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-# Hello, my friends! You remember me? -Who are you? | 0:00:02 | 0:00:06 | |
# I'm the chap who is sometimes in those shows you like to see | 0:00:06 | 0:00:09 | |
# Well, they gave me my own show and I thought, "What should it be?" | 0:00:09 | 0:00:12 | |
-# Then, I said, "I know!" -What? -An Awards ceremony | 0:00:12 | 0:00:16 | |
# But not for best actor | 0:00:16 | 0:00:18 | |
# Not for best score | 0:00:18 | 0:00:21 | |
# Not for best director cos we've had all those before | 0:00:21 | 0:00:23 | |
# Not for cinematographer for that would be a bore | 0:00:23 | 0:00:27 | |
# No, let's discuss achievements that the other shows ignore! | 0:00:27 | 0:00:31 | |
# And comment things formally undebated | 0:00:31 | 0:00:35 | |
# Yes, we'll honour those uncelebrated | 0:00:35 | 0:00:38 | |
# So thanking you my Ladies and my Lords | 0:00:38 | 0:00:41 | |
# It's The Matt Lucas Awards! # | 0:00:41 | 0:00:48 | |
Hello and welcome to The Matt Lucas Awards, | 0:00:55 | 0:00:58 | |
the show that gives the awards other shows don't give. | 0:00:58 | 0:01:01 | |
Whether it's Jammiest celebrity of least essential body part. | 0:01:01 | 0:01:05 | |
This week, like every other week, I'm joined in the kitchen by my Mum. | 0:01:05 | 0:01:08 | |
Hello, Mum! | 0:01:08 | 0:01:10 | |
And on the keyboard, Mr David Arnold. | 0:01:11 | 0:01:13 | |
David. | 0:01:13 | 0:01:15 | |
David! | 0:01:15 | 0:01:17 | |
Shortly, I'll be deciding the winners of these prestigious Lucas Awards. | 0:01:20 | 0:01:24 | |
But first, to provide the nominations, will you please welcome my guests? | 0:01:24 | 0:01:27 | |
Jason Manford. | 0:01:27 | 0:01:30 | |
Graeme Garden | 0:01:30 | 0:01:33 | |
and Henning Wehn. | 0:01:33 | 0:01:36 | |
-Are you all right? Have a seat. -Thank you. | 0:01:36 | 0:01:39 | |
Come on, let's have a hug. Let's have a hug. Have a seat. | 0:01:39 | 0:01:43 | |
Let's have a hug. Here, give me a hug. | 0:01:43 | 0:01:47 | |
Have a seat. | 0:01:47 | 0:01:48 | |
-Welcome all of you to the show. -Thank you. | 0:01:48 | 0:01:51 | |
Henning, my favourite German comedian. | 0:01:51 | 0:01:55 | |
What are the most popular award ceremonies in Germany? | 0:01:55 | 0:01:57 | |
Well, we've just recently awarded ourselves Europe. | 0:01:57 | 0:02:01 | |
Congratulations. | 0:02:03 | 0:02:05 | |
Then, after that, I think Germany, compared to Britain, | 0:02:08 | 0:02:11 | |
we don't really have that many awards ceremonies | 0:02:11 | 0:02:13 | |
-because our work in itself is seen as a reward. -Right. | 0:02:13 | 0:02:17 | |
Thank you all for coming on the show. | 0:02:19 | 0:02:22 | |
On to our first award of the night. | 0:02:22 | 0:02:24 | |
Now, all nations have something to be proud about, don't they? | 0:02:24 | 0:02:27 | |
If you're French, it's your cuisine. | 0:02:27 | 0:02:29 | |
If you're American, it's your firemen. | 0:02:29 | 0:02:31 | |
If you're Swiss, it's Toblerone and Nazi gold. | 0:02:31 | 0:02:33 | |
But which countries are so full of themselves | 0:02:33 | 0:02:36 | |
there's barely room to put your suitcase? | 0:02:36 | 0:02:38 | |
Nominations please for the Lucas | 0:02:38 | 0:02:40 | |
for Smuggest Nation Of People. | 0:02:40 | 0:02:43 | |
Jason. | 0:02:43 | 0:02:44 | |
The Swedes. | 0:02:44 | 0:02:45 | |
-Henning. -The Chinese. | 0:02:45 | 0:02:48 | |
-And Graeme. -The English. | 0:02:48 | 0:02:50 | |
So the nominations for Smuggest Nation Of People | 0:02:50 | 0:02:52 | |
are the Swedes, the Chinese and the English. | 0:02:52 | 0:02:55 | |
So Jason why have you gone for the Swedes? | 0:02:55 | 0:02:57 | |
I find them just a bit sort of, | 0:02:57 | 0:02:58 | |
"Oh, look at us, with our brilliant economy, | 0:02:58 | 0:03:00 | |
"we're really efficient and good looking." | 0:03:00 | 0:03:04 | |
They're sort of, they're like Germans without the baggage. | 0:03:04 | 0:03:07 | |
Do you know what I mean? | 0:03:07 | 0:03:08 | |
-And they eat reindeer. Well out of order. -Yeah. | 0:03:08 | 0:03:11 | |
I mean, how can you eat reindeer? | 0:03:11 | 0:03:13 | |
What's going on? That's like eating Christmas, man. | 0:03:13 | 0:03:16 | |
That's a terrible thing to eat, isn't it? | 0:03:16 | 0:03:18 | |
Imagine that Christmas, "Sorry, we've not got any toys this year | 0:03:18 | 0:03:21 | |
"because the Swedes ate all the reindeers." | 0:03:21 | 0:03:23 | |
-They are smug, yeah. -Yeah. | 0:03:23 | 0:03:24 | |
Like a pint of beer ten quid... That's smug whichever way you look at it. | 0:03:24 | 0:03:29 | |
I mean, because either you're saying, "Look, we're so rich we can afford that." | 0:03:29 | 0:03:33 | |
Or you go, "Oh, we're so beautiful we don't need any beer goggles." | 0:03:33 | 0:03:37 | |
That is smug. | 0:03:39 | 0:03:40 | |
Well, we do have some things here that Sweden is actually famous for. | 0:03:40 | 0:03:45 | |
In my box. | 0:03:45 | 0:03:46 | |
Let's have a look. | 0:03:46 | 0:03:48 | |
Of course ABBA, yeah. | 0:03:49 | 0:03:51 | |
If you haven't heard of them, they were like a kind of Swedish Buck's Fizz. | 0:03:51 | 0:03:54 | |
Bjorn Borg, of course. | 0:03:56 | 0:03:58 | |
Get a bloody haircut, man, you're about to meet the Duchess of Kent. | 0:03:58 | 0:04:02 | |
What else have we got here? | 0:04:02 | 0:04:04 | |
Swedish Chef, of course. Woog-woog-woog. | 0:04:04 | 0:04:07 | |
Still easier to understand than Jamie Oliver. | 0:04:07 | 0:04:10 | |
And need I even say it? | 0:04:10 | 0:04:13 | |
-Of course, IKEA. -Oh, say no more. | 0:04:13 | 0:04:16 | |
