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The programme contains very strong language and adult humour. | 0:00:03 | 0:00:07 | |
Hello, I'm Seann Walsh, | 0:00:07 | 0:00:08 | |
coming to you from the heart of the Edinburgh Festival. | 0:00:08 | 0:00:11 | |
Thousands flock here every year to watch | 0:00:12 | 0:00:15 | |
and take part in countless shows on offer. | 0:00:15 | 0:00:18 | |
But no-one enjoys the festival more than the Edinburgh locals | 0:00:18 | 0:00:21 | |
who get to piss off to Barbados for a month | 0:00:21 | 0:00:23 | |
and rent out their flat for only ?4 million. | 0:00:23 | 0:00:26 | |
To be fair to the locals that do stay, | 0:00:28 | 0:00:30 | |
they extend a warm welcome with their traditional greeting of, | 0:00:30 | 0:00:33 | |
"Can't you just piss off back to London? | 0:00:33 | 0:00:35 | |
"Look at all the bloody traffic. | 0:00:35 | 0:00:37 | |
"I can't stand all this arty farty shite!" | 0:00:37 | 0:00:39 | |
Sorry about the accent. | 0:00:39 | 0:00:41 | |
This festival offers every type of comedy, | 0:00:43 | 0:00:45 | |
from hard-hitting political satire... | 0:00:45 | 0:00:48 | |
"Isn't George Bush an idiot?" | 0:00:48 | 0:00:50 | |
..to surreal... | 0:00:50 | 0:00:51 | |
"Er, George Bush is like a melon." | 0:00:51 | 0:00:53 | |
..to deconstructive. | 0:00:53 | 0:00:54 | |
"Oh, it's weird, isn't it, that I, er...I keep on saying melon? | 0:00:54 | 0:00:57 | |
"Melon, melon?" | 0:00:57 | 0:00:59 | |
Tonight, you'll be seeing the freshest new talent | 0:01:00 | 0:01:02 | |
this festival has to offer. | 0:01:02 | 0:01:03 | |
These acts are hotly tipped to be the stars of tomorrow. | 0:01:03 | 0:01:07 | |
Welcome to Seann Walsh's - that's me - | 0:01:08 | 0:01:10 | |
Late Night Comedy Spectacular! | 0:01:10 | 0:01:14 | |
CHEERING | 0:01:14 | 0:01:16 | |
Thank you! Look how close you are. | 0:01:31 | 0:01:33 | |
That was incredible, you didn't even move. | 0:01:35 | 0:01:38 | |
You've got a shoe coming towards your head, | 0:01:38 | 0:01:40 | |
you thought, "Fuck it, I'm going to take this." | 0:01:40 | 0:01:43 | |
This is weird, isn't it? Yes. | 0:01:43 | 0:01:46 | |
Ladies and gentlemen, do you like The Caves? Whoo! | 0:01:46 | 0:01:49 | |
You like The Caves. Yes, I like The Caves. | 0:01:49 | 0:01:51 | |
We've got lots of fantastic new acts, we've tried to make it | 0:01:51 | 0:01:54 | |
a lot easier for them, make them feel a lot more comfortable | 0:01:54 | 0:01:57 | |
by dangling lightsabers above their head. | 0:01:57 | 0:02:00 | |
"You better be good!" | 0:02:00 | 0:02:03 | |
I'm actually used to being in caves. | 0:02:03 | 0:02:05 | |
This doesn't feel... | 0:02:05 | 0:02:06 | |
Not in a weird way. | 0:02:08 | 0:02:10 | |
I don't just sit in the corner of a cave. "Come to me, come to me." | 0:02:10 | 0:02:13 | |
No, I'm actually used to being in a cave. I lived in a basement flat. | 0:02:13 | 0:02:17 | |
Have you lived in a basement flat? | 0:02:17 | 0:02:19 | |
I do not recommend living in a basement flat. | 0:02:19 | 0:02:22 | |
Have you ever done it? No - you see, that's why you're smiling. | 0:02:22 | 0:02:25 | |
It is, you don't know what it's like to | 0:02:25 | 0:02:27 | |
open your curtains in the morning and for it to get darker. | 0:02:27 | 0:02:32 | |
Every morning. "Oh, God! Look at that - and it's raining. | 0:02:32 | 0:02:35 | |
"It's not even raining - | 0:02:35 | 0:02:36 | |
"it's a crackhead pissing on my window!" | 0:02:36 | 0:02:39 | |
I lived on my own - don't live on your own. | 0:02:40 | 0:02:42 | |
I thought it would be great. Oh, the freedom, living on my own. | 0:02:42 | 0:02:45 | |
No, no, no, you have to do things. | 0:02:45 | 0:02:48 | |
I had to buy all my own toilet roll. | 0:02:48 | 0:02:51 | |
It's dreadful, I get embarrassed. I don't like it. | 0:02:52 | 0:02:55 | |
You go out to buy the toilet roll, there's giant packs | 0:02:55 | 0:02:57 | |
with, like, 58 rolls inside. | 0:02:57 | 0:03:00 | |
They're so big, they're the only thing in the shop | 0:03:00 | 0:03:03 | |
that's got its own handle. That's how big they are. | 0:03:03 | 0:03:05 | |
It feels like you're holding a briefcase. | 0:03:05 | 0:03:08 | |
Walking down the street going, | 0:03:08 | 0:03:09 | |
"Excuse me, got an appointment with a toilet at 9:30. | 0:03:09 | 0:03:11 | |
"Excuse me, thank you. Cheers, thank you very much." | 0:03:11 | 0:03:14 | |
And you have to buy the big case. | 0:03:14 | 0:03:16 | |
We all want to buy the case, don't we? | 0:03:16 | 0:03:18 | |
No-one wants to buy the two, just the two rolls. | 0:03:18 | 0:03:21 | |
No, that's emergency only, innit? | 0:03:21 | 0:03:25 | |
Yeah. | 0:03:25 | 0:03:26 | |
You put that on the counter, you're effectively telling | 0:03:26 | 0:03:29 | |
the shopkeeper, "I'm halfway through a shit. | 0:03:29 | 0:03:33 | |
"We've run out of kitchen roll. | 0:03:35 | 0:03:38 | |
"Thank you, cheers." | 0:03:38 | 0:03:40 | |
I get embarrassed with stuff like that. | 0:03:45 | 0:03:47 | |
I get embarrassed doing number twos in a public toilet. | 0:03:47 | 0:03:50 | |
I don't like people hearing the plop. | 0:03:50 | 0:03:54 | |
You know? People try and cover it up, don't they? | 0:03:54 | 0:03:56 | |
People have different ways. | 0:03:56 | 0:03:57 | |
Some people put down the tissue, people like to roll up | 0:03:57 | 0:03:59 | |
the tissue, put it down the bowl, make sure no-one hears. | 0:03:59 | 0:04:03 | |
Some people run the taps so if you can run the tap, run the tap. | 0:04:03 | 0:04:06 | |
The best is when you're in a cubicle, | 0:04:06 | 0:04:08 | |
you're in there, and then a sign from God, a gift from God - | 0:04:08 | 0:04:11 | |
someone starts drying their hands. | 0:04:11 | 0:04:14 | |
Oh! Oh, thank God! You're just sitting there... | 0:04:14 | 0:04:17 | |
"Rrrrrr! | 0:04:17 | 0:04:19 | |
"Quickly, get out of me! Quickly!! | 0:04:19 | 0:04:22 | |
It's harder now you've got Dyson Airblade, | 0:04:22 | 0:04:24 | |
you've only got ten seconds. | 0:04:24 | 0:04:26 | |
"Hurry up! Come on, hurry up, I'm on a timer!" | 0:04:26 | 0:04:29 | |
I've a friend that runs the tap to cover up that she's having a wee. | 0:04:30 | 0:04:36 | |
Surely that just makes it sound | 0:04:36 | 0:04:38 | |
like you're taking a bigger wee, doesn't it? | 0:04:38 | 0:04:40 | |
That's like trying to cover up that you're taking a dump | 0:04:42 | 0:04:44 | |
by dropping a brick into the bath. | 0:04:44 | 0:04:47 | |
Someone knocks on the door. "Is anyone in there?" | 0:04:48 | 0:04:51 | |
"No, don't come in. | 0:04:51 | 0:04:53 | |
"It's fine, just washing my hands." | 0:04:53 | 0:04:56 | |
I mentioned I lived on my own. I don't know | 0:04:58 | 0:05:01 | |
if you know much about me, but I'm a very disorganised person. | 0:05:01 | 0:05:04 | |
I thought I'd get myself together. I moved in on my own. | 0:05:04 | 0:05:07 | |
I moved across the road from a 24-hour off-licence. | 0:05:07 | 0:05:12 | |
It's not good having a shop across the road from you | 0:05:12 | 0:05:14 | |
opened 24 hours. Sounds good, it's not. | 0:05:14 | 0:05:17 | |
This shopkeeper, one shopkeeper, | 0:05:17 | 0:05:19 | |
knows every single different version of me. | 0:05:19 | 0:05:23 | |
He knows me better than I know myself. | 0:05:23 | 0:05:26 | |
Because it's, like, Afternoon Seann, Afternoon Seann is fine. | 0:05:26 | 0:05:29 | |
Afternoon Seann just walks in sort of, "Hiya, you all right? Hi. | 0:05:29 | 0:05:33 | |
"Just, er, one pint of milk. Don't want to waste. | 0:05:33 | 0:05:36 | |
"That's fine. Thanks a lot. Cheers. See you tomorrow | 0:05:36 | 0:05:40 | |
"or probably later. I'll finish this quickly. | 0:05:40 | 0:05:43 | |
"Oh! I'm such a twat." | 0:05:43 | 0:05:46 | |
Cut to two in the morning. | 0:05:46 | 0:05:47 | |
"Legend! Bloody legend, man! You stay open for me. Love you! | 0:05:47 | 0:05:53 | |
"You're good to me. I'm going to get some drinks. | 0:05:53 | 0:05:56 | |
"I've got some people round, we're going to have a drink. | 0:05:56 | 0:05:59 | |
"I am so sorry. Do you want a drink? I'll get you a drink. | 0:05:59 | 0:06:02 | |
"Have a drink, have a drink, come on, have a drink? | 0:06:02 | 0:06:05 | |
"And we'll get some Doritos and have you got any dip? | 0:06:05 | 0:06:08 | |
"Ketchup, that'll do, don't worry about it. Ketchup in the bag. | 0:06:08 | 0:06:11 | |
"I love you. Come round, come round, come on, I'm always in your place, | 0:06:11 | 0:06:15 | |
"you come round my place. | 0:06:15 | 0:06:16 | |
"Come back to mine. Bye." Cut to the morning. | 0:06:16 | 0:06:19 | |
HE BREATHES HEAVILY | 0:06:20 | 0:06:23 | |
"Awright? | 0:06:35 | 0:06:37 | |
"Just going to get some things." | 0:06:37 | 0:06:38 | |
HE BREATHES HEAVILY | 0:06:40 | 0:06:42 | |
"I'm going to get some cheese... | 0:06:42 | 0:06:44 | |
