Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE AND WHISTLING | 0:00:22 | 0:00:24 | |
CHEERING | 0:00:27 | 0:00:28 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:36 | |
the show where three guests explain what really winds them up | 0:00:36 | 0:00:40 | |
in the hope that I'll condemn said things to the grim environs of Room 101. | 0:00:40 | 0:00:44 | |
Joining me tonight are Strictly's Craig Revel Horwood, | 0:00:44 | 0:00:47 | |
actress Sheila Hancock | 0:00:47 | 0:00:48 | |
and comedian Jon Richardson. | 0:00:48 | 0:00:50 | |
APPLAUSE AND CHEERING | 0:00:50 | 0:00:51 | |
Right, then, let's have our first category. | 0:00:58 | 0:01:00 | |
Special occasions. OK, let's see what Sheila doesn't like about special occasions. | 0:01:05 | 0:01:10 | |
APPLAUSE | 0:01:15 | 0:01:16 | |
Oh! | 0:01:17 | 0:01:19 | |
BOOM! | 0:01:21 | 0:01:23 | |
It's obvious - fireworks. Fireworks. | 0:01:24 | 0:01:27 | |
But I have to say, if fireworks were still like that, I'd like them. | 0:01:27 | 0:01:32 | |
I remember the days when it was just a few sparklers, you know, | 0:01:32 | 0:01:35 | |
and a Catherine wheel against the shed | 0:01:35 | 0:01:37 | |
and a rocket in a jam jar. | 0:01:37 | 0:01:39 | |
But it's those endless ceremonies that go on | 0:01:39 | 0:01:43 | |
and everybody goes, "Oooh! Aaaahhh!" | 0:01:43 | 0:01:47 | |
-Do people actually go ooh and ah? -Yes! | 0:01:47 | 0:01:49 | |
You're made to, aren't you? You're actually made to. | 0:01:49 | 0:01:53 | |
Do you go to firework displays in Bristol? | 0:01:53 | 0:01:55 | |
-Maybe it has something to do with your age, darling. -Maybe it has. AUDIENCE OOHS | 0:01:57 | 0:02:01 | |
-No... -The fact that you've seen it all before and you're tired of it. | 0:02:01 | 0:02:05 | |
He's absolutely right. I was a child during the Blitz and I see no fun... | 0:02:05 | 0:02:10 | |
APPLAUSE It's absolutely true. | 0:02:11 | 0:02:13 | |
And this is the reason why I should win this round | 0:02:17 | 0:02:20 | |
because I had this sad childhood with lots of banging going on... | 0:02:20 | 0:02:25 | |
Well, no... | 0:02:25 | 0:02:29 | |
I'll show you what I think is my favourite firework display ever. | 0:02:31 | 0:02:35 | |
This is from Mexico. | 0:02:35 | 0:02:37 | |
BANGING | 0:02:37 | 0:02:38 | |
-Now, you'd pay to see that, wouldn't you? -You're going to love fireworks. You've got to love them. | 0:02:55 | 0:03:00 | |
OK, what doesn't Craig like about special occasions? | 0:03:00 | 0:03:04 | |
-Wedding speeches. -Mm! -I detest them, darling. | 0:03:11 | 0:03:15 | |
I cannot sit through them. | 0:03:15 | 0:03:18 | |
I think they should be outlawed. | 0:03:18 | 0:03:19 | |
People get up, they think they're public speakers | 0:03:19 | 0:03:23 | |
and, of course, they're clearly not. | 0:03:23 | 0:03:26 | |
Everyone wants to have a go at it | 0:03:26 | 0:03:27 | |
and I think they're absolutely dreadful. | 0:03:27 | 0:03:29 | |
I think if you're going to make a speech you should be an actor | 0:03:29 | 0:03:32 | |
or at least have it rehearsed in some shape or form. | 0:03:32 | 0:03:36 | |
I think it's absolutely heinous. | 0:03:36 | 0:03:39 | |
I think you're missing the point. | 0:03:39 | 0:03:41 | |
I like the fact the fact that they're so bad. | 0:03:41 | 0:03:44 | |
I love to walk past the best man afterwards | 0:03:44 | 0:03:46 | |
who's sitting like this, heartbroken, | 0:03:46 | 0:03:48 | |
and just say very gently, "Not as easy as it looks, is it?" | 0:03:48 | 0:03:51 | |
The other thing is they're almost always about the bride and groom. | 0:03:53 | 0:03:56 | |
Let's have a bit of variety. Let's have a wedding speech about the Industrial Revolution or... | 0:03:58 | 0:04:04 | |
-Well, it would be far more interesting, generally. -Yeah. | 0:04:04 | 0:04:07 | |
But, Craig, I would have thought you'd do a brilliant best man's speech. | 0:04:07 | 0:04:10 | |
