Work - Part 2 The Grumpy Guide To


Work - Part 2

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Work - it's a life sentence with no reprieve.

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I know some people who work all day and all night,

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don't take a break at all and die at the age of 33.

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They're absolutely having a marvellous life.

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A minimum of 40 years spent with our nose to the grindstone

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whilst breaking our backs with the daily drudgery.

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Companies, they're all in profit. It all seems to be working.

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There's no reason why you should pull your tripe out if you don't have to.

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We're expected to give 110%,

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sacrificing time with friends and family,

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all so that we can be paid a pittance making some faceless company's profits soar.

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I don't think it could be any more soul destroying.

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I am not a number. I am a free man.

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Well, I would be if I could just escape the maximum security prison of work.

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At work, it's like school. You've got your mates to keep you sane.

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Imagine doing a job in an office and you had no mates.

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Einstein said that space and time were relative, which is how you know that he once worked the 9 to 5.

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At work, time becomes elastic, stretching out to infinity as another crushingly dull day wears on,

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leaving you staring into space.

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One of the jobs I was given was standing next to a bottle-washing machine.

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It was under a skylight, it was very hot, it was very noisy because it was very echoey.

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The bottles came round and as they came round, me and this other guy

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took the bottles off and put them in crates, that was our job.

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The guy who I was doing it alongside wore a toupee.

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I remember being distracted by that for a while,

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and he'd been doing this job for 23 years.

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23 years. I said, "I don't understand how you do it."

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He said, "it's a great job, you don't have to think."

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And that seemed to me a very unattractive

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thing about a job to me, but to him it was absolutely marvellous that you didn't have to think.

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As it turned out, I later became a disc jockey, and it turned out you didn't have to think there anyway.

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What's the time? Oh, no, I must not look at the clock,

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I'll go to the toilet, that'll kill a minute or two perhaps.

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I've only just been, I think.

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Oh, no, I'm going to look at the clock.

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Oh, no, I bet it's...

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I bet it's only 12:30, I've got half an hour till lunch, I'll die of boredom, I know I will,

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probably survive till one minute to one and then I'll die of boredom, that's what'll happen.

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Maybe it's five to one.

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Oh, if it's five to one, I've only got five minutes.

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I can just about survive that.

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Right, here we go, let's look at the clock.

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Oh, ten past nine.

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You know you're in for three hours of just

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slow-burning doom when somebody says "OK, I've got the minutes of

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"the last meeting, this is the agenda for this meeting,

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"if anybody thinks they have any issues or matters

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"they'd like to add to the agenda, please could we do that now."

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And then they just go through piecemeal, piecemeal,

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just droning on and just achieving nothing.

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One of life's most important lessons to learn is the art of skiving.

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How to pass those endless hours whilst looking

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like you're busily and efficiently fulfilling your work obligations.

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Such as carrying piles of folders down long corridors,

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printing off pieces of paper and hurriedly leaving the office

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or disappearing down to the archive library

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to find a document that simply doesn't exist.

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Surely anyone who works for a company, the rule of thumb

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has got to be to get away with the least work possible, hasn't it?

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It's sort of like social security, it's kind of welfare state writ large really.

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You know, companies, they're all in profit, it all seems to be working,

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there's really no reason why you should pull your tripe out if you don't have to.

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Everybody accepts that air traffic controllers work for... I don't know how it is, what do they do?

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35 seconds on and then two-and-a-half days off.

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I don't know. And I'm reassured by that, I don't want to be coming back

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from my holidays and it being landed by someone on work experience

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who's fried, who's been on the last 18 hours,

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because Dennis hasn't turned up cos his wife's got a bit of waterworks troubles.

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I don't want it, I want people who are right on it.

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"Here I go, my 35 seconds, I'll land this one."

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Bonk, done, great. "I'm off, lads."

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I'm perfectly happy with that, I feel safer knowing that.