Do you shop at IKEA at all? | 0:04:16 | 0:04:17 | |
I don't shop at IKEA because I used to like Bank Holidays | 0:04:17 | 0:04:20 | |
and now it's like... | 0:04:20 | 0:04:23 | |
Bye, bye, Bond. Hello, Billy bookcase. | 0:04:23 | 0:04:25 | |
See, they're being smug again. They're going, | 0:04:25 | 0:04:29 | |
"This is how your living room should look if you weren't such a scruffy bastard." | 0:04:29 | 0:04:32 | |
That's what they're saying. | 0:04:32 | 0:04:34 | |
And then they ruin four hours of your day | 0:04:34 | 0:04:36 | |
and then try and win you back with a cheap hot dog. | 0:04:36 | 0:04:39 | |
Which is fair enough. | 0:04:39 | 0:04:40 | |
Graeme, have you ever been to that shop? | 0:04:40 | 0:04:42 | |
I can't keep saying... If we keep saying IKEA, we get done, you see, | 0:04:42 | 0:04:45 | |
because it's this thing called undue prominence where... | 0:04:45 | 0:04:48 | |
They don't mind, they love it, but it's all the other companies. | 0:04:48 | 0:04:51 | |
Yeah, like DFS, they are going, | 0:04:51 | 0:04:54 | |
"Oh, why don't you rubbish us for a bit now?" | 0:04:54 | 0:04:56 | |
Are you a fan of this type of... | 0:04:58 | 0:05:00 | |
I have been to a flat-pack self-assembly shop. | 0:05:00 | 0:05:03 | |
Yes. | 0:05:03 | 0:05:05 | |
And made a purchase | 0:05:05 | 0:05:07 | |
and, like everybody else, gone back to get the key. | 0:05:07 | 0:05:11 | |
But the last thing I got from IKEA was a bookcase | 0:05:11 | 0:05:15 | |
and it had a little pictorial thing on the instructions. | 0:05:15 | 0:05:18 | |
And it was a picture of a man opening the box, | 0:05:18 | 0:05:22 | |
then the man looking like that, and then the man on the phone. | 0:05:22 | 0:05:25 | |
Well, thank you very much. | 0:05:28 | 0:05:30 | |
Henning, tell us why you've opted for the Chinese? | 0:05:30 | 0:05:32 | |
For starters, you know their symbol, | 0:05:32 | 0:05:35 | |
how they write themselves, | 0:05:35 | 0:05:37 | |
it's like a box, you know, as if you were to draw a telly. | 0:05:37 | 0:05:40 | |
-Yeah. -And then a stick through it. | 0:05:40 | 0:05:43 | |
-So, they're essentially, they translate themselves as middle kingdom. -Right. | 0:05:43 | 0:05:46 | |
So if you say you're at the centre of the Earth... | 0:05:46 | 0:05:49 | |
Well, not even the Brits do that, come on. I mean... | 0:05:49 | 0:05:52 | |
Even the maps they've got. | 0:05:52 | 0:05:54 | |
They've got maps where they've got China right in the middle. | 0:05:54 | 0:05:57 | |
So that is pretty smug, but I'm not that bothered about them being smug, | 0:05:57 | 0:06:01 | |
what I don't like about them is that they're so dangerous. | 0:06:01 | 0:06:04 | |
Right? | 0:06:04 | 0:06:05 | |
They're going, they're going to take over, don't they, the Chinese. | 0:06:05 | 0:06:08 | |
Yeah, they're going to take over because they get up early in the morning. | 0:06:08 | 0:06:13 | |
Obviously time difference works in their favour on that one. | 0:06:13 | 0:06:17 | |
They're going to take over. Listen, listen, we have to nuke them now. | 0:06:18 | 0:06:22 | |
Hmmm. | 0:06:22 | 0:06:24 | |
See? People in Britain laugh. In America they would make me president. | 0:06:26 | 0:06:29 | |
They do have the biggest population in the world, don't they? | 0:06:34 | 0:06:37 | |
-One billion people. -Yeah. | 0:06:37 | 0:06:39 | |
And that is why we need a united Europe. | 0:06:39 | 0:06:41 | |
We do need, I mean... Britain is always going, | 0:06:41 | 0:06:44 | |
"Oh, we're not in Europe." Well, get a bloody map. | 0:06:44 | 0:06:46 | |
Of course Britain is in Europe. | 0:06:46 | 0:06:48 | |
We're going to have a look now at what the Chinese have given the world. | 0:06:48 | 0:06:51 | |
We've got another box here. | 0:06:51 | 0:06:53 | |
CHINESE MUSIC | 0:06:53 | 0:06:55 | |
OK. Let's have a look. | 0:06:55 | 0:06:58 | |
Paper, so they can print their lying maps, excellent. | 0:06:58 | 0:07:02 | |
They invented the noodle, | 0:07:02 | 0:07:04 | |
which is a kind of prototype pot noodle, of course. | 0:07:04 | 0:07:08 | |
And, of course, we all know about Chinese whispers. | 0:07:08 | 0:07:11 | |
There we go. | 0:07:11 | 0:07:12 | |
And they invented the number 46 with rice as well. | 0:07:15 | 0:07:20 | |
Very good, yes. Very, very impressive. | 0:07:20 | 0:07:22 | |
Well, we are joined in the studio by someone of the Chinese persuasion. | 0:07:22 | 0:07:26 | |
Stuart Hoo. Where's Stuart? | 0:07:26 | 0:07:27 | |
Oh, there you are! | 0:07:27 | 0:07:30 | |
I spotted you. | 0:07:30 | 0:07:31 | |
Have Henning's comments wounded your sense of national pride, Stuart? | 0:07:33 | 0:07:36 | |
Er... Not really, but a little bit not, not accuracy. | 0:07:36 | 0:07:40 | |
-I think... -Really? -Yeah, in the sense of talking about smug, | 0:07:40 | 0:07:43 | |
you have to divide it into the people and the nation. | 0:07:43 | 0:07:47 | |
Me, I'm not smug at all. | 0:07:47 | 0:07:49 | |
Well, you're being a bit smug about saying that. | 0:07:49 | 0:07:51 | |
But, you know, if you're talking about the nation, | 0:07:53 | 0:07:56 | |
-then, yes - a little bit smug, I would say. -Do you think so? | 0:07:56 | 0:07:59 | |
-Yes. -And are you upset with Henning, would you still welcome him to China? | 0:07:59 | 0:08:03 | |
-Absolutely, yes. -You would. -I would recommend some good restaurants | 0:08:03 | 0:08:06 | |
which have proper German-style Chinese food for you. | 0:08:06 | 0:08:10 | |
Off we go. | 0:08:10 | 0:08:12 | |
Thank you very much, Stuart. Thank you. | 0:08:12 | 0:08:14 | |
