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Ladies and gentlemen! The British Broadcasting Corporation | 0:00:02 | 0:00:05 | |
proudly presents the Morecambe and Wise Christmas Show! | 0:00:05 | 0:00:09 | |
LAUGHTER AND APPLAUSE | 0:00:13 | 0:00:18 | |
APPLAUSE | 0:00:36 | 0:00:39 | |
Thank you very much. | 0:00:39 | 0:00:40 | |
-Thank you. Good evening, ladies and gentlemen. -Good evening. -Welcome to the show. | 0:00:40 | 0:00:45 | |
-And a very Merry Christmas to you. -Aha-ha. -Say Merry Christmas to them. | 0:00:45 | 0:00:48 | |
-Happy Easter. -Happy Easter? -It's a hell of a long show, this. | 0:00:48 | 0:00:52 | |
-Well, Eric, there you are. -For me? -My Christmas present, from me to you. | 0:00:52 | 0:00:56 | |
-Thank you, I'll open it now. -No, don't open it now. | 0:00:56 | 0:00:58 | |
-I tend to get rather emotional at a time like this. -I understand. | 0:00:58 | 0:01:02 | |
-I'll save it for later. -Thank you, thank you. Where's mine? -Pardon? | 0:01:02 | 0:01:07 | |
LAUGHTER | 0:01:07 | 0:01:08 | |
-Where's mine? -Just turned 50 and you've forgotten? | 0:01:08 | 0:01:11 | |
LAUGHTER | 0:01:11 | 0:01:13 | |
Oh, I'm sorry! I didn't realise! Hold that. Sorry! | 0:01:15 | 0:01:19 | |
-Yes. -You've forgotten? -Never. -You got me a present? | 0:01:19 | 0:01:21 | |
Present for Mr Wise, please. | 0:01:21 | 0:01:23 | |
-Oh, my gosh! So generous! -There you are. | 0:01:26 | 0:01:30 | |
That is the most beautiful present I have ever seen. | 0:01:30 | 0:01:32 | |
-Only the best for you, Ernie. -It's a lovely desk. -All your work. | 0:01:32 | 0:01:35 | |
I will write some wonderful plays on this desk for you, Eric. | 0:01:35 | 0:01:38 | |
No, it's not the desk. | 0:01:38 | 0:01:40 | |
It's not the desk? It's not the two fellows, is it? | 0:01:40 | 0:01:43 | |
-Play your cards right, it could be, yes! -Not the desk? What is it? | 0:01:43 | 0:01:47 | |
OK, boys. Thank you very much. | 0:01:51 | 0:01:54 | |
LAUGHTER | 0:01:54 | 0:01:55 | |
Merry Christmas. | 0:01:56 | 0:01:58 | |
LAUGHTER Merry Christmas? | 0:01:58 | 0:02:00 | |
Don't write with it now, because I do tend to get rather emotional. | 0:02:00 | 0:02:03 | |
-A boilpoint pen? -A boilpoint pen, to boot! | 0:02:03 | 0:02:05 | |
LAUGHTER | 0:02:05 | 0:02:07 | |
-That means it writes on the skin. -A ballpoint pen. -Ballpoint pen. | 0:02:07 | 0:02:11 | |
And what's that thing, hanging down from it? | 0:02:11 | 0:02:13 | |
That's where I snapped the chain at the Post Office. | 0:02:13 | 0:02:15 | |
APPLAUSE DROWNS SPEECH | 0:02:15 | 0:02:17 | |
You got to be quick and run like hell. | 0:02:17 | 0:02:19 | |
-It's a rotten present, that is. Rotten. -It is, isn't it? | 0:02:19 | 0:02:21 | |
-Rotten Christmas present. -I thought of that. Can I open this now? | 0:02:21 | 0:02:23 | |
Go on, open it. | 0:02:23 | 0:02:25 | |
-I wonder what it is. -Well, it's a long player, isn't it? -Eh? -A long player. | 0:02:25 | 0:02:29 | |
Oh, really? Marvellous, that. I dare not look, really. | 0:02:29 | 0:02:33 | |
Is it something I have always wanted? | 0:02:33 | 0:02:35 | |
-Something you have always wanted. -An old Bing Crosby or something like that? -It's not Bing Crosby. -No. | 0:02:35 | 0:02:40 | |
-Louis Armstrong? -No, it's not Louis Armstrong. -Ellie Wallace? -No. | 0:02:40 | 0:02:44 | |
Des O'Connor. | 0:02:44 | 0:02:46 | |
APPLAUSE AND LAUGHTER | 0:02:48 | 0:02:50 | |
All I said was "Des O'Connor". | 0:02:52 | 0:02:54 | |
LAUGHTER | 0:02:54 | 0:02:56 | |
If you want me to be a goner, get me an LP by Des O'Connor! | 0:02:56 | 0:02:59 | |
Aargh! | 0:02:59 | 0:03:02 | |
Look at that face! Look at that face! | 0:03:02 | 0:03:04 | |
That's the most unusual record he has ever made. | 0:03:04 | 0:03:06 | |
Is it the one where he sings the right notes? | 0:03:06 | 0:03:08 | |
