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BIRDS CHIRPING | 0:00:02 | 0:00:04 | |
THEME TUNE STARTS | 0:00:06 | 0:00:08 | |
# You put the washing out it rains | 0:00:08 | 0:00:11 | |
# Your legs are full of aches and pains | 0:00:11 | 0:00:15 | |
# The crime rate's soaring in your street | 0:00:15 | 0:00:18 | |
# Or cul-de-sac | 0:00:18 | 0:00:20 | |
# So let the happy times begin | 0:00:21 | 0:00:24 | |
# Cos Mrs Merton's here again | 0:00:24 | 0:00:28 | |
# She'll share the joy that's in her heart | 0:00:28 | 0:00:31 | |
# Throughout the world. # | 0:00:31 | 0:00:33 | |
CHEERING AND APPLAUSE | 0:00:33 | 0:00:36 | |
THEME TUNE PLAYS | 0:00:36 | 0:00:37 | |
Hello, I'm Mrs Merton, and welcome to the show. | 0:00:57 | 0:01:01 | |
My guests tonight are of such a high calibre we nearly didn't get them. | 0:01:01 | 0:01:06 | |
But who can refuse 2,000 quid | 0:01:06 | 0:01:08 | |
and a chance to show off to millions of people? | 0:01:08 | 0:01:10 | |
Not Steve Coogan, that's for sure. | 0:01:10 | 0:01:13 | |
LAUGHTER So, he's on the show. | 0:01:13 | 0:01:15 | |
Now, every woman's dream is to marry Paul Daniels. | 0:01:15 | 0:01:18 | |
This dream came true for the lovely Debbie McGee, | 0:01:18 | 0:01:21 | |
and she'll be popping up later, | 0:01:21 | 0:01:23 | |
so that will please my regular band, Hooky and the Boys. | 0:01:23 | 0:01:27 | |
GUITAR INSTRUMENTAL | 0:01:27 | 0:01:30 | |
Quite musical, that. LAUGHTER | 0:01:31 | 0:01:34 | |
They didn't half perk up a bit when I told them Debbie was on, | 0:01:34 | 0:01:37 | |
and you can't move here for the stench of Old Spice. | 0:01:37 | 0:01:40 | |
You know, normally they don't wash. | 0:01:40 | 0:01:43 | |
But without further ado, | 0:01:43 | 0:01:44 | |
here's a man who came third in the Olympics, | 0:01:44 | 0:01:47 | |
but he's coming first here tonight. | 0:01:47 | 0:01:49 | |
Ladies and gentlemen, Kriss Akabusi. | 0:01:49 | 0:01:52 | |
MUSIC AND APPLAUSE | 0:01:52 | 0:01:55 | |
Oh, lovely. | 0:02:01 | 0:02:02 | |
Oh, well, nice to meet you, ma'am. | 0:02:02 | 0:02:04 | |
How lovely. Oh, sit down. | 0:02:04 | 0:02:07 | |
KRISS LAUGHS | 0:02:07 | 0:02:08 | |
Oh, it's lovely to have you on. Lovely aftershave. | 0:02:10 | 0:02:13 | |
LAUGHTER | 0:02:13 | 0:02:15 | |
They can smell it back there. Just for you, just for you, ma'am. | 0:02:15 | 0:02:18 | |
So, Kriss Akabusi. | 0:02:18 | 0:02:20 | |
Now, I'm not David Coleman. | 0:02:20 | 0:02:23 | |
You know... LAUGHTER | 0:02:23 | 0:02:25 | |
Anybody will tell you that. | 0:02:25 | 0:02:27 | |
You're far good-looking... Much better looking. Ah, thank you, Kriss. | 0:02:27 | 0:02:30 | |
But, you know, I do take an avid interest in sport, obviously. | 0:02:30 | 0:02:34 | |
So, Kriss Akabusi, what do you do, sports-wise? | 0:02:34 | 0:02:38 | |
LAUGHTER | 0:02:38 | 0:02:40 | |
I've just been transferred to Man United. | 0:02:44 | 0:02:46 | |
I'm playing centre-forward. Oh... | 0:02:46 | 0:02:48 | |
LAUGHTER | 0:02:48 | 0:02:49 | |
APPLAUSE | 0:02:49 | 0:02:51 | |
That's very funny. | 0:02:51 | 0:02:53 | |
So, what sort of thing? It was running, wasn't it? | 0:02:55 | 0:02:57 | |
Every now and again. I'm only running to the toilet now, but, yes... | 0:02:57 | 0:03:01 | |
I used to run when I was on the track, and did hurdles, by the way. | 0:03:01 | 0:03:04 | |
And the hurdles as well. Didn't you see the entrance when I jumped... I did, it was marvellous. | 0:03:04 | 0:03:08 | |
Shall I do it again? No. | 0:03:08 | 0:03:09 | |
I was trying to watch it, but it was the aftershave... | 0:03:09 | 0:03:13 | |
LAUGHTER | 0:03:13 | 0:03:14 | |
But tell us, when did you realise first that you could run? | 0:03:14 | 0:03:18 | |
LAUGHTER Um... | 0:03:18 | 0:03:20 | |
I suppose really it was my mother who realised, because I, um, | 0:03:20 | 0:03:23 | |
you know, dribbled down her breast when I was... | 0:03:23 | 0:03:26 | |
LAUGHTER | 0:03:26 | 0:03:27 | |
No, I was a breast-fed baby, you see. That's what I meant. Oh, were you? | 0:03:27 | 0:03:30 | |
But actually... I wasn't actually asking you that. | 0:03:30 | 0:03:33 | |
LAUGHTER | 0:03:33 | 0:03:34 | |
Take me through a typical race. | 0:03:34 | 0:03:36 | |
You know, you're all lined up there with your feet in them clamps... | 0:03:36 | 0:03:39 | |
LAUGHTER | 0:03:39 | 0:03:41 | |
What's going through your mind, Kriss Akabusi? | 0:03:41 | 0:03:44 | |
Um, not too much, to be honest. | 0:03:44 | 0:03:46 | |
Because obviously, you know, | 0:03:46 | 0:03:48 | |
this is the big thing. Um, all of a sudden, | 0:03:48 | 0:03:50 | |
you hear the starter say, "On your marks!" | 0:03:50 | 0:03:52 | |
And... And it's like..."Hoot!" | 0:03:52 | 0:03:55 | |
