Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
TRUMPET FANFARE | 0:00:02 | 0:00:03 | |
# Hello, my friends It's time, you will surmise | 0:00:03 | 0:00:05 | |
# For me to give some gongs out and the same rule still applies | 0:00:05 | 0:00:08 | |
# They're not for achievements that usually get the prize | 0:00:08 | 0:00:12 | |
# For this show is for those we all too seldom recognise | 0:00:12 | 0:00:16 | |
# Let's review the wronged and the rejected | 0:00:16 | 0:00:20 | |
# And we'll praise the ones we have neglected | 0:00:20 | 0:00:23 | |
# So take your seats, miladies and milords | 0:00:23 | 0:00:27 | |
# It's the Matt Lucas Awards! | 0:00:27 | 0:00:33 | |
# Lucas Awards. # | 0:00:33 | 0:00:35 | |
Yes, it's The Matt Lucas Awards, | 0:00:35 | 0:00:38 | |
and please welcome your host, Matt Lucas. | 0:00:38 | 0:00:41 | |
-Hello! -APPLAUSE AND CHEERING | 0:00:41 | 0:00:45 | |
Hello, yes! | 0:00:45 | 0:00:48 | |
Hello! You could have got up. | 0:00:48 | 0:00:50 | |
You wouldn't get up. | 0:00:50 | 0:00:52 | |
Hello, yes! | 0:00:52 | 0:00:53 | |
Hello, hello, and welcome to the show | 0:00:53 | 0:00:56 | |
that gives the awards other shows don't give. | 0:00:56 | 0:00:58 | |
As ever, my mum is in the kitchen. | 0:00:58 | 0:01:00 | |
-Hello, lady woman. -Hi! | 0:01:00 | 0:01:01 | |
And providing the nominations tonight | 0:01:01 | 0:01:04 | |
we have Ardal O'Hanlon, Robert Webb, and Adil Ray. | 0:01:04 | 0:01:07 | |
-APPLAUSE -Thank you very much for joining me. | 0:01:07 | 0:01:10 | |
Now this series, the winners of each award | 0:01:10 | 0:01:12 | |
are decided by a panel of judges, | 0:01:12 | 0:01:14 | |
who this week are all Olympic bronze medallists. | 0:01:14 | 0:01:18 | |
Please welcome boxer, Anthony Ogogo, | 0:01:18 | 0:01:20 | |
and from the ladies hockey team, | 0:01:20 | 0:01:22 | |
captain, Kate Walsh, and forward, Alex Danson. | 0:01:22 | 0:01:26 | |
APPLAUSE AND CHEERING | 0:01:26 | 0:01:29 | |
Welcome to the show | 0:01:29 | 0:01:30 | |
and congratulations on your BRONZE medals. | 0:01:30 | 0:01:33 | |
So it's time for our first award. | 0:01:34 | 0:01:39 | |
As a superlative actor, I can do lots of regional accents. | 0:01:39 | 0:01:42 | |
-HE ADOPTS ACCENT -Arite, there, mate? How ya doin'? | 0:01:42 | 0:01:44 | |
Liverpool. | 0:01:44 | 0:01:45 | |
I know where it is but I can't really get at it at the moment. | 0:01:45 | 0:01:48 | |
Birmingham. | 0:01:48 | 0:01:49 | |
-HE ADOPTS INDIAN ACCENT -Very, very pleased to be meeting you. | 0:01:49 | 0:01:52 | |
Welsh. | 0:01:52 | 0:01:53 | |
But which accent is the one we most struggle to understand? | 0:01:54 | 0:01:57 | |
Nominations, please, for the Lucas | 0:01:57 | 0:01:59 | |
for Least Comprehensible UK Accent. | 0:01:59 | 0:02:01 | |
Ardal. | 0:02:01 | 0:02:02 | |
Northern Irish. | 0:02:02 | 0:02:04 | |
Robert. | 0:02:04 | 0:02:05 | |
Lincolnshire. | 0:02:05 | 0:02:06 | |
And, Adil. | 0:02:06 | 0:02:07 | |
Sir Alex Ferguson. | 0:02:07 | 0:02:10 | |
OK, so, Ardal, why have you gone for, | 0:02:10 | 0:02:14 | |
as your Least Comprehensible Accent, Northern Ireland. | 0:02:14 | 0:02:16 | |
I'm very familiar with these people. | 0:02:16 | 0:02:20 | |
They're quite near me, and they speak very fast, | 0:02:20 | 0:02:23 | |
with a very aggressive edge to it. | 0:02:23 | 0:02:26 | |
And, sort of, they don't want people to understand them. | 0:02:26 | 0:02:28 | |
I think they do it on purpose. | 0:02:28 | 0:02:29 | |
It's, "RARARARRAR... bring those sheep in here! | 0:02:29 | 0:02:32 | |
"Where's the sheep?! Bring them in here right now! | 0:02:32 | 0:02:34 | |
"ARARARARAR!" | 0:02:34 | 0:02:36 | |
I'd go as far as to say they don't even understand | 0:02:36 | 0:02:39 | |
what they're saying themselves. | 0:02:39 | 0:02:40 | |
Well, we have a clip here of a man even the Northern Irish | 0:02:40 | 0:02:43 | |
would probably have struggled to understand. | 0:02:43 | 0:02:46 | |
HE SPEAKS IN THICK ACCENT The Strabane people doesn't get no fair play. | 0:02:46 | 0:02:49 | |
The people of Strabane get no jobs now. | 0:02:49 | 0:02:51 | |
They can come from far and near and get work. | 0:02:51 | 0:02:53 | |
And the people are having to cross the water, | 0:02:53 | 0:02:55 | |
having to go away 20 years. | 0:02:55 | 0:02:56 | |
And during the war, I went away to fight with a bottle of holy water. | 0:02:56 | 0:02:59 | |
And they weren't many men to go across the water that time. | 0:02:59 | 0:03:03 | |
APPLAUSE | 0:03:03 | 0:03:05 | |
That was actually a young Eamonn Holmes. | 0:03:08 | 0:03:11 | |
Well, I think I can do sort of four Irish, sort of... | 0:03:11 | 0:03:14 | |
there's Northern Irish, there's... HOY-DOY-DOY-DUR-DUR-DUR-DOY! | 0:03:14 | 0:03:18 | |
DUR-DUR-DOYR! There's that. | 0:03:18 | 0:03:20 | |
