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Good evening. It's a delight to be back with you once again, isn't it, Ronnie? | 0:00:24 | 0:00:28 | |
Indeed, it is. And in a packed programme tonight, | 0:00:28 | 0:00:30 | |
we shall be bringing you a special survey | 0:00:30 | 0:00:32 | |
from reporter Craig Molesworth, in which he takes the lid off motorway cooking | 0:00:32 | 0:00:35 | |
and hurriedly puts it back on again. | 0:00:35 | 0:00:37 | |
And we'll be talking to Britain's oldest working milkman, | 0:00:38 | 0:00:42 | |
who has just become a father at 71... | 0:00:42 | 0:00:45 | |
And at 23 and at last two. | 0:00:45 | 0:00:47 | |
But first, the news. | 0:00:49 | 0:00:50 | |
President Reagan gave a speech before congress tonight. | 0:00:50 | 0:00:53 | |
Mrs Reagan says she wishes he'd just get on with it. | 0:00:53 | 0:00:57 | |
LAUGHTER | 0:00:57 | 0:00:59 | |
LAUGHTER CONTINUES | 0:00:59 | 0:01:00 | |
Later, the President announced that he is going off to his ranch | 0:01:00 | 0:01:04 | |
for the weekend, to unwind. | 0:01:04 | 0:01:06 | |
When he returns to Washington next week, they'll wind him up again. | 0:01:06 | 0:01:10 | |
Britain's most hen-pecked husband, Sidney Grovel of Bromsgrove | 0:01:10 | 0:01:13 | |
has left certain parts of his body for use after his death. | 0:01:13 | 0:01:16 | |
In a last desperate bid to be unfaithful to his wife and get away with it. | 0:01:16 | 0:01:20 | |
There was confusion at the gay Apollo club in Soho tonight | 0:01:21 | 0:01:26 | |
when a plain-clothes policeman arrested a fancy-clothes policeman. | 0:01:26 | 0:01:29 | |
And... | 0:01:31 | 0:01:32 | |
At a special retirement party tonight, | 0:01:32 | 0:01:35 | |
Prestwick man Doddington Chapps revealed he had once worked for a fortnight in the civil service. | 0:01:35 | 0:01:39 | |
Which wasn't bad for someone who was in it for 40 years. | 0:01:39 | 0:01:42 | |
Finally, after last week's disappointment at London Zoo, | 0:01:44 | 0:01:48 | |
when Tintin the giant panda turned out to not pregnant, | 0:01:48 | 0:01:52 | |
comes good news. | 0:01:52 | 0:01:54 | |
Incy Wincy Spider is up the spout again. | 0:01:54 | 0:01:56 | |
But now a sketch based on Shakespeare's immortal, | 0:01:58 | 0:02:01 | |
The Taming of the Shrew. | 0:02:01 | 0:02:02 | |
In which Mr Ronnie Corbett appears as the back legs. | 0:02:02 | 0:02:05 | |
-Can I be of assistance, sir? -Yes. | 0:02:11 | 0:02:14 | |
-I'd like TYLES. -Tiles, sir? -Yes, bathroom TYLES. -For fixing yourself? | 0:02:14 | 0:02:19 | |
Fixing myself? No, they're for drying myself. TYLES, dear boy. | 0:02:19 | 0:02:24 | |
You step out of the bath and give yourself a brisk tyling down. | 0:02:25 | 0:02:31 | |
TOWELS! Yes, sir. I'll bring a selection. | 0:02:31 | 0:02:35 | |
Thank you. | 0:02:35 | 0:02:37 | |
-Hello, Charles. -Hello, Aubrey. Doing a bit of shopping, what? | 0:02:37 | 0:02:42 | |
Ra-ther. Absolutely excellent place. Everything for the house. | 0:02:42 | 0:02:48 | |
Oh yes, abso-tively. I always come here for the old SPICE. | 0:02:48 | 0:02:54 | |
Old Spice, old boy? Surely, that's in the toiletries department? | 0:02:54 | 0:02:59 | |
No, no, no, the old SPOUSE. The little woman. The spouse. | 0:02:59 | 0:03:04 | |
-I come here... I'm here for the soup. -Soup? -Yes. | 0:03:04 | 0:03:08 | |
-What kind of soup? -BRINE. -Brine's a little too salty for me. | 0:03:08 | 0:03:13 | |
No, no, BROWN. Brown Windsor soup, old boy. | 0:03:13 | 0:03:17 | |
The wife absolutely adores it. She was born near there. She's a SLY person. | 0:03:17 | 0:03:24 | |
-Angela? I wouldn't say that. A little devious, perhaps... -No. | 0:03:24 | 0:03:29 | |
Born in SLOUGH. Maidenhead, Slough, Windsor. | 0:03:29 | 0:03:33 | |
Oh, I see! | 0:03:33 | 0:03:36 | |
-Excellent food department. -Yes. -Fish, game. | 0:03:36 | 0:03:40 | |
-JEESES! -What's the matter? | 0:03:40 | 0:03:43 | |
No, no, I was just saying cheeses are very good here, all RIND. | 0:03:43 | 0:03:49 | |
Oh, we NEVER eat the rind! | 0:03:49 | 0:03:52 | |
No, no, I mean all ROUND, generally. | 0:03:52 | 0:03:55 | |
Yes, indeed, all round. Yes. | 0:03:55 | 0:03:58 | |
-Have you heard about Rupert? -Rupert Kimberley-Dimbleby from Wimbledon? | 0:03:58 | 0:04:03 | |
-Yes, Kimbers-Dimbers, Wimbers. -Haven't heard about him in years. When I saw him he was TIGHT. | 0:04:03 | 0:04:10 | |
-What, drunk, you mean? -No, no, he was a TOUT for a bookmaker. | 0:04:10 | 0:04:15 | |
He was going round with a girl called Poopsie Benedict. | 0:04:15 | 0:04:20 | |
Really? No, he's left her, now. Consistently LIED. | 0:04:20 | 0:04:25 | |
-Deceitful, was she? -No, consistently LIED. LOUD. Noisy! | 0:04:25 | 0:04:31 | |
-Oh, noisy! Yes. -Yes. He's with Dulcimer Pageant now. | 0:04:31 | 0:04:36 | |
-Mind you, he got into trouble. They were FINED in the park. -Fined? For doing what? | 0:04:36 | 0:04:43 | |
No, no, FINED. Discovered. FOUND. | 0:04:43 | 0:04:46 | |
Fined by the park-keeper. And she was beside him on the GRIND! | 0:04:46 | 0:04:51 | |
Oooh, was she? | 0:04:51 | 0:04:54 | |
Scandalous! I never knew really what he saw in her. | 0:04:55 | 0:04:59 | |
He always maintained that she had a wonderful MIND. | 0:04:59 | 0:05:05 | |
Well, she had two wonderful minds. | 0:05:05 | 0:05:09 | |
They stuck out a mile. | 0:05:09 | 0:05:12 | |
