So all you have to do is that to put it back on! | 0:21:56 | 0:21:59 | |
-You sure she's a girl? -Definitely! -Cos that's very bloke-ish behaviour! | 0:21:59 | 0:22:03 | |
I haven't looked for a while, but I'm fairly confident! | 0:22:03 | 0:22:05 | |
LAUGHTER | 0:22:05 | 0:22:07 | |
-Do you ever use floss? -Oh, I hate flossing. | 0:22:07 | 0:22:11 | |
I'd quite happily put floss into Room 101, | 0:22:11 | 0:22:14 | |
but as you get older, you tend to need to more, don't you? | 0:22:14 | 0:22:16 | |
-Yeah, I find... -So I've been told. | 0:22:16 | 0:22:18 | |
LAUGHTER I find my teeth will hold, | 0:22:18 | 0:22:21 | |
well, a good two-thirds of a meal for two hours. | 0:22:21 | 0:22:24 | |
I've got a good little trick, though. | 0:22:26 | 0:22:28 | |
When you're out, especially if you're on a date, | 0:22:28 | 0:22:30 | |
and it's someone you don't know very well and you're trying to impress, | 0:22:30 | 0:22:34 | |
but you're cracking on a bit, and, erm, the teeth are | 0:22:34 | 0:22:37 | |
storing food for later, just use your knife | 0:22:37 | 0:22:39 | |
when they're not looking, to check. | 0:22:39 | 0:22:42 | |
Oh, to see. Not... | 0:22:42 | 0:22:43 | |
LAUGHTER | 0:22:43 | 0:22:45 | |
To check. | 0:22:46 | 0:22:47 | |
Do a little, yeah, spinach check. As long as you've got a shiny knife | 0:22:47 | 0:22:51 | |
and you've not been taken to McDonald's. | 0:22:51 | 0:22:54 | |
-Oh, yes, if it's plastic, a white plastic fork... -Yeah! | 0:22:54 | 0:22:57 | |
That's the one time we went out, do you remember? | 0:22:57 | 0:22:59 | |
Aw, dear! | 0:23:01 | 0:23:03 | |
Yeah, you need to remember it's a plastic fork, | 0:23:03 | 0:23:05 | |
otherwise you're going, "My teeth look amazing!" | 0:23:05 | 0:23:08 | |
My brother used to use a thing called Gordon Moores toothpaste. | 0:23:08 | 0:23:12 | |
-Do you remember that, Gyles? -No! Gordon Moores? | 0:23:12 | 0:23:15 | |
It was red toothpaste. | 0:23:15 | 0:23:17 | |
You can't get it any more, but there is a French version, | 0:23:17 | 0:23:20 | |
so it comes out like this. | 0:23:20 | 0:23:22 | |
AUDIENCE: Ooh! | 0:23:23 | 0:23:25 | |
In fact, I find that I use white toothpaste, | 0:23:25 | 0:23:28 | |
but when I spit it out, it's this colour. | 0:23:28 | 0:23:30 | |
Do you know...? | 0:23:30 | 0:23:32 | |
This is the one I tend to use. This is Aquafresh. | 0:23:32 | 0:23:35 | |
Look at that, that's multi... | 0:23:35 | 0:23:37 | |
-multicoloured. -Yeah, I love that. -Yeah. | 0:23:37 | 0:23:40 | |
Now, there could be a branding opportunity in this, I think, | 0:23:40 | 0:23:44 | |
because if you're going to take this as your colour scheme, | 0:23:44 | 0:23:48 | |
wouldn't this be a really good logo? | 0:23:48 | 0:23:51 | |
Look at that. It's perfect. | 0:23:51 | 0:23:53 | |
LAUGHTER | 0:23:53 | 0:23:56 | |
APPLAUSE | 0:23:56 | 0:23:58 | |
Yes, and that would ensure your teeth were REALLY white. | 0:24:02 | 0:24:06 | |
Anyway, we've come to the end of the modern life round, | 0:24:13 | 0:24:17 | |
and I must say I like the password thing. | 0:24:17 | 0:24:19 | |
I think if there were more passwords, it would be a better world, | 0:24:19 | 0:24:23 | |
just to keep people out of everything, and it's inventive, and | 0:24:23 | 0:24:26 | |
it's good for the mind as you get older to have things to remember. | 0:24:26 | 0:24:29 | |