Anyone who can say to Gavin Henson, "My floorboards at home have more movement than that." | 0:04:12 | 0:04:17 | |
That's what you want in wedding speeches, those little... | 0:04:19 | 0:04:22 | |
Robbie Savage - "Your hands were, on occasion, like soup ladles... | 0:04:22 | 0:04:27 | |
"darling." | 0:04:27 | 0:04:29 | |
You'd be perfect for it. | 0:04:30 | 0:04:34 | |
OK, what doesn't Jon Richardson like about special occasions? | 0:04:34 | 0:04:37 | |
DISCO MUSIC | 0:04:38 | 0:04:41 | |
MUSIC STOPS | 0:04:46 | 0:04:48 | |
-It's dancing. -You don't like dancing? | 0:04:48 | 0:04:50 | |
I'm sure this is one we'll all agree with. | 0:04:50 | 0:04:53 | |
I hate it. I don't mind other people doing it, that's fine. | 0:04:54 | 0:04:58 | |
If you say you don't drink, people say, "You don't have to drink." | 0:04:58 | 0:05:02 | |
But if you say you don't like dancing, people pack around you | 0:05:02 | 0:05:05 | |
and ply you with alcohol until you're so drunk | 0:05:05 | 0:05:09 | |
that you do it against your will. | 0:05:09 | 0:05:10 | |
It's assault, is what it is. | 0:05:10 | 0:05:13 | |
But I hate it. I hate the movement of it. | 0:05:14 | 0:05:16 | |
It's just arrogant walking. | 0:05:16 | 0:05:18 | |
I don't mind if people... I like football. | 0:05:22 | 0:05:24 | |
I don't have parties and make everyone play five-a-side. | 0:05:24 | 0:05:28 | |
Lob a ball. "Go on, Grandma, slide tackle. Do you want it or not?" | 0:05:30 | 0:05:34 | |
You must like some dancing, don't you? | 0:05:34 | 0:05:37 | |
-Macarena. -You could easily do the Macarena. | 0:05:37 | 0:05:40 | |
-All right. -That's for anybody, darling. | 0:05:40 | 0:05:43 | |
You see, this already has become, "Let's start you off... | 0:05:43 | 0:05:46 | |
-Let's starts you off gently, darling. -APPLAUSE | 0:05:47 | 0:05:49 | |
I'm with Craig. I'm with Craig. I love the Macarena. | 0:05:51 | 0:05:55 | |
I'll show you what the Macarena is, if you don't mind. | 0:05:55 | 0:05:59 | |
MUSIC: "The Macarena" | 0:05:59 | 0:06:02 | |
AUDIENCE CLAP ALONG | 0:06:02 | 0:06:05 | |
Shall I carry on? I won't carry on. That's it. | 0:06:13 | 0:06:17 | |
-Brilliant. -CHEERING | 0:06:17 | 0:06:19 | |
You must have enjoyed that. Listen to that - they love it. | 0:06:20 | 0:06:23 | |
Do you have to do like the Kenneth Williams mouth thing when you do it? | 0:06:23 | 0:06:26 | |
Well, I do. | 0:06:26 | 0:06:29 | |
Ooh! | 0:06:29 | 0:06:31 | |
What I love is that when you said, "I want to put dancing in," | 0:06:33 | 0:06:36 | |
Craig looked across at you exactly like Len Goodman looks at Craig | 0:06:36 | 0:06:40 | |
when you give someone like three and he goes... | 0:06:40 | 0:06:43 | |
I think you need to learn. Have you ever had any dance lessons? | 0:06:45 | 0:06:49 | |
-No! -See that... That helps, I think. | 0:06:49 | 0:06:52 | |
I had a Lambada lesson | 0:06:52 | 0:06:54 | |
and the man said the way to remember to do the Lambada, | 0:06:54 | 0:06:57 | |
with the hip thing, | 0:06:57 | 0:06:58 | |
imagine you've got a pencil up your bottom pointing out | 0:06:58 | 0:07:02 | |
and you're drawing a number eight on a wall. | 0:07:02 | 0:07:06 | |
Try it. I sign all my autographs like that now. | 0:07:09 | 0:07:12 | |
-No but that's... -I avoid any hobby | 0:07:15 | 0:07:17 | |
that starts with lesson one being, "Imagine you've got a pencil..." | 0:07:17 | 0:07:21 | |
I would sign up for all of that. | 0:07:22 | 0:07:24 | |
-Craig, you've raised your legs for money... -I have, darling. | 0:07:28 | 0:07:32 | |
-You must think that dancing is the centre of the universe, in many ways. -It's my life, | 0:07:32 | 0:07:38 | |
so I can't imagine my life without it, to be honest. | 0:07:38 | 0:07:41 | |
I think you're missing out on an enormous part of life, quite frankly, | 0:07:41 | 0:07:45 | |
and I think you're one of the dullest people | 0:07:45 | 0:07:47 | |
I've ever had the pleasure of sitting next to. | 0:07:47 | 0:07:50 | |