-Is this the one? -Yes... No, side two, track three. | 0:03:10 | 0:03:12 | |
He sings the right note and you hear the slump of the control as he falls over the controls! | 0:03:12 | 0:03:16 | |
-I like that! -APPLAUSE | 0:03:16 | 0:03:19 | |
-Oh, they love it. You see? -You see what I mean? Thank you! -Thank you. Very good. -Oh, yes! | 0:03:19 | 0:03:26 | |
-That is enough, that's enough! We have got a dozen more like that. -We've got more like that. | 0:03:26 | 0:03:30 | |
-A dozen more! -That is the best record Des has ever made. | 0:03:30 | 0:03:33 | |
-You mean, there's nothing on it at all? -LAUGHTER | 0:03:33 | 0:03:36 | |
Nothing on it at all! Did you hear that? Where did you get it from? | 0:03:36 | 0:03:39 | |
-Boots. -Boots?! Did you need a prescription? | 0:03:39 | 0:03:43 | |
LAUGHTER | 0:03:43 | 0:03:44 | |
-I got it on the poison counter! -On the poison counter! How do you do? | 0:03:44 | 0:03:49 | |
Have you seen that nose there? | 0:03:51 | 0:03:53 | |
Looks like Concorde coming out of the hangar for the first time! | 0:03:53 | 0:03:57 | |
And those teeth! | 0:03:57 | 0:03:59 | |
Like a set of white bollards at the end of a long dark tunnel. | 0:03:59 | 0:04:03 | |
I feel ill every time... | 0:04:03 | 0:04:05 | |
-What's the matter? -I like him. | 0:04:05 | 0:04:07 | |
LAUGHTER | 0:04:07 | 0:04:09 | |
Oh, yes. | 0:04:09 | 0:04:10 | |
Oh, yes, I've always liked him. | 0:04:10 | 0:04:13 | |
He's smart, intelligent, full of wit, | 0:04:13 | 0:04:15 | |
-charm and a lovely singing voice. -Lovely singing voice? | 0:04:15 | 0:04:18 | |
-One of the best ever. -You've changed your tune! | 0:04:18 | 0:04:21 | |
As far as I'm concerned, I still think he is lou...vely | 0:04:21 | 0:04:24 | |
I think you are louvely! We are two of your biggest fans. | 0:04:24 | 0:04:27 | |
-Two of your biggest fans. Get a chair for Mr Des, please. -Chair, please. -Cancel that. | 0:04:27 | 0:04:30 | |
Make it a three-piece suite and get Arthur Negus to bring it on. | 0:04:30 | 0:04:33 | |
-Arthur Negus will bring it on. -Lovely to see you, Des. | 0:04:33 | 0:04:36 | |
-Lovely to see you. -Des, what are you going to sing on our show? | 0:04:36 | 0:04:39 | |
-I've got a new album... -Just a moment, I need a word with you. Hold on one second. -What's the matter? | 0:04:39 | 0:04:43 | |
I don't mind him standing there, but I don't want him singing on the show. | 0:04:43 | 0:04:46 | |
-You don't? -I'm not too keen on him standing there. | 0:04:46 | 0:04:50 | |
-You had better give him something. -Give him a get well card and send him home. | 0:04:50 | 0:04:54 | |
Well, Des, I don't know what to say. | 0:04:54 | 0:04:56 | |
-We were just talking about you, Des. -We were just talking about you, Des. | 0:04:56 | 0:05:00 | |
You haven't stopped talking about me for the past six years. | 0:05:00 | 0:05:03 | |
-He has turned nasty, hasn't he? -He has tumbled. -He has tumbled. | 0:05:03 | 0:05:06 | |
-Start crawling. -Start crawling. -Hi, Des. -Must ingratiate myself. | 0:05:06 | 0:05:10 | |
Lovely to see you. What a great sense of humour you have got. | 0:05:10 | 0:05:13 | |
Lovely suit. Marvellous. | 0:05:13 | 0:05:15 | |
Of course, with a sense of humour, you need a suit like that. | 0:05:15 | 0:05:18 | |
Or with a suit like that, you need a sense of humour! | 0:05:18 | 0:05:21 | |
-LAUGHTER -That's two for the price of one! | 0:05:21 | 0:05:24 | |
Des, I just bought Eric your latest LP. This is great. | 0:05:24 | 0:05:28 | |
Sing-along-o'-Desperate. I think it's marvellous. | 0:05:28 | 0:05:31 | |
I tell you what, I'm thrilled. | 0:05:31 | 0:05:32 | |
I ran my finger down one of the grooves and I was impressed. | 0:05:32 | 0:05:35 | |
-Absolutely fantastic. I shall treasure this for the rest of my life. -Yes. | 0:05:35 | 0:05:39 | |
That may not be too long, Eric. | 0:05:39 | 0:05:41 | |
