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REPORTER: Northern India, where doctors are battling a deadly foe - | 0:00:06 | 0:00:10 | |
smallpox. | 0:00:10 | 0:00:12 | |
A new and perilous epidemic has already infected many thousands. | 0:00:12 | 0:00:16 | |
Vast areas of the country remain under threat, | 0:00:16 | 0:00:20 | |
and fresh vaccination supplies are being rushed to the scene. | 0:00:20 | 0:00:24 | |
Meanwhile, at home, the Ministry of Health has ordered | 0:00:24 | 0:00:27 | |
that in future all visitors from India will require | 0:00:27 | 0:00:30 | |
proof of vaccination before being allowed into the country | 0:00:30 | 0:00:33 | |
until this lethal disease is brought under control. | 0:00:33 | 0:00:36 | |
Any minute now. | 0:00:48 | 0:00:49 | |
Don't do that. | 0:00:49 | 0:00:50 | |
Sorry. | 0:00:50 | 0:00:52 | |
Just try to look happy. | 0:00:52 | 0:00:54 | |
TRAIN WHISTLES | 0:00:55 | 0:00:57 | |
That sounds like her. | 0:00:57 | 0:00:59 | |
What's the matter, why are you pulling that bizarre face? | 0:01:01 | 0:01:04 | |
You said, "Try to look happy." Happy, not demented. | 0:01:04 | 0:01:09 | |
What sort of face should I pull? Don't pull any face. | 0:01:09 | 0:01:12 | |
She thinks the world of you, you know that. | 0:01:12 | 0:01:15 | |
Mummy! Kamini! | 0:01:40 | 0:01:42 | |
It's been so long! I'm so excited! | 0:01:42 | 0:01:46 | |
And Prem, hello. | 0:01:46 | 0:01:48 | |
Maji, welcome to Wales. | 0:01:48 | 0:01:50 | |
GUARD: Bloody hell! Oi! That one, as well. | 0:01:50 | 0:01:53 | |
You want to be a boss, the way you're talking. | 0:01:53 | 0:01:55 | |
Don't lose any, I've counted them. | 0:01:55 | 0:01:57 | |
You must be exhausted - let's get home. It's been so tiring. | 0:01:57 | 0:02:01 | |
Such a long journey. | 0:02:03 | 0:02:05 | |
Sorry about that. It's you I feel sorry for, but...! | 0:02:06 | 0:02:10 | |
GUARD'S WHISTLE | 0:02:12 | 0:02:15 | |
ENGINE STARTS | 0:02:26 | 0:02:27 | |
Prem's practice is doing so well. | 0:02:29 | 0:02:31 | |
You know how the patients were at first, but they're fine now. | 0:02:31 | 0:02:36 | |
I can't believe it's been a year since we came. | 0:02:36 | 0:02:39 | |
It took a while for us to fit in. | 0:02:39 | 0:02:41 | |
It's all been a big success, hasn't it, Prem? | 0:02:42 | 0:02:45 | |
It has. | 0:02:45 | 0:02:47 | |
Excellent. | 0:02:47 | 0:02:48 | |
LAUGHTER AND SHOUTING | 0:02:51 | 0:02:54 | |
This is the mine morning shift just finishing. | 0:02:54 | 0:02:58 | |
They work around the clock. Gosh, they look like minstrels! | 0:02:59 | 0:03:02 | |
That's what they used to say about us. | 0:03:02 | 0:03:04 | |
Let's be in the bath before you! | 0:03:04 | 0:03:07 | |
That's the new preacher, Reverend Todd. | 0:03:07 | 0:03:10 | |
He's just arrived from Kenya - he was a missionary there. How exotic! | 0:03:10 | 0:03:14 | |
He's only been here a month. He wants to save the village. | 0:03:14 | 0:03:17 | |
Quite the evangelist. | 0:03:17 | 0:03:20 | |
He's very pious, I'm sure you'll get on well with him. | 0:03:20 | 0:03:23 | |
CAR HORN | 0:03:23 | 0:03:25 | |
MUSIC PLAYS ON THE RADIO | 0:03:28 | 0:03:30 | |
REVEREND TODD: Verity? | 0:03:30 | 0:03:33 | |
Verity, where are you?! | 0:03:35 | 0:03:37 | |
What are you doing? Reading. | 0:03:43 | 0:03:46 | |
You're not spending the summer holidays lying on that bed | 0:03:48 | 0:03:51 | |
listening to pop music - there's work to be done. | 0:03:51 | 0:03:54 | |
OK. | 0:03:54 | 0:03:56 | |
You have to understand that I'm here to work. | 0:03:56 | 0:03:58 | |
This village needs our help. | 0:03:58 | 0:04:01 | |
And what do you want me to do? | 0:04:01 | 0:04:02 | |
For goodness sake. The floor of the hall needs cleaning before tonight. | 0:04:02 | 0:04:07 | |
I'll do it now. Please do. I'll see you later. | 0:04:07 | 0:04:11 | |
Oh, I was thinking I might call Mummy. | 0:04:12 | 0:04:15 | |
Your mother left this family to start a new life elsewhere. | 0:04:17 | 0:04:20 | |
It would be best for you to accept that. | 0:04:20 | 0:04:23 | |
And to pray for her lost soul. | 0:04:23 | 0:04:25 | |
Please have the floor cleaned by lunchtime. | 0:04:26 | 0:04:29 | |
Right. | 0:04:29 | 0:04:31 | |
Thank you. | 0:04:31 | 0:04:32 | |
So, Mummy, this is home. | 0:04:46 | 0:04:50 | |
Tu kaha ray? | 0:04:50 | 0:04:51 | |
Come in, come in. | 0:04:55 | 0:04:56 | |
So, this is the surgery. | 0:04:59 | 0:05:03 | |
May I take that for you? This way. | 0:05:03 | 0:05:05 | |
Would you like a cuppa? | 0:05:23 | 0:05:25 | |
A what? | 0:05:25 | 0:05:27 | |
A cup of tea. Oh, yes. | 0:05:27 | 0:05:29 | |
Hello, Prem. | 0:05:34 | 0:05:36 | |
Megan. | 0:05:37 | 0:05:39 | |
How are you? | 0:05:39 | 0:05:40 | |
Well. I can see that. | 0:05:40 | 0:05:43 | |
You look really well. | 0:05:43 | 0:05:45 | |
Thank you. I've been in London. | 0:05:46 | 0:05:49 | |