Is that coming from you, that noise? | 0:03:55 | 0:03:57 | |
LAUGHTER | 0:03:57 | 0:03:59 | |
Is that a technique to put the other athletes off? Well... | 0:03:59 | 0:04:04 | |
What it is, it's called... It's called a turbocharger. | 0:04:04 | 0:04:07 | |
LAUGHTER I bet it is. I bet it is. | 0:04:07 | 0:04:11 | |
But do you have to plan your tactics before the race, | 0:04:11 | 0:04:14 | |
or do you just try and run faster than the other blokes? | 0:04:14 | 0:04:18 | |
LAUGHTER | 0:04:18 | 0:04:20 | |
Well, obviously, by the time you get to the track, | 0:04:20 | 0:04:22 | |
if you're not ready to run fast, it's all history. Yes. | 0:04:22 | 0:04:25 | |
But before the race, you do a lot of mental preparation, | 0:04:25 | 0:04:27 | |
you get yourself in gear and you... | 0:04:27 | 0:04:29 | |
I mean, running gear as well as mental gear. | 0:04:29 | 0:04:31 | |
And you prepare very hard, but when it comes to the big day, | 0:04:31 | 0:04:34 | |
your mind goes blank, you just focus into what you've got to do, | 0:04:34 | 0:04:37 | |
you hear the gun go bang and you run as fast as you can. Simple as that. | 0:04:37 | 0:04:41 | |
It sounds very simple. LAUGHTER | 0:04:41 | 0:04:43 | |
Are you sure it wasn't for laughing you won your medal, | 0:04:43 | 0:04:46 | |
not from running? KRISS LAUGHS | 0:04:46 | 0:04:49 | |
I love people who laugh a lot at nothing. | 0:04:49 | 0:04:51 | |
Do you laugh a lot, Mrs Merton? Oh, I do, | 0:04:51 | 0:04:53 | |
and a friend of mine, Lily, | 0:04:53 | 0:04:54 | |
she laughs from getting up in the morning | 0:04:54 | 0:04:57 | |
to going to bed at night, you know. | 0:04:57 | 0:04:58 | |
She laughs at everything. She's a little bit simple, really. | 0:04:58 | 0:05:02 | |
LAUGHTER | 0:05:02 | 0:05:04 | |
But... | 0:05:04 | 0:05:05 | |
Those Lycra shorts that they make you wear... | 0:05:05 | 0:05:08 | |
LAUGHTER | 0:05:08 | 0:05:10 | |
There's been, there's been a lot of fuss about those, hasn't there? | 0:05:10 | 0:05:13 | |
Do you think they're making a mountain out of a mole hill? | 0:05:13 | 0:05:16 | |
LAUGHTER AND APPLAUSE | 0:05:16 | 0:05:18 | |
Well, maybe, | 0:05:18 | 0:05:20 | |
that's the sort of question you ought to ask Mr Christie. Really? | 0:05:20 | 0:05:23 | |
What I want to say, actually, | 0:05:23 | 0:05:24 | |
they're a very important fashion accessory. I bet they are. | 0:05:24 | 0:05:27 | |
Before the old Lycra shorts came in, | 0:05:27 | 0:05:29 | |
we used to have these real short shorts. Yes. Oh, I remember. | 0:05:29 | 0:05:33 | |
You remember those very short shorts? I do, yes. | 0:05:33 | 0:05:35 | |
Back in your day, Mrs Merton. Yes. | 0:05:35 | 0:05:36 | |
Well, I can remember, one of my very first races, | 0:05:36 | 0:05:39 | |
being a bigwig, everyone... Easy with the bigwig! | 0:05:39 | 0:05:41 | |
Being one of these top-class athletes... I don't think they got it. | 0:05:41 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:46 | |
Be as easy as you like with this. Go on. | 0:05:46 | 0:05:48 | |
And I was in one of these very short shorts | 0:05:48 | 0:05:50 | |
and we used to wear what we call athletic supports - | 0:05:50 | 0:05:52 | |
jockstrap, in the common vernacular. AUDIENCE MEMBER LAUGHS | 0:05:52 | 0:05:55 | |
When the gun went bang - boom, I was out of here, running down the back straight. Eeeoow! | 0:05:55 | 0:05:59 | |
All of a sudden I heard, twang! LAUGHTER | 0:05:59 | 0:06:02 | |
Now, that wasn't my hamstring, Mrs Merton. That was my jockstrap. | 0:06:02 | 0:06:05 | |
All of a sudden... Did it smart? | 0:06:05 | 0:06:08 | |
LAUGHTER | 0:06:08 | 0:06:10 | |
My face, it went a little bit red, Mrs Merton. I bet you did. | 0:06:10 | 0:06:14 | |
And they went, ooh! LAUGHTER | 0:06:14 | 0:06:16 | |
I was running down the back straight | 0:06:16 | 0:06:18 | |
and I was trying to adjust myself properly. | 0:06:18 | 0:06:20 | |
When I crossed that line - boom, I hear the car. See ya! Ooh! | 0:06:20 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:24 | |
That's why now we wear those Lycra shorts... | 0:06:24 | 0:06:27 | |
I see, to hold it all... Hold it all in. | 0:06:27 | 0:06:29 | |
Do you know, this is in Manchester, of course, | 0:06:29 | 0:06:33 | |
and we were very upset when we didn't get the Olympic games. | 0:06:33 | 0:06:36 | |
Oh, yes. So was I, so was I. | 0:06:36 | 0:06:37 | |
You guys in Manchester, I was very upset as well. | 0:06:37 | 0:06:40 | |
Well, we've got the drugs for them, haven't we? | 0:06:40 | 0:06:42 | |
LAUGHTER | 0:06:42 | 0:06:45 | |
Oh, Mrs Merton! | 0:06:46 | 0:06:47 | |
APPLAUSE | 0:06:47 | 0:06:49 | |
But... | 0:06:50 | 0:06:51 | |
APPLAUSE | 0:06:51 | 0:06:53 | |
Very topical, very topical. | 0:06:53 | 0:06:55 | |