No, dear boy, brain. She's got it up here. | 0:05:12 | 0:05:15 | |
Oh, as far up as that, eh? | 0:05:15 | 0:05:18 | |
Awfully nice to see you, and have this absurd conversation with you. | 0:05:18 | 0:05:23 | |
Why don't we go and have a drinky-poos? | 0:05:23 | 0:05:26 | |
-What about your towels? -I won't wait. What about A BITE to eat? -I'm ABOUT to eat myself! | 0:05:26 | 0:05:33 | |
Quite a big bite too! | 0:05:33 | 0:05:36 | |
We must hurry, because I saw a chap with a placard saying, "The end of the world is NIGH". | 0:05:36 | 0:05:42 | |
What, right NOW? This very minute? | 0:05:42 | 0:05:46 | |
Do you think marriage is a lottery? | 0:05:57 | 0:05:58 | |
Eh? | 0:05:58 | 0:06:00 | |
You know, I mean, do you think marriage is a lottery? | 0:06:00 | 0:06:04 | |
No. | 0:06:04 | 0:06:05 | |
In the lottery, you do have a slight chance. | 0:06:05 | 0:06:08 | |
You like women, don't you? | 0:06:10 | 0:06:11 | |
Oh, yeah, yeah. | 0:06:11 | 0:06:13 | |
I mean, just give me me pipe, the great outdoors | 0:06:13 | 0:06:17 | |
and a beautiful girl | 0:06:17 | 0:06:19 | |
and you can keep the pipe and the great outdoors. | 0:06:19 | 0:06:24 | |
Still, that's got nothing to do with marriage, has it? | 0:06:24 | 0:06:26 | |
I mean, that's just the opposite sex. | 0:06:26 | 0:06:28 | |
The what? | 0:06:28 | 0:06:29 | |
You know what the opposite sex is, don't you? | 0:06:30 | 0:06:33 | |
Yeah. It's the tart who lives across the road. | 0:06:33 | 0:06:35 | |
Talking of which, my sister-in-law | 0:06:37 | 0:06:39 | |
has just had quads. | 0:06:39 | 0:06:41 | |
Ooh. That's pretty rare, ain't it? | 0:06:41 | 0:06:44 | |
Rare? It certainly is rare. | 0:06:44 | 0:06:46 | |
Doctors say it only happens once in 1,600,000 times. | 0:06:46 | 0:06:52 | |
Blimey! | 0:06:52 | 0:06:54 | |
It's a wonder she ever found time to do the housework. | 0:06:54 | 0:06:57 | |
From the hugely-successful film, The Thomas Crown Affair | 0:07:03 | 0:07:08 | |
comes the haunting theme Windmills Of Your Mind, written by Michel Le Grand. | 0:07:08 | 0:07:15 | |
It's sung now by the lovely Elaine Page. | 0:07:15 | 0:07:18 | |
APPLAUSE | 0:07:18 | 0:07:21 | |
# Round, like a circle in a spiral Like a wheel within a wheel | 0:07:38 | 0:07:43 | |
# Never-ending or beginning On an ever-spinning reel | 0:07:43 | 0:07:48 | |
# Like a snowball down a mountain Or a carnival balloon | 0:07:48 | 0:07:53 | |
# Like a carousel turning Runs rings around the moon | 0:07:53 | 0:07:57 | |
# Like a clock's hands sweeping Past the minutes of its face | 0:07:57 | 0:08:02 | |
# The world is like an apple Whirling silently in space | 0:08:02 | 0:08:06 | |
# Like the circles that you find | 0:08:06 | 0:08:09 | |
# In the windmills of your mind | 0:08:09 | 0:08:14 | |
# Like a tunnel that you follow To a tunnel of its own | 0:08:14 | 0:08:19 | |
# Down a hollow to a cavern Where the sun has never shone | 0:08:19 | 0:08:23 | |
# Like a door that keeps revolving In a half-forgotten dream | 0:08:23 | 0:08:28 | |
# Or the ripples from a pebble Someone tosses in a stream | 0:08:28 | 0:08:33 | |
# Like a clock's hands sweeping Past the minutes of its face | 0:08:33 | 0:08:38 | |
# And the world is like an apple Whirling silently in space | 0:08:38 | 0:08:42 | |
# Like the circles that you find | 0:08:42 | 0:08:45 | |
# In the windmills of your mind | 0:08:45 | 0:08:50 | |
# Keys that jingle in your pocket Words that jangle in your head | 0:08:50 | 0:08:55 | |
# Why did summer go SO quickly? Was it something you said? | 0:08:55 | 0:08:59 | |
# Lovers walk along the shore Leave their footprints in the sand | 0:08:59 | 0:09:04 | |
# Is the sound of distant drumming Just the fingers on your hand? | 0:09:04 | 0:09:09 | |
# Pictures hanging in a hallway And the fragment of a song | 0:09:09 | 0:09:13 | |
# Half-remembered names and faces To whom do they belong? | 0:09:13 | 0:09:18 | |
# When you knew that it was over In the autumn of goodbye | 0:09:18 | 0:09:23 | |
# For a moment you could not recall the colour of his eyes | 0:09:23 | 0:09:28 | |
# Round, like a circle in a spiral Like a wheel within a wheel | 0:09:34 | 0:09:39 | |
# Never ending or beginning On an ever-spinning reel | 0:09:39 | 0:09:44 | |
# As the images unwind | 0:09:44 | 0:09:48 | |
# Like the circles that you find | 0:09:48 | 0:09:51 | |
# In the windmills of your mind. # | 0:09:51 | 0:09:59 | |
APPLAUSE | 0:10:07 | 0:10:10 | |
O-o-oh! | 0:10:22 | 0:10:25 | |
-What's up with thee? -Ah'm stuck. | 0:10:25 | 0:10:29 | |
Thar's not sat on tar shovel again, has thee? | 0:10:29 | 0:10:34 | |
No, ah'm stuck with crossword. | 0:10:35 | 0:10:38 | |
It says here "Sea creature". | 0:10:38 | 0:10:41 | |
Five letters and three letters. | 0:10:41 | 0:10:45 | |
"Sea creature"? Five letters and three letters? | 0:10:45 | 0:10:50 | |
"Sea..." Oh, that'll be ship's cat! | 0:10:50 | 0:10:54 | |
Ship's cat! Oh, like as not and happen you're reet. | 0:10:55 | 0:11:00 | |
Does tha believe in reincarnation? | 0:11:00 | 0:11:03 | |
Well, it's all right on fruit salad but I don't like it in my tea. | 0:11:05 | 0:11:11 | |
I mean returning to life after you've been on t'other side. | 0:11:11 | 0:11:15 | |
Coming back from a holiday in Morecambe? | 0:11:15 | 0:11:19 | |
Nay, there's a lad in our street wants to come back as a giraffe. | 0:11:19 | 0:11:24 | |
