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APPLAUSE | 0:00:26 | 0:00:29 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:31 | 0:00:35 | |
the show where three guests compete to condemn | 0:00:35 | 0:00:38 | |
their deepest dislikes to the dreaded room. | 0:00:38 | 0:00:40 | |
Our guests' choices have been sorted into categories | 0:00:40 | 0:00:43 | |
and in each round only one item can be chosen. | 0:00:43 | 0:00:45 | |
The final decision is mine. Let's meet this week's guests. | 0:00:45 | 0:00:49 | |
Joining me tonight are comedian Tim Vine, Mr Strictly, Len Goodman, | 0:00:49 | 0:00:52 | |
and actress Ronni Ancona. | 0:00:52 | 0:00:54 | |
APPLAUSE | 0:00:54 | 0:00:58 | |
Right, then, let's have our first category. | 0:01:03 | 0:01:05 | |
Going Out. OK, what doesn't Len like about going out? | 0:01:10 | 0:01:14 | |
All foreign food. | 0:01:18 | 0:01:20 | |
It all started with my grandad, really. | 0:01:22 | 0:01:24 | |
He said, "Never eat anything you can't spell, | 0:01:24 | 0:01:27 | |
"and never eat anything you wouldn't want to tread in". | 0:01:27 | 0:01:30 | |
I've got to be honest, I'm not an expert on foreign food | 0:01:33 | 0:01:35 | |
because I've never, ever had curry. | 0:01:35 | 0:01:37 | |
I've never had a curry, ever. | 0:01:37 | 0:01:39 | |
-Wow. -Never? -Never, ever, and I've never had spaghetti. | 0:01:39 | 0:01:42 | |
Blimey. | 0:01:42 | 0:01:44 | |
No. All that... and then the big, brown dollop. | 0:01:44 | 0:01:47 | |
No, thanks. | 0:01:47 | 0:01:49 | |
I have with my mates on occasion had to go into these places. | 0:01:49 | 0:01:52 | |
The first one was a Chinese... | 0:01:52 | 0:01:54 | |
-Right. -..and they all... I couldn't order, | 0:01:54 | 0:01:56 | |
so they said, "We'll order it all for you", | 0:01:56 | 0:01:58 | |
and they ordered aromatic duck, | 0:01:58 | 0:02:00 | |
when it comes on, like, a little pancakey thing. | 0:02:00 | 0:02:03 | |
So up came this basket and I picked it up, | 0:02:03 | 0:02:07 | |
and I thought, "Oh, this is posh. | 0:02:07 | 0:02:09 | |
"They're the towels that you wipe your face on". | 0:02:09 | 0:02:12 | |
That was my first experience. | 0:02:15 | 0:02:17 | |
Yeah, you know, it's not as good as ham, egg and chips. | 0:02:17 | 0:02:20 | |
Not as good. Sushi. No. | 0:02:20 | 0:02:23 | |
Cockles and muscles and maybe a winkle, lovely jubbly. Olives? | 0:02:25 | 0:02:30 | |
I'll go for the olive. I don't know what that is. | 0:02:30 | 0:02:33 | |
Oh, that's a little samosa there. | 0:02:33 | 0:02:35 | |
Really? | 0:02:35 | 0:02:37 | |
So, I've got to just tell you this, | 0:02:38 | 0:02:40 | |
because they're very hospitable here on 101. | 0:02:40 | 0:02:43 | |
They said, "Would you like something to eat?" | 0:02:43 | 0:02:45 | |
I said, "Yeah, I'm starving," and I've kept the menu, right? | 0:02:45 | 0:02:48 | |
Oh, God. | 0:02:48 | 0:02:49 | |
I promise this is the menu that was given to me. | 0:02:49 | 0:02:53 | |
Moroccan chicken tagine, | 0:02:55 | 0:02:57 | |
vegetables and halloumi kebabs, | 0:02:57 | 0:03:00 | |
roasted harrissa potato wedges, mint yoghurt, | 0:03:00 | 0:03:04 | |
fresh herb and pomegranate tabbouleh. | 0:03:04 | 0:03:06 | |
I was given ham and egg. | 0:03:09 | 0:03:10 | |
They got the order wrong. | 0:03:12 | 0:03:14 | |
Can I...? | 0:03:14 | 0:03:16 | |
Can I just say that I use Moroccan chicken to help me count. | 0:03:16 | 0:03:19 | |
It's my aba-cous-cous. | 0:03:19 | 0:03:20 | |
Yeah, you know, I think we would all be healthier, fitter and happier | 0:03:23 | 0:03:28 | |
if we could go back to those days with fish and chips... | 0:03:28 | 0:03:33 | |
Oh, yes, eh? | 0:03:33 | 0:03:34 | |
-Lovely. -Oh, you say that, but Brussels sprouts, | 0:03:34 | 0:03:37 | |
they're like the grapes of the devil. | 0:03:37 | 0:03:39 | |
-I love them. Oh, no. -Evil little yellow hearts. | 0:03:39 | 0:03:42 | |
I love a Brussel, and specially... My nan used to tear them up | 0:03:42 | 0:03:46 | |
and put bits of bacon in... Oh, yum, yum, pig's bum, yes. | 0:03:46 | 0:03:50 | |
Love it. | 0:03:50 | 0:03:51 | |
You actually knew which part of the bacon it was. | 0:03:51 | 0:03:54 | |
Could it be...? Dare I say this, do you think this is | 0:03:56 | 0:03:58 | |
a sort of an older generation view of foreign food? | 0:03:58 | 0:04:02 | |