KRISS LAUGHS But... | 0:06:55 | 0:06:57 | |
Do you ever breathe in, Kriss? | 0:06:57 | 0:06:59 | |
LAUGHTER | 0:06:59 | 0:07:01 | |
You now... You present Record Breakers, don't you? | 0:07:02 | 0:07:05 | |
What's that all about, then? | 0:07:05 | 0:07:07 | |
Uh... Breaking records. | 0:07:07 | 0:07:09 | |
Yeah, well, it's a show that's been going for a very long time, | 0:07:09 | 0:07:13 | |
even when you were a little girl. | 0:07:13 | 0:07:14 | |
Maybe not quite when you were a little girl, Mrs Merton, | 0:07:14 | 0:07:17 | |
but it's been going on for a very long time. | 0:07:17 | 0:07:19 | |
I've been involved with the programme for the last two years. | 0:07:19 | 0:07:22 | |
You know what strikes me, when people break those records, | 0:07:22 | 0:07:25 | |
isn't it a coincidence that Norris McWhirter's always there? | 0:07:25 | 0:07:29 | |
He is, isn't he? | 0:07:29 | 0:07:31 | |
He's all over the place. He is. | 0:07:31 | 0:07:33 | |
Norris is the man, he knows. It's intuition, he knows. | 0:07:33 | 0:07:36 | |
In fact, you don't know, Mrs Merton, | 0:07:36 | 0:07:38 | |
but he is going to be here tonight | 0:07:38 | 0:07:39 | |
because yours is going to be a record-breaking show, Mrs Merton! | 0:07:39 | 0:07:43 | |
Are you on something? | 0:07:43 | 0:07:46 | |
LAUGHTER | 0:07:46 | 0:07:47 | |
I'm in Manchester, so it must be in the air. I think it is. | 0:07:47 | 0:07:51 | |
But my friend, Lily, | 0:07:51 | 0:07:53 | |
she tried to get in to the Guinness Book Of Records | 0:07:53 | 0:07:56 | |
for having the longest beard in the north west. | 0:07:56 | 0:07:59 | |
They said there was no category for that, | 0:08:01 | 0:08:03 | |
and apparently Judith Chalmers is always ringing up... | 0:08:03 | 0:08:06 | |
LAUGHTER | 0:08:06 | 0:08:08 | |
..to get in. So, something there for you to think about. | 0:08:08 | 0:08:11 | |
But when they don't actually break these records, | 0:08:11 | 0:08:14 | |
you can't help but laugh, can you? You know? | 0:08:14 | 0:08:17 | |
When you think of the time they spent practising. | 0:08:17 | 0:08:20 | |
That's life though, isn't it? It is. | 0:08:20 | 0:08:21 | |
A record wouldn't be a record if it wasn't hard to break. No. | 0:08:21 | 0:08:24 | |
That's what we say to all our record-breakers, | 0:08:24 | 0:08:26 | |
that if you don't do it, don't worry. | 0:08:26 | 0:08:28 | |
Thousands have tried and thousands have failed. | 0:08:28 | 0:08:30 | |
Welcome to the bunch. And does that help them? No. No! | 0:08:30 | 0:08:33 | |
Can I say to you, most sportsmen, you know, | 0:08:35 | 0:08:38 | |
they don't have personalities. | 0:08:38 | 0:08:39 | |
Sebastian Coe springs to mind. | 0:08:39 | 0:08:41 | |
But can I just say, and this is why I like you so much, | 0:08:41 | 0:08:45 | |
you're oozing personality out of every orifice. | 0:08:45 | 0:08:48 | |
You really are. Can I blow my nose? | 0:08:50 | 0:08:52 | |
Ladies and gentlemen, will you thank Kriss Akabusi! | 0:08:52 | 0:08:56 | |
APPLAUSE | 0:08:56 | 0:08:59 | |
Unlike her husband, Paul Daniels, | 0:09:07 | 0:09:09 | |
who's known for his cunning stunts, | 0:09:09 | 0:09:11 | |
my next guest is known for her stunning costumes. | 0:09:11 | 0:09:15 | |
Ladies and gentlemen, | 0:09:15 | 0:09:17 | |
please welcome Debbie McGee. | 0:09:17 | 0:09:20 | |
APPLAUSE | 0:09:20 | 0:09:22 | |
I can't believe you've only just met. | 0:09:32 | 0:09:36 | |
This is my Christmas present all over again! | 0:09:36 | 0:09:38 | |
I just couldn't resist that! | 0:09:38 | 0:09:41 | |
Was that a trick? | 0:09:41 | 0:09:43 | |
I think that's what they call it in America. | 0:09:45 | 0:09:48 | |
Now Paul's not here you're anyone's. | 0:09:49 | 0:09:52 | |
So, Debbie, very pleasing on the eye, if I might say so. | 0:09:54 | 0:09:56 | |
I think Kriss has realised that. | 0:09:56 | 0:09:59 | |
Thank you. | 0:09:59 | 0:10:00 | |
But what first, Debbie, | 0:10:00 | 0:10:02 | |
attracted you to the millionaire Paul Daniels? | 0:10:02 | 0:10:05 | |
LAUGHTER | 0:10:05 | 0:10:07 | |
APPLAUSE | 0:10:09 | 0:10:12 | |
Well... | 0:10:18 | 0:10:20 | |
Well, do you really want to know the truth? Yes, I do. | 0:10:22 | 0:10:26 | |
Paul married me for my money. | 0:10:26 | 0:10:28 | |
APPLAUSE | 0:10:28 | 0:10:30 | |
But, in fact, when I first... How I met Paul was that I worked with him. | 0:10:33 | 0:10:37 | |
But I had no idea who he was or what he did. | 0:10:37 | 0:10:40 | |
I'd lived out of the country and he'd become famous. Yes. | 0:10:40 | 0:10:43 | |
And I was a dancer and I auditioned for his show but I never met Paul. | 0:10:43 | 0:10:47 | |
No. Then they said, "It's the Paul Daniels show," | 0:10:47 | 0:10:50 | |
so I had to ring up my friend and say... "Who is he?" | 0:10:50 | 0:10:52 | |