Oh. Why? Is he a peeping Tom? | 0:11:24 | 0:11:27 | |
He reckons as a giraffe you can watch Test Match wi'out paying to get in. | 0:11:27 | 0:11:34 | |
They let giraffes in free, do they? | 0:11:34 | 0:11:37 | |
I reckon that if there's owt in this reincarnation lark, | 0:11:38 | 0:11:43 | |
-I'd like to come back as a respected pillar in society. -Like Nelson's Column? | 0:11:43 | 0:11:50 | |
No, I mean like a High Court Judge in th'Old Bailey. | 0:11:50 | 0:11:55 | |
Oh. I'd like to be a piano player in a naughty London bordello. | 0:11:55 | 0:12:01 | |
Well, I'll see thee in there, then. | 0:12:01 | 0:12:04 | |
D'you reckon it's still raining out yonder? | 0:12:07 | 0:12:12 | |
-How am I supposed to know that? -Stick thee arm out the tent. | 0:12:12 | 0:12:18 | |
Oh. | 0:12:18 | 0:12:20 | |
PING! | 0:12:20 | 0:12:22 | |
It's chucking it down. | 0:12:22 | 0:12:25 | |
If that keeps up like it's keeping up, | 0:12:25 | 0:12:29 | |
we shan't get that tar-making down this side of next week. | 0:12:29 | 0:12:34 | |
Happen it's nothing like as maybe thee's reet. | 0:12:34 | 0:12:38 | |
Shall us have our snap now? | 0:12:38 | 0:12:41 | |
Happen it's nothing like as maybe these reet again. Right-o. | 0:12:41 | 0:12:45 | |
What you got in thar, then? What is it? | 0:12:45 | 0:12:49 | |
I think today in mine I've got... boiled tongue in mine. | 0:12:49 | 0:12:53 | |
Boiled tongue? Thy missis does thee reet proud. | 0:12:53 | 0:12:58 | |
Boiled tongue of a Wednesday? Tha must be rolling. | 0:12:58 | 0:13:02 | |
-Nay, boiled tongue is a message. -A message? | 0:13:02 | 0:13:06 | |
It means the wife wants to give me a stiff talking-to when I get home. | 0:13:06 | 0:13:12 | |
When it's egg in my sandwich it means she wants me to clean out the hen hutch when I get home. | 0:13:12 | 0:13:20 | |
If it's lettuce it means she wants me to post letters. | 0:13:20 | 0:13:25 | |
Oh, I see! | 0:13:25 | 0:13:27 | |
-What's thee got in thine, then? -I'm none sure, but I'm certainly none going home the night! | 0:13:27 | 0:13:35 | |
# I knew a girl called Jeanie Jones | 0:13:49 | 0:13:51 | |
# She was nothing but skin and bones | 0:13:53 | 0:13:55 | |
# I knew a girl called Jeanie Scott | 0:13:57 | 0:14:00 | |
# She had bumps where Jane had not | 0:14:01 | 0:14:04 | |
# I knew a girl called Susie Strong | 0:14:06 | 0:14:08 | |
# Her feet were large and her legs were long | 0:14:10 | 0:14:12 | |
# Feet so large that it is said | 0:14:14 | 0:14:17 | |
# She had to take her pants off over her head | 0:14:19 | 0:14:21 | |
# I'm talking about girls | 0:14:22 | 0:14:23 | |
# Girls I met | 0:14:23 | 0:14:25 | |
# Ice is cold and water's wet | 0:14:25 | 0:14:27 | |
# Up is up and feathers is down | 0:14:27 | 0:14:29 | |
# And that's what makes the world go round | 0:14:29 | 0:14:32 | |
# I knew a girl called Droopy Drawers | 0:14:36 | 0:14:38 | |
# Her ears stuck out like taxi doors | 0:14:40 | 0:14:42 | |
# Tall as a pole and thin as a candle | 0:14:44 | 0:14:47 | |
# Hard to please but easy to handle | 0:14:49 | 0:14:51 | |
# I took her out in the wind and rain | 0:14:53 | 0:14:56 | |
# She blew around like a weather vane | 0:14:57 | 0:14:59 | |
# By the fire warm and snug | 0:15:01 | 0:15:04 | |
# Melted her upon the rug | 0:15:06 | 0:15:08 | |
# I'm talking about girls | 0:15:09 | 0:15:11 | |
# Girls I've known oats I've scattered | 0:15:11 | 0:15:13 | |
# Seeds I've sown | 0:15:13 | 0:15:14 | |
# Up is up and down is out | 0:15:14 | 0:15:16 | |
# You all know what I'm talking about | 0:15:16 | 0:15:19 | |
# I knew a girl called Jennifer Gopher | 0:15:23 | 0:15:25 | |
# She had hips like a well-stuffed sofa | 0:15:25 | 0:15:29 | |
# As she sat on you she'd squash you flat | 0:15:31 | 0:15:34 | |
# Boy, I sure kept out of that | 0:15:36 | 0:15:38 | |
# She was buxom, big and round | 0:15:40 | 0:15:43 | |
# Gave good value pound for pound | 0:15:44 | 0:15:47 | |
# Like a mountaineer upon a climb | 0:15:48 | 0:15:51 | |
# I conquered her a bit at a time | 0:15:53 | 0:15:55 | |
# I'm talking about girls | 0:15:56 | 0:15:58 | |
# Girls I've seen, places I've known and places I've been | 0:15:58 | 0:16:01 | |
# Tales I've told and songs I've sang | 0:16:01 | 0:16:03 | |
# That's what makes the world go bang | 0:16:03 | 0:16:06 | |
# Well, I knew a girl called Big Town Bella | 0:16:10 | 0:16:12 | |
# Till I found out she was a fella | 0:16:14 | 0:16:17 | |
# We parted friends and everything | 0:16:18 | 0:16:20 | |
# But he never sent back that engagement ring | 0:16:23 | 0:16:25 | |
# I knew a girl called Topsy Turvy | 0:16:27 | 0:16:30 | |
# She was cute and she was curvy | 0:16:31 | 0:16:34 | |
# She was sweet and she was sunny | 0:16:35 | 0:16:38 | |
# Now I'm paying out alimony | 0:16:40 | 0:16:43 | |
# I'm talking about girls | 0:16:43 | 0:16:45 | |
# Girls I've known, birds I've nested and I've flown | 0:16:45 | 0:16:48 | |
# Black or white or pink or brown | 0:16:48 | 0:16:50 | |
# That's what makes the world go round. # | 0:16:50 | 0:16:55 | |
That's right. | 0:16:56 | 0:16:58 | |
CHEERING AND APPLAUSE | 0:16:58 | 0:17:00 | |
You are, are you not, Broderick William Gerbil, | 0:17:09 | 0:17:14 | |
14 Rangoon Terrace, Biggleswade? | 0:17:14 | 0:17:17 | |
-I am. -A forensic scientist specialising in studying rare blood stains? | 0:17:17 | 0:17:23 | |