And then there's also... | 0:03:20 | 0:03:22 | |
Eee-barr-darr-dur-na-doin! | 0:03:22 | 0:03:25 | |
And then...but also, if you go in the South, | 0:03:25 | 0:03:29 | |
there's sort of... | 0:03:29 | 0:03:31 | |
Eur-dor-doily-do-doily! | 0:03:31 | 0:03:34 | |
Like, leprechaun. | 0:03:34 | 0:03:35 | |
And then also, there's the Boyzone which is... | 0:03:35 | 0:03:38 | |
Doy, er...with de Boyzone, with the Shane and the Keith. | 0:03:38 | 0:03:40 | |
Like that, those are the four that I know. | 0:03:40 | 0:03:44 | |
But the I can do those two northern ones, yes. | 0:03:44 | 0:03:46 | |
Very well, I think. | 0:03:46 | 0:03:48 | |
Even the animals in Northern Ireland... | 0:03:48 | 0:03:51 | |
like, seriously, a cow in Northern Ireland is, "MRRRRR!" | 0:03:51 | 0:03:55 | |
What does he want, that cow? | 0:03:55 | 0:03:57 | |
I used to go out with a girl from Northern Ireland. | 0:03:57 | 0:03:59 | |
It was the same thing. I was terrified all the time. | 0:03:59 | 0:04:01 | |
Because you don't know what she's saying or what she wants. | 0:04:01 | 0:04:04 | |
Even when she's saying, "I love you," | 0:04:04 | 0:04:06 | |
it sounds like a threat, you know. It's like... | 0:04:06 | 0:04:08 | |
-HE ADOPTS ACCENT -"I love you! | 0:04:08 | 0:04:10 | |
"I love you, so I do. Do you hear me?! I love you!" | 0:04:10 | 0:04:13 | |
So, Robert, why have you nominated the Lincolnshire accent? | 0:04:13 | 0:04:16 | |
Well, I'm from Lincolnshire, I grew up in Lincolnshire, | 0:04:16 | 0:04:19 | |
and it's not that it's an incomprehensible accent, | 0:04:19 | 0:04:21 | |
it's that I was incomprehensible | 0:04:21 | 0:04:23 | |
because, not only did I have quite a broad native accent, | 0:04:23 | 0:04:26 | |
but also I had a massive speech impediment until was about 16, | 0:04:26 | 0:04:29 | |
so I'd say the sound, "s," "sur", | 0:04:29 | 0:04:32 | |
and "t," "tur." | 0:04:32 | 0:04:34 | |
So I'd say, "Are you being thuperthilious? | 0:04:34 | 0:04:36 | |
"Are you being tharcastic? Because I think that's, you know... | 0:04:36 | 0:04:39 | |
"By the way, would you like to have thex now?" | 0:04:39 | 0:04:41 | |
So it's not Lincolnshire's incomprehensible | 0:04:41 | 0:04:44 | |
it's that I was totally incomprehensible. | 0:04:44 | 0:04:46 | |
Well, I put it to you | 0:04:46 | 0:04:47 | |
that there are some other people in Lincolnshire | 0:04:47 | 0:04:49 | |
-who are quite incomprehensible. -Right. | 0:04:49 | 0:04:51 | |
Let's have a look at one of your fellow yellow bellies here. | 0:04:51 | 0:04:54 | |
HE SPEAKS INCOMPREHENSIBLY | 0:04:54 | 0:04:57 | |
LAUGHTER | 0:05:11 | 0:05:13 | |
-Did you understand that? -No! | 0:05:13 | 0:05:15 | |
No, but the sort of music is very familiar. | 0:05:15 | 0:05:17 | |
-HE ADOPTS LINCOLNSHIRE ACCENT -It's not so much an accent, | 0:05:17 | 0:05:20 | |
as an attitude, Matthew. | 0:05:20 | 0:05:21 | |
Our Robert, he went to uni, and he made some friends, | 0:05:21 | 0:05:25 | |
many of whom were homosexuals, | 0:05:25 | 0:05:27 | |
and he's come back and he sounds like them. And, why not? | 0:05:27 | 0:05:30 | |
Adil, you've nominated Alex Ferguson. | 0:05:32 | 0:05:35 | |
-Yes. -Now, I don't want it to go unnoticed, by the way, | 0:05:35 | 0:05:38 | |
that I refuse to call Alex Ferguson SIR Alex Ferguson, | 0:05:38 | 0:05:40 | |
because I'm an Arsenal fan, | 0:05:40 | 0:05:42 | |
so I don't really recognise his knighthood. | 0:05:42 | 0:05:44 | |
And, Adil, perhaps you'd like to join me in this flagrant disregard? | 0:05:44 | 0:05:47 | |
I think I probably will, actually. | 0:05:47 | 0:05:49 | |
I'm a Villa fan, so I'll join you on that. | 0:05:49 | 0:05:50 | |
Excellent. We have a deal. | 0:05:50 | 0:05:52 | |
The fact is, they don't even allow people in this country | 0:05:52 | 0:05:54 | |
if you can't speak English properly anymore, | 0:05:54 | 0:05:56 | |
so the fact that they've given Sir Alex Ferguson a knighthood | 0:05:56 | 0:05:59 | |
and you can't understand him, That's a good point. | 0:05:59 | 0:06:01 | |
-He shouldn't have that, should he? -He shouldn't have it. | 0:06:01 | 0:06:03 | |
Let's see a bit of the incomprehensible old sod in action. | 0:06:03 | 0:06:06 | |
Now I've got Andy, I've got Teddy, | 0:06:06 | 0:06:10 | |
I've got Scolesey wanting to play, | 0:06:10 | 0:06:11 | |
I've got Giggs, I've got Jordi Cruyff. | 0:06:11 | 0:06:13 | |
I'm very, very pleased at that situation we're in. | 0:06:13 | 0:06:15 | |
What did he say at the end there? | 0:06:15 | 0:06:17 | |
He said, "Radda-daa-daa-doin." | 0:06:17 | 0:06:19 | |
I don't think it's that important | 0:06:19 | 0:06:21 | |
that Alex Ferguson is comprehensible. | 0:06:21 | 0:06:24 | |
Do you know what I mean? | 0:06:24 | 0:06:25 | |