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I liked finding places to escape, kind of little nooks and crannies

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where you could tuck yourself in and not be found for a bit,

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all of that sort of stuff.

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I was just quite good at covering my tracks

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when I would award myself a break.

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The smartest thing to do when you're given a task

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that takes you away your desk, is to do it immediately,

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very quickly, to run to the place where you have to drop off the whatever.

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Drop it off and then award yourself 20 minutes,

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roughly what it would have taken to go off and do something else.

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You have to do that otherwise you just become a number, otherwise,

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you just become somebody who gets told what to do by somebody else.

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You absolutely have to keep a sense of your own autonomy in an office like that, otherwise you go mad.

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You have to break the rules.

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I'd get so bored in the end that I had a little cylindrical

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pencil sharpener, and if you rolled it, it would go in a curve.

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So I used to put two paperclips at the end of my desk

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just wide enough for the little pencil sharpener thing to roll though it.

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And I would roll it from the desk there, and I got so good

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at this with all the practice, I could get like 20 out of 20,

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and it would roll and roll and roll and roll and go right through it.

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If it had been an Olympic sport, I'd have had a gold medal.

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NEWS REPORTER: '20 years ago, most adults in Britain smoked. It was fashionable.

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'Today that balance has shifted.

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'Two-thirds of adults don't smoke, yet in offices and workplaces

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'up and down the country,

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'it's still the non-smokers who are on the defensive.'

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The biggest skivers, I have to say, are smokers

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and I used to really, really resent working anywhere,

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particularly on a production line, where they'd say "I'm just going outside for five minutes,.

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"Can you cover me?" So suddenly you're doing this because someone's having a fag outside.

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And they come back, and you say,

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"Right, ready to get back to normal now?" "Yeah."

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Then someone on your left says, "I'm just going outside for five minutes."

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"What?! You're going for a cigarette as well?"

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You're covering for the bloody smokers and they come back in stinking of smoke,

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thinking they're great cos they skived off. Aren't they clever? No.

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I love cigarette breaks.

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I hated it when they banned cigarette smoking from all places of enjoyment

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because we're not allowed to have fun in England.

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This is another one, for those that work at home, you're not allowed to have a cigarette in your own house

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any more, because it's a workspace, and that's illegal.

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Just as a bit of a sideline.

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Smokers are real zealots, they absolutely believe it's their right,

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"You can't stop me", but we should all have the same time.

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They expect you to be working and picking up their phone while they've gone out smoking a fag.

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Well, I'm sorry, it's got to work two ways.

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What you should do, if you work with someone who smokes,

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is if they have ten minutes, you should add it all up.

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And say, "That's like two days this month that you've had, that I haven't.

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"Therefore next Monday and Tuesday, I'm having it

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"and you've got to cover my phones, and then we are all square."

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And they don't like it. They can't see it.

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They say "I need to go and get a nicotine fix..."

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..they think it's almost like their religion.

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"I can't work Wednesday because, you know, I have to sit at home

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"with a pork chop on my head",

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or whatever their religious belief dictates.

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Smokers are a bit like that.

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You're at your most informal in a smoking break because you feel that you're not in the office,

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so you can stand there with fag in hand, going,

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"Well, actually, this is what we should be doing."

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I think a lot of decisions are made at that point.

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So perhaps smoking should be made compulsory.

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So when office life just gets too much,

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or you simply can't be bothered to get up

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and face the journey into work,

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the classic response is to pull the sickie,

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simply the best skive tactic of all.

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Hello, it's me.

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I'm really sick today. I don't think I'm going to be able to make it in.

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-Right.

-I don't know what it is. I'm really sorry. (COUGHS)

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'OK, thanks.' (COUGHS)

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Weasel's not coming in today.

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The reason people throw sickies is basic resentment because we don't get enough holidays.

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Europe gets far more holidays, they have siestas, for God's sake.

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People over here just try and sleep at their desks for an hour

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and hope that no-one will notice.