The old saying, you can't help how your mum put your hat on, | 0:04:02 | 0:04:05 | |
and that's how it is. | 0:04:05 | 0:04:06 | |
How you were brought up and grew up is how you are. | 0:04:06 | 0:04:09 | |
That's an old saying, but only in your house. | 0:04:09 | 0:04:11 | |
Only in my...only I know it. | 0:04:11 | 0:04:13 | |
That's dead on, yeah. | 0:04:13 | 0:04:15 | |
I tell you what I've found as I get older as well, I can't really enjoy | 0:04:15 | 0:04:19 | |
Alphabetti Spaghetti now unless I've got my reading glasses on. | 0:04:19 | 0:04:22 | |
Yeah. | 0:04:25 | 0:04:26 | |
One thing about foreign food, it is quite versatile. | 0:04:26 | 0:04:29 | |
This is just one of the things you can do with noodles. | 0:04:29 | 0:04:32 | |
-What is...? -What is that? | 0:04:35 | 0:04:37 | |
-It's Chewbacca. -Chewbacca. | 0:04:37 | 0:04:38 | |
Oh, it's Chewbacca! | 0:04:38 | 0:04:39 | |
It's what? Chewing tobacco? | 0:04:39 | 0:04:41 | |
No, it's Chewbacca. | 0:04:41 | 0:04:42 | |
Star Wars. | 0:04:43 | 0:04:45 | |
No, it's Chewbacca from Star Wars. | 0:04:45 | 0:04:46 | |
Oh, yes. I see, yeah. | 0:04:46 | 0:04:48 | |
Yeah. Oh, yeah. | 0:04:48 | 0:04:50 | |
Oh, he's converted now. | 0:04:50 | 0:04:53 | |
I do understand that there's a huge industry with Mexican food | 0:04:53 | 0:04:59 | |
and Indian, Chinese...on and on. | 0:04:59 | 0:05:01 | |
It's just that it is not my cup of tea. | 0:05:01 | 0:05:03 | |
-Doesn't make me a bad person. -No. | 0:05:03 | 0:05:06 | |
Does it, everyone? | 0:05:06 | 0:05:07 | |
-AUDIENCE: -No. -Thank you. | 0:05:07 | 0:05:09 | |
That was a party political broadcast on behalf of UKIP. | 0:05:10 | 0:05:14 | |
LAUGHTER AND APPLAUSE | 0:05:14 | 0:05:18 | |
OK. Let's see what Tim doesn't like about going out. | 0:05:22 | 0:05:25 | |
Well, this is about karaoke. | 0:05:28 | 0:05:29 | |
Now, karaoke DJs is the thing I don't like, but it's a very specific | 0:05:29 | 0:05:33 | |
type of karaoke DJ, because I absolutely love karaoke. | 0:05:33 | 0:05:38 | |
It's the nearest I'm ever going to get to being a pop star. | 0:05:38 | 0:05:41 | |
I stand up in a pub in front of all these people | 0:05:41 | 0:05:43 | |
singing Desperado and I just love it. Completely love it. | 0:05:43 | 0:05:47 | |
In fact, I did karaoke at the Vatican. | 0:05:47 | 0:05:49 | |
London, Paris, New York, Munich, everybody talk about Pope music. | 0:05:49 | 0:05:52 | |
The point is, as we know, | 0:05:54 | 0:05:56 | |
the correct way that a karaoke DJ should do things is he says, | 0:05:56 | 0:06:00 | |
"Right, Mark next, Mark next," so the person comes up and sings | 0:06:00 | 0:06:03 | |
a song, goes down, and the karaoke DJ should say, "Next up, Sandra". | 0:06:03 | 0:06:06 | |
The next person comes up. | 0:06:06 | 0:06:08 | |
So you bring them on one after the other. | 0:06:08 | 0:06:10 | |
Another person, like this. | 0:06:10 | 0:06:11 | |
But the karaoke DJ that I absolutely cannot stand is the person | 0:06:11 | 0:06:14 | |
who says, "Mark next." The person comes up, right? | 0:06:14 | 0:06:17 | |
Then they go and sit back down again, | 0:06:17 | 0:06:19 | |
and then there's, like, 200 people in the pub. | 0:06:19 | 0:06:21 | |
We're all going, "Is it us next?" | 0:06:21 | 0:06:23 | |
He's got a pile of things here that people have written on | 0:06:23 | 0:06:26 | |
and he starts DJing. | 0:06:26 | 0:06:28 | |
So suddenly he's going, | 0:06:28 | 0:06:29 | |
"Holiday," and everyone is going, "Can we please...?" | 0:06:29 | 0:06:32 | |
and then that stops. You think, "OK, great," | 0:06:32 | 0:06:34 | |
and then just when you think he's going to bring someone else up... | 0:06:34 | 0:06:37 | |
Can you feel the passion here? | 0:06:37 | 0:06:38 | |
Just when you think he's going to bring someone else up, | 0:06:38 | 0:06:41 | |
he starts singing himself. | 0:06:41 | 0:06:43 | |
Not only that, he's got his own mic. | 0:06:43 | 0:06:45 | |
So he pulls up a mic from...it's like a solid gold thing. | 0:06:47 | 0:06:50 | |
Turns out we've all been singing with some Fisher Price thing | 0:06:50 | 0:06:52 | |
that doesn't make any kind of noise at all, and it's just... | 0:06:52 | 0:06:55 | |
it's just so annoying. | 0:06:55 | 0:06:56 | |
It can ruin an evening, completely ruin an evening. | 0:06:56 | 0:06:58 | |
I wonder, though, Tim, | 0:06:58 | 0:07:00 | |