"..and some corned beef. | 0:06:48 | 0:06:49 | |
"And...and I need something healthy. | 0:06:51 | 0:06:55 | |
"I'll get an onion. | 0:06:55 | 0:06:57 | |
"Just...just that, please, mate. Thank you. | 0:07:00 | 0:07:03 | |
"Actually, wait there as well. | 0:07:03 | 0:07:04 | |
"Can I get some...? Erm, yeah, just, just that, please. Thank you. | 0:07:04 | 0:07:10 | |
"See you later. Bye, cheers." | 0:07:10 | 0:07:12 | |
What a great crowd! | 0:07:21 | 0:07:22 | |
I'm going to introduce my first act, a wonderful act. | 0:07:23 | 0:07:26 | |
She's been smashing it up in Edinburgh. | 0:07:26 | 0:07:28 | |
Every time I walk past her poster, it's covered in stars. | 0:07:28 | 0:07:31 | |
Please welcome, all the way from Australia, Celia Pacquola! | 0:07:31 | 0:07:36 | |
CHEERING AND APPLAUSE | 0:07:36 | 0:07:39 | |
Wow! Wow! It is amazing to be here. | 0:07:41 | 0:07:45 | |
Good evening, it's lovely to be here tonight. I love night-time. | 0:07:45 | 0:07:48 | |
Night-time's my favourite of all of the times | 0:07:48 | 0:07:50 | |
because night-time is the most appropriate time | 0:07:50 | 0:07:52 | |
to drink alcohol, isn't it? | 0:07:52 | 0:07:54 | |
Because you can drink in the day but people are like, "Hmm". | 0:07:54 | 0:07:58 | |
A friend of mine, their excuse for drinking in the day is always, | 0:07:58 | 0:08:01 | |
"Well, it's night-time somewhere." | 0:08:01 | 0:08:04 | |
I'm like, "So, it's 10am here." | 0:08:04 | 0:08:07 | |
They go, "Yeah, but it's night-time somewhere, it's totally sweet." | 0:08:07 | 0:08:11 | |
I'm like, "What?!" That makes no logical sense as an argument. | 0:08:11 | 0:08:14 | |
That's like if someone was stabbing someone. | 0:08:14 | 0:08:16 | |
"Oi! What are you doing?" "Well, some people are surgeons." | 0:08:16 | 0:08:20 | |
I mean, I don't judge because I know what judgment is like | 0:08:20 | 0:08:23 | |
because I went to a psychic, guys. Yeah, I know. | 0:08:23 | 0:08:26 | |
You know psychics? Fortune tellers, reverse historians, | 0:08:26 | 0:08:29 | |
whatever you want to call them. | 0:08:29 | 0:08:30 | |
I don't know what the collective term for psychics is. Is it a wank? | 0:08:30 | 0:08:33 | |
I think it's a scam, it's a scam of psychics. | 0:08:33 | 0:08:36 | |
And I don't know why this particular thing gets so much judgment on it. | 0:08:36 | 0:08:40 | |
Like, I'm not religious, but if you are, I don't judge you. | 0:08:40 | 0:08:42 | |
Like, you might like to listen to a man talk about a man in the sky. | 0:08:42 | 0:08:46 | |
I would rather listen to a woman in a purple dress talk about me | 0:08:46 | 0:08:48 | |
for half an hour. I don't know. | 0:08:48 | 0:08:50 | |
Erm, I'm trying to stop doing it, | 0:08:50 | 0:08:52 | |
I'm trying to take more control, be more of an adult. | 0:08:52 | 0:08:54 | |
How's this? My wallet got stolen out of my bag a while ago, right? | 0:08:54 | 0:08:57 | |
Here's what I did, OK. | 0:08:57 | 0:08:58 | |
Reported it at the police station, cancelled all my cards, | 0:08:58 | 0:09:06 | |
Very adult, very responsible. | 0:09:06 | 0:09:11 | |
my stolen wallet was found | 0:09:11 | 0:09:16 | |
I feel so bad for my wallet, in there for a week. | 0:09:24 | 0:09:33 | |
You know the beginning of Shawshank Redemption | 0:09:33 | 0:09:34 | |
when the new prisoners are being brought through | 0:09:34 | 0:09:37 | |
and the original prisoners are, like, heckling shit out of them, like, "Hey, new guy. | 0:09:37 | 0:09:40 | |
"Hey, you in the leather, hey, fancy boy. | 0:09:40 | 0:09:42 | |
"Hey, hey, you in the leather. Hey, hey...you're cute.' | 0:09:42 | 0:09:45 | |
"Hey, fancy boy, what are you? You some kind of cheese? | 0:09:47 | 0:09:50 | |
"What have you got inside you? Is it cheese? | 0:09:53 | 0:09:56 | |
"If it's cheese, you're on the wrong shelf." | 0:09:56 | 0:10:00 | |
"Hey, fancy boy... | 0:10:00 | 0:10:02 | |
"..the light goes off when they shut the door." | 0:10:04 | 0:10:06 | |
And I imagine my wallet, being all middle-class | 0:10:09 | 0:10:11 | |
and scared, like, "Ha-ha-ha! I don't belong here. | 0:10:11 | 0:10:13 | |
"No, no, no. I am not one of you, no, no, no. | 0:10:13 | 0:10:16 | |
"I am very important to her. I will be out of here any day now." | 0:10:16 | 0:10:19 | |
"Oh, yeah? That's what mayonnaise said. | 0:10:19 | 0:10:24 | |
"Been here four years, haven't you, mate?" | 0:10:24 | 0:10:27 | |
"I don't know what I am anymore!" | 0:10:27 | 0:10:30 | |
I like my things. | 0:10:30 | 0:10:31 | |
I actually sleep with my laptop in bed with me. | 0:10:31 | 0:10:34 | |
Does anyone do that? | 0:10:34 | 0:10:36 | |
Yes? Are you also single? | 0:10:36 | 0:10:38 | |
Here's the thing, guys, I don't want to brag - | 0:10:38 | 0:10:40 | |
I've got a double bed, guys. | 0:10:40 | 0:10:42 | |
And I tell you what, it's an investment bed. | 0:10:42 | 0:10:45 | |
It's the bed I'm going to die in. I am done for beds. | 0:10:45 | 0:10:47 | |
I will never buy another bed. It cost over 500 quid. | 0:10:47 | 0:10:49 | |
I am done. It's got a pillow top. | 0:10:49 | 0:10:51 | |
Like, everyone in here has laid down on at least one incredible bed | 0:10:51 | 0:10:54 | |
and you get on it and go, "Oh, shut up! That's amazing." | 0:10:54 | 0:10:57 | |
This is my impression of an incredible bed, OK? | 0:10:57 | 0:10:58 | |
"I've got you, I've got your full support. | 0:10:58 | 0:11:00 | |
"I've got your head, feet, same level of support. | 0:11:00 | 0:11:03 | |
"Try and trick me, jump over there, | 0:11:03 | 0:11:04 | |
"I've still got you, same level of support." | 0:11:04 | 0:11:06 | |
Do you want to know something exciting? | 0:11:06 | 0:11:08 | |
I am the only international comedian doing bed impressions, thank you. | 0:11:08 | 0:11:12 | |
I know, it's very brave. | 0:11:12 | 0:11:14 | |
I've got a new one, I've got a new one, | 0:11:14 | 0:11:16 | |
I've got a new one. | 0:11:16 | 0:11:17 | |
Hotel room bed, hotel room bed. | 0:11:17 | 0:11:20 | |
SHE PRETENDS TO CRY | 0:11:20 | 0:11:23 | |
"No more. | 0:11:23 | 0:11:26 | |
"I'll never be clean." | 0:11:26 | 0:11:29 | |
Huh? | 0:11:29 | 0:11:30 | |
Memory foam, memory foam bed. | 0:11:30 | 0:11:33 | |
"We meet again.' | 0:11:33 | 0:11:35 | |
Has anyone bought the bed they're going to die in? | 0:11:37 | 0:11:40 | |
Well, you don't know, do you? | 0:11:40 | 0:11:42 | |
Hey, play your cards right, | 0:11:42 | 0:11:43 | |
I might've bought the bed you're going to die in. | 0:11:43 | 0:11:46 | |
That is simultaneously the most menacing and romantic pick-up line | 0:11:51 | 0:11:54 | |
in the whole world because it is both, | 0:11:54 | 0:11:56 | |
"I hope we grow old together," | 0:11:56 | 0:11:57 | |
and, "If you come home with me, I might kill you tonight." | 0:11:57 | 0:12:00 | |
But here's how I don't want to die, right? I've decided. | 0:12:00 | 0:12:03 | |
I'm not good at crossing the street because I'm a really bad judge | 0:12:03 | 0:12:06 | |
of how quickly a car's going to get to me. | 0:12:06 | 0:12:08 | |
I'm always like, "Oh! Crap, could've gone then. | 0:12:08 | 0:12:10 | |
"Oh, no! Shit, that was close. Oh, I'll just..." | 0:12:10 | 0:12:12 | |
I don't want to get hit by a car while I'm doing this. | 0:12:12 | 0:12:15 | |
Like, to die within a moment of indecision | 0:12:15 | 0:12:18 | |
is an excruciating thought to me. | 0:12:18 | 0:12:21 | |
I don't want the last sound I make on this sound to be... | 0:12:21 | 0:12:23 | |
"Uh!" | 0:12:23 | 0:12:25 | |
I want it to be, "No, David Tennant, | 0:12:26 | 0:12:29 | |
"you're the greatest lover that I'VE ever had." | 0:12:29 | 0:12:31 | |
Seems like a strange place to end it but I'm going to. | 0:12:34 | 0:12:36 | |
Thank you so much for having me. | 0:12:36 | 0:12:38 | |
CHEERING AND APPLAUSE | 0:12:38 | 0:12:40 | |
Now, this next young man has already been described as one | 0:12:42 | 0:12:45 | |
of the funniest people on Twitter. | 0:12:45 | 0:12:47 | |
We have him in the flesh. Give it up for Rhys James! | 0:12:47 | 0:12:50 | |
CHEERING AND APPLAUSE | 0:12:53 | 0:12:55 | |
Thank you very much. | 0:12:55 | 0:12:57 | |
I've had a good year so far this year. | 0:12:57 | 0:12:58 | |
I've actually got myself a new girlfriend. AUDIENCE WHOOP | 0:12:58 | 0:13:01 | |
Cheers, yeah. Not gay, who'd have thought? | 0:13:01 | 0:13:03 | |
But I've got this girlfriend. | 0:13:03 | 0:13:05 | |
I don't want to brag or anything, but I am going to, | 0:13:05 | 0:13:07 | |
because she is amazing, honestly, incredible. | 0:13:07 | 0:13:09 | |
Genuinely one of the most beautiful women in the world. | 0:13:09 | 0:13:12 | |
There's one slight hitch, one hiccup with her, | 0:13:12 | 0:13:14 | |
and that is she kind of, like, talks like a 40-year-old man. | 0:13:14 | 0:13:17 | |
It's weird, yeah. Still though, | 0:13:17 | 0:13:18 | |
