Christmas Special The Perfect Morecambe & Wise


Christmas Special

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Transcript


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Ladies and gentlemen! The British Broadcasting Corporation

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proudly presents the Morecambe and Wise Christmas Show!

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LAUGHTER AND APPLAUSE

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APPLAUSE

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Thank you very much.

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-Thank you. Good evening, ladies and gentlemen.

-Good evening.

-Welcome to the show.

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-And a very Merry Christmas to you.

-Aha-ha.

-Say Merry Christmas to them.

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-Happy Easter.

-Happy Easter?

-It's a hell of a long show, this.

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-Well, Eric, there you are.

-For me?

-My Christmas present, from me to you.

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-Thank you, I'll open it now.

-No, don't open it now.

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-I tend to get rather emotional at a time like this.

-I understand.

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-I'll save it for later.

-Thank you, thank you. Where's mine?

-Pardon?

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LAUGHTER

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-Where's mine?

-Just turned 50 and you've forgotten?

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LAUGHTER

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Oh, I'm sorry! I didn't realise! Hold that. Sorry!

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-Yes.

-You've forgotten?

-Never.

-You got me a present?

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Present for Mr Wise, please.

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-Oh, my gosh! So generous!

-There you are.

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That is the most beautiful present I have ever seen.

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-Only the best for you, Ernie.

-It's a lovely desk.

-All your work.

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I will write some wonderful plays on this desk for you, Eric.

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No, it's not the desk.

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It's not the desk? It's not the two fellows, is it?

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-Play your cards right, it could be, yes!

-Not the desk? What is it?

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OK, boys. Thank you very much.

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LAUGHTER

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Merry Christmas.

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LAUGHTER Merry Christmas?

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Don't write with it now, because I do tend to get rather emotional.

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-A boilpoint pen?

-A boilpoint pen, to boot!

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LAUGHTER

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-That means it writes on the skin.

-A ballpoint pen.

-Ballpoint pen.

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And what's that thing, hanging down from it?

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That's where I snapped the chain at the Post Office.

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APPLAUSE DROWNS SPEECH

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You got to be quick and run like hell.

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-It's a rotten present, that is. Rotten.

-It is, isn't it?

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-Rotten Christmas present.

-I thought of that. Can I open this now?

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Go on, open it.

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-I wonder what it is.

-Well, it's a long player, isn't it?

-Eh?

-A long player.

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Oh, really? Marvellous, that. I dare not look, really.

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Is it something I have always wanted?

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-Something you have always wanted.

-An old Bing Crosby or something like that?

-It's not Bing Crosby.

-No.

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-Louis Armstrong?

-No, it's not Louis Armstrong.

-Ellie Wallace?

-No.

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Des O'Connor.

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APPLAUSE AND LAUGHTER

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All I said was "Des O'Connor".

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LAUGHTER

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If you want me to be a goner, get me an LP by Des O'Connor!

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Aargh!

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Look at that face! Look at that face!

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That's the most unusual record he has ever made.

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Is it the one where he sings the right notes?

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-Is this the one?

-Yes... No, side two, track three.

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He sings the right note and you hear the slump of the control as he falls over the controls!

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-I like that!

-APPLAUSE

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-Oh, they love it. You see?

-You see what I mean? Thank you!

-Thank you. Very good.

-Oh, yes!

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-That is enough, that's enough! We have got a dozen more like that.

-We've got more like that.

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-A dozen more!

-That is the best record Des has ever made.

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-You mean, there's nothing on it at all?

-LAUGHTER

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Nothing on it at all! Did you hear that? Where did you get it from?

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-Boots.

-Boots?! Did you need a prescription?

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LAUGHTER

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-I got it on the poison counter!

-On the poison counter! How do you do?

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Have you seen that nose there?

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Looks like Concorde coming out of the hangar for the first time!

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And those teeth!

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Like a set of white bollards at the end of a long dark tunnel.

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I feel ill every time...

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-What's the matter?

-I like him.

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LAUGHTER

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Oh, yes.

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Oh, yes, I've always liked him.

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He's smart, intelligent, full of wit,

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-charm and a lovely singing voice.

-Lovely singing voice?

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-One of the best ever.

-You've changed your tune!