The toothpaste thing, I think it's just good to have variety. | 0:24:29 | 0:24:32 | |
-It's just a con! It's a marketing con. -Yeah, but I don't mind that. | 0:24:32 | 0:24:36 | |
LAUGHTER | 0:24:36 | 0:24:38 | |
-Can I just do that now? -Oh, my God! | 0:24:38 | 0:24:40 | |
And some of the renaming of stadiums is so tasteless and so awful | 0:24:42 | 0:24:47 | |
that I am going to put naming rights on stadiums into Room 101. | 0:24:47 | 0:24:52 | |
CHEERING | 0:24:52 | 0:24:54 | |
Next category, please. | 0:25:03 | 0:25:06 | |
OK, it's the audience choice, | 0:25:11 | 0:25:13 | |
and we have Alex Hatenstone in the audience. | 0:25:13 | 0:25:17 | |
-Alex? -Hi! -Hello, hello. | 0:25:17 | 0:25:19 | |
What would you like to put into Room 101? | 0:25:19 | 0:25:22 | |
Erm, I want to put into Room 101 people who tell you to cheer up. | 0:25:22 | 0:25:25 | |
Oh, yes... Oh! APPLAUSE | 0:25:25 | 0:25:28 | |
Does that happen to you a lot? | 0:25:33 | 0:25:35 | |
Yeah, it happens a lot, | 0:25:35 | 0:25:37 | |
often when I'm just walking down the street, just sort of... | 0:25:37 | 0:25:41 | |
I'm not even unhappy or anything, | 0:25:41 | 0:25:43 | |
I think I've just got a mouth | 0:25:43 | 0:25:45 | |
that naturally points down if I'm not smiling. | 0:25:45 | 0:25:47 | |
How do you respond? | 0:25:47 | 0:25:49 | |
I just sort of give them evils, or, like, | 0:25:49 | 0:25:51 | |
give them sort of a weird look. | 0:25:51 | 0:25:53 | |
Um, because normally I don't feel like I need to cheer up | 0:25:53 | 0:25:56 | |
until they've actually told me I need to, and then I think | 0:25:56 | 0:25:58 | |
"Oh, no, I'm really paranoid." | 0:25:58 | 0:26:00 | |
There's actually quite a lot of miserable things in the world, | 0:26:00 | 0:26:03 | |
and then you start sort of reflecting on it, | 0:26:03 | 0:26:05 | |
and then you think, "Well, maybe I do need to cheer up now." | 0:26:05 | 0:26:08 | |
Maybe you should come back with, "Do something to cheer me up." | 0:26:08 | 0:26:11 | |
-Exactly, that is... -No, don't do that. | 0:26:11 | 0:26:13 | |
LAUGHTER | 0:26:13 | 0:26:15 | |
Have you considered a smog mask? | 0:26:15 | 0:26:17 | |
-A what? -You know people wear smog masks, | 0:26:17 | 0:26:19 | |
-and then no-one will... -Oh, that's a really good idea actually. | 0:26:19 | 0:26:22 | |
No, but I might in future. | 0:26:22 | 0:26:24 | |
Better - wear a smog mask like this one. | 0:26:24 | 0:26:27 | |
LAUGHTER | 0:26:30 | 0:26:32 | |
-MEL C: -Creepy! | 0:26:32 | 0:26:33 | |
APPLAUSE | 0:26:33 | 0:26:36 | |
I think it's a terrible error to say that to someone. | 0:26:39 | 0:26:42 | |
It could go horribly wrong. So, you know what? | 0:26:42 | 0:26:46 | |
Alex, I am going to put people who tell you to cheer up into Room 101. | 0:26:46 | 0:26:51 | |
APPLAUSE | 0:26:51 | 0:26:55 | |
Right, let's have our next category. | 0:27:01 | 0:27:04 | |
OK, it's the wild card, which means there are no limitations. | 0:27:08 | 0:27:11 | |
ANYTHING you don't like, you can choose. | 0:27:11 | 0:27:15 | |
So what is Adam's wild card? | 0:27:15 | 0:27:18 | |
-Oh, my... -Abs. | 0:27:22 | 0:27:24 | |
There's just so much pressure on... | 0:27:26 | 0:27:29 | |
There's fit and there's... I just can't do that. | 0:27:29 | 0:27:32 | |
When was it important for people to have really finely honed abs? | 0:27:32 | 0:27:36 | |