can't wait to finally meet her in person. | 0:13:18 | 0:13:22 | |
Oh! It's going to be a good one, it's going to be spesh. | 0:13:22 | 0:13:24 | |
Erm, no, it's just a joke, I'm tragically alone. OK, erm... | 0:13:24 | 0:13:28 | |
What I do is actually a combination of jokes | 0:13:28 | 0:13:31 | |
and spoken word poems, | 0:13:31 | 0:13:33 | |
so that was a joke and this is a poem. | 0:13:33 | 0:13:36 | |
It's called What I Want. | 0:13:36 | 0:13:38 | |
I want to not look like a child | 0:13:39 | 0:13:42 | |
And I know I've got that baby-faced boyish type quality | 0:13:43 | 0:13:45 | |
But I'm actually 48 I just moisturise properly | 0:13:45 | 0:13:48 | |
I want to be able to do magic tricks | 0:13:48 | 0:13:50 | |
But I want no-one to know that I can do magic tricks | 0:13:50 | 0:13:52 | |
Cos I don't want to be one of those magic pricks | 0:13:52 | 0:13:54 | |
I want to be a better person than everyone else | 0:13:54 | 0:13:56 | |
Or at least a better version less obsessed with myself. | 0:13:56 | 0:13:58 | |
I want to be feared and revered like Don Corleone | 0:13:58 | 0:14:01 | |
I want the confidence to call someone a goddamn jabroni | 0:14:01 | 0:14:04 | |
I want to be mis-sold PPI so that someone will text me | 0:14:04 | 0:14:09 | |
I want to look a waiter in the eye | 0:14:11 | 0:14:13 | |
And say "You know what? It's not OK that it's Pepsi" | 0:14:13 | 0:14:17 | |
I want you to think I'm a genius | 0:14:17 | 0:14:18 | |
As long as you can spell it correctly | 0:14:18 | 0:14:19 | |
I want to have sex with a woman | 0:14:19 | 0:14:21 | |
But none of them will let me | 0:14:21 | 0:14:22 | |
I want to become the voice of modern feminism | 0:14:22 | 0:14:25 | |
And, no, that's not a joke | 0:14:25 | 0:14:26 | |
I just think people might take it seriously | 0:14:26 | 0:14:27 | |
if they hear it from a bloke | 0:14:27 | 0:14:29 | |
I want to get mad bitches | 0:14:32 | 0:14:33 | |
Instead of getting bitches mad | 0:14:33 | 0:14:34 | |
Because they think I'm misogynistic with my diction so bad | 0:14:34 | 0:14:37 | |
I want to know what love is and I want you to show me | 0:14:37 | 0:14:40 | |
And I want you to hold me | 0:14:42 | 0:14:43 | |
You goddamn jabroni! Yes! | 0:14:43 | 0:14:46 | |
I want to be muscular | 0:14:46 | 0:14:48 | |
And I want to be tougher | 0:14:48 | 0:14:48 | |
I want to be like my laptop and make myself buffer | 0:14:48 | 0:14:51 | |
I want to look at the stars from the streets, not the gutter | 0:14:51 | 0:14:53 | |
I want people to believe that margarine is not butter | 0:14:53 | 0:14:56 | |
I want the Spice Girls to finish what they started | 0:14:56 | 0:14:58 | |
Cos I really, really, really want to know what a zig-a-zig-a is | 0:14:58 | 0:15:02 | |
I want to be more adventurous and less pretentious | 0:15:02 | 0:15:05 | |
I'd want to pay my dues if they were less expensive | 0:15:05 | 0:15:07 | |
I want to know what I truly want but I don't think I ever will do | 0:15:07 | 0:15:10 | |
Life is just trial and error until it kills you | 0:15:10 | 0:15:12 | |
I want more people to appreciate my philosophy | 0:15:12 | 0:15:14 | |
Because that life is just trial and error shit? Quality | 0:15:14 | 0:15:17 | |
I honestly want to be an Adonis of comedy | 0:15:17 | 0:15:19 | |
Like one of these nominees | 0:15:19 | 0:15:20 | |
There's nobody stopping me | 0:15:20 | 0:15:21 | |
I'm like a comic called Connolly | 0:15:21 | 0:15:23 | |
I've got promise and I promise if you never unfollow me | 0:15:23 | 0:15:24 | |
You'll be top of the honours list when I'm king of my colony | 0:15:24 | 0:15:27 | |
All right, that's probably a little too ambitious | 0:15:27 | 0:15:29 | |
I want to bring it down a peg and be more realistic | 0:15:29 | 0:15:31 | |
What I really want is to say that's the end of this bit | 0:15:31 | 0:15:33 | |
That was What I Want - I want to thank you all for listening. | 0:15:33 | 0:15:35 | |
Cheers. CHEERING AND APPLAUSE | 0:15:35 | 0:15:38 | |
Thank you very much. | 0:15:38 | 0:15:39 | |
Yeah, I know. | 0:15:41 | 0:15:44 | |
I mean, there's loads of great comedians with amazing jokes | 0:15:44 | 0:15:46 | |
but none of them fucking rhyme, do they? | 0:15:46 | 0:15:48 | |
Pick your battles, guys. | 0:15:48 | 0:15:49 | |
So, no, I'm an adult now, obviously. I don't know if you've noticed that. | 0:15:49 | 0:15:53 | |
Don't laugh, I'm growing a moustache, it's kicking off. | 0:15:53 | 0:15:55 | |
I'm a grown-up now, I'm a grown man, fully grown man. | 0:15:55 | 0:15:57 | |
Honestly, my doctor said there's nothing else, this is it. | 0:15:57 | 0:16:00 | |
No-one's more gutted than me. | 0:16:00 | 0:16:02 | |
But I'm a grown-up - like, I finished university, | 0:16:02 | 0:16:04 | |
I moved out of my university house, | 0:16:04 | 0:16:06 | |
I now live in a different house with this older couple | 0:16:06 | 0:16:08 | |
called Mum and Dad. | 0:16:08 | 0:16:09 | |
Weird parenting methods in general - my dad, I remember once, | 0:16:11 | 0:16:14 | |
he caught me smoking one of his cigarettes. | 0:16:14 | 0:16:16 | |
So he did that age-old thing, to teach me a lesson - | 0:16:16 | 0:16:18 | |
made me smoke the entire pack. | 0:16:18 | 0:16:19 | |
Which is bad, but nowhere near as bad as the time he caught | 0:16:19 | 0:16:21 | |
my brother taking one of his sleeping pills. | 0:16:21 | 0:16:24 | |
Oh, we miss you, Timmy, we miss you. Still sleeping. | 0:16:24 | 0:16:28 | |
No, don't worry, I don't have a brother. Any more, as I say. | 0:16:29 | 0:16:32 | |
Big fan of language, love language, | 0:16:34 | 0:16:36 | |
use it most days now, it's become a thing. | 0:16:36 | 0:16:38 | |
Erm, a big fan of facts. Wanted to share with you guys | 0:16:38 | 0:16:40 | |
a language fact. I've written it down here so I don't forget it. | 0:16:40 | 0:16:43 | |
It's a pretty cool fact, so hold on to those socks, | 0:16:43 | 0:16:45 | |
they're about to be blown the fuck off! | 0:16:45 | 0:16:47 | |
He has actually held them, to be fair. | 0:16:47 | 0:16:49 | |
Thank you very much, appreciate it. Here's the fact, guys. | 0:16:49 | 0:16:52 | |
Did you know, Edinburgh, did you know | 0:16:52 | 0:16:55 | |
that HIV is actually Roman for high-five? | 0:16:55 | 0:16:59 | |
Numerals-based comedy. | 0:17:02 | 0:17:04 | |
Thank you very much. A big fan of online dating. | 0:17:06 | 0:17:10 | |
Anyone here tried online dating? | 0:17:10 | 0:17:12 | |
Right, well, I recognise some of you so that is bullshit! | 0:17:12 | 0:17:15 | |
I have definitely swiped left on a few of these faces. | 0:17:15 | 0:17:18 | |
And right, to be fair. A couple of you are at risk. | 0:17:18 | 0:17:21 | |
But, to be fair, statistically, some of you have tried online dating | 0:17:21 | 0:17:25 | |
but we're embarrassed to admit it, even though we shouldn't be. | 0:17:25 | 0:17:28 | |
It's a modern way of doing things. Some of you have tried it - | 0:17:28 | 0:17:30 | |
looking round, you'd have fucking had to. | 0:17:30 | 0:17:32 | |
We definitely have. We're ashamed of online dating and we shouldn't be. | 0:17:32 | 0:17:35 | |
It's a modern way of doing things that we should celebrate, not be ashamed of. | 0:17:35 | 0:17:38 | |
Obviously, I haven't done it myself, I'm not a desperate loser, | 0:17:38 | 0:17:41 | |
but it's a good thing. | 0:17:41 | 0:17:42 | |
Even happy couples who met online are still embarrassed | 0:17:42 | 0:17:45 | |
and they justify their embarrassment the same way every time. | 0:17:45 | 0:17:48 | |
They're always like, "Oh, yeah, we met online, us two. | 0:17:48 | 0:17:51 | |
"Met three years ago, it's really good, been together ever since, | 0:17:51 | 0:17:53 | |
"really happy together, it's perfect. | 0:17:53 | 0:17:55 | |
"But not a great story to tell the grandkids though, is it? | 0:17:55 | 0:17:58 | |
"Met online, not a great story for the old grandkids." | 0:17:58 | 0:18:00 | |
And I think, "Listen, your grandkids | 0:18:00 | 0:18:03 | |
"are not going to give a shit about your life." | 0:18:03 | 0:18:06 | |
Grandkids today don't look up from Candy Crush on their iPhones | 0:18:06 | 0:18:11 | |
to ask their grandparents about a World War. | 0:18:11 | 0:18:14 | |
Do you think that grandkids of the future will take off their virtual reality headsets | 0:18:14 | 0:18:17 | |
where they're killing zombies with laser vision | 0:18:17 | 0:18:20 | |
and fucking aliens with their electric dicks | 0:18:20 | 0:18:22 | |
to turn to you and go, "Grandad, tell me about eHarmony." | 0:18:22 | 0:18:26 | |
It's not the future, it's not what it looks like. | 0:18:27 | 0:18:29 | |
I don't understand the world at all. Everything annoys me nowadays in the world. | 0:18:29 | 0:18:33 | |
Like hypocrisy, latest thing to annoy me - | 0:18:33 | 0:18:36 | |
double standards everywhere you look. | 0:18:36 | 0:18:38 | |
