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Work - it's a life sentence with no reprieve. | 0:00:01 | 0:00:05 | |
I know some people who work all day and all night, | 0:00:07 | 0:00:10 | |
don't take a break at all and die at the age of 33. | 0:00:10 | 0:00:13 | |
They're absolutely having a marvellous life. | 0:00:15 | 0:00:18 | |
A minimum of 40 years spent with our nose to the grindstone | 0:00:20 | 0:00:23 | |
whilst breaking our backs with the daily drudgery. | 0:00:23 | 0:00:27 | |
Companies, they're all in profit. It all seems to be working. | 0:00:27 | 0:00:32 | |
There's no reason why you should pull your tripe out if you don't have to. | 0:00:32 | 0:00:36 | |
We're expected to give 110%, | 0:00:36 | 0:00:38 | |
sacrificing time with friends and family, | 0:00:38 | 0:00:40 | |
all so that we can be paid a pittance making some faceless company's profits soar. | 0:00:40 | 0:00:45 | |
I don't think it could be any more soul destroying. | 0:00:47 | 0:00:50 | |
I am not a number. I am a free man. | 0:00:55 | 0:00:57 | |
Well, I would be if I could just escape the maximum security prison of work. | 0:00:57 | 0:01:04 | |
At work, it's like school. You've got your mates to keep you sane. | 0:01:06 | 0:01:10 | |
Imagine doing a job in an office and you had no mates. | 0:01:10 | 0:01:14 | |
Einstein said that space and time were relative, which is how you know that he once worked the 9 to 5. | 0:01:21 | 0:01:30 | |
At work, time becomes elastic, stretching out to infinity as another crushingly dull day wears on, | 0:01:30 | 0:01:37 | |
leaving you staring into space. | 0:01:37 | 0:01:42 | |
One of the jobs I was given was standing next to a bottle-washing machine. | 0:01:42 | 0:01:46 | |
It was under a skylight, it was very hot, it was very noisy because it was very echoey. | 0:01:46 | 0:01:52 | |
The bottles came round and as they came round, me and this other guy | 0:01:52 | 0:01:55 | |
took the bottles off and put them in crates, that was our job. | 0:01:55 | 0:01:58 | |
The guy who I was doing it alongside wore a toupee. | 0:01:58 | 0:02:01 | |
I remember being distracted by that for a while, | 0:02:01 | 0:02:05 | |
and he'd been doing this job for 23 years. | 0:02:05 | 0:02:09 | |
23 years. I said, "I don't understand how you do it." | 0:02:12 | 0:02:15 | |
He said, "it's a great job, you don't have to think." | 0:02:15 | 0:02:17 | |
And that seemed to me a very unattractive | 0:02:17 | 0:02:21 | |
thing about a job to me, but to him it was absolutely marvellous that you didn't have to think. | 0:02:21 | 0:02:26 | |
As it turned out, I later became a disc jockey, and it turned out you didn't have to think there anyway. | 0:02:26 | 0:02:30 | |
What's the time? Oh, no, I must not look at the clock, | 0:02:30 | 0:02:34 | |
I'll go to the toilet, that'll kill a minute or two perhaps. | 0:02:34 | 0:02:37 | |
I've only just been, I think. | 0:02:37 | 0:02:39 | |
Oh, no, I'm going to look at the clock. | 0:02:39 | 0:02:42 | |
Oh, no, I bet it's... | 0:02:42 | 0:02:45 | |
I bet it's only 12:30, I've got half an hour till lunch, I'll die of boredom, I know I will, | 0:02:45 | 0:02:51 | |
probably survive till one minute to one and then I'll die of boredom, that's what'll happen. | 0:02:51 | 0:02:56 | |
Maybe it's five to one. | 0:02:56 | 0:02:58 | |
Oh, if it's five to one, I've only got five minutes. | 0:02:58 | 0:03:00 | |
I can just about survive that. | 0:03:00 | 0:03:02 | |
Right, here we go, let's look at the clock. | 0:03:02 | 0:03:05 | |
Oh, ten past nine. | 0:03:11 | 0:03:13 | |
You know you're in for three hours of just | 0:03:13 | 0:03:18 | |
slow-burning doom when somebody says "OK, I've got the minutes of | 0:03:18 | 0:03:24 | |
"the last meeting, this is the agenda for this meeting, | 0:03:24 | 0:03:31 | |
"if anybody thinks they have any issues or matters | 0:03:31 | 0:03:35 | |
"they'd like to add to the agenda, please could we do that now." | 0:03:35 | 0:03:39 | |
And then they just go through piecemeal, piecemeal, | 0:03:39 | 0:03:42 | |
just droning on and just achieving nothing. | 0:03:42 | 0:03:47 | |
One of life's most important lessons to learn is the art of skiving. | 0:03:47 | 0:03:52 | |
How to pass those endless hours whilst looking | 0:03:52 | 0:03:59 | |
like you're busily and efficiently fulfilling your work obligations. | 0:03:59 | 0:04:03 | |
Such as carrying piles of folders down long corridors, | 0:04:03 | 0:04:07 | |
printing off pieces of paper and hurriedly leaving the office | 0:04:09 | 0:04:12 | |
or disappearing down to the archive library | 0:04:12 | 0:04:15 | |