No. | 0:17:23 | 0:17:26 | |
Are you a road sweeper? | 0:17:26 | 0:17:29 | |
-No. -Trick cyclist, Smart's circus? | 0:17:29 | 0:17:32 | |
No. | 0:17:32 | 0:17:35 | |
Em...could I use this product that you make? | 0:17:35 | 0:17:40 | |
Not personally you wouldn't, no. | 0:17:42 | 0:17:45 | |
Has what you've got to do something to do with...animals? | 0:17:49 | 0:17:55 | |
-Yes, yes, it has, yes. -APPLAUSE | 0:17:55 | 0:17:58 | |
Something to do with injured animals? | 0:17:59 | 0:18:03 | |
-Yes, yes. -CLAPPING | 0:18:03 | 0:18:06 | |
-Do you make artificial beaks for disabled budgerigars? -Very good! | 0:18:07 | 0:18:12 | |
-Well done. -Thank you, m'lud. | 0:18:13 | 0:18:16 | |
You are charged with first degree murder. How do you plead? | 0:18:16 | 0:18:21 | |
-Not guilty. -I'm going to give you 30 seconds to prove you're not guilty, starting from NOW. | 0:18:21 | 0:18:29 | |
What dramatic incident took place at the home of Sir Hugo Milverton? | 0:18:29 | 0:18:35 | |
He was found on his study floor. | 0:18:35 | 0:18:37 | |
He'd been poisoned, strangled and stabbed. | 0:18:37 | 0:18:41 | |
Correct. And the police concluded? | 0:18:41 | 0:18:43 | |
He was dead. | 0:18:43 | 0:18:46 | |
Correct. The details of Sir Hugo's death were never made public. How could YOU know about them? | 0:18:46 | 0:18:53 | |
Pass. | 0:18:53 | 0:18:55 | |
How do you explain that a fortnight earlier you had purchased | 0:18:55 | 0:19:00 | |
a 9" dagger, 2 yards of piano wire, a 12-bore shotgun, 6 bottles of strychnine from a catalogue? | 0:19:00 | 0:19:07 | |
-BEEP BEEP -You may answer, you may answer. | 0:19:07 | 0:19:11 | |
I was trying to control some greenfly. | 0:19:11 | 0:19:14 | |
Arongo greenfly. | 0:19:14 | 0:19:17 | |
-With a 12-bore shotgun? -The greenfly that infest my plants migrate yearly from Polynesia | 0:19:17 | 0:19:24 | |
and can grow up to 36" in length. | 0:19:24 | 0:19:26 | |
No, no, no, surely an Arongo is a kind of Tibetan Yak, | 0:19:26 | 0:19:31 | |
whose horns are ground to powder by the locals and made into a bedtime drink? | 0:19:31 | 0:19:37 | |
Possible, but I'm going to plump for Mr Gerbil's giant greenfly. | 0:19:37 | 0:19:43 | |
Fooled you that time, Counsel! | 0:19:48 | 0:19:51 | |
-Did a PC search you? -He had a rifle through my pockets. | 0:19:51 | 0:19:56 | |
-What did he find? -A rifle. -Was not that rifle loaded with blanks? | 0:19:56 | 0:20:02 | |
-Em... -Was not that rifle loaded with Blankety Blanks? | 0:20:02 | 0:20:07 | |
-Em... -What do you say? -Bullets? | 0:20:07 | 0:20:09 | |
I would say that! What did you put? | 0:20:09 | 0:20:13 | |
DING! | 0:20:13 | 0:20:15 | |
Well done. | 0:20:15 | 0:20:18 | |
Where were you at the time of the murder? | 0:20:18 | 0:20:22 | |
-I was in bed, m'lud, reading. -Reading what? | 0:20:22 | 0:20:26 | |
Oh, a book! | 0:20:28 | 0:20:30 | |
An old book. Two-word title. | 0:20:31 | 0:20:34 | |
Trousers? Short trousers? | 0:20:36 | 0:20:39 | |
Shorts? Trunks? Underpants? Y-fronts? | 0:20:39 | 0:20:42 | |
Ladies Y...? | 0:20:42 | 0:20:45 | |
Knickers? Knickers! | 0:20:45 | 0:20:47 | |
Off? Oh, no knickers on? Oh, dear. | 0:20:47 | 0:20:51 | |
Knicker-LESS! Nicholas! | 0:20:51 | 0:20:55 | |
Second word sounds like... | 0:20:58 | 0:21:01 | |
Vicars? What, parson? | 0:21:01 | 0:21:04 | |
Parson? Parson! | 0:21:04 | 0:21:06 | |
Nicholas Parsons! | 0:21:06 | 0:21:09 | |
Bzzzz-zipp! | 0:21:11 | 0:21:13 | |
-You can't get Nicholas on a Parson's nose. -Never heard of that book. | 0:21:13 | 0:21:19 | |
-Bzzz... -Yes, bee! | 0:21:21 | 0:21:23 | |
Knicker-bee. | 0:21:23 | 0:21:25 | |
Nicholas Nickleby! | 0:21:25 | 0:21:28 | |
I've heard enough evidence. Time for a verdict. | 0:21:30 | 0:21:34 | |
I'm going to play my joker. | 0:21:34 | 0:21:37 | |
As you wish, Counsel. I hereby call upon the Foreman of the Jury, Mrs Doris Gnatwick. | 0:21:37 | 0:21:44 | |
Come on down! | 0:21:44 | 0:21:47 | |
TUMULTUOUS CHEERS AND APPLAUSE | 0:21:47 | 0:21:50 | |
Mrs Gnatwick, do you find Mr Gerbil Guilty or Not? | 0:21:59 | 0:22:03 | |
Guilty as charged, m'lud. | 0:22:03 | 0:22:06 | |
I sentence the accused to 20 years in prison... | 0:22:08 | 0:22:13 | |
Ah, you played your joker, Counsel. | 0:22:13 | 0:22:16 | |
So we'll double it up to 40. | 0:22:16 | 0:22:19 | |
APPLAUSE | 0:22:19 | 0:22:21 | |
That's all we have time for now. | 0:22:21 | 0:22:24 | |
Do join us next week, and who knows? | 0:22:24 | 0:22:27 | |
YOU could stand trial for murder, blackmail and extortion! Until then, | 0:22:27 | 0:22:32 | |
it is goodbye to... Doris Gnatwick! | 0:22:32 | 0:22:36 | |
Broderick Gerbil! | 0:22:36 | 0:22:39 | |
And our token Counsel Adrian Winweasel! | 0:22:39 | 0:22:43 | |
Goodbye to you. | 0:22:44 | 0:22:47 | |
I'll have to lose some weight. | 0:23:05 | 0:23:08 | |
I can't go knocking on people's doors saying I haven't eaten for three days | 0:23:08 | 0:23:11 | |
looking like this, can I? | 0:23:11 | 0:23:14 | |
It's middle age spread that. | 0:23:14 | 0:23:16 | |
I know. I know. | 0:23:16 | 0:23:18 | |
There's a lot to be said for middle age spread. | 0:23:18 | 0:23:20 | |
Yes. | 0:23:20 | 0:23:21 | |
Good for married couples. Brings them closer together. | 0:23:21 | 0:23:24 | |
A lot of advantages come with age. | 0:23:25 | 0:23:28 | |
Yeah. My old grandad, for instance. | 0:23:28 | 0:23:30 | |
