Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:27 | 0:00:29 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:32 | 0:00:35 | |
the show where three guests compete to have their biggest bugbears | 0:00:35 | 0:00:39 | |
banished forever to the dreaded vault. | 0:00:39 | 0:00:41 | |
Our guests' choices have been sorted into categories, | 0:00:41 | 0:00:44 | |
and in each round only one item can be chosen. | 0:00:44 | 0:00:46 | |
The final decision is mine. Let's meet this week's guests. | 0:00:46 | 0:00:50 | |
Joining me tonight are comedian Katherine Ryan, | 0:00:50 | 0:00:52 | |
broadcaster Fiona Bruce, | 0:00:52 | 0:00:53 | |
and woodsman Ray Mears. | 0:00:53 | 0:00:55 | |
CHEERING AND APPLAUSE | 0:00:55 | 0:00:57 | |
Right, let's have our first category. | 0:00:59 | 0:01:01 | |
OK, it's Modern Life. | 0:01:06 | 0:01:08 | |
What doesn't Fiona like about Modern Life? | 0:01:08 | 0:01:11 | |
I don't like parties where nobody dances. | 0:01:16 | 0:01:21 | |
-APPLAUSE -Ah, there we are! | 0:01:21 | 0:01:24 | |
Can I say, only women, only women applauded there. | 0:01:26 | 0:01:31 | |
Lads going... | 0:01:31 | 0:01:32 | |
So you're a dancer, then? | 0:01:33 | 0:01:35 | |
Well, the thing is, parties where nobody dances are boring. | 0:01:35 | 0:01:38 | |
There's nothing worse, I think. | 0:01:38 | 0:01:39 | |
You get invited round, people start having a few drinks, | 0:01:39 | 0:01:43 | |
there's great music, and people just sort of stay put. | 0:01:43 | 0:01:47 | |
For me, if people come round to our house and we have dinner, | 0:01:47 | 0:01:50 | |
or we just have drinks or whatever, if it doesn't end with a bit of... | 0:01:50 | 0:01:53 | |
bit of dancing, even if it's just dancing in the kitchen, | 0:01:53 | 0:01:56 | |
it's not a success. | 0:01:56 | 0:01:57 | |
-You'll dance in your own house?! -Yes! | 0:01:57 | 0:02:00 | |
-That's...that's insanity, Fiona. -No! | 0:02:01 | 0:02:04 | |
-Really? -Yes, I do! | 0:02:06 | 0:02:09 | |
I blame Children in Need. | 0:02:09 | 0:02:10 | |
I just think it's fun. | 0:02:12 | 0:02:14 | |
And look, everyone, you know... | 0:02:14 | 0:02:17 | |
What do we think? | 0:02:17 | 0:02:18 | |
-CHEERING AND APPLAUSE -Yeah. | 0:02:18 | 0:02:20 | |
-There we are. -D'you ever dance when you're reading the news? | 0:02:20 | 0:02:23 | |
I've not done that. I've not managed to pull that one off. | 0:02:23 | 0:02:26 | |
D'you know, if I do dance, | 0:02:26 | 0:02:27 | |
I've learned something from my hero, Beyonce. I'll show it to you now. | 0:02:27 | 0:02:30 | |
-Oh. -I'm going to lose my microphone. | 0:02:30 | 0:02:32 | |
OK, so she dances all in the hips, and as a mother this will be | 0:02:32 | 0:02:34 | |
quite easy for you because you get very powerful hips. | 0:02:34 | 0:02:37 | |
And you'll notice it's my favourite kind of dancing | 0:02:37 | 0:02:40 | |
cos this bit remains still to have a conversation. | 0:02:40 | 0:02:43 | |
You just go... And like this... | 0:02:43 | 0:02:46 | |
LAUGHTER | 0:02:46 | 0:02:48 | |
And you could just be having a lovely chat. | 0:02:48 | 0:02:50 | |
CHEERING AND APPLAUSE | 0:02:50 | 0:02:52 | |
It's a very...it's a very safe way to multitask. | 0:02:55 | 0:02:59 | |
I must say, it's won me over. | 0:03:03 | 0:03:05 | |
I rest my case. | 0:03:06 | 0:03:08 | |
I'm not sure I can compartmentalise my body like that, though. | 0:03:08 | 0:03:11 | |
You absolutely can. | 0:03:11 | 0:03:12 | |
I think if my legs start going, everything else is going to join in. | 0:03:12 | 0:03:15 | |
-Give it a go. Let's see. -How do you know? -I bet you could. | 0:03:15 | 0:03:18 | |
CHEERING AND APPLAUSE | 0:03:18 | 0:03:20 | |
So the idea is I just... | 0:03:23 | 0:03:25 | |
-I imagine from here up I'm completely still. -Completely still. | 0:03:25 | 0:03:28 | |
And then everything happens down... | 0:03:28 | 0:03:30 | |
LAUGHTER AND APPLAUSE | 0:03:30 | 0:03:32 | |
-That's very good. -Yeah. I'm not... I'm not sure about that. | 0:03:39 | 0:03:42 | |