I've missed you. | 0:05:50 | 0:05:52 | |
My mother-in-law's just arrived from India. | 0:05:56 | 0:05:59 | |
I'd better leave you to it then. | 0:06:01 | 0:06:03 | |
SHE GASPS Prem, come here a minute. | 0:06:15 | 0:06:19 | |
Look at this, isn't it wonderful? | 0:06:20 | 0:06:24 | |
Yes, it is. | 0:06:24 | 0:06:25 | |
Er, ladies, excuse me, I think I heard my first patients arriving. | 0:06:25 | 0:06:30 | |
I'll see you later, Maji. Of course. | 0:06:30 | 0:06:32 | |
I can't wait to wear it. | 0:06:32 | 0:06:34 | |
So, tell me about Loli's husband. Nice, no looks. | 0:06:34 | 0:06:38 | |
I heard he was a bit... | 0:06:38 | 0:06:40 | |
Does he have a moustache? | 0:06:41 | 0:06:43 | |
Big ears. | 0:06:44 | 0:06:46 | |
Oh, Mummy, poor girl. | 0:06:48 | 0:06:50 | |
Doctor, I'm in a hurry, so could I...? | 0:06:50 | 0:06:52 | |
I've got a verruca the size of Vesuvius! | 0:06:52 | 0:06:54 | |
And I've got a bunion the size of the Rock of Gibraltar. | 0:06:54 | 0:06:58 | |
BABY CRIES | 0:06:58 | 0:07:00 | |
One moment, please. | 0:07:00 | 0:07:03 | |
Gina, where have you been? | 0:07:05 | 0:07:08 | |
I'm sorry, my mum couldn't take Nye. | 0:07:08 | 0:07:10 | |
You can't keep bringing your baby into work. | 0:07:10 | 0:07:13 | |
The patients can take turns with him. They're here because they're sick. | 0:07:13 | 0:07:17 | |
Do you want Nye to get ill? | 0:07:17 | 0:07:19 | |
It's totally unacceptable. I'm sorry. It just can't go on. | 0:07:19 | 0:07:23 | |
Please don't cry. | 0:07:26 | 0:07:28 | |
I'm so sorry, it's all my fault. | 0:07:34 | 0:07:36 | |
Well, yes. | 0:07:36 | 0:07:37 | |
Please don't sack me, I really need this job. | 0:07:37 | 0:07:41 | |
I'm not going to sack you, but you really must stop crying. | 0:07:41 | 0:07:44 | |
I can't. I'm at the end of my tether, it's hopeless. | 0:07:44 | 0:07:48 | |
No-one understands. Reverend Todd won't baptise Nye, | 0:07:48 | 0:07:52 | |
I mean, what if he died? | 0:07:52 | 0:07:53 | |
Stop talking nonsense. | 0:07:53 | 0:07:56 | |
Or I will sack you. | 0:07:56 | 0:07:58 | |
And I'll hire Nye instead. | 0:07:58 | 0:08:00 | |
That's better. Now, dry your tears and send in the first patient. | 0:08:02 | 0:08:05 | |
Doctor, would you speak to Reverend Todd about Nye? | 0:08:05 | 0:08:10 | |
It would mean so much to my nan. I'll see what I can do. | 0:08:11 | 0:08:14 | |
Give him to me. | 0:08:16 | 0:08:17 | |
MUSIC PLAYS ON THE RADIO | 0:08:25 | 0:08:28 | |
Thank you, Verity. I'll see you later. | 0:08:31 | 0:08:34 | |
Ah, ladies. | 0:08:47 | 0:08:48 | |
Please do come, it'll be a most interesting evening, I promise you. | 0:08:48 | 0:08:53 | |
At 85 he's opened a new school for underprivileged kids. Excuse me. | 0:08:56 | 0:09:01 | |
Could you look after the baby, please? Yes. This is news to me. | 0:09:01 | 0:09:05 | |
Prem's receptionist, this is her baby. | 0:09:05 | 0:09:07 | |
He's just adorable. | 0:09:07 | 0:09:09 | |
Every home needs children. | 0:09:09 | 0:09:12 | |
Yes, adorable. Um, excuse me. | 0:09:12 | 0:09:15 | |
Why isn't this girl's family looking after the baby? | 0:09:17 | 0:09:20 | |
It is all a bit of a mess. The boy's father's abandoned her. | 0:09:20 | 0:09:23 | |
He's gone off to London to be a pop star. | 0:09:23 | 0:09:25 | |
The boy's family have done nothing? | 0:09:25 | 0:09:27 | |
It doesn't work like that here, Mummy. I see. | 0:09:27 | 0:09:31 | |
Reverend! How lovely to see you. | 0:09:33 | 0:09:36 | |
And you, Mrs Davies. | 0:09:36 | 0:09:38 | |
I do hope you'll be coming to my talk this evening? Oh, yes. | 0:09:38 | 0:09:42 | |
I'm sure it will be fascinating. | 0:09:42 | 0:09:45 | |
Can I just say, I think you were so brave going out there | 0:09:45 | 0:09:48 | |
and working with the pygmies? | 0:09:48 | 0:09:51 | |
I hear there's going to be a slideshow. | 0:09:51 | 0:09:54 | |
Yes, lots of slides. Oh, well, definitely don't want to miss that. | 0:09:54 | 0:09:58 | |
You will put the word round for me, won't you? | 0:09:58 | 0:10:00 | |
I'm hoping for a full house. I'll do my best, Reverend, | 0:10:00 | 0:10:03 | |
but I'm afraid the only full house you get round here is at the bingo. | 0:10:03 | 0:10:07 | |
Good. | 0:10:07 | 0:10:09 | |
Look at your face. | 0:10:14 | 0:10:16 | |
Look at your beautiful little face. | 0:10:16 | 0:10:18 | |
You need a change, don't you, Nye? | 0:10:18 | 0:10:20 | |
Excuse me for a minute. | 0:10:20 | 0:10:23 | |
Come on. | 0:10:23 | 0:10:24 | |
Who are you? Dan, who are you? | 0:10:48 | 0:10:50 | |
That's none of your business. | 0:10:50 | 0:10:53 | |
Are you the houseboy? Yeah, I suppose so. | 0:10:53 | 0:10:56 | |
Is there anything to eat? I'm starving. | 0:10:56 | 0:10:58 | |
Get your feet off this minute or I'll have you thrown out! | 0:10:58 | 0:11:01 | |
No-one's allowed to hurt me, that's the rules here. | 0:11:01 | 0:11:04 | |