Like, all the sex symbols from the '70s, they didn't have abs. | 0:27:36 | 0:27:39 | |
Paul Newman and Robert Redford, they didn't have abs. | 0:27:39 | 0:27:42 | |
As opposed to Bruce Springsteen, who was photographed on holiday, | 0:27:42 | 0:27:46 | |
at the age of, 62 with abs that no man should have. | 0:27:46 | 0:27:48 | |
-Wow, he looks amazing! -No, he doesn't, that's not right! | 0:27:49 | 0:27:52 | |
LAUGHTER | 0:27:52 | 0:27:54 | |
I was on a beach in Jamaica not long ago, | 0:27:55 | 0:27:58 | |
and this little wizened old lady, nut-brown, | 0:27:58 | 0:28:02 | |
came teetering along the beach towards me, | 0:28:02 | 0:28:05 | |
and it wasn't till she got just here, | 0:28:05 | 0:28:07 | |
that I realised it was Mick Jagger. | 0:28:07 | 0:28:09 | |
Isn't it good that people look all ripped and...? | 0:28:13 | 0:28:16 | |
I'm happy to look good, but there's something about | 0:28:16 | 0:28:19 | |
Bruce Springsteen, I think, tipped it for me, | 0:28:19 | 0:28:21 | |
because he was the champion of the working class. | 0:28:21 | 0:28:23 | |
He was always the, you know, "Everything's gone wrong | 0:28:23 | 0:28:26 | |
"and life's tough", and he's just one of the guys at the mill, | 0:28:26 | 0:28:29 | |
and now - you don't get abs like that | 0:28:29 | 0:28:31 | |
unless you've got someone helping you. | 0:28:31 | 0:28:33 | |
-You don't get abs like that from just... -Excuse me. -What? | 0:28:33 | 0:28:36 | |
-He has done it all himself. He looks magnificent. -No! | 0:28:36 | 0:28:39 | |
Unlike you, you disgusting... | 0:28:39 | 0:28:41 | |
LAUGHTER | 0:28:41 | 0:28:44 | |
-Oh, my God. -..revolting! | 0:28:44 | 0:28:45 | |
When did you pose for this? | 0:28:45 | 0:28:47 | |
Was this you again, Frank? | 0:28:47 | 0:28:49 | |
Yes, I overdid it on the sun bed. | 0:28:49 | 0:28:53 | |
Do you know Darryn Lyons? Are you familiar with Darryn Lyons? | 0:28:54 | 0:28:58 | |
-Yes, yes. -He was on Celebrity Big Brother, and he had... | 0:28:58 | 0:29:02 | |
-Oh, yes, yes, yes! -He had work done to give himself a six-pack. -Yeah. | 0:29:02 | 0:29:06 | |
He didn't bother to lose weight, | 0:29:06 | 0:29:07 | |
he just had the six-pack sort of put on the top. This is Darryn. | 0:29:07 | 0:29:11 | |
-AUDIENCE GROAN -Oh, no. | 0:29:11 | 0:29:13 | |
-Is that true, then? Are they implants? -I believe... -Is that fact? | 0:29:13 | 0:29:16 | |
I believe that they're a sort of liposuction method, | 0:29:16 | 0:29:19 | |
although you can get the same look | 0:29:19 | 0:29:20 | |
just by lying face-downwards on one of these. | 0:29:20 | 0:29:23 | |
I never really thought about the abs thing. | 0:29:27 | 0:29:29 | |
I think people just look after themselves, | 0:29:29 | 0:29:32 | |
and then I saw the picture of Craig David. Did you see this picture? | 0:29:32 | 0:29:35 | |
-He took a selfie of himself. -Oh, dear. | 0:29:35 | 0:29:37 | |
AUDIENCE: Ohh... | 0:29:37 | 0:29:39 | |
-No. -Now, that... -That's not a selfie, Frank. | 0:29:39 | 0:29:41 | |
A selfie, you have to have an arm in shot | 0:29:41 | 0:29:43 | |
cos you're taking it yourself. What's he taking it with? | 0:29:43 | 0:29:46 | |
Well, that's a good question. | 0:29:46 | 0:29:47 | |
LAUGHTER AND APPLAUSE | 0:29:47 | 0:29:48 | |
Well, I tell you what, when I first saw it, I stared at it a bit, | 0:29:51 | 0:29:54 | |
because I was taken aback, and then... | 0:29:54 | 0:29:57 | |