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As far as I'm concerned, I still think he is lou...vely

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I think you are louvely! We are two of your biggest fans.

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-Two of your biggest fans. Get a chair for Mr Des, please.

-Chair, please.

-Cancel that.

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Make it a three-piece suite and get Arthur Negus to bring it on.

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-Arthur Negus will bring it on.

-Lovely to see you, Des.

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-Lovely to see you.

-Des, what are you going to sing on our show?

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-I've got a new album...

-Just a moment, I need a word with you. Hold on one second.

-What's the matter?

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I don't mind him standing there, but I don't want him singing on the show.

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-You don't?

-I'm not too keen on him standing there.

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-You had better give him something.

-Give him a get well card and send him home.

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Well, Des, I don't know what to say.

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-We were just talking about you, Des.

-We were just talking about you, Des.

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You haven't stopped talking about me for the past six years.

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-He has turned nasty, hasn't he?

-He has tumbled.

-He has tumbled.

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-Start crawling.

-Start crawling.

-Hi, Des.

-Must ingratiate myself.

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Lovely to see you. What a great sense of humour you have got.

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Lovely suit. Marvellous.

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Of course, with a sense of humour, you need a suit like that.

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Or with a suit like that, you need a sense of humour!

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-LAUGHTER

-That's two for the price of one!

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Des, I just bought Eric your latest LP. This is great.

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Sing-along-o'-Desperate. I think it's marvellous.

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I tell you what, I'm thrilled.

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I ran my finger down one of the grooves and I was impressed.

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-Absolutely fantastic. I shall treasure this for the rest of my life.

-Yes.

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That may not be too long, Eric.

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Listen, fellows, may I ask one simple little question?

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-Simple little question?

-Yes.

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-No, it isn't.

-No. But don't blow to hard.

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No, it's something different. It's the...

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-The insults, why?

-Why?

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Week in, week out. Why the insults?

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Insults? Who has been insulting?

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If you tell us who it is, we will have him done over, won't we?

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-We will!

-Won't have that with our friends!

-I'll tell you!

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You.

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And you.

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Never!

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LAUGHTER

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-Never! Never heard anything like that.

-Excuse me.

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-It was you, you and especially, you!

-Three of us.

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I have kept a list of the insults against Des O'Connor.

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-I have forgotten half of those.

-Oh, yeah.

-There's a whole series, there.

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I shall read them one at a time.

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-We are leaving the country in August, aren't we?

-Yes, we're going.

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Number one. Eric: I've just heard some good news. Ernie: What good news?

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Eric: Des O'Connor has got a sore throat.

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You wrote that, didn't you?!

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Number two. Ernie: Des O'Connor is a self-made man.

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Eric: I think it's very nice of him to take the blame.

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Number three. Eric: Des O'Connor is suffering from athletes voice.

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Ernie: How do you mean?

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Eric: When you hear him sing, you want to run!

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APPLAUSE DROWNS SPEECH

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-Make up your mind. It's one of these "keep moving" shows.

-It has to be.

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Listen, fellows, I suppose with a new series coming up,

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-you've got one or two insults lined up?

-Only one or two, that's all.

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-Only one or two.

-That's my album.

-Look at that.

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Seeing we know you so well now, we won't use them.

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No, we're not going to do them. You're all right.

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-Anyway, gentleman...

-Where? Oh!

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Sorry. I covered your line, there.

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-Quite all right.

-"Use the word loosely."

-I was just about to say...

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-I get a feeling I'm interrupting!

-No, you're all right.

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I'm working you with my foot. Don't worry about it.

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I'm beginning to enjoy it. I was just about to say...

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LAUGHTER

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-Are they for keeps or just for lenses?

-Just for lenses.

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-I want to know something.

-You have been saving them up.

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I want to know who has been giving you the injections!

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I would like to know one thing. In fact, I don't even have to know it.

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-It's there in my brain. An indelible thought.

-This is all new.

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He never once said "indelible thought" at rehearsal!

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It was all indelible rubbish, wasn't it? Now I tell you one thing.

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-I'm going home, in a minute.

-I have... I have come to a solution.

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-Ah.

-Aha.

-That's good.

-That's good. We've got to it now, have we? A solution.

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That one person, and only one person,

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was responsible for these evil insults.