Now, Graeme, before you tell us why you've opted for the English... | 0:08:14 | 0:08:17 | |
-Yes. -As your smuggest nation... | 0:08:17 | 0:08:18 | |
I should just establish that even though, I would say you speak with an English accent, | 0:08:18 | 0:08:22 | |
you are actually from Scotland, is that right? | 0:08:22 | 0:08:24 | |
I am, yeah, and by nominating the English | 0:08:24 | 0:08:27 | |
I'm kind of playing the Scottish race card. | 0:08:27 | 0:08:29 | |
Excellent. | 0:08:29 | 0:08:30 | |
I mean, there's smugness | 0:08:30 | 0:08:32 | |
feeling pleased with yourself with good reason, | 0:08:32 | 0:08:35 | |
and the smugness I don't like is feeling pleased with yourself | 0:08:35 | 0:08:38 | |
for no good reason. | 0:08:38 | 0:08:40 | |
And I think the English are pretty guilty of that. | 0:08:40 | 0:08:42 | |
Whereas in Scotland, they've got a much better health service. | 0:08:42 | 0:08:45 | |
Mind you, they need it. | 0:08:45 | 0:08:47 | |
They look after their old people much better, | 0:08:47 | 0:08:50 | |
although they don't have quite so many. | 0:08:50 | 0:08:53 | |
They've got a great legal system, | 0:08:53 | 0:08:55 | |
great education system and they've got the highland reel and tossing the caber | 0:08:55 | 0:08:59 | |
where England has Morris dancing and darts. | 0:08:59 | 0:09:03 | |
So I think, as a nation, it's full of smug people. | 0:09:03 | 0:09:06 | |
-I mean, you know, Jeremy Kyle. -Yeah. | 0:09:06 | 0:09:08 | |
Yeah, well, I've actually got a Smug-o-meter here with me today. | 0:09:10 | 0:09:13 | |
-Mum? -Yes. -Can you bring the Smug-o-meter over? | 0:09:13 | 0:09:15 | |
OK, coming up. | 0:09:15 | 0:09:17 | |
Here it comes. Thank you very much indeed. | 0:09:17 | 0:09:20 | |
Yes, this is the Smug-o-meter. | 0:09:20 | 0:09:23 | |
It goes from 'Not That Smug' | 0:09:23 | 0:09:25 | |
to 'Yeah, Bit Smug' | 0:09:25 | 0:09:28 | |
to 'Yeah, Smug' | 0:09:28 | 0:09:30 | |
to 'Proper Cocky' | 0:09:30 | 0:09:32 | |
to 'Really Pushing It Now' | 0:09:32 | 0:09:34 | |
to 'Unbearable' to 'Clarkson.' Yes. | 0:09:34 | 0:09:36 | |
So we have a selection of things that we think typify England. | 0:09:43 | 0:09:48 | |
All right. | 0:09:48 | 0:09:49 | |
And perhaps you can us where you think the various candidates sit, | 0:09:49 | 0:09:52 | |
so this is the first one. | 0:09:52 | 0:09:54 | |
The real ale drinkers. | 0:09:54 | 0:09:56 | |
-They are 'Yeah, Smug.' -Yeah. | 0:09:58 | 0:10:00 | |
I'd put them sort of round about there | 0:10:00 | 0:10:02 | |
because they have to drink the stuff, so... | 0:10:02 | 0:10:04 | |
These people are like, | 0:10:04 | 0:10:06 | |
"Oh, it's not a proper drink unless it's been filtered through a badger's foreskin." | 0:10:06 | 0:10:12 | |
They're ridiculously... Too much detail. | 0:10:12 | 0:10:14 | |
I think I know what you mean. OK. | 0:10:14 | 0:10:16 | |
The Royal Family. | 0:10:16 | 0:10:18 | |
Well, now, they have smugness thrust upon them. | 0:10:18 | 0:10:21 | |
Ah, OK. | 0:10:21 | 0:10:22 | |
I don't think they're smug through choice, I'd put them 'Not That Smug.' | 0:10:22 | 0:10:26 | |
This is, this is cos that woman just gave you the OBE. | 0:10:26 | 0:10:29 | |
-Yes. Yes. -Yeah. Fair enough. | 0:10:29 | 0:10:32 | |
I haven't got an OBE, I'd put them over there. | 0:10:32 | 0:10:35 | |
Middle-class people who go to Provence. | 0:10:37 | 0:10:40 | |
I don't know many middle-class people who go to Provence | 0:10:41 | 0:10:44 | |
-but I would guess they are pretty smug, aren't they? -They would. | 0:10:44 | 0:10:46 | |
-Where do we put them? -I would say they were 'Proper Cocky.' | 0:10:46 | 0:10:49 | |
-Proper cocky, they are, aren't they? -Yeah. | 0:10:49 | 0:10:51 | |
-You mentioned him earlier, here he is, Jeremy Kyle. -Uch! | 0:10:51 | 0:10:54 | |
That was just an uch! | 0:10:54 | 0:10:56 | |
We should have put "uch" on there, shouldn't we? Uch! | 0:10:56 | 0:10:59 | |
I don't want to clutter up too much room at the very top there because just in case... | 0:10:59 | 0:11:02 | |
-He's got to be unbearable! -He's unbearable. He's unbearable. Yes. -Fair enough. | 0:11:02 | 0:11:06 | |
Who would you put on the list, Mum? | 0:11:06 | 0:11:08 | |
I think you might quite agree with me on this one, | 0:11:08 | 0:11:11 | |
Manchester United supporters. | 0:11:11 | 0:11:13 | |
Oh, very good, yes. | 0:11:13 | 0:11:14 | |
Manchester United supporters, yes. | 0:11:14 | 0:11:17 | |
David, who would you put on the list? | 0:11:17 | 0:11:19 | |
Anyone who drives a Prius | 0:11:19 | 0:11:22 | |
-and has organic vegetables delivered by Ocado. -Right. | 0:11:22 | 0:11:25 | |
Fair enough. | 0:11:26 | 0:11:28 | |
Well, it's time for me to decide who will win the Lucas for Smuggest Nation Of People. | 0:11:29 | 0:11:34 | |
Graeme, I take your points but I have a concern. | 0:11:34 | 0:11:37 | |
When you consider how smug the English are already | 0:11:37 | 0:11:40 | |
without hardly ever winning anything, | 0:11:40 | 0:11:43 | |
-just imagine how smug we'd be if we actually got this. -Ah. | 0:11:43 | 0:11:47 | |
Even an award for smugness would be unbearable. I can't risk it. | 0:11:47 | 0:11:50 | |
-OK. -Jason, thanks for your argument. | 0:11:50 | 0:11:52 | |
Unfortunately, I was unable to understand what you said | 0:11:52 | 0:11:55 | |
because of your northern dialect. | 0:11:55 | 0:11:56 | |
Henning, in terms of innovation, | 0:11:59 | 0:12:01 | |
the Chinese invented printing, gunpowder, which were pretty good, | 0:12:01 | 0:12:05 | |