to find a document that simply doesn't exist. | 0:04:15 | 0:04:18 | |
Surely anyone who works for a company, the rule of thumb | 0:04:20 | 0:04:24 | |
has got to be to get away with the least work possible, hasn't it? | 0:04:24 | 0:04:27 | |
It's sort of like social security, it's kind of welfare state writ large really. | 0:04:27 | 0:04:34 | |
You know, companies, they're all in profit, it all seems to be working, | 0:04:34 | 0:04:37 | |
there's really no reason why you should pull your tripe out if you don't have to. | 0:04:37 | 0:04:41 | |
Everybody accepts that air traffic controllers work for... I don't know how it is, what do they do? | 0:04:41 | 0:04:47 | |
35 seconds on and then two-and-a-half days off. | 0:04:47 | 0:04:50 | |
I don't know. And I'm reassured by that, I don't want to be coming back | 0:04:50 | 0:04:53 | |
from my holidays and it being landed by someone on work experience | 0:04:53 | 0:04:57 | |
who's fried, who's been on the last 18 hours, | 0:04:57 | 0:05:00 | |
because Dennis hasn't turned up cos his wife's got a bit of waterworks troubles. | 0:05:00 | 0:05:07 | |
I don't want it, I want people who are right on it. | 0:05:07 | 0:05:10 | |
"Here I go, my 35 seconds, I'll land this one." | 0:05:10 | 0:05:13 | |
Bonk, done, great. "I'm off, lads." | 0:05:13 | 0:05:15 | |
I'm perfectly happy with that, I feel safer knowing that. | 0:05:15 | 0:05:18 | |
I liked finding places to escape, kind of little nooks and crannies | 0:05:21 | 0:05:25 | |
where you could tuck yourself in and not be found for a bit, | 0:05:25 | 0:05:29 | |
all of that sort of stuff. | 0:05:29 | 0:05:30 | |
I was just quite good at covering my tracks | 0:05:30 | 0:05:34 | |
when I would award myself a break. | 0:05:34 | 0:05:37 | |
The smartest thing to do when you're given a task | 0:05:37 | 0:05:40 | |
that takes you away your desk, is to do it immediately, | 0:05:40 | 0:05:43 | |
very quickly, to run to the place where you have to drop off the whatever. | 0:05:43 | 0:05:47 | |
Drop it off and then award yourself 20 minutes, | 0:05:47 | 0:05:53 | |
roughly what it would have taken to go off and do something else. | 0:05:53 | 0:05:57 | |
You have to do that otherwise you just become a number, otherwise, | 0:05:57 | 0:06:00 | |
you just become somebody who gets told what to do by somebody else. | 0:06:00 | 0:06:03 | |
You absolutely have to keep a sense of your own autonomy in an office like that, otherwise you go mad. | 0:06:03 | 0:06:09 | |
You have to break the rules. | 0:06:09 | 0:06:11 | |
I'd get so bored in the end that I had a little cylindrical | 0:06:11 | 0:06:16 | |
pencil sharpener, and if you rolled it, it would go in a curve. | 0:06:16 | 0:06:22 | |
So I used to put two paperclips at the end of my desk | 0:06:22 | 0:06:27 | |
just wide enough for the little pencil sharpener thing to roll though it. | 0:06:27 | 0:06:32 | |
And I would roll it from the desk there, and I got so good | 0:06:32 | 0:06:35 | |
at this with all the practice, I could get like 20 out of 20, | 0:06:35 | 0:06:39 | |
and it would roll and roll and roll and roll and go right through it. | 0:06:39 | 0:06:43 | |
If it had been an Olympic sport, I'd have had a gold medal. | 0:06:43 | 0:06:46 | |
NEWS REPORTER: '20 years ago, most adults in Britain smoked. It was fashionable. | 0:06:48 | 0:06:52 | |
'Today that balance has shifted. | 0:06:52 | 0:06:54 | |
'Two-thirds of adults don't smoke, yet in offices and workplaces | 0:06:54 | 0:06:58 | |
'up and down the country, | 0:06:58 | 0:07:00 | |
'it's still the non-smokers who are on the defensive.' | 0:07:00 | 0:07:03 | |
The biggest skivers, I have to say, are smokers | 0:07:03 | 0:07:05 | |
and I used to really, really resent working anywhere, | 0:07:05 | 0:07:09 | |
particularly on a production line, where they'd say "I'm just going outside for five minutes,. | 0:07:09 | 0:07:14 | |
"Can you cover me?" So suddenly you're doing this because someone's having a fag outside. | 0:07:14 | 0:07:18 | |
And they come back, and you say, | 0:07:18 | 0:07:21 | |
"Right, ready to get back to normal now?" "Yeah." | 0:07:21 | 0:07:24 | |
Then someone on your left says, "I'm just going outside for five minutes." | 0:07:24 | 0:07:28 | |
"What?! You're going for a cigarette as well?" | 0:07:28 | 0:07:30 | |
You're covering for the bloody smokers and they come back in stinking of smoke, | 0:07:30 | 0:07:34 | |
thinking they're great cos they skived off. Aren't they clever? No. | 0:07:34 | 0:07:37 | |
I love cigarette breaks. | 0:07:37 | 0:07:38 | |