Apparently, it's cute when the girl opposite me on the train | 0:18:38 | 0:18:41 | |
is sucking her thumb. | 0:18:41 | 0:18:42 | |
Now, that's cute. | 0:18:42 | 0:18:43 | |
But when I do it, I'm "weird", | 0:18:43 | 0:18:46 | |
and should "get off her thumb". | 0:18:46 | 0:18:48 | |
Bullshit, man! I don't understand this shit, | 0:18:48 | 0:18:51 | |
I don't get it. I do not get it. | 0:18:51 | 0:18:53 | |
You've been lovely. Thank you. I'm Rhys James, good night. | 0:18:53 | 0:18:56 | |
CHEERING AND APPLAUSE | 0:18:56 | 0:18:59 | |
Now, this next guy won the award for best newcomer last year | 0:19:05 | 0:19:08 | |
here at the festival. | 0:19:08 | 0:19:09 | |
I can safely say he's going to blow your mind. It's John Kearns! | 0:19:09 | 0:19:13 | |
CHEERING AND APPLAUSE | 0:19:13 | 0:19:16 | |
Here's...here's where my life is at, right? | 0:19:19 | 0:19:22 | |
If I was waiting for a train... | 0:19:24 | 0:19:26 | |
..and, er...I saw a dog driving it... | 0:19:28 | 0:19:32 | |
..I'd get on, you know? | 0:19:34 | 0:19:37 | |
Why? Two reasons - | 0:19:37 | 0:19:39 | |
he got there, fair enough, | 0:19:39 | 0:19:42 | |
and if there's any delays, | 0:19:42 | 0:19:45 | |
I want to hear that announcement, you know what I mean? | 0:19:45 | 0:19:48 | |
I was waiting for a train, fishing in my pockets for receipts. | 0:19:50 | 0:19:54 | |
I'm, er, I'm self-employed now, you know, er... | 0:19:54 | 0:19:58 | |
You're all looking at me, like, | 0:19:58 | 0:20:00 | |
"When's he going to take all that shit off?" | 0:20:00 | 0:20:02 | |
I don't know! | 0:20:03 | 0:20:05 | |
You're watching a man grapple with a joke that's... | 0:20:05 | 0:20:09 | |
..that's gone a bit too far, if I'm honest. | 0:20:09 | 0:20:11 | |
Fishing in my pockets for receipts, | 0:20:11 | 0:20:15 | |
?5 note flew out, went on the tracks. | 0:20:15 | 0:20:18 | |
That's gone, innit? | 0:20:18 | 0:20:19 | |
It's gone, you know. | 0:20:19 | 0:20:21 | |
Next day I went down there, | 0:20:21 | 0:20:23 | |
I saw a mouse wearing it as a jacket, you know. | 0:20:23 | 0:20:26 | |
Massive lapels, he had the Queen on the back... | 0:20:27 | 0:20:30 | |
He's taking the piss out of me. | 0:20:32 | 0:20:33 | |
That's what happens when you leave the house! | 0:20:34 | 0:20:37 | |
People start taking the piss. | 0:20:38 | 0:20:40 | |
You've all worked hard, | 0:20:40 | 0:20:43 | |
you've come out, | 0:20:43 | 0:20:44 | |
I'm at work now, yeah? | 0:20:44 | 0:20:46 | |
You're my boss. | 0:20:46 | 0:20:47 | |
Imagine he was your boss. | 0:20:50 | 0:20:51 | |
That means when I go out - | 0:20:53 | 0:20:55 | |
I like to stay in, you know. | 0:20:55 | 0:20:57 | |
That's why I'd like to go to prison, I think it'd be good. | 0:20:57 | 0:21:00 | |
Weights, chess... | 0:21:01 | 0:21:04 | |
..you never lose your keys - sounds good. | 0:21:05 | 0:21:07 | |
Get a bunk bed - who doesn't love a bunk bed? | 0:21:10 | 0:21:12 | |
I weren't allowed a bunk bed when I was a kid, erm... | 0:21:14 | 0:21:17 | |
My childhood can basically be summed up by | 0:21:17 | 0:21:20 | |
when Wallace and Gromit were on TV, | 0:21:20 | 0:21:23 | |
my mum would go, | 0:21:23 | 0:21:24 | |
"John, your friends are on!" | 0:21:24 | 0:21:26 | |
That's about it, you know. | 0:21:26 | 0:21:27 | |
I liked Paddington Bear, as well. | 0:21:29 | 0:21:31 | |
I trusted him, you know? | 0:21:33 | 0:21:34 | |
Imagine he walked in now. | 0:21:34 | 0:21:36 | |
I'd like that a lot, yeah. | 0:21:39 | 0:21:41 | |
He taught me a valuable life lesson - | 0:21:42 | 0:21:44 | |
if you meet someone who keeps a sandwich under their hat, | 0:21:44 | 0:21:49 | |
make them your best mate, you know. | 0:21:49 | 0:21:52 | |
That's what Pharrell's got under there. | 0:21:52 | 0:21:54 | |
You're finding it funny. | 0:21:56 | 0:21:58 | |
You can't stand the sight of me. | 0:21:59 | 0:22:01 | |
I can't win! | 0:22:03 | 0:22:05 | |
When I was a kid I worked hard, you know? I wore dungarees. | 0:22:07 | 0:22:11 | |
I like kids in dungarees, they make me laugh, you know? | 0:22:11 | 0:22:15 | |
They look like frustrated mechanics. | 0:22:15 | 0:22:17 | |
All their tools are plastic, they've got nothing to fix, | 0:22:18 | 0:22:22 | |
it's driving them mad. | 0:22:22 | 0:22:23 | |
I used to finish pencils when I was a kid. | 0:22:24 | 0:22:27 | |
I don't remember the last time I finished a pencil. | 0:22:28 | 0:22:32 | |
I'd show people at school, "Look at that." | 0:22:32 | 0:22:34 | |
Look at it, mate! | 0:22:37 | 0:22:39 | |
I'm right here, look at it! | 0:22:39 | 0:22:41 | |
Look at it! | 0:22:41 | 0:22:43 | |
Look at it, it's just a nib and a rubber. | 0:22:43 | 0:22:45 | |
Look at that, mate. | 0:22:45 | 0:22:47 | |
Get your jeweller's glass out, have a look at that. | 0:22:47 | 0:22:50 | |
The Borrowers are missing a chimney, | 0:22:50 | 0:22:52 | |
have a look at that, fella! | 0:22:52 | 0:22:53 | |
I'm working so hard, I'm making stationary disappear. | 0:22:54 | 0:22:58 | |
Now I only work that hard | 0:23:00 | 0:23:03 | |
if there's two poppadoms left in a group of six, yeah? | 0:23:03 | 0:23:06 | |
I want my share. | 0:23:06 | 0:23:08 | |
You like a poppadom, fella? | 0:23:08 | 0:23:10 | |
Aye. | 0:23:10 | 0:23:11 | |
Yeah? All right, OK. | 0:23:11 | 0:23:14 | |
Mango chutney! You like that?! | 0:23:14 | 0:23:17 | |
OK. | 0:23:17 | 0:23:19 | |
Lime pickle? | 0:23:20 | 0:23:21 | |
Nah. | 0:23:21 | 0:23:23 | |
You know what you like. I like you. | 0:23:23 | 0:23:25 | |
I know what I like, yeah? | 0:23:27 | 0:23:28 | |
I like going in the jacuzzi when my shorts blow up, I like that. | 0:23:30 | 0:23:33 | |
I like writing on a banana skin with a biro. | 0:23:35 | 0:23:38 | |
Just trust me on that one. | 0:23:39 | 0:23:40 | |
Tweet me later, just trust me, yeah? | 0:23:40 | 0:23:43 | |
Do you like the cinema? | 0:23:43 | 0:23:45 | |
You been to the IMAX? | 0:23:46 | 0:23:47 | |
Yeah. If you've never been to the IMAX, | 0:23:47 | 0:23:50 | |
I'm going to leave you with this, yeah? | 0:23:50 | 0:23:52 | |
When you book, you've got two options. | 0:23:52 | 0:23:55 | |
Er, you can sit in row A, | 0:23:55 | 0:23:58 | |
where the screen's like behind you, yeah? | 0:23:58 | 0:24:00 | |
Or you can see a film at 9am | 0:24:02 | 0:24:04 | |
like you're on crystal meth. | 0:24:04 | 0:24:06 | |
Thanks very much. | 0:24:08 | 0:24:09 | |
CHEERING AND APPLAUSE | 0:24:09 | 0:24:11 | |
Our next act is a brilliant stand up. | 0:24:14 | 0:24:16 | |
He was so good on the show last year, | 0:24:16 | 0:24:18 | |
he's back for more. | 0:24:18 | 0:24:19 | |
It's Dane Baptiste! | 0:24:19 | 0:24:21 | |
CHEERING AND APPLAUSE | 0:24:21 | 0:24:23 | |
Hey, hi. How are you? | 0:24:23 | 0:24:26 | |
Thank you, guys. | 0:24:26 | 0:24:27 | |
I was kind of worried about coming up here | 0:24:27 | 0:24:29 | |
cos I didn't want to be confused | 0:24:29 | 0:24:31 | |
with the other seven black guys performing at the Festival. | 0:24:31 | 0:24:33 | |
It's very awkward when someone hands you a flier | 0:24:33 | 0:24:36 | |
with your own face on it, so... | 0:24:36 | 0:24:38 | |
But I want you to know I don't presume ignorance, | 0:24:38 | 0:24:40 | |
cos I have been guilty of ignorance myself, | 0:24:40 | 0:24:42 | |
because I guess the same way that some people | 0:24:42 | 0:24:44 | |
might look at black guys at the Festival | 0:24:44 | 0:24:46 | |
is the same way that I look at bagpipes. | 0:24:46 | 0:24:48 | |
That all sounds the same to me, I'm sorry. | 0:24:48 | 0:24:51 | |
Cos I'll be honest with you, | 0:24:51 | 0:24:52 | |
I actually thought there was one long song called "Bagpipes". | 0:24:52 | 0:24:55 | |
I thought that's how it worked, | 0:24:55 | 0:24:56 | |
but last year I was walking down a street in Edinburgh | 0:24:56 | 0:24:58 | |
and a guy was like "Awright, thank you. | 0:24:58 | 0:25:00 | |
"Noo, this next song is called..." | 0:25:00 | 0:25:02 | |
I was like "Next song? Are you sure there's a...? | 0:25:02 | 0:25:05 | |
"..second song?" | 0:25:05 | 0:25:06 | |
So I want to tell you about me. I am the son of immigrants, | 0:25:06 | 0:25:09 | |
my parents come from an island called Grenada. | 0:25:09 | 0:25:11 | |
Have you guys heard of it? AUDIENCE WHOOPS | 0:25:11 | 0:25:13 | |
Cool. And my mum is from an island called Carriacou, | 0:25:13 | 0:25:15 | |
have you heard of that? AUDIENCE MEMBERS: Yep! | 0:25:15 | 0:25:17 | |
That's a surprise. | 0:25:17 | 0:25:19 | |
Now, for those of you who don't know, Carriacou is a floating village, | 0:25:19 | 0:25:22 | |
there's about 10,000 people on the island, | 0:25:22 | 0:25:24 | |
and we have one gay in the village. | 0:25:24 | 0:25:26 | |
That's not because we're homophobic, | 0:25:28 | 0:25:30 | |
it's just that the island is simply too small to support a parade. | 0:25:30 | 0:25:33 | |