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People often say to me when they know what I do, they say,

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"I can't do voices, I don't know how you do it, I can't do voices."

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and I think, "You can actually."

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And there's one voice that everyone can do and it's the off-sick voice.

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It's the making the phone call and going,

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"I can't come in today, I've got this terrible thing, and I can't make it.

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"I'm really sorry, but maybe tomorrow, OK, sorry."

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And I think, "You can all do that voice!"

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If you are going to throw one, a bit of advice from an expert.

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Use complicated words.

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Like, for example, if you're feeling sick, just call it bilious.

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That's a great word for sick.

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And make sure when you phone the office you get hold

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of the most stupid person in the office, who's not going to know what bilious is.

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The kind of person who doesn't know what obese is, but knows what fat is.

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I was a method skiver,

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so I used to do this thing where I'd spin round and round and round,

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make myself really dizzy and then phone.

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But you have to invent some sort of

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biologically valid reason.

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You have to sort of creatively find

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a language that makes your hangover sound like a proper disease.

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So you get hold of Darren, in paper clips,

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and go, "Darren, tell the boss I'm feeling bilious."

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Or something like "Darren, I've got UDI."

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And they'll think that sounds a bit complicated, whereas in fact it's just unidentified drinking injury.

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I have to confess, I'm not proud of this,

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my grandfather has died about...

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..17 times.

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And I don't feel too guilty about it because the grandfather

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that's died 17 times is a grandfather I've never met before.

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He died way before I was born.

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If you fake a death in the family to get off work,

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the problem is that you have to follow that through.

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So I had a job where the next day after the funeral, I had to,

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because I have to take two days off, one because of the initial shock and secondly for the funeral.

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Then I wore black the next day after I rang as a mark of respect

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and then everyone was consoling me.

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That, that's not nice.

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That made me feel like I had to leave that job

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just on principle of being a charlatan.

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When you are off sick as well, you wish you hadn't done it,

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if you ever do do it, because you think, "What do I do now?"

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You have your five minutes extra in bed and think, "Oh, I feel better now."

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And then you think, "I can't go into work cos I said I was ill.

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"I can't go out in case someone sees me and, well, I'm stuck now."

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And you think, "What do I do?" And anybody who rings up,

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you have to remember to do the sick voice,

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just in case it's work, it never is.

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Just go, "Hello, no, I'm not very well.

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"Oh, hi, yeah, yeah.

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"Squash? I'm not sure, tomorrow?

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"I'll probably be off tomorrow, but I'll be feeling better, yeah, OK."

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The greatest art form is pulling a sickie while you're at work.

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There have been times where I've thought I cannot live

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through another moment of this.

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I can't live through another moment of this.

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And so I would wander around trying to look a bit peaky, hoping someone

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would go, "Oh, what's wrong, Shappi?"

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"Ooh, I'm feeling a bit faint."

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"You don't look very well, why don't you go home." Of course, they never do.

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So you end up going, "Hi-i-i-i"

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to these robots who wouldn't care if you lived or died anyway.

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Worse than the sickie is the sanctimonious bellius endiuses.

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Who come into work as ill as possible and display it to others.

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"I'm so sick, but I've dragged myself in.

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"Look at these itchy lesions, oh, my T-cells are so low, but I'm not even going to take lunch."

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Or just coming in with a bandana and no eyebrows, going, "Right, let's do some overtime.

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"Whoo! Let's get into it! Oh, my pancreas is hanging out. Good, it improves me."

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I think men are skivers.

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Just imagine if men had sport and periods.

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Listen, nothing would happen in the world.

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There was a time when the office was filled with typewriters,

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memos would be written and hand-delivered by a mail boy.

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Then computers arrived and supposedly revolutionised

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the way we work, increasing office productivity and efficiency.

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Computers are meant to make life easy. Wrong.

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They were absolutely invented to improve, speed up the work process

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with communication, etc.