Listen, fellows, may I ask one simple little question? | 0:05:44 | 0:05:50 | |
-Simple little question? -Yes. | 0:05:50 | 0:05:51 | |
-No, it isn't. -No. But don't blow to hard. | 0:05:51 | 0:05:56 | |
No, it's something different. It's the... | 0:05:56 | 0:05:59 | |
-The insults, why? -Why? | 0:05:59 | 0:06:02 | |
Week in, week out. Why the insults? | 0:06:02 | 0:06:07 | |
Insults? Who has been insulting? | 0:06:10 | 0:06:14 | |
If you tell us who it is, we will have him done over, won't we? | 0:06:14 | 0:06:18 | |
-We will! -Won't have that with our friends! -I'll tell you! | 0:06:18 | 0:06:21 | |
You. | 0:06:21 | 0:06:22 | |
And you. | 0:06:23 | 0:06:25 | |
Never! | 0:06:28 | 0:06:30 | |
LAUGHTER | 0:06:30 | 0:06:31 | |
-Never! Never heard anything like that. -Excuse me. | 0:06:31 | 0:06:34 | |
-It was you, you and especially, you! -Three of us. | 0:06:34 | 0:06:40 | |
I have kept a list of the insults against Des O'Connor. | 0:06:41 | 0:06:45 | |
-I have forgotten half of those. -Oh, yeah. -There's a whole series, there. | 0:06:47 | 0:06:51 | |
I shall read them one at a time. | 0:06:51 | 0:06:53 | |
-We are leaving the country in August, aren't we? -Yes, we're going. | 0:06:53 | 0:06:56 | |
Number one. Eric: I've just heard some good news. Ernie: What good news? | 0:06:56 | 0:07:00 | |
Eric: Des O'Connor has got a sore throat. | 0:07:00 | 0:07:03 | |
You wrote that, didn't you?! | 0:07:03 | 0:07:05 | |
Number two. Ernie: Des O'Connor is a self-made man. | 0:07:08 | 0:07:11 | |
Eric: I think it's very nice of him to take the blame. | 0:07:11 | 0:07:14 | |
Number three. Eric: Des O'Connor is suffering from athletes voice. | 0:07:17 | 0:07:22 | |
Ernie: How do you mean? | 0:07:22 | 0:07:24 | |
Eric: When you hear him sing, you want to run! | 0:07:24 | 0:07:27 | |
APPLAUSE DROWNS SPEECH | 0:07:27 | 0:07:29 | |
-Make up your mind. It's one of these "keep moving" shows. -It has to be. | 0:07:30 | 0:07:34 | |
Listen, fellows, I suppose with a new series coming up, | 0:07:34 | 0:07:36 | |
-you've got one or two insults lined up? -Only one or two, that's all. | 0:07:36 | 0:07:40 | |
-Only one or two. -That's my album. -Look at that. | 0:07:40 | 0:07:43 | |
Seeing we know you so well now, we won't use them. | 0:07:43 | 0:07:46 | |
No, we're not going to do them. You're all right. | 0:07:46 | 0:07:49 | |
-Anyway, gentleman... -Where? Oh! | 0:07:49 | 0:07:52 | |
Sorry. I covered your line, there. | 0:07:52 | 0:07:54 | |
-Quite all right. -"Use the word loosely." -I was just about to say... | 0:07:54 | 0:07:58 | |
-I get a feeling I'm interrupting! -No, you're all right. | 0:07:58 | 0:08:01 | |
I'm working you with my foot. Don't worry about it. | 0:08:01 | 0:08:04 | |
I'm beginning to enjoy it. I was just about to say... | 0:08:04 | 0:08:07 | |
LAUGHTER | 0:08:07 | 0:08:09 | |
-Are they for keeps or just for lenses? -Just for lenses. | 0:08:11 | 0:08:14 | |
-I want to know something. -You have been saving them up. | 0:08:16 | 0:08:18 | |
I want to know who has been giving you the injections! | 0:08:20 | 0:08:23 | |
I would like to know one thing. In fact, I don't even have to know it. | 0:08:23 | 0:08:28 | |
-It's there in my brain. An indelible thought. -This is all new. | 0:08:28 | 0:08:31 | |
He never once said "indelible thought" at rehearsal! | 0:08:31 | 0:08:36 | |
It was all indelible rubbish, wasn't it? Now I tell you one thing. | 0:08:36 | 0:08:40 | |
-I'm going home, in a minute. -I have... I have come to a solution. | 0:08:40 | 0:08:45 | |
-Ah. -Aha. -That's good. -That's good. We've got to it now, have we? A solution. | 0:08:45 | 0:08:50 | |
That one person, and only one person, | 0:08:50 | 0:08:52 | |
was responsible for these evil insults. | 0:08:52 | 0:08:55 | |
I'm here. | 0:08:55 | 0:08:57 | |