I've got this job with this guy called Paul Daniels. | 0:10:52 | 0:10:55 | |
What does he do? They said, "He's a magician." | 0:10:55 | 0:10:57 | |
I said, "Oh, no. I hate magicians." I've got four months of this. | 0:10:57 | 0:11:00 | |
But then, you see, his looks and sex appeal attracted me. | 0:11:00 | 0:11:04 | |
Won you over. | 0:11:04 | 0:11:05 | |
No, I think of you both as our vision of David Copperfield | 0:11:05 | 0:11:09 | |
and Claudia Schiffer, | 0:11:09 | 0:11:11 | |
but, you know, on a lower budget. | 0:11:11 | 0:11:12 | |
Do you get compared to them two? All the time. | 0:11:14 | 0:11:17 | |
It's very confusing for people actually. | 0:11:17 | 0:11:20 | |
They mistake me for Claudia Schiffer. I know, it's terrible. | 0:11:20 | 0:11:23 | |
And Paul for David Copperfield. I bet they do. | 0:11:23 | 0:11:25 | |
I once saw David Copperfield | 0:11:25 | 0:11:27 | |
and he made the Statue of Liberty disappear. | 0:11:27 | 0:11:30 | |
And I've seen your Paul do the same thing with the eight of clubs. | 0:11:30 | 0:11:34 | |
So, something there for us to think about. | 0:11:35 | 0:11:38 | |
But, Debbie, we all know you as Paul Daniels's assistant, | 0:11:38 | 0:11:42 | |
but what people don't know is you're a person in your own right. | 0:11:42 | 0:11:44 | |
Aren't you? Yes, here I am. | 0:11:44 | 0:11:48 | |
Lovely. | 0:11:48 | 0:11:49 | |
Ogling you there. | 0:11:49 | 0:11:52 | |
Tell us about that. About me? Yes. | 0:11:52 | 0:11:54 | |
Well, now, people are going to get to know that I'm a person even more | 0:11:54 | 0:11:59 | |
because we're doing a new TV show called Secrets. Oh, yes? | 0:11:59 | 0:12:02 | |
It's a nightclub and we both co-host it. | 0:12:02 | 0:12:05 | |
So, where in the past they haven't let me talk, | 0:12:05 | 0:12:07 | |
they've now given me a mic and they're starting to regret it, | 0:12:07 | 0:12:11 | |
because I come on and tell jokes. Do you? | 0:12:11 | 0:12:13 | |
And interrupt Paul and say, "Look, I don't like that trick, | 0:12:13 | 0:12:15 | |
"let's do something else," or, "What are you doing?" | 0:12:15 | 0:12:19 | |
Do you do tricks for each other at home? Does he make things... | 0:12:19 | 0:12:22 | |
Does he make things pop up willy-nilly? | 0:12:22 | 0:12:25 | |
LAUGHTER | 0:12:25 | 0:12:27 | |
This is called the nice Mrs Merton! | 0:12:27 | 0:12:30 | |
Yes. | 0:12:34 | 0:12:36 | |
Debbie, you know, we're taking magic very lightly here, aren't we? | 0:12:38 | 0:12:42 | |
But it can actually be dangerous, | 0:12:42 | 0:12:44 | |
and a friend of mine, Betty, | 0:12:44 | 0:12:46 | |
she was once at a magic show | 0:12:46 | 0:12:48 | |
and the magician, he produced a watch from behind her ear. | 0:12:48 | 0:12:52 | |
Do you know, something, Debbie, she's never been the same | 0:12:52 | 0:12:55 | |
and she's now in a home where they can only feed her soup. | 0:12:55 | 0:12:59 | |
Does that worry you at all? | 0:13:00 | 0:13:03 | |
Erm... | 0:13:03 | 0:13:04 | |
No, I think I was affected before I got involved in it. | 0:13:04 | 0:13:08 | |
Really? But, you know, let me pose a hypothetical question to you. | 0:13:08 | 0:13:11 | |
Say, you wake up... | 0:13:11 | 0:13:13 | |
That's a long word. It is, isn't it? But I got it out. | 0:13:13 | 0:13:17 | |
That's magic, isn't it? | 0:13:17 | 0:13:19 | |
Say you wake up of a night and you're in your bed | 0:13:19 | 0:13:21 | |
and you just wake up | 0:13:21 | 0:13:23 | |
and you put your hand out to stroke Paul's little head | 0:13:23 | 0:13:26 | |
and he's not there. | 0:13:26 | 0:13:28 | |
Do you look up and he's at the end of the bed | 0:13:28 | 0:13:30 | |
pulling doves out of his pyjamas? | 0:13:30 | 0:13:32 | |
Do you find that happens? | 0:13:34 | 0:13:35 | |
Yes. Quite a lot? | 0:13:37 | 0:13:40 | |
Quite a lot. Yes, he pulls things out of his pyjamas. | 0:13:40 | 0:13:43 | |
Actually, he doesn't wear pyjamas! | 0:13:45 | 0:13:47 | |
We're finding out the truth now. I'm very honest. | 0:13:49 | 0:13:53 | |
So, what does he wear? | 0:13:53 | 0:13:55 | |
His birthday suit. His birthday... | 0:13:55 | 0:13:58 | |
Oh, I'm feeling nauseous now. | 0:13:58 | 0:14:01 | |
I've come over all nauseous. | 0:14:01 | 0:14:02 | |
But my husband, he's a great fan of Paul Daniels. | 0:14:03 | 0:14:08 | |
By the way, are you Paul Merton's mother? No, no, I'm not. Are you? | 0:14:08 | 0:14:13 | |
LAUGHTER | 0:14:13 | 0:14:15 | |
No, but my husband... | 0:14:15 | 0:14:17 | |
My husband's a great fan of Paul Daniels. | 0:14:20 | 0:14:23 | |
He really, really is. | 0:14:23 | 0:14:25 | |
That and anything with Alan Titchmarsh in. | 0:14:25 | 0:14:28 | |
Any strong views on Alan Titchmarsh, Kriss? | 0:14:30 | 0:14:32 | |