His face changes from orange to red to purple, that's a sign of... | 0:06:25 | 0:06:30 | |
-A colour code. -Exactly. | 0:06:30 | 0:06:31 | |
It's like a threat level. | 0:06:31 | 0:06:33 | |
So when it's purple, they know they have to get their finger out. | 0:06:33 | 0:06:36 | |
I think it's not so much the Scottish, it's that he's lazy. | 0:06:36 | 0:06:38 | |
He won't open his mouth when he's talking. | 0:06:38 | 0:06:40 | |
HE MUMBLES He talks like this | 0:06:40 | 0:06:41 | |
and then you add in his Scottish accent | 0:06:41 | 0:06:44 | |
and then there's absolutely no chance | 0:06:44 | 0:06:45 | |
of understanding what I'm talking about. | 0:06:45 | 0:06:48 | |
That's his problem, he's lazy. | 0:06:48 | 0:06:50 | |
Can you do an impression of him? | 0:06:50 | 0:06:51 | |
Well, I think anybody can do an impression of him. | 0:06:51 | 0:06:53 | |
Hang on a minute, I've got the nose here. | 0:06:53 | 0:06:55 | |
Her-der-der-der...whiskey! | 0:06:59 | 0:07:00 | |
Her-der-der-der...referee! | 0:07:00 | 0:07:02 | |
Wonderful, wonderful! | 0:07:02 | 0:07:04 | |
APPLAUSE | 0:07:04 | 0:07:07 | |
What would you say to Fergie if he was here now? | 0:07:07 | 0:07:09 | |
I think I'd give him a taste of his own medicine. | 0:07:09 | 0:07:12 | |
I'd probably speak in Punjabi so he couldn't understand me. | 0:07:12 | 0:07:14 | |
-That would work, wouldn't it? -Can you do a Scottish Punjabi? | 0:07:14 | 0:07:17 | |
HE MUMBLES IN SCOTTISH PUNJABI ACCENT | 0:07:17 | 0:07:22 | |
-APPLAUSE -Basically the same. | 0:07:22 | 0:07:25 | |
OK, it's time to find out what has won the Lucas | 0:07:27 | 0:07:29 | |
for Least Comprehensible UK Accent. | 0:07:29 | 0:07:31 | |
Is it Northern Irish, Lincolnshire, or Alex Ferguson? | 0:07:31 | 0:07:34 | |
Judges, what is your verdict and why? | 0:07:34 | 0:07:38 | |
Well, for the reason we couldn't understand a word, | 0:07:38 | 0:07:41 | |
to be sure, it's Northern Irish. | 0:07:41 | 0:07:43 | |
There we go, the winner of the Lucas | 0:07:43 | 0:07:46 | |
for Least Comprehensible UK Accent is Northern Irish. | 0:07:46 | 0:07:49 | |
APPLAUSE | 0:07:49 | 0:07:51 | |
And, by the way, you know when you win a bronze medal, | 0:07:53 | 0:07:56 | |
do you go up and collect it, | 0:07:56 | 0:07:58 | |
or do they just send it to you in the post? | 0:07:58 | 0:08:00 | |
LAUGHTER | 0:08:00 | 0:08:03 | |
That is mean! | 0:08:03 | 0:08:05 | |
Just to let you know, one of them's a boxer. | 0:08:05 | 0:08:08 | |
Yes. Yes, she's very nice, yes. | 0:08:08 | 0:08:10 | |
LAUGHTER AND APPLAUSE | 0:08:10 | 0:08:13 | |
So, onto our next award. | 0:08:13 | 0:08:15 | |
We all have days in the calendar we look forward to, don't we? | 0:08:15 | 0:08:18 | |
Christmas Day, Boxing Day, | 0:08:18 | 0:08:20 | |
or, if you're BNP, St George's Day. | 0:08:20 | 0:08:22 | |
Should be a day off work, shouldn't it? | 0:08:22 | 0:08:24 | |
But which of the 365 days of the year is the one we most dread? | 0:08:24 | 0:08:28 | |
Nominations, please, for the Lucas | 0:08:28 | 0:08:30 | |
for Most Miserable Day of the Year. | 0:08:30 | 0:08:32 | |
Ardal? | 0:08:32 | 0:08:33 | |
My wife's birthday. | 0:08:33 | 0:08:34 | |
-Robert? -Any Sunday. | 0:08:37 | 0:08:39 | |
-And, Adil? -Valentine's Day. | 0:08:39 | 0:08:42 | |
So, Ardal, why do you dread your wife's birthday? | 0:08:42 | 0:08:46 | |
Well, I should stress, I've nothing against her | 0:08:46 | 0:08:49 | |
in any way whatsoever. | 0:08:49 | 0:08:50 | |
The timing. | 0:08:50 | 0:08:52 | |
It comes at a terrible time for me. | 0:08:52 | 0:08:54 | |
It's very shortly after Christmas, | 0:08:54 | 0:08:56 | |
and very shortly after our wedding anniversary. | 0:08:56 | 0:08:59 | |
And then it comes into the middle of January, | 0:08:59 | 0:09:01 | |
which also happens to be genuinely my lowest point of the year, | 0:09:01 | 0:09:05 | |
so it's a really terrible time. | 0:09:05 | 0:09:06 | |
So I feel the pressure is intolerable. | 0:09:06 | 0:09:09 | |
Not only do I have to, like, excel once again on the present front, | 0:09:09 | 0:09:14 | |
you know, my pipes are frozen... | 0:09:14 | 0:09:15 | |
Is that a euphemism, sorry? | 0:09:15 | 0:09:18 | |
It is, as well as being real. | 0:09:18 | 0:09:20 | |
So, you know, things couldn't be worse | 0:09:22 | 0:09:24 | |
at this point of the year for me. | 0:09:24 | 0:09:25 | |
What's the most lacklustre present you've bought her? | 0:09:25 | 0:09:28 | |
-Oh, er, a trivet, probably. -A what? | 0:09:28 | 0:09:30 | |
-A trivet. -Is it a kind of dog? | 0:09:30 | 0:09:32 | |
No, it's, er, it's something like if you have a stew, um, and... | 0:09:32 | 0:09:37 | |
Sounds really fun in your house, Ardal! | 0:09:37 | 0:09:40 | |
Adil, are birthdays big in your family? | 0:09:40 | 0:09:43 | |
