
Browse content similar to American: The Bill Hicks Story. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Everyone comfy? Get comfy! | 0:00:02 | 0:00:03 | |
Get comfy! Cos the show's about to start! | 0:00:03 | 0:00:08 | |
This programme contains very strong language and adult humour. | 0:00:08 | 0:00:16 | |
Who do you ever pay to talk? | 0:00:22 | 0:00:25 | |
Maybe a preacher, maybe a lecturer, possibly a politician. | 0:00:25 | 0:00:29 | |
Even those, rarely. | 0:00:29 | 0:00:33 | |
Comedians are the only ones that you pay to hear them talk. | 0:00:33 | 0:00:36 | |
Talk to me, make me listen. | 0:00:36 | 0:00:40 | |
News is supposed to be objective. Isn't it supposed to be? THE news! | 0:00:42 | 0:00:47 | |
But every drug story is negative. | 0:00:47 | 0:00:52 | |
Well, hold it! | 0:00:52 | 0:00:54 | |
I've had some killer fucking times on drugs. | 0:00:54 | 0:00:58 | |
Let's hear the whole story. | 0:00:58 | 0:01:01 | |
What Bill said will never change, | 0:01:01 | 0:01:05 | |
because it is the basic truths, and they are never wrong. | 0:01:05 | 0:01:08 | |
Plenty of people say he is the best American comedian the country has ever produced | 0:01:08 | 0:01:14 | |
and he was only 32 when he died. His influence lives on. | 0:01:14 | 0:01:18 | |
Bill Hicks! | 0:01:18 | 0:01:20 | |
Get out. You're everything that America should be flushed down the toilet. You turd. Get out! | 0:01:20 | 0:01:26 | |
"Hey, buddy, we're Christians. We don't like what you said." | 0:01:26 | 0:01:31 | |
I said, "Then forgive me." | 0:01:31 | 0:01:38 | |
# The sergeant sent me and my men on a search | 0:01:38 | 0:01:43 | |
# He wanted us to go out and get the lay of the land | 0:01:47 | 0:01:51 | |
# We were to find any people who might be | 0:01:56 | 0:02:03 | |
# The enemies of man. # | 0:02:03 | 0:02:10 | |
Free yourself, folks. YOU'RE right. YOU'RE right. | 0:02:13 | 0:02:18 | |
Not those fuckers who want to tell you how to think. You're fucking right! | 0:02:18 | 0:02:22 | |
Sorry, wrong meeting. Again. | 0:02:24 | 0:02:27 | |
I keep getting my days mixed up. | 0:02:29 | 0:02:32 | |
From the moment I met Bill, throughout our life, | 0:02:37 | 0:02:40 | |
it was about laughs. | 0:02:40 | 0:02:43 | |
I think our parents were just happy being comfortable. | 0:02:43 | 0:02:47 | |
"Can we just be quiet? And can we just go to church | 0:02:47 | 0:02:51 | |
"and be distracted by our religion? It's orderly here." | 0:02:51 | 0:02:54 | |
Growing up in that environment, you start to get a little antsy, | 0:02:54 | 0:02:58 | |
because clearly there has to be something more. | 0:02:58 | 0:03:01 | |
Lyndon Johnson talked about the 'Great Society' back in the '60s | 0:03:01 | 0:03:05 | |
and I think he was keying into something and that was | 0:03:05 | 0:03:09 | |
that America's so wealthy and powerful that we have to do something responsible with it. | 0:03:09 | 0:03:14 | |
We're going to defeat poverty, we're going to do the Peace Corps, | 0:03:14 | 0:03:17 | |
we're going to make the world a better place. And then I think that Vietnam stalled that. | 0:03:17 | 0:03:22 | |
So the generation that Bill and I came out of was, | 0:03:22 | 0:03:25 | |
we were looking around going, "Well, there's got to be something else we can do with all this. | 0:03:25 | 0:03:31 | |
Bill was, uh... I don't know, I just... | 0:03:31 | 0:03:35 | |
He was interesting. | 0:03:35 | 0:03:36 | |
All of my children were special. | 0:03:38 | 0:03:41 | |