You stay right here. | 0:11:04 | 0:11:05 | |
Kamini? | 0:11:09 | 0:11:10 | |
Kamini, the houseboy just walked into the living room | 0:11:12 | 0:11:14 | |
and put his feet up as though he owned the place. | 0:11:14 | 0:11:17 | |
Oh, no, that's Dan, Owen Griffiths' boy. | 0:11:17 | 0:11:19 | |
He stays here from time to time. What? | 0:11:19 | 0:11:22 | |
His father drinks. | 0:11:22 | 0:11:24 | |
He's an alcoholic? Dan comes to us when things are bad. | 0:11:24 | 0:11:28 | |
I'm teaching him to write, he's really very clever. | 0:11:28 | 0:11:31 | |
This isn't a family, it's a menagerie. | 0:11:31 | 0:11:34 | |
I'm going to go say my prayers. Good idea. | 0:11:34 | 0:11:38 | |
There, that's better, isn't it? | 0:11:38 | 0:11:41 | |
Mr Griffiths. Reverend Todd. | 0:11:44 | 0:11:48 | |
Making an early start, I see. | 0:11:48 | 0:11:51 | |
Each to his own, eh, Reverend? | 0:11:51 | 0:11:54 | |
I'm doing a little talk in the hall tonight | 0:11:54 | 0:11:57 | |
about my experiences in Kenya - perhaps you'd like to come? | 0:11:57 | 0:12:00 | |
Let me see now... | 0:12:00 | 0:12:03 | |
There are two main reasons why I won't be going. | 0:12:03 | 0:12:05 | |
Firstly, because I turned my back on religion, oh, 40 years ago, | 0:12:05 | 0:12:09 | |
on account of it being a load of old mumbo jumbo. | 0:12:09 | 0:12:13 | |
The opiate of the people. | 0:12:13 | 0:12:15 | |
The second - | 0:12:15 | 0:12:16 | |
I reckon the Africans were better off before the white man | 0:12:16 | 0:12:19 | |
arrived and stole their lands. | 0:12:19 | 0:12:21 | |
Tell me, how is Dan? | 0:12:22 | 0:12:25 | |
Fine. | 0:12:25 | 0:12:27 | |
I gather he's been staying with the Sharmas again. | 0:12:27 | 0:12:29 | |
What's that got to do with you? | 0:12:29 | 0:12:32 | |
Your drinking - | 0:12:32 | 0:12:34 | |
he's the one who's paying the price. | 0:12:34 | 0:12:36 | |
That, Mr Todd, is none of your business. | 0:12:36 | 0:12:40 | |
KNOCK AT THE DOOR | 0:12:46 | 0:12:47 | |
Last patient. | 0:12:47 | 0:12:49 | |
It's Emlyn Dawkins again. | 0:12:49 | 0:12:51 | |
Emlyn, come in. Take a seat. | 0:12:53 | 0:12:56 | |
What can I do for you...today? | 0:13:00 | 0:13:03 | |
I've lost a bit of weight. Yes, I can see that. | 0:13:05 | 0:13:08 | |
And I'm all out of sorts again. | 0:13:08 | 0:13:12 | |
I thought maybe you could give me some of them... | 0:13:12 | 0:13:15 | |
pet pills. | 0:13:15 | 0:13:17 | |
Well, let's not turn to drugs just yet. | 0:13:17 | 0:13:20 | |
Will you watch this baby for me for a minute? | 0:13:20 | 0:13:24 | |
Yeah, all right. | 0:13:24 | 0:13:25 | |
You like chewing your thumb, don't you, Nye? | 0:13:27 | 0:13:30 | |
You really know how to make him smile, don't you? | 0:13:30 | 0:13:34 | |
HE COUGHS | 0:13:34 | 0:13:36 | |
Dan, don't cough all over that baby. | 0:13:36 | 0:13:39 | |
Who coughed all over you? ..Have you got a cold? | 0:13:39 | 0:13:42 | |
Nah, I'm all right. | 0:13:42 | 0:13:44 | |
Oooh, who coughed all over you? | 0:13:47 | 0:13:48 | |
Why don't you go to your room and read for a while, huh? | 0:13:50 | 0:13:53 | |
Who coughed all over you? | 0:13:54 | 0:13:56 | |
Emlyn, it's always lovely to see you, | 0:13:56 | 0:13:59 | |
but what's really going on? | 0:13:59 | 0:14:02 | |
It's just my life. | 0:14:05 | 0:14:07 | |
It's so boring, Doctor. | 0:14:07 | 0:14:10 | |
I mean, if it was like Z cars, now - criminals, cheeses, robberies - | 0:14:10 | 0:14:13 | |
I'd be fine. | 0:14:13 | 0:14:14 | |
But the most exciting thing that happened to me last week | 0:14:14 | 0:14:17 | |
was a missing sheep. What Bobby wouldn't be depressed? | 0:14:17 | 0:14:21 | |
Emlyn, you have a good life. | 0:14:21 | 0:14:24 | |
You live in a nice community, you're well respected, | 0:14:24 | 0:14:28 | |
you have your health. | 0:14:28 | 0:14:29 | |
Contentment is about appreciating the things you HAVE got. | 0:14:31 | 0:14:35 | |
Yeah, I think I understand. | 0:14:35 | 0:14:37 | |
Maybe I should get myself a hobby. | 0:14:37 | 0:14:41 | |
Exactly. Something you're passionate about. | 0:14:41 | 0:14:43 | |
I've got this mate who goes potholing. Good idea. | 0:14:43 | 0:14:47 | |
But I get terrible claustrophobic. Oh. | 0:14:47 | 0:14:50 | |
And then, my brother's very keen on climbing, I could try that. You could, you could. | 0:14:50 | 0:14:55 | |
But I get terrible vertigo. | 0:14:55 | 0:14:56 | |
Well, then it's probably not the thing for you. | 0:14:56 | 0:15:00 | |
Sometimes you just have to seek the beauty in the world around you. | 0:15:01 | 0:15:06 | |
Seek the beauty around you. | 0:15:08 | 0:15:11 | |
Righto, I'll give it a go. | 0:15:15 | 0:15:17 | |
Good luck. | 0:15:17 | 0:15:19 | |
Megan? Is that you? | 0:15:28 | 0:15:31 | |
Hello, Emlyn. Welcome home. | 0:15:31 | 0:15:35 | |
I hardly recognised you, you look so different - | 0:15:35 | 0:15:38 | |