It's slightly confusing in my family, as my dad's got two. | 0:09:43 | 0:09:46 | |
When they came over here in the '60s, a lot of British Asians... | 0:09:46 | 0:09:49 | |
birthdays weren't registered in Pakistan or India, | 0:09:49 | 0:09:51 | |
they just knew their year. | 0:09:51 | 0:09:53 | |
So when they came in and had to fill in the immigration slip | 0:09:53 | 0:09:55 | |
at Heathrow Airport, they just quickly did it, | 0:09:55 | 0:09:57 | |
cos they were worried about whether they were going to be allowed in or not, | 0:09:57 | 0:10:01 | |
so they just made it up. And loads of people just put January. | 0:10:01 | 0:10:03 | |
They just put the first of the first, so Dad put first of the first. | 0:10:03 | 0:10:06 | |
And then later on in life, he then sort of came across | 0:10:06 | 0:10:09 | |
some other document, and thought, | 0:10:09 | 0:10:10 | |
"Oh, I've got it wrong, I think it's in October." | 0:10:10 | 0:10:13 | |
-So when's your birthday? -April 26th. | 0:10:13 | 0:10:15 | |
That IS it, or...oh, yes, cos you were born here. | 0:10:15 | 0:10:18 | |
Yeah, yeah. It's not an Asian Muslim thing. | 0:10:18 | 0:10:21 | |
No, I thought it was, yeah. | 0:10:21 | 0:10:23 | |
We're not all the same. | 0:10:23 | 0:10:24 | |
We don't do all the same things and stuff. | 0:10:24 | 0:10:26 | |
What are you suggesting? | 0:10:26 | 0:10:29 | |
No, I like racial tension! | 0:10:29 | 0:10:31 | |
You're watching Racial Tension on BBC One | 0:10:31 | 0:10:33 | |
hosted by me, Rachel Tension. | 0:10:33 | 0:10:37 | |
Robert, tell me why you don't like Sundays? | 0:10:37 | 0:10:41 | |
It's because I never really got over | 0:10:41 | 0:10:42 | |
how much I used to hate Sundays when I was as school. | 0:10:42 | 0:10:45 | |
Because Saturday was so good, | 0:10:45 | 0:10:47 | |
Friday night and Saturday was so good, | 0:10:47 | 0:10:48 | |
because I could dress up as Zorro | 0:10:48 | 0:10:51 | |
and ride around on my bike pretending it's a horse, | 0:10:51 | 0:10:53 | |
I could play on my ZX Spectrum or even with some actual other friends. | 0:10:53 | 0:10:56 | |
And then Sunday was all right in the morning | 0:10:56 | 0:10:58 | |
and then after lunch, I was in that bungalow, | 0:10:58 | 0:11:01 | |
and it smells of congealing gravy, | 0:11:01 | 0:11:03 | |
and all the grown-ups have had a drink | 0:11:03 | 0:11:05 | |
and they're sort of getting maudlin or shouting at each other. | 0:11:05 | 0:11:08 | |
And it's Bullseye and it's time for school tomorrow. | 0:11:08 | 0:11:11 | |
-HE MIMICS BULLSEYE THEME TUNE -Just mocking me. | 0:11:11 | 0:11:13 | |
But now, of course, you are an adult and you have children. | 0:11:13 | 0:11:17 | |
I mean, surely Sundays are a bit more cheery now? | 0:11:17 | 0:11:19 | |
Yeah, and its fine, except...you know, we really love our children. | 0:11:19 | 0:11:23 | |
They're great, but they're three and one, | 0:11:23 | 0:11:26 | |
and I think parents of young children | 0:11:26 | 0:11:28 | |
or parents of older children | 0:11:28 | 0:11:30 | |
who remember having young children will remember, | 0:11:30 | 0:11:33 | |
that they can be at that age, | 0:11:33 | 0:11:35 | |
a colossal pain in the arse. | 0:11:35 | 0:11:37 | |
And Saturday's fine but then by Sunday, | 0:11:38 | 0:11:41 | |
my wife and I, we're kind of out of ideas. | 0:11:41 | 0:11:43 | |
It's just very difficult to think of things to do with them. | 0:11:43 | 0:11:45 | |
Usually with children, | 0:11:45 | 0:11:46 | |
you're running them around to different places. | 0:11:46 | 0:11:49 | |
Picking them up from a birthday party, | 0:11:49 | 0:11:50 | |
taking them to another birthday party. | 0:11:50 | 0:11:52 | |
Oh, God! Other people's birthday parties | 0:11:52 | 0:11:54 | |
full of other people's children that you have to be nice to. | 0:11:54 | 0:11:57 | |
-Yes. -I mean, it's fine. You know, I like children, | 0:11:57 | 0:12:01 | |
but I prefer mine to other people's. | 0:12:01 | 0:12:03 | |
And because you've got to be on your best behaviour | 0:12:03 | 0:12:05 | |
-and you can't swear, you can't... -I prefer other people's children. | 0:12:05 | 0:12:08 | |
..really clip them round the ear any more...sorry. | 0:12:08 | 0:12:11 | |
If you if you're like me and you haven't got children... | 0:12:11 | 0:12:14 | |
Well, then, of course you have to prefer other people's children! | 0:12:14 | 0:12:17 | |
I don't plan to have any children, so, with Robert's children... | 0:12:17 | 0:12:20 | |
-You don't plan to have any children? -I've got no plans at the moment. | 0:12:20 | 0:12:23 | |
You've made some very early choices, young man! | 0:12:23 | 0:12:25 | |
You're not selling it very well, to be honest! | 0:12:25 | 0:12:28 | |