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I'm here.

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Who? Who?

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-I don't like to name names.

-Was it somebody...short? Short?

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Somebody tall...tall.

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With short, fat, hairy legs?

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With a tall, fat, hairless head.

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-The man I have in mind... If you'll excuse me.

-Certainly.

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The man I have in mind is...

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-Hard.

-Hard.

-Hard.

-Hard.

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H-A-R-D, hard.

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And I'm really enjoying this!

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-What else is he?

-Er... Tough.

-Tough.

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T-O-U-G-H...

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Another word.

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Unscrupulous!

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LAUGHTER

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A report on the economy has just come through from Number 11 Downing Street.

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The Chancellor's statement reads as follows.

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"There may be trouble ahead,

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"but while there's moonlight and music, and love and romance..."

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MUSIC: "Let's Face The Music And Dance"

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# Let's face the music and dance! #

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# You were meant for me

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# I was meant for you

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# Nature fashioned you and when she was done

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# You were all the sweet things rolled into one

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# Plaintive melody

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# Ah

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# That will not set me free

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# I contend the angels must have sent you

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# And they meant you just for... #

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-# A

-You're adorable

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-# B

-But you're beautiful

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-# C

-You're a cutie full of charm

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-# A

-You're adorable

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-# B

-But you're beautiful

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-# F

-You're a feather in my cap

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-# G

-You look good to me

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-# A

-You're adorable

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-# B

-But you're beautiful

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-# C

-You're a cutie full of charm

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# It's fun to wander through the alphabet with you

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# But what are we going to do about him

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-# Who, me?

-Yes!

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-# A

-You're adorable

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-# B

-But you're beautiful

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-# C

-You're a cutie full of charm

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-# J

-You're like Jack and Jill

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-# K

-You're so kissable

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-# Eh!

-You're adorable

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# B Wander through the alphabet with you

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But what are we going to do about him?

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Hey...oof!

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One, two, one, two, three, four!

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LATIN MUSIC

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Pina!

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LATIN MUSIC RESUMES, SPEEDS UP

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MUSIC SLOWS AND STOPS

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-Are you all right?

-Eh?

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# You're adorable

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-# B

-But you're beautiful

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-# C

-You're a cutie full of charm

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# It's fun to wander through the alphabet with you

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# But what are we going to do about him?

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# Two three, four,

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-# A

-You're adorable

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-# B

-But you're beautiful

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-# C

-You're a cutie full of charm

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-# W

-It's fun to wander through the alphabet with you... #

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APPLAUSE

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We've got to get some more guests on the show.

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-I know that, don't I, you fool! I know that.

-Somebody important.

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Somebody with a bit of class. From the theatre or the world of music.

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-Who do you have in mind?

-Him.

-Oh, no, not Andre Previn!

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-Yeah.

-He's rubbish.

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He's rubbish. He can't conduct, he can't sing, he can't dance, he can do nothing.

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None of these people will work with us again.

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I'll soon fix that, don't worry.

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Hello?

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Mr Preview?

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The BBC here.

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We have got a very big show going out on Christmas night

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and we would like you to take part.

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Can you do it?

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Yes, I'd like to do that. That sounds very interesting.

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What's the name of the programme?

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Oh, the Morecambe And Wise Show...

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Yes, well, I'll have to think that over.

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I've thought it over and the answer is no.

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APPLAUSE AND LAUGHTER

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Thank you. Thank you.

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-APPLAUSE

-Thank you very much.

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-Oh, look.

-How do you do?

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-A drunk. There's a drunk just come out.

-A drunk?

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-Play it cool, don't worry about it.

-Don't you remember me?

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-No, sir.

-I was on your show a few weeks ago!

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They all say that!

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I know I've grown a beard since then but surely you recognise me.

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-That bad, were you?

-LAUGHTER

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Hey! It's not the one who comes down at the end

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-and everyone says "Who is she?"

-No, no. Could you give us a clue, sir?

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-A clue?

-A clue, yes, please.

-All right.

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# Oh! Mr Porter What shall I do?

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# I wanted to go to Birmingham and they've taken me on to Crewe! #

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Marie Lloyd. Is it Marie Lloyd?

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No, no. Would you just leave your name and address, sir?