but they have sat back on their laurels since then, | 0:12:05 | 0:12:08 | |
we've only really had sweet and sour pork to get our interests going. | 0:12:08 | 0:12:11 | |
So, for that reason, | 0:12:11 | 0:12:13 | |
I think the Lucas for Smuggest Nation Of People has to go to the Chinese. | 0:12:13 | 0:12:16 | |
I must just use the loo, actually. Excuse me. | 0:12:23 | 0:12:25 | |
-See the football last night? -Yeah, it was amazing, wasn't it? | 0:12:25 | 0:12:28 | |
-Yeah, it was great! Did you see van Persie's goal? -30 yards out. | 0:12:28 | 0:12:31 | |
Fantastic! I didn't think he was going to score. The whole time. | 0:12:31 | 0:12:34 | |
-Yeah. -Do you think he'll stay at the end of the season? | 0:12:34 | 0:12:36 | |
Don't know, he's part of the team. | 0:12:36 | 0:12:37 | |
-I think he'll stay. -They're relying on him. | 0:12:37 | 0:12:39 | |
Sometimes it's better to just take the 15 million and go. | 0:12:39 | 0:12:42 | |
If you can borrow 15 million. | 0:12:42 | 0:12:43 | |
Yeah, or maybe he'll stay, maybe he'll stay. | 0:12:43 | 0:12:45 | |
I'll go later. | 0:12:49 | 0:12:51 | |
Flatmate. | 0:12:51 | 0:12:52 | |
Time for another award. Ooh, honks in here. | 0:12:55 | 0:12:58 | |
I love art. | 0:12:58 | 0:12:59 | |
I don't just like the classical stuff like crying harlequin or airbrushed unicorn, | 0:12:59 | 0:13:03 | |
I like modern works too, like photo of tennis girl scratching arse. | 0:13:03 | 0:13:07 | |
But what masterly talents have our guests been hiding? | 0:13:07 | 0:13:10 | |
Let's find out as we seek to award a Lucas | 0:13:10 | 0:13:13 | |
for Most Artistic Guest. | 0:13:13 | 0:13:15 | |
If you'd like to take your places, please. | 0:13:15 | 0:13:18 | |
# The guests are taking their places | 0:13:18 | 0:13:22 | |
# The guests are taking their places | 0:13:22 | 0:13:24 | |
# The guests are taking their places | 0:13:24 | 0:13:27 | |
# And the guests are all sat down. # | 0:13:27 | 0:13:31 | |
Now, I want to choose a subject that would stimulate everyone's artistic juices, | 0:13:31 | 0:13:34 | |
so will you please welcome our life model. | 0:13:34 | 0:13:37 | |
And here he comes. | 0:13:43 | 0:13:44 | |
Good evening. If you'd like to take your position on the stool, please. | 0:13:50 | 0:13:55 | |
OK. If you'd like to pick up your pads, you may begin drawing now. | 0:13:55 | 0:13:59 | |
Please do join in at home. | 0:13:59 | 0:14:02 | |
-Have you ever done this before? -Many times. | 0:14:04 | 0:14:07 | |
You have? How much does one get paid to do something like this? | 0:14:07 | 0:14:10 | |
-Not enough. -Right. | 0:14:10 | 0:14:11 | |
OK, David, let's look at how you're getting on. | 0:14:16 | 0:14:21 | |
Right. | 0:14:21 | 0:14:23 | |
What are you trying to say | 0:14:23 | 0:14:24 | |
with this piece? | 0:14:24 | 0:14:25 | |
I actually have no memory | 0:14:25 | 0:14:27 | |
of doing this. | 0:14:27 | 0:14:28 | |
Right. | 0:14:28 | 0:14:30 | |
Slightly worrying. | 0:14:30 | 0:14:32 | |
Henning, I'm quite impressed by the speed of your drawing, | 0:14:33 | 0:14:37 | |
you're quite impulsive. | 0:14:37 | 0:14:39 | |
Well, at the end of the day everyone looks the same, isn't it? | 0:14:39 | 0:14:41 | |
Two eyes, one nose, one mouth, two ears, | 0:14:41 | 0:14:44 | |
hair or no hair. It's the same, isn't it? | 0:14:44 | 0:14:47 | |
Yeah. | 0:14:47 | 0:14:48 | |
Graeme, you draw a lot, you paint a lot. | 0:14:48 | 0:14:50 | |
Is this an unusual subject for you? | 0:14:50 | 0:14:52 | |
I have actually drawn a gentleman like this before. | 0:14:54 | 0:14:58 | |
-Did he know you were drawing him? -No. | 0:14:58 | 0:14:59 | |
Let's have a look at what some of the audience are doing. | 0:15:02 | 0:15:05 | |
Very nice. | 0:15:05 | 0:15:06 | |
That's pathetic. | 0:15:08 | 0:15:09 | |
That's good, but it's like of a different person. | 0:15:10 | 0:15:13 | |
I'm not going to talk about that. | 0:15:15 | 0:15:17 | |
Let's see how we're doing here. | 0:15:17 | 0:15:20 | |
Jason, what's that? | 0:15:20 | 0:15:21 | |
Well, I'm quite low down, so, um... | 0:15:21 | 0:15:23 | |
I see. | 0:15:28 | 0:15:29 | |
I didn't realise I was so good. | 0:15:29 | 0:15:31 | |
I mean, that's a hell of a stool sample, eh? | 0:15:31 | 0:15:33 | |
Come on. | 0:15:33 | 0:15:35 | |
What do you think of hers? | 0:15:35 | 0:15:37 | |
The...the drawing, I mean. | 0:15:37 | 0:15:38 | |
It's all right. She's made him slightly nicer, actually. | 0:15:40 | 0:15:44 | |
-Slightly Neanderthal with the eyebrows. -Yeah. | 0:15:44 | 0:15:47 | |
Thank you, Jason. | 0:15:47 | 0:15:49 | |
I hope you're enjoying this, Mum. | 0:15:49 | 0:15:50 | |
You like the older gentlemen yourself, don't you? | 0:15:50 | 0:15:53 | |
So you are probably having a bit of fun here. | 0:15:53 | 0:15:55 | |
Let's... Oh, my God, look at that! | 0:15:55 | 0:15:56 | |
I can't draw at all. | 0:15:56 | 0:15:58 | |
You can't draw at all, look at that! | 0:15:58 | 0:16:00 | |
That's pathetic. | 0:16:00 | 0:16:02 | |
You've shamed the family! | 0:16:02 | 0:16:04 | |
I'm hopeless. | 0:16:04 | 0:16:06 | |
GONG | 0:16:06 | 0:16:08 | |
OK, time's up. A round of applause for our model, ladies and gentlemen. | 0:16:08 | 0:16:12 | |
Thank you very much. | 0:16:14 | 0:16:15 | |
And I'd like to welcome our guests back to the sofas. | 0:16:16 | 0:16:19 | |
# The guests are taking their places | 0:16:19 | 0:16:22 | |
# Now the guests are all sat down. # | 0:16:22 | 0:16:24 | |
Thank you. | 0:16:24 | 0:16:26 | |
Well, it's time to decide on the winner for the Most Artistic Guest. | 0:16:27 | 0:16:31 | |