I don't think that looked like a dance. | 0:03:43 | 0:03:45 | |
It looked like there was a queue for the toilet. | 0:03:45 | 0:03:47 | |
Do you believe the view that | 0:03:49 | 0:03:50 | |
true freedom is to dance like there's no-one watching? | 0:03:50 | 0:03:54 | |
I think there's probably other things | 0:03:56 | 0:03:58 | |
that I'd say are true freedom, | 0:03:58 | 0:04:00 | |
-but it is liberating, definitely. -Yes. | 0:04:00 | 0:04:02 | |
I'm not able to dance like there's no-one watching. | 0:04:02 | 0:04:04 | |
I'm a Roman Catholic. For me there's always someone watching. | 0:04:04 | 0:04:07 | |
LAUGHTER | 0:04:07 | 0:04:09 | |
Like Him, I move in mysterious ways. | 0:04:12 | 0:04:14 | |
Anyway, what doesn't Ray like about Modern Life? | 0:04:16 | 0:04:19 | |
-I can't stand fakes of any description. -Mmm. | 0:04:24 | 0:04:28 | |
CROWD MURMURS | 0:04:28 | 0:04:29 | |
Ooh, the crowd are not sure. | 0:04:29 | 0:04:31 | |
You're an authentic man, then, Ray? | 0:04:32 | 0:04:34 | |
I like reality, and the world seems to be | 0:04:34 | 0:04:36 | |
increasingly full of make believe, fakery, | 0:04:36 | 0:04:40 | |
-and I think we should beware. -Wow. | 0:04:40 | 0:04:42 | |
I'm feeling really trivial now, I just talked about dancing, | 0:04:44 | 0:04:48 | |
and you're talking about the state of the world! | 0:04:48 | 0:04:50 | |
Well, let's look at a real, genuine sign in a shop. | 0:04:50 | 0:04:53 | |
LAUGHTER | 0:04:54 | 0:04:57 | |
Well, can I put this to you? | 0:04:59 | 0:05:00 | |
I've had a difficult life in some areas, Ray. | 0:05:00 | 0:05:04 | |
I now find myself... I will sit at home at night, | 0:05:04 | 0:05:06 | |
I will drink non-alcoholic wine and smoke an e-cigarette. | 0:05:06 | 0:05:11 | |
That's what I've come to. | 0:05:11 | 0:05:12 | |
Are you saying I should be drinking real alcohol and smoking? | 0:05:12 | 0:05:16 | |
-Yes. -You are. Thank you. | 0:05:17 | 0:05:19 | |
LAUGHTER | 0:05:19 | 0:05:21 | |
I think sometimes, Ray, | 0:05:21 | 0:05:24 | |
the fakes are more entertaining than the real things. | 0:05:24 | 0:05:28 | |
Let me just show you this. | 0:05:28 | 0:05:29 | |
Specialman! | 0:05:31 | 0:05:32 | |
LAUGHTER | 0:05:32 | 0:05:34 | |
Look familiar? | 0:05:38 | 0:05:39 | |
This, honestly... | 0:05:41 | 0:05:42 | |
The New Style Ninja Tortoise. | 0:05:42 | 0:05:45 | |
These are... I'm saying they're genuine, | 0:05:49 | 0:05:52 | |
they're genuine fakes is what they are. | 0:05:52 | 0:05:54 | |
The trouble is, though, with authenticity, it's quite hard. | 0:05:54 | 0:05:57 | |
-I mean, I was looking at your website... -Oh, dear. | 0:05:57 | 0:06:00 | |
..which I look at a lot, and I saw a thing on there, | 0:06:00 | 0:06:03 | |
and it's called the Ray Mears Wood Lore Knife. | 0:06:03 | 0:06:07 | |
-Oh. Yeah. -Here's the knife. | 0:06:07 | 0:06:09 | |
It's a lovely looking thing, nice case and all that, | 0:06:09 | 0:06:12 | |
and only 485 quid. | 0:06:12 | 0:06:14 | |
WOMAN IN CROWD GASPS | 0:06:15 | 0:06:16 | |
LAUGHTER | 0:06:16 | 0:06:18 | |
Could someone help that woman off the floor? | 0:06:18 | 0:06:21 | |
The last time I looked it said there was a ten-year waiting list. | 0:06:21 | 0:06:26 | |
Now, I'm sure the wood lore knife is an authentic, handmade, | 0:06:26 | 0:06:31 | |
fabulous piece of equipment, | 0:06:31 | 0:06:33 | |
but I'd rather have a rubbishy old knife than wait ten years. | 0:06:33 | 0:06:37 | |
I mean, I wouldn't say you're reducing knife crime, | 0:06:38 | 0:06:41 | |
but you're slowing it down. | 0:06:41 | 0:06:43 | |
We do our best. | 0:06:44 | 0:06:46 | |
I think possibly the truth is that people can't afford the real things, | 0:06:46 | 0:06:50 | |
and they can afford the fakes, so they go for the fakes. | 0:06:50 | 0:06:53 | |
I mean, we tried to get Bear Grylls. 10 grand. | 0:06:53 | 0:06:55 | |
LAUGHTER AND APPLAUSE | 0:06:55 | 0:06:57 | |
Aww! | 0:06:58 | 0:07:00 | |
I didn't mean it, Ray. | 0:07:03 | 0:07:05 | |