Now he can whistle while he brushes his teeth. | 0:23:30 | 0:23:33 | |
Exactly! | 0:23:36 | 0:23:37 | |
Course there is disadvantages, too. | 0:23:37 | 0:23:39 | |
When I went to the doctor, for example, about my memory. | 0:23:39 | 0:23:42 | |
"It's really going," I told him. | 0:23:42 | 0:23:45 | |
"I can't remember anything." | 0:23:45 | 0:23:46 | |
What did he say? | 0:23:46 | 0:23:47 | |
He was very, very reassuring. | 0:23:47 | 0:23:49 | |
Told me to just go and forget about it. | 0:23:49 | 0:23:52 | |
Tonight, ladies and gentlemen, I am thrilled to announce | 0:24:00 | 0:24:05 | |
that my new LP, Ronnie Corbett Live At The St John's Women's Institute A-Go-Go, | 0:24:05 | 0:24:12 | |
Croydon's premier nightspot, | 0:24:12 | 0:24:15 | |
my record has just gone tupperware. | 0:24:15 | 0:24:18 | |
We haven't had all the figures, | 0:24:18 | 0:24:20 | |
but early estimates from record shops suggest that my new album may have sold six copies, | 0:24:20 | 0:24:27 | |
completely shattering my previous record, which is something else people have been doing. | 0:24:27 | 0:24:35 | |
It's a remarkable success story when you consider this new LP won't be released till tomorrow. | 0:24:35 | 0:24:42 | |
The man who produced it will be released next week. | 0:24:42 | 0:24:47 | |
-No expense has been par... -LAUGHTER | 0:24:47 | 0:24:50 | |
No expense spared, they have commissioned Patrick Lichfield to take a photo for the cover of me. | 0:24:50 | 0:24:58 | |
Special photo of me for the cover. I had reservations, because he does tend to flatter his subjects. | 0:24:58 | 0:25:05 | |
Make people more glamorous than they are. I didn't want that. "Show me as I am," I said, and so... | 0:25:05 | 0:25:12 | |
Look at that. Isn't that wonderful? | 0:25:15 | 0:25:18 | |
-LAUGHTER -No, be honest. He's definitely caught me there, don't you think? | 0:25:18 | 0:25:24 | |
No, this... This record is special for me because it contains | 0:25:24 | 0:25:29 | |
all the funniest jokes I have told in 30 years of show business. | 0:25:29 | 0:25:34 | |
-LAUGHTER -It's... It's pathetic, isn't it? | 0:25:38 | 0:25:41 | |
I've heard of compact discs but that's ridiculous. | 0:25:41 | 0:25:46 | |
You can use it for parking meters in Yugoslavia. | 0:25:46 | 0:25:50 | |
I'll give a free copy of this LP to everyone who laughs at my story. | 0:25:50 | 0:25:55 | |
Everyone who doesn't laugh will get two free copies. | 0:25:55 | 0:26:00 | |
This story was told in the pub by our local Catholic priest, who was giving last rites to the bitter. | 0:26:00 | 0:26:07 | |
I went along this evening, and the landlady was about to give me my usual, | 0:26:07 | 0:26:14 | |
then her husband walked in, and that put paid to that! | 0:26:14 | 0:26:19 | |
No. It was an eventful evening, actually. At one point, there was a panic and the pub was evacuated, | 0:26:19 | 0:26:26 | |
after a tip-off that someone had planted a Max Bygraves single in the juke box! | 0:26:26 | 0:26:33 | |
I don't mean it, Max. | 0:26:33 | 0:26:36 | |
The local MP had a bit of skinful and lost his seat in the gent's, traditionally a Labour stronghold. | 0:26:36 | 0:26:43 | |
I'm laughing because I know the end. | 0:26:46 | 0:26:49 | |
He IS an improvement on the old priest who left under embarrassing circumstances. | 0:26:49 | 0:26:56 | |
He was not only de-frocked but also had his handbag confiscated | 0:26:56 | 0:27:01 | |
Now, this new priest has a much more commercial approach. | 0:27:01 | 0:27:06 | |
He introduced the gimmick, Senior Citizens' Supersaver. | 0:27:06 | 0:27:11 | |
If you're over 65 you can sin anywhere in Britain at weekends for only five Hail Marys. | 0:27:11 | 0:27:18 | |
While we were chatting, he told me this funny story about a young lady who goes to America for a break. | 0:27:18 | 0:27:25 | |
-Cu-co-coi-coinc... -LAUGHTER | 0:27:25 | 0:27:29 | |
-Rather a coincidence, actually, because earlier this year -I -went for a break to Kenya, on safari. | 0:27:29 | 0:27:36 | |
It was actually one of those cheap, fast sightseeing tours. | 0:27:36 | 0:27:41 | |
They strapped me to the back of an ostrich and fired a gun! | 0:27:41 | 0:27:46 | |
-Next... -LAUGHTER | 0:27:47 | 0:27:50 | |
Next year, I'm going to take my car because I've just bought one of those Anglo-Jewish cars. | 0:27:50 | 0:27:58 | |
Aushtin-Smoshtin. | 0:27:58 | 0:28:00 | |
Hand-built by rabbis. | 0:28:00 | 0:28:02 | |
It's got all the latest gadgets. | 0:28:02 | 0:28:05 | |
Forget to fasten your seatbelt and a voice says, "Kill yourself, I should worry!" | 0:28:05 | 0:28:12 | |
But... | 0:28:12 | 0:28:15 | |
back to the young lady now. | 0:28:15 | 0:28:17 | |
This young lady is about to go to America, and she decides she will stowaway on a boat. | 0:28:17 | 0:28:24 | |
She secretes herself inside a crate of herrings, | 0:28:24 | 0:28:29 | |
and it's loaded onto the ship, and two hours later she's off. | 0:28:29 | 0:28:34 | |
So would you be in a crate of herrings! | 0:28:34 | 0:28:37 | |
So, a fortnight later, the girl is discovered and marched into the Captain, | 0:28:37 | 0:28:44 | |
who says, "Do you mean to tell me you have been stowed away for two weeks? Where have you been?" | 0:28:44 | 0:28:51 | |
She said, "On my first day on the boat, the Second Officer found me, | 0:28:51 | 0:28:57 | |