I hated it when they banned cigarette smoking from all places of enjoyment | 0:07:41 | 0:07:46 | |
because we're not allowed to have fun in England. | 0:07:46 | 0:07:48 | |
This is another one, for those that work at home, you're not allowed to have a cigarette in your own house | 0:07:48 | 0:07:53 | |
any more, because it's a workspace, and that's illegal. | 0:07:53 | 0:07:56 | |
Just as a bit of a sideline. | 0:07:56 | 0:07:59 | |
Smokers are real zealots, they absolutely believe it's their right, | 0:07:59 | 0:08:03 | |
"You can't stop me", but we should all have the same time. | 0:08:03 | 0:08:05 | |
They expect you to be working and picking up their phone while they've gone out smoking a fag. | 0:08:05 | 0:08:10 | |
Well, I'm sorry, it's got to work two ways. | 0:08:10 | 0:08:13 | |
What you should do, if you work with someone who smokes, | 0:08:13 | 0:08:17 | |
is if they have ten minutes, you should add it all up. | 0:08:17 | 0:08:19 | |
And say, "That's like two days this month that you've had, that I haven't. | 0:08:19 | 0:08:25 | |
"Therefore next Monday and Tuesday, I'm having it | 0:08:25 | 0:08:28 | |
"and you've got to cover my phones, and then we are all square." | 0:08:28 | 0:08:31 | |
And they don't like it. They can't see it. | 0:08:31 | 0:08:33 | |
They say "I need to go and get a nicotine fix..." | 0:08:33 | 0:08:36 | |
..they think it's almost like their religion. | 0:08:37 | 0:08:39 | |
"I can't work Wednesday because, you know, I have to sit at home | 0:08:39 | 0:08:45 | |
"with a pork chop on my head", | 0:08:45 | 0:08:46 | |
or whatever their religious belief dictates. | 0:08:46 | 0:08:49 | |
Smokers are a bit like that. | 0:08:49 | 0:08:51 | |
You're at your most informal in a smoking break because you feel that you're not in the office, | 0:08:51 | 0:08:55 | |
so you can stand there with fag in hand, going, | 0:08:55 | 0:08:58 | |
"Well, actually, this is what we should be doing." | 0:08:58 | 0:09:00 | |
I think a lot of decisions are made at that point. | 0:09:00 | 0:09:02 | |
So perhaps smoking should be made compulsory. | 0:09:02 | 0:09:05 | |
So when office life just gets too much, | 0:09:08 | 0:09:10 | |
or you simply can't be bothered to get up | 0:09:10 | 0:09:12 | |
and face the journey into work, | 0:09:12 | 0:09:14 | |
the classic response is to pull the sickie, | 0:09:14 | 0:09:18 | |
simply the best skive tactic of all. | 0:09:18 | 0:09:21 | |
Hello, it's me. | 0:09:24 | 0:09:26 | |
I'm really sick today. I don't think I'm going to be able to make it in. | 0:09:26 | 0:09:31 | |
-Right. -I don't know what it is. I'm really sorry. (COUGHS) | 0:09:31 | 0:09:37 | |
'OK, thanks.' (COUGHS) | 0:09:37 | 0:09:39 | |
Weasel's not coming in today. | 0:09:44 | 0:09:46 | |
The reason people throw sickies is basic resentment because we don't get enough holidays. | 0:09:49 | 0:09:53 | |
Europe gets far more holidays, they have siestas, for God's sake. | 0:09:53 | 0:09:57 | |
People over here just try and sleep at their desks for an hour | 0:09:57 | 0:10:00 | |
and hope that no-one will notice. | 0:10:00 | 0:10:01 | |
People often say to me when they know what I do, they say, | 0:10:01 | 0:10:04 | |
"I can't do voices, I don't know how you do it, I can't do voices." | 0:10:04 | 0:10:07 | |
and I think, "You can actually." | 0:10:07 | 0:10:09 | |
And there's one voice that everyone can do and it's the off-sick voice. | 0:10:09 | 0:10:13 | |
It's the making the phone call and going, | 0:10:13 | 0:10:16 | |
"I can't come in today, I've got this terrible thing, and I can't make it. | 0:10:16 | 0:10:20 | |
"I'm really sorry, but maybe tomorrow, OK, sorry." | 0:10:20 | 0:10:25 | |
And I think, "You can all do that voice!" | 0:10:25 | 0:10:27 | |
If you are going to throw one, a bit of advice from an expert. | 0:10:27 | 0:10:31 | |
Use complicated words. | 0:10:31 | 0:10:33 | |
Like, for example, if you're feeling sick, just call it bilious. | 0:10:33 | 0:10:37 | |
That's a great word for sick. | 0:10:37 | 0:10:39 | |
And make sure when you phone the office you get hold | 0:10:39 | 0:10:41 | |
of the most stupid person in the office, who's not going to know what bilious is. | 0:10:41 | 0:10:45 | |
The kind of person who doesn't know what obese is, but knows what fat is. | 0:10:45 | 0:10:48 | |
I was a method skiver, | 0:10:48 | 0:10:52 | |
so I used to do this thing where I'd spin round and round and round, | 0:10:52 | 0:10:56 | |
make myself really dizzy and then phone. | 0:10:56 | 0:10:58 | |
But you have to invent some sort of | 0:10:58 | 0:11:01 | |