Ray is going to kill me now. | 0:07:05 | 0:07:07 | |
Luckily I've got ten years. | 0:07:07 | 0:07:09 | |
What does Katherine hate about Modern Life? | 0:07:12 | 0:07:15 | |
-Not babies. -Oh, good. Phew. | 0:07:19 | 0:07:22 | |
I hate nappies. | 0:07:22 | 0:07:24 | |
-Ah! -I think the nappies have become too absorbent, too comfortable. | 0:07:24 | 0:07:28 | |
We're getting lazy potty training our children, | 0:07:28 | 0:07:30 | |
and we should do away with them entirely. | 0:07:30 | 0:07:33 | |
APPLAUSE | 0:07:33 | 0:07:34 | |
What?! | 0:07:34 | 0:07:35 | |
We train small children to go in their pants. | 0:07:36 | 0:07:40 | |
That's what we do when you put a nappy on a child | 0:07:40 | 0:07:42 | |
who understands you, and then all of a sudden we change it | 0:07:42 | 0:07:44 | |
when they're about, I don't know, 18 months, two years old, | 0:07:44 | 0:07:47 | |
and we go, "Guess what? Now you go in the potty". | 0:07:47 | 0:07:49 | |
The child at that age can go, | 0:07:49 | 0:07:51 | |
"Well, hang on, I've got a pretty good system. I don't think so." | 0:07:51 | 0:07:55 | |
Right? I had my child potty trained at ten months. | 0:07:55 | 0:07:58 | |
-What? -We can all do this, I promise you. | 0:07:58 | 0:08:00 | |
You can each e-mail me. I'll teach you how. | 0:08:00 | 0:08:03 | |
-But obviously there's a practical question I have to ask here. -Mm-hm. | 0:08:03 | 0:08:08 | |
If your child isn't wearing a nappy when it's that young, | 0:08:09 | 0:08:14 | |
what happens when it is ready to release? | 0:08:14 | 0:08:17 | |
-It will tell you. -Really? | 0:08:19 | 0:08:21 | |
You start to put them on the potty when they make that, like, poo face. | 0:08:21 | 0:08:24 | |
What is the poo face? | 0:08:24 | 0:08:27 | |
Um, they kind of look like... | 0:08:27 | 0:08:28 | |
-Really? -Yeah. -I don't know. | 0:08:30 | 0:08:34 | |
I think the poo face is a bit hit-and-miss. | 0:08:34 | 0:08:36 | |
That's not double rhyming slang. | 0:08:36 | 0:08:38 | |
LAUGHTER | 0:08:38 | 0:08:40 | |
Nappies should be available only by prescription. | 0:08:44 | 0:08:47 | |
I think it needs to start from the top down. | 0:08:49 | 0:08:52 | |
Just ban it. | 0:08:52 | 0:08:53 | |
"Oh, Facebook, my two-year-old has done a wee in the potty!" | 0:08:53 | 0:08:56 | |
Well, it's about time! | 0:08:56 | 0:08:58 | |
LAUGHTER | 0:08:58 | 0:09:00 | |
Oh, my God. I'm quite scared. | 0:09:02 | 0:09:04 | |
-Are you familiar with the iPotty? -No, sir. | 0:09:06 | 0:09:09 | |
You'll like this, I think. | 0:09:09 | 0:09:11 | |
-This is commercially available. -Oh. | 0:09:11 | 0:09:14 | |
And it is a... | 0:09:14 | 0:09:16 | |
It's a potty with a tablet here, | 0:09:16 | 0:09:19 | |
so your child can play computer games and stuff as they use the... | 0:09:19 | 0:09:24 | |
-That's not real. -That is genuine. You can buy that. | 0:09:24 | 0:09:27 | |
See, this is where it's going. This is where we are. | 0:09:27 | 0:09:30 | |
But we read on the toilet. Why shouldn't they? | 0:09:30 | 0:09:33 | |
-No, I don't. -You don't read on the toilet? | 0:09:33 | 0:09:35 | |
You need more fibre immediately. | 0:09:35 | 0:09:37 | |
LAUGHTER | 0:09:37 | 0:09:39 | |
I'm really worried. | 0:09:40 | 0:09:42 | |
You should not have time to do anything on the toilet. | 0:09:42 | 0:09:45 | |
Oh, I'll linger. Sometimes I'll wait there till the next one. | 0:09:45 | 0:09:48 | |
-You know... -No! | 0:09:52 | 0:09:54 | |
I mean, if it's a real page-turner. | 0:09:54 | 0:09:57 | |
Well, it's an extremely interesting thing. | 0:10:00 | 0:10:04 | |
Also, I really like changing nappies. | 0:10:04 | 0:10:07 | |
All right. | 0:10:07 | 0:10:09 | |
I do. I love really getting it spotlessly clean down there. | 0:10:09 | 0:10:13 | |
You know when you're doing your own there's always an element of doubt. | 0:10:13 | 0:10:16 | |
LAUGHTER | 0:10:16 | 0:10:18 | |
So, anyway... | 0:10:21 | 0:10:23 | |
I'm very interested in your theory, Katherine. | 0:10:25 | 0:10:28 | |