One way or the other? | 0:14:32 | 0:14:34 | |
Who's Alan Titchmarsh? | 0:14:34 | 0:14:36 | |
You were on his show once. Was I?! | 0:14:36 | 0:14:38 | |
No! On Pebble Mill... Sorry. Oh, I'm sorry! | 0:14:38 | 0:14:42 | |
Do you remember now? Yeah, nice guy. | 0:14:45 | 0:14:48 | |
Oh, lovely! | 0:14:48 | 0:14:50 | |
Very memorable, isn't he? | 0:14:51 | 0:14:52 | |
What I'm going to do with you now, Debbie, | 0:14:52 | 0:14:56 | |
I'm going to throw you open to the general public in here | 0:14:56 | 0:14:59 | |
and see what questions they'd like to ask you. | 0:14:59 | 0:15:02 | |
Who'd like to ask Debbie McGee a question? | 0:15:02 | 0:15:04 | |
What about Jeff up there at the back? | 0:15:04 | 0:15:06 | |
Debbie, I'd like to ask you, | 0:15:06 | 0:15:07 | |
what's your favourite trick and do you ever get backache? | 0:15:07 | 0:15:10 | |
That's a bit saucy, isn't it? It is a bit saucy, isn't it? | 0:15:12 | 0:15:15 | |
Don't answer it, don't... It's only Jeff. | 0:15:15 | 0:15:18 | |
Making rude people disappear. I think that's my favourite trick. | 0:15:20 | 0:15:23 | |
Do you know, I've seen Paul make you disappear on the telly. | 0:15:23 | 0:15:27 | |
Are you going to make Paul disappear, | 0:15:27 | 0:15:29 | |
because that would guarantee a lot of viewers. | 0:15:29 | 0:15:32 | |
So, any other questions for Debbie? | 0:15:33 | 0:15:35 | |
What about this lady here with the glasses on? | 0:15:35 | 0:15:37 | |
You know the one where you get sawn in half, how do you do that? | 0:15:37 | 0:15:41 | |
Debbie, how do you do that? Beautifully. | 0:15:41 | 0:15:45 | |
You can't tell that lady then? I can't tell. I'd get the sack. | 0:15:45 | 0:15:48 | |
I would get chucked out of the Magic Circle. | 0:15:48 | 0:15:50 | |
Has a trick ever gone wrong like that? Well, obviously not, but... | 0:15:50 | 0:15:55 | |
Do you want to see the scars, do you? Kriss does! | 0:15:55 | 0:15:57 | |
HE LAUGHS | 0:15:59 | 0:16:03 | |
It's too much! | 0:16:03 | 0:16:04 | |
We flew up... This is really funny. | 0:16:07 | 0:16:11 | |
We flew up on the same plane together, but we didn't know... | 0:16:11 | 0:16:13 | |
With the same crate of lager. | 0:16:13 | 0:16:16 | |
LAUGHTER | 0:16:16 | 0:16:18 | |
We didn't know who each other... Who we were. Bizarre. | 0:16:18 | 0:16:21 | |
We both smiled and said hello. As you do. | 0:16:21 | 0:16:24 | |
We came out of the airport, and headed for the same taxi man... | 0:16:24 | 0:16:28 | |
Oh, yes, yes. | 0:16:28 | 0:16:29 | |
We both looked at each other and thought, | 0:16:29 | 0:16:32 | |
"Oh, we're travelling together!" | 0:16:32 | 0:16:34 | |
And then you got the little "ping"! | 0:16:34 | 0:16:36 | |
"Oh, it's you." He said, "Oh, and it's you." | 0:16:37 | 0:16:39 | |
I take it you'll be saying in the same hotel tonight. | 0:16:39 | 0:16:42 | |
Need we say more? Back to Paul Daniels. | 0:16:44 | 0:16:46 | |
I think you forgot him for the moment. | 0:16:46 | 0:16:49 | |
You know when you're an assistant, | 0:16:50 | 0:16:52 | |
you always look very, very glamorous. | 0:16:52 | 0:16:54 | |
You always look lovely. | 0:16:54 | 0:16:55 | |
Do you choose those outfits yourself | 0:16:55 | 0:16:57 | |
or does Paul have a hand in it? | 0:16:57 | 0:16:59 | |
I choose them. And I have them made, | 0:17:01 | 0:17:04 | |
so I'm involved with the drawings and buying fabric and everything. Lovely. | 0:17:04 | 0:17:08 | |
Yeah, it's fun. | 0:17:08 | 0:17:09 | |
Ladies and gentlemen, will you thank the lovely Debbie McGee! | 0:17:09 | 0:17:12 | |
APPLAUSE | 0:17:12 | 0:17:15 | |
Hooky, did you like Debbie? She was lovely, yes. | 0:17:23 | 0:17:26 | |
Yeah, I saw you ogling her with them leather trousers on. | 0:17:26 | 0:17:30 | |
So, Jean, are you all right there in that jacket? | 0:17:30 | 0:17:34 | |
Yes, thank you. | 0:17:34 | 0:17:35 | |
You don't want to take it off? No, thank you. | 0:17:35 | 0:17:37 | |
You won't feel the benefit of it when you get out. | 0:17:37 | 0:17:39 | |
LAUGHTER | 0:17:39 | 0:17:41 | |
My next guest has been described as Britain's tallest man. | 0:17:41 | 0:17:44 | |
Here to tell us why, please welcome Britain's tallest man, | 0:17:44 | 0:17:48 | |
Chris Greener. | 0:17:48 | 0:17:50 | |
# I'm on the top of the world | 0:17:50 | 0:17:52 | |
# Looking down on creation | 0:17:52 | 0:17:55 | |
# For the only explanation | 0:17:55 | 0:17:57 | |
# I can find... # | 0:17:57 | 0:17:59 | |
There you are. Look at that difference! | 0:18:01 | 0:18:05 | |
Lovely. | 0:18:05 | 0:18:06 | |
Sit down. | 0:18:06 | 0:18:08 | |
It's lovely to have you on, Chris. | 0:18:11 | 0:18:12 | |
It's lovely to be here. Oh, I wish I'd put my heels on, I really do! | 0:18:12 | 0:18:16 | |