Who? Who? | 0:08:57 | 0:08:58 | |
-I don't like to name names. -Was it somebody...short? Short? | 0:08:58 | 0:09:03 | |
Somebody tall...tall. | 0:09:03 | 0:09:05 | |
With short, fat, hairy legs? | 0:09:06 | 0:09:08 | |
With a tall, fat, hairless head. | 0:09:08 | 0:09:10 | |
-The man I have in mind... If you'll excuse me. -Certainly. | 0:09:12 | 0:09:16 | |
The man I have in mind is... | 0:09:16 | 0:09:19 | |
-Hard. -Hard. -Hard. -Hard. | 0:09:19 | 0:09:21 | |
H-A-R-D, hard. | 0:09:21 | 0:09:24 | |
And I'm really enjoying this! | 0:09:26 | 0:09:27 | |
-What else is he? -Er... Tough. -Tough. | 0:09:29 | 0:09:33 | |
T-O-U-G-H... | 0:09:33 | 0:09:35 | |
Another word. | 0:09:38 | 0:09:40 | |
Unscrupulous! | 0:09:40 | 0:09:42 | |
LAUGHTER | 0:09:42 | 0:09:43 | |
A report on the economy has just come through from Number 11 Downing Street. | 0:09:48 | 0:09:52 | |
The Chancellor's statement reads as follows. | 0:09:52 | 0:09:55 | |
"There may be trouble ahead, | 0:09:55 | 0:09:57 | |
"but while there's moonlight and music, and love and romance..." | 0:09:57 | 0:10:02 | |
MUSIC: "Let's Face The Music And Dance" | 0:10:02 | 0:10:04 | |
# Let's face the music and dance! # | 0:10:04 | 0:10:08 | |
# You were meant for me | 0:10:28 | 0:10:34 | |
# I was meant for you | 0:10:36 | 0:10:40 | |
# Nature fashioned you and when she was done | 0:10:43 | 0:10:49 | |
# You were all the sweet things rolled into one | 0:10:50 | 0:10:57 | |
# Plaintive melody | 0:11:01 | 0:11:06 | |
# Ah | 0:11:06 | 0:11:08 | |
# That will not set me free | 0:11:08 | 0:11:14 | |
# I contend the angels must have sent you | 0:11:16 | 0:11:21 | |
# And they meant you just for... # | 0:11:21 | 0:11:26 | |
-# A -You're adorable | 0:11:26 | 0:11:27 | |
-# B -But you're beautiful | 0:11:27 | 0:11:29 | |
-# C -You're a cutie full of charm | 0:11:29 | 0:11:32 | |
-# A -You're adorable | 0:11:33 | 0:11:35 | |
-# B -But you're beautiful | 0:11:35 | 0:11:37 | |
-# F -You're a feather in my cap | 0:11:37 | 0:11:40 | |
-# G -You look good to me | 0:11:40 | 0:11:42 | |
-# A -You're adorable | 0:11:42 | 0:11:44 | |
-# B -But you're beautiful | 0:11:44 | 0:11:45 | |
-# C -You're a cutie full of charm | 0:11:45 | 0:11:48 | |
# It's fun to wander through the alphabet with you | 0:11:49 | 0:11:52 | |
# But what are we going to do about him | 0:11:52 | 0:11:55 | |
-# Who, me? -Yes! | 0:11:55 | 0:11:56 | |
-# A -You're adorable | 0:11:56 | 0:11:58 | |
-# B -But you're beautiful | 0:11:58 | 0:12:00 | |
-# C -You're a cutie full of charm | 0:12:00 | 0:12:03 | |
-# J -You're like Jack and Jill | 0:12:03 | 0:12:05 | |
-# K -You're so kissable | 0:12:05 | 0:12:06 | |
-# Eh! -You're adorable | 0:12:06 | 0:12:08 | |
# B Wander through the alphabet with you | 0:12:08 | 0:12:11 | |
But what are we going to do about him? | 0:12:11 | 0:12:14 | |
Hey...oof! | 0:12:14 | 0:12:15 | |
One, two, one, two, three, four! | 0:12:15 | 0:12:19 | |
LATIN MUSIC | 0:12:19 | 0:12:27 | |
Pina! | 0:12:34 | 0:12:37 | |
LATIN MUSIC RESUMES, SPEEDS UP | 0:12:37 | 0:12:40 | |
MUSIC SLOWS AND STOPS | 0:13:01 | 0:13:03 | |
-Are you all right? -Eh? | 0:13:12 | 0:13:14 | |
# You're adorable | 0:13:14 | 0:13:15 | |
-# B -But you're beautiful | 0:13:15 | 0:13:17 | |
-# C -You're a cutie full of charm | 0:13:17 | 0:13:19 | |
# It's fun to wander through the alphabet with you | 0:13:20 | 0:13:24 | |
# But what are we going to do about him? | 0:13:24 | 0:13:26 | |
# Two three, four, | 0:13:26 | 0:13:28 | |
-# A -You're adorable | 0:13:28 | 0:13:29 | |
-# B -But you're beautiful | 0:13:29 | 0:13:31 | |
-# C -You're a cutie full of charm | 0:13:31 | 0:13:34 | |
-# W -It's fun to wander through the alphabet with you... # | 0:13:34 | 0:13:38 | |
APPLAUSE | 0:13:38 | 0:13:41 | |
We've got to get some more guests on the show. | 0:13:43 | 0:13:46 | |