if he doesn't see himself as sort of leading by example, in a way. | 0:07:00 | 0:07:04 | |
You know the way kings used to lead their countries into battle? | 0:07:04 | 0:07:07 | |
Isn't it a bit like that, that he's part of the... | 0:07:07 | 0:07:10 | |
I suppose the modern equivalent would be Tom Daley on Splash. | 0:07:10 | 0:07:13 | |
What would you normally do karaoke, first choice? | 0:07:14 | 0:07:18 | |
I like to do Will Young songs, | 0:07:18 | 0:07:20 | |
because I do a sort of Will Young kind of impression. | 0:07:20 | 0:07:23 | |
Mmm. | 0:07:23 | 0:07:24 | |
# I'm here, just like I said | 0:07:24 | 0:07:26 | |
# Ah, ah, ah. # | 0:07:26 | 0:07:28 | |
# Think I'd better leave right now. # | 0:07:29 | 0:07:32 | |
HE HUMS | 0:07:32 | 0:07:34 | |
And the Bee Gees. I can do the Bee Gees as well. | 0:07:36 | 0:07:39 | |
# I'm here. # | 0:07:39 | 0:07:40 | |
The key, that's the scary thing. | 0:07:43 | 0:07:45 | |
I saw a man do... You know that... | 0:07:45 | 0:07:47 | |
# You're just too good to be true? # | 0:07:47 | 0:07:49 | |
-Yeah. -This was at a club in Birmingham, | 0:07:49 | 0:07:51 | |
and he came onstage and he started... | 0:07:51 | 0:07:53 | |
# You're just too. # | 0:07:53 | 0:07:55 | |
And we all thought, "What about the bit that goes da-da?" | 0:07:55 | 0:07:59 | |
He hasn't thought ahead, this guy. | 0:07:59 | 0:08:01 | |
It got to the "ba-da, ba-da", | 0:08:01 | 0:08:04 | |
we were all absolutely on the edge of our seat. | 0:08:04 | 0:08:06 | |
"Ba-da." He still looked confident. "Ba!" | 0:08:06 | 0:08:09 | |
And then he went... | 0:08:09 | 0:08:11 | |
LAUGHTER | 0:08:11 | 0:08:14 | |
And we all sort of went, "Argh!" | 0:08:14 | 0:08:18 | |
Completely fell for it. | 0:08:18 | 0:08:20 | |
Japan, obviously, is the home of karaoke | 0:08:20 | 0:08:24 | |
and because they've had it longer than us, they've developed it... | 0:08:24 | 0:08:27 | |
-It's become a bit more sophisticated. -Mmm. | 0:08:27 | 0:08:30 | |
This is the stage that Japanese karaoke has reached now. | 0:08:30 | 0:08:33 | |
LAUGHTER AND APPLAUSE | 0:09:13 | 0:09:15 | |
Terrifying. | 0:09:17 | 0:09:18 | |
I love the woman's face, the one who goes, "Oh!" | 0:09:21 | 0:09:24 | |
with the joy of it all. | 0:09:24 | 0:09:26 | |
Anyway, let's see what Ronni doesn't like about going out. | 0:09:27 | 0:09:30 | |
Ah. Yes. | 0:09:34 | 0:09:36 | |
Small talk at parties. | 0:09:36 | 0:09:38 | |
Ah. | 0:09:38 | 0:09:39 | |
Those kind of endless, sort of meaningless | 0:09:39 | 0:09:44 | |
but polite conversations that you have to go through when you meet | 0:09:44 | 0:09:48 | |
somebody that you don't know at a party, and I'm not very good at it. | 0:09:48 | 0:09:52 | |
They normally are things like... | 0:09:52 | 0:09:54 | |
There's usually one, like, "Oh, where do you live?" | 0:09:54 | 0:09:57 | |
"Oh, I live in Peckham." "Oh, I know Peckham. | 0:09:57 | 0:10:01 | |
Whereabouts?" "Oh, near the Sainsbury's." | 0:10:01 | 0:10:04 | |
"Which one, because there are two?" | 0:10:04 | 0:10:06 | |
"Er, yeah. Well, you know the Duke Of Devonshire pub?" | 0:10:06 | 0:10:08 | |
"Oh, yes, I know, because a friend of mine, her cousin... | 0:10:08 | 0:10:11 | |
"her cousin used to live round there." | 0:10:11 | 0:10:13 | |
"Yeah, well, I'm not there. I'm Meredith Road." | 0:10:13 | 0:10:17 | |
"No, I don't know that." | 0:10:17 | 0:10:19 | |
I mean, it's not that I don't love people. Don't get me wrong. | 0:10:21 | 0:10:24 | |
-Of course not. -It's just that life is too short. | 0:10:24 | 0:10:26 | |
You just kind of, sort of, want to jump in with, you know, | 0:10:26 | 0:10:29 | |
"Where do you stand on Nigel Farage?" | 0:10:29 | 0:10:31 | |
On his windpipe, preferably. | 0:10:31 | 0:10:34 | |
LAUGHTER AND APPLAUSE | 0:10:34 | 0:10:37 | |
I always used to start by saying, "Nice shoes," | 0:10:37 | 0:10:40 | |
if I was talking to a woman. | 0:10:40 | 0:10:41 | |
I might write that down. | 0:10:41 | 0:10:42 | |
Yeah. "Nice shoes." Unfortunately they couldn't hear me. | 0:10:42 | 0:10:45 | |
I was on the floor... | 0:10:45 | 0:10:46 | |
LAUGHTER | 0:10:46 | 0:10:49 | |
..usually in a pool of my own vomit. | 0:10:49 | 0:10:51 | |
But, you know, different times. | 0:10:51 | 0:10:53 | |
Do you ever get that thing when you're talking to someone | 0:10:53 | 0:10:55 | |