You can borrow mine if you like. | 0:18:16 | 0:18:18 | |
You are tall, aren't you? | 0:18:18 | 0:18:20 | |
So it says. | 0:18:20 | 0:18:21 | |
Do you think he's tall, Jean? I do. | 0:18:21 | 0:18:23 | |
What about you, Ada, do you think he's tall? | 0:18:23 | 0:18:26 | |
Yes, a bit taller than me, isn't he? | 0:18:26 | 0:18:28 | |
He is! Do you think he's tall - in the front? | 0:18:28 | 0:18:30 | |
Yeah. | 0:18:30 | 0:18:32 | |
They all do, Chris, they all do. | 0:18:32 | 0:18:35 | |
So tell me, you're Britain's tallest man, aren't you? | 0:18:35 | 0:18:38 | |
That's right. | 0:18:38 | 0:18:40 | |
So how tall exactly are you? | 0:18:40 | 0:18:42 | |
Seven feet 6? inches. | 0:18:42 | 0:18:44 | |
Gosh! Are you the world's tallest man? | 0:18:44 | 0:18:46 | |
No, the tallest man in the world is about an inch taller than me. | 0:18:46 | 0:18:49 | |
Oh, well keep trying. I will! LAUGHTER | 0:18:49 | 0:18:52 | |
So, tell me, a lot of the ladies in the audience... Yes. | 0:18:52 | 0:18:56 | |
Are dying for me to ask you this question. | 0:18:56 | 0:18:59 | |
LAUGHTER How big... | 0:18:59 | 0:19:01 | |
is your wife? | 0:19:01 | 0:19:03 | |
Would you say? | 0:19:03 | 0:19:04 | |
I'm not married. Are you not? Oh! | 0:19:06 | 0:19:07 | |
Even with these long legs I can't still can't run fast enough. | 0:19:07 | 0:19:10 | |
Have you had to specially adapt your life | 0:19:10 | 0:19:13 | |
to cope with your enormity? | 0:19:13 | 0:19:15 | |
APPLAUSE | 0:19:15 | 0:19:16 | |
At all, in any way? No, not really. | 0:19:16 | 0:19:19 | |
I haven't changed my house at all, | 0:19:19 | 0:19:21 | |
it's still the same old house as it was when it was built. | 0:19:21 | 0:19:24 | |
I just duck when I go through the doorways. Do you? Yes. | 0:19:24 | 0:19:27 | |
But you've done some films, haven't you? | 0:19:27 | 0:19:30 | |
What films were they? | 0:19:30 | 0:19:32 | |
Probably the best-known film was Elephant Man. Elephant Man. Yes. | 0:19:32 | 0:19:36 | |
What part were you in that? | 0:19:36 | 0:19:38 | |
I played the giant. The giant! | 0:19:38 | 0:19:40 | |
I did audition for the dwarf but the costume didn't fit! | 0:19:40 | 0:19:43 | |
What other sort of films have you done? | 0:19:43 | 0:19:46 | |
I was in a film called Gun Bust, | 0:19:46 | 0:19:48 | |
where I played a giant. | 0:19:48 | 0:19:50 | |
You're getting typecast, aren't you? Yes. | 0:19:50 | 0:19:55 | |
Another film in Czechoslovakia called The Brave Little Tailor. | 0:19:55 | 0:19:59 | |
You weren't the little tailor then? | 0:19:59 | 0:20:01 | |
No. A giant again. | 0:20:01 | 0:20:03 | |
LAUGHTER | 0:20:03 | 0:20:05 | |
Do you like animals, Chris? | 0:20:05 | 0:20:08 | |
Do I like animals? Yes. I love them. | 0:20:08 | 0:20:10 | |
Do you? Yes. | 0:20:10 | 0:20:12 | |
Why are baboons bottoms so red? | 0:20:12 | 0:20:14 | |
LAUGHTER | 0:20:14 | 0:20:15 | |
It's something I always wonder about. | 0:20:15 | 0:20:17 | |
It's funny you should say that because, actually, | 0:20:17 | 0:20:20 | |
I've been wondering about that as well. | 0:20:20 | 0:20:22 | |
I take it you've never done anything to stunt your growth, | 0:20:22 | 0:20:25 | |
like smoking or any other... | 0:20:25 | 0:20:28 | |
No, no. See, Bernard, this could have been you! You know. | 0:20:28 | 0:20:33 | |
It's been marvellous having you on, Chris, it really, really has. | 0:20:33 | 0:20:38 | |
If you get any taller, Chris, | 0:20:38 | 0:20:39 | |
will you come back and tell us all about it? | 0:20:39 | 0:20:42 | |
LAUGHTER | 0:20:42 | 0:20:44 | |
Will you? I'd be delighted to. | 0:20:44 | 0:20:46 | |
Ladies and gentlemen, will you thank Chris Greener! | 0:20:46 | 0:20:48 | |
Thank you very much. | 0:20:48 | 0:20:51 | |
APPLAUSE | 0:20:52 | 0:20:54 | |
How tall are you, Ada? | 0:20:58 | 0:21:00 | |
About five foot, I think, now. | 0:21:00 | 0:21:02 | |
Five foot, give her a round of applause! | 0:21:02 | 0:21:05 | |
APPLAUSE | 0:21:05 | 0:21:07 | |
My next guest started off putting on funny hats | 0:21:10 | 0:21:13 | |
and doing silly voices to entertain his family. | 0:21:13 | 0:21:16 | |
He now entertains the nation doing exactly the same thing. | 0:21:16 | 0:21:20 | |
Let's have a madcap five minutes | 0:21:20 | 0:21:22 | |
in the company of award-winning funny man Steve Coogan. | 0:21:22 | 0:21:25 | |
# Welcome to the house of fun | 0:21:25 | 0:21:28 | |
# Now I've come of age | 0:21:28 | 0:21:30 | |
# Welcome to the house of fun. # | 0:21:30 | 0:21:33 | |
Thank you, lovely! | 0:21:34 | 0:21:37 | |
Sit down. | 0:21:37 | 0:21:39 | |
It's lovely. Lovely to have you on. | 0:21:39 | 0:21:41 | |
And you are a big hit in the world of comedy | 0:21:41 | 0:21:45 | |
with the younger element, aren't you? | 0:21:45 | 0:21:48 | |