I'm not here to sell it. I'm just here to complain about it. | 0:12:28 | 0:12:30 | |
-Sell your children! -I will not sell my children to you! | 0:12:30 | 0:12:33 | |
Racist! You won't sell your children to him. | 0:12:33 | 0:12:35 | |
Exactly! Exactly! | 0:12:35 | 0:12:37 | |
-LAUGHTER AND APPLAUSE -Sell him your children! | 0:12:37 | 0:12:40 | |
Sell him your children! | 0:12:40 | 0:12:41 | |
I don't know if it's responsible or not, but sell them to him! | 0:12:41 | 0:12:44 | |
£1.99. | 0:12:44 | 0:12:45 | |
Mum, did you dread Sundays when I was little? | 0:12:48 | 0:12:51 | |
No, I didn't, actually, | 0:12:51 | 0:12:53 | |
cos we used to do lots of things with friends and... | 0:12:53 | 0:12:56 | |
Yeah, it was nice. Sundays were nice. | 0:12:56 | 0:12:58 | |
Yeah, but when you were a bit older, | 0:12:58 | 0:12:59 | |
and you and Howard were off my hands, | 0:12:59 | 0:13:02 | |
then I spent quite a lot of time on my own. | 0:13:02 | 0:13:04 | |
Sunday can be a very lonely day, actually, as it happens. | 0:13:04 | 0:13:09 | |
-This is very cheery, this, isn't it? -LAUGHTER | 0:13:09 | 0:13:12 | |
Sometimes my wife's birthday FALLS on a Sunday. | 0:13:12 | 0:13:16 | |
And do you know what, it's not just Sunday. | 0:13:16 | 0:13:19 | |
I'm with Robert entirely on this. It's Mondays and Tuesdays as well. | 0:13:19 | 0:13:23 | |
I mean, there's far too many days in the week. Wednesday... | 0:13:23 | 0:13:25 | |
I just leave the house on a Sunday. | 0:13:25 | 0:13:27 | |
I go hiking in the mountains and I hide. | 0:13:27 | 0:13:30 | |
Adil, why do you find Valentine's Day so miserable? | 0:13:30 | 0:13:34 | |
Well, you know, Valentine's Day, it's supposed to be the occasion | 0:13:34 | 0:13:37 | |
where you're supposed to do something very special. | 0:13:37 | 0:13:39 | |
And what do we all do? | 0:13:39 | 0:13:40 | |
Everyone does exactly the same thing. | 0:13:40 | 0:13:43 | |
Chocolates, flowers, meal with a Groupon voucher. | 0:13:43 | 0:13:46 | |
We all do it! | 0:13:46 | 0:13:47 | |
-Everyone does the same thing. -Yeah. | 0:13:47 | 0:13:50 | |
What's worse, being forced to spend Valentine's Day | 0:13:50 | 0:13:52 | |
with your partner or being alone and single? | 0:13:52 | 0:13:55 | |
Definitely the last bit. | 0:13:55 | 0:13:56 | |
Although I am single, it's obviously the forced bit, yeah. | 0:13:56 | 0:13:59 | |
So part of this dislike of Valentine's Day | 0:13:59 | 0:14:01 | |
-comes from not having anyone to share it with? -No! | 0:14:01 | 0:14:05 | |
No! | 0:14:05 | 0:14:07 | |
A lot of denial going on there. How long have you been single? | 0:14:07 | 0:14:10 | |
Um, probably about five years now. | 0:14:10 | 0:14:12 | |
What's your type? | 0:14:12 | 0:14:13 | |
I don't have a type. Does anyone have a type? | 0:14:13 | 0:14:15 | |
Yeah. Um... | 0:14:15 | 0:14:17 | |
Like, when they've got the little thing in between the legs. | 0:14:18 | 0:14:20 | |
LAUGHTER AND APPLAUSE | 0:14:20 | 0:14:23 | |
Well, I think your issue with Valentine's Day is that you | 0:14:26 | 0:14:29 | |
aren't very experienced in matters of romance. | 0:14:29 | 0:14:32 | |
Luckily, help is at hand, as we have in the audience | 0:14:32 | 0:14:35 | |
an expert in relationships. | 0:14:35 | 0:14:37 | |
Maybe she can help Adil out. Please welcome Suzi Godson. | 0:14:37 | 0:14:42 | |
APPLAUSE | 0:14:42 | 0:14:45 | |
Suzi, welcome to the show, you've heard what Adil has to say, | 0:14:45 | 0:14:48 | |
where, in your opinion, has he gone wrong? | 0:14:48 | 0:14:51 | |
I don't really think he's wrong about Valentine's Day. | 0:14:51 | 0:14:54 | |
I think that if you're single you can't participate, | 0:14:54 | 0:14:58 | |
and if you're in a couple you're forced to participate. | 0:14:58 | 0:15:02 | |
Oh, you old romantic, you(!) | 0:15:02 | 0:15:03 | |
In terms of what he should do to get a girlfriend, | 0:15:03 | 0:15:06 | |
he's a gorgeous guy, he could have anyone. | 0:15:06 | 0:15:08 | |
Yeah, but what are you doing later, then? | 0:15:08 | 0:15:11 | |
I'm around. | 0:15:11 | 0:15:13 | |
I'll be off then. LAUGHTER | 0:15:13 | 0:15:16 | |
As an expert in relationships, | 0:15:16 | 0:15:18 | |
what's your view of Roberts's nomination? | 0:15:18 | 0:15:20 | |
I think that Robert's is a classic, kind of, case of, | 0:15:20 | 0:15:24 | |
you know, a relationship having gone through the process of expansion | 0:15:24 | 0:15:29 | |
where you meet, you fall in love, you have kids, that's very exciting, | 0:15:29 | 0:15:32 | |
you're massively into your kids, and then suddenly you hit a wall | 0:15:32 | 0:15:35 | |
and it's a routine of fish fingers and, you know, birthday parties. | 0:15:35 | 0:15:40 | |
I've hit a wall? I have hit no such thing, madam. | 0:15:40 | 0:15:45 | |
And that's the point at which infidelity or divorce becomes... | 0:15:45 | 0:15:51 | |