-"and every day for the last..." -LAUGHTER | 0:28:57 | 0:29:01 | |
It's a bit like Jackanory, this! | 0:29:01 | 0:29:03 | |
"..every day for the last fortnight he has let me hide in his cabin. | 0:29:03 | 0:29:08 | |
"He's given me hot meals, let me use his bath and shower, | 0:29:08 | 0:29:13 | |
"and let me sleep in his bed." | 0:29:13 | 0:29:16 | |
"And was that all he did?" asked the Captain. | 0:29:16 | 0:29:20 | |
The girl turned crimson and said, "He HAS been taking advantage of me." | 0:29:20 | 0:29:26 | |
The Captain said, "I'll say! This is the Liverpool to Birkenhead ferry!" | 0:29:26 | 0:29:32 | |
LAUGHTER AND APPLAUSE | 0:29:32 | 0:29:35 | |
EXPLOSIONS AND GUNFIRE | 0:29:40 | 0:29:41 | |
-Are you all right, Private? -Yes, Sir. | 0:29:44 | 0:29:46 | |
-I thought we'd had it back there. -Yes, Sir. | 0:29:46 | 0:29:48 | |
Where do you think Jerry is now? | 0:29:50 | 0:29:52 | |
-Jerry, Sir? -Yes, Jerry. Where do you think he is now? | 0:29:52 | 0:29:55 | |
What, Jerry Babacock? | 0:29:55 | 0:29:57 | |
-What? -Jerry Babacock? -No, the man we are fighting. The Hun. | 0:29:57 | 0:30:01 | |
-Where do you think he is now? -Oh, that Jerry. | 0:30:01 | 0:30:03 | |
He's over that way, Sir. | 0:30:03 | 0:30:04 | |
Is he? Yes, Sir. | 0:30:04 | 0:30:05 | |
God, I wish I were back in Blighty. | 0:30:05 | 0:30:08 | |
-Do you, Sir? -Yes. | 0:30:08 | 0:30:09 | |
What about you, Private? Do you ever wish you were back in Blighty? | 0:30:10 | 0:30:14 | |
What sort of nightie, Sir? | 0:30:14 | 0:30:15 | |
-What? -What sort of nightie? Black frilly one with the lacy... | 0:30:15 | 0:30:19 | |
BLIGHTY, old man. I said BLIGHTY. Not nightie, BLIGHTY. | 0:30:19 | 0:30:22 | |
Sorry, Sir. I must have misheard you. | 0:30:22 | 0:30:24 | |
I thought you said you wanted to get back in a negligee | 0:30:24 | 0:30:25 | |
when you got home. | 0:30:25 | 0:30:26 | |
Don't be ridiculous! | 0:30:26 | 0:30:28 | |
-Anyway, what if I do? -Nothing, Sir. | 0:30:28 | 0:30:31 | |
Have you got a wife, Private? | 0:30:32 | 0:30:34 | |
Yes, here you are, Sir. | 0:30:34 | 0:30:35 | |
No, not a KNIFE, a WIFE, Private? | 0:30:35 | 0:30:37 | |
-Have you got a WIFE? Are you married? -Oh, yes, Sir. | 0:30:37 | 0:30:41 | |
Yes. I'm not. | 0:30:41 | 0:30:43 | |
-Probably because of the nightie, Sir. -Shut up! | 0:30:43 | 0:30:46 | |
GUNSHOT | 0:30:48 | 0:30:50 | |
Sounded like a Jerry rifle. | 0:30:50 | 0:30:52 | |
-Bit strange in the trenches, Sir. -What? | 0:30:52 | 0:30:53 | |
A sherry trifle in the trenches. | 0:30:53 | 0:30:56 | |
Not SHERRY TRIFLE! A JERRY RIFLE. What's the matter... | 0:30:56 | 0:30:59 | |
SHELL EXPLODES | 0:30:59 | 0:31:02 | |
Sounds as if they're warming up the big guns. | 0:31:03 | 0:31:05 | |
What? In the oven you mean, Sir? | 0:31:06 | 0:31:08 | |
Warming up the big buns... | 0:31:09 | 0:31:10 | |
Not big buns. | 0:31:10 | 0:31:12 | |
-You're obsessed with food. Not BUNS, GUNS. -Sorry, Sir. | 0:31:13 | 0:31:18 | |
-Argh! -What's the matter, Sir? | 0:31:18 | 0:31:20 | |
The arm. Ow! Bullet. | 0:31:20 | 0:31:22 | |
No! Not PULL IT! | 0:31:22 | 0:31:25 | |
BULLET, man, BULLET! | 0:31:27 | 0:31:29 | |
-Don't pull my arm off! -I'm sorry, Sir. | 0:31:29 | 0:31:31 | |
I'd better go back with this. | 0:31:31 | 0:31:33 | |
Pass me that clean cape, would you? | 0:31:34 | 0:31:36 | |
Which cream cake would that be, Sir? | 0:31:36 | 0:31:37 | |
Cream... Clean... Oh, never mind. | 0:31:38 | 0:31:41 | |
-I'm going back. -Are you off? | 0:31:41 | 0:31:43 | |
Are you off, Sir? Back to Blighty, Sir? | 0:31:43 | 0:31:45 | |
They probably wouldn't fit me now. | 0:31:45 | 0:31:47 | |
I'll say toodle-oo, Private. | 0:31:49 | 0:31:51 | |
Yes. Just down the end. Third hole on the left, Sir. | 0:31:51 | 0:31:53 | |
GUNSHOT | 0:31:53 | 0:31:56 | |
# I'll sing you a song of Snivelling and Grudge Two merry evil twisters | 0:32:19 | 0:32:25 | |
# Through merry England they did trudge Acqui-ring mighty blisters! | 0:32:25 | 0:32:32 | |
# With a witty-titty-wobble And a tooraloolay And a titty fah-la etcetera | 0:32:32 | 0:32:39 | |
# They were charlatans they were mountebanks But they were n-ot successes | 0:32:39 | 0:32:46 | |
# You'll never find in manhood's ranks Two more pathetic messes | 0:32:46 | 0:32:52 | |
# With a titty-tiddle-piddle And a tooraloo And a titty fah-la etcetera. # | 0:32:52 | 0:32:59 | |
Not there, Grudge, the donkey's done something there. | 0:33:03 | 0:33:07 | |
-People have got to drink that stuff. -It's supposed to taste horrible. It's medicine. | 0:33:07 | 0:33:14 | |
I think we'll call this The Ethiopian Elixir, as used by King Solomon himself. | 0:33:14 | 0:33:21 | |
Two spoonfuls between wives, eh? | 0:33:21 | 0:33:24 | |
There's a tadpole in this one. | 0:33:24 | 0:33:27 | |
Proves it's fit to drink. | 0:33:27 | 0:33:29 | |
-He's floating on his back. -Well, I blame the donkey for that! | 0:33:29 | 0:33:34 | |
We'll have to get out of this business, Snivellin'. | 0:33:34 | 0:33:39 | |
Ten gold pieces is all we need to save. | 0:33:39 | 0:33:43 | |
We could hang up our boots and retire. | 0:33:43 | 0:33:46 | |
-We could open a little Chemist shop. We could hang our boots above the door as a sign. -Lovely. | 0:33:46 | 0:33:54 | |
What would we call it? | 0:33:54 | 0:33:56 | |