Now, sadly Tony Hart is no longer with us, | 0:16:31 | 0:16:34 | |
but I'm delighted to welcome the next best thing, | 0:16:34 | 0:16:37 | |
please give it up for Morph! | 0:16:37 | 0:16:39 | |
Good evening and welcome. | 0:16:50 | 0:16:52 | |
All right? | 0:16:52 | 0:16:53 | |
Now, thank you very much, Morph, for agreeing to judge this award. | 0:16:53 | 0:16:56 | |
Yeah. Well, I'm not really into art, to be honest, that's more Tony's department but I'll have a look. | 0:16:56 | 0:17:01 | |
Thank you. I actually nearly didn't recognise you, you've filled out a little bit. | 0:17:01 | 0:17:05 | |
Well, you know, middle aged spread, you tend to put on a bit of clay. | 0:17:05 | 0:17:08 | |
Now, before you decide on a winner, | 0:17:08 | 0:17:11 | |
let's have a look at what our guests have drawn. | 0:17:11 | 0:17:14 | |
So, Henning, tell us about your piece please. | 0:17:14 | 0:17:17 | |
-Well, what essentially I did is I looked at the model. -Yeah. | 0:17:20 | 0:17:24 | |
And then I thought that model's got a head. | 0:17:24 | 0:17:27 | |
Yeah. | 0:17:27 | 0:17:28 | |
And then, that's how I then started with this circle | 0:17:28 | 0:17:31 | |
-and started then putting the hairs on top here. -Yes. | 0:17:31 | 0:17:34 | |
So that way I knew which way round it was. | 0:17:34 | 0:17:39 | |
And then I just worked my way down, really. | 0:17:40 | 0:17:44 | |
What are you going to call your piece, Henning? | 0:17:44 | 0:17:47 | |
Dave. | 0:17:47 | 0:17:49 | |
Very nice, very nice. | 0:17:49 | 0:17:51 | |
OK. Graeme, perhaps you can show us your piece | 0:17:51 | 0:17:53 | |
and tell us what went through your tiny mind when you did this. | 0:17:53 | 0:17:58 | |
Yeah, I was doing a little still life of this coffee table | 0:17:58 | 0:18:02 | |
with the tea pot on it, | 0:18:02 | 0:18:04 | |
and this bloke got in the way. | 0:18:04 | 0:18:06 | |
Er, I call this Still Life Obscured. | 0:18:06 | 0:18:09 | |
Very nice, thank you very much, Graeme. Finally, Jason. | 0:18:11 | 0:18:15 | |
I see you've added some texture to the leg here. | 0:18:15 | 0:18:18 | |
-Yeah, well, I had a bit of time, because the stool didn't take as long as I thought. -Right. | 0:18:18 | 0:18:22 | |
I probably thought I had more paper than I did. | 0:18:22 | 0:18:26 | |
Do you have a name for this piece? | 0:18:28 | 0:18:30 | |
I'm going to just call it simply Stool. | 0:18:30 | 0:18:33 | |
-Stool. -Yeah. | 0:18:33 | 0:18:34 | |
Well, Morph, from seeing all the artwork, who are you going to give this award to? | 0:18:34 | 0:18:38 | |
-Well, you see, I don't really take much to this modern art. -Right. | 0:18:38 | 0:18:41 | |
I mean, I like what I like and I know what I like. | 0:18:41 | 0:18:44 | |
All right, OK. | 0:18:44 | 0:18:45 | |
And I think it's going to have to be for Mr Graeme Garden. | 0:18:45 | 0:18:49 | |
Mr Graeme Garden, there we go. | 0:18:49 | 0:18:52 | |
Traditional art wins out. | 0:18:52 | 0:18:54 | |
The Lucas for Most Artistic Guest goes to Graeme Garden. | 0:18:54 | 0:18:57 | |
Also, a round of applause, please, for Morph, ladies and gentlemen. | 0:19:01 | 0:19:05 | |
I love that he thought it was modern art. | 0:19:08 | 0:19:10 | |
OK, on to our final award. | 0:19:13 | 0:19:15 | |
# I'm football crazy I'm football mad... # | 0:19:15 | 0:19:19 | |
I'm football psychotic, I'm working on my mental health issues | 0:19:19 | 0:19:22 | |
with a qualified psychiatrist. | 0:19:22 | 0:19:25 | |
We've got some way to go, but he feels we're making progress. | 0:19:25 | 0:19:28 | |
Yes, the next round is about football songs, | 0:19:28 | 0:19:30 | |
but we're not interested in the classics. Oh, no! | 0:19:30 | 0:19:33 | |
We want to hear your nominations please | 0:19:33 | 0:19:36 | |
for the Lucas for Dreadfullest Football Song Ever Sung. | 0:19:36 | 0:19:39 | |
Jason. | 0:19:39 | 0:19:41 | |
Diamond Lights by Glenn Hoddle and Chris Waddle. | 0:19:41 | 0:19:46 | |
Henning. | 0:19:46 | 0:19:47 | |
Far Away In America | 0:19:47 | 0:19:49 | |
by Village People and Deutsche Fussballnationalmannschaft. | 0:19:49 | 0:19:53 | |
And Graeme. | 0:19:53 | 0:19:54 | |
Sven, Sven, Sven by Bell and Spurling. | 0:19:54 | 0:19:58 | |
So the nominations for the Dreadfullest Football Song Ever Sung | 0:19:58 | 0:20:01 | |
are Diamond Lights, | 0:20:01 | 0:20:02 | |
Far Away In America | 0:20:02 | 0:20:04 | |
and Sven, Sven, Sven. | 0:20:04 | 0:20:06 | |
So first up, Jason's nomination, | 0:20:06 | 0:20:08 | |
Glenn Hoddle and Chris Waddle played together at Tottenham... | 0:20:08 | 0:20:11 | |
And in 1987 reached number 12 in the charts with this. | 0:20:11 | 0:20:16 | |
# Darling, I love you | 0:20:16 | 0:20:18 | |
# My diamond lights | 0:20:18 | 0:20:19 | |
# I'll always want you | 0:20:19 | 0:20:22 | |
# Darling, I love you | 0:20:22 | 0:20:24 | |
# My diamond lights | 0:20:24 | 0:20:26 | |
# I'll always need you | 0:20:26 | 0:20:29 | |
# Oh, darling. # | 0:20:29 | 0:20:32 | |
So, Jason, what do you think Glenn Hoddle did wrong in a former life | 0:20:42 | 0:20:46 | |
to have to come back and do that? | 0:20:46 | 0:20:49 | |
-I don't... What gets me on that is how seriously they're taking it. -Yeah. | 0:20:49 | 0:20:52 | |
Every other football song looks like they're going, | 0:20:52 | 0:20:54 | |
"We're a load of lads, we're having a laugh, we're messing around." | 0:20:54 | 0:20:57 | |
They're taking it like they're thinking, "Right, the football's over. | 0:20:57 | 0:21:00 | |