-I know that, don't I, you fool! I know that. -Somebody important. | 0:13:46 | 0:13:49 | |
Somebody with a bit of class. From the theatre or the world of music. | 0:13:49 | 0:13:53 | |
-Who do you have in mind? -Him. -Oh, no, not Andre Previn! | 0:13:53 | 0:13:58 | |
-Yeah. -He's rubbish. | 0:13:58 | 0:14:00 | |
He's rubbish. He can't conduct, he can't sing, he can't dance, he can do nothing. | 0:14:00 | 0:14:04 | |
None of these people will work with us again. | 0:14:04 | 0:14:06 | |
I'll soon fix that, don't worry. | 0:14:06 | 0:14:08 | |
Hello? | 0:14:08 | 0:14:10 | |
Mr Preview? | 0:14:10 | 0:14:11 | |
The BBC here. | 0:14:13 | 0:14:15 | |
We have got a very big show going out on Christmas night | 0:14:15 | 0:14:18 | |
and we would like you to take part. | 0:14:18 | 0:14:21 | |
Can you do it? | 0:14:21 | 0:14:22 | |
Yes, I'd like to do that. That sounds very interesting. | 0:14:22 | 0:14:25 | |
What's the name of the programme? | 0:14:25 | 0:14:28 | |
Oh, the Morecambe And Wise Show... | 0:14:28 | 0:14:31 | |
Yes, well, I'll have to think that over. | 0:14:31 | 0:14:35 | |
I've thought it over and the answer is no. | 0:14:35 | 0:14:37 | |
APPLAUSE AND LAUGHTER | 0:14:37 | 0:14:39 | |
Thank you. Thank you. | 0:14:39 | 0:14:41 | |
-APPLAUSE -Thank you very much. | 0:14:41 | 0:14:44 | |
-Oh, look. -How do you do? | 0:14:45 | 0:14:49 | |
-A drunk. There's a drunk just come out. -A drunk? | 0:14:49 | 0:14:52 | |
-Play it cool, don't worry about it. -Don't you remember me? | 0:14:52 | 0:14:55 | |
-No, sir. -I was on your show a few weeks ago! | 0:14:55 | 0:14:59 | |
They all say that! | 0:14:59 | 0:15:00 | |
I know I've grown a beard since then but surely you recognise me. | 0:15:00 | 0:15:04 | |
-That bad, were you? -LAUGHTER | 0:15:04 | 0:15:06 | |
Hey! It's not the one who comes down at the end | 0:15:07 | 0:15:10 | |
-and everyone says "Who is she?" -No, no. Could you give us a clue, sir? | 0:15:10 | 0:15:15 | |
-A clue? -A clue, yes, please. -All right. | 0:15:15 | 0:15:19 | |
# Oh! Mr Porter What shall I do? | 0:15:19 | 0:15:22 | |
# I wanted to go to Birmingham and they've taken me on to Crewe! # | 0:15:22 | 0:15:25 | |
Marie Lloyd. Is it Marie Lloyd? | 0:15:27 | 0:15:29 | |
No, no. Would you just leave your name and address, sir? | 0:15:29 | 0:15:32 | |
Suppose I were to say "Forsythe"? | 0:15:32 | 0:15:34 | |
You can say that if you want, it's a nice word, that. | 0:15:34 | 0:15:36 | |
-Nothing wrong with foresight, is there? -No! | 0:15:36 | 0:15:38 | |
Foresight, he can say foresight, can't he? It's not rude? | 0:15:38 | 0:15:41 | |
Foresight? What? Course he can, yes. You can say it. | 0:15:41 | 0:15:45 | |
-Saga! -Oh, you can't say that, that's rude. | 0:15:45 | 0:15:48 | |
That is rude. I'm sorry about that, lads. | 0:15:48 | 0:15:50 | |
Three of them have put their coats on and gone home. | 0:15:50 | 0:15:52 | |
Sorry, boys. Shouldn't say saga. | 0:15:52 | 0:15:54 | |
-Well, what can I say? -Not a lot. Figure something. -Who are you? | 0:15:54 | 0:15:57 | |
-I don't know who you are. What's your name? -Eric. -Eric? | 0:15:57 | 0:16:00 | |
-Eric, yes, you called? -Porter! -Porter? | 0:16:00 | 0:16:03 | |
-Eric Porter! Of course! -You remember now! | 0:16:03 | 0:16:06 | |
-We don't want him on, he was rotten the last time! -Shut up! | 0:16:06 | 0:16:10 | |
This is Eric Porter! | 0:16:10 | 0:16:13 | |
Delighted to see you. Delighted. | 0:16:13 | 0:16:15 | |
Well, it was Christmas and I was passing | 0:16:15 | 0:16:18 | |
and I thought I'd just come round and say Merry Christmas. | 0:16:18 | 0:16:20 | |
-Isn't that lovely? -The festive season. -Merry Christmas to you. | 0:16:20 | 0:16:23 | |
-And a merry... -Goodwill to all men. | 0:16:23 | 0:16:26 | |
-And I'd ask for a job. -Get off. | 0:16:26 | 0:16:28 | |
Now, where were we? | 0:16:28 | 0:16:29 | |