It would just be one guy in body glitter | 0:25:35 | 0:25:37 | |
walking back and forth across the street, | 0:25:37 | 0:25:38 | |
which doesn't really work. | 0:25:38 | 0:25:40 | |
Now, the gay guy in Carriacou, whose name is Ping Ping - | 0:25:40 | 0:25:43 | |
I don't know why he's called Ping Ping, | 0:25:43 | 0:25:45 | |
I just remember 15 years ago | 0:25:45 | 0:25:46 | |
going with my friends and my family through Carriacou | 0:25:46 | 0:25:49 | |
and everybody saw him and they went "Ping Ping!", | 0:25:49 | 0:25:51 | |
and he went "Pong Pong!" | 0:25:51 | 0:25:53 | |
I guess it's his way of saying he bats for the other team, | 0:25:54 | 0:25:56 | |
so that's cool. | 0:25:56 | 0:25:58 | |
Now, my dad's from the mainland, my dad's from Grenada, | 0:25:58 | 0:26:00 | |
also a small island, there's about 100,000 people on the island. | 0:26:00 | 0:26:03 | |
Now, not very many famous people come from Grenada, but I can name a few. | 0:26:03 | 0:26:07 | |
Race car driver Lewis Hamilton - his family are from Grenada. | 0:26:07 | 0:26:10 | |
And the soldier Private Johnson Beharry, | 0:26:10 | 0:26:12 | |
who was awarded the Victoria Cross - his family are from Grenada. | 0:26:12 | 0:26:16 | |
And classical 20th century composer and song writer | 0:26:16 | 0:26:18 | |
Craig David. | 0:26:18 | 0:26:20 | |
LAUGHTER | 0:26:20 | 0:26:22 | |
I don't know if I like that laugh. | 0:26:22 | 0:26:23 | |
Craig David's one of the seminal artists of the 20th century | 0:26:23 | 0:26:26 | |
and a pioneer of the garage genre. | 0:26:26 | 0:26:29 | |
And I'm tired of having to come on stage and defend my countryman. | 0:26:29 | 0:26:31 | |
Now, I bring up Craig David because we cannot deny | 0:26:33 | 0:26:35 | |
that there's a black influence on the music in this country. | 0:26:35 | 0:26:38 | |
Do you know what that music would be without that black influence? | 0:26:38 | 0:26:41 | |
It would be Eurovision. | 0:26:41 | 0:26:42 | |
No-one cares about the Eurovision Song Contest in this country, | 0:26:44 | 0:26:47 | |
cos if you're European and you do the Eurovision Song Contest, | 0:26:47 | 0:26:50 | |
you want the option of having a musical career, | 0:26:50 | 0:26:52 | |
whereas if you're English and do Eurovision, | 0:26:52 | 0:26:54 | |
your musical career's run out of options. | 0:26:54 | 0:26:56 | |
Now, you get a lot of comedians, when they get famous what they do | 0:26:56 | 0:27:00 | |
is they do Comic Relief, where they go to Africa, | 0:27:00 | 0:27:02 | |
they speak to some kids, they start crying, | 0:27:02 | 0:27:05 | |
and then they go home. | 0:27:05 | 0:27:06 | |
I'm not going to do that, I'm going to change the game. | 0:27:06 | 0:27:09 | |
I'm going to help out some people who really need my assistance, | 0:27:09 | 0:27:11 | |
and I've got a charity called Sonic Relief, | 0:27:11 | 0:27:13 | |
which means I'm going to go to the deepest, darkest regions | 0:27:13 | 0:27:16 | |
of Eastern Europe and bring those poor children | 0:27:16 | 0:27:18 | |
the music that they deserve. | 0:27:18 | 0:27:20 | |
I'm going to be just like Bono, I've got a whole campaign plan. | 0:27:20 | 0:27:23 | |
It's going to be like this - | 0:27:23 | 0:27:24 | |
ladies and gentlemen, click your fingers. | 0:27:24 | 0:27:27 | |
SOMBRE MUSIC STARTS | 0:27:30 | 0:27:31 | |
Every time you click your fingers, | 0:27:31 | 0:27:33 | |
a child in Eastern Europe also clicks their fingers, | 0:27:33 | 0:27:36 | |
but they do it completely out of rhythm. | 0:27:36 | 0:27:38 | |
I need your help to stop these children being exploited | 0:27:40 | 0:27:44 | |
by bands like the Vengaboys | 0:27:44 | 0:27:47 | |
and David Guetta. | 0:27:47 | 0:27:49 | |
Your donations can treat preventable diseases, | 0:27:49 | 0:27:52 | |
like two left feet | 0:27:52 | 0:27:55 | |
and tone deafness. | 0:27:55 | 0:27:56 | |
Please give now. Thank you very much. | 0:27:56 | 0:28:00 | |
MUSIC STOPS | 0:28:00 | 0:28:02 | |
I think that's really going to work guys. | 0:28:02 | 0:28:04 | |
I grew up with a lot of other immigrant kids | 0:28:05 | 0:28:07 | |
and what we always do as kids is talk about the most masculine things | 0:28:07 | 0:28:10 | |
that our nations are known for. | 0:28:10 | 0:28:12 | |
So my friends that were Italian would be like, | 0:28:12 | 0:28:14 | |
"You don't want to fuck with Italians | 0:28:14 | 0:28:16 | |
"cos everyone knows about Ferraris and the mafia," and that was cool. | 0:28:16 | 0:28:19 | |
They'd be like, "You don't want to fuck with Jamaicans | 0:28:19 | 0:28:21 | |
"cos everyone knows about reggae and rude boys and weed," | 0:28:21 | 0:28:25 | |
and that was cool. | 0:28:25 | 0:28:26 | |
Grenada is known for nutmeg, which... | 0:28:26 | 0:28:28 | |
..is not the most masculine thing that you can be known for, | 0:28:30 | 0:28:32 | |
so for a long time, I've been secretly wishing | 0:28:32 | 0:28:35 | |
that nutmeg would become illegal. | 0:28:35 | 0:28:37 | |
Just so I can live out my gangster fantasies, | 0:28:39 | 0:28:41 | |
like the rest of my friends. | 0:28:41 | 0:28:42 | |
You know, all it's going to take is a smear campaign from the Daily Mail. | 0:28:42 | 0:28:45 | |
"Some people call it Starbucks dust." | 0:28:45 | 0:28:48 | |
"Others are calling it Megan Fox, due to its brown colour. | 0:28:52 | 0:28:55 | |
"But the new craze sweeping the nation are young kids | 0:28:55 | 0:28:57 | |
"trying to bust a nut...meg." | 0:28:57 | 0:28:59 | |
And, who knows? Give me five years | 0:29:02 | 0:29:04 | |
and I can become the kingpin of the nutmeg trade | 0:29:04 | 0:29:07 | |
and start doing real big nutmeg drug deals with East End gangsters. | 0:29:07 | 0:29:10 | |
It'd be perfect, they'll come up to me like, | 0:29:10 | 0:29:12 | |
"Dane, you've got to try this, mate. | 0:29:12 | 0:29:14 | |
"Fresh off the boat, Caribbean cocaine. | 0:29:14 | 0:29:17 | |
"Sweet as a nutmeg." | 0:29:17 | 0:29:18 | |
And I'm like, "All right, I'll try it. | 0:29:20 | 0:29:23 | |
"And if it is what you say it is, maybe we can do business." | 0:29:23 | 0:29:26 | |
"Mmm, mmm. | 0:29:27 | 0:29:29 | |
"Now kill these mother fuckers." | 0:29:29 | 0:29:32 | |
"What do you mean Dane?" | 0:29:32 | 0:29:33 | |
"What do I mean? THERE'S CINNAMON IN THIS SHIT! | 0:29:33 | 0:29:35 | |
"DON'T FUCK WITH ME, OK?!" | 0:29:35 | 0:29:36 | |
"I know cinnamon when I taste it. | 0:29:38 | 0:29:40 | |
"See, I know what happened here - you thought I was Craig David. | 0:29:40 | 0:29:43 | |
"You tried to meet me on a Monday, take me for a drink on Tuesday... | 0:29:43 | 0:29:46 | |
"Fuck me on Wednesday until the weekend?!" | 0:29:46 | 0:29:49 | |
CHEERING AND APPLAUSE | 0:29:49 | 0:29:51 | |
I've been Dane Baptiste, thank you very much. Cheers, thank you. | 0:29:51 | 0:29:54 | |
CHEERING AND APPLAUSE | 0:29:54 | 0:29:56 | |
Now, ladies and gentlemen, last year I mentioned | 0:29:59 | 0:30:02 | |
that I look like the girl from Outnumbered. | 0:30:02 | 0:30:05 | |
Yeah, get over it! | 0:30:06 | 0:30:08 | |
This year, I thought I'd read out some Tweets that people have sent in | 0:30:09 | 0:30:13 | |
to tell me what they think I look like. So here we go. | 0:30:13 | 0:30:16 | |
First up, "I think you look like | 0:30:18 | 0:30:20 | |
"the winner of Eurovision". | 0:30:20 | 0:30:22 | |
Up next, | 0:30:26 | 0:30:27 | |
"A badly shaven testicle". | 0:30:27 | 0:30:29 | |
"A dead weasel covered in Pot Noodle." | 0:30:33 | 0:30:36 | |
"A plughole full of pubes"? | 0:30:37 | 0:30:39 | |
What's this?! | 0:30:40 | 0:30:41 | |
"A hobbit's foot"? | 0:30:41 | 0:30:43 | |
"The bloke who lives in the caravan with a shotgun | 0:30:45 | 0:30:48 | |
"in any apocalyptic film." | 0:30:48 | 0:30:50 | |
"Right, it's all a conspiracy! Come with me! Let's go!" | 0:30:52 | 0:30:55 | |
And finally, "a character in Game Of Thrones, | 0:30:57 | 0:31:00 | |
"if Game Of Thrones had a heroin addict". | 0:31:00 | 0:31:02 | |
Our next act has had an incredible year. | 0:31:10 | 0:31:13 | |
She's been performing from New York to Singapore, | 0:31:13 | 0:31:15 | |
and now she's here in The Caves to perform for you. | 0:31:15 | 0:31:19 | |
Please welcome Luisa Omielan! | 0:31:19 | 0:31:22 | |
What up, bitches? Yeah! | 0:31:29 | 0:31:32 | |
So, I'm 31, guys, | 0:31:32 | 0:31:34 | |
and I've learnt at the age of 31 what's important in life | 0:31:34 | 0:31:37 | |
and what makes me happy, and do you know what? | 0:31:37 | 0:31:39 | |
I realise what I want, | 0:31:39 | 0:31:40 | |
what I really need in my life, what I want, guys... | 0:31:40 | 0:31:43 | |
..is a penis. OK? | 0:31:43 | 0:31:45 | |
I need a penis! | 0:31:45 | 0:31:47 | |
I want a penis that every time it sees me, it goes, "Yay, it's Luisa!" | 0:31:47 | 0:31:50 | |
That's what I want. | 0:31:50 | 0:31:51 | |