"Forget... Glenn, leave the football now, this is our new career path." | 0:21:00 | 0:21:05 | |
But what producers have looked at footballers and gone, | 0:21:05 | 0:21:08 | |
"These two are really good footballers, | 0:21:08 | 0:21:11 | |
"I tell you what I want to see, I want to see if they can sing." | 0:21:11 | 0:21:15 | |
I mean, you don't look at girls aloud and go, "They'd make a good back four." | 0:21:15 | 0:21:19 | |
I forgive most of what Glenn Hoddle's done in the past, | 0:21:19 | 0:21:22 | |
I will not forgive that song. | 0:21:22 | 0:21:23 | |
Now, Jason, I'm having a problem working out | 0:21:23 | 0:21:26 | |
whether this is a dreadful song | 0:21:26 | 0:21:27 | |
or actually a wonderful song just dreadfully sung. | 0:21:27 | 0:21:30 | |
I think the only way to find out | 0:21:30 | 0:21:31 | |
is to hear this song sung by someone else. | 0:21:31 | 0:21:34 | |
So run with me on this. | 0:21:34 | 0:21:35 | |
-OK. -I think we need to hear this song sung | 0:21:35 | 0:21:38 | |
by the person who has nominated it. | 0:21:38 | 0:21:41 | |
So if you'd like to join me over in the performance area, please. | 0:21:41 | 0:21:44 | |
Now then, now then, they usually play for Tottenham... | 0:21:48 | 0:21:51 | |
But tonight, please welcome | 0:21:55 | 0:21:56 | |
Glenn Hoddle and Chris Waddle with Diamond Lights. | 0:21:56 | 0:22:00 | |
# Eyes that freeze like ice | 0:22:03 | 0:22:06 | |
# Cold electric blue Those diamond lights. # | 0:22:06 | 0:22:10 | |
There's a little bit of a wait | 0:22:12 | 0:22:13 | |
-before the next bit. -Oh, the big bit. -It comes in now. | 0:22:13 | 0:22:15 | |
# You were hard as stone | 0:22:15 | 0:22:18 | |
# Solid stone | 0:22:18 | 0:22:22 | |
# For me. # | 0:22:22 | 0:22:24 | |
Then, I always get confused cos | 0:22:24 | 0:22:25 | |
I find it a very unmemorable song, | 0:22:25 | 0:22:27 | |
so are we supposed to sing now | 0:22:27 | 0:22:28 | |
or what? | 0:22:28 | 0:22:29 | |
# ...Rearrange my life | 0:22:29 | 0:22:31 | |
# Rearrange my life | 0:22:31 | 0:22:33 | |
# Can't explain... # | 0:22:33 | 0:22:34 | |
Oh, he knows what he's doing! | 0:22:34 | 0:22:36 | |
#...So afraid tonight. # | 0:22:36 | 0:22:37 | |
Here we go. | 0:22:37 | 0:22:39 | |
# Darling, I love you | 0:22:39 | 0:22:42 | |
# I'll always want you | 0:22:42 | 0:22:45 | |
# Darling, I love you. # | 0:22:45 | 0:22:47 | |
Very nice. | 0:22:47 | 0:22:49 | |
# I'll always need you | 0:22:49 | 0:22:51 | |
# Oh, darling | 0:22:53 | 0:22:55 | |
-# Diamond... -Diamond... -Diamond lights! -Diamond lights! # | 0:22:55 | 0:22:59 | |
Jason Manford, ladies and gentlemen. | 0:22:59 | 0:23:01 | |
-Now, you and I... -Mmm. | 0:23:06 | 0:23:09 | |
-You and I are both very, very accomplished singers. -Yes, I know! | 0:23:09 | 0:23:13 | |
-But we struggled with that. -We did. | 0:23:13 | 0:23:14 | |
Because it's a very, very unmemorable tune. | 0:23:14 | 0:23:16 | |
-It's awful. -Yes. -Awful, it's got nothing going for it at all. | 0:23:16 | 0:23:20 | |
-I mean, the fact that it's not been covered by anybody on X-Factor... shows you. -Yeah. | 0:23:20 | 0:23:25 | |
Well, listen, the worse the rendition, | 0:23:25 | 0:23:27 | |
I think the greater the chance that your nomination's going to win, | 0:23:27 | 0:23:31 | |
so take heart from that. | 0:23:31 | 0:23:32 | |
Henning, you have chosen Far Away In America | 0:23:32 | 0:23:35 | |
by the Village People | 0:23:35 | 0:23:37 | |
und der Deutsche Fussballnationalmannschaft, is that correct? | 0:23:37 | 0:23:41 | |
Yes, that's what...it is these days. | 0:23:41 | 0:23:44 | |
Let's have a look at a clip. | 0:23:44 | 0:23:46 | |
# Far away in America | 0:23:46 | 0:23:50 | |
# We're going to make it | 0:23:50 | 0:23:51 | |
# Find a chance and take it | 0:23:51 | 0:23:54 | |
# Play in America | 0:23:54 | 0:23:57 | |
# We're going to make it | 0:23:57 | 0:23:59 | |
# Get it up and shake it | 0:23:59 | 0:24:01 | |
# You're going to fight for the light Play it | 0:24:01 | 0:24:05 | |
# Come on and go It's all right! | 0:24:05 | 0:24:07 | |
# Far away in America | 0:24:07 | 0:24:11 | |
# Far away in America | 0:24:11 | 0:24:15 | |
# Let's go. # | 0:24:15 | 0:24:17 | |
Now... | 0:24:17 | 0:24:19 | |
before our British viewers get too smug, | 0:24:19 | 0:24:22 | |
that was from the World Cup in 1994 when no British sides qualified. | 0:24:22 | 0:24:27 | |
However, before our German viewers get too smug, | 0:24:27 | 0:24:29 | |
you did get knocked out in the quarter finals by Bulgaria. | 0:24:29 | 0:24:32 | |
-So, Henning, I know that the World Cup took place in America. -Yes. | 0:24:32 | 0:24:36 | |
But even so, how did this travesty happen? | 0:24:36 | 0:24:39 | |
Was Nena busy finally shaving her armpits that day? | 0:24:39 | 0:24:42 | |
No, they wanted to create an authentic song | 0:24:42 | 0:24:45 | |
and they thought, "We're going to America, | 0:24:45 | 0:24:47 | |
"then, let's sing a song with some yanks," | 0:24:47 | 0:24:50 | |
but I mean, it's ridiculous, isn't it? | 0:24:50 | 0:24:52 | |
Because, I mean, the thing is, the song is quite good, isn't it, | 0:24:52 | 0:24:55 | |
because it's catchy, the team seem to have fun singing it, | 0:24:55 | 0:24:59 | |
so there is nothing wrong with that but there is intrinsically | 0:24:59 | 0:25:02 | |
something very, very wrong if you don't sing in your own language. | 0:25:02 | 0:25:05 | |
That is the same nonsense that we had in 2010 | 0:25:05 | 0:25:08 | |
when Lena won the Eurovision Song Contest "for Germany." | 0:25:08 | 0:25:11 | |