You see, what worries me is he's not as symmetrical as I thought he'd be. | 0:29:57 | 0:30:02 | |
The top bit... | 0:30:02 | 0:30:03 | |
Is it just me, or does that look like a duck eating a burger? | 0:30:03 | 0:30:07 | |
I'll see if I can help you with this. | 0:30:11 | 0:30:14 | |
MEL LAUGHS LOUDLY | 0:30:14 | 0:30:17 | |
If you put me in the screen with Craig now. | 0:30:17 | 0:30:19 | |
APPLAUSE | 0:30:22 | 0:30:24 | |
OK, what is Melanie's wild card? | 0:30:27 | 0:30:29 | |
£2 coins. | 0:30:34 | 0:30:35 | |
Oh... | 0:30:35 | 0:30:37 | |
The main reason being, | 0:30:37 | 0:30:39 | |
I believe that these were introduced in 1998, | 0:30:39 | 0:30:42 | |
and I spent most of that year on tour with the Spice Girls | 0:30:42 | 0:30:46 | |
and out of the country. | 0:30:46 | 0:30:48 | |
And when I came home they just appeared, | 0:30:48 | 0:30:51 | |
I didn't know anything about them. | 0:30:51 | 0:30:53 | |
Basically it was all done behind my back and I'm not happy about it. | 0:30:53 | 0:30:56 | |
The other thing that bothers me | 0:30:56 | 0:30:58 | |
is that it's the only coin we've got which is two colours of metal. | 0:30:58 | 0:31:02 | |
It just doesn't make sense to me. | 0:31:02 | 0:31:04 | |
The two-tone thing, I think they've nicked that idea from Arctic roll. | 0:31:04 | 0:31:08 | |
I reckon if I went into a chip shop at, say, | 0:31:11 | 0:31:16 | |
one o'clock in the morning, | 0:31:16 | 0:31:18 | |
I could pass that off as a £2 coin. | 0:31:18 | 0:31:20 | |
LAUGHTER | 0:31:20 | 0:31:23 | |
Did you know that Oasis got the name of one of their albums | 0:31:23 | 0:31:29 | |
-from the writing on a £2 coin? -No, I didn't. -Yeah, if you look... | 0:31:29 | 0:31:33 | |
I'm not making this up, this is... If you can see this. | 0:31:33 | 0:31:36 | |
It says, look, Standing On The Shoulders Of Giants. | 0:31:36 | 0:31:43 | |
And this one, you might have all seen. | 0:31:43 | 0:31:45 | |
-They've all got different phrases on the side? -Yes. | 0:31:45 | 0:31:47 | |
And all inspire Oasis. | 0:31:47 | 0:31:49 | |
Look, there's Live At Knebworth. | 0:31:49 | 0:31:51 | |
LAUGHTER | 0:31:51 | 0:31:55 | |
I made that one up. | 0:31:55 | 0:31:56 | |
But I've taken against the £2 coin, it doesn't feel like a proper coin, | 0:31:56 | 0:32:01 | |
for some reason it's not like the others. | 0:32:01 | 0:32:05 | |
But I think this is one of the worst pieces of currency | 0:32:05 | 0:32:08 | |
I think I've ever seen. | 0:32:08 | 0:32:10 | |
This is the Melanie C one dollar note. | 0:32:13 | 0:32:16 | |
-What is that?! -Have you not seen one of these before? | 0:32:16 | 0:32:19 | |
-No, what is it? -Well, it's available on the internet. -Is it? -It is. | 0:32:19 | 0:32:24 | |
I don't know who you think you are(!) | 0:32:24 | 0:32:26 | |
LAUGHTER | 0:32:26 | 0:32:29 | |
APPLAUSE | 0:32:29 | 0:32:32 | |
OK, let's have a look at Gyles's wild card. | 0:32:34 | 0:32:37 | |
Acceptance speeches at awards ceremonies. | 0:32:42 | 0:32:45 | |
APPLAUSE | 0:32:47 | 0:32:49 | |
I just can't stand it. I can't stand it. | 0:32:52 | 0:32:54 | |
These narcissistic individuals getting up... | 0:32:54 | 0:32:56 | |
Don't they realise everybody in the room is resenting them, hating them, | 0:32:56 | 0:33:00 | |
loathing them, because everybody else wanted to win and they've won? | 0:33:00 | 0:33:03 | |