and they're looking over your shoulder to see | 0:10:55 | 0:10:57 | |
-if there's anyone more interesting? -Yeah. | 0:10:57 | 0:10:59 | |
Yeah. Ever since I've been married that's happened. | 0:10:59 | 0:11:02 | |
I wear this for such occasions. | 0:11:02 | 0:11:06 | |
LAUGHTER | 0:11:07 | 0:11:10 | |
Then they can't see... They can't see over my shoulders. | 0:11:10 | 0:11:13 | |
Brilliant. | 0:11:16 | 0:11:18 | |
The great thing about this is | 0:11:18 | 0:11:19 | |
if they turn out to be a bit on the boring side, you can... | 0:11:19 | 0:11:23 | |
APPLAUSE | 0:11:29 | 0:11:31 | |
OK. So, look. The problem is, Len, if I... | 0:11:39 | 0:11:42 | |
No, don't start with that line. | 0:11:42 | 0:11:44 | |
Well, I actually like quite a bit of foreign food and... | 0:11:45 | 0:11:48 | |
So what? You've got to get the big picture. | 0:11:48 | 0:11:51 | |
It's not all me, me, me, is it? | 0:11:51 | 0:11:53 | |
LAUGHER | 0:11:53 | 0:11:56 | |
No... | 0:11:56 | 0:11:58 | |
Is it going to be like this every round? | 0:11:58 | 0:12:00 | |
-Yes, every one. -OK. | 0:12:00 | 0:12:01 | |
I don't like the people who take over with the karaoke thing | 0:12:01 | 0:12:05 | |
because I think, yes, it should be a democracy | 0:12:05 | 0:12:08 | |
and everyone should be able to join in. | 0:12:08 | 0:12:10 | |
-But I do think it's about time we put a stop to small talk. -Yes! | 0:12:10 | 0:12:13 | |
Why can't we go and just speak about the big things to people | 0:12:13 | 0:12:16 | |
-and not need all that little trivial nonsense and stuff? -Yes. | 0:12:16 | 0:12:19 | |
So I'm going to put small talk at parties into Room 101. | 0:12:19 | 0:12:22 | |
APPLAUSE | 0:12:22 | 0:12:26 | |
Next category, please. | 0:12:35 | 0:12:36 | |
It's Modern Life. | 0:12:41 | 0:12:43 | |
What doesn't Tim like about modern life? | 0:12:43 | 0:12:45 | |
Well... | 0:12:49 | 0:12:51 | |
I can explain what's happening here. | 0:12:51 | 0:12:53 | |
What I don't like about modern life, | 0:12:53 | 0:12:55 | |
which I think is now exacerbated by the amount of prank shows | 0:12:55 | 0:12:57 | |
there are on television nowadays, is the phrase "only joking". | 0:12:57 | 0:13:02 | |
This phrase apparently means you can do anything, as long as you | 0:13:02 | 0:13:05 | |
then say, "Only joking," afterwards, and then everything is all right. | 0:13:05 | 0:13:08 | |
This is an example of a physical thing that can happen. Here I am. | 0:13:08 | 0:13:11 | |
This is me here, and I'm quite slim there, and I've got a napkin. | 0:13:11 | 0:13:16 | |
I was playing tennis with a napkin. | 0:13:16 | 0:13:18 | |
I said, "Don't SERVIETTE." | 0:13:18 | 0:13:20 | |
Anyway... | 0:13:22 | 0:13:23 | |
I was sitting having a lovely meal | 0:13:23 | 0:13:25 | |
and this person here, he's pulled the chair away, I've fallen down, | 0:13:25 | 0:13:29 | |
probably hurt my vertebrae, and he has gone, with a red nose | 0:13:29 | 0:13:33 | |
there just to sort of underline it, he's gone, "Only joking". | 0:13:33 | 0:13:36 | |
And I have to go, "Oh. Oh, right. OK," | 0:13:36 | 0:13:39 | |
but that's not a joke. | 0:13:39 | 0:13:40 | |
A joke is - I went on a date with a girl called Simile. | 0:13:40 | 0:13:43 | |
I don't know what I metaphor. That's a joke. | 0:13:43 | 0:13:45 | |
LAUGHTER | 0:13:45 | 0:13:48 | |
Also, there's no "only" about joking, is there? | 0:13:48 | 0:13:50 | |
Joking is quite a difficult craft. | 0:13:50 | 0:13:53 | |
People should say, "I'm only being serious," | 0:13:53 | 0:13:56 | |
-because anybody can do that. -Well, you're right. | 0:13:56 | 0:13:59 | |
Your brother does serious television. | 0:13:59 | 0:14:01 | |
You could go and do his job tomorrow. | 0:14:01 | 0:14:02 | |
Could he do yours? No. | 0:14:02 | 0:14:05 | |
In case you don't know, Tim's brother is Sir Trevor McDonald. | 0:14:05 | 0:14:08 | |
LAUGHTER | 0:14:08 | 0:14:11 | |
But sometimes the joke... | 0:14:11 | 0:14:13 | |
A friend of mine went out with a girl and she...I'm going to have | 0:14:13 | 0:14:16 | |
to say her name but it'll be fine because she laughed about it after. | 0:14:16 | 0:14:20 | |
Her name was Alison Pearce and she had... | 0:14:20 | 0:14:23 | |
she had quite big, sticky out... And we went on holiday, | 0:14:23 | 0:14:27 | |
me and my mate, and he sent her a postcard and he wrote, | 0:14:27 | 0:14:30 | |