-BOOING -Oh! Oh! | 0:07:50 | 0:07:52 | |
There is something, I believe it's been scientifically proven, | 0:07:52 | 0:07:57 | |
that there is an instinct to dance in the human being - | 0:07:57 | 0:08:00 | |
right back to prehistoric times, they danced. | 0:08:00 | 0:08:03 | |
-So why haven't you? -It's called evolution. | 0:08:03 | 0:08:07 | |
APPLAUSE | 0:08:08 | 0:08:10 | |
OK, so we now come to our decision time for this round. | 0:08:15 | 0:08:20 | |
Well, erm, Jon, I'm a terrible dancer | 0:08:20 | 0:08:24 | |
-and I... -I know, I've seen it. -Yeah. And it is, it's very... | 0:08:24 | 0:08:27 | |
Oh, my God! | 0:08:27 | 0:08:28 | |
APPLAUSE | 0:08:34 | 0:08:36 | |
That could've hit me. | 0:08:36 | 0:08:38 | |
So I'm going to put fireworks into Room 101. | 0:08:42 | 0:08:47 | |
APPLAUSE | 0:08:47 | 0:08:49 | |
Anyway, let's have our next category. | 0:08:57 | 0:09:00 | |
Friends and family. Lovely. | 0:09:06 | 0:09:08 | |
So what doesn't Sheila like about friends and family? | 0:09:08 | 0:09:11 | |
That's people who give me scented candles. | 0:09:15 | 0:09:19 | |
-APPLAUSE -Of course! | 0:09:20 | 0:09:22 | |
I just wish they wouldn't. | 0:09:25 | 0:09:27 | |
I have got cupboards full of scented... | 0:09:27 | 0:09:32 | |
They smell of rosemary, spice, the most extraordinary mixtures. | 0:09:32 | 0:09:37 | |
They cost a fortune. | 0:09:37 | 0:09:39 | |
I actually saw a scented candle the other day that cost £300. | 0:09:39 | 0:09:43 | |
-Blimey. -And I would rather have the money, in fact. | 0:09:43 | 0:09:47 | |
I read a magazine article and it said, "If you have a bath in candlelight with scented candles, | 0:09:47 | 0:09:53 | |
"it's very relaxing." | 0:09:53 | 0:09:55 | |
So I thought, OK, I'll try and get some of these hundreds of candles I've got | 0:09:55 | 0:09:59 | |
and I put them round the bath and I lit them and I had a glass of wine | 0:09:59 | 0:10:02 | |
and I thought, "This is all right," | 0:10:02 | 0:10:04 | |
and I reached for the soap and I burnt myself. | 0:10:04 | 0:10:07 | |
Look - there is a scar caused by a scented candle. | 0:10:07 | 0:10:12 | |
-Oh! -So I hate them. -But I bet it smells lovely. | 0:10:12 | 0:10:15 | |
What worries me is that if you get rid of scented candles, | 0:10:17 | 0:10:21 | |
you're basically stopping the blind from enjoying candles. | 0:10:21 | 0:10:26 | |
Oh! | 0:10:26 | 0:10:27 | |
-But the blind... -Is that the kind of person you want to be, Sheila? | 0:10:29 | 0:10:32 | |
I am helping the blind because... | 0:10:32 | 0:10:34 | |
I mean, let's put Labradors in Room 101. | 0:10:34 | 0:10:37 | |
They'll set fire to their hair and things. | 0:10:37 | 0:10:40 | |
I know people who've gone up in flames | 0:10:40 | 0:10:42 | |
because they've bent over a... | 0:10:42 | 0:10:44 | |
So the blind will be injured by them. | 0:10:44 | 0:10:47 | |
But they can smell them. That's the whole point. | 0:10:49 | 0:10:52 | |
Yes but you can't locate exactly where a smell's coming from, can you? | 0:10:52 | 0:10:55 | |
-You feel the heat. -Listen, I can't worry about all the blind people. | 0:10:55 | 0:11:01 | |
APPLAUSE | 0:11:02 | 0:11:04 | |
-I'm sorry! -I tell you why men are running around on Christmas Eve buying scented candles. | 0:11:04 | 0:11:08 | |
It's because I for one really like them | 0:11:08 | 0:11:11 | |
and Christmas Eve is the only time you can buy them for yourself and pretend they're a gift. | 0:11:11 | 0:11:15 | |
You have to stock up for the year because no-one buys you scented candles. | 0:11:15 | 0:11:18 | |
You are weird! You don't dance and you buy scented candles. | 0:11:18 | 0:11:24 | |
It's very odd. I must speak to you afterwards about your childhood. | 0:11:24 | 0:11:27 | |
Very worrying. | 0:11:29 | 0:11:30 | |
Well, look, I've got some scented candles. | 0:11:30 | 0:11:34 | |
This one is bacon. | 0:11:34 | 0:11:37 | |
Oh, come on! | 0:11:37 | 0:11:39 | |