But a lot of the older people, | 0:21:48 | 0:21:50 | |
they have absolutely no clue... | 0:21:50 | 0:21:52 | |
as to who you are. | 0:21:52 | 0:21:54 | |
Who are you, Steve? | 0:21:54 | 0:21:55 | |
Who am I? I'm Steve Coogan. | 0:21:55 | 0:21:58 | |
Steve Coogan. | 0:21:58 | 0:22:00 | |
I do funny voices and funny characters on television. | 0:22:00 | 0:22:03 | |
You do indeed, don't you? | 0:22:03 | 0:22:04 | |
And, of course, you started off on Spitting Image, didn't you? Mm-hm. | 0:22:04 | 0:22:08 | |
As an impressionist. Tell us about that. | 0:22:08 | 0:22:10 | |
Well, Spitting Image is basically... | 0:22:10 | 0:22:12 | |
It's a programme with rubber puppets, you see. | 0:22:12 | 0:22:16 | |
How do you get into them? | 0:22:16 | 0:22:17 | |
LAUGHTER | 0:22:17 | 0:22:19 | |
It's a very tight fit. It is! I bet it is! | 0:22:19 | 0:22:22 | |
But tell us what voices you did on there. I did Neil Kinnock. | 0:22:22 | 0:22:25 | |
Neil Kinnock. | 0:22:25 | 0:22:26 | |
AS NEIL KINNOCK: I did Neil Kinnock, | 0:22:26 | 0:22:28 | |
with his lovely, round, Welsh voice, shouting very loudly like that! | 0:22:28 | 0:22:31 | |
That's marvellous. Who else did you do? Ronnie Corbett. Oh, do Ronnie. | 0:22:31 | 0:22:35 | |
Would we like to see Ronnie Corbett? ALL: Yes! | 0:22:35 | 0:22:37 | |
Do Ronnie Corbett. | 0:22:37 | 0:22:38 | |
AS RONNIE CORBETT: Good evening. Ha-ha-ha! | 0:22:38 | 0:22:41 | |
Good evening and welcome... | 0:22:41 | 0:22:43 | |
Ha-ha-ha! Good heavens. | 0:22:43 | 0:22:45 | |
It's remarkable! | 0:22:47 | 0:22:48 | |
LAUGHTER AND APPLAUSE | 0:22:48 | 0:22:52 | |
Can you do Frank Spencer? | 0:22:55 | 0:22:57 | |
HE SNIGGERS | 0:22:57 | 0:22:59 | |
Oh, go on, we'd love to see it. | 0:22:59 | 0:23:01 | |
Because a lot of these older people tonight, | 0:23:01 | 0:23:04 | |
they've come a long way, in a specially adapted coach, | 0:23:04 | 0:23:07 | |
just see you. | 0:23:07 | 0:23:08 | |
And it would be a treat for them. | 0:23:08 | 0:23:10 | |
Do you want me to do Harold Wilson as well? Yes. All the topical ones. | 0:23:10 | 0:23:13 | |
Do Frank Spencer. | 0:23:13 | 0:23:14 | |
AS FRANK SPENCER: Nnnnh. | 0:23:15 | 0:23:17 | |
Shall I put it over there or do it in the morning? | 0:23:17 | 0:23:20 | |
That's marvellous. | 0:23:20 | 0:23:22 | |
I wish they'd bring him back. | 0:23:22 | 0:23:24 | |
But now, of course, you've started moving on to do characters, | 0:23:25 | 0:23:29 | |
and you do Alan Partridge, | 0:23:29 | 0:23:31 | |
which is a made-up character who hosts a chat show. | 0:23:31 | 0:23:35 | |
That's a very unusual idea, isn't it? But very successful. | 0:23:35 | 0:23:39 | |
Tell me, did you enjoy playing Alan? | 0:23:39 | 0:23:41 | |
It was great fun, it was great fun. | 0:23:41 | 0:23:43 | |
Because, of course, you get to make fun of your guests. | 0:23:43 | 0:23:48 | |
You enjoy that, do you? | 0:23:48 | 0:23:50 | |
Sound familiar? No, not at all. | 0:23:50 | 0:23:53 | |
No, I did watch it and I thought it was very, very good. | 0:23:53 | 0:23:56 | |
But, you know, I think you will be as big as Mike Yarwood one day. | 0:23:56 | 0:24:01 | |
LAUGHTER | 0:24:01 | 0:24:02 | |
I really do. | 0:24:02 | 0:24:04 | |
I'll look forward to that. | 0:24:05 | 0:24:06 | |
Everybody loves to laugh, don't they? | 0:24:06 | 0:24:08 | |
We all love to laugh. | 0:24:08 | 0:24:10 | |
Do you think that's helped you in your career as a comedian? | 0:24:10 | 0:24:14 | |
Yeah, yeah. It's amazing, | 0:24:14 | 0:24:16 | |
because you know that if people are laughing at what you do... | 0:24:16 | 0:24:20 | |
They like it. They like it. | 0:24:20 | 0:24:21 | |
And if they're not laughing... They don't. | 0:24:21 | 0:24:23 | |
LAUGHTER | 0:24:23 | 0:24:25 | |
But, you know, now you've got all this new-found wealth, | 0:24:25 | 0:24:29 | |
all this money, you've not gone and blown it on a fast sports car, | 0:24:29 | 0:24:33 | |
like a Porsche, have you, or anything like that? | 0:24:33 | 0:24:36 | |
What kind of car do you drive, Steve? | 0:24:36 | 0:24:38 | |
A Porsche. | 0:24:38 | 0:24:39 | |
LAUGHTER | 0:24:39 | 0:24:41 | |
Was that your Porsche you were driving earlier? | 0:24:41 | 0:24:44 | |
Only I saw Hooky and the Boys, | 0:24:44 | 0:24:46 | |
they were putting a stripe on it with their keys. | 0:24:46 | 0:24:49 | |
It's a go-faster stripe. | 0:24:49 | 0:24:51 | |
It was, it was, you've them to thank for that. | 0:24:51 | 0:24:54 | |
Oh, Steve, hang on a minute there. You're doing very well, don't go. | 0:24:54 | 0:24:58 | |
Nick, has that Debbie McGee gone? | 0:24:58 | 0:25:01 | |
Yes. Do Paul Daniels for us. | 0:25:01 | 0:25:03 | |
LAUGHTER | 0:25:03 | 0:25:06 | |
Go on, we'd love to see it. | 0:25:06 | 0:25:07 | |