that dress, and your hair. | 0:15:38 | 0:15:41 | |
You'll have me blushing in a minute, now stop it. | 0:15:41 | 0:15:45 | |
It's very sweet of you, Emlyn. | 0:15:45 | 0:15:48 | |
You've made my day. | 0:15:48 | 0:15:49 | |
I'll see you around. Yes, you will. | 0:15:49 | 0:15:53 | |
Gina! | 0:16:11 | 0:16:12 | |
Gina! Shh, Prem! | 0:16:14 | 0:16:17 | |
I just managed to get the baby off to sleep. | 0:16:17 | 0:16:19 | |
I'm sorry, I thought I was in my own surgery. | 0:16:19 | 0:16:22 | |
Sorry, the door was open, not interrupting, I hope. Not at all, Reverend Todd. | 0:16:22 | 0:16:26 | |
Mrs Sharma, am I right in thinking your mother's arrived? | 0:16:26 | 0:16:29 | |
Yes, she's making herself at home. | 0:16:29 | 0:16:31 | |
Ah, Dan, will you be coming to Bible class tomorrow night? | 0:16:31 | 0:16:36 | |
Ah, sorry, can't stop, I've got an appointment. | 0:16:36 | 0:16:38 | |
Dan, you should be resting. Dan! | 0:16:38 | 0:16:40 | |
He shouldn't be out, he has a cold. Do come up. Thank you. | 0:16:40 | 0:16:44 | |
Dr Sharma... | 0:16:48 | 0:16:51 | |
Here. | 0:16:51 | 0:16:53 | |
That's four and nine, please. | 0:16:57 | 0:17:00 | |
Thank you so much. Goodbye now. | 0:17:00 | 0:17:04 | |
And what can I do for you, Dan? | 0:17:07 | 0:17:09 | |
Have you got any corned beef? Mrs Sharma sent me out for some. | 0:17:09 | 0:17:13 | |
I thought Hindus worshipped cows. | 0:17:13 | 0:17:15 | |
What's she doing eating corned beef? | 0:17:15 | 0:17:17 | |
I don't know, but her mum's a beggar for it. | 0:17:17 | 0:17:19 | |
You've only got luncheon meat on the shelf, | 0:17:19 | 0:17:21 | |
have you got some in the back? | 0:17:21 | 0:17:23 | |
Might have, somewhere. | 0:17:23 | 0:17:26 | |
Here we are, half a crown. | 0:17:34 | 0:17:37 | |
Oh, no, she asked for Fray Bentos. | 0:17:37 | 0:17:39 | |
Corned beef is corned beef. | 0:17:39 | 0:17:41 | |
I know, but the old lady's really fussy. Thanks, anyway. | 0:17:41 | 0:17:45 | |
Right. | 0:17:45 | 0:17:47 | |
And I believe Ganesha is the elephant-headed god | 0:17:50 | 0:17:54 | |
who rides a rat to represent his subjugation of the demon vanity. | 0:17:54 | 0:17:57 | |
In a manner of speaking. | 0:17:57 | 0:17:59 | |
And I'm most drawn to the idea of Shiva's neck turning blue | 0:17:59 | 0:18:01 | |
because he drank poison as an act of self-sacrifice. | 0:18:01 | 0:18:05 | |
Much like Christ carrying away the sins of the world on the cross. | 0:18:05 | 0:18:09 | |
Exactly. | 0:18:09 | 0:18:10 | |
You certainly know your Hindu deities, Reverend. | 0:18:10 | 0:18:13 | |
Tell me, what denomination are you? | 0:18:13 | 0:18:15 | |
I think of myself as a nonconformist-nonconformist. | 0:18:15 | 0:18:20 | |
What does that mean, exactly? | 0:18:20 | 0:18:22 | |
Well, my philosophy's quite simple - actions speak louder than words. They do. | 0:18:22 | 0:18:26 | |
In fact, I wondered if we might collaborate on a project, Doctor. | 0:18:27 | 0:18:32 | |
What might that be? | 0:18:32 | 0:18:34 | |
Dan's father, Owen - I saw him this morning outside the pub already drunk. | 0:18:34 | 0:18:37 | |
He's making himself ill, isn't he? | 0:18:37 | 0:18:40 | |
I'm sorry, I can't discuss a patient. | 0:18:40 | 0:18:43 | |
What if we get him to sign the pledge? | 0:18:43 | 0:18:46 | |
What is that? | 0:18:46 | 0:18:47 | |
We have a long tradition of temperance in this country. | 0:18:47 | 0:18:50 | |
By signing the pledge, a man - or indeed a woman - | 0:18:50 | 0:18:54 | |
makes an undertaking before God never to drink alcohol again. | 0:18:54 | 0:18:57 | |
Good luck with that. | 0:18:57 | 0:18:59 | |
Could I not count on your support? | 0:18:59 | 0:19:01 | |
Well, of course, it would be a good idea if Owen stopped drinking, | 0:19:03 | 0:19:08 | |
but, as a doctor... You see, that's the problem with scientists, | 0:19:08 | 0:19:12 | |
they think the body and spirit are separate. | 0:19:12 | 0:19:15 | |
Well, it seems I have an ally in this house, Mrs Bakshi. | 0:19:15 | 0:19:18 | |
Please, call me Pushpa. You must call me Herbert. | 0:19:18 | 0:19:21 | |
Don't you dare mess up my floor, you horrid little urchin. | 0:19:33 | 0:19:36 | |
Sorry. | 0:19:36 | 0:19:39 | |
My friends are on holiday somewhere exotic | 0:19:41 | 0:19:44 | |
and I'm stuck here in this filthy, dull little place, | 0:19:44 | 0:19:47 | |
mopping a floor and talking to you. | 0:19:47 | 0:19:49 | |
What do you mean? Trefelin's got it all. | 0:19:49 | 0:19:51 | |
That's true - there are no coalmines on the Kings Road. | 0:19:51 | 0:19:56 | |
What do you want? | 0:19:56 | 0:19:57 | |
I want to see the treasures, same as last time. | 0:19:57 | 0:20:01 | |
And do you have what I asked for? | 0:20:01 | 0:20:03 | |
Ah, you beauty. | 0:20:06 | 0:20:07 | |
The treasures? | 0:20:07 | 0:20:09 | |