I've think we've all wondered what it would smell like | 0:11:39 | 0:11:41 | |
if Miss Piggy perished in a house fire. | 0:11:41 | 0:11:44 | |
Oh, don't! | 0:11:44 | 0:11:46 | |
This one is a bit unusual. | 0:11:46 | 0:11:49 | |
-This is urinal cake candle. -Oh, come on! | 0:11:49 | 0:11:52 | |
You know, urinal cake, it isn't a cake. | 0:11:52 | 0:11:55 | |
It's not like another name for lemon drizzle. | 0:11:55 | 0:11:58 | |
It's... It's those things that you get in the urinals that stop germs. | 0:11:58 | 0:12:03 | |
-You those smelly...? -No. -It's that. | 0:12:03 | 0:12:05 | |
I mean, it's perfect for a romantic evening at George Michael's house. | 0:12:05 | 0:12:09 | |
I really don't know anything about George Michael, | 0:12:13 | 0:12:15 | |
-so I don't understand that joke. -OK. | 0:12:15 | 0:12:17 | |
-I'll explain it later. -Yeah? | 0:12:18 | 0:12:20 | |
You should talk to him about his childhood. | 0:12:20 | 0:12:23 | |
And then, of course, there's always this as a possibility. | 0:12:25 | 0:12:27 | |
-Look at that. -Is it hot? -Yeah. | 0:12:31 | 0:12:34 | |
And it smells of apple. | 0:12:39 | 0:12:40 | |
APPLAUSE | 0:12:43 | 0:12:45 | |
OK, well, I... It's an interesting angle, I must say. | 0:12:48 | 0:12:52 | |
So, friends and family - what winds up Jon Richardson about friends and family? | 0:12:52 | 0:12:57 | |
It's all my friends who are settling down. | 0:13:03 | 0:13:05 | |
AUDIENCE COOS | 0:13:07 | 0:13:10 | |
You're right to feel sorry for me. I'm alone now. | 0:13:10 | 0:13:12 | |
We made a bond when we were young based on what we enjoyed doing. | 0:13:12 | 0:13:18 | |
There was no physicality to it. We just found people who we liked spending time with. | 0:13:18 | 0:13:22 | |
Now they're all having sex and getting married | 0:13:22 | 0:13:24 | |
and I'm never going to see them again | 0:13:24 | 0:13:26 | |
unless their marriage breaks up, | 0:13:26 | 0:13:28 | |
in which case they'll come round in tears | 0:13:28 | 0:13:30 | |
and I'll be expected to piece them together | 0:13:30 | 0:13:32 | |
after years of holidays on my own. Er... | 0:13:32 | 0:13:35 | |
And I hope they're all miserable. | 0:13:35 | 0:13:38 | |
I hope they never share a moment's happiness with their partner | 0:13:39 | 0:13:42 | |
and I hope they realise that I've still got computer games at home | 0:13:42 | 0:13:46 | |
and lots of beer | 0:13:46 | 0:13:48 | |
and it will still be as much fun as it was before they all got pubes. | 0:13:48 | 0:13:52 | |
Have you considered Rentafriend? | 0:13:54 | 0:13:56 | |
There is actually an organisation called Rentafriend. | 0:13:56 | 0:13:59 | |
And it's not a dating agency. It's... | 0:13:59 | 0:14:02 | |
It's designed, if, say, I went to Chicago on my own on business, | 0:14:02 | 0:14:07 | |
I could phone them up and rent a friend to hang out with in Chicago. | 0:14:07 | 0:14:11 | |
That's how it works. | 0:14:11 | 0:14:13 | |
And also, I like the idea of working for Rentafriend as a friend | 0:14:13 | 0:14:18 | |
because I think I'd be quite a good friend to strangers for a night... | 0:14:18 | 0:14:21 | |
You might be but I don't think he would be. | 0:14:21 | 0:14:23 | |
"Where are we going? Disco?" "No." | 0:14:26 | 0:14:28 | |
"Fireworks display?" "It's been banned." | 0:14:30 | 0:14:33 | |
I'm here, darling, and I'm single. | 0:14:33 | 0:14:35 | |
I'll help you out. | 0:14:35 | 0:14:37 | |
-Ah! -I would be too worried that a house was going to fall on you if we went out in those shoes. | 0:14:39 | 0:14:43 | |
I find that the periods when I've been single | 0:14:51 | 0:14:54 | |
I'm amazed at how much time I have. | 0:14:54 | 0:14:56 | |
You waste a lot of time in a relationship. | 0:14:56 | 0:14:59 | |
You do, though. | 0:15:00 | 0:15:01 | |
You spend, what, 25 minutes a week saying, "You all right?" | 0:15:01 | 0:15:05 | |
APPLAUSE | 0:15:08 | 0:15:11 | |
Have you heard of Idollators? | 0:15:13 | 0:15:17 | |
It's men who go out with dolls. | 0:15:17 | 0:15:20 | |