AS PAUL DANIELS: Now you will like this, not a lot but you'll like it. | 0:25:07 | 0:25:11 | |
APPLAUSE | 0:25:11 | 0:25:14 | |
That's marvellous! | 0:25:14 | 0:25:16 | |
We had the tallest man on before you. | 0:25:21 | 0:25:24 | |
I don't know whether you saw him, did you see him? | 0:25:24 | 0:25:27 | |
Yes, I did, he was very tall. He was tall. | 0:25:27 | 0:25:29 | |
Could you impersonate somebody that tall? | 0:25:29 | 0:25:32 | |
Erm... I'll have a go. | 0:25:34 | 0:25:36 | |
Oh, yes! | 0:25:37 | 0:25:39 | |
APPLAUSE | 0:25:39 | 0:25:42 | |
Actually, I like to rise to a challenge. You do. | 0:25:44 | 0:25:48 | |
Who'd have thought standing on a couch could be so funny! It was. | 0:25:48 | 0:25:52 | |
You young, up-and-coming comedians. | 0:25:52 | 0:25:55 | |
But how would you impersonate a man like him, | 0:25:55 | 0:25:58 | |
what sort of voice would you do for him? | 0:25:58 | 0:26:00 | |
What, for a tall man? LAUGHTER | 0:26:00 | 0:26:04 | |
Yes. | 0:26:04 | 0:26:05 | |
I'd do a very tall voice, I'd go, "Ohh, I'm tall!" | 0:26:05 | 0:26:08 | |
But most comedians, | 0:26:10 | 0:26:12 | |
behind their happy, happy face, | 0:26:12 | 0:26:15 | |
there is a sad secret. | 0:26:15 | 0:26:17 | |
What's your sad secret? | 0:26:17 | 0:26:19 | |
Get it out on national television, give it an opening. | 0:26:19 | 0:26:22 | |
I've got a bit of flab around my waist. | 0:26:22 | 0:26:25 | |
Can we see it? No. | 0:26:25 | 0:26:27 | |
Do Frank Spencer again then. AS FRANK SPENCER: Oooh, Betty! | 0:26:27 | 0:26:32 | |
I'm going to throw you open at this point, Steve Coogan, | 0:26:32 | 0:26:34 | |
I'm going to throw you open to the general public. | 0:26:34 | 0:26:36 | |
So, Bernard, what would you like to ask? | 0:26:36 | 0:26:38 | |
Did you have a particular person in mind | 0:26:38 | 0:26:40 | |
to use as a model for Alan Partridge? | 0:26:40 | 0:26:42 | |
That's a good question. | 0:26:42 | 0:26:44 | |
Well, lots of people from all over the broadcasting world. | 0:26:44 | 0:26:47 | |
People like Alan Titchmarsh, | 0:26:47 | 0:26:50 | |
who you mentioned earlier, David Coleman, Terry Wogan, | 0:26:50 | 0:26:54 | |
Terry Christian. | 0:26:54 | 0:26:55 | |
Other people called Terry. | 0:26:55 | 0:26:57 | |
It's very good. A little smidgen of you in there as well. | 0:26:57 | 0:27:00 | |
Really? Which bit? | 0:27:00 | 0:27:02 | |
LAUGHTER | 0:27:02 | 0:27:05 | |
Any other questions to Steve Coogan? What about this lady here? | 0:27:05 | 0:27:08 | |
Can you do Jeremy Paxman? Jeremy Paxman. | 0:27:08 | 0:27:11 | |
DRAWLS LIKE JEREMY PAXMAN: Yeassss, and now on Newsnight... | 0:27:11 | 0:27:15 | |
he'd sort of accentuate the odd word | 0:27:15 | 0:27:18 | |
for no apparent reason. | 0:27:18 | 0:27:19 | |
So, erm... Sorry, is that not funny? | 0:27:19 | 0:27:22 | |
No, it was very good. | 0:27:22 | 0:27:24 | |
I'm just desperately trying to remember who Jeremy Paxman is! | 0:27:24 | 0:27:28 | |
I'm sure it's just like him. | 0:27:28 | 0:27:30 | |
Like Jeremy Beadle but a bit more serious. | 0:27:30 | 0:27:33 | |
Can you do Jeremy Beadle? No. | 0:27:33 | 0:27:35 | |
Oh, what a shame. | 0:27:35 | 0:27:36 | |
So, Steve, it's been lovely to talk about you. | 0:27:36 | 0:27:39 | |
Did you ever dream, years and years ago, | 0:27:39 | 0:27:41 | |
you'd be on the same show as Kriss Akabusi, Debbie McGee, | 0:27:41 | 0:27:45 | |
and a big, tall man? | 0:27:45 | 0:27:46 | |
Did you? I did, funnily enough. | 0:27:46 | 0:27:49 | |
Do you know something, Stephen, | 0:27:49 | 0:27:51 | |
and I really mean this, you don't look out of place, you really don't. | 0:27:51 | 0:27:55 | |
Ladies and gentlemen, Steve Coogan! | 0:27:56 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:02 | |
Well, that's all for this week. | 0:28:10 | 0:28:12 | |
I'd like to thank all my guests tonight, | 0:28:12 | 0:28:14 | |
Kriss Akabusi, Debbie McGee, | 0:28:14 | 0:28:16 | |
Chris Greener and Steve Coogan. | 0:28:16 | 0:28:18 | |
Take it away, Hooky and the Boys! | 0:28:18 | 0:28:21 | |
# Put the washing out in rain | 0:28:21 | 0:28:24 | |
# Your legs are full of aches and pains | 0:28:24 | 0:28:27 | |
# The crime rate's soaring in your street | 0:28:27 | 0:28:31 | |
# Or cul-de-sac | 0:28:31 | 0:28:34 | |
# So let the happy times begin | 0:28:34 | 0:28:37 | |
# Cos Mrs Merton's here again | 0:28:37 | 0:28:41 | |
# She'll share a joy that's in her heart | 0:28:41 | 0:28:44 | |
# Throughout the world. # | 0:28:44 | 0:28:46 | |
On your marks. Get set. Bake! | 0:28:58 | 0:29:01 | |
I've got to be at the top of my game, you know. | 0:29:01 | 0:29:03 | |
Stay focused, keep my feet on the ground, just keep grafting. | 0:29:03 | 0:29:06 |