Well, you must be exhausted after your long journey. | 0:20:14 | 0:20:18 | |
I'll leave you all in peace. | 0:20:18 | 0:20:21 | |
Thank you. | 0:20:23 | 0:20:25 | |
Oh, will I see you all this evening? We'll be there. | 0:20:25 | 0:20:27 | |
Good, you can meet my daughter, Verity. | 0:20:27 | 0:20:29 | |
She's home from boarding school for the summer. | 0:20:29 | 0:20:32 | |
I'm sure she'll benefit from some quiet contemplation away from the distraction of the city. | 0:20:32 | 0:20:37 | |
Trefelin must seem so dull to her. | 0:20:37 | 0:20:39 | |
Will we be meeting Mrs Todd? | 0:20:39 | 0:20:41 | |
No, she's, er...she's away. | 0:20:41 | 0:20:43 | |
Well, thank you so much for the tea. | 0:20:43 | 0:20:46 | |
Until this evening. Thank you. | 0:20:52 | 0:20:55 | |
Dr Sharma... | 0:20:55 | 0:20:56 | |
Reverend, I believe you know my receptionist, Gina. | 0:20:56 | 0:21:00 | |
Yes, of course, hello, Gina. Hello. | 0:21:00 | 0:21:02 | |
Gina was rather hoping to talk to you about Nye. | 0:21:03 | 0:21:06 | |
How can I help? | 0:21:06 | 0:21:08 | |
It was about the baptism. | 0:21:08 | 0:21:10 | |
Well, once you and the boy's father are married, | 0:21:10 | 0:21:13 | |
it will give me great pleasure to baptise the child. | 0:21:13 | 0:21:16 | |
But that might not ever happen, that's not Nye's fault. | 0:21:16 | 0:21:19 | |
What if he died and then he wasn't baptised? | 0:21:19 | 0:21:21 | |
He would go to hell, wouldn't he? That's not fair! | 0:21:21 | 0:21:25 | |
As I said, once you're wed we can discuss the baptism. | 0:21:25 | 0:21:29 | |
Thank you again for the tea. | 0:21:29 | 0:21:31 | |
Dr Sharma! | 0:21:32 | 0:21:34 | |
Reverend! A moment, please. Yes, of course. | 0:21:39 | 0:21:43 | |
Gina - it would mean so much to her if you would do the baptism. | 0:21:43 | 0:21:46 | |
I understand, and I would like to help, | 0:21:46 | 0:21:49 | |
but as I'm sure you will agree, if I were to baptise that child, | 0:21:49 | 0:21:52 | |
it would be seen as an endorsement of her behaviour. | 0:21:52 | 0:21:55 | |
She's been through such a lot. There is a wave of permissiveness sweeping across this country | 0:21:55 | 0:21:59 | |
and it's young girls like Gina who are paying the price. I agree. | 0:21:59 | 0:22:02 | |
The best solution would be for the father of the child to return | 0:22:02 | 0:22:05 | |
and take up his responsibility. | 0:22:05 | 0:22:07 | |
Yes, if... There's only one thing that will bring him back, | 0:22:07 | 0:22:10 | |
and that's shame. | 0:22:10 | 0:22:11 | |
There's more than enough shame in her life as it is. | 0:22:12 | 0:22:15 | |
What she needs is compassion and forgiveness - | 0:22:15 | 0:22:17 | |
that is Christ's message, is it not? | 0:22:17 | 0:22:19 | |
I see you find my attitude unyielding, Doctor. But believe me, | 0:22:22 | 0:22:26 | |
I have the girl's best interests at heart, and those of her baby. | 0:22:26 | 0:22:30 | |
I look forward to seeing you this evening. | 0:22:30 | 0:22:33 | |
Don't you try pulling the wool over my eyes, Mr Joseph, you cannot park that tractor there. | 0:22:38 | 0:22:42 | |
There's only the one, sergeant. Rubbish! | 0:22:42 | 0:22:45 | |
I've seen you park it there a dozen times before. You're nicked. | 0:22:45 | 0:22:48 | |
BELL JINGLES | 0:22:48 | 0:22:51 | |
Fine-looking woman. | 0:22:56 | 0:22:58 | |
Eh? | 0:22:58 | 0:22:59 | |
Play your cards right, and you could be in there. | 0:22:59 | 0:23:03 | |
It's got nothing to do with you. I'm only saying. Well, don't! | 0:23:03 | 0:23:08 | |
Right you are. | 0:23:08 | 0:23:11 | |
You park that tractor there again | 0:23:13 | 0:23:15 | |
and I will have you up in front of a magistrate. | 0:23:15 | 0:23:17 | |
You disgusting little boy, use a handkerchief, not that. | 0:23:28 | 0:23:32 | |
Are these from Africa? | 0:23:35 | 0:23:37 | |
You do know you can go to hell for that? | 0:23:39 | 0:23:43 | |
I really don't know why you're so interested, it's just old junk. | 0:23:47 | 0:23:51 | |
It's witchcraft, isn't it? | 0:23:51 | 0:23:52 | |
I just love the embroidery. I knew you would. | 0:23:55 | 0:23:59 | |
I had it done by Rukhsana. Do you remember her? Yes. | 0:23:59 | 0:24:03 | |
She used to embroider all your frocks when you were little. | 0:24:03 | 0:24:07 | |
It's beautiful, Mummy. | 0:24:07 | 0:24:08 | |
Thank you. | 0:24:10 | 0:24:11 | |
Ah, you're back. What have you been up to all day? Oh, this and that. | 0:24:19 | 0:24:23 | |
I can imagine. | 0:24:23 | 0:24:24 | |
Are you all right? I feel hot. You are. | 0:24:27 | 0:24:31 | |
Bit swollen, too. How long have you been feeling unwell? All day. | 0:24:33 | 0:24:37 | |
Right, go to bed. I'll get some aspirin. | 0:24:37 | 0:24:40 | |
Drink lots and lots of water. | 0:24:40 | 0:24:42 | |
He's unwell. I noticed that. Is he all right? Yes, I just sent to bed. | 0:24:45 | 0:24:49 | |