But not in a seedy way. | 0:15:20 | 0:15:23 | |
Dolls that are for proper platonic relationships. | 0:15:23 | 0:15:27 | |
-You're nodding, Craig. -Yes, I've seen that. | 0:15:27 | 0:15:29 | |
-You've seen it? -Yes, I have. -What do you mean? -Well, you can get... | 0:15:29 | 0:15:34 | |
-They're very human-like. They're almost... -We have a picture. | 0:15:34 | 0:15:37 | |
-Yeah, they do. They absolutely love them. -Yeah. | 0:15:38 | 0:15:41 | |
Until they get bored or their skin starts peeling | 0:15:41 | 0:15:44 | |
or their hair starts knotting and fading. | 0:15:44 | 0:15:47 | |
No, that's real women you're thinking of. | 0:15:47 | 0:15:49 | |
But people do it for companionship. | 0:15:51 | 0:15:53 | |
And as I say, it's not a physical thing. | 0:15:53 | 0:15:54 | |
It's just, you know, out for a drive and... Lovely. Jon? | 0:15:54 | 0:15:58 | |
Yeah, I'd give it a go. | 0:15:59 | 0:16:01 | |
I don't think you're ready for a relationship yet. | 0:16:01 | 0:16:04 | |
Even with a doll. | 0:16:04 | 0:16:06 | |
-No. -I wasn't ready for this. | 0:16:08 | 0:16:11 | |
I know what I'm putting in in the next round. | 0:16:12 | 0:16:15 | |
APPLAUSE | 0:16:16 | 0:16:18 | |
-Oh, dear. -So, friends and family - | 0:16:22 | 0:16:25 | |
what does Craig Revel Horwood not like about friends and family? | 0:16:25 | 0:16:29 | |
-Ugh! Yuck! -House guests. | 0:16:33 | 0:16:36 | |
And actually, this is a perfect example. | 0:16:36 | 0:16:41 | |
They come round your house, you invite them into your home | 0:16:41 | 0:16:44 | |
and unfortunately, they leave toothpaste tubes like that, | 0:16:44 | 0:16:48 | |
they leave long hairs down the plughole, which I absolutely detest. | 0:16:48 | 0:16:55 | |
They use your towels. | 0:16:55 | 0:16:57 | |
They also do a vast array of things in the kitchen, | 0:16:57 | 0:17:01 | |
like leaving the dishes in the sink | 0:17:01 | 0:17:05 | |
when there's a perfectly good dishwasher right next door to it - | 0:17:05 | 0:17:09 | |
those sort of things. | 0:17:09 | 0:17:10 | |
They occupy too much of your space. | 0:17:10 | 0:17:13 | |
They spread themselves out around the house | 0:17:13 | 0:17:16 | |
like they own it. | 0:17:16 | 0:17:18 | |
-It drives me nuts. -Who are these people? -Family. -Family. | 0:17:18 | 0:17:22 | |
My mother's in the audience. Hello, Mum. | 0:17:24 | 0:17:26 | |
Actually, she does contain herself quite neatly. | 0:17:26 | 0:17:29 | |
-You had to say that! -Yes, but she does require three towels in the bathroom | 0:17:29 | 0:17:33 | |
and I only like seeing two there, you see. | 0:17:33 | 0:17:35 | |
-This is the thing. -LAUGHTER | 0:17:35 | 0:17:38 | |
I never told you that, Mother, and they're not matching towels, either. | 0:17:38 | 0:17:41 | |
Do you normally live on your own? | 0:17:41 | 0:17:42 | |
-Yes. -LAUGHTER | 0:17:44 | 0:17:46 | |
So, erm, how often do you have people staying? | 0:17:47 | 0:17:50 | |
-Is that a normal thing for you? -Yes, I have them staying quite a lot, actually. -Really? | 0:17:50 | 0:17:53 | |
Well, I don't think you'll have any more coming now | 0:17:53 | 0:17:56 | |
if they watch this programme. | 0:17:56 | 0:17:58 | |
OK, so, Sheila, people who buy you scented candles, | 0:17:59 | 0:18:03 | |
I know scented candles are a bit of a... They're not a nice thing | 0:18:03 | 0:18:06 | |
but the fact that it's come from such a nice place | 0:18:06 | 0:18:08 | |
and they're trying to be nice, | 0:18:08 | 0:18:09 | |
I don't think I can put them in, to be honest. | 0:18:09 | 0:18:12 | |
And it is just the way of things | 0:18:12 | 0:18:14 | |
that people have to go off with people who are not their mates eventually, Jon. | 0:18:14 | 0:18:20 | |
So I'm sorry about that but, Craig, I think you're right. | 0:18:20 | 0:18:23 | |
House guests can be an utter and complete nightmare | 0:18:23 | 0:18:26 | |
and I'd be very happy to put house guests into Room 101. | 0:18:26 | 0:18:31 | |