-It's a bit too modern for me... -Oh, well. | 0:10:28 | 0:10:30 | |
..and a bit too revolutionary. | 0:10:30 | 0:10:32 | |
And I think dancing is... | 0:10:32 | 0:10:34 | |
Well, I'm not happy with it. | 0:10:36 | 0:10:38 | |
It makes me incredibly self-conscious. | 0:10:38 | 0:10:40 | |
I don't think men should do it at all. | 0:10:40 | 0:10:43 | |
I think, as much as I love some of those silly fakeries, | 0:10:43 | 0:10:46 | |
I think you're probably right. | 0:10:46 | 0:10:48 | |
There is something lovely about the real thing. | 0:10:48 | 0:10:52 | |
So I'm going to put fakes into Room 101. | 0:10:52 | 0:10:55 | |
APPLAUSE | 0:10:55 | 0:10:57 | |
Next category please. | 0:11:07 | 0:11:08 | |
People. | 0:11:13 | 0:11:15 | |
OK, so, what kind of people wind up Fiona? | 0:11:15 | 0:11:17 | |
People who put lots and lots and lots of pillows and cushions | 0:11:22 | 0:11:27 | |
on their bed in descending order of size. | 0:11:27 | 0:11:31 | |
CHEERING AND APPLAUSE | 0:11:31 | 0:11:33 | |
Yeah, what is that about? | 0:11:37 | 0:11:39 | |
What is it about?! I've no idea, cos what are you going to do? | 0:11:39 | 0:11:42 | |
As soon as you want to go to bed you're just going to go... | 0:11:42 | 0:11:45 | |
Chuck them all off on the floor | 0:11:45 | 0:11:47 | |
and then you'll go to bed, | 0:11:47 | 0:11:49 | |
and then the next morning you get up, and then... | 0:11:49 | 0:11:51 | |
cos you've got to check they're the right size, | 0:11:51 | 0:11:53 | |
they're going down in the right size, | 0:11:53 | 0:11:55 | |
cos if you put a big one then a small one, that doesn't work. | 0:11:55 | 0:11:58 | |
So they've got to be all specially colour co-ordinated, | 0:11:58 | 0:12:01 | |
all in the right size, all in the right order. | 0:12:01 | 0:12:04 | |
Why? | 0:12:05 | 0:12:06 | |
Can I ask you a personal question? | 0:12:07 | 0:12:10 | |
When you normally sleep at home, | 0:12:10 | 0:12:12 | |
how many pillows would you have under your head? | 0:12:12 | 0:12:15 | |
One. | 0:12:15 | 0:12:16 | |
Thank God for that. | 0:12:16 | 0:12:18 | |
I know people that use two pillows. | 0:12:18 | 0:12:20 | |
Now, here you have a pillow. | 0:12:20 | 0:12:22 | |
Now, the area we're trying to fill is this area here, is it not? | 0:12:22 | 0:12:26 | |
You're trying to fill that. So you're lying on your side. | 0:12:26 | 0:12:28 | |
You don't want your head to lop over | 0:12:28 | 0:12:30 | |
or you can get splitting at the stretched side of the neck. | 0:12:30 | 0:12:33 | |
So you have a pillow like that. | 0:12:33 | 0:12:35 | |
You fill that, and you see that perfectly fills the gap there. | 0:12:35 | 0:12:38 | |
You see that? One pillow. | 0:12:38 | 0:12:39 | |
Now, if you move on to two pillows... | 0:12:39 | 0:12:42 | |
I'm going to demonstrate this with an actual model. | 0:12:42 | 0:12:45 | |
There's a bed, I'm going to remove the duvet. | 0:12:47 | 0:12:49 | |
Right? Here is one pillow. | 0:12:49 | 0:12:52 | |
So you sleep on the one pillow. | 0:12:52 | 0:12:54 | |
Right? You've filled that gap. | 0:12:54 | 0:12:58 | |
You take two pillows, suddenly... | 0:12:58 | 0:13:01 | |
LAUGHTER | 0:13:01 | 0:13:03 | |
..you're not a person anymore, you're a ramp. | 0:13:04 | 0:13:07 | |
I mean, I'd be happy to find a use for the pillows, but I... | 0:13:09 | 0:13:12 | |
The first thing I do is throw them all on the floor | 0:13:12 | 0:13:15 | |
when I check into a hotel. | 0:13:15 | 0:13:17 | |
OK, who winds up Katherine? | 0:13:18 | 0:13:20 | |
Cheryl Fernandez-Versini. | 0:13:26 | 0:13:29 | |
Mmm. Nee Cole. | 0:13:29 | 0:13:31 | |
-Nee Tweedy, sir. -Oh, yes. | 0:13:31 | 0:13:34 | |
Now, this young lady is a very talented dancer, singer, | 0:13:34 | 0:13:38 | |
-beautiful! -Mm. | 0:13:38 | 0:13:40 | |
Beautiful! | 0:13:40 | 0:13:41 | |
Now, I believe... I'm becoming known for my conspiracy theories. | 0:13:41 | 0:13:45 | |
Luckily this is one of the tamer ones. | 0:13:45 | 0:13:47 | |
I don't believe she's human. | 0:13:47 | 0:13:49 | |