You'd better hurry up and get dressed, we're leaving soon. | 0:24:49 | 0:24:52 | |
Do I really need to go? You must, it would be rude not to. | 0:24:52 | 0:24:55 | |
And besides, it's an opportunity to introduce Mummy to a few people. | 0:24:55 | 0:24:59 | |
Dan is unwell. Maji, you look splendid. Thank you. | 0:24:59 | 0:25:02 | |
Why aren't you ready? We are about to leave. Sadly, I can't come. | 0:25:02 | 0:25:06 | |
The boy is unwell. My duties come first. | 0:25:06 | 0:25:09 | |
What a pity, I was so looking forward to it. But have a lovely evening. | 0:25:09 | 0:25:13 | |
See you later. Come on, Mummy. | 0:25:13 | 0:25:15 | |
# I put a spell on you... # | 0:25:26 | 0:25:28 | |
Don't fidget, Verity. | 0:25:28 | 0:25:30 | |
We have to be presentable. | 0:25:31 | 0:25:34 | |
# Because you're mine... # | 0:25:34 | 0:25:36 | |
Good day. | 0:25:41 | 0:25:43 | |
# Stop the things you do... # | 0:25:43 | 0:25:46 | |
So glad you could make it. | 0:25:46 | 0:25:48 | |
# I ain't lying... # | 0:25:51 | 0:25:53 | |
Mrs Davies, welcome. I wouldn't have missed this for the world. | 0:25:53 | 0:25:57 | |
I've made you some Welsh cakes. Perfect for after the show. | 0:25:57 | 0:26:02 | |
Don't seem to be many here. Oh, I'm sure there'll be a late surge. | 0:26:02 | 0:26:08 | |
Good evening, Verity. | 0:26:11 | 0:26:12 | |
I'm sure you're looking forward to your father's film show. | 0:26:12 | 0:26:16 | |
Very much so. These are for later. | 0:26:16 | 0:26:20 | |
# Because you're mi-i-i-ine. # | 0:26:22 | 0:26:27 | |
Emlyn. Not disturbing you, am I? | 0:26:31 | 0:26:32 | |
No, no. Not at all. | 0:26:32 | 0:26:34 | |
Mrs Sharma, Pushpa. I'm so glad you could make it. | 0:26:42 | 0:26:46 | |
We're not late, I hope. | 0:26:46 | 0:26:47 | |
No, just about to dim the lights. Excellent. | 0:26:47 | 0:26:50 | |
If you'd like to take a seat... | 0:26:50 | 0:26:52 | |
Mummy, this is Mrs Davies who runs the local shop. | 0:26:52 | 0:26:55 | |
It's Pushpa, isn't it? How do you do? Very well, thank you. | 0:26:55 | 0:26:59 | |
You've picked quite the day to arrive - everything is happening. | 0:26:59 | 0:27:04 | |
We should sit down. | 0:27:04 | 0:27:05 | |
I ordered you in some corned beef, one of the posh brands, | 0:27:05 | 0:27:09 | |
I know it's your favourite. Corned beef? | 0:27:09 | 0:27:12 | |
But we are Hindus. Your secret is safe with me. | 0:27:12 | 0:27:15 | |
REVEREND: Ladies and gentlemen, good evening and welcome. | 0:27:19 | 0:27:23 | |
Verity, if we could have the lights, please. | 0:27:23 | 0:27:26 | |
You're in love?! | 0:27:27 | 0:27:29 | |
You said seek the beauty in the world around you - | 0:27:29 | 0:27:32 | |
I was walking down the high street and there she appeared, | 0:27:32 | 0:27:35 | |
right in front of my eyes, like a dream. | 0:27:35 | 0:27:37 | |
Er, good! May I know the name of this goddess? | 0:27:39 | 0:27:43 | |
No, no, no, no. I don't want to jinx it. That's fair enough. | 0:27:43 | 0:27:46 | |
Well, I think my work here is done. Good luck with it. | 0:27:46 | 0:27:49 | |
That's the problem, you see, Doctor. | 0:27:49 | 0:27:51 | |
When it comes to courting women, I get all tongue tied. | 0:27:51 | 0:27:55 | |
Well, just be yourself. But I'm not confident at being myself. | 0:27:55 | 0:27:58 | |
In a professional capacity you are very confident. Be bold, be brave! | 0:27:58 | 0:28:02 | |
A woman likes a man who knows how to give orders. | 0:28:02 | 0:28:05 | |
I got the impression in this house it was your wife wearing the trousers. | 0:28:05 | 0:28:08 | |
That's just... what I want her to think. | 0:28:08 | 0:28:12 | |
Very good, very clever, Doctor. | 0:28:14 | 0:28:17 | |
Now, here we see some Masai tribeswomen. | 0:28:17 | 0:28:21 | |
You will notice their elaborate decoration. | 0:28:21 | 0:28:24 | |
Harmless enough, you may think. | 0:28:24 | 0:28:26 | |
But if we put too much thought into the predilection | 0:28:26 | 0:28:30 | |
of our self image, there is a risk that we, like the Pharisees, | 0:28:30 | 0:28:33 | |
will become oblivious to the feelings and needs of others. | 0:28:33 | 0:28:36 | |
This is an eternal truth we would do well to observe. | 0:28:36 | 0:28:40 | |
Now, it's the turn of the men. | 0:28:41 | 0:28:43 | |
This is a group of males grooming each other's hair. | 0:28:45 | 0:28:49 | |
Try this exercise. Say to yourself, | 0:28:49 | 0:28:51 | |
"I am in command. | 0:28:51 | 0:28:54 | |
"I am decisive. | 0:28:54 | 0:28:56 | |
"I am confident." Say it. | 0:28:56 | 0:28:59 | |
I am in command. | 0:29:01 | 0:29:02 | |
I am... | 0:29:02 | 0:29:04 | |
decisive. No, no, no, no. With conviction. Believe it! | 0:29:04 | 0:29:08 | |
I am confident. Yes, again. | 0:29:10 | 0:29:12 | |
I am confident. Yes. | 0:29:14 | 0:29:17 | |
I am in command. You are. | 0:29:17 | 0:29:20 | |
And you, woman, are going to do what I say or there'll be trouble! | 0:29:20 | 0:29:24 | |