biologically valid reason. | 0:11:01 | 0:11:05 | |
You have to sort of creatively find | 0:11:05 | 0:11:07 | |
a language that makes your hangover sound like a proper disease. | 0:11:07 | 0:11:10 | |
So you get hold of Darren, in paper clips, | 0:11:14 | 0:11:17 | |
and go, "Darren, tell the boss I'm feeling bilious." | 0:11:17 | 0:11:20 | |
Or something like "Darren, I've got UDI." | 0:11:22 | 0:11:27 | |
And they'll think that sounds a bit complicated, whereas in fact it's just unidentified drinking injury. | 0:11:27 | 0:11:33 | |
I have to confess, I'm not proud of this, | 0:11:35 | 0:11:38 | |
my grandfather has died about... | 0:11:38 | 0:11:44 | |
..17 times. | 0:11:46 | 0:11:49 | |
And I don't feel too guilty about it because the grandfather | 0:11:51 | 0:11:54 | |
that's died 17 times is a grandfather I've never met before. | 0:11:54 | 0:11:58 | |
He died way before I was born. | 0:11:58 | 0:12:00 | |
If you fake a death in the family to get off work, | 0:12:00 | 0:12:03 | |
the problem is that you have to follow that through. | 0:12:03 | 0:12:07 | |
So I had a job where the next day after the funeral, I had to, | 0:12:07 | 0:12:10 | |
because I have to take two days off, one because of the initial shock and secondly for the funeral. | 0:12:10 | 0:12:15 | |
Then I wore black the next day after I rang as a mark of respect | 0:12:15 | 0:12:20 | |
and then everyone was consoling me. | 0:12:20 | 0:12:22 | |
That, that's not nice. | 0:12:22 | 0:12:24 | |
That made me feel like I had to leave that job | 0:12:24 | 0:12:27 | |
just on principle of being a charlatan. | 0:12:27 | 0:12:29 | |
When you are off sick as well, you wish you hadn't done it, | 0:12:29 | 0:12:31 | |
if you ever do do it, because you think, "What do I do now?" | 0:12:31 | 0:12:34 | |
You have your five minutes extra in bed and think, "Oh, I feel better now." | 0:12:34 | 0:12:37 | |
And then you think, "I can't go into work cos I said I was ill. | 0:12:37 | 0:12:39 | |
"I can't go out in case someone sees me and, well, I'm stuck now." | 0:12:39 | 0:12:44 | |
And you think, "What do I do?" And anybody who rings up, | 0:12:47 | 0:12:50 | |
you have to remember to do the sick voice, | 0:12:50 | 0:12:51 | |
just in case it's work, it never is. | 0:12:51 | 0:12:53 | |
Just go, "Hello, no, I'm not very well. | 0:12:53 | 0:12:56 | |
"Oh, hi, yeah, yeah. | 0:12:56 | 0:12:58 | |
"Squash? I'm not sure, tomorrow? | 0:12:58 | 0:13:02 | |
"I'll probably be off tomorrow, but I'll be feeling better, yeah, OK." | 0:13:02 | 0:13:05 | |
The greatest art form is pulling a sickie while you're at work. | 0:13:05 | 0:13:11 | |
There have been times where I've thought I cannot live | 0:13:11 | 0:13:15 | |
through another moment of this. | 0:13:15 | 0:13:18 | |
I can't live through another moment of this. | 0:13:18 | 0:13:20 | |
And so I would wander around trying to look a bit peaky, hoping someone | 0:13:20 | 0:13:24 | |
would go, "Oh, what's wrong, Shappi?" | 0:13:24 | 0:13:26 | |
"Ooh, I'm feeling a bit faint." | 0:13:26 | 0:13:28 | |
"You don't look very well, why don't you go home." Of course, they never do. | 0:13:28 | 0:13:31 | |
So you end up going, "Hi-i-i-i" | 0:13:31 | 0:13:33 | |
to these robots who wouldn't care if you lived or died anyway. | 0:13:33 | 0:13:38 | |
Worse than the sickie is the sanctimonious bellius endiuses. | 0:13:38 | 0:13:43 | |
Who come into work as ill as possible and display it to others. | 0:13:43 | 0:13:48 | |
"I'm so sick, but I've dragged myself in. | 0:13:48 | 0:13:50 | |
"Look at these itchy lesions, oh, my T-cells are so low, but I'm not even going to take lunch." | 0:13:50 | 0:13:56 | |
Or just coming in with a bandana and no eyebrows, going, "Right, let's do some overtime. | 0:13:56 | 0:14:00 | |
"Whoo! Let's get into it! Oh, my pancreas is hanging out. Good, it improves me." | 0:14:00 | 0:14:04 | |
I think men are skivers. | 0:14:04 | 0:14:06 | |
Just imagine if men had sport and periods. | 0:14:06 | 0:14:11 | |
Listen, nothing would happen in the world. | 0:14:11 | 0:14:14 | |
There was a time when the office was filled with typewriters, | 0:14:16 | 0:14:19 | |
memos would be written and hand-delivered by a mail boy. | 0:14:19 | 0:14:23 | |
Then computers arrived and supposedly revolutionised | 0:14:23 | 0:14:27 | |
the way we work, increasing office productivity and efficiency. | 0:14:27 | 0:14:30 | |
Computers are meant to make life easy. Wrong. | 0:14:32 | 0:14:38 | |
They were absolutely invented to improve, speed up the work process | 0:14:38 | 0:14:43 | |
with communication, etc. | 0:14:43 | 0:14:46 | |