-APPLAUSE AND CHEERING -Yes! | 0:18:31 | 0:18:32 | |
Bye. | 0:18:35 | 0:18:36 | |
OK, next category, please. | 0:18:43 | 0:18:46 | |
Ah, now, this is the wildcard category | 0:18:52 | 0:18:54 | |
because sometimes we feel we can constrain you in your hatred. | 0:18:54 | 0:18:58 | |
Now you can just choose anything you like - | 0:18:58 | 0:19:00 | |
the thing that you hate most of all. | 0:19:00 | 0:19:02 | |
So what really winds up Jon Richardson? | 0:19:02 | 0:19:05 | |
It's my brain. | 0:19:12 | 0:19:14 | |
I've just had enough of it. Just... | 0:19:14 | 0:19:17 | |
It's there every day when I wake up. | 0:19:17 | 0:19:19 | |
You talk about unwanted house guests - that's been in there 30 years | 0:19:19 | 0:19:23 | |
-and it's like a house guest... -How old are you? | 0:19:23 | 0:19:25 | |
-30. -OK. | 0:19:25 | 0:19:27 | |
It's like a house guest who's arrived and made it clear, | 0:19:29 | 0:19:31 | |
"I'm going to stay with you all the time, forever. | 0:19:31 | 0:19:33 | |
"And even when you go out, I'm going to follow you." | 0:19:33 | 0:19:35 | |
Because when I did this show I suddenly realised I hate everything. | 0:19:35 | 0:19:40 | |
It wasn't a matter of narrowing it down | 0:19:40 | 0:19:42 | |
or trying to find stuff I hate, | 0:19:42 | 0:19:44 | |
I would literally put anything in, at any point, and everything. | 0:19:44 | 0:19:47 | |
And there's nothing wrong with me. My body's fine, I've got nice friends and nice family. | 0:19:47 | 0:19:51 | |
I've got a nice job. So it must be my brain. | 0:19:51 | 0:19:54 | |
I'd rather have a dog's brain. | 0:19:54 | 0:19:57 | |
I'm sick of thinking about everything all the time. | 0:19:57 | 0:20:00 | |
Or Jedward. I'd rather have Jedward's brain. | 0:20:00 | 0:20:02 | |
-APPLAUSE -Really. | 0:20:03 | 0:20:05 | |
Bearing in mind, if it goes into Room 101, it's... it's gone. | 0:20:05 | 0:20:09 | |
Fine. It'll be happy in there, there'll be fireworks on. | 0:20:09 | 0:20:12 | |
Is it true that you've got OCD or is that...? Or you've nearly got it? | 0:20:15 | 0:20:19 | |
-No, I've got traits of it. -So how do they manifest themselves? | 0:20:19 | 0:20:23 | |
I just stress a lot about everything. | 0:20:23 | 0:20:25 | |
Like that's not parallel, really. | 0:20:25 | 0:20:27 | |
I'm sure it's good for the camera | 0:20:27 | 0:20:29 | |
-but it's not in line with the front of that. -Yeah. | 0:20:29 | 0:20:32 | |
And that's wrong. | 0:20:32 | 0:20:33 | |
It's not a matter for debate. It's wrong. | 0:20:33 | 0:20:36 | |
I'm having to tolerate it because we're having such a nice time. | 0:20:36 | 0:20:39 | |
I get that toilet roll thing. | 0:20:41 | 0:20:43 | |
My girlfriend hangs the toilet roll so that the end is facing the wall. | 0:20:43 | 0:20:47 | |
-Leave her. -And I want it... | 0:20:47 | 0:20:49 | |
I want the toilet paper to appear like it's being offered... | 0:20:50 | 0:20:54 | |
not been forcibly taken. | 0:20:54 | 0:20:56 | |
-You're definitely right because then you can just paw at it as well. -Yeah! | 0:20:58 | 0:21:02 | |
The thing is, Jon, if I allow you to do this then, you know, | 0:21:03 | 0:21:06 | |
then the nation will lose one of their favourites. | 0:21:06 | 0:21:10 | |
The nation doesn't need me. | 0:21:11 | 0:21:13 | |
And one day, I won't be a comic and I'll just be this person. | 0:21:13 | 0:21:16 | |
Now, people laugh and they pay to hear me, | 0:21:16 | 0:21:18 | |
"Isn't it funny when you're walking and you can't stand on the thing?" | 0:21:18 | 0:21:21 | |
One day, I won't be a comedian, I'll just be in a pub. | 0:21:21 | 0:21:23 | |
"It took me hours to get here because they put a new grid in | 0:21:23 | 0:21:25 | |
"and I couldn't step over it because it's about one and a half paces | 0:21:25 | 0:21:29 | |
"and I've got an extra..." Ee-uh, ee-uh, ee-uh, ee-uh. | 0:21:29 | 0:21:32 | |
You can save people from that now, Frank. | 0:21:32 | 0:21:34 | |