LAUGHTER | 0:13:49 | 0:13:52 | |
Cheryl is a robotic creation of the Conservative government | 0:13:52 | 0:13:58 | |
meant to infiltrate the British people. | 0:13:58 | 0:14:01 | |
We don't know what for yet, but just hear me out. | 0:14:01 | 0:14:05 | |
David Cameron took office in 2010, | 0:14:05 | 0:14:08 | |
the year Cherbot was activated. | 0:14:08 | 0:14:10 | |
That is when she was cheated on by footballer Ashley Cole | 0:14:12 | 0:14:16 | |
and had a divorce. | 0:14:16 | 0:14:17 | |
That's when she became... | 0:14:17 | 0:14:19 | |
IMPERSONATES CHERYL "..the nation's sweetheart." | 0:14:19 | 0:14:21 | |
Isn't it? | 0:14:21 | 0:14:22 | |
IMPERSONATES CHERYL "Oh, no, no, not Cheryl Cole." | 0:14:22 | 0:14:26 | |
"Oh, no, you'll become the nation's sweetheart. | 0:14:26 | 0:14:30 | |
"No, pet, it's all reet now. | 0:14:30 | 0:14:32 | |
LAUGHTER | 0:14:32 | 0:14:34 | |
"We'll make you the nation's sweetheart." | 0:14:34 | 0:14:37 | |
"I can't do a Geordie accent." | 0:14:37 | 0:14:39 | |
LAUGHTER | 0:14:39 | 0:14:41 | |
No, but I think I hear a steel band in the distance. | 0:14:41 | 0:14:44 | |
LAUGHTER AND APPLAUSE | 0:14:44 | 0:14:46 | |
I don't trust her. Too perfect. | 0:14:48 | 0:14:51 | |
And I just get this sense of, like, mm... | 0:14:51 | 0:14:53 | |
Like, even God's thrown everything he can at this thing. | 0:14:53 | 0:14:56 | |
Malaria. She beat it. Everything! | 0:14:56 | 0:14:58 | |
-She's not us. -Do you remember she did these L'Oreal adverts, | 0:15:01 | 0:15:04 | |
and there were these complaints that she was saying, | 0:15:04 | 0:15:07 | |
"You can have hair like mine", but in fact there was extensions in it, | 0:15:07 | 0:15:11 | |
and people were upset about it. | 0:15:11 | 0:15:13 | |
Fake. | 0:15:13 | 0:15:14 | |
LAUGHTER | 0:15:14 | 0:15:16 | |
Well, I didn't like the tagline of those L'Oreal commercials. | 0:15:18 | 0:15:21 | |
"You're worth it. You're worth it." | 0:15:21 | 0:15:24 | |
That hair dye is £3. | 0:15:24 | 0:15:26 | |
"You're worth it." | 0:15:26 | 0:15:29 | |
Hey, I think I'm worth a bit more than £3. | 0:15:29 | 0:15:31 | |
"No. | 0:15:31 | 0:15:34 | |
"No, you're not." | 0:15:34 | 0:15:35 | |
OK. So who winds up Ray? | 0:15:36 | 0:15:39 | |
Vladimir Putin. | 0:15:46 | 0:15:48 | |
CHEERING AND APPLAUSE | 0:15:48 | 0:15:50 | |
Why, particularly, Ray? | 0:15:54 | 0:15:56 | |
Well, it's the hypocrisy, I think. | 0:15:56 | 0:15:59 | |
That's the thing that really gets me. | 0:15:59 | 0:16:01 | |
This is a man who writes in the New York Times to President Obama | 0:16:01 | 0:16:04 | |
telling him not to rattle his sabre in international relations and to be | 0:16:04 | 0:16:07 | |
more diplomatic, and the next thing sends troops into the Ukraine. | 0:16:07 | 0:16:11 | |
It's ridiculous. | 0:16:11 | 0:16:12 | |
He's a very powerful man, quite clearly. | 0:16:12 | 0:16:14 | |
He's in charge of a very powerful, wonderful country, | 0:16:14 | 0:16:17 | |
made of amazing people, strong, intelligent people, | 0:16:17 | 0:16:20 | |
and I think they deserve better than this kind of shenanigan. | 0:16:20 | 0:16:25 | |
And, erm, he could make a big difference in the world. | 0:16:25 | 0:16:27 | |
This is a time when we all need to stand together | 0:16:27 | 0:16:30 | |
and he seems to want to be divided, | 0:16:30 | 0:16:32 | |
so I'd like to put him in Room 101. | 0:16:32 | 0:16:35 | |
Wow. | 0:16:35 | 0:16:36 | |
APPLAUSE | 0:16:36 | 0:16:38 | |
I must say, I think you've brought a new gravitas to this show. | 0:16:41 | 0:16:46 | |
I like the new sort of serious image. | 0:16:46 | 0:16:48 | |
It's like a tribunal, isn't it, you know? | 0:16:48 | 0:16:51 | |
You're right. Suddenly I feel like I'm doing grown-up television. | 0:16:51 | 0:16:55 | |
I tell you one thing about him, he looks quite muscular. | 0:16:56 | 0:16:59 | |
He's actually not as big as you think, Putin. | 0:16:59 | 0:17:03 | |
Look at this. | 0:17:03 | 0:17:04 | |
I see him topless on a horse. | 0:17:09 | 0:17:11 | |