Like it said, with documents spreadsheets all of that... No. | 0:14:46 | 0:14:49 | |
And now that computers are so portable that they fit into your briefcase, | 0:14:53 | 0:14:57 | |
there is literally no escape and you can never log off from work. | 0:14:57 | 0:15:03 | |
What management have managed to do | 0:15:03 | 0:15:05 | |
is they've managed to make computers | 0:15:05 | 0:15:07 | |
and mobile phones and laptops and all the new technology | 0:15:07 | 0:15:11 | |
as a device to get people to work harder. | 0:15:11 | 0:15:14 | |
So you sit on a train in the morning and people are already having | 0:15:14 | 0:15:20 | |
to do work, and they're on their mobiles and they're all sorting out stuff, | 0:15:20 | 0:15:25 | |
whatever it is, on the way to work. | 0:15:25 | 0:15:27 | |
At least in the 1820s people didn't have to drag their power loom | 0:15:27 | 0:15:30 | |
home with them and keep weaving as they went up the street, did they? | 0:15:30 | 0:15:34 | |
I sometimes ring up one of the people at my agency and she almost doesn't know how to speak. | 0:15:34 | 0:15:39 | |
It's extraordinary, she's young, 24, and she's obviously been brought up | 0:15:39 | 0:15:42 | |
with the e-mail thing, and it just takes longer. | 0:15:42 | 0:15:44 | |
You sit there, and especially if you're not a natural typist like me, you know. | 0:15:44 | 0:15:48 | |
I wasn't schooled in that way. I don't type very well, it takes me ages. | 0:15:48 | 0:15:51 | |
Like having a speech impediment, you just think, "I can't communicate as quickly as you can do that." | 0:15:51 | 0:15:55 | |
So I ring her up and she'll say, "Yes, I think so, yep. | 0:15:55 | 0:15:59 | |
"I'll send you an e-mail." And you think, "Just talk to me!" | 0:15:59 | 0:16:02 | |
Some work e-mails are so boring and banal you could fit them in the subject line, can't you? | 0:16:02 | 0:16:07 | |
"Fancy lunch at 1?" | 0:16:07 | 0:16:09 | |
That's it, I don't even need to spend time opening the thing. | 0:16:09 | 0:16:13 | |
I hate the dot, dot, dot reveal system. | 0:16:13 | 0:16:16 | |
"Can I borrow your...?" | 0:16:16 | 0:16:19 | |
Please, please make this worthwhile, there better be something in there. | 0:16:19 | 0:16:23 | |
Open it. "..a stapler, ta-dah!" | 0:16:23 | 0:16:26 | |
There's huge amounts of misunderstanding. | 0:16:26 | 0:16:28 | |
My ex-girlfriend and I used to e-mail each other a lot. | 0:16:28 | 0:16:30 | |
And we could tell from the position of a comma, | 0:16:30 | 0:16:33 | |
or whether it was two dots or three dots at the end, what we meant. | 0:16:33 | 0:16:36 | |
We had a code. We never said what it meant, but you could just tell. | 0:16:36 | 0:16:39 | |
She'd say, "You all right?" You'd think, "Yes, why?" She'd say, "You didn't put three dots at the end." | 0:16:39 | 0:16:43 | |
Nowadays it's all, like, Facetube and, like, MySpace and all of dem types o' fings. | 0:16:43 | 0:16:49 | |
Apparently I'm on Face... | 0:16:49 | 0:16:52 | |
Facelook, or -book, or whatever, the inter...web. Apparently I'm there. | 0:16:52 | 0:16:57 | |
My auntie phoned me up the other day and said, "Are you really going to such-and-such?" | 0:16:57 | 0:17:01 | |
I said, "I don't know what you're talking about, Auntie." She said, "We had a chat on FB." | 0:17:01 | 0:17:06 | |
Yeah, Facebook. "We had a chat on FB last night." | 0:17:06 | 0:17:09 | |
I went, "No. I am not on it. I don't even know how to switch the thing on. | 0:17:09 | 0:17:13 | |
"I'm not on it, it's not me, someone is being me." | 0:17:13 | 0:17:16 | |
So there's people... | 0:17:16 | 0:17:18 | |
being me, out there. | 0:17:18 | 0:17:21 | |
There was no internet in my day. | 0:17:22 | 0:17:24 | |
When I worked in offices there wasn't Twitter, there wasn't Facebook. | 0:17:24 | 0:17:27 | |
It's bad enough now. I mean, I write. | 0:17:27 | 0:17:29 | |
I write stuff. I write books, I write...stuff. | 0:17:29 | 0:17:33 | |
And you know that I have a deadline if my Twitter page is really active. | 0:17:33 | 0:17:41 | |
If I'm on Twitter all day, you know I have a massive deadline. | 0:17:41 | 0:17:46 | |
And I'm tearing myself apart with panic, | 0:17:46 | 0:17:49 | |
but really needing to tell people that, "I miss rolling down hills. I used to do it loads as a kid." | 0:17:49 | 0:17:55 | |
It fits perfectly into our British psyche though, sadly. "I don't want to disturb you. | 0:17:55 | 0:17:59 | |
"So I'll text you. Can I text you?" This is the one I have now. | 0:17:59 | 0:18:03 | |
People say, "I'll text you what might be a good time to speak. Then text me back when I can ring you." | 0:18:03 | 0:18:08 | |