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Like it said, with documents spreadsheets all of that... No.

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And now that computers are so portable that they fit into your briefcase,

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there is literally no escape and you can never log off from work.

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What management have managed to do

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is they've managed to make computers

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and mobile phones and laptops and all the new technology

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as a device to get people to work harder.

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So you sit on a train in the morning and people are already having

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to do work, and they're on their mobiles and they're all sorting out stuff,

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whatever it is, on the way to work.

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At least in the 1820s people didn't have to drag their power loom

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home with them and keep weaving as they went up the street, did they?

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I sometimes ring up one of the people at my agency and she almost doesn't know how to speak.

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It's extraordinary, she's young, 24, and she's obviously been brought up

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with the e-mail thing, and it just takes longer.

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You sit there, and especially if you're not a natural typist like me, you know.

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I wasn't schooled in that way. I don't type very well, it takes me ages.

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Like having a speech impediment, you just think, "I can't communicate as quickly as you can do that."

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So I ring her up and she'll say, "Yes, I think so, yep.

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"I'll send you an e-mail." And you think, "Just talk to me!"

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Some work e-mails are so boring and banal you could fit them in the subject line, can't you?

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"Fancy lunch at 1?"

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That's it, I don't even need to spend time opening the thing.

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I hate the dot, dot, dot reveal system.

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"Can I borrow your...?"

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Please, please make this worthwhile, there better be something in there.

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Open it. "..a stapler, ta-dah!"

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There's huge amounts of misunderstanding.

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My ex-girlfriend and I used to e-mail each other a lot.

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And we could tell from the position of a comma,

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or whether it was two dots or three dots at the end, what we meant.

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We had a code. We never said what it meant, but you could just tell.

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She'd say, "You all right?" You'd think, "Yes, why?" She'd say, "You didn't put three dots at the end."

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Nowadays it's all, like, Facetube and, like, MySpace and all of dem types o' fings.

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Apparently I'm on Face...

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Facelook, or -book, or whatever, the inter...web. Apparently I'm there.

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My auntie phoned me up the other day and said, "Are you really going to such-and-such?"

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I said, "I don't know what you're talking about, Auntie." She said, "We had a chat on FB."

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Yeah, Facebook. "We had a chat on FB last night."

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I went, "No. I am not on it. I don't even know how to switch the thing on.

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"I'm not on it, it's not me, someone is being me."

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So there's people...

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being me, out there.

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There was no internet in my day.

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When I worked in offices there wasn't Twitter, there wasn't Facebook.

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It's bad enough now. I mean, I write.

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I write stuff. I write books, I write...stuff.

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And you know that I have a deadline if my Twitter page is really active.

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If I'm on Twitter all day, you know I have a massive deadline.

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And I'm tearing myself apart with panic,

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but really needing to tell people that, "I miss rolling down hills. I used to do it loads as a kid."

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It fits perfectly into our British psyche though, sadly. "I don't want to disturb you.

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"So I'll text you. Can I text you?" This is the one I have now.

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People say, "I'll text you what might be a good time to speak. Then text me back when I can ring you."

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You think, "Why don't you just ring me and see if I can talk to you now? Cos I probably can, in all honesty."

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I'm not a massive Philistine about these things, or even a Luddite particularly,

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but I get more pain from the computer world than I consider I would get pleasure,

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er, so to speak.

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Come on! Come on!

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A hero of mine, Mr Paul Weller, calls the internet "the devil's window".

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And I quite like that. I can sort of see what he means about that.

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For all we hate about work, for all we gripe about work,

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for all it oppresses us into a dark pit of frustration and tedium,

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there's one thing we dread about it more than any other.

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And that is the day when suddenly it's taken from us.

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-It's our way or the

-BLEEP

-highway, that's what I'm telling you.

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And if you want to do anything different, go and do it for another firm.

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And before you know it you've got the DCM -

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Don't Come Monday.