I'm not...infidelitising. | 0:15:51 | 0:15:54 | |
But what you have to do is you have to reintroduce novelty into your relationship. | 0:15:54 | 0:15:58 | |
-What with a special hat? -Leather goods. -Leather hat? | 0:15:58 | 0:16:03 | |
In terms of doing what Ardal does, going climbing, | 0:16:03 | 0:16:07 | |
going... Getting out, doing stuff together. | 0:16:07 | 0:16:09 | |
-Oh, for crying out loud. -It's true. | 0:16:09 | 0:16:12 | |
Climbing? I'm up at 6:00 every morning, I'm not climbing. | 0:16:12 | 0:16:15 | |
Make a stew. | 0:16:16 | 0:16:18 | |
LAUGHTER | 0:16:18 | 0:16:20 | |
Thank you very much for joining us, Suzi Godson. | 0:16:20 | 0:16:22 | |
APPLAUSE | 0:16:22 | 0:16:27 | |
So, what is going to win the Lucas for Most Miserable Day Of The Year? | 0:16:27 | 0:16:30 | |
Will it be Ardal's wife's birthday, any given Sunday, or Valentine's Day? | 0:16:30 | 0:16:35 | |
Judges - what is your verdict and why? | 0:16:35 | 0:16:38 | |
THEY WHISPER | 0:16:38 | 0:16:40 | |
Because no girls I've met think a bag of chips from the chippy's | 0:16:40 | 0:16:43 | |
romantic anymore, we're going for Valentine's Day. | 0:16:43 | 0:16:45 | |
OK. The winner of the Lucas for Most Miserable Day Of The Year is Valentine's Day. | 0:16:45 | 0:16:50 | |
I suppose... I suppose... Cos it... | 0:16:54 | 0:16:58 | |
Cos, like, if you'd won silver you'd always be thinking, | 0:16:58 | 0:17:01 | |
"Oh, could have got the gold," so, in a way, probably works out for the best. | 0:17:01 | 0:17:06 | |
LAUGHTER AND APPLAUSE | 0:17:06 | 0:17:09 | |
Time for our final Lucas of the night, it's our Hidden Talent Award. | 0:17:09 | 0:17:13 | |
Each week we find out which special skills our guests normally keep close to their chests. | 0:17:13 | 0:17:18 | |
Your nominations please. Adil? | 0:17:18 | 0:17:21 | |
I can identify a car from the '80s just by the sound of its engine. | 0:17:21 | 0:17:26 | |
Robert? | 0:17:26 | 0:17:27 | |
I can throw a mini basketball over my shoulder and get it in a hoop. | 0:17:27 | 0:17:31 | |
And Ardal? | 0:17:31 | 0:17:32 | |
I can sing the Squeeze song, Up The Junction, in a Donald Duck voice. | 0:17:32 | 0:17:38 | |
OK, so Adil, tell me more about your hidden talent? | 0:17:38 | 0:17:42 | |
Yeah, it's a bit strange. You know, um... You know when you were young | 0:17:42 | 0:17:45 | |
and you were little and you had friends? | 0:17:45 | 0:17:47 | |
Well, I don't think I had any, really, and as I used to walk | 0:17:47 | 0:17:50 | |
home from the bus, I used to play this game that as cars were | 0:17:50 | 0:17:53 | |
coming up the road behind me, I'd try and guess what car it was. | 0:17:53 | 0:17:56 | |
-Do they really sound that different? -Yeah, they do. There's a big | 0:17:56 | 0:17:59 | |
difference between certain car sounds, yeah. I think. | 0:17:59 | 0:18:02 | |
-You hope. -I hope. Yeah. | 0:18:02 | 0:18:04 | |
Well, it's time to put Adil's automobile auditory ability to the test. | 0:18:04 | 0:18:09 | |
If you'd like to make your way over there, please, with me to the car over there. | 0:18:09 | 0:18:13 | |
-GRUFF VOICE: -Sit yourself down there. | 0:18:18 | 0:18:20 | |
So, I am going to play Adil a succession of engine sounds for him to try to identify. | 0:18:20 | 0:18:26 | |
If you think you know them, just honk your horn. Go on give us a honk. | 0:18:26 | 0:18:29 | |
-HORN HONKS Oh yeah, OK. -OK, you ready? | 0:18:29 | 0:18:32 | |
-Yeah. -Cool, all right. Ignition on. OK. Here is your first car sound. | 0:18:32 | 0:18:38 | |
ENGINE SOUND, GRADUALLY ACCELERATING | 0:18:38 | 0:18:43 | |
-HORN HONKS -He knows it, he thinks he knows it, what is it? | 0:18:47 | 0:18:51 | |
Only because I think my brother used to drive one, is it a BMW? | 0:18:51 | 0:18:55 | |
-What type? -A 3 series. | 0:18:55 | 0:18:57 | |
It is the BMW... Let's see... | 0:18:57 | 0:19:00 | |
320i. Yes, correct. How about that! | 0:19:00 | 0:19:04 | |
Wow. wow. | 0:19:04 | 0:19:08 | |
This isn't cool to know this, is it, really? | 0:19:08 | 0:19:10 | |
No, but then it's not cool to be on this show either, so. | 0:19:10 | 0:19:14 | |
OK, let's pass another car and see if you can identify it. | 0:19:14 | 0:19:17 | |
ENGINE SOUND, GRADUALLY ACCELERATING | 0:19:17 | 0:19:19 | |
HORN HONKS | 0:19:25 | 0:19:27 | |
-Oh! -That's an easy one. -What is it? -That's a Mini. -Let's have a look. | 0:19:27 | 0:19:31 | |
-It's a Mini! Wow. -Absolutely. | 0:19:31 | 0:19:35 | |
You wonder why you had no friends. OK. | 0:19:35 | 0:19:38 | |
Let's pass another car and see if you can work out what it is. | 0:19:38 | 0:19:41 | |
ENGINE STARTING AND GRADUALLY ACCELERATING | 0:19:41 | 0:19:45 | |
HORN HONKS That's Inspector Clouseau's car, a Citroen 2CV. | 0:19:48 | 0:19:54 | |