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Suppose I were to say "Forsythe"?

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You can say that if you want, it's a nice word, that.

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-Nothing wrong with foresight, is there?

-No!

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Foresight, he can say foresight, can't he? It's not rude?

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Foresight? What? Course he can, yes. You can say it.

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-Saga!

-Oh, you can't say that, that's rude.

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That is rude. I'm sorry about that, lads.

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Three of them have put their coats on and gone home.

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Sorry, boys. Shouldn't say saga.

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-Well, what can I say?

-Not a lot. Figure something.

-Who are you?

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-I don't know who you are. What's your name?

-Eric.

-Eric?

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-Eric, yes, you called?

-Porter!

-Porter?

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-Eric Porter! Of course!

-You remember now!

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-We don't want him on, he was rotten the last time!

-Shut up!

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This is Eric Porter!

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Delighted to see you. Delighted.

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Well, it was Christmas and I was passing

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and I thought I'd just come round and say Merry Christmas.

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-Isn't that lovely?

-The festive season.

-Merry Christmas to you.

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-And a merry...

-Goodwill to all men.

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-And I'd ask for a job.

-Get off.

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Now, where were we?

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-A famous actor like you, looking for work?

-I'm in dire straits.

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I've played there. It's on the Welsh coast.

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-Played there.

-I'm sorry, sir, we haven't got an opening for you.

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Well, look, I don't mind what it is.

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I pride myself that I can turn my hand to quite a lot of things.

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-I have heard that. I have heard that.

-Well, I don't know.

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With a beard like that, you shouldn't have any difficulty getting work.

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That's true. I tell you what. I promise you one thing.

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If we need a busted sofa, I'll give you a ring.

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Look, you've upset him now, Eric.

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It is Christmas, you've got to be nice to people. I tell you what.

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-We've never had any Shakespeare on the show, have we?

-Up till now.

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-You'd like a bit of Shakespeare?

-That's plenty.

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Thank you very much.

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All right. No, no. Just let me think.

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-Well, it's not my fault, is it?

-You have these people on.

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-DECLAIMS:

-If they could see me now That little gang of mine

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I'm eating fancy chow and drinking fancy wine

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-MUSIC STARTS:

-# I'd like those stumblebums to see for a fact

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# The sort of top-drawer first-class chums I attract

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# All I can say is "Wowee! Look at where I am

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# "My feet have landed, pow Right in a pot of jam"

0:17:450:17:50

# What a set-up, holy cow They'd never believe it

0:17:500:17:54

# If my friends could see me now

0:17:540:17:59

# If they could see me now

0:17:590:18:04

# My little dusty group

0:18:040:18:07

# Traipsin' round this million-dollar chicken coop

0:18:070:18:11

# I'd hear those thrift-shop cats say "Brother, get him"

0:18:110:18:16

# Draped on a bedspread made from three kinds of skin

0:18:160:18:21

# All I can say is "Wow! Wait till the riff and raff

0:18:210:18:25

# "See just exactly how I sign my autograph"

0:18:250:18:30

# What a set-up, holy cow They'd never believe it

0:18:300:18:35

# If my friends could see me now

0:18:350:18:40

# They'd never believe it If my friends could see me

0:19:110:19:16

# Friends could see me

0:19:160:19:18

# Friends could see me

0:19:180:19:21

# Friendship, friendship Just a perfect friendship

0:19:210:19:25

# If my friends could see me now! #

0:19:250:19:33

APPLAUSE AND CHEERING

0:19:330:19:36

# The red red robin goes bob-bob-bobbing along

0:19:410:19:45

# There'll be no more trouble when he keeps singing

0:19:450:19:48

# His old sweet song

0:19:480:19:51

# Oh, wake up, wake up... #

0:19:510:19:54

Open the curtains, please!

0:19:570:19:59

-Yes. Thank you.

-ORCHESTRA TUNES UP

0:19:590:20:01

-Is this the band?

-This is the band, yes.

0:20:070:20:11

I've seen better bands on a cigar.

0:20:110:20:14

Which one's the fixer?

0:20:140:20:16

-Which one?

-Which one?

-The one in the gold lame suit.

0:20:190:20:22

They usually are. Right. I'll go get the music.