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I don't think at the moment we can sort of accept you continuing as Sales Manager.

0:19:320:19:38

I've been sacked from lots of jobs,

0:19:380:19:42

mostly for minor things like not turning up, ever.

0:19:420:19:45

I think you've got the potential, don't get me wrong with that,

0:19:450:19:49

but I do think that the time isn't right at the moment.

0:19:490:19:52

I've never been sacked. I've been axed! Is that the same as sacking?

0:19:520:19:57

-You're sacked!

-Thank you, CJ.

0:19:570:19:59

The best job I got sacked from was the sandwich shop

0:19:590:20:03

and they were so lovely that they had a little goodbye party for me.

0:20:030:20:06

Everyone was going, "Oh, why are you leaving?" "I was sacked."

0:20:060:20:09

My boss was going, "Oh, we love her but she never turned up."

0:20:090:20:12

And the reason I stopped turning up to that job was that the boy I really fancied left.

0:20:120:20:17

You know it's happening because it becomes more formal.

0:20:170:20:21

You go in, "Mr Maloney, we need to discuss your...

0:20:210:20:25

"your future with us."

0:20:250:20:27

And at this point you think, "I haven't got a future, have I?"

0:20:270:20:30

I re-employ this idiot here, Morrissey. YOU'RE sacked.

0:20:300:20:33

I got fired from that job because there was

0:20:330:20:37

this miserable sort of chap, who probably originated from Middle Earth.

0:20:370:20:43

He was having a drink out this particular evening

0:20:430:20:46

and I took his glass and I collected it and put it into me little basket and he snatched it back out again.

0:20:460:20:54

And he said, "Hey, hey, hey!"

0:20:540:20:56

And he pointed to the half centimetre of beer still left in it

0:20:560:20:59

and said, "Still tuppenceworth left in there, son. Hey?!"

0:20:590:21:04

And I think he grassed me up.

0:21:040:21:06

-You're sacked.

-That does seem rather unfair.

0:21:060:21:08

Oh, it is unfair.

0:21:080:21:10

Life is unfair.

0:21:100:21:12

I am unfair.

0:21:120:21:14

-You're both sacked.

-Thank you, CJ.

0:21:140:21:16

I've never been fired, but I've never been

0:21:160:21:19

in a job long enough to be fired, I don't think.

0:21:190:21:22

I'm usually on to the next one before they get a chance to sniff me out,

0:21:220:21:26

and go, "Hang on a minute, you're rubbish. Get out, get out!"

0:21:260:21:29

Technically every time you're booed off stage doing comedy you're being fired, I would argue.

0:21:290:21:34

And that's happened a few times.

0:21:340:21:36

Once I was in a pub doing a gig at the back, under a marquee.

0:21:360:21:41

Still 50, 100 people there, enough to get the old Imodium gland going

0:21:410:21:44

if you're scared of public speaking, like me, which is ridiculous, but I am.

0:21:440:21:47

And the gig was already going badly and the talking was starting,

0:21:470:21:50

and I wasn't far away from the booing and the, "Off!"

0:21:500:21:53

I'm about to be essentially sacked, even though I'm self-employed.

0:21:530:21:56

And this is a completely true story.

0:21:560:21:59

A Great Dane, which obviously lived at the pub,

0:21:590:22:01

has come in right at the moment when I'm trying to hold the gig together, run on stage,

0:22:010:22:05

and anyone who's been approached by a Great Dane knows it's terrible,

0:22:050:22:08

and stuck it's nose straight into my crutch, the way dogs do, and sniffed my balls

0:22:080:22:13

right at the moment when I was trying to hang onto this gig.

0:22:130:22:16

That was it. Because that was the funniest thing that had happened.

0:22:160:22:19

So I was sacked then by the audience.

0:22:190:22:22

I think that counts, right? I did not complete my job for the wage.

0:22:220:22:25

I was fired by Clapham.