"To Ms A Pearce", and then he wrote in brackets, | 0:14:30 | 0:14:34 | |
"Ape ears". | 0:14:34 | 0:14:35 | |
And she split up with him. | 0:14:37 | 0:14:39 | |
So sometimes you have to do the joke because it's so good. | 0:14:40 | 0:14:44 | |
Yeah, but that's...in that situation, that's... | 0:14:44 | 0:14:47 | |
She's the one with the problem there, | 0:14:47 | 0:14:48 | |
because that's a funny joke, I think. | 0:14:48 | 0:14:50 | |
Yeah. I would sacrifice a relationship for a joke that good. | 0:14:50 | 0:14:54 | |
-Exactly. -Absolutely. | 0:14:54 | 0:14:55 | |
Got to get your priorities right. | 0:14:55 | 0:14:57 | |
OK, well, let's see what Len doesn't like about modern life. | 0:14:57 | 0:15:00 | |
Choice. | 0:15:04 | 0:15:05 | |
There is too much choice of everything. | 0:15:08 | 0:15:13 | |
I don't care where you go, what you're buying - | 0:15:13 | 0:15:17 | |
toothpaste, milk, jeans - everything. | 0:15:17 | 0:15:21 | |
My old Sue said, "On your way home, get some milk." | 0:15:21 | 0:15:24 | |
I thought, "OK." In I went. | 0:15:24 | 0:15:26 | |
There's whole fat. | 0:15:28 | 0:15:30 | |
There's semi-skimmed, totally skimmed, 1%, | 0:15:30 | 0:15:34 | |
homogenised, or something, Jersey milk... | 0:15:34 | 0:15:38 | |
Just milk. It just comes out of a cow. | 0:15:38 | 0:15:41 | |
All you want is a bottle of milk, but no. | 0:15:41 | 0:15:43 | |
It's ludicrous. | 0:15:43 | 0:15:45 | |
I went into a very well known department store - | 0:15:45 | 0:15:48 | |
and hold my gaze - and I did a bit of research. | 0:15:48 | 0:15:51 | |
I haven't even met your gaze. | 0:15:51 | 0:15:53 | |
I said to the bloke who was folding up some jeans, I said, | 0:15:53 | 0:15:57 | |
"How many different jeans are there?" | 0:15:57 | 0:15:59 | |
He said, "I'm not sure. About 27." | 0:15:59 | 0:16:01 | |
Say something. | 0:16:03 | 0:16:04 | |
LAUGHTER | 0:16:04 | 0:16:06 | |
How can that be? | 0:16:06 | 0:16:07 | |
It's the blight of - not just mine - everyone's life. | 0:16:07 | 0:16:12 | |
You could turn the biggest supermarket back into a corner shop | 0:16:12 | 0:16:15 | |
if you just got rid... | 0:16:15 | 0:16:17 | |
Don't get me started on butter. | 0:16:17 | 0:16:19 | |
Well, let me give you some facts and figures. | 0:16:22 | 0:16:24 | |
You'll like this, Len. | 0:16:24 | 0:16:25 | |
-Only if it's positive on my side. -Well, I think... | 0:16:25 | 0:16:28 | |
Before I carry on, I'm very disappointed with my figure. | 0:16:28 | 0:16:33 | |
Look, it's a cut-off of me and... | 0:16:33 | 0:16:35 | |
look at the artistry in this. | 0:16:35 | 0:16:37 | |
He's got a pizza, he's got a knife... | 0:16:40 | 0:16:42 | |
Look what I get. | 0:16:42 | 0:16:43 | |
Now, we actually had three or four good ones | 0:16:43 | 0:16:46 | |
but we knew you wouldn't want to choose. | 0:16:46 | 0:16:48 | |
LAUGHTER AND APPLAUSE | 0:16:48 | 0:16:51 | |
So, now, here we go. You'll like this, Len. | 0:16:56 | 0:16:59 | |
Tesco sell 352 types of bread. | 0:16:59 | 0:17:03 | |
No. That's unbelievable. | 0:17:03 | 0:17:06 | |
Need I say more? | 0:17:06 | 0:17:08 | |
Hold it. I haven't finished yet. | 0:17:08 | 0:17:10 | |
Marks & Spencer have 77 types of men's white shirts. | 0:17:10 | 0:17:15 | |
Is it not ludicrous? | 0:17:17 | 0:17:19 | |
Do you feel the same about choices in menus and things like that? | 0:17:19 | 0:17:22 | |
Yeah, because I only want ham, egg and chips, don't I? | 0:17:22 | 0:17:24 | |
LAUGHTER AND APPLAUSE | 0:17:24 | 0:17:28 | |
Can I ask, is part of the reason you don't like choice | 0:17:28 | 0:17:30 | |
because you don't like decisions, or is that...? | 0:17:30 | 0:17:32 | |
No. Listen, I'm on Strictly. | 0:17:32 | 0:17:34 | |
I make an instant decision about footwork, posture, hold, | 0:17:34 | 0:17:38 | |
movement, fluidity, rhythmic interpretation. | 0:17:38 | 0:17:42 | |
-Give over, Tim. No. -I was only joking. | 0:17:42 | 0:17:45 | |
LAUGHTER AND APPLAUSE | 0:17:45 | 0:17:47 | |
Anyway... | 0:17:50 | 0:17:52 | |
What doesn't Ronni like about modern life? | 0:17:52 | 0:17:54 | |
Well, I am absolutely incensed | 0:17:59 | 0:18:02 | |
about Christmas coming early. | 0:18:02 | 0:18:06 | |
Now, Christmas used to have the good grace to start just after | 0:18:06 | 0:18:11 | |
Halloween, but now it's getting earlier and earlier and earlier. | 0:18:11 | 0:18:16 | |