And they go up, and they then, instead of taking it modestly, | 0:33:03 | 0:33:06 | |
saying thank you and slipping back to their seat, they blather on, | 0:33:06 | 0:33:09 | |
weeping, thanking their late relatives, mentioning their agent, | 0:33:09 | 0:33:13 | |
their mother, their grandmother - you, if they know you vaguely. | 0:33:13 | 0:33:17 | |
It's just not on. | 0:33:17 | 0:33:19 | |
-I mean, is this supposed to be you? -They're all me. | 0:33:19 | 0:33:22 | |
They're all you, exactly. | 0:33:22 | 0:33:23 | |
As I said, narcissistic individuals... | 0:33:23 | 0:33:25 | |
LAUGHTER | 0:33:25 | 0:33:28 | |
I just can't bear it. | 0:33:28 | 0:33:30 | |
It just gets in the way of everything. | 0:33:30 | 0:33:32 | |
Can I ask though, Gyles, if you won an award and you went up to get it, | 0:33:32 | 0:33:36 | |
are you telling me that YOU wouldn't make a speech? | 0:33:36 | 0:33:39 | |
LAUGHTER AND APPLAUSE | 0:33:39 | 0:33:41 | |
So what's the alternative? What do you think people should do | 0:33:46 | 0:33:48 | |
when they win an award? | 0:33:48 | 0:33:50 | |
I... Not grand ceremonies, but I often host award ceremonies | 0:33:50 | 0:33:54 | |
and the last one I did was for the British Funeral Directors Awards. | 0:33:54 | 0:33:58 | |
Quite a big gig in my calendar. | 0:34:01 | 0:34:03 | |
The main prize was for thinking outside the box. | 0:34:04 | 0:34:07 | |
LAUGHTER | 0:34:07 | 0:34:10 | |
And basically I say to people, you know, take the prize, | 0:34:10 | 0:34:14 | |
just stand there for a moment, look happy, but modest. | 0:34:14 | 0:34:16 | |
Hold it. Maybe say thank you, and then go back. | 0:34:16 | 0:34:19 | |
There is rather a fabulous Oscar awards acceptance speech. | 0:34:21 | 0:34:25 | |
This is Sally Field receiving a second Oscar. | 0:34:25 | 0:34:29 | |
I owe a lot to my family | 0:34:29 | 0:34:31 | |
for holding me together and loving me | 0:34:31 | 0:34:33 | |
and having patience with this obsession of me. | 0:34:33 | 0:34:37 | |
But I want to say thank you to you. | 0:34:37 | 0:34:39 | |
I haven't had an orthodox career | 0:34:39 | 0:34:42 | |
and I wanted more than anything to have your respect. | 0:34:42 | 0:34:46 | |
The first time I didn't feel it, but this time I feel it | 0:34:46 | 0:34:49 | |
and I can't deny the fact that you like me - | 0:34:49 | 0:34:53 | |
right now, you like me! | 0:34:53 | 0:34:55 | |
But they do seem to like her... | 0:35:00 | 0:35:02 | |
We loathe her! We loathe her! | 0:35:02 | 0:35:04 | |
I like Sally Field. She's lovely. | 0:35:08 | 0:35:10 | |
Of course you do, but not making that speech, | 0:35:10 | 0:35:12 | |
not that nauseating speech. | 0:35:12 | 0:35:14 | |
But she was being very honest, wasn't she? | 0:35:14 | 0:35:16 | |
She was taken up with emotion and it was... | 0:35:16 | 0:35:18 | |
You know, it was a bit cringey, but she really felt it. | 0:35:18 | 0:35:21 | |
When you win awards you're not like that, you're natural, | 0:35:21 | 0:35:24 | |
you're fresh, you don't shine. | 0:35:24 | 0:35:26 | |
I don't win awards! | 0:35:26 | 0:35:28 | |
I tell you what I liked about it, | 0:35:28 | 0:35:30 | |
is that she sort of gave them a bad review | 0:35:30 | 0:35:33 | |
for their response last time. | 0:35:33 | 0:35:36 | |
Yeah, cos she said last time I wasn't sure that you liked me, | 0:35:36 | 0:35:39 | |