0:22:250:22:27

"Heckle him with hummus, heckle him with a quail's egg. Get off, you'll never entertain Clapham.

0:22:270:22:31

"What do you know about us, mon?

0:22:310:22:33

"Take that. I've been to Sudan, you don't know jack."

0:22:330:22:37

I've been fired from the Radio 1 Breakfast Show.

0:22:390:22:41

I mean, fired is an emotive word cos I was halfway through a contract and they gave us an afternoon show,

0:22:410:22:46

but I signed a contract to do the Breakfast Show for two years and was fired after seven months,

0:22:460:22:51

but I wasn't on the dole, so I know "fired" is an emotive word.

0:22:510:22:55

I think there are bosses out there who love sacking people in a kind of sado-masochistic way.

0:22:550:23:00

You know the kid, at the age of 11, first day at school, wet themselves.

0:23:000:23:04

They know that from the age of 11 to 18 they're always going to

0:23:040:23:07

be known as the kid in that school who wet themselves on the first day.

0:23:070:23:11

They're the ones who become bosses and they're the people who take out

0:23:110:23:15

that little puddle of pee on everyone personally for the next 40 years.

0:23:150:23:19

"I'm sacking you because, at the age of 11,

0:23:190:23:24

"I peed my pants.

0:23:240:23:27

"It's personal."

0:23:270:23:28

We were absolutely overjoyed, once we knew that we had another job.

0:23:290:23:34

We regarded it as a mercy killing.

0:23:340:23:37

It was. It was the radio equivalent of being taken to the Dignitas clinic.

0:23:370:23:45

You don't see it any more, when people had had a dog for ages

0:23:450:23:50

and its back legs had gone and they'd had wheels put on.

0:23:500:23:53

# Rollin', rollin', rollin', rollin'

0:23:530:23:55

# Keep rollin', rollin', rollin', rollin'... #

0:23:550:23:57

Old women dragging this poor thing with wheels round the market.

0:23:570:24:01

It's like, "Listen, I know you love your dog, but it's over.

0:24:010:24:04

"This thing is finished,

0:24:040:24:06

"you might as well...

0:24:060:24:09

"There are other dogs, let it go."

0:24:090:24:12

The dog has got wheels for legs.

0:24:120:24:15

Our Breakfast Show had wheels for legs after the first fortnight.

0:24:150:24:21

# Rollin', rollin', rollin', rollin'

0:24:210:24:23

# Keep rollin', rollin', rollin', rollin'... #

0:24:230:24:25

The only time I've been sacked was as a warm-up man...

0:24:250:24:29

(AS ROSS) ..for Jonathan Ross's programme in about 1992,

0:24:290:24:33

Fascinating Facts, or Fantastic Facts, it was called, for ITV.

0:24:330:24:36

Jonathan wasn't doing much at the time, a comeback thing after The Last Resort had finished.

0:24:360:24:40

We did the first one and it didn't go very well. And I was booked to do eight, and I was sacked.

0:24:400:24:45

I take great delight in telling Jonathan, yeah, you might like my impression of you,

0:24:450:24:50

and you might say, "You do a really good impression of Stewart Lee"...

0:24:500:24:53

(AS LEE) ..but don't forget, Jonathan, for all those compliments, you were the one who sacked me.

0:24:530:24:58

And you're the only person, ever, to have done that.

0:24:580:25:01

And that's what I call a fascinating fact.

0:25:010:25:05

I got sacked without knowing it once. I walked on...

0:25:050:25:07

It was one of these jobs,

0:25:070:25:08

I was a young actor and I had to get myself out to

0:25:080:25:11

somewhere like Maidenhead. I don't know where Maidenhead is.

0:25:110:25:14

So I get all the maps and things, and I find my way.

0:25:140:25:17

Bus, train, Tube, train. I get out there and you're in the middle of nowhere

0:25:170:25:22

and someone then comes and picks you up.

0:25:220:25:25

And it was a job...Ray Winstone was on it, A Very Secret Army, something like that.