I had a girl. I had only a girl. | 0:03:41 | 0:03:44 | |
Then I had a boy. And then I had a baby. | 0:03:44 | 0:03:47 | |
There was definitely something there | 0:03:50 | 0:03:53 | |
that was different from Steve and Lynn growing up. | 0:03:53 | 0:03:57 | |
But Bill... You should have known him, is all I can say. | 0:03:57 | 0:04:03 | |
You know, they were so much older. Five and seven years' difference | 0:04:03 | 0:04:06 | |
is a lot of difference. | 0:04:06 | 0:04:08 | |
You couldn't do anything with him. He was too little at that point. | 0:04:08 | 0:04:14 | |
Bill was seven when we got to Houston. | 0:04:14 | 0:04:18 | |
Then we stayed there 12, 13 years. | 0:04:18 | 0:04:20 | |
Yeah. | 0:04:20 | 0:04:21 | |
He was just another kid playing sports, you know. | 0:04:21 | 0:04:24 | |
It wasn't evident yet where his life was going to go. | 0:04:24 | 0:04:28 | |
And, of course, by then he had met Dwight. | 0:04:29 | 0:04:31 | |
What I noticed about him is he was fast. | 0:04:31 | 0:04:36 | |
He had a real strong constitution. | 0:04:36 | 0:04:38 | |
He could do things better and longer than everyone else. | 0:04:38 | 0:04:41 | |
An unbelievable scrambler. | 0:04:41 | 0:04:43 | |
I was fast, but I wasn't a very good scrambler | 0:04:43 | 0:04:46 | |
but I watched him and just picked apart what he was doing, | 0:04:46 | 0:04:49 | |
then I was scrambling. All the way to the end zone, no-one would touch me. | 0:04:49 | 0:04:53 | |
After we'd played a few times, I just remember everyone leaving | 0:04:53 | 0:04:57 | |
and us being alone and me thinking to myself, | 0:04:57 | 0:05:01 | |
"I think this is going to be a friend of mine. | 0:05:01 | 0:05:04 | |
The first time I ever met his parents, Bill did not want to introduce me. | 0:05:07 | 0:05:10 | |
He just wanted me to go straight up the stairs. | 0:05:10 | 0:05:14 | |
When you'd go over there, he would look at me and just go, | 0:05:14 | 0:05:17 | |
"Look, don't talk to them. Just follow me upstairs." But of course, | 0:05:17 | 0:05:21 | |
an adult says, "Hello there! Who are you?" | 0:05:21 | 0:05:23 | |
You stop and you say, "I'm Dwight." Bill's like, "Come on!" | 0:05:23 | 0:05:27 | |
You're stuck on the landing with Bill at the top of the stairs and you're at the bottom. | 0:05:27 | 0:05:31 | |
And, "Well, just hold on. Where are you from?" | 0:05:31 | 0:05:34 | |
I go, "I live in Nottingham Forest." "What does your father do?" | 0:05:34 | 0:05:37 | |
"Works for Shell Oil." "Uh-huh." "Just leave him alone!" | 0:05:37 | 0:05:40 | |
Bill's screaming at you to come upstairs. "Come on!" | 0:05:40 | 0:05:44 | |
"Bill, would you just hold on? I like to know who your friends are. | 0:05:44 | 0:05:47 | |
"Aaagh! What does it matter? What does it matter?" | 0:05:47 | 0:05:50 | |
"Well, we're just curious. Is there a problem with being curious?" | 0:05:50 | 0:05:53 | |
When you reached his room, the door would be closed and locked and you were...safe. | 0:05:56 | 0:06:01 | |
I had told him that I wanted to be an actor and he goes, | 0:06:01 | 0:06:05 | |
"I'll show you these jokes that I wrote." | 0:06:05 | 0:06:07 | |
Because we were joking around so much, | 0:06:07 | 0:06:10 | |
he started saying we should be a comedy team. | 0:06:10 | 0:06:12 | |
It was completely alien to me. I had no idea what a comic really was. | 0:06:12 | 0:06:17 | |
He told me that he'd seen Woody Allen on Casino Royale. | 0:06:17 | 0:06:21 | |
This guy made his living being a comic, and it really fired him up, | 0:06:21 | 0:06:26 | |