Well, if we're going to hang up our boots and retire, and use the boots as a sign it's obvious. | 0:33:56 | 0:34:04 | |
-What? -Timothy Whites. | 0:34:04 | 0:34:07 | |
Who's he? | 0:34:07 | 0:34:10 | |
Well, he's the man who made the boots, ain't he? | 0:34:10 | 0:34:14 | |
Ten gold pieces. How we ever going to manage to save that amount? | 0:34:14 | 0:34:20 | |
20 years we've been on the road. | 0:34:20 | 0:34:22 | |
What have we achieved apart from introducing athlete's foot to Europe, | 0:34:22 | 0:34:28 | |
or in my case athlete's inch. | 0:34:28 | 0:34:31 | |
But Snivellin', we're bringing people a dream here, ain't we? | 0:34:31 | 0:34:36 | |
This is better health, better life. This is happiness we're bottling. | 0:34:36 | 0:34:41 | |
-This is hope! -HORSE BURPS | 0:34:41 | 0:34:45 | |
Thanks VERY much. | 0:34:46 | 0:34:48 | |
MEDIEVAL MUSIC | 0:34:51 | 0:34:54 | |
# So, into town on a market day They come to sell their dream But the passers-by keep passing by | 0:34:54 | 0:35:01 | |
# 'Cos they're not as stupid as they seem. # | 0:35:03 | 0:35:08 | |
Hurry! Hurry! Hurry! | 0:35:11 | 0:35:14 | |
Roll up! Roll up! | 0:35:15 | 0:35:18 | |
Get your Ethiopian Elixir here. | 0:35:18 | 0:35:22 | |
Step right up. | 0:35:22 | 0:35:24 | |
Don't get killed in the rush. Women and children first. Form a queue. | 0:35:24 | 0:35:31 | |
One at a time, please. | 0:35:31 | 0:35:34 | |
-Don't mob me! -COW MOOS | 0:35:34 | 0:35:37 | |
Well, it's obvious that you would like a demonstration. | 0:35:37 | 0:35:42 | |
Very well. Now then, who is there here who, for instance, has got a bad nose? | 0:35:42 | 0:35:49 | |
-Yes, you look as if you've... -It's no good, Grudge. It's no good. | 0:35:51 | 0:35:56 | |
I mean, they don't want to know. | 0:35:56 | 0:35:59 | |
Come on, let's buzz off. | 0:36:00 | 0:36:02 | |
What's all this, then? | 0:36:07 | 0:36:10 | |
-Shove off! -What's all this stuff? | 0:36:10 | 0:36:13 | |
He's a punter! | 0:36:13 | 0:36:15 | |
What's in this bottle? | 0:36:15 | 0:36:18 | |
That, sir, is the elixir that cures all. D'you know why? | 0:36:18 | 0:36:23 | |
Because it's made of the tears of Queen Guinivere, | 0:36:23 | 0:36:27 | |
Hercules' perspiration, Cleopatra's bath water. It is beyond price. | 0:36:27 | 0:36:34 | |
-How much? -A halfpenny a bottle. | 0:36:34 | 0:36:37 | |
I'm constipated. | 0:36:37 | 0:36:39 | |
If you want to spend a penny you'll need two bottles. | 0:36:39 | 0:36:44 | |
Well done, Mr Snivellin'. Sold, sir. | 0:36:44 | 0:36:47 | |
Here, I think our luck's changed. | 0:36:47 | 0:36:50 | |
-GIGGLING -Hell-o! | 0:36:50 | 0:36:52 | |
Good day, my lord, you look like the sort of young gentleman | 0:36:55 | 0:37:00 | |
who could do with extra protein later in the day. | 0:37:00 | 0:37:04 | |
Allow me to introduce you to Snivelling And Grudges' Extract Of Rhinoceros. | 0:37:04 | 0:37:11 | |
Puts lead back in your quill pen, as they say. | 0:37:12 | 0:37:16 | |
-I can't write. -Don't worry. You won't have time. I have testimonials from 53 Sabine women. | 0:37:16 | 0:37:23 | |
Eunuchs have taken this stuff and have been forced to resign! | 0:37:23 | 0:37:29 | |
-It's gunpowder. -What do you mean? That is the dust of Venus herself. | 0:37:29 | 0:37:34 | |
-What are you doing with it? -I'll show you. -What's he on about? | 0:37:34 | 0:37:39 | |
Stand back! | 0:37:39 | 0:37:42 | |
Oh, by God, that Elixir's strong stuff. | 0:37:52 | 0:37:56 | |
# Now, entering our unlikely tale Sir Guy de Michelin | 0:38:05 | 0:38:12 | |
# A cru-el and wicked overlord Whose life is steeped in sin | 0:38:12 | 0:38:18 | |
# But his only care Is his daughter fair | 0:38:19 | 0:38:24 | |
# Who's gone down with the vapours | 0:38:24 | 0:38:27 | |
# You must have heard about it 'cos it's been in all the papers | 0:38:28 | 0:38:35 | |
# With a hey pretty titty | 0:38:35 | 0:38:37 | |
# And a copy of the Sun And a more nitty-gritty in the Guardian. # | 0:38:37 | 0:38:44 | |
Where's my Mervanwy? | 0:38:49 | 0:38:51 | |
There you are, my darling. | 0:38:51 | 0:38:54 | |
Still no sign of them? They can't have vanished into thin air. | 0:38:54 | 0:38:59 | |
I want those men found, understand? | 0:38:59 | 0:39:01 | |
-My Lord... -Silence! | 0:39:01 | 0:39:04 | |
Oh, Mervanwy, I hate this forest. | 0:39:04 | 0:39:06 | |
I hate its dank darkness, | 0:39:06 | 0:39:09 | |
its fetid fungi, | 0:39:09 | 0:39:12 | |
its marshy moors, its vile, vermin-ridden vestigial vervane! | 0:39:12 | 0:39:19 | |
-But, My Lord... -Silence! How dare you interrupt me! | 0:39:19 | 0:39:23 | |
I want those men found, understand? | 0:39:23 | 0:39:26 | |
-What I'm trying to say... -One more word and I'll have you beheaded. | 0:39:26 | 0:39:31 | |
Do you understand? Answer me. | 0:39:31 | 0:39:34 | |
-We have the men... -Off with his head! You what? | 0:39:35 | 0:39:40 | |
Bring them! | 0:39:40 | 0:39:42 | |
Honoured to be in your presence, My Lord. | 0:39:55 | 0:39:58 | |
-What are you doing? -Kissing your horse, My Lord. | 0:39:58 | 0:40:02 | |
-Are you grovelling? -No, Snivelling. | 0:40:02 | 0:40:05 | |
-We ain't done nothing. -We'd like 27 other offences to be taken into consideration. | 0:40:05 | 0:40:12 | |
Did you two miserable creatures sell medicine to a Freeman of this city? | 0:40:12 | 0:40:18 | |
No, well, HE might have. | 0:40:18 | 0:40:20 | |