Yeah but if you put your brain in | 0:21:34 | 0:21:36 | |
you could end up as a judge on a reality show. | 0:21:36 | 0:21:38 | |
True. | 0:21:42 | 0:21:44 | |
OK, now, let's see what is Sheila's wildcard. | 0:21:44 | 0:21:47 | |
Yes, it's ladies' toilets. | 0:21:51 | 0:21:53 | |
What puzzles me - I'm sorry, my fellow women - | 0:21:53 | 0:21:57 | |
but what do they do in the toilet? | 0:21:57 | 0:21:59 | |
Because they take hours and you stand there and you think, | 0:21:59 | 0:22:04 | |
"That woman is never going to come out. What are they doing?" | 0:22:04 | 0:22:07 | |
And talking of toilet rolls, I wonder if it's something to do with... | 0:22:07 | 0:22:11 | |
You know those big machines with toilet rolls? | 0:22:11 | 0:22:13 | |
And you can never get the bit of paper out... | 0:22:13 | 0:22:16 | |
-There are sort of teeth, sharp teeth. -You just absolutely... | 0:22:16 | 0:22:20 | |
Maybe they're to get the paper out or whatever. | 0:22:20 | 0:22:22 | |
It's like, you know when you try to grab a dog's tongue to pull it out? | 0:22:22 | 0:22:25 | |
-I always imagine that they're beautiful places. -No, they're not. | 0:22:26 | 0:22:29 | |
They're usually not at all. | 0:22:29 | 0:22:32 | |
I remember when I first went to France as a young girl, | 0:22:32 | 0:22:35 | |
I was an au pair and it was all those holes, remember? | 0:22:35 | 0:22:40 | |
You had to squat down over a terrible hole. | 0:22:40 | 0:22:42 | |
And the only place where there was a proper toilet | 0:22:42 | 0:22:45 | |
was the Mona Lisa gallery in the Louvre. | 0:22:45 | 0:22:47 | |
I know the Mona Lisa, every brushstroke - | 0:22:47 | 0:22:52 | |
I used to go every day. | 0:22:52 | 0:22:54 | |
-You can actually see it from the toilet? -No, no! | 0:22:54 | 0:22:57 | |
It must be why she's pulling that face. | 0:22:57 | 0:23:00 | |
Also with the ladies, I don't know, I'd miss the urinal. | 0:23:01 | 0:23:04 | |
Well, I usually do. But I'd miss the... | 0:23:04 | 0:23:06 | |
This idea about having to go into an individual cubicle to go to the toilet - | 0:23:07 | 0:23:11 | |
-that's why it takes so long, isn't it? -Yeah. | 0:23:11 | 0:23:13 | |
They have to sit down, don't they, as well. | 0:23:13 | 0:23:16 | |
I have no idea. | 0:23:16 | 0:23:18 | |
Are you aware of the Shewee, Sheila? | 0:23:18 | 0:23:21 | |
-The what? -The Shewee. -No. | 0:23:21 | 0:23:24 | |
I believe it was named after you. | 0:23:24 | 0:23:26 | |
This is a Shewee and it means that a lady can... | 0:23:28 | 0:23:33 | |
can go to the toilet very secretly, | 0:23:33 | 0:23:36 | |
so if you can't get into a toilet or you're on a long car journey, | 0:23:36 | 0:23:39 | |
you can put this into a bottle and... | 0:23:39 | 0:23:42 | |
You can use it for pick and mix, as well. | 0:23:42 | 0:23:44 | |
So erm... We come to Craig's wildcard. | 0:23:46 | 0:23:49 | |
-What's that? -I'm a bit bemused by that one. | 0:23:56 | 0:23:58 | |
-I believe it's an Englishman, an Irishman and a Scotsman. -Yeah. | 0:23:58 | 0:24:01 | |
People who tell jokes all the time is my pet hate. | 0:24:01 | 0:24:07 | |
I can't stand it. At dinner parties, people that tell hideous jokes. | 0:24:10 | 0:24:15 | |
"Have you heard the one about...?" It's just boring. | 0:24:15 | 0:24:18 | |
I just have an out-of-body experience every time they do it. | 0:24:18 | 0:24:21 | |
Why don't you just say Bruce Forsyth and get it over with? | 0:24:21 | 0:24:24 | |
My problem is someone that consistently spouts off | 0:24:26 | 0:24:31 | |
heinously. | 0:24:31 | 0:24:33 | |
Are you thinking of any particular person? | 0:24:33 | 0:24:35 | |
No, he doesn't tell jokes. | 0:24:39 | 0:24:42 | |
-He's proved that tonight, darling. -Ah, Craig! | 0:24:42 | 0:24:45 | |
-Take off your critic's boots! -He's just funny. | 0:24:45 | 0:24:48 | |
-Are they critic boots? -They are, yeah. | 0:24:48 | 0:24:50 | |