I've got willies, but they're in the drawer. | 0:31:51 | 0:31:53 | |
I want a penis with a man on the end, that's what I want. | 0:31:53 | 0:31:56 | |
And I don't think there's anything wrong with wanting that, bitches, | 0:31:56 | 0:32:00 | |
and what annoys me is when people are like | 0:32:00 | 0:32:02 | |
"Oh, Luisa, that's really desperate. Oh, my God, why would you say that?" | 0:32:02 | 0:32:05 | |
Do you know who says that? | 0:32:05 | 0:32:07 | |
Bitches in relationships, that's who. | 0:32:07 | 0:32:10 | |
Not single people. No, because we know how hard it is. | 0:32:10 | 0:32:13 | |
And let me clarify, right, it's not just me that needs a penis. | 0:32:13 | 0:32:16 | |
Hell, no. Penises need me. Yeah. | 0:32:16 | 0:32:18 | |
Let me explain, shall I? Because, ladies, | 0:32:18 | 0:32:21 | |
I don't know if you've had this experience - | 0:32:21 | 0:32:23 | |
every guy that I have ever knobbed | 0:32:23 | 0:32:26 | |
has gone on to do really fucking well at life. | 0:32:26 | 0:32:30 | |
I had sex with this guy - unemployed for eight months, he had no job. | 0:32:31 | 0:32:35 | |
We had sex, he now works at IBM. | 0:32:35 | 0:32:37 | |
Why? My vagina! | 0:32:37 | 0:32:39 | |
I had sex with a guy who had commitment issues. | 0:32:41 | 0:32:43 | |
He was like, "I love you, but no. I'm going to marry you. Fuck it, no." | 0:32:43 | 0:32:47 | |
We had sex, he's now engaged, bitches. Yeah. | 0:32:47 | 0:32:49 | |
Engaged. Somebody else, not me. But why? My vagina! | 0:32:49 | 0:32:52 | |
I fucked a dude with no legs. No legs! | 0:32:53 | 0:32:56 | |
We had sex, he now plays for Chelsea. | 0:32:56 | 0:32:59 | |
Because my vagina heals people! | 0:33:02 | 0:33:04 | |
I've got some new rules, because I'm ready to meet somebody, | 0:33:05 | 0:33:08 | |
and I've got three things. | 0:33:08 | 0:33:10 | |
I want to meet somebody new, and it's really simple. | 0:33:10 | 0:33:12 | |
One thing I'd like from a guy - | 0:33:12 | 0:33:14 | |
stop making me put a finger up your bottom. | 0:33:14 | 0:33:17 | |
Look at my nails. Don't want to do it, OK? | 0:33:18 | 0:33:22 | |
Another thing, when we are making love and I'm on top of you, | 0:33:22 | 0:33:50 | |
"Stop it! Stop it! | 0:33:54 | 0:33:56 | |
"Stop it! Stop it! | 0:34:00 | 0:34:02 | |
"I don't want it deeper. I don't care if it makes you come harder. | 0:34:02 | 0:34:07 | |
SHE SIGHS | 0:34:07 | 0:34:11 | |
is for him to be really romantic. | 0:34:11 | 0:34:16 | |
Wash your willy! | 0:34:16 | 0:34:18 | |
Wash your willy. | 0:34:20 | 0:34:22 | |
Maybe it's just me that gets them all the time, I don't know. | 0:34:22 | 0:34:30 | |
They come back to your house and pull their trousers down | 0:34:30 | 0:34:33 | |
and walk around butt naked. Why? "I'm a boy! | 0:34:33 | 0:34:35 | |
"I've got no body issues. Look, I'm just a boy with my willy out. | 0:34:35 | 0:34:38 | |
"Oh! I have a big belly and no cellulite. | 0:34:38 | 0:34:40 | |
"Why? Because God is fair. | 0:34:40 | 0:34:43 | |
"Hm, what could I possibly put my willy in? | 0:34:44 | 0:34:47 | |
"Oh! Is that a bowl of dust? I'll put my willy in there. | 0:34:47 | 0:34:51 | |
"Hey, what's that in the fridge? Is that a bowl of cheese? | 0:34:51 | 0:34:59 | |
"I know. Luisa's face!" | 0:34:59 | 0:35:01 | |
No! | 0:35:01 | 0:35:03 | |
Wash your willy! | 0:35:04 | 0:35:10 | |
I'm not coming in from Zumba and sitting on your face, am I? | 0:35:10 | 0:35:12 | |
I saw my ex at a train station about six months ago, | 0:35:14 | 0:35:19 | |
cos when you see your ex for the first time, you want to be cool. | 0:35:19 | 0:35:21 | |
Let me just re-enact it for you. | 0:35:21 | 0:35:23 | |
This is me seeing my ex at a train station. | 0:35:23 | 0:35:25 | |
I think you'll be really proud of me. OK. | 0:35:25 | 0:35:28 | |
MUSIC: Adagio For Strings by Samuel Barber | 0:35:28 | 0:35:30 | |
I defy you, stars! | 0:36:15 | 0:36:19 | |
I'm over it, guys, is what I'm saying. | 0:36:24 | 0:36:26 | |
I'm Luisa Omielan, you've been lovely - thank you, big love. | 0:36:27 | 0:36:30 | |
This next guy has been supporting all the big names | 0:36:35 | 0:36:37 | |
throughout the UK. | 0:36:37 | 0:36:39 | |
You're going to love him. Give it up for Omar Hamdi! | 0:36:39 | 0:36:42 | |
I'm not from here. I'm a little bit international. | 0:36:46 | 0:36:48 | |
I'm originally from Wales. | 0:36:48 | 0:36:50 | |
Good, a few of you are laughing. | 0:36:52 | 0:36:55 | |
Most of you are just going, "Where are you really from?" | 0:36:55 | 0:36:58 | |
One guy at the back just shouts, | 0:36:59 | 0:37:01 | |
"Oh, my God! Global warming's hit the valleys. | 0:37:01 | 0:37:04 | |
"What does this mean?" | 0:37:06 | 0:37:07 | |
No, I'm not 100% Welsh. Relax. My parents are from Egypt. | 0:37:07 | 0:37:11 | |
They moved from Egypt | 0:37:11 | 0:37:12 | |
to the Welsh valleys in the Seventies. | 0:37:12 | 0:37:14 | |
They wanted to get away from the poor education system and the poverty. | 0:37:14 | 0:37:17 | |
It was a wasted trip, really, wasn't it? | 0:37:20 | 0:37:23 | |
Yeah, I don't know. | 0:37:23 | 0:37:24 | |
I'm a bit of an outsider. What chance did I have at fitting in? | 0:37:24 | 0:37:27 | |
I'm an Egyptian from Wales. | 0:37:27 | 0:37:30 | |
I'm a good Muslim boy, I'm not meant to be playing the field. | 0:37:30 | 0:37:33 | |
It's meant to be, "Omar, you're 13. Pick a cousin. Done." | 0:37:33 | 0:37:37 | |
That's as close as I get to being a player. | 0:37:38 | 0:37:41 | |
This is me the morning after. This is me. | 0:37:41 | 0:37:44 | |
"Oh, Omar, that was amazing! Do you want to get us breakfast?" | 0:37:44 | 0:37:47 | |
"Forget breakfast, I've got us | 0:37:47 | 0:37:51 | |
"matching gravestones. | 0:37:51 | 0:37:52 | |
"Why are you crying? It's romantic!" | 0:37:58 | 0:38:00 | |
I can't fit in. I'm a feminist. | 0:38:01 | 0:38:03 | |
I was brought up by a single mum. | 0:38:03 | 0:38:05 | |
Right? My choice was be a feminist or... | 0:38:05 | 0:38:07 | |
..be an orphan. | 0:38:08 | 0:38:09 | |
I don't know how mums do what they do, especially single mums. | 0:38:11 | 0:38:13 | |
I'm not man-bashing, by the way. | 0:38:13 | 0:38:15 | |
There are great single dads like there are great single mums. | 0:38:15 | 0:38:18 | |
I think single dads get a tougher time from society. | 0:38:18 | 0:38:21 | |
Single mums get an easier time. | 0:38:21 | 0:38:22 | |
"I'm a single mum." "Aw, come here" | 0:38:22 | 0:38:26 | |
"I'm a single dad." | 0:38:26 | 0:38:27 | |
"Did you kill the mum?" | 0:38:30 | 0:38:32 | |
And look, why do dads walk out? | 0:38:33 | 0:38:35 | |
If men and women carried the baby for four and a half months each, | 0:38:35 | 0:38:39 | |
we'd think twice, then, wouldn't we, mate? | 0:38:39 | 0:38:42 | |
Yeah, we'd be like, "Oh! I can't handle it. I have to leave. | 0:38:42 | 0:38:44 | |
"Actually, you destroyed my penis on the way out, mate. | 0:38:44 | 0:38:48 | |
"I wanted a Caesarean. Why?" | 0:38:49 | 0:38:52 | |
I'm sure there were times my mum was, "I can't handle it. I have to go. | 0:38:52 | 0:38:55 | |
"Actually, look at you - | 0:38:55 | 0:38:57 | |
"you destroyed my vaj, you made my tits sag, | 0:38:57 | 0:38:59 | |
"you took my best years. | 0:38:59 | 0:39:00 | |
"I'm staying put, Omar. I want a return on my investment. | 0:39:00 | 0:39:03 | |
"Where is my return?" | 0:39:05 | 0:39:06 | |
Because there is no return on investment. | 0:39:06 | 0:39:08 | |
I used to work in advertising before I did this. | 0:39:08 | 0:39:10 | |
I couldn't sell motherhood. How would you advertise motherhood? | 0:39:10 | 0:39:15 | |
No-one would buy it. | 0:39:15 | 0:39:16 | |
"Motherhood! That insomnia you've got, | 0:39:16 | 0:39:18 | |
"it's not insomnia any more, it's motherhood! | 0:39:18 | 0:39:22 | |
"That lack of social life, | 0:39:22 | 0:39:23 | |
"it's not lack of social life any more, it's motherhood! | 0:39:23 | 0:39:27 | |
"Best of all, 23 years' time, | 0:39:27 | 0:39:29 | |
"your son's going to be on the stage in Edinburgh in a cave | 0:39:29 | 0:39:33 | |
"talking about your saggy vagina! | 0:39:33 | 0:39:36 | |
"Motherhood! Also available, fatherhood. | 0:39:37 | 0:39:40 | |
"Invest nothing, get half the credit, leave when you want." | 0:39:40 | 0:39:42 | |
Thank you, Edinburgh. Good night! | 0:39:45 | 0:39:47 | |
Brilliant! | 0:39:51 | 0:39:52 | |
Now, our next act is a Canadian stand-up | 0:39:52 | 0:39:55 | |
who can be seen gigging all around North America. | 0:39:55 | 0:39:57 | |
He's now storming gigs in the UK. It's John Hastings! | 0:39:57 | 0:40:01 | |
Oh, yes! | 0:40:04 | 0:40:06 | |
Thank you so much. | 0:40:07 | 0:40:08 | |
It feels so nice to be performing here in my new home, | 0:40:08 | 0:40:11 | |
the United Kingdom. | 0:40:11 | 0:40:12 | |
I've been here for two years and I love it here now. | 0:40:12 | 0:40:16 | |