How can someone so anti-gay also be a gay icon? Look at him. | 0:17:11 | 0:17:15 | |
-We've got a picture of him topless on a horse, actually. -Great. | 0:17:18 | 0:17:21 | |
That's pretty cool. What British politician could carry that off? | 0:17:23 | 0:17:27 | |
Oh, that is moob-tastic! | 0:17:27 | 0:17:29 | |
Could you imagine Ed Miliband topless on a horse? | 0:17:29 | 0:17:31 | |
Boris, somebody said. | 0:17:32 | 0:17:35 | |
Think of the horse. | 0:17:35 | 0:17:36 | |
-I mean, you're quite a macho character. -No! | 0:17:39 | 0:17:41 | |
You must be able to sympathise with him. | 0:17:41 | 0:17:42 | |
I think it's fake machismo, that's what I think it is, | 0:17:42 | 0:17:45 | |
and he's... he's also a judo expert, | 0:17:45 | 0:17:46 | |
but he seems to have forgotten the principles of judo, | 0:17:46 | 0:17:49 | |
which is to increase mutual benefit and wellbeing in the world, | 0:17:49 | 0:17:53 | |
and there's nothing mutual about Russia at the moment. | 0:17:53 | 0:17:56 | |
So, no, I think he deserves to be in Room 101. | 0:17:56 | 0:18:00 | |
OK. | 0:18:00 | 0:18:01 | |
APPLAUSE | 0:18:01 | 0:18:03 | |
So, I just can't put Cheryl in. | 0:18:06 | 0:18:10 | |
-I think she is a human being. That's my belief. -Oh, OK. | 0:18:10 | 0:18:13 | |
She won first prize in the good looks lottery and that has | 0:18:13 | 0:18:17 | |
jettisoned her above the rest, and I kind of like her for it. | 0:18:17 | 0:18:21 | |
Putin, I'm sure, has his faults, | 0:18:21 | 0:18:25 | |
but the shirt off, the judo, | 0:18:25 | 0:18:28 | |
just makes him a bit of a character, | 0:18:28 | 0:18:30 | |
and I can forgive a man a lot of terrible things for that. | 0:18:30 | 0:18:33 | |
Good news, Boris. | 0:18:35 | 0:18:36 | |
But it seems a bit odd to reject Putin | 0:18:39 | 0:18:41 | |
for people who put cushions on beds... | 0:18:41 | 0:18:43 | |
..but Putin doesn't really interfere with my life, | 0:18:47 | 0:18:50 | |
whereas these people get on my nerves. | 0:18:50 | 0:18:52 | |
I am going to put people who put | 0:18:52 | 0:18:53 | |
-loads of cushions and pillows on beds into Room 101. -Yeah! | 0:18:53 | 0:18:58 | |
CHEERING AND APPLAUSE | 0:18:58 | 0:19:00 | |
Right, then, let's have our next category. | 0:19:08 | 0:19:10 | |
It's the Wildcard. No restraints. | 0:19:15 | 0:19:18 | |
You can pick anything at all that you don't like. | 0:19:18 | 0:19:20 | |
What is Katherine's Wildcard? | 0:19:20 | 0:19:22 | |
Oh, it's real. It's bread. | 0:19:26 | 0:19:29 | |
Bread? | 0:19:29 | 0:19:31 | |
Bread is not food. | 0:19:31 | 0:19:33 | |
Bread stands in the way of me and food. | 0:19:33 | 0:19:36 | |
"Will there be food?" "Sure, there'll be..." No, there's bread. | 0:19:37 | 0:19:41 | |
Can't stand it. It's horrible. It's made of gluten and yeast, | 0:19:41 | 0:19:44 | |
words usually followed by "intolerance" and "infection". | 0:19:44 | 0:19:47 | |
-It's one of the greatest joys in the world... -It is. | 0:19:50 | 0:19:52 | |
..to make your own bread. It's fantastic. | 0:19:52 | 0:19:54 | |
The smell of freshly cooked... | 0:19:54 | 0:19:57 | |
You can't beat it. It's amazing. | 0:19:57 | 0:19:59 | |
I can't stand the smell. Do you know the reason you like it? | 0:19:59 | 0:20:02 | |
It's cos it's a cheap high. | 0:20:02 | 0:20:03 | |
They don't even recommend you give it to ducks anymore. | 0:20:03 | 0:20:06 | |
It's quack cocaine. | 0:20:06 | 0:20:07 | |
LAUGHTER AND APPLAUSE | 0:20:07 | 0:20:09 | |
And I like what's kind of in bread. | 0:20:13 | 0:20:15 | |
Sometimes what's inside a sandwich is something I'm attracted to. | 0:20:15 | 0:20:19 | |
Then I look around me and it's as though people were eating | 0:20:19 | 0:20:22 | |
the napkin of what surrounds the thing they actually want to eat. | 0:20:22 | 0:20:28 | |
I think I probably eat too much bread, I'll give you that. | 0:20:28 | 0:20:32 | |
When I used to eat a banana, for example, I have a banana here, | 0:20:32 | 0:20:36 | |