the importance of stand-up, that society cherished its funny people. | 0:06:26 | 0:06:31 | |
And for Bill, he knew it. | 0:06:31 | 0:06:33 | |
He knew that he was going to be the comic that shook people up. | 0:06:33 | 0:06:38 | |
His mom figured out how to pick the lock. | 0:06:38 | 0:06:40 | |
The door would open and she'd be standing there with a butter knife. | 0:06:40 | 0:06:44 | |
"What are you doing?!" "I know you don't like me coming in, | 0:06:44 | 0:06:47 | |
"but I am leaving and you have not responded to me." | 0:06:47 | 0:06:50 | |
"Well, don't ever unlock my door again!" | 0:06:50 | 0:06:54 | |
I never met anyone who talked to his parents like that. | 0:06:54 | 0:06:56 | |
The Hicks family is a very smart, intellectual family | 0:06:56 | 0:06:59 | |
yet there was this suspension of reason on certain issues. | 0:06:59 | 0:07:04 | |
We were raised Southern Baptist and had to go to church | 0:07:04 | 0:07:08 | |
every single Sunday. It was just a strict household. | 0:07:08 | 0:07:12 | |
"You do this. You do that." | 0:07:12 | 0:07:14 | |
The one thing I wanted to get straight, often, over the years, | 0:07:14 | 0:07:18 | |
"Oh, the Hickses were raised fundamentalist Christian." | 0:07:18 | 0:07:22 | |
No, we were raised Southern Baptist and that's worse. | 0:07:22 | 0:07:24 | |
And he's right, really. That's just the way we lived then. | 0:07:27 | 0:07:32 | |
But hopefully what you're taught there teaches you the spiritual, | 0:07:32 | 0:07:37 | |
and I don't mean religion. I mean the basics of how to live a life. | 0:07:37 | 0:07:44 | |
So when I was 17, he was ten. | 0:07:44 | 0:07:47 | |
I was like, "Get me out of this house. | 0:07:47 | 0:07:49 | |
I want out." And off I went to college. I rebelled. | 0:07:49 | 0:07:53 | |
Steve, in his fashion, rebelled. And Bill rebelled too. | 0:07:53 | 0:07:57 | |
stand-up comedy was not on the map in the '70s | 0:07:57 | 0:08:03 | |
for kids to want to be. | 0:08:03 | 0:08:06 | |
But we were determined and so we started to do this very much | 0:08:06 | 0:08:10 | |
guerrilla theatre type of comedy amongst our friends. | 0:08:10 | 0:08:14 | |
This group of people's just standing around, and you appear, | 0:08:14 | 0:08:17 | |
and you do an outrageous sketch and then you disappear. | 0:08:17 | 0:08:21 | |
"What the hell was that?" | 0:08:25 | 0:08:27 | |
And, of course, once they got wind of it, they wouldn't let us alone. | 0:08:27 | 0:08:31 | |
"Are you going to do your thing? Do it!" | 0:08:31 | 0:08:33 | |
After school we would go over to his house | 0:08:33 | 0:08:35 | |
and we would plan them and write them and they were like gigs to us. | 0:08:35 | 0:08:38 | |
And it wasn't lost upon us, the fact that we already knew | 0:08:38 | 0:08:42 | |
what we wanted in life. This was what we were going to do. | 0:08:42 | 0:08:47 | |
You had to sacrifice your family, your relationship with girls, your popularity at school. | 0:08:47 | 0:08:52 | |
We were sacrificing everything for this. | 0:08:52 | 0:08:55 | |
And there was nowhere to do our craft. There was no open mics. | 0:08:55 | 0:08:58 | |
There was nothing in 1970s Houston, Texas. | 0:08:58 | 0:09:03 | |
As a backdrop to all this is how we met Kevin Booth. | 0:09:03 | 0:09:05 | |
Bill and I just thought that Kevin was hilarious, cos he was this technical genius | 0:09:05 | 0:09:10 | |
who could build things and blow things up. | 0:09:10 | 0:09:14 | |