When I arrived, not so much. | 0:40:16 | 0:40:18 | |
This was not the island I was told it would be. | 0:40:18 | 0:40:21 | |
In my head, the United Kingdom would be an island | 0:40:21 | 0:40:24 | |
full of grannies waiting to give me tea and advice. | 0:40:24 | 0:40:28 | |
But that's not what this island is, is it? No! | 0:40:29 | 0:40:33 | |
This island is like living inside your dad's head while he's driving - | 0:40:33 | 0:40:37 | |
just needlessly angry and accidentally racist all the time. | 0:40:37 | 0:40:41 | |
And it's either just too relaxed or too aggressive. | 0:40:47 | 0:40:51 | |
Too relaxed, too relaxed at the borders. | 0:40:51 | 0:40:53 | |
I'm a North American. | 0:40:53 | 0:40:54 | |
In North America, we do borders properly. | 0:40:54 | 0:40:57 | |
You walk into a room, it's black, there's a man there, | 0:40:57 | 0:41:00 | |
he's got a bulletproof vest, a gun, | 0:41:00 | 0:41:02 | |
abs on his eyeballs, biceps on his chin. | 0:41:02 | 0:41:05 | |
The UK, what are your borders like? | 0:41:07 | 0:41:09 | |
It's just a fat man looking for someone to talk to. | 0:41:09 | 0:41:11 | |
Sat there, packet of crisps on the go. You walk up. | 0:41:13 | 0:41:16 | |
"What are you doing, smuggling drugs? Hope not. | 0:41:16 | 0:41:18 | |
"Or hope so. We'll find out." | 0:41:18 | 0:41:20 | |
And arriving, Canadian passports are black, | 0:41:21 | 0:41:24 | |
and so when I handed it to the border guard, | 0:41:24 | 0:41:26 | |
July 23rd 2012, | 0:41:26 | 0:41:28 | |
he looked at the black passport | 0:41:28 | 0:41:29 | |
and went, "Ooh! Scary." | 0:41:29 | 0:41:31 | |
It was nerve-racking, the first time I'd ever been an immigrant. | 0:41:34 | 0:41:39 | |
And I'm thinking, "Well you're going to have to say to a border guard | 0:41:39 | 0:41:42 | |
"your job is 'comedian'. | 0:41:42 | 0:41:44 | |
"That doesn't sound like a job, | 0:41:44 | 0:41:45 | |
"that sounds like you're a drug smuggler who forgot an excuse." | 0:41:45 | 0:41:48 | |
So what I decided to do, I wrote a joke. I wrote a joke. | 0:41:50 | 0:41:52 | |
Special occasion. Walked up, my joke was, | 0:41:52 | 0:41:55 | |
"Hey! I know I don't look like a comedian, I look like a ghost." | 0:41:55 | 0:41:59 | |
He looked me up and down and he went, "No, mate, | 0:42:04 | 0:42:07 | |
"you don't look like a ghost, | 0:42:07 | 0:42:09 | |
"you look like Hitler's wet dream." | 0:42:09 | 0:42:11 | |
The words you choose - far too aggressive. | 0:42:16 | 0:42:19 | |
"Snogging" is your word for kissing. | 0:42:19 | 0:42:21 | |
That doesn't sound like something you would do to someone you love, | 0:42:21 | 0:42:25 | |
it sounds like something you and four friends did to someone you hate. | 0:42:25 | 0:42:30 | |
"Hey, what happened to Tom?" | 0:42:30 | 0:42:31 | |
"I'll tell you what happened to Tom. He stole 1,500 quid from me. | 0:42:31 | 0:42:34 | |
"Me and the lads went to his flat. We snogged the shit out of him." | 0:42:34 | 0:42:38 | |
And "pulling", that's a very negative word. | 0:42:40 | 0:42:43 | |
No-one's ever been pulled into a room and given cake and compliments. | 0:42:43 | 0:42:48 | |
You're pulled into a van | 0:42:49 | 0:42:51 | |
and then you're never heard from again. | 0:42:51 | 0:42:52 | |
First arrived, I try and seek solace in pubs. | 0:42:54 | 0:42:57 | |
Very intimidating as a Canadian, because we party different. | 0:42:57 | 0:43:01 | |
In Canada, if you're going to get drunk, | 0:43:01 | 0:43:03 | |
that's one type of party. | 0:43:03 | 0:43:04 | |
Or you're going to do drugs. That's a different type of party. | 0:43:04 | 0:43:07 | |
Or you're going to celebrate a nine-year-old girl's birthday. | 0:43:07 | 0:43:10 | |
That's a different type of party. | 0:43:10 | 0:43:12 | |
You professionals put that all together, | 0:43:12 | 0:43:16 | |
which is why in the subsequent two years, | 0:43:16 | 0:43:18 | |
I've been offered ketamine at two separate Bar Mitzvahs. | 0:43:18 | 0:43:21 | |
Walking into pubs, what do I find there? | 0:43:23 | 0:43:25 | |
I find all of you "fancying" one another. | 0:43:25 | 0:43:29 | |
That's your word for it. It's the least fancy thing I've ever seen. | 0:43:29 | 0:43:38 | |
"Undo your corset, madam, time for the passion". | 0:43:38 | 0:43:47 | |
playing a game called "drink all the Jager in the world". | 0:43:47 | 0:43:50 | |
And then the women turn coquettishly and giggle. | 0:44:11 | 0:44:27 | |
Where does it come from? It comes from one phrase. | 0:44:40 | 0:44:45 | |
Your friend turns to you, hits you on the arm | 0:44:45 | 0:44:51 | |
And then you say, "You're right, mate," and you do. | 0:44:51 | 0:44:54 | |
When I first heard that, I thought that was misogyny personified. | 0:44:55 | 0:44:59 | |
But it's not, it's patriotism. | 0:44:59 | 0:45:01 | |
The most defining moment in the history of the United Kingdom | 0:45:04 | 0:45:09 | |
What happened on that day? | 0:45:09 | 0:45:10 | |
Henry VIII stood in his court. Before him, his courtiers, | 0:45:10 | 0:45:13 | |
to his right, Catherine of Aragon, | 0:45:13 | 0:45:15 | |
to his left, his most prized advisor, Thomas Cromwell. | 0:45:15 | 0:45:22 | |
Thomas sees her | 0:45:22 | 0:45:24 | |
and then Thomas does his duty as an advisor. | 0:45:24 | 0:45:40 | |
which leads to the Spanish Armada, which leads to British military build-up, | 0:45:40 | 0:45:46 | |
leaving my ancestors in the snow with the French next to America! | 0:45:46 | 0:45:51 | |
So, when you ask Canadians, "Why are you guys always saying 'sorry'?", | 0:45:54 | 0:46:02 | |
CHEERING AND APPLAUSE | 0:46:02 | 0:46:09 | |
CHEERING | 0:46:09 | 0:46:11 | |
Great stuff! | 0:46:11 | 0:46:26 | |
Hello! | 0:46:26 | 0:46:30 | |
something about what town they come from | 0:46:30 | 0:46:32 | |
and then they criticise it for being working-class | 0:46:32 | 0:46:35 | |
if you have my accent, right? | 0:46:35 | 0:46:39 | |
because I'm from a village just outside Edinburgh, | 0:46:39 | 0:46:41 | |
same one as Susan Boyle. | 0:46:41 | 0:46:43 | |
Have we heard of her? | 0:46:43 | 0:46:44 | |
Poor old Subo. | 0:46:44 | 0:46:46 | |
When she first got famous, I remember everyone in the London-centric media | 0:46:46 | 0:46:49 | |
was like, "Look at her face, look at her disgusting face! | 0:46:49 | 0:46:53 | |
"How can she sing like an angel with such a hairy, hideous face?!" | 0:46:53 | 0:46:57 | |
I was sitting reading this at home | 0:46:57 | 0:47:00 | |
going, "My entire family and friends look like that." | 0:47:00 | 0:47:03 | |
Fuck it, I look like it when I've not had a shave. | 0:47:04 | 0:47:07 | |
It's just... | 0:47:07 | 0:47:08 | |
But it's good being in Edinburgh, right, | 0:47:08 | 0:47:10 | |
cos I've been living in Englandshire for the last four years, | 0:47:10 | 0:47:14 | |
and I've found out the thing the English find hilarious | 0:47:14 | 0:47:18 | |
is doing my accent back at me every day of my life. | 0:47:18 | 0:47:22 | |
They love it. | 0:47:22 | 0:47:24 | |
But I've found a way around it now, where any time | 0:47:24 | 0:47:26 | |
one of my English pals does this to me, | 0:47:26 | 0:47:28 | |
I start repeating their most shameful secrets back at them. | 0:47:28 | 0:47:31 | |
In my accent. | 0:47:32 | 0:47:34 | |
So, my mate Hayley loves doing my accent. | 0:47:34 | 0:47:36 | |
She's left me full voicemails pretending to be me. | 0:47:36 | 0:47:39 | |
We were at a party one night, | 0:47:39 | 0:47:40 | |
when she thought it would be nice to say, in front of all our friends, | 0:47:40 | 0:47:44 | |
"Fern, this is my impression of you." | 0:47:44 | 0:47:46 | |
IN GRUFF SCOTTISH ACCENT: 'Hello! I'm Fern Brady.' | 0:47:46 | 0:47:49 | |
and I went, "Hayley, this is my impression of you." | 0:47:49 | 0:47:52 | |
'Please don't tell anyone about that time I had sex with my cousin.' | 0:47:52 | 0:47:55 | |
LAUGHTER | 0:47:55 | 0:47:57 | |
APPLAUSE | 0:47:57 | 0:47:59 | |
Only in Scotland would that get a round of applause. | 0:48:02 | 0:48:04 | |
I'm a very antisocial person when I'm not doing comedy, right? | 0:48:06 | 0:48:09 | |
That won't have come across with my cheery, everyman onstage persona. | 0:48:09 | 0:48:13 | |
And what I like doing, when I'm not gigging is, | 0:48:13 | 0:48:16 | |
I get really drunk on my own, I go on the internet | 0:48:16 | 0:48:20 | |
and I have zero recollection of what I've done the next day. | 0:48:20 | 0:48:23 | |
It's brilliant, right. | 0:48:23 | 0:48:24 | |
There was some point last year, I had well too much to drink, | 0:48:24 | 0:48:27 | |
I wake up in the morning, | 0:48:27 | 0:48:29 | |
the laptop is still switched on by the bed. | 0:48:29 | 0:48:31 | |
That's always a bad sign. | 0:48:31 | 0:48:32 | |
And I had an e-mail from the Guardian Soulmates dating website. | 0:48:32 | 0:48:37 | |