0:20:220:20:26

-Incidentally, where's the piano?

-It's...

-Never mind, this'll do.

0:20:280:20:32

Now, I hope, sir, that you understand these squiggly lines.

0:20:340:20:37

-I think so, yes.

-Oh, good. Because the reason I ask is,

0:20:370:20:41

the second movement is most important to me.

0:20:410:20:43

You see, in the second movement, not too heavy on the banjos.

0:20:430:20:46

-Oh, no.

-Banjo, keep it down.

0:20:460:20:49

Vulgar, vulgar. Keep it way down.

0:20:490:20:51

That's the word I was looking for, way down. Yes. That's very good.

0:20:510:20:54

-Because that is me, there, you see.

-Lovely.

0:20:540:20:58

-Me playing the Grieg Piano Concerto.

-Yes, yes.

0:20:580:21:00

Signed autograph later on, boys.

0:21:000:21:03

If I could just explain to Mr Preview...

0:21:030:21:05

You see, I want you to notice that Eric does play

0:21:050:21:08

-the original version of Grieg's Piano Concerto.

-Yes.

0:21:080:21:10

-The one we played before we went decimal.

-But look here.

0:21:100:21:14

-This is not the original version.

-Not the original?

0:21:140:21:16

-What are you talking about?

-I'll explain. It's very simple.

0:21:160:21:19

After the opening timpani row, in the original version,

0:21:190:21:22

the piano takes over. Here you've got that piece

0:21:220:21:24

played by the full orchestra.

0:21:240:21:26

-Ah, yes. But this is a special arrangement.

-A special arrangement?

0:21:280:21:34

-Of the Grieg Piano Concerto?

-Yes!

-I've never heard of that before.

0:21:340:21:37

That's the idea. Everybody plays it this way.

0:21:370:21:40

I thought we'd do something different.

0:21:400:21:42

-Whatever you say, whatever you say.

-I'll announce it, shall I?

0:21:420:21:45

-Do that.

-You're doing well, you're doing well.

-Thank you.

0:21:450:21:48

Ladies and gentlemen, tonight, Grieg's Piano Concerto by Grieg.

0:21:480:21:51

Soloist, Mr Eric Morecambe,

0:21:530:21:56

-conducted by Mr Andre Previn.

-Thank you.

0:21:560:21:59

APPLAUSE

0:21:590:22:01

What's the matter?

0:22:200:22:22

-The introduction.

-The introduction's wrong?

0:22:260:22:29

-It's too short.

-It's too short?!

-Oh, you noticed?

-Yes.

0:22:290:22:33

By how much is it too short?

0:22:330:22:36

-Well, you see, I went down here like that.

-Yes.

-And came back.

0:22:360:22:39

-You wasted some time there.

-Yes.

0:22:390:22:41

You see, it's about...

0:22:410:22:43

-I would say about that much.

-Yes.

0:22:440:22:46

-That's a yard?

-It's about a yard.

0:22:470:22:50

-About a yard.

-Yes, if you could lengthen it by about a yard,

0:22:500:22:52

-we'll be in.

-And what do you think we can do about that?

0:22:520:22:55

-Well...

-Well, I mean, that's nothing to do with me.

0:22:550:22:58

-My musical manager does all this.

-Get in touch with Grieg?

-Good idea!

0:22:580:23:01

-You mean...call him on the phone?

-We could call him on the phone!

0:23:010:23:06

I didn't bring his phone number.

0:23:060:23:07

-It's Norway something-or-other, isn't it?

-What's the code?

0:23:070:23:11

-Fingal's Cave, or something.

-I think it's Fingal's Cave.

0:23:120:23:15

Mind you, you might not get him. He could be out skiing.

0:23:150:23:18

-Look, could we just try it again? Try it again.

-I tell you what.

0:23:180:23:21

-Yes.

-This time I'll sit down there waiting.

-What a good thought!

0:23:210:23:24

-Hey!

-You'd be ready!

0:23:240:23:26

All right. Ladies and gentlemen, Grieg's Piano Concerto,

0:23:280:23:30

soloist Eric Morecambe, conductor Mr Andrew Preview.

0:23:300:23:34

What?

0:23:500:23:52

Any time.