Maybe not quite that confident. | 0:29:24 | 0:29:27 | |
Sorry, Doctor. | 0:29:27 | 0:29:28 | |
Well, I think you're ready. Go for it, tiger! | 0:29:31 | 0:29:34 | |
Thanks again, Doctor. Not at all. | 0:29:34 | 0:29:36 | |
Doctor...will you come with me? | 0:29:38 | 0:29:40 | |
Again, they are focused on outward appearance. | 0:29:42 | 0:29:46 | |
Throughout my ministry, I have sought to guide man away from the poverty of | 0:29:46 | 0:29:52 | |
outward appearance to the bountiful and rich terrain of our inner lives. | 0:29:52 | 0:29:58 | |
The treasures of the spirit where true joy and harmony can flourish. | 0:29:58 | 0:30:03 | |
Now, here is a remarkable fellow. | 0:30:08 | 0:30:10 | |
His name is Lessang Guiny Guiny, and there he is with his wife and child. | 0:30:10 | 0:30:16 | |
They were the first of many natives I was able to bring under my wing. | 0:30:16 | 0:30:21 | |
How was this achieved, you may ask? | 0:30:21 | 0:30:23 | |
Well, I began by telling them of the Hebrews, | 0:30:23 | 0:30:27 | |
who, as I'm sure you'll remember, were promised land, | 0:30:27 | 0:30:30 | |
but had to take it by force one town at a time. | 0:30:30 | 0:30:34 | |
In the same way, we are promised the gift of self-control, | 0:30:34 | 0:30:39 | |
and yet we also must take it by force. I need the boys' room. | 0:30:39 | 0:30:45 | |
Self-control is the first step towards freeing our hearts | 0:30:47 | 0:30:51 | |
and spirits. | 0:30:51 | 0:30:53 | |
We must pursue this goal with vigour and avoid distractions. | 0:30:53 | 0:30:58 | |
All right? | 0:31:12 | 0:31:13 | |
You shouldn't be smoking. It's bad for you. | 0:31:15 | 0:31:18 | |
Give us a drag. | 0:31:20 | 0:31:21 | |
What happened to your eye? | 0:31:25 | 0:31:27 | |
Captain of the rugby team. We had a game last weekend. | 0:31:28 | 0:31:32 | |
Rough, was it? | 0:31:32 | 0:31:34 | |
We won easy. | 0:31:34 | 0:31:36 | |
Got this in the pub after. | 0:31:36 | 0:31:38 | |
What's it like down a mine? | 0:31:42 | 0:31:44 | |
All right. Did you get scared? | 0:31:45 | 0:31:48 | |
I've been down that pit for 14 years. You get used to it. | 0:31:48 | 0:31:52 | |
I bet it's filthy. | 0:31:52 | 0:31:54 | |
Aye, and hotter than hell. | 0:31:56 | 0:31:59 | |
Some seams, they get so hot, | 0:32:00 | 0:32:03 | |
you can't touch the walls, | 0:32:03 | 0:32:05 | |
they're that boiling, | 0:32:05 | 0:32:08 | |
and the air... | 0:32:08 | 0:32:09 | |
gets so wet, feels like you're drowning. | 0:32:09 | 0:32:14 | |
You must sweat a lot. | 0:32:15 | 0:32:17 | |
Like pigs. | 0:32:17 | 0:32:19 | |
Sounds revolting. | 0:32:21 | 0:32:22 | |
# The night we met I knew I needed you so | 0:32:36 | 0:32:42 | |
# And if I had the chance, I'd never let you go... # | 0:32:44 | 0:32:48 | |
You are confident. You are in command. Evening, Emlyn. | 0:32:48 | 0:32:53 | |
What will it be, bitter or stout? Yes, please. | 0:32:54 | 0:32:58 | |
Bitter or stout? Oh, no, thank you. I don't want a drink. | 0:32:59 | 0:33:04 | |
This is a pub, Emlyn. Drinking is what people do here. | 0:33:04 | 0:33:08 | |
Are you all right? | 0:33:08 | 0:33:10 | |
I am brave, I am bold. | 0:33:10 | 0:33:12 | |
That's good to hear. | 0:33:12 | 0:33:15 | |
This is very important. | 0:33:15 | 0:33:17 | |
What is? | 0:33:17 | 0:33:19 | |
I've got something I want to say. | 0:33:19 | 0:33:22 | |
What? | 0:33:22 | 0:33:23 | |
You let me know, love. All right, Emlyn? Found that missing sheep yet? | 0:33:28 | 0:33:32 | |
He's been with her all weekend! | 0:33:32 | 0:33:34 | |
LAUGHTER | 0:33:34 | 0:33:37 | |
Dan? You should be in the bed. | 0:33:45 | 0:33:48 | |
I'm too hot. | 0:33:48 | 0:33:50 | |
The pills will start working in a minute. Here, let's get this off. | 0:33:52 | 0:33:56 | |
There we go. | 0:33:57 | 0:33:58 | |
Here, jump in. | 0:34:00 | 0:34:02 | |
Lie down. | 0:34:07 | 0:34:08 | |
Stay there. | 0:34:14 | 0:34:15 | |
KNOCK AT THE DOOR | 0:34:15 | 0:34:17 | |
Try to get some sleep. | 0:34:19 | 0:34:21 | |
"Good evening, Doctor. Hello, sergeant, won't you come in?"(!) | 0:34:41 | 0:34:45 | |
What happened? It's my nerves. | 0:34:56 | 0:35:00 | |
Worse than ever. | 0:35:00 | 0:35:01 | |
I stood there like a flaming idiot, talking nonsense. | 0:35:01 | 0:35:06 | |
I'm sorry, I shouldn't have pushed you. It's not your fault, Doctor. | 0:35:06 | 0:35:10 | |
It's me. I'm a fool. | 0:35:10 | 0:35:12 | |
You're not a fool, you're a decent man. | 0:35:14 | 0:35:16 | |
And any woman would be lucky to have you. | 0:35:16 | 0:35:19 | |
Maybe it would be an idea to put your feelings down on paper? | 0:35:22 | 0:35:27 | |
No, I'm no poet. | 0:35:29 | 0:35:30 | |
It doesn't have to be poetry. Just as long as it comes from the heart. | 0:35:30 | 0:35:35 | |
Will you help me? | 0:35:37 | 0:35:38 | |