-but this time, well done, you've got there. -Completely wrong. | 0:35:39 | 0:35:42 | |
They may have respected her performance in the film, | 0:35:42 | 0:35:45 | |
they don't like her. Couldn't like a woman like that. | 0:35:45 | 0:35:48 | |
You couldn't. | 0:35:48 | 0:35:50 | |
On the subject of speeches, this a speech... | 0:35:50 | 0:35:53 | |
This is welcoming the freshmen to Georgia Tech. | 0:35:53 | 0:35:56 | |
This kind of speech I would watch every day of the week. | 0:35:56 | 0:36:01 | |
In the words of Sir Isaac Newton, "If I have seen further, | 0:36:01 | 0:36:05 | |
"it is by standing on the shoulders of giants." | 0:36:05 | 0:36:08 | |
Georgia Tech is proud of its many traditions | 0:36:08 | 0:36:10 | |
but the one I find most exciting is... | 0:36:10 | 0:36:12 | |
MUSIC: "Also Sprach Zarathustra" by Strauss | 0:36:12 | 0:36:15 | |
..our tradition of excellence. | 0:36:15 | 0:36:17 | |
Our mission as students | 0:36:17 | 0:36:18 | |
is not to follow in the footsteps of the astronauts, | 0:36:18 | 0:36:21 | |
Nobel Prize laureates and presidents who graduate before us, | 0:36:21 | 0:36:24 | |
but to exceed their footsteps, | 0:36:24 | 0:36:26 | |
crush the shoulders of the giants upon whom we stand. | 0:36:26 | 0:36:29 | |
We here are all such innovative people, so I am telling you... | 0:36:29 | 0:36:35 | |
if you want to change the world, | 0:36:35 | 0:36:37 | |
you're at Georgia Tech - you can do that! | 0:36:37 | 0:36:40 | |
If you want to build the Iron Man suit - | 0:36:40 | 0:36:43 | |
you're at Georgia Tech, you can do that! | 0:36:43 | 0:36:46 | |
IF YOU WANT TO PLAY THEME MUSIC | 0:36:46 | 0:36:49 | |
DURING YOUR CONVOCATION SPEECH LIKE A BADASS - | 0:36:49 | 0:36:52 | |
WE'RE AT GEORGIA TECH, WE CAN DO THAT! | 0:36:52 | 0:36:56 | |
I AM DOING THAT!! | 0:36:56 | 0:36:58 | |
APPLAUSE | 0:37:01 | 0:37:04 | |
That is brilliant, isn't it? | 0:37:07 | 0:37:09 | |
I want to adopt him. | 0:37:09 | 0:37:10 | |
OK, well, look, I'm not going to put abs into Room 101, | 0:37:12 | 0:37:15 | |
because I'd like some... | 0:37:15 | 0:37:18 | |
-Are you sure? -And I have some, but they're underground at the moment | 0:37:18 | 0:37:21 | |
and I'd like to bring them forth. | 0:37:21 | 0:37:24 | |
And I'm sorry, Melanie, I mean, I don't like the £2 coin either, | 0:37:24 | 0:37:27 | |
but I don't believe I can put it into Room 101. | 0:37:27 | 0:37:31 | |
AUDIENCE: Aw. | 0:37:31 | 0:37:33 | |
But I've done a couple of speeches and I think you're right, | 0:37:33 | 0:37:37 | |
they would be better if people got up, | 0:37:37 | 0:37:40 | |
grabbed the award and disappeared. | 0:37:40 | 0:37:41 | |
I'm sorry, guys, | 0:37:41 | 0:37:43 | |
but I am going to put award acceptance speeches into Room 101. | 0:37:43 | 0:37:47 | |
APPLAUSE | 0:37:47 | 0:37:51 | |
And that brings us to the end of the show. | 0:37:58 | 0:38:02 | |
Well done, Gyles, you were the most persuasive guest tonight... | 0:38:02 | 0:38:05 | |
I'd like to say something, but I can't. | 0:38:05 | 0:38:08 | |
LAUGHTER | 0:38:08 | 0:38:10 | |
Well, you are this week's winner, nevertheless. | 0:38:10 | 0:38:13 | |
APPLAUSE | 0:38:13 | 0:38:16 | |
Thanks very much, Adam Hills, Gyles Brandreth and Melanie C. | 0:38:18 | 0:38:22 | |
And thank you, good night! | 0:38:22 | 0:38:25 | |
APPLAUSE AND CHEERING | 0:38:25 | 0:38:29 |