-He did well. It cured his constipation. -Oh. I helped. | 0:40:20 | 0:40:25 | |
-Could you cure my daughter? -For constipation? | 0:40:25 | 0:40:30 | |
-She's fallen into a morbid flux. -I -stepped in one of them once. | 0:40:30 | 0:40:35 | |
-She's much distempered. -No, no decorating. | 0:40:35 | 0:40:39 | |
-You will give her your Ethiopian Elixir. -Ah... -The alternative is the rack. | 0:40:40 | 0:40:46 | |
She don't deserve that, My Lord. | 0:40:46 | 0:40:49 | |
For you. | 0:40:49 | 0:40:51 | |
-Followed by hanging, drawing and quartering. -Thank you, sir. | 0:40:52 | 0:40:57 | |
Conduct these gentlemen to my Cunigunda's chamber. You have until cock crow! | 0:40:57 | 0:41:05 | |
-What'll we do? -We strangle the cock! | 0:41:07 | 0:41:11 | |
We've got two bottles of Elixir. Why don't we give her one? | 0:41:30 | 0:41:35 | |
What? At a time like this? | 0:41:35 | 0:41:38 | |
These are only filled with pond water, ain't they? | 0:41:39 | 0:41:44 | |
That's another fine mess you got me into. | 0:41:44 | 0:41:47 | |
-Grudgey? -What? | 0:41:48 | 0:41:51 | |
Before they hang, draw and quarter me will you promise to knock me on the head? | 0:41:52 | 0:41:59 | |
-All right, if you promise to do the same for me afterwards. -Deal. | 0:41:59 | 0:42:04 | |
# The maid lies here Unloved, unwed | 0:42:13 | 0:42:17 | |
# But our heroes cannot save her | 0:42:17 | 0:42:20 | |
# So I'll creep into the fair maid's bed And do u-s bo-th a favour! # | 0:42:20 | 0:42:27 | |
Oh, Minstrel. | 0:42:37 | 0:42:39 | |
Is that your lute? No. | 0:42:39 | 0:42:43 | |
MINSTREL: I keep my money in my back pocket. | 0:42:43 | 0:42:47 | |
COCK CROWS | 0:42:47 | 0:42:50 | |
COCK-A-DOODLE-DO | 0:42:50 | 0:42:53 | |
Wh-What was that? | 0:42:53 | 0:42:55 | |
What...? Ohhh, what time is it? | 0:42:55 | 0:42:58 | |
I don't know, my candle's stopped. | 0:42:58 | 0:43:01 | |
It's past five! | 0:43:08 | 0:43:11 | |
-It's a secret passageway. Come on! -It might be damp. We might catch our death of cold. -Oh, come on! | 0:43:18 | 0:43:25 | |
A secret passage! Follow them. | 0:43:34 | 0:43:37 | |
-CLATTER OF WEAPONS -QUIETLY! | 0:43:37 | 0:43:40 | |
We must find them. | 0:44:01 | 0:44:03 | |
-Curses! -That was their donkey and cart, Sire. They've fled into the Green Wood. | 0:44:12 | 0:44:19 | |
Curses. And I brought them this. | 0:44:19 | 0:44:22 | |
Ten pieces of gold. | 0:44:22 | 0:44:25 | |
I've never seen my Cunigunda SO happy. | 0:44:25 | 0:44:28 | |
Someone must have given her the right medicine. Pity. Pity they must go unrewarded. | 0:44:28 | 0:44:35 | |
Go on. | 0:44:35 | 0:44:37 | |
Come on, let's get out of here! | 0:44:44 | 0:44:46 | |
You start, I'll follow. Well, I'll have to. | 0:44:46 | 0:44:50 | |
-I can't see where I'm going properly. -Who can't? You should be back here. | 0:44:50 | 0:44:57 | |
I've got no control at all over anything. | 0:44:57 | 0:45:00 | |
Which reminds me, Snivelling, in case we have to stop suddenly, | 0:45:00 | 0:45:06 | |
-would you do me a favour? -What? | 0:45:06 | 0:45:09 | |
Would you mind taking your false teeth out? | 0:45:09 | 0:45:13 | |
# With a witty-titty-wobble And a tooralay And a titty fah-la etcetera. # | 0:45:13 | 0:45:21 | |
Well, that seems to be just about all we've got time for | 0:45:37 | 0:45:39 | |
-tonight, doesn't it, Ronnie? -Yes, I'm afraid it does. | 0:45:39 | 0:45:42 | |
But before we go, a few late items of news. | 0:45:42 | 0:45:44 | |
At the Alhambra Theatre Court today, Mr Albert Witterspoon, | 0:45:44 | 0:45:47 | |
playing the part of Mother Goose, | 0:45:47 | 0:45:49 | |
was overpowered by thieves who broke into his dressing room. | 0:45:49 | 0:45:52 | |
They stripped him and trussed him up. | 0:45:52 | 0:45:55 | |
A hospital spokesman tonight described his condition as "oven-ready". | 0:45:55 | 0:45:59 | |
At the Albert Hall tonight, the fight for the World Short-Sighted boxing title | 0:45:59 | 0:46:04 | |
was stopped in the ninth round to save the referee from further punishment. | 0:46:04 | 0:46:08 | |
Traffic news, Floella Zapp, the tattooed lady | 0:46:10 | 0:46:12 | |
from Lord George Davidson circus, | 0:46:12 | 0:46:14 | |
who has a complete map of Britain's roads system covering her | 0:46:14 | 0:46:17 | |
body, informs us that there is a man at work on part of the M1. | 0:46:17 | 0:46:20 | |
Finally, finally, we have been asking people | 0:46:25 | 0:46:28 | |
if they have managed to keep their resolutions this year, | 0:46:28 | 0:46:31 | |
their New Year resolutions this year. | 0:46:31 | 0:46:33 | |
Bernard Manning said, yes, he has managed to cut down on eating. | 0:46:33 | 0:46:36 | |
Oliver Reed said, yes, he hasn't been drinking as much. | 0:46:36 | 0:46:39 | |
But Joan Collins says essential services must be maintained. | 0:46:39 | 0:46:44 | |
In our next programme, we shall be talking to Angus McTavish of the | 0:46:47 | 0:46:50 | |
London Caledonian Society, who, when asked to do something Glaswegian | 0:46:50 | 0:46:54 | |
on Burns' night, was sick in a phone box. | 0:46:54 | 0:46:56 | |
And we'll be meeting Elastic Jack - the contortionist ho | 0:46:59 | 0:47:04 | |
puts his legs behind his ears and makes a spectacle of himself. | 0:47:04 | 0:47:07 | |
Until then, it's goodnight from me. | 0:47:09 | 0:47:10 | |
-And it's goodnight from him. Goodnight. -Goodnight. | 0:47:10 | 0:47:13 |