Do you know that you are actually...? That there is a joke about you? | 0:24:50 | 0:24:56 | |
I'm sure there's several. | 0:24:58 | 0:24:59 | |
It's not... I don't think it's unkind. | 0:25:01 | 0:25:02 | |
It's quite sweet. I think you'll like it. | 0:25:02 | 0:25:05 | |
I do a radio show and someone texted in, | 0:25:05 | 0:25:09 | |
"Why doesn't Craig Revel Horwood use as much spray tan as he used to?" | 0:25:09 | 0:25:14 | |
And they said, "It's cos no-one likes orange Revels." | 0:25:14 | 0:25:17 | |
LAUGHTER | 0:25:17 | 0:25:20 | |
-No, because it didn't... -APPLAUSE | 0:25:21 | 0:25:23 | |
CHEERING | 0:25:25 | 0:25:27 | |
It's a cute, sweet joke | 0:25:29 | 0:25:30 | |
and, you know, it's affectionate towards you, don't you think? | 0:25:30 | 0:25:34 | |
It's offensive. | 0:25:34 | 0:25:36 | |
Have you ever laughed? | 0:25:37 | 0:25:39 | |
Not when you've been talking. | 0:25:39 | 0:25:41 | |
-AUDIENCE OOHING -Ooh! Oh, my God, it's gone so wrong. | 0:25:41 | 0:25:45 | |
You must tell jokes, Craig, do you? | 0:25:47 | 0:25:49 | |
No. | 0:25:49 | 0:25:50 | |
-I'm not funny, that's why. -Oh, come on. -No, I'm not. | 0:25:52 | 0:25:55 | |
-You've got lots of laughs tonight. -I don't remember one, darling. | 0:25:55 | 0:25:59 | |
Well, I don't remember one but I'm sure... | 0:25:59 | 0:26:02 | |
-Go on, tell us a gag. -I don't know any. | 0:26:03 | 0:26:06 | |
And I'm seriously unfunny, I promise you. | 0:26:06 | 0:26:09 | |
If I tell you a gag now, will you tell it? | 0:26:09 | 0:26:12 | |
If I whisper a gag in your ear? | 0:26:12 | 0:26:14 | |
I'll give you a really short one, right? | 0:26:14 | 0:26:17 | |
This is... | 0:26:17 | 0:26:19 | |
-I've heard that before. -I know you have. | 0:26:20 | 0:26:23 | |
Not at 8:30 on BBC1, you haven't. | 0:26:23 | 0:26:26 | |
LAUGHTER | 0:26:33 | 0:26:35 | |
So, Craig, have you got any gags for us? | 0:26:38 | 0:26:40 | |
What did zero say to the eight? | 0:26:40 | 0:26:44 | |
No idea. | 0:26:44 | 0:26:45 | |
Nice belt. | 0:26:46 | 0:26:48 | |
APPLAUSE AND CHEERING | 0:26:50 | 0:26:52 | |
-I don't understand it. -Oh... | 0:26:57 | 0:27:00 | |
-I don't get it either. -I'm trying to build his confidence here, Sheila. | 0:27:00 | 0:27:04 | |
-He doesn't understand it either. -I was so busy trying to think of the words... | 0:27:04 | 0:27:08 | |
What does the zero say to the eight? | 0:27:08 | 0:27:11 | |
Nice belt. | 0:27:11 | 0:27:12 | |
It's funny because numbers can't talk. | 0:27:12 | 0:27:15 | |
Yeah? | 0:27:17 | 0:27:18 | |
-Is that right? -Because a zero is like that | 0:27:19 | 0:27:21 | |
-and an eight is pulled... -Oh, I see it's a visual... | 0:27:21 | 0:27:25 | |
It's a visual joke. | 0:27:26 | 0:27:28 | |
-Yes! -That's a zero and that's an eight. | 0:27:28 | 0:27:30 | |
I'm so glad I was here the night comedy died. | 0:27:30 | 0:27:33 | |
Anyway, I can't possibly put people who tell jokes all the time into Room 101 | 0:27:37 | 0:27:42 | |
because otherwise I'll have to go in and that's impossible. | 0:27:42 | 0:27:46 | |
And I don't want to put Jon Richardson's brain in | 0:27:46 | 0:27:49 | |
because I quite like it. | 0:27:49 | 0:27:51 | |
Ladies' toilets I'd love to put in | 0:27:51 | 0:27:54 | |
because it's going to make just being out at night much more exciting. | 0:27:54 | 0:27:58 | |
So I am going to put ladies' toilets into Room 101. | 0:27:58 | 0:28:03 | |
APPLAUSE AND CHEERING | 0:28:03 | 0:28:05 | |
And that brings us to the end of the show. | 0:28:16 | 0:28:17 | |
Well done, Sheila. You're the most persuasive guest tonight, | 0:28:17 | 0:28:20 | |
so you are this week's winner. | 0:28:20 | 0:28:22 | |
APPLAUSE AND CHEERING | 0:28:22 | 0:28:24 | |
So thank you very much, Jon Richardson, Craig Revel Horwood | 0:28:28 | 0:28:31 | |
and Sheila Hancock | 0:28:31 | 0:28:32 | |
and thank you - goodnight! | 0:28:32 | 0:28:34 | |
CHEERING AND WHISTLING | 0:28:34 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:28:36 | 0:28:38 |