I would peel the banana and then I would break it | 0:20:36 | 0:20:38 | |
into two halves and I'd wrap a slice of bread around each one. | 0:20:38 | 0:20:44 | |
But what I... It occurred to me one day that if I do it lengthways | 0:20:44 | 0:20:49 | |
I only need one slice of bread, | 0:20:49 | 0:20:51 | |
and I eat it like that. | 0:20:51 | 0:20:53 | |
And you don't need a knife, | 0:20:55 | 0:20:56 | |
cos I've still got eight years to go on Ray's waiting list. | 0:20:56 | 0:20:59 | |
I'm not a fan of any bread. Pastry, donut, pizza... | 0:21:02 | 0:21:07 | |
Hang on. Now you're taking it... Oh, hang on! | 0:21:07 | 0:21:10 | |
-Those things are not food. -Pastry? Pizza? | 0:21:10 | 0:21:13 | |
Don't you hate being lied to? Those things are not food. | 0:21:13 | 0:21:17 | |
They're created by the government and the food industry to slow us down | 0:21:17 | 0:21:21 | |
so that we don't recognise that Cheryl Fernandez-Versini is a robot. | 0:21:21 | 0:21:24 | |
LAUGHTER | 0:21:24 | 0:21:27 | |
Anyway, what is Ray's Wildcard? | 0:21:27 | 0:21:31 | |
The caravan. | 0:21:36 | 0:21:37 | |
APPLAUSE | 0:21:38 | 0:21:41 | |
Why? | 0:21:42 | 0:21:43 | |
I get stuck behind them, and I think they're just hideous. | 0:21:43 | 0:21:47 | |
Huge swathes of our coastline is covered in these things. | 0:21:47 | 0:21:52 | |
-It's like... it's like a mobile bread bin. -Ugh. | 0:21:52 | 0:21:55 | |
That was a low blow. | 0:21:55 | 0:21:58 | |
He's a silver-tongued rascal. | 0:21:58 | 0:22:00 | |
They're so inventive. | 0:22:01 | 0:22:03 | |
You get, like, things fold into tables, | 0:22:03 | 0:22:06 | |
and chairs come out the wall. | 0:22:06 | 0:22:08 | |
Bed...I love... | 0:22:08 | 0:22:10 | |
This desk I model on it. | 0:22:10 | 0:22:11 | |
Sometimes during rehearsals, | 0:22:11 | 0:22:13 | |
if things are going a bit tough... | 0:22:13 | 0:22:16 | |
LAUGHTER | 0:22:16 | 0:22:18 | |
APPLAUSE | 0:22:20 | 0:22:22 | |
I'm trapped now, of course. | 0:22:24 | 0:22:25 | |
I wouldn't mind so much if they were painted green, | 0:22:27 | 0:22:29 | |
but they have to be white. Gleaming white. | 0:22:29 | 0:22:32 | |
You go down to Devon, and you look along the coast, | 0:22:32 | 0:22:35 | |
and all you can see are cities of these displaced urban people | 0:22:35 | 0:22:40 | |
in their ghastly white caravans. | 0:22:40 | 0:22:42 | |
I think you'll like... | 0:22:42 | 0:22:44 | |
I think you'll like this story, Ray. | 0:22:44 | 0:22:46 | |
This is the Porthkerry leisure park near Barry in the Vale of Glamorgan. | 0:22:46 | 0:22:51 | |
They had a landslip, which left some caravans | 0:22:51 | 0:22:55 | |
in a slightly precarious position. | 0:22:55 | 0:22:57 | |
Let's just see how high they are there. | 0:23:00 | 0:23:02 | |
Ooh! | 0:23:02 | 0:23:04 | |
What I liked about this is that the site owner, Sally Edwards, said, | 0:23:04 | 0:23:09 | |
"It could be nothing, but we're not risking people's lives". | 0:23:09 | 0:23:12 | |
LAUGHTER | 0:23:12 | 0:23:14 | |
It could be nothing?! | 0:23:14 | 0:23:16 | |
She went on to say, "Some caravan owners have food in their fridges | 0:23:18 | 0:23:21 | |
"and they are concerned what will happen to that". | 0:23:21 | 0:23:24 | |
A car can struggle a bit with a bit of a big caravan on the back. | 0:23:29 | 0:23:34 | |
I have an example of that. | 0:23:34 | 0:23:36 | |
CAR SPUTTERS | 0:23:48 | 0:23:50 | |
Oi-oi. | 0:23:52 | 0:23:54 | |
LAUGHTER | 0:23:56 | 0:23:58 | |
Oh, dear. | 0:24:02 | 0:24:03 | |
On the subject of this kind of mobility, | 0:24:05 | 0:24:07 | |
I once did a gig in Bournemouth, and I asked a guy in the front row | 0:24:07 | 0:24:12 | |
what Bournemouth was like, and he said, "I hate it". | 0:24:12 | 0:24:15 | |
I said, "Oh, OK", I said, "Well, why don't you live somewhere else?" | 0:24:15 | 0:24:18 | |
And he said, | 0:24:18 | 0:24:20 | |
"My house is here." | 0:24:20 | 0:24:22 | |
LAUGHTER | 0:24:22 | 0:24:24 | |
Anyway, what is Fiona's Wildcard? | 0:24:29 | 0:24:31 | |