And the build-up...the build-up doesn't warrant the day, | 0:18:16 | 0:18:20 | |
because really, the day, basically, we just all eat too much, | 0:18:20 | 0:18:24 | |
drink too much and watch too much television. | 0:18:24 | 0:18:27 | |
I think it would be less bad in Scandinavian countries | 0:18:27 | 0:18:29 | |
where at least at Christmas they have these lovely ceremonies | 0:18:29 | 0:18:32 | |
where they're naked and they go into the woods and whip each other | 0:18:32 | 0:18:35 | |
with holly and twigs and dance like fairies and things like that. | 0:18:35 | 0:18:39 | |
The other thing is, Frank, I think that time is going | 0:18:39 | 0:18:42 | |
so fast it's almost surreal. | 0:18:42 | 0:18:45 | |
So somebody putting Christmas at July is some sort of... | 0:18:45 | 0:18:48 | |
screws with my head. | 0:18:48 | 0:18:50 | |
It's the cruellest thing. | 0:18:50 | 0:18:51 | |
I just feel like I've finished drying up the washing up | 0:18:51 | 0:18:55 | |
from last Christmas. | 0:18:55 | 0:18:56 | |
Is nobody with me on this? | 0:18:57 | 0:18:59 | |
No, I'm with you. | 0:18:59 | 0:19:00 | |
AUDIENCE: Yes! | 0:19:00 | 0:19:02 | |
Thank you. Thank you, darling. | 0:19:02 | 0:19:04 | |
Well, I don't think you'll... This is an advent calendar. | 0:19:04 | 0:19:08 | |
-Would you have an advent calendar? -That's all right! | 0:19:08 | 0:19:11 | |
Yeah. I don't know if you'll like this one. | 0:19:11 | 0:19:13 | |
LAUGHTER AND APPLAUSE | 0:19:13 | 0:19:16 | |
I sort of grew up like this, | 0:19:21 | 0:19:23 | |
because my mum used to put the veg on in November. | 0:19:23 | 0:19:27 | |
LAUGHTER | 0:19:27 | 0:19:30 | |
-So, erm... -Len's nan did. | 0:19:30 | 0:19:32 | |
Yeah, she used to put the turkey on about two in the morning, | 0:19:32 | 0:19:35 | |
and one year was a disaster. | 0:19:35 | 0:19:37 | |
The blooming thing wouldn't go in the oven. | 0:19:37 | 0:19:39 | |
She had to take the legs off and do them separate. | 0:19:39 | 0:19:42 | |
Yeah, and then she'd go down every couple of hours and, | 0:19:42 | 0:19:44 | |
I don't know, baste it, or whatever you do. | 0:19:44 | 0:19:46 | |
All night long it used to take. | 0:19:46 | 0:19:48 | |
And after all that work, Len wouldn't eat it | 0:19:48 | 0:19:50 | |
because it was named after a foreign country. | 0:19:50 | 0:19:52 | |
So... | 0:19:54 | 0:19:56 | |
I know what you mean about "only joking", | 0:19:56 | 0:19:59 | |
but to be honest, it's a phrase that I've often been glad of, | 0:19:59 | 0:20:02 | |
having been cruel to people, so I don't really want to get rid of it. | 0:20:02 | 0:20:07 | |
And I don't mind Christmas coming early. | 0:20:07 | 0:20:11 | |
You know what, Len? We don't need all this choice. | 0:20:11 | 0:20:14 | |
We don't need it. We'd be perfectly happy if we could get | 0:20:14 | 0:20:17 | |
a pint of milk, or whatever it was, | 0:20:17 | 0:20:19 | |
and you speak tremendous sense on this subject. | 0:20:19 | 0:20:22 | |
I am going to put choice into Room 101. | 0:20:22 | 0:20:26 | |
APPLAUSE | 0:20:26 | 0:20:29 | |
Right, let's have our next category. | 0:20:38 | 0:20:41 | |
It's the Wildcard. There's no restraints of categories. | 0:20:46 | 0:20:50 | |
You can pick anything at all that you don't like. | 0:20:50 | 0:20:52 | |
What is Len's wildcard? | 0:20:52 | 0:20:54 | |
The metric system. | 0:20:59 | 0:21:00 | |
Oh, the metric system is the bane of my whole life. | 0:21:02 | 0:21:06 | |
Honestly, it's a nonsense. | 0:21:06 | 0:21:09 | |
You ask anyone in this room, "How tall are you?" | 0:21:09 | 0:21:12 | |
They'd say, "I'm 5 foot 8," "6 foot 1..." | 0:21:12 | 0:21:16 | |
There would be no metric involved. | 0:21:16 | 0:21:18 | |
I'm not 1 metre 92, or whatever the numbers are. | 0:21:18 | 0:21:21 | |
Plus the weather forecast is ruined. | 0:21:21 | 0:21:24 | |
LAUGHTER | 0:21:24 | 0:21:27 | |
With Fahrenheit it was warmer, 100%. | 0:21:27 | 0:21:30 | |
LAUGHTER AND APPLAUSE | 0:21:31 | 0:21:34 | |
It's a nonsense. | 0:21:34 | 0:21:36 | |
Frank, trust me. | 0:21:36 | 0:21:38 | |
I do trust you, Len. | 0:21:38 | 0:21:39 | |
Why? Help the aged a bit. | 0:21:39 | 0:21:43 | |
We were growing up with... | 0:21:43 | 0:21:45 | |
And I guess that's the date when it all kicked off. | 0:21:45 | 0:21:48 | |
Yeah. This is the date when Britain's currency went decimal. | 0:21:48 | 0:21:52 | |