0:25:250:25:29

Geoffrey Palmer as well, some really big actors in this thing.

0:25:290:25:33

Oh, God. He does go on, doesn't he?

0:25:330:25:35

It was called Fairly Secret Army, Morrissey. Shut up.

0:25:350:25:39

So I arrive and I'm met by someone and they send me to a room, the green room,

0:25:390:25:43

where the actors hang out while they're waiting to go and work.

0:25:430:25:47

And all the other actors come in and I recognise them,

0:25:470:25:50

I recognise Ray Winstone and Geoffrey Palmer and I'm so thrilled.

0:25:500:25:53

I'm not long out of drama school and I'm thinking,

0:25:530:25:56

"This is the big time. I'm going to work with some really top acts and I'm so excited."

0:25:560:26:01

Someone's brought me a cup of tea and the actors have come in and they nod at me, they don't know who I am.

0:26:010:26:06

I can hear them talking when they're making tea, going, "Have you heard, they've brought some poor actor

0:26:060:26:12

"all the way out from London and he hasn't got a part.

0:26:120:26:15

"They've just cut it, they've just cut his part."

0:26:150:26:18

And I'm sitting there...

0:26:180:26:19

..listening, like this, and I have a sip of my tea.

0:26:200:26:25

And they say, "It's so terrible.

0:26:250:26:27

"I hope they pay him. He should have a word with his Equity member," and all this is going on.

0:26:270:26:32

This chitter-chatter, Ray going, "Yeah, it's terrible, innit?"

0:26:320:26:36

All of a sudden, someone comes in and goes, "Neil Morrissey?"

0:26:360:26:40

as if there's a bunch of strangers in the room.

0:26:400:26:43

"Can we have a word?"

0:26:450:26:46

And they're all going, "Oh, my God, it was him, it must have been him, it was him."

0:26:460:26:51

So they take me out and tell me, "We're terribly sorry, the director thinks you're a lovely actor

0:26:510:26:55

"and he really wants to work with you again, but unfortunately your part's been cut.

0:26:550:27:01

"Sorry.

0:27:010:27:02

"Here's the bus fare to the train station. Ta-ra."

0:27:020:27:07

Bastards!

0:27:070:27:09

Oh, Morrissey.

0:27:090:27:11

As CJ would've said, I didn't get where I am today by making excuses. Hard graft, man, is what it takes.

0:27:110:27:18

Something this colony knows little about.

0:27:180:27:20

Nine to five was an anathema to me, it could never have been done.

0:27:200:27:25

Work is a pain in the arse. And at the end of it you only get a quid.

0:27:250:27:29

More than anything, that job taught me that one of the worst smells you can ever encounter in your life

0:27:290:27:34

is the smell of a potato peeling machine.

0:27:340:27:36

All I know now is there's no guaranteed career path

0:27:360:27:40

that will keep you away from management stupidity.

0:27:400:27:44

I was like the contestant on The Generation Game who did the job very badly in an endearingly rubbish way.

0:27:440:27:51

If you wake up in the morning and you don't need to be somewhere, that is a step into the abyss.

0:27:510:27:58

Cleaning toilets in the factory in Oldham, it taught me never to have

0:27:590:28:04

a man piss in your house, that's what it taught me.

0:28:040:28:09

# Working nine to five

0:28:090:28:11

# What a way to make a living

0:28:110:28:13

# Barely getting by

0:28:130:28:15

# It's all taking and no giving

0:28:150:28:17

# They just use your mind and you never get the credit

0:28:170:28:22

# It's enough to drive you crazy if you let it

0:28:220:28:27

# Nine to five, yeah, they've got you where they want you

0:28:270:28:31

# There's a better life and you think about it, don't you?

0:28:310:28:36

# It's a rich man's game, no matter what they call it

0:28:360:28:40

# And you spend your life putting money in his wallet... #

0:28:400:28:45

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