-A famous actor like you, looking for work? -I'm in dire straits. | 0:16:29 | 0:16:33 | |
I've played there. It's on the Welsh coast. | 0:16:33 | 0:16:35 | |
-Played there. -I'm sorry, sir, we haven't got an opening for you. | 0:16:35 | 0:16:38 | |
Well, look, I don't mind what it is. | 0:16:38 | 0:16:41 | |
I pride myself that I can turn my hand to quite a lot of things. | 0:16:41 | 0:16:44 | |
-I have heard that. I have heard that. -Well, I don't know. | 0:16:44 | 0:16:48 | |
With a beard like that, you shouldn't have any difficulty getting work. | 0:16:48 | 0:16:51 | |
That's true. I tell you what. I promise you one thing. | 0:16:51 | 0:16:53 | |
If we need a busted sofa, I'll give you a ring. | 0:16:53 | 0:16:55 | |
Look, you've upset him now, Eric. | 0:16:55 | 0:16:58 | |
It is Christmas, you've got to be nice to people. I tell you what. | 0:16:58 | 0:17:01 | |
-We've never had any Shakespeare on the show, have we? -Up till now. | 0:17:01 | 0:17:04 | |
-You'd like a bit of Shakespeare? -That's plenty. | 0:17:04 | 0:17:07 | |
Thank you very much. | 0:17:07 | 0:17:09 | |
All right. No, no. Just let me think. | 0:17:09 | 0:17:13 | |
-Well, it's not my fault, is it? -You have these people on. | 0:17:13 | 0:17:16 | |
-DECLAIMS: -If they could see me now That little gang of mine | 0:17:22 | 0:17:26 | |
I'm eating fancy chow and drinking fancy wine | 0:17:26 | 0:17:31 | |
-MUSIC STARTS: -# I'd like those stumblebums to see for a fact | 0:17:31 | 0:17:36 | |
# The sort of top-drawer first-class chums I attract | 0:17:36 | 0:17:40 | |
# All I can say is "Wowee! Look at where I am | 0:17:40 | 0:17:45 | |
# "My feet have landed, pow Right in a pot of jam" | 0:17:45 | 0:17:50 | |
# What a set-up, holy cow They'd never believe it | 0:17:50 | 0:17:54 | |
# If my friends could see me now | 0:17:54 | 0:17:59 | |
# If they could see me now | 0:17:59 | 0:18:04 | |
# My little dusty group | 0:18:04 | 0:18:07 | |
# Traipsin' round this million-dollar chicken coop | 0:18:07 | 0:18:11 | |
# I'd hear those thrift-shop cats say "Brother, get him" | 0:18:11 | 0:18:16 | |
# Draped on a bedspread made from three kinds of skin | 0:18:16 | 0:18:21 | |
# All I can say is "Wow! Wait till the riff and raff | 0:18:21 | 0:18:25 | |
# "See just exactly how I sign my autograph" | 0:18:25 | 0:18:30 | |
# What a set-up, holy cow They'd never believe it | 0:18:30 | 0:18:35 | |
# If my friends could see me now | 0:18:35 | 0:18:40 | |
# They'd never believe it If my friends could see me | 0:19:11 | 0:19:16 | |
# Friends could see me | 0:19:16 | 0:19:18 | |
# Friends could see me | 0:19:18 | 0:19:21 | |
# Friendship, friendship Just a perfect friendship | 0:19:21 | 0:19:25 | |
# If my friends could see me now! # | 0:19:25 | 0:19:33 | |
APPLAUSE AND CHEERING | 0:19:33 | 0:19:36 | |
# The red red robin goes bob-bob-bobbing along | 0:19:41 | 0:19:45 | |
# There'll be no more trouble when he keeps singing | 0:19:45 | 0:19:48 | |
# His old sweet song | 0:19:48 | 0:19:51 | |
# Oh, wake up, wake up... # | 0:19:51 | 0:19:54 | |
Open the curtains, please! | 0:19:57 | 0:19:59 | |
-Yes. Thank you. -ORCHESTRA TUNES UP | 0:19:59 | 0:20:01 | |
-Is this the band? -This is the band, yes. | 0:20:07 | 0:20:11 | |
I've seen better bands on a cigar. | 0:20:11 | 0:20:14 | |
Which one's the fixer? | 0:20:14 | 0:20:16 | |
-Which one? -Which one? -The one in the gold lame suit. | 0:20:19 | 0:20:22 | |
They usually are. Right. I'll go get the music. | 0:20:22 | 0:20:26 | |
-Incidentally, where's the piano? -It's... -Never mind, this'll do. | 0:20:28 | 0:20:32 | |
Now, I hope, sir, that you understand these squiggly lines. | 0:20:34 | 0:20:37 | |
-I think so, yes. -Oh, good. Because the reason I ask is, | 0:20:37 | 0:20:41 | |
the second movement is most important to me. | 0:20:41 | 0:20:43 | |