Yeah, but only half-hearted. You go into a petrol station, | 0:21:52 | 0:21:55 | |
fill up, or whatever, 20 litres. | 0:21:55 | 0:21:58 | |
Then someone says, "What do you get to the gallon?" | 0:21:58 | 0:22:01 | |
What? I don't know. | 0:22:02 | 0:22:04 | |
How many litres in a gallon? Come on. | 0:22:04 | 0:22:06 | |
Cough up. No-one knows. | 0:22:06 | 0:22:08 | |
It's a mystery. | 0:22:08 | 0:22:10 | |
Someone must know, Len. | 0:22:10 | 0:22:12 | |
I have to say, the one hole I'd pick in your argument here | 0:22:14 | 0:22:17 | |
is that Strictly does operate on a decimal system. | 0:22:17 | 0:22:22 | |
-It is marks out of ten. -Oh, yeah. | 0:22:22 | 0:22:25 | |
So when you want to give 70% you go, "Seven", whereas | 0:22:25 | 0:22:29 | |
if you had an imperial thing you'd have to go, | 0:22:29 | 0:22:31 | |
"Eight and two-fifths". | 0:22:31 | 0:22:33 | |
LAUGHTER AND APPLAUSE | 0:22:33 | 0:22:36 | |
I'll be honest, I never worked out what an acre was. | 0:22:40 | 0:22:43 | |
I mean, that is an old-fashioned term. | 0:22:43 | 0:22:45 | |
Yeah, and when I was kid there was rods, poles and perches. | 0:22:45 | 0:22:48 | |
What were they? | 0:22:48 | 0:22:49 | |
Any old people in here? Rods, poles and perches? | 0:22:49 | 0:22:51 | |
-AUDIENCE: -Yes! -See? | 0:22:51 | 0:22:53 | |
Were they on Rainbow? | 0:22:53 | 0:22:54 | |
LAUGHTER | 0:22:54 | 0:22:57 | |
The thing I've never understood, | 0:22:57 | 0:22:59 | |
I'll go into a shop for a new outfit. | 0:22:59 | 0:23:02 | |
Say I'm going to a wedding with my girlfriend. | 0:23:02 | 0:23:04 | |
We go and get an outfit together. | 0:23:04 | 0:23:06 | |
I'll say, "15½ collar, 42 regular chest, 32 waist, 30 inside leg." | 0:23:06 | 0:23:13 | |
She says, "12," and they know it all. | 0:23:13 | 0:23:16 | |
Actually, can I do that again, in which I say, "She says 10?" | 0:23:18 | 0:23:22 | |
LAUGHTER AND APPLAUSE | 0:23:22 | 0:23:24 | |
Yeah. | 0:23:26 | 0:23:27 | |
What is Ronni's wildcard? | 0:23:28 | 0:23:30 | |
Photographs. | 0:23:35 | 0:23:36 | |
-Now, this is... -Wow. | 0:23:36 | 0:23:37 | |
Yes, I know, it's quite a large catchment area, | 0:23:37 | 0:23:40 | |
but there's several things I want to say about photographs. | 0:23:40 | 0:23:44 | |
Firstly, right, they make me feel so inadequate, in that you go into | 0:23:44 | 0:23:49 | |
people's houses and all along their hall and all up their landing, | 0:23:49 | 0:23:55 | |
there are hundreds of beautifully framed pictures of their family. | 0:23:55 | 0:23:59 | |
They've got so many pictures of their kids they must take them | 0:23:59 | 0:24:02 | |
literally every 20 seconds, | 0:24:02 | 0:24:04 | |
they've got to take a picture of their kid, and they frame it. | 0:24:04 | 0:24:07 | |
Less of a photo display, more like stopgap animation. | 0:24:07 | 0:24:10 | |
You literally...if you run up the stairs, it's like a film. | 0:24:11 | 0:24:15 | |
It's not that I don't have photos of my children. | 0:24:15 | 0:24:18 | |
You know, I have got a couple, in their passports. | 0:24:18 | 0:24:21 | |
But, you know...and it just makes me feel inadequate. | 0:24:23 | 0:24:27 | |
Before you move on, I have some examples of family photos | 0:24:27 | 0:24:30 | |
which I think you may learn from and maybe be inspired by. | 0:24:30 | 0:24:34 | |
Yes. | 0:24:34 | 0:24:35 | |
These are families who have gone to an effort with their family photos. | 0:24:35 | 0:24:38 | |
First one. | 0:24:38 | 0:24:40 | |
Yes! | 0:24:40 | 0:24:42 | |
That's brilliant. That is a mountain of denim. | 0:24:42 | 0:24:45 | |
That's exactly what I mean. | 0:24:46 | 0:24:48 | |
You know occasionally you're taking a photo | 0:24:48 | 0:24:50 | |
and something goes wrong and you actually capture it in the photo? | 0:24:50 | 0:24:54 | |
Look at this family shot. | 0:24:54 | 0:24:56 | |
LAUGHTER | 0:24:57 | 0:24:59 | |
Who wants to be in the middle of that?! | 0:25:03 | 0:25:05 | |
That's so fantastic. | 0:25:05 | 0:25:07 | |
One of my favourite ones are photos on the beach, you know. | 0:25:07 | 0:25:10 | |
I love that. The family holidaying together. | 0:25:10 | 0:25:13 | |
This one I especially like. | 0:25:13 | 0:25:15 | |
AUDIENCE: Oh... | 0:25:16 | 0:25:18 | |
To me, I think that's a better family shot. | 0:25:19 | 0:25:22 | |