How is it a triumph for Germany when she sings in English? | 0:25:11 | 0:25:16 | |
Trying to win the Eurovision Song Contest singing in a foreign language | 0:25:16 | 0:25:19 | |
is every little bit as ridiculous | 0:25:19 | 0:25:20 | |
as trying to win in the football World Cup with a foreign manager. | 0:25:20 | 0:25:24 | |
Aaah. | 0:25:24 | 0:25:26 | |
-I see where this is going. -I see... | 0:25:26 | 0:25:29 | |
I'm going to edit out that applause, don't you worry. | 0:25:29 | 0:25:32 | |
Do you have happy memories of that World Cup? | 0:25:32 | 0:25:35 | |
How could I? We came, we crashed down in the quarter finals to a country that shouldn't even exist. | 0:25:35 | 0:25:40 | |
Henning, I still can't judge this. | 0:25:42 | 0:25:45 | |
I'm going to need for you to sing this song. | 0:25:45 | 0:25:48 | |
Perhaps you can also join us, Graeme and Jason, | 0:25:48 | 0:25:50 | |
as we go over to the performance area. | 0:25:50 | 0:25:52 | |
Is that right? | 0:25:52 | 0:25:54 | |
Hello, I'm Bruno Brookes singing Far Away In America. | 0:25:56 | 0:26:00 | |
Please welcome der Village People and der Deutsche Fussballnationalmannschaft. | 0:26:00 | 0:26:07 | |
# There's a time you can't go wrong | 0:26:10 | 0:26:13 | |
# When your heart arrives in America | 0:26:13 | 0:26:17 | |
# And you know the game is on | 0:26:17 | 0:26:20 | |
# That will change your life in America | 0:26:20 | 0:26:24 | |
# It's a land so wild and free | 0:26:24 | 0:26:28 | |
# Calling out to you and me | 0:26:28 | 0:26:31 | |
# Ready for some action | 0:26:31 | 0:26:33 | |
# That's the way it's going to be. # | 0:26:33 | 0:26:37 | |
Here we go! | 0:26:37 | 0:26:38 | |
# Far away in America | 0:26:38 | 0:26:43 | |
# We're going to make it | 0:26:43 | 0:26:44 | |
# Find a chance and take it | 0:26:44 | 0:26:47 | |
# Far away in America | 0:26:47 | 0:26:49 | |
# Far away in America | 0:26:49 | 0:26:53 | |
# Let's go! # | 0:26:53 | 0:26:54 | |
Henning Wehn, ladies and gentlemen. | 0:26:54 | 0:26:56 | |
Well done! If you'd like to make your way back to the sofa. | 0:26:59 | 0:27:03 | |
Please, welcome back, welcome back. | 0:27:07 | 0:27:10 | |
Welcome back to the sofa. | 0:27:10 | 0:27:12 | |
Thank you very much. | 0:27:12 | 0:27:13 | |
I'm disgusted. | 0:27:13 | 0:27:14 | |
You're disgusted by what? | 0:27:14 | 0:27:16 | |
That Henning sang that in English. It's terrible. | 0:27:16 | 0:27:20 | |
-Now, Graeme. You've chosen Sven, Sven, Sven. -Yes. | 0:27:20 | 0:27:24 | |
-Which is a tribute to the then England manager Sven-Goran Eriksson. -Yes. | 0:27:24 | 0:27:28 | |
Now this reached number 7 in the charts in October 2001. | 0:27:28 | 0:27:31 | |
Let's take a look at the video. | 0:27:31 | 0:27:33 | |
# Sven, Sven, Sven-Goran Eriksson | 0:27:33 | 0:27:36 | |
# He's got Jimmy Saville's haircut | 0:27:38 | 0:27:41 | |
# So how'd he get a lovely girlfriend | 0:27:41 | 0:27:45 | |
# He tried so many players for the Holland game | 0:27:45 | 0:27:47 | |
# Yeah, how'd he forget Collymore | 0:27:47 | 0:27:49 | |
# They say he's insane | 0:27:49 | 0:27:51 | |
Michael Owen levels it up for England | 0:27:51 | 0:27:54 | |
on 12 minutes in Munich! | 0:27:54 | 0:27:56 | |
What a start to the season! | 0:27:56 | 0:27:58 | |
He doesn't even look properly like Sven, he just looks like a man. | 0:28:02 | 0:28:05 | |
He looks like Sven would look if he wasn't Swedish, | 0:28:05 | 0:28:08 | |
was five years older, had dark hair, more hair and a different face. | 0:28:08 | 0:28:12 | |
Graeme, what is your issue with this song? | 0:28:12 | 0:28:16 | |
Well, apart from the slightly cheesy video. | 0:28:16 | 0:28:20 | |
Yeah. | 0:28:20 | 0:28:21 | |
Er... | 0:28:21 | 0:28:24 | |
Say something now. | 0:28:24 | 0:28:26 | |
I think we've turned him with this costume. | 0:28:26 | 0:28:28 | |
-Yes. But Bell and Spurling, I don't know which club they play for. -Right. | 0:28:28 | 0:28:33 | |
But I just think footballers shouldn't try and sing songs like that, really. | 0:28:33 | 0:28:37 | |
I feel I ought to tell you that I don't think Bell and Spurling were themselves footballers. | 0:28:39 | 0:28:43 | |
-Weren't they? -No. -Oh! | 0:28:43 | 0:28:45 | |
I think they were just men. | 0:28:45 | 0:28:46 | |
They looked the type. | 0:28:46 | 0:28:48 | |
Where were you, Henning, when Sven's England beat Germany 5-1? | 0:28:49 | 0:28:53 | |
Well, for starters, it never happened. | 0:28:53 | 0:28:58 | |
No, honestly, honestly, | 0:28:59 | 0:29:02 | |
5-1 is a fluke scoreline. | 0:29:02 | 0:29:03 | |
Yeah. | 0:29:03 | 0:29:04 | |
Yeah, from a football game between England and Germany, | 0:29:04 | 0:29:07 | |
in the end, both of which did qualify for World Cup 2002. | 0:29:07 | 0:29:10 | |
Then, in the actual tournament, Germany goes on to play the final. | 0:29:10 | 0:29:13 | |
Admittedly, we lost, yes. But we made it all the way through to the final, | 0:29:13 | 0:29:17 | |
whereas England got sent packing weeks before that. | 0:29:17 | 0:29:20 | |
And that's why I genuinely do not understand the pride about that 5-1. | 0:29:20 | 0:29:24 | |
Yeah, it's like me walking up to a Russian fella and going, | 0:29:24 | 0:29:28 | |
"Oi, mate! Stalingrad, 1941!" | 0:29:28 | 0:29:31 | |
And I wouldn't do that because he would just turn round and go, | 0:29:31 | 0:29:34 | |
"Oi! Stalingrad, 1942!" | 0:29:34 | 0:29:37 | |
Well, Graeme, you know the score. | 0:29:41 | 0:29:43 | |
-Please take your place... -Oh, no! -In the performance area. | 0:29:43 | 0:29:45 | |
Hello, Pet. I'm Jayne Middlemiss. | 0:29:49 | 0:29:51 | |