0:23:530:23:54

Could I have a word with you, please?

0:23:540:23:56

Look, you see, it's one of those things where... Where's he gone?

0:24:000:24:04

-He's there.

-Oh, he's there.

0:24:040:24:06

-You see... I hope you don't mind me saying this.

-No.

0:24:060:24:10

But when you got to the part which was my cue,

0:24:100:24:12

-I couldn't see you for the lid of the piano.

-Yes.

0:24:120:24:16

-The lid of the piano was in the way?

-Was it?

-Yes.

-Yes, it was.

0:24:160:24:19

-The lid of the piano.

-I don't know what we can do about that.

0:24:190:24:23

-He wants to be taller, doesn't he?

-Yeah.

-Could you wear high heels?

0:24:230:24:26

Again?

0:24:260:24:28

You don't have to, you know.

0:24:280:24:30

-I don't know what we can do about that.

-I have a suggestion.

0:24:300:24:33

Would you jump up in the air?

0:24:340:24:37

So I can see you over the lid of the piano?

0:24:380:24:40

-If you could jump up...

-You want me to actually jump into the air

0:24:400:24:44

on the rostrum in order so you can see my cue?

0:24:440:24:46

Yes. I mean, if you'd do that for me.

0:24:460:24:49

-You know. If you'd do that.

-Yes.

0:24:490:24:51

I'll do that for you.

0:24:510:24:52

-Nice man, isn't he?

-Isn't he charming?

-I like him.

0:24:530:24:57

Grieg, by... With him and him.

0:24:580:25:01

Great!

0:25:050:25:06

PLAYS CHEERFULLY

0:25:060:25:09

Something wrong with the violins?

0:25:320:25:34

No, there's nothing wrong with the violins.

0:25:360:25:39

That's only your opinion.

0:25:390:25:40

What... What were you playing, just then?

0:25:410:25:45

The Grieg Piano Concerto.

0:25:450:25:46

But...you're playing all the wrong notes.

0:25:490:25:55

I'm playing all the right notes.

0:26:070:26:10

But not necessarily in the right order.

0:26:100:26:14

I'll give you that.

0:26:160:26:18

I'll give you that, sunshine.

0:26:180:26:20

That sounded quite reasonable to me.

0:26:250:26:28

Are you satisfied, Mr Preview?

0:26:290:26:31

No!

0:26:310:26:33

BOTH: No?!

0:26:330:26:34

What do you mean, no?!

0:26:340:26:36

-I'm not satisfied.

-Why not?

0:26:360:26:38

Look here. With all due.. Would you mind?

0:26:380:26:40

Don't forget, for another £4, we could have got Edward Heath.

0:26:400:26:43

LAUGHTER AND APPLAUSE

0:26:430:26:47

HE PLAYS GRIEG'S "PIANO CONCERTO"

0:26:490:26:54

Rubbish!

0:27:100:27:11

HE PLAYS ERIC'S VERSION

0:27:140:27:16

That's it! You've got it!

0:27:160:27:19

APPLAUSE

0:27:210:27:23

HE SPEEDS UP

0:27:240:27:27

Lovely!

0:27:380:27:40

I'm Eric Porter.

0:27:440:27:46

I was on the Morecambe And Wise Show.

0:27:460:27:48

Look what happened to me.

0:27:480:27:50

LAUGHTER

0:27:510:27:54

# Bring me sunshine

0:27:590:28:01

# In your smile

0:28:010:28:03

# Bring me laughter all the while... #

0:28:050:28:08

You said we were finishing with that one!

0:28:080:28:11

-# ..In this world where we live... #

-You said...!

0:28:110:28:12

# ..There should be more happiness

0:28:120:28:14

# So much joy you can give

0:28:140:28:17

# To each brand-new bright tomorrow

0:28:170:28:20

# Make me happy

0:28:200:28:22

-# Through the years... #

-You said we were...!

0:28:220:28:25

# ..Never bring me

0:28:250:28:27

-# Any tears... #

-Crawler!

0:28:270:28:30

# Let your arms be as warm

0:28:300:28:32

# As the sun from up above

0:28:320:28:35

# Bring me fun, bring me sunshine

0:28:350:28:38

# Bring me love! #

0:28:380:28:40

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