Can I say, before we move on, that child was not... | 0:25:23 | 0:25:26 | |
Hurt in the making of that photograph. | 0:25:26 | 0:25:28 | |
They said he cried for two minutes but then he was all right. | 0:25:28 | 0:25:31 | |
So, anyway, what's Tim's wildcard? | 0:25:33 | 0:25:36 | |
Aww, that's lovely. | 0:25:42 | 0:25:44 | |
Now, you've got to admit, Len, that's a work of art. | 0:25:44 | 0:25:47 | |
LAUGHTER | 0:25:47 | 0:25:49 | |
Basically, it is... | 0:25:54 | 0:25:55 | |
and if I just pull that there you'll see me there. | 0:25:55 | 0:25:58 | |
Those are my eyes there. | 0:25:58 | 0:26:00 | |
Cats in my garden. | 0:26:00 | 0:26:02 | |
Aww... Aww! | 0:26:02 | 0:26:05 | |
APPLAUSE | 0:26:05 | 0:26:08 | |
Basically, I don't like cats anyway, but I cannot stand | 0:26:08 | 0:26:12 | |
cats in my garden, because... I mean, it's the sort of arrogance. | 0:26:12 | 0:26:16 | |
Cats are very kind of arrogant animals. | 0:26:16 | 0:26:18 | |
In the morning I come downstairs, I open the curtains, | 0:26:18 | 0:26:20 | |
and often there'll be a cat in my garden, | 0:26:20 | 0:26:23 | |
and it's the way he looks at me, as if to say, "What?" | 0:26:23 | 0:26:27 | |
as if I shouldn't be looking at him. | 0:26:27 | 0:26:29 | |
I kind of look back and, you know... | 0:26:29 | 0:26:32 | |
And then on top of that, obviously, you know, they poo everywhere. | 0:26:32 | 0:26:35 | |
I mean it's just... How is this acceptable, that someone could buy | 0:26:35 | 0:26:40 | |
an animal that can then roam off to other people's gardens and just lie | 0:26:40 | 0:26:44 | |
around pooing and generally seeming as though they own the place? | 0:26:44 | 0:26:47 | |
Why is that? I mean, imagine if my neighbour threw open | 0:26:47 | 0:26:51 | |
the curtains and there was I in their back garden. | 0:26:51 | 0:26:54 | |
LAUGHTER | 0:26:54 | 0:26:57 | |
I mean, it's just not right, is it? | 0:26:57 | 0:26:59 | |
Well, I know if you run a cat over you don't have to report it, | 0:26:59 | 0:27:02 | |
but if you run a dog over, you have to report it to the police. | 0:27:02 | 0:27:05 | |
-A cat, you don't have to. -Yes. | 0:27:05 | 0:27:06 | |
You could probably stretch that to a sit-down lawnmower. | 0:27:06 | 0:27:09 | |
LAUGHTER | 0:27:09 | 0:27:11 | |
That's true. That is a good idea. | 0:27:11 | 0:27:13 | |
I think it all... | 0:27:13 | 0:27:15 | |
That's not comparable, though, because, I mean, you know, | 0:27:15 | 0:27:18 | |
when you poo in your neighbour's garden, you don't bury it. | 0:27:18 | 0:27:21 | |
They do. | 0:27:21 | 0:27:23 | |
They don't, actually. | 0:27:23 | 0:27:25 | |
Cats don't bury their poo, do they? | 0:27:25 | 0:27:28 | |
-No. They do that little gesture. -They do a... | 0:27:28 | 0:27:30 | |
Yeah. They go, "You do it". They go like that. | 0:27:30 | 0:27:33 | |
LAUGHTER | 0:27:33 | 0:27:35 | |
Well, look... | 0:27:35 | 0:27:36 | |
I don't think you can put photos into Room 101, | 0:27:38 | 0:27:41 | |
because think of all the beautiful, | 0:27:41 | 0:27:43 | |
-lovely photos that would have to go as well. -No, don't make me feel bad. | 0:27:43 | 0:27:46 | |
And cats...I seem to remember | 0:27:46 | 0:27:48 | |
when I was a kid there was a thing called roving commission, | 0:27:48 | 0:27:51 | |
which was a special sort of rule for cats | 0:27:51 | 0:27:53 | |
that they can go where they like. | 0:27:53 | 0:27:55 | |
I like that they've got that kind of freedom, | 0:27:55 | 0:27:58 | |
that they broke free, that they're rebels in that respect. | 0:27:58 | 0:28:02 | |
But you know, decimalisation... Len, you're right. | 0:28:02 | 0:28:05 | |
It's neither one thing nor the other. | 0:28:05 | 0:28:07 | |
It's feet and inches and then it's kilos and grams and all that, | 0:28:07 | 0:28:11 | |
and it confuses me. It confuses you. | 0:28:11 | 0:28:14 | |
It confuses all of us, and it's going into Room 101. | 0:28:14 | 0:28:17 | |
APPLAUSE | 0:28:17 | 0:28:21 | |
And that brings us to the end of the show. | 0:28:30 | 0:28:32 | |
Well done, Len, you were the most persuasive guest tonight, | 0:28:32 | 0:28:34 | |
-so you are this week's winner. -Well! | 0:28:34 | 0:28:36 | |
APPLAUSE | 0:28:36 | 0:28:39 | |
Thanks very much, Tim Vine, Len Goodman and Ronni Ancona | 0:28:39 | 0:28:42 | |
and thank you. Goodnight. | 0:28:42 | 0:28:45 | |
APPLAUSE AND CHEERING | 0:28:45 | 0:28:47 |