You see, in the second movement, not too heavy on the banjos. | 0:20:43 | 0:20:46 | |
-Oh, no. -Banjo, keep it down. | 0:20:46 | 0:20:49 | |
Vulgar, vulgar. Keep it way down. | 0:20:49 | 0:20:51 | |
That's the word I was looking for, way down. Yes. That's very good. | 0:20:51 | 0:20:54 | |
-Because that is me, there, you see. -Lovely. | 0:20:54 | 0:20:58 | |
-Me playing the Grieg Piano Concerto. -Yes, yes. | 0:20:58 | 0:21:00 | |
Signed autograph later on, boys. | 0:21:00 | 0:21:03 | |
If I could just explain to Mr Preview... | 0:21:03 | 0:21:05 | |
You see, I want you to notice that Eric does play | 0:21:05 | 0:21:08 | |
-the original version of Grieg's Piano Concerto. -Yes. | 0:21:08 | 0:21:10 | |
-The one we played before we went decimal. -But look here. | 0:21:10 | 0:21:14 | |
-This is not the original version. -Not the original? | 0:21:14 | 0:21:16 | |
-What are you talking about? -I'll explain. It's very simple. | 0:21:16 | 0:21:19 | |
After the opening timpani row, in the original version, | 0:21:19 | 0:21:22 | |
the piano takes over. Here you've got that piece | 0:21:22 | 0:21:24 | |
played by the full orchestra. | 0:21:24 | 0:21:26 | |
-Ah, yes. But this is a special arrangement. -A special arrangement? | 0:21:28 | 0:21:34 | |
-Of the Grieg Piano Concerto? -Yes! -I've never heard of that before. | 0:21:34 | 0:21:37 | |
That's the idea. Everybody plays it this way. | 0:21:37 | 0:21:40 | |
I thought we'd do something different. | 0:21:40 | 0:21:42 | |
-Whatever you say, whatever you say. -I'll announce it, shall I? | 0:21:42 | 0:21:45 | |
-Do that. -You're doing well, you're doing well. -Thank you. | 0:21:45 | 0:21:48 | |
Ladies and gentlemen, tonight, Grieg's Piano Concerto by Grieg. | 0:21:48 | 0:21:51 | |
Soloist, Mr Eric Morecambe, | 0:21:53 | 0:21:56 | |
-conducted by Mr Andre Previn. -Thank you. | 0:21:56 | 0:21:59 | |
APPLAUSE | 0:21:59 | 0:22:01 | |
What's the matter? | 0:22:20 | 0:22:22 | |
-The introduction. -The introduction's wrong? | 0:22:26 | 0:22:29 | |
-It's too short. -It's too short?! -Oh, you noticed? -Yes. | 0:22:29 | 0:22:33 | |
By how much is it too short? | 0:22:33 | 0:22:36 | |
-Well, you see, I went down here like that. -Yes. -And came back. | 0:22:36 | 0:22:39 | |
-You wasted some time there. -Yes. | 0:22:39 | 0:22:41 | |
You see, it's about... | 0:22:41 | 0:22:43 | |
-I would say about that much. -Yes. | 0:22:44 | 0:22:46 | |
-That's a yard? -It's about a yard. | 0:22:47 | 0:22:50 | |
-About a yard. -Yes, if you could lengthen it by about a yard, | 0:22:50 | 0:22:52 | |
-we'll be in. -And what do you think we can do about that? | 0:22:52 | 0:22:55 | |
-Well... -Well, I mean, that's nothing to do with me. | 0:22:55 | 0:22:58 | |
-My musical manager does all this. -Get in touch with Grieg? -Good idea! | 0:22:58 | 0:23:01 | |
-You mean...call him on the phone? -We could call him on the phone! | 0:23:01 | 0:23:06 | |
I didn't bring his phone number. | 0:23:06 | 0:23:07 | |
-It's Norway something-or-other, isn't it? -What's the code? | 0:23:07 | 0:23:11 | |
-Fingal's Cave, or something. -I think it's Fingal's Cave. | 0:23:12 | 0:23:15 | |
Mind you, you might not get him. He could be out skiing. | 0:23:15 | 0:23:18 | |
-Look, could we just try it again? Try it again. -I tell you what. | 0:23:18 | 0:23:21 | |
-Yes. -This time I'll sit down there waiting. -What a good thought! | 0:23:21 | 0:23:24 | |
-Hey! -You'd be ready! | 0:23:24 | 0:23:26 | |
All right. Ladies and gentlemen, Grieg's Piano Concerto, | 0:23:28 | 0:23:30 | |
soloist Eric Morecambe, conductor Mr Andrew Preview. | 0:23:30 | 0:23:34 | |
What? | 0:23:50 | 0:23:52 | |
Any time. | 0:23:53 | 0:23:54 | |
Could I have a word with you, please? | 0:23:54 | 0:23:56 | |
Look, you see, it's one of those things where... Where's he gone? | 0:24:00 | 0:24:04 | |