Overly complicated car dashboards. | 0:24:35 | 0:24:39 | |
APPLAUSE | 0:24:41 | 0:24:43 | |
Now just the men clapping this time. | 0:24:43 | 0:24:46 | |
-So complicated... -Yes. | 0:24:46 | 0:24:48 | |
..that you could launch a rocket from NASA with it, | 0:24:48 | 0:24:53 | |
but you can't work out how to put your CD in. | 0:24:53 | 0:24:56 | |
Full of all sorts of hieroglyphs and symbols, | 0:24:57 | 0:25:02 | |
indecipherable to man and beast, | 0:25:02 | 0:25:05 | |
but they're there for a reason that no-one can discern. | 0:25:05 | 0:25:09 | |
Well, I don't mind not knowing what the symbols are. | 0:25:09 | 0:25:12 | |
I think it's quite exciting when you're on a car journey | 0:25:12 | 0:25:15 | |
and a symbol comes up that you don't recognise. | 0:25:15 | 0:25:18 | |
"Oh, my God, my car might be about to blow up, but I'm not sure!" | 0:25:19 | 0:25:22 | |
Yeah, you think, "Whoa, what's this one?" | 0:25:22 | 0:25:24 | |
So I'm going to test you on a few. | 0:25:24 | 0:25:26 | |
We have some dashboard symbols, and see how many of these you recognise. | 0:25:26 | 0:25:30 | |
Here's the first. | 0:25:30 | 0:25:32 | |
Er, your headlights. | 0:25:32 | 0:25:34 | |
That's jellyfish ahead. | 0:25:34 | 0:25:35 | |
What about this one? | 0:25:37 | 0:25:39 | |
Jellyfish making a run for it. | 0:25:40 | 0:25:42 | |
Here's one of my favourites. | 0:25:44 | 0:25:46 | |
This is a poor turnout at Camelot. | 0:25:46 | 0:25:49 | |
Do you know you can now get novelty car horns? | 0:25:53 | 0:25:56 | |
So you don't have to have the usual, you know, "er-er". | 0:25:56 | 0:25:59 | |
I've always dreamt of having the theme from The Big Country. | 0:25:59 | 0:26:02 | |
So you're driving down... | 0:26:02 | 0:26:04 | |
Say a football comes across the road, | 0:26:04 | 0:26:06 | |
a kid comes running out, you hit the horn... | 0:26:06 | 0:26:08 | |
MUSIC: Theme from "The Big Country" by Jerome Moross | 0:26:08 | 0:26:12 | |
HE MOUTHS | 0:26:12 | 0:26:14 | |
APPLAUSE | 0:26:18 | 0:26:20 | |
Wouldn't that make life sweeter? | 0:26:23 | 0:26:24 | |
But car horns, I think I might be able to impress you a little here. | 0:26:24 | 0:26:30 | |
I'd like you to, please, if you would, | 0:26:30 | 0:26:33 | |
welcome our guest Hurst Conrad. | 0:26:33 | 0:26:35 | |
APPLAUSE | 0:26:35 | 0:26:37 | |
Hurst, thank you for coming. | 0:26:45 | 0:26:47 | |
-You'd make a great passenger. -Really? | 0:26:47 | 0:26:49 | |
Yes, because if I was going driving I would love to have Hurst | 0:26:49 | 0:26:53 | |
in the passenger seat, and you will see why in a second. | 0:26:53 | 0:26:56 | |
Please give a warm welcome and a big cheer to Hurst Conrad. | 0:26:56 | 0:27:00 | |
CHEERING AND APPLAUSE | 0:27:00 | 0:27:02 | |
JAUNTY MUSIC PLAYS HE HONKS HORNS | 0:27:05 | 0:27:07 | |
CHEERING AND APPLAUSE | 0:27:33 | 0:27:35 | |
Fantastic. | 0:27:37 | 0:27:39 | |
Ohhhhh. | 0:27:47 | 0:27:48 | |
You know what? I love this job. | 0:27:50 | 0:27:52 | |
Well, look, caravans I can't put in, Ray. | 0:27:54 | 0:27:57 | |
I just think there's something beautiful... | 0:27:57 | 0:28:00 | |
-We're stuck with them. -..about them. | 0:28:00 | 0:28:02 | |
I don't mind these strange symbols. | 0:28:02 | 0:28:05 | |
I think it keeps life interesting and exciting. | 0:28:05 | 0:28:08 | |
And I love bread, but I think we perhaps do eat too much. | 0:28:08 | 0:28:11 | |
-I'm going to be bold. I am going to put bread into Room 101. -Yeah! | 0:28:11 | 0:28:17 | |
CHEERING AND APPLAUSE | 0:28:17 | 0:28:19 | |
And that brings us to the end of the show. | 0:28:27 | 0:28:29 | |
Well done, Katherine. You were the most persuasive guest, | 0:28:29 | 0:28:32 | |
so you are this week's winner. | 0:28:32 | 0:28:33 | |
CHEERING AND APPLAUSE | 0:28:33 | 0:28:35 | |
I care about you. | 0:28:37 | 0:28:38 | |
Thank you very much to Ray Mears, Fiona Bruce and Katherine Ryan, | 0:28:38 | 0:28:42 | |
and thank YOU. Goodnight. | 0:28:42 | 0:28:44 | |
CHEERING AND APPLAUSE | 0:28:44 | 0:28:46 |