Let's have a look. | 0:19:54 | 0:19:55 | |
It's a 2CV! Wow. | 0:19:55 | 0:19:57 | |
He doesn't have friends, but he has knowledge. | 0:20:02 | 0:20:05 | |
OK, what car might we be passing now? | 0:20:05 | 0:20:08 | |
ENGINE SOUND, GRADUALLY ACCELERATING | 0:20:08 | 0:20:11 | |
HORN HONKS | 0:20:17 | 0:20:19 | |
Only because... This sounds really weird - I can hear a double exhaust, | 0:20:19 | 0:20:23 | |
so it's a performance car. | 0:20:23 | 0:20:25 | |
It could be any of them. I think... Is it a Porsche? | 0:20:25 | 0:20:30 | |
-What type? -I don't know. A 9 series. A 924, a 930, 928, one of those. | 0:20:30 | 0:20:35 | |
Let's have a look. | 0:20:35 | 0:20:36 | |
It is a Porsche 924! how about that! | 0:20:36 | 0:20:39 | |
-The man is a freak. OK. -LAUGHTER | 0:20:43 | 0:20:47 | |
Let's have a listen to one final car. Here we go. | 0:20:47 | 0:20:51 | |
ENGINE STARTING AND GRADUALLY ACCELERATING | 0:20:51 | 0:20:54 | |
HORN HONKS Only cos it's got that big diesel-y engine, | 0:21:01 | 0:21:04 | |
that's again... It is it a Beetle? | 0:21:04 | 0:21:08 | |
It is a Volkswagen Beetle, but which one is it? It's a famous one. | 0:21:08 | 0:21:12 | |
-Oh, it's Herbie obviously. -Let's have a look. | 0:21:12 | 0:21:14 | |
Yes, in Monte Carlo, it's Herbie! Ladies and gentlemen, Adil Ray. | 0:21:14 | 0:21:19 | |
APPLAUSE | 0:21:19 | 0:21:21 | |
Let's make our way back to the sofa. | 0:21:21 | 0:21:23 | |
Incredible stuff. | 0:21:23 | 0:21:25 | |
That was exceptional. Well done, Adil, well done. OK, Robert. | 0:21:27 | 0:21:31 | |
Now, you claim to be able to throw a mini basketball | 0:21:31 | 0:21:34 | |
over your shoulder and get it into a hoop. May I ask how and why? | 0:21:34 | 0:21:39 | |
I was in a film called Magicians, and I was playing a magician called Karl, | 0:21:39 | 0:21:43 | |
and during the film he had to throw a basketball over his shoulder to get it in a hoop, | 0:21:43 | 0:21:47 | |
and I wanted to do it properly and I spent a day rehearsing it, | 0:21:47 | 0:21:50 | |
and when we filmed it I did it on the third go. | 0:21:50 | 0:21:53 | |
However, that was six years ago, and I haven't done it since. | 0:21:53 | 0:21:56 | |
Well, it's time to see Robert's skills in action. | 0:21:56 | 0:21:59 | |
If you'd like to make your way, please, Robert, with me, | 0:21:59 | 0:22:02 | |
over there to the basketball court, over there. | 0:22:02 | 0:22:05 | |
-If you would like to... -Yes. -There we go. | 0:22:08 | 0:22:10 | |
So, let's put you in your position, there. Excellent. | 0:22:10 | 0:22:13 | |
I love basketball, myself. My favourite player is, um... | 0:22:13 | 0:22:16 | |
Oh, I can't remember his name, | 0:22:16 | 0:22:18 | |
very tall black fella. | 0:22:18 | 0:22:21 | |
-So, Robert you have, let's say, five attempts... -OK. | 0:22:21 | 0:22:23 | |
..to get this ball into that hoop. | 0:22:23 | 0:22:26 | |
-OK. -Off you go. | 0:22:26 | 0:22:27 | |
BUZZER | 0:22:30 | 0:22:31 | |
AUDIENCE GROANS | 0:22:31 | 0:22:33 | |
OK, I think we're going to need... That was... No. | 0:22:33 | 0:22:35 | |
Mum, why don't you come over here, and return the balls to us, | 0:22:35 | 0:22:38 | |
cos I've got a sense that we might need somebody for that job. | 0:22:38 | 0:22:42 | |
It's all coming back. | 0:22:42 | 0:22:44 | |
BUZZER | 0:22:46 | 0:22:47 | |
Yeah. Not so great. | 0:22:47 | 0:22:50 | |
We're OK, aren't we? | 0:22:50 | 0:22:52 | |
I like the bit where the tension starts to turn into irritation. | 0:22:52 | 0:22:55 | |
And the audience start to think about the train home. | 0:22:55 | 0:22:58 | |
LAUGHTER | 0:22:58 | 0:23:00 | |
-BUZZER -Ooh! Close. Well done, Mum. | 0:23:00 | 0:23:03 | |
She knows what she's doing, she's good. | 0:23:03 | 0:23:07 | |
-BUZZER -Ooh! The light's gone, the light. Leave it, leave it woman! | 0:23:09 | 0:23:13 | |
Leave it, it's dangerous! | 0:23:13 | 0:23:15 | |
OK, have another go. No. | 0:23:15 | 0:23:17 | |
-BUZZER -Nearly hit my mother, there. | 0:23:17 | 0:23:19 | |
-BUZZER -No. Oh, close. | 0:23:21 | 0:23:23 | |
-BUZZER -Oh, close. Robert, they're leaving they're leaving. | 0:23:26 | 0:23:29 | |
I can sense them. | 0:23:29 | 0:23:30 | |
-Yeah! -BELL RINGS | 0:23:30 | 0:23:33 | |
He's done it! Take a bow. Congratulations, sir. | 0:23:33 | 0:23:37 | |
Make your way back to the sofa. Thank you. Well done. | 0:23:37 | 0:23:41 | |
You know, it was fine, but how many goes did you have to make? | 0:23:44 | 0:23:49 | |
That was the fifth go wasn't it? The second go, third, I lost count. | 0:23:49 | 0:23:51 | |
-No, it was about nine goes. -I lost count in all the excitement. | 0:23:51 | 0:23:54 | |
-Look at me. You've let me down. -Right. | 0:23:54 | 0:23:57 | |