-He's there. -Oh, he's there. | 0:24:04 | 0:24:06 | |
-You see... I hope you don't mind me saying this. -No. | 0:24:06 | 0:24:10 | |
But when you got to the part which was my cue, | 0:24:10 | 0:24:12 | |
-I couldn't see you for the lid of the piano. -Yes. | 0:24:12 | 0:24:16 | |
-The lid of the piano was in the way? -Was it? -Yes. -Yes, it was. | 0:24:16 | 0:24:19 | |
-The lid of the piano. -I don't know what we can do about that. | 0:24:19 | 0:24:23 | |
-He wants to be taller, doesn't he? -Yeah. -Could you wear high heels? | 0:24:23 | 0:24:26 | |
Again? | 0:24:26 | 0:24:28 | |
You don't have to, you know. | 0:24:28 | 0:24:30 | |
-I don't know what we can do about that. -I have a suggestion. | 0:24:30 | 0:24:33 | |
Would you jump up in the air? | 0:24:34 | 0:24:37 | |
So I can see you over the lid of the piano? | 0:24:38 | 0:24:40 | |
-If you could jump up... -You want me to actually jump into the air | 0:24:40 | 0:24:44 | |
on the rostrum in order so you can see my cue? | 0:24:44 | 0:24:46 | |
Yes. I mean, if you'd do that for me. | 0:24:46 | 0:24:49 | |
-You know. If you'd do that. -Yes. | 0:24:49 | 0:24:51 | |
I'll do that for you. | 0:24:51 | 0:24:52 | |
-Nice man, isn't he? -Isn't he charming? -I like him. | 0:24:53 | 0:24:57 | |
Grieg, by... With him and him. | 0:24:58 | 0:25:01 | |
Great! | 0:25:05 | 0:25:06 | |
PLAYS CHEERFULLY | 0:25:06 | 0:25:09 | |
Something wrong with the violins? | 0:25:32 | 0:25:34 | |
No, there's nothing wrong with the violins. | 0:25:36 | 0:25:39 | |
That's only your opinion. | 0:25:39 | 0:25:40 | |
What... What were you playing, just then? | 0:25:41 | 0:25:45 | |
The Grieg Piano Concerto. | 0:25:45 | 0:25:46 | |
But...you're playing all the wrong notes. | 0:25:49 | 0:25:55 | |
I'm playing all the right notes. | 0:26:07 | 0:26:10 | |
But not necessarily in the right order. | 0:26:10 | 0:26:14 | |
I'll give you that. | 0:26:16 | 0:26:18 | |
I'll give you that, sunshine. | 0:26:18 | 0:26:20 | |
That sounded quite reasonable to me. | 0:26:25 | 0:26:28 | |
Are you satisfied, Mr Preview? | 0:26:29 | 0:26:31 | |
No! | 0:26:31 | 0:26:33 | |
BOTH: No?! | 0:26:33 | 0:26:34 | |
What do you mean, no?! | 0:26:34 | 0:26:36 | |
-I'm not satisfied. -Why not? | 0:26:36 | 0:26:38 | |
Look here. With all due.. Would you mind? | 0:26:38 | 0:26:40 | |
Don't forget, for another £4, we could have got Edward Heath. | 0:26:40 | 0:26:43 | |
LAUGHTER AND APPLAUSE | 0:26:43 | 0:26:47 | |
HE PLAYS GRIEG'S "PIANO CONCERTO" | 0:26:49 | 0:26:54 | |
Rubbish! | 0:27:10 | 0:27:11 | |
HE PLAYS ERIC'S VERSION | 0:27:14 | 0:27:16 | |
That's it! You've got it! | 0:27:16 | 0:27:19 | |
APPLAUSE | 0:27:21 | 0:27:23 | |
HE SPEEDS UP | 0:27:24 | 0:27:27 | |
Lovely! | 0:27:38 | 0:27:40 | |
I'm Eric Porter. | 0:27:44 | 0:27:46 | |
I was on the Morecambe And Wise Show. | 0:27:46 | 0:27:48 | |
Look what happened to me. | 0:27:48 | 0:27:50 | |
LAUGHTER | 0:27:51 | 0:27:54 | |
# Bring me sunshine | 0:27:59 | 0:28:01 | |
# In your smile | 0:28:01 | 0:28:03 | |
# Bring me laughter all the while... # | 0:28:05 | 0:28:08 | |
You said we were finishing with that one! | 0:28:08 | 0:28:11 | |
-# ..In this world where we live... # -You said...! | 0:28:11 | 0:28:12 | |
# ..There should be more happiness | 0:28:12 | 0:28:14 | |
# So much joy you can give | 0:28:14 | 0:28:17 | |
# To each brand-new bright tomorrow | 0:28:17 | 0:28:20 | |
# Make me happy | 0:28:20 | 0:28:22 | |
-# Through the years... # -You said we were...! | 0:28:22 | 0:28:25 | |
# ..Never bring me | 0:28:25 | 0:28:27 | |
-# Any tears... # -Crawler! | 0:28:27 | 0:28:30 | |
# Let your arms be as warm | 0:28:30 | 0:28:32 | |
# As the sun from up above | 0:28:32 | 0:28:35 | |
# Bring me fun, bring me sunshine | 0:28:35 | 0:28:38 | |
# Bring me love! # | 0:28:38 | 0:28:40 |