I was known as the instigator and a facilitator. | 0:09:14 | 0:09:16 | |
You know, if you had an idea for something, | 0:09:16 | 0:09:18 | |
I would go out and figure out how to build it. | 0:09:18 | 0:09:21 | |
You know, the fact that he was able to get his parents' RV | 0:09:21 | 0:09:23 | |
and hook up a generator and then set up speakers | 0:09:23 | 0:09:26 | |
and play rock'n'roll to the Spartanaires | 0:09:26 | 0:09:30 | |
as they were practising their routines. That was classic Kevin. | 0:09:30 | 0:09:34 | |
Because of this ranch, I was able to get what's called a hardship driver's licence | 0:09:34 | 0:09:38 | |
when I was 14, without even, like, taking any lessons. | 0:09:38 | 0:09:42 | |
I just thought the two of them were hilarious. | 0:09:42 | 0:09:45 | |
It was like a new breed of person. They did all this weird stuff, | 0:09:45 | 0:09:48 | |
and I guess we just started talking about music all the time. | 0:09:48 | 0:09:52 | |
We wanted to be rock stars, | 0:09:52 | 0:09:54 | |
thinking like this was going to be our way to break out of suburbia. | 0:09:54 | 0:09:58 | |
Bill was like, "Let's go look at these guitars downtown." | 0:10:01 | 0:10:05 | |
I'd never driven downtown before. I was like, "I guess I'm game for this, | 0:10:05 | 0:10:09 | |
"if you guys are going to navigate the way." | 0:10:09 | 0:10:12 | |
He goes, "Did you see the paper today? | 0:10:12 | 0:10:14 | |
"A comedy workshop has opened up and they have open mic." | 0:10:14 | 0:10:17 | |
"Open mic stand-up?" "Yes." "Oh, my God. Finally." | 0:10:17 | 0:10:22 | |
So we drove to downtown. On our way back, we passed this place | 0:10:22 | 0:10:27 | |
called the Comedy Workshop in Montrose. | 0:10:27 | 0:10:30 | |
Bill and Dwight said, "That's the place we've been reading about." We couldn't believe it, | 0:10:30 | 0:10:34 | |
that something like this had happened in our own backyard. | 0:10:34 | 0:10:38 | |
And we realised that now we had a real chance. | 0:10:38 | 0:10:41 | |
We could actually be comics. | 0:10:41 | 0:10:45 | |
Most entertainers have to deal with getting to LA or Hollywood, | 0:10:45 | 0:10:49 | |
taking acting lessons, getting head shots. | 0:10:49 | 0:10:51 | |
What's our problem? We can't go out on school nights. | 0:10:51 | 0:10:54 | |
I remember my father sitting me down and going, | 0:10:54 | 0:10:57 | |
"Look, you're not going down to a nightclub in Houston, Texas." | 0:10:57 | 0:11:00 | |
Oh, man... | 0:11:00 | 0:11:02 | |
We WERE strict. We wanted to know where they were. | 0:11:02 | 0:11:05 | |
We wanted to know when they were going to get home. | 0:11:05 | 0:11:07 | |
And if they didn't give us the answer we wanted, | 0:11:07 | 0:11:10 | |
we told them what we wanted. | 0:11:10 | 0:11:12 | |
Bill and I talked about it and he said, "We have to do it", and I was like, "Absolutely. | 0:11:12 | 0:11:17 | |
The question was, how to get down there on a school night? | 0:11:17 | 0:11:20 | |
When you're in Bill's bedroom looking out, if you hop that fence, | 0:11:26 | 0:11:29 | |
you're in the Catholic church's parking lot. | 0:11:29 | 0:11:31 | |
You could open the window, but there also was a storm window. | 0:11:31 | 0:11:35 | |
He became very efficient at getting that open and getting out the window. | 0:11:35 | 0:11:39 | |
You had to be quiet cos the roof was right above their kitchen. | 0:11:39 | 0:11:44 | |
The evil Catholic boy with his 14-year-old driver's licence | 0:11:44 | 0:11:49 | |
was sitting there in the