You think, "Why don't you just ring me and see if I can talk to you now? Cos I probably can, in all honesty." | 0:18:08 | 0:18:13 | |
I'm not a massive Philistine about these things, or even a Luddite particularly, | 0:18:17 | 0:18:23 | |
but I get more pain from the computer world than I consider I would get pleasure, | 0:18:23 | 0:18:29 | |
er, so to speak. | 0:18:29 | 0:18:31 | |
Come on! Come on! | 0:18:32 | 0:18:35 | |
A hero of mine, Mr Paul Weller, calls the internet "the devil's window". | 0:18:36 | 0:18:41 | |
And I quite like that. I can sort of see what he means about that. | 0:18:41 | 0:18:44 | |
For all we hate about work, for all we gripe about work, | 0:19:03 | 0:19:06 | |
for all it oppresses us into a dark pit of frustration and tedium, | 0:19:06 | 0:19:11 | |
there's one thing we dread about it more than any other. | 0:19:11 | 0:19:14 | |
And that is the day when suddenly it's taken from us. | 0:19:14 | 0:19:18 | |
-It's our way or the -BLEEP -highway, that's what I'm telling you. | 0:19:18 | 0:19:22 | |
And if you want to do anything different, go and do it for another firm. | 0:19:22 | 0:19:27 | |
And before you know it you've got the DCM - | 0:19:27 | 0:19:30 | |
Don't Come Monday. | 0:19:30 | 0:19:32 | |
I don't think at the moment we can sort of accept you continuing as Sales Manager. | 0:19:32 | 0:19:38 | |
I've been sacked from lots of jobs, | 0:19:38 | 0:19:42 | |
mostly for minor things like not turning up, ever. | 0:19:42 | 0:19:45 | |
I think you've got the potential, don't get me wrong with that, | 0:19:45 | 0:19:49 | |
but I do think that the time isn't right at the moment. | 0:19:49 | 0:19:52 | |
I've never been sacked. I've been axed! Is that the same as sacking? | 0:19:52 | 0:19:57 | |
-You're sacked! -Thank you, CJ. | 0:19:57 | 0:19:59 | |
The best job I got sacked from was the sandwich shop | 0:19:59 | 0:20:03 | |
and they were so lovely that they had a little goodbye party for me. | 0:20:03 | 0:20:06 | |
Everyone was going, "Oh, why are you leaving?" "I was sacked." | 0:20:06 | 0:20:09 | |
My boss was going, "Oh, we love her but she never turned up." | 0:20:09 | 0:20:12 | |
And the reason I stopped turning up to that job was that the boy I really fancied left. | 0:20:12 | 0:20:17 | |
You know it's happening because it becomes more formal. | 0:20:17 | 0:20:21 | |
You go in, "Mr Maloney, we need to discuss your... | 0:20:21 | 0:20:25 | |
"your future with us." | 0:20:25 | 0:20:27 | |
And at this point you think, "I haven't got a future, have I?" | 0:20:27 | 0:20:30 | |
I re-employ this idiot here, Morrissey. YOU'RE sacked. | 0:20:30 | 0:20:33 | |
I got fired from that job because there was | 0:20:33 | 0:20:37 | |
this miserable sort of chap, who probably originated from Middle Earth. | 0:20:37 | 0:20:43 | |
He was having a drink out this particular evening | 0:20:43 | 0:20:46 | |
and I took his glass and I collected it and put it into me little basket and he snatched it back out again. | 0:20:46 | 0:20:54 | |
And he said, "Hey, hey, hey!" | 0:20:54 | 0:20:56 | |
And he pointed to the half centimetre of beer still left in it | 0:20:56 | 0:20:59 | |
and said, "Still tuppenceworth left in there, son. Hey?!" | 0:20:59 | 0:21:04 | |
And I think he grassed me up. | 0:21:04 | 0:21:06 | |
-You're sacked. -That does seem rather unfair. | 0:21:06 | 0:21:08 | |
Oh, it is unfair. | 0:21:08 | 0:21:10 | |
Life is unfair. | 0:21:10 | 0:21:12 | |
I am unfair. | 0:21:12 | 0:21:14 | |
-You're both sacked. -Thank you, CJ. | 0:21:14 | 0:21:16 | |
I've never been fired, but I've never been | 0:21:16 | 0:21:19 | |
in a job long enough to be fired, I don't think. | 0:21:19 | 0:21:22 | |
I'm usually on to the next one before they get a chance to sniff me out, | 0:21:22 | 0:21:26 | |
and go, "Hang on a minute, you're rubbish. Get out, get out!" | 0:21:26 | 0:21:29 | |
Technically every time you're booed off stage doing comedy you're being fired, I would argue. | 0:21:29 | 0:21:34 | |
And that's happened a few times. | 0:21:34 | 0:21:36 | |
Once I was in a pub doing a gig at the back, under a marquee. | 0:21:36 | 0:21:41 | |
Still 50, 100 people there, enough to get the old Imodium gland going | 0:21:41 | 0:21:44 | |
if you're scared of public speaking, like me, which is ridiculous, but I am. | 0:21:44 | 0:21:47 | |
And the gig was already going badly and the talking was starting, | 0:21:47 | 0:21:50 | |
and I wasn't far away from the booing and the, "Off!" | 0:21:50 | 0:21:53 | |
I'm about to be essentially sacked, even though I'm self-employed. | 0:21:53 | 0:21:56 | |