If you're not familiar with it, it's Tinder for posh people. | 0:48:37 | 0:48:40 | |
I shouldn't be on it. | 0:48:43 | 0:48:44 | |
This is what the e-mail from them said. | 0:48:44 | 0:48:46 | |
"Dear Cumguzzler..." | 0:48:46 | 0:48:49 | |
There's the first indication I've had too much to drink. | 0:48:54 | 0:48:56 | |
"Dear Cumguzzler, your username has violated | 0:48:58 | 0:49:01 | |
"the Guardian Soulmates explicit content policy. | 0:49:01 | 0:49:05 | |
"We've changed it on your behalf to FB123." | 0:49:05 | 0:49:09 | |
That's a rubbish username. | 0:49:09 | 0:49:11 | |
That's not going to get the cock rolling in, not like Cumguzzler! | 0:49:11 | 0:49:14 | |
And by the way, I had to do a gig in Newcastle recently where there was | 0:49:16 | 0:49:19 | |
a sign language interpreter on stage with me the entire time. | 0:49:19 | 0:49:23 | |
And I was just waiting for the moment where she had to sign "Cumguzzler". | 0:49:26 | 0:49:30 | |
And then I decided to needlessly repeat that word all the way | 0:49:32 | 0:49:35 | |
through my set just to watch her try and improvise this. | 0:49:35 | 0:49:41 | |
"Arrrgh!" | 0:49:41 | 0:49:42 | |
Incidentally, this is going to be the first time | 0:49:54 | 0:49:56 | |
my father sees me do stand-up, so... | 0:49:56 | 0:49:58 | |
I should've prefaced that whole bit | 0:50:01 | 0:50:03 | |
by saying I have a boyfriend who I live with, | 0:50:03 | 0:50:06 | |
so I don't know why I made any of it. | 0:50:06 | 0:50:07 | |
It's good, it's good going out with someone, | 0:50:07 | 0:50:10 | |
but I miss pumping random guys, right. | 0:50:10 | 0:50:12 | |
So... | 0:50:15 | 0:50:16 | |
I found a way to recreate that, | 0:50:17 | 0:50:19 | |
and I got the Tube to work with my boyfriend the other day, | 0:50:19 | 0:50:23 | |
and as he went to kiss me goodbye, I went, "This was a one-time thing", | 0:50:23 | 0:50:26 | |
then run away. Heh-heh! | 0:50:26 | 0:50:28 | |
Onto the next Tube. It was good. | 0:50:30 | 0:50:33 | |
I went into comedy because I hate other people, right? | 0:50:33 | 0:50:36 | |
Not you guys. We're all pals. But I hated, | 0:50:36 | 0:50:38 | |
I didn't like working with people in offices. | 0:50:38 | 0:50:41 | |
Now, have you ever been working in an office | 0:50:41 | 0:50:43 | |
where one of your colleagues has gone away and done a baby? | 0:50:43 | 0:50:46 | |
And you're still doing your job, | 0:50:48 | 0:50:50 | |
and they bring the baby into the office in a sort of parade, | 0:50:50 | 0:50:53 | |
showing it off, going, "Look at my baby." | 0:50:53 | 0:50:55 | |
"Look at my fucking baby. | 0:50:57 | 0:51:00 | |
"Look at it, sat there like a thumb or a potato." | 0:51:00 | 0:51:04 | |
And you're supposed to congratulate them on having the child, | 0:51:07 | 0:51:10 | |
even though it's done nothing of any significance whatsoever. | 0:51:10 | 0:51:13 | |
See what's happening here? People are being congratulated | 0:51:13 | 0:51:16 | |
on their irresponsible shagging. | 0:51:16 | 0:51:18 | |
And no-one ever congratulates me on my irresponsible shagging, | 0:51:20 | 0:51:23 | |
just because it don't produce a baby. | 0:51:23 | 0:51:25 | |
And I'll put it for you this way, | 0:51:25 | 0:51:26 | |
I've never walked into the office one day | 0:51:26 | 0:51:28 | |
with a halo of semen around my mouth | 0:51:28 | 0:51:31 | |
and went, "Look at this, guys!" | 0:51:31 | 0:51:33 | |
"I pumped the work experience boy last night." | 0:51:35 | 0:51:38 | |
I've got one last thing to tell you, right? | 0:51:40 | 0:51:42 | |
I was on a telly thing for the first time earlier this year, | 0:51:42 | 0:51:46 | |
and that was good, because I wasn't on the dole anymore, | 0:51:46 | 0:51:48 | |
but afterwards, my pals were like, "Don't go on Twitter | 0:51:48 | 0:51:52 | |
"when it's being broadcast, do not go on Twitter." | 0:51:52 | 0:51:56 | |
I went on Twitter, right? | 0:51:56 | 0:51:57 | |
People's insults about me were more creative than I could've imagined. | 0:51:57 | 0:52:01 | |
This is the worst one they said. | 0:52:01 | 0:52:03 | |
Someone put up a picture of my face | 0:52:03 | 0:52:05 | |
and said, "This girl has the widest apart eyes | 0:52:05 | 0:52:08 | |
"I've ever seen on a human." | 0:52:08 | 0:52:10 | |
I thought they were going to say I had fat arms or something. | 0:52:10 | 0:52:13 | |
There is no operation, no diet where I can move one of my eyes... | 0:52:13 | 0:52:17 | |
..closer to the other eye. | 0:52:20 | 0:52:21 | |
And I was crying about it, I was crying loads, thinking, | 0:52:23 | 0:52:26 | |
"I've lived my entire life thus far not realising | 0:52:26 | 0:52:28 | |
"I look like a hammerhead shark." | 0:52:28 | 0:52:30 | |
And as I went to... | 0:52:34 | 0:52:36 | |
SHE GIGGLES | 0:52:36 | 0:52:37 | |
I went to dab the tears away from my face, | 0:52:37 | 0:52:40 | |
and I realised I couldn't find a tissue wide enough... | 0:52:40 | 0:52:42 | |
..to dab at my eyes. | 0:52:45 | 0:52:47 | |
Yous have been gorgeous! I've been Fern Brady. | 0:52:47 | 0:52:49 | |
Enjoy the rest of your night. Good night! | 0:52:49 | 0:52:52 | |
CHEERING AND APPLAUSE | 0:52:52 | 0:52:53 | |
Now, I have worked with this woman many times | 0:52:57 | 0:53:00 | |
and she always makes me laugh. | 0:53:00 | 0:53:02 | |
You're going to love her, she's a real princess, | 0:53:02 | 0:53:04 | |
give it up for Rebecca Humphries! | 0:53:04 | 0:53:06 | |
CHEERING AND APPLAUSE | 0:53:06 | 0:53:07 | |
Hi, I'm Rebecca Humphries, I'm 27-years-old | 0:53:10 | 0:53:13 | |
and I fucking love Disney. | 0:53:13 | 0:53:14 | |
So, tonight, I thought what I'd do is, I'd share with you | 0:53:14 | 0:53:18 | |
my Disney Princess song. | 0:53:18 | 0:53:21 | |
Picture the scene... | 0:53:21 | 0:53:22 | |
AMERICAN ACCENT: I've just indulged in a mild act of rebellion, | 0:53:24 | 0:53:27 | |
and my father doesn't understand me at all! | 0:53:27 | 0:53:30 | |
So I've run away some place where I can be alone with my accompaniment... | 0:53:31 | 0:53:35 | |
UP-TEMPO PIANO MUSIC BEGINS | 0:53:35 | 0:53:37 | |
..and sing my thoughts aloud for the very first time. | 0:53:37 | 0:53:40 | |
# In verse one I explain all my circumstances | 0:53:43 | 0:53:47 | |
# I'm a size six with fabulous hair | 0:53:47 | 0:53:51 | |
# I've got books, I've got looks | 0:53:51 | 0:53:52 | |
# I've got animal friends | 0:53:52 | 0:53:54 | |
# But the subtext is I just don't care | 0:53:54 | 0:53:57 | |
# And at one point I'll speak for a dramatic effect | 0:53:57 | 0:54:01 | |
# Then start singing again and then sigh... # | 0:54:01 | 0:54:04 | |
SHE SIGHS | 0:54:06 | 0:54:07 | |
# This is where I confess in a slower tempo | 0:54:10 | 0:54:14 | |
# That I'm deeply unsatisfied | 0:54:16 | 0:54:23 | |
# The bridge starts to play and I look over there | 0:54:23 | 0:54:25 | |
# And suddenly I can see hope | 0:54:25 | 0:54:28 | |
# I'm kind of scared of the hope but I'm also embracing the hope | 0:54:28 | 0:54:31 | |
# And the music under me swells | 0:54:31 | 0:54:36 | |
# Then the chorus kicks in | 0:54:36 | 0:54:39 | |
# And the cliches begin | 0:54:39 | 0:54:42 | |
# Believe in yourself, oh! | 0:54:42 | 0:54:44 | |
# Follow your dreams | 0:54:44 | 0:54:45 | |
# You can be part of that earth | 0:54:45 | 0:54:49 | |
# And I'll sing really loud | 0:54:49 | 0:54:51 | |
# Because I've totally forgotten verse one | 0:54:51 | 0:54:54 | |
# And right at the end | 0:54:56 | 0:54:58 | |
# I'll slip in the title of my Disney Princess song | 0:54:58 | 0:55:03 | |
# Quieter | 0:55:03 | 0:55:04 | |
# My Disney Princess song | 0:55:05 | 0:55:09 | |
# This is the music no-one's heard before | 0:55:09 | 0:55:11 | |
# It represents my new-found strength | 0:55:11 | 0:55:14 | |
# It's vocally hard | 0:55:14 | 0:55:15 | |
# It's generally where I'll indicate wildness | 0:55:15 | 0:55:18 | |
# By letting down my hair | 0:55:18 | 0:55:20 | |
# I'm fucking letting down my hair! | 0:55:20 | 0:55:23 | |
# But then I'll stop | 0:55:24 | 0:55:26 | |
# And in a breathy voice | 0:55:26 | 0:55:29 | |
# I'll suddenly remember what's wrong | 0:55:30 | 0:55:33 | |
# I'm alone in my room | 0:55:37 | 0:55:40 | |
# Or a turret | 0:55:41 | 0:55:43 | |
# Or under the sea | 0:55:43 | 0:55:46 | |
# Or in China | 0:55:46 | 0:55:48 | |
# Or in a pride in Africa | 0:55:48 | 0:55:50 | |
# And I'm also a lion, by the way | 0:55:50 | 0:55:51 | |
# Singing my Disney Princess song | 0:55:55 | 0:55:58 | |
# Emotional? | 0:56:00 | 0:56:01 | |
# My Disney... | 0:56:01 | 0:56:04 | |
# Princess | 0:56:04 | 0:56:06 | |
# Song. # | 0:56:06 | 0:56:11 | |
CHEERING AND APPLAUSE | 0:56:12 | 0:56:14 | |
Thank you very much! This has been Seann Walsh's Late Night Comedy Spectacular. | 0:56:19 | 0:56:23 | |
Thank you Edinburgh, good night! | 0:56:23 | 0:56:25 | |
CHEERING AND APPLAUSE | 0:56:25 | 0:56:27 |