Please welcome with Sven, Sven, Sven, | 0:29:51 | 0:29:54 | |
Graeme Garden and the real Bell and Spurling. | 0:29:54 | 0:29:57 | |
# Sven, Sven, Sven-Goran Eriksson | 0:29:57 | 0:30:01 | |
# He's got Jimmy Saville's haircut | 0:30:03 | 0:30:05 | |
# So how'd he get a lovely girlfriend | 0:30:05 | 0:30:09 | |
# He tried so many players | 0:30:09 | 0:30:11 | |
# For the Holland game | 0:30:11 | 0:30:12 | |
# How'd he forget Collymore | 0:30:12 | 0:30:14 | |
# They say he's insane | 0:30:14 | 0:30:16 | |
# Sven, Sven, Sven-Goran Eriksson. # | 0:30:16 | 0:30:19 | |
Europe! | 0:30:19 | 0:30:21 | |
# He's a lovely geezer | 0:30:22 | 0:30:23 | |
# But don't forget that he's from Sweden. # | 0:30:23 | 0:30:26 | |
Graeme. | 0:30:26 | 0:30:28 | |
# Up front there's Michael Owen | 0:30:28 | 0:30:29 | |
# And Heskey, that's his pal | 0:30:29 | 0:30:31 | |
# He should shave off...er... | 0:30:31 | 0:30:33 | |
# I don't understand all of this. # | 0:30:33 | 0:30:34 | |
# Seaman, Seaman, Seaman | 0:30:34 | 0:30:37 | |
# Your hair is in a right old state | 0:30:37 | 0:30:40 | |
# All you need is a Mark One Escort | 0:30:40 | 0:30:42 | |
# And a sovereign ring, mate | 0:30:42 | 0:30:44 | |
Have a go, man! | 0:30:44 | 0:30:46 | |
# What a wally David | 0:30:46 | 0:30:48 | |
# Looks his hair will have to go | 0:30:48 | 0:30:49 | |
# He's a cross between Burt Reynolds | 0:30:49 | 0:30:50 | |
# And Peter Stringfellow | 0:30:50 | 0:30:52 | |
# Sven, Sven, Sven-Goran Eriksson. # | 0:30:52 | 0:30:55 | |
Bell and Spurling and Graeme Garden, ladies and gentlemen. | 0:30:55 | 0:30:59 | |
Thank you very much you two. Thank you. Thank you very much. | 0:30:59 | 0:31:02 | |
Graeme, if you'd like to make your way back. | 0:31:02 | 0:31:05 | |
The walk of shame, ladies and gentlemen. | 0:31:05 | 0:31:09 | |
Well done, Graeme. Does that change your mind at all? | 0:31:13 | 0:31:16 | |
-You know, it does. -Does it? | 0:31:16 | 0:31:19 | |
I think that's probably the nicest football song I've ever sung. | 0:31:19 | 0:31:22 | |
Really? | 0:31:22 | 0:31:24 | |
-Were you nervous actually meeting them in real life? -I was, yeah. | 0:31:24 | 0:31:27 | |
But they're just like ordinary people. They're lovely. | 0:31:27 | 0:31:29 | |
They're just like ordinary people. | 0:31:29 | 0:31:31 | |
So which song is going to win the Lucas | 0:31:31 | 0:31:34 | |
for the Dreadfullest Football Song Ever Sung. | 0:31:34 | 0:31:36 | |
Well, I think, Henning, Far Away In America, | 0:31:36 | 0:31:40 | |
I think your moustache is just slightly coming off there, by the way. | 0:31:40 | 0:31:43 | |
I think Far Away In America is great | 0:31:43 | 0:31:47 | |
because it gives us the chance | 0:31:47 | 0:31:48 | |
to see the German squad looking really uncomfortable, | 0:31:48 | 0:31:51 | |
which is something I rather enjoy. | 0:31:51 | 0:31:53 | |
-I don't think we can give the award to Sven, Sven, Sven. -No. | 0:31:53 | 0:31:56 | |
Firstly, because I actually like that song. | 0:31:56 | 0:31:57 | |
Also, cos they're just over there and they can hear what we're saying. | 0:31:57 | 0:32:02 | |
Which means that the Lucas for Dreadfullest Football Song Ever Sung | 0:32:02 | 0:32:05 | |
has to go, and quite rightly, I think, to Diamond Lights. | 0:32:05 | 0:32:08 | |
Well, that's just about it for tonight. | 0:32:13 | 0:32:15 | |
We just have time to award the Lucas of Lucas's, the special Lucas, | 0:32:15 | 0:32:20 | |
that this week goes to the most efficient guest | 0:32:20 | 0:32:24 | |
and I wonder who that might go to. | 0:32:24 | 0:32:26 | |
I have a feeling it might go to Mr Henning Wehn, ladies and gentlemen. | 0:32:26 | 0:32:30 | |
Congratulations! | 0:32:30 | 0:32:32 | |
Thank you. | 0:32:32 | 0:32:33 | |
Henning, congratulations. | 0:32:35 | 0:32:38 | |
Is there anyone you'd like to thank? | 0:32:38 | 0:32:40 | |
Well, I think this is a triumph for Europe. | 0:32:40 | 0:32:43 | |
OK. | 0:32:43 | 0:32:44 | |
Now, a lot of people back home in the Fatherland, | 0:32:46 | 0:32:48 | |
they will be very delighted. | 0:32:48 | 0:32:50 | |
And well, what can I say? | 0:32:51 | 0:32:53 | |
It has been an absolute pleasure and delight | 0:32:53 | 0:32:57 | |
to dress up for you, lovely people, like a bloody idiot. | 0:32:57 | 0:33:01 | |
Thank you very much. | 0:33:01 | 0:33:02 | |
Congratulations. Henning Wehn, ladies and gentlemen. | 0:33:02 | 0:33:06 | |
Well, that's all we have time for. Thank you to all my guests. | 0:33:06 | 0:33:10 | |
Henning Wehn, Graeme Garden, Jason Manford, Bell and Spurling, | 0:33:10 | 0:33:13 | |
to my Mum, to David Arnold and to all of you for watching. Take it away! | 0:33:13 | 0:33:17 | |
# Good bye, my friends! | 0:33:19 | 0:33:21 | |
# That's all there is for me | 0:33:21 | 0:33:22 | |
# Sod off, go on, get on your bike! | 0:33:22 | 0:33:24 | |
# There's nothing more to see | 0:33:24 | 0:33:26 | |
# I gave you a show | 0:33:26 | 0:33:28 | |
# Which was rendered perfectly | 0:33:28 | 0:33:30 | |
# So if you didn't like it | 0:33:30 | 0:33:31 | |
# Why not just sell your TV? | 0:33:31 | 0:33:33 | |
# Turn your back on | 0:33:33 | 0:33:35 | |
# Your empty city life | 0:33:35 | 0:33:37 | |
# Foll by a barge for | 0:33:37 | 0:33:39 | |
# Just you and the wife | 0:33:39 | 0:33:40 | |
# And you can cruise | 0:33:40 | 0:33:42 | |
# Along the gorgeous Norfolk Broads | 0:33:42 | 0:33:43 | |
# And thus avoid | 0:33:43 | 0:33:45 | |
# The Matt Lucas Awards! # | 0:33:45 | 0:33:50 | |
Thank you! | 0:33:51 | 0:33:53 |