And this is a completely true story. | 0:21:56 | 0:21:59 | |
A Great Dane, which obviously lived at the pub, | 0:21:59 | 0:22:01 | |
has come in right at the moment when I'm trying to hold the gig together, run on stage, | 0:22:01 | 0:22:05 | |
and anyone who's been approached by a Great Dane knows it's terrible, | 0:22:05 | 0:22:08 | |
and stuck it's nose straight into my crutch, the way dogs do, and sniffed my balls | 0:22:08 | 0:22:13 | |
right at the moment when I was trying to hang onto this gig. | 0:22:13 | 0:22:16 | |
That was it. Because that was the funniest thing that had happened. | 0:22:16 | 0:22:19 | |
So I was sacked then by the audience. | 0:22:19 | 0:22:22 | |
I think that counts, right? I did not complete my job for the wage. | 0:22:22 | 0:22:25 | |
I was fired by Clapham. | 0:22:25 | 0:22:27 | |
"Heckle him with hummus, heckle him with a quail's egg. Get off, you'll never entertain Clapham. | 0:22:27 | 0:22:31 | |
"What do you know about us, mon? | 0:22:31 | 0:22:33 | |
"Take that. I've been to Sudan, you don't know jack." | 0:22:33 | 0:22:37 | |
I've been fired from the Radio 1 Breakfast Show. | 0:22:39 | 0:22:41 | |
I mean, fired is an emotive word cos I was halfway through a contract and they gave us an afternoon show, | 0:22:41 | 0:22:46 | |
but I signed a contract to do the Breakfast Show for two years and was fired after seven months, | 0:22:46 | 0:22:51 | |
but I wasn't on the dole, so I know "fired" is an emotive word. | 0:22:51 | 0:22:55 | |
I think there are bosses out there who love sacking people in a kind of sado-masochistic way. | 0:22:55 | 0:23:00 | |
You know the kid, at the age of 11, first day at school, wet themselves. | 0:23:00 | 0:23:04 | |
They know that from the age of 11 to 18 they're always going to | 0:23:04 | 0:23:07 | |
be known as the kid in that school who wet themselves on the first day. | 0:23:07 | 0:23:11 | |
They're the ones who become bosses and they're the people who take out | 0:23:11 | 0:23:15 | |
that little puddle of pee on everyone personally for the next 40 years. | 0:23:15 | 0:23:19 | |
"I'm sacking you because, at the age of 11, | 0:23:19 | 0:23:24 | |
"I peed my pants. | 0:23:24 | 0:23:27 | |
"It's personal." | 0:23:27 | 0:23:28 | |
We were absolutely overjoyed, once we knew that we had another job. | 0:23:29 | 0:23:34 | |
We regarded it as a mercy killing. | 0:23:34 | 0:23:37 | |
It was. It was the radio equivalent of being taken to the Dignitas clinic. | 0:23:37 | 0:23:45 | |
You don't see it any more, when people had had a dog for ages | 0:23:45 | 0:23:50 | |
and its back legs had gone and they'd had wheels put on. | 0:23:50 | 0:23:53 | |
# Rollin', rollin', rollin', rollin' | 0:23:53 | 0:23:55 | |
# Keep rollin', rollin', rollin', rollin'... # | 0:23:55 | 0:23:57 | |
Old women dragging this poor thing with wheels round the market. | 0:23:57 | 0:24:01 | |
It's like, "Listen, I know you love your dog, but it's over. | 0:24:01 | 0:24:04 | |
"This thing is finished, | 0:24:04 | 0:24:06 | |
"you might as well... | 0:24:06 | 0:24:09 | |
"There are other dogs, let it go." | 0:24:09 | 0:24:12 | |
The dog has got wheels for legs. | 0:24:12 | 0:24:15 | |
Our Breakfast Show had wheels for legs after the first fortnight. | 0:24:15 | 0:24:21 | |
# Rollin', rollin', rollin', rollin' | 0:24:21 | 0:24:23 | |
# Keep rollin', rollin', rollin', rollin'... # | 0:24:23 | 0:24:25 | |
The only time I've been sacked was as a warm-up man... | 0:24:25 | 0:24:29 | |
(AS ROSS) ..for Jonathan Ross's programme in about 1992, | 0:24:29 | 0:24:33 | |
Fascinating Facts, or Fantastic Facts, it was called, for ITV. | 0:24:33 | 0:24:36 | |
Jonathan wasn't doing much at the time, a comeback thing after The Last Resort had finished. | 0:24:36 | 0:24:40 | |
We did the first one and it didn't go very well. And I was booked to do eight, and I was sacked. | 0:24:40 | 0:24:45 | |
I take great delight in telling Jonathan, yeah, you might like my impression of you, | 0:24:45 | 0:24:50 | |
and you might say, "You do a really good impression of Stewart Lee"... | 0:24:50 | 0:24:53 | |
(AS LEE) ..but don't forget, Jonathan, for all those compliments, you were the one who sacked me. | 0:24:53 | 0:24:58 | |
And you're the only person, ever, to have done that. | 0:24:58 | 0:25:01 | |
And that's what I call a fascinating fact. | 0:25:01 | 0:25:05 | |
I got sacked without knowing it once. I walked on... | 0:25:05 | 0:25:07 | |
It was one of these jobs, | 0:25:07 | 0:25:08 | |
I was a young actor and I had to get myself out to | 0:25:08 | 0:25:11 | |