This is the chapel on the day of its dedication just six months later. | 0:35:40 | 0:35:45 | |
By this time, our congregation numbered several hundred. | 0:35:45 | 0:35:50 | |
What a proud day that was for us all. (Where you been? Having a smoke.) | 0:35:50 | 0:35:55 | |
Here I am with four loyal elders | 0:35:57 | 0:36:02 | |
of my congregation. | 0:36:02 | 0:36:04 | |
Sadly, since the photograph of this happy occasion was taken, | 0:36:06 | 0:36:10 | |
these dear friends have crossed over. | 0:36:10 | 0:36:13 | |
Doubtless to their reward in heaven. | 0:36:15 | 0:36:18 | |
I think that was in fact the last slide. | 0:36:33 | 0:36:36 | |
Verity, if we could have the lights, please. | 0:36:36 | 0:36:39 | |
HE SIGHS | 0:36:42 | 0:36:46 | |
Right. Starting again. | 0:36:46 | 0:36:48 | |
When you saw her, how did it make you feel? | 0:36:50 | 0:36:52 | |
As if I had come alive. Well, why not talk about that? | 0:36:54 | 0:36:57 | |
How she fills you with 1,000 sunrises and sunsets. | 0:37:01 | 0:37:07 | |
How each dawn brings the hope that you might catch a glimpse of her. | 0:37:07 | 0:37:14 | |
Even for a few seconds. | 0:37:15 | 0:37:17 | |
And that when she smiles at you, | 0:37:19 | 0:37:21 | |
1,000 love songs could never do that moment justice. | 0:37:21 | 0:37:26 | |
You've got a way with words, Doctor. That was lovely. | 0:37:30 | 0:37:32 | |
Yes, well, it really should be in your own words. | 0:37:34 | 0:37:38 | |
I have to look in on Dan, he's not feeling very well. | 0:37:38 | 0:37:42 | |
Of course. Thank you, Doctor. | 0:37:42 | 0:37:45 | |
Thanks again, Doc. Night. | 0:37:48 | 0:37:50 | |
DAN COUGHS | 0:37:54 | 0:37:57 | |
Here, drink some water. | 0:38:08 | 0:38:10 | |
I feel terrible. My mouth's all swollen. OK. Let's take a look. | 0:38:16 | 0:38:21 | |
Close your eyes. Say "ah". Ah. | 0:38:23 | 0:38:28 | |
"Ah". Ah. | 0:38:31 | 0:38:33 | |
I'll be right back. | 0:38:36 | 0:38:38 | |
Corn beef? What was the boy playing at? A tight slap is what he needs. | 0:38:58 | 0:39:02 | |
Leave it to me, Mummy. | 0:39:02 | 0:39:04 | |
Give the boy a hiding and send him back to his father. | 0:39:26 | 0:39:30 | |
OK, Mummy, I'll deal with it. | 0:39:30 | 0:39:32 | |
Dan, you are in serious trouble. | 0:39:33 | 0:39:35 | |
We know what happened at the shop, now explain yourself. | 0:39:35 | 0:39:38 | |
Answer me, Dan. I'm sorry, please, I'm sorry. | 0:39:39 | 0:39:43 | |
You're soaking. Stay there. | 0:39:43 | 0:39:45 | |
Prem? | 0:39:47 | 0:39:48 | |
Dan has a terrible fever. Yes, yes. | 0:40:01 | 0:40:04 | |
So, what is it? I'm not sure. He has small red spots on his tongue. | 0:40:09 | 0:40:14 | |
We have to keep him cool. I'll get cold water and towels. | 0:40:15 | 0:40:18 | |
Dan? What did the boy have to say for himself? Dan is very ill. | 0:40:29 | 0:40:34 | |
He's gone. What? I can't find him. No, I told him he was in trouble. | 0:40:36 | 0:40:41 | |
The front door was open. Kamini, what on earth is happening? | 0:40:41 | 0:40:45 | |
It's Dan, he's run away. You stay here, | 0:40:45 | 0:40:47 | |
we'll be back as soon as we can. | 0:40:47 | 0:40:48 | |
Evening, Doctor. Mrs Sharma. Megan, have you seen Dan? He's run away. | 0:40:55 | 0:41:01 | |
No. What about Owen? I threw him out about an hour ago. | 0:41:01 | 0:41:04 | |
He was drunk as hell. Thank you. | 0:41:04 | 0:41:07 | |
He used to have a den at the old mine. | 0:41:09 | 0:41:12 | |
He hasn't mentioned it in months. We could try there. | 0:41:12 | 0:41:16 | |
Let's do that. It's really important we find him tonight. What is it? | 0:41:16 | 0:41:21 | |
I think he's got smallpox. | 0:41:21 | 0:41:24 | |
Stay right back! | 0:41:49 | 0:41:52 | |
I don't think I can do this. You must. | 0:41:54 | 0:41:56 | |
It'll be like losing Rani all over again. | 0:41:56 | 0:41:59 | |
Where did he get it from? | 0:41:59 | 0:42:01 | |
That's the question, isn't it? | 0:42:01 | 0:42:04 | |
I'm sorry, Mrs Davies, | 0:42:05 | 0:42:07 | |
I've got orders to close this shop with immediate effect. | 0:42:07 | 0:42:09 | |
You can't do that! Yes, I can. | 0:42:09 | 0:42:12 | |
KLAXON BLASTS That's the hooter. | 0:42:12 | 0:42:14 | |
What are they doing clocking off now? | 0:42:14 | 0:42:16 | |
Don't go! I'm on the rescue team. | 0:42:16 | 0:42:19 | |
There are only seven doses. | 0:42:21 | 0:42:22 | |
We're going to have to choose. Just seven people? | 0:42:22 | 0:42:26 | |
You have to isolate the village, set up roadblocks. People will panic. | 0:42:26 | 0:42:29 | |
If we don't contain this disease, people will die. | 0:42:29 | 0:42:32 | |
Subtitles by Red Bee Media Ltd | 0:42:52 | 0:42:55 | |
Continuing on BBC Two, it's... Wow! That looks complicated. | 0:43:03 | 0:43:07 | |
Whoa! How did they...? | 0:43:07 | 0:43:09 | |
It's... Oh, I don't... What...? | 0:43:09 | 0:43:12 | |
That's chocolate? I... | 0:43:12 | 0:43:13 |