OK, you've not just let me down, | 0:23:57 | 0:23:58 | |
you've let my mum down. You've made her look stupid. | 0:23:58 | 0:24:01 | |
These people let the country down, and you've let me down. | 0:24:01 | 0:24:04 | |
Do you understand? | 0:24:04 | 0:24:06 | |
Bronze for you, sir. A bronze for you. OK. | 0:24:06 | 0:24:10 | |
OK, Ardal, now your special talent is singing | 0:24:10 | 0:24:15 | |
Up The Junction by Squeeze in a Donald Duck voice. Tell us about that. | 0:24:15 | 0:24:19 | |
Yes, well, Up The Junction, it's the only song that I know. | 0:24:19 | 0:24:22 | |
-OK. -And Donald... -You don't know any other song? | 0:24:22 | 0:24:27 | |
I genuinely don't know any other song. | 0:24:27 | 0:24:29 | |
I learnt if off by heart when I was about 14, 15. There was a song, | 0:24:29 | 0:24:32 | |
it made a big impression on me, and all my friends could sing, | 0:24:32 | 0:24:36 | |
I could never sing, and I just decided I'd better learn a song | 0:24:36 | 0:24:38 | |
because there are often occasions when you need to sing something. | 0:24:38 | 0:24:41 | |
And I could also do a duck impression. | 0:24:41 | 0:24:45 | |
So I thought, very stupidly, to combine the two. | 0:24:45 | 0:24:47 | |
Do you have any other talents you considered doing? | 0:24:47 | 0:24:50 | |
I used to do keepies-uppies a lot when I was a kid, | 0:24:50 | 0:24:52 | |
but I haven't done that for years, either. But it's too mundane, everyone can do that. | 0:24:52 | 0:24:56 | |
OK, well it's time for Ardal to sing for his supper. | 0:24:56 | 0:25:00 | |
If you'd like to go over there, please, Ardal, to the bit over there. | 0:25:00 | 0:25:04 | |
Singing Up The Junction by Squeeze, please welcome ARDUCK O'Hanlon. | 0:25:06 | 0:25:13 | |
MUSIC: "Up The Junction" by Squeeze | 0:25:13 | 0:25:17 | |
DONALD DUCK IMPRESSION IN TIME TO SONG | 0:25:18 | 0:25:21 | |
Do this at the same time. Go on. | 0:25:45 | 0:25:48 | |
DONALD DUCK IMPRESSION CONTINUES | 0:25:48 | 0:25:52 | |
APPLAUSE | 0:25:53 | 0:25:56 | |
Ho ho! Chuck it back. Yeah. | 0:26:03 | 0:26:06 | |
Ho ho! Ardal O'Hanlon, ladies and gentlemen! | 0:26:07 | 0:26:11 | |
-APPLAUSE -Welcome back to the sofa. | 0:26:11 | 0:26:16 | |
This is ridiculous. I have children, they may have children someday. | 0:26:16 | 0:26:21 | |
-Yes, and they won't respect you, will they? -No. | 0:26:21 | 0:26:24 | |
No, well we've seen all the nominations for our Hidden Talent Award. | 0:26:24 | 0:26:29 | |
'80s engine identification, over-the-shoulder basketball throwing, | 0:26:29 | 0:26:32 | |
and singing Up The Junction in a Donald Duck voice. | 0:26:32 | 0:26:36 | |
Judges, what is your verdict and why? | 0:26:36 | 0:26:39 | |
Well, let's be honest, the others may have been better, | 0:26:41 | 0:26:45 | |
but as bronze is the new gold, I'm going to go for Robert. | 0:26:45 | 0:26:49 | |
So, the winner of the Hidden Talent Award is Robert Webb. | 0:26:49 | 0:26:53 | |
-Even they're racist. -Yes. -Especially the guy in the middle. | 0:27:01 | 0:27:07 | |
LAUGHTER | 0:27:07 | 0:27:08 | |
Well, that's just about it for tonight. | 0:27:08 | 0:27:10 | |
All I need to do is award this week's Lucas Of Lucases, | 0:27:10 | 0:27:13 | |
that goes tonight to the grumpiest guest. | 0:27:13 | 0:27:17 | |
Mum, who do you think has been the most grumpy guest this evening? | 0:27:17 | 0:27:20 | |
I don't know. First of all can I just say, it's a bit confusing having Adil and Ardal, | 0:27:20 | 0:27:25 | |
cos I'm getting really confused as to who's who. | 0:27:25 | 0:27:27 | |
That's racist, as well. LAUGHTER | 0:27:27 | 0:27:31 | |
What? I didn't catch that? | 0:27:31 | 0:27:33 | |
One is a man, and the other's a duck. So... | 0:27:33 | 0:27:35 | |
LAUGHTER | 0:27:35 | 0:27:36 | |
You've got me stuck for... Lost for words, just for once. | 0:27:36 | 0:27:41 | |
But you're still talking. | 0:27:41 | 0:27:43 | |
Why don't you both share it? That would be rather nice. | 0:27:43 | 0:27:46 | |
-Yes, that's a good idea. -There you go. | 0:27:46 | 0:27:48 | |
Perhaps you'd both like to make some sort of speech? | 0:27:48 | 0:27:52 | |
Do I need another award in my life? | 0:27:52 | 0:27:54 | |
There's no room in the awards cabinet. You can have it. | 0:27:54 | 0:27:57 | |
It's just as well you gave me the award, or you'd be a racist if you hadn't. | 0:27:57 | 0:28:01 | |
We would. And, very proudly, I am. | 0:28:01 | 0:28:04 | |
Congratulations once again, and thanks to all my guests, | 0:28:04 | 0:28:06 | |
Ardal O'Hanlon, Robert Webb and Adil Ray, | 0:28:06 | 0:28:09 | |
to our fantastic Olympians, Anthony Ogogo, Kate Walsh and Alex Danson. | 0:28:09 | 0:28:14 | |
To my mum and to everyone at home for watching. Good night. | 0:28:14 | 0:28:19 | |
Subtitles by Red Bee Media Ltd | 0:28:24 | 0:28:27 |