somewhere like Maidenhead. I don't know where Maidenhead is. | 0:25:11 | 0:25:14 | |
So I get all the maps and things, and I find my way. | 0:25:14 | 0:25:17 | |
Bus, train, Tube, train. I get out there and you're in the middle of nowhere | 0:25:17 | 0:25:22 | |
and someone then comes and picks you up. | 0:25:22 | 0:25:25 | |
And it was a job...Ray Winstone was on it, A Very Secret Army, something like that. | 0:25:25 | 0:25:29 | |
Geoffrey Palmer as well, some really big actors in this thing. | 0:25:29 | 0:25:33 | |
Oh, God. He does go on, doesn't he? | 0:25:33 | 0:25:35 | |
It was called Fairly Secret Army, Morrissey. Shut up. | 0:25:35 | 0:25:39 | |
So I arrive and I'm met by someone and they send me to a room, the green room, | 0:25:39 | 0:25:43 | |
where the actors hang out while they're waiting to go and work. | 0:25:43 | 0:25:47 | |
And all the other actors come in and I recognise them, | 0:25:47 | 0:25:50 | |
I recognise Ray Winstone and Geoffrey Palmer and I'm so thrilled. | 0:25:50 | 0:25:53 | |
I'm not long out of drama school and I'm thinking, | 0:25:53 | 0:25:56 | |
"This is the big time. I'm going to work with some really top acts and I'm so excited." | 0:25:56 | 0:26:01 | |
Someone's brought me a cup of tea and the actors have come in and they nod at me, they don't know who I am. | 0:26:01 | 0:26:06 | |
I can hear them talking when they're making tea, going, "Have you heard, they've brought some poor actor | 0:26:06 | 0:26:12 | |
"all the way out from London and he hasn't got a part. | 0:26:12 | 0:26:15 | |
"They've just cut it, they've just cut his part." | 0:26:15 | 0:26:18 | |
And I'm sitting there... | 0:26:18 | 0:26:19 | |
..listening, like this, and I have a sip of my tea. | 0:26:20 | 0:26:25 | |
And they say, "It's so terrible. | 0:26:25 | 0:26:27 | |
"I hope they pay him. He should have a word with his Equity member," and all this is going on. | 0:26:27 | 0:26:32 | |
This chitter-chatter, Ray going, "Yeah, it's terrible, innit?" | 0:26:32 | 0:26:36 | |
All of a sudden, someone comes in and goes, "Neil Morrissey?" | 0:26:36 | 0:26:40 | |
as if there's a bunch of strangers in the room. | 0:26:40 | 0:26:43 | |
"Can we have a word?" | 0:26:45 | 0:26:46 | |
And they're all going, "Oh, my God, it was him, it must have been him, it was him." | 0:26:46 | 0:26:51 | |
So they take me out and tell me, "We're terribly sorry, the director thinks you're a lovely actor | 0:26:51 | 0:26:55 | |
"and he really wants to work with you again, but unfortunately your part's been cut. | 0:26:55 | 0:27:01 | |
"Sorry. | 0:27:01 | 0:27:02 | |
"Here's the bus fare to the train station. Ta-ra." | 0:27:02 | 0:27:07 | |
Bastards! | 0:27:07 | 0:27:09 | |
Oh, Morrissey. | 0:27:09 | 0:27:11 | |
As CJ would've said, I didn't get where I am today by making excuses. Hard graft, man, is what it takes. | 0:27:11 | 0:27:18 | |
Something this colony knows little about. | 0:27:18 | 0:27:20 | |
Nine to five was an anathema to me, it could never have been done. | 0:27:20 | 0:27:25 | |
Work is a pain in the arse. And at the end of it you only get a quid. | 0:27:25 | 0:27:29 | |
More than anything, that job taught me that one of the worst smells you can ever encounter in your life | 0:27:29 | 0:27:34 | |
is the smell of a potato peeling machine. | 0:27:34 | 0:27:36 | |
All I know now is there's no guaranteed career path | 0:27:36 | 0:27:40 | |
that will keep you away from management stupidity. | 0:27:40 | 0:27:44 | |
I was like the contestant on The Generation Game who did the job very badly in an endearingly rubbish way. | 0:27:44 | 0:27:51 | |
If you wake up in the morning and you don't need to be somewhere, that is a step into the abyss. | 0:27:51 | 0:27:58 | |
Cleaning toilets in the factory in Oldham, it taught me never to have | 0:27:59 | 0:28:04 | |
a man piss in your house, that's what it taught me. | 0:28:04 | 0:28:09 | |
# Working nine to five | 0:28:09 | 0:28:11 | |
# What a way to make a living | 0:28:11 | 0:28:13 | |
# Barely getting by | 0:28:13 | 0:28:15 | |
# It's all taking and no giving | 0:28:15 | 0:28:17 | |
# They just use your mind and you never get the credit | 0:28:17 | 0:28:22 | |
# It's enough to drive you crazy if you let it | 0:28:22 | 0:28:27 | |
# Nine to five, yeah, they've got you where they want you | 0:28:27 | 0:28:31 | |
# There's a better life and you think about it, don't you? | 0:28:31 | 0:28:36 | |
# It's a rich man's game, no matter what they call it | 0:28:36 | 0:28:40 | |
# And you spend your life putting money in his wallet... # | 0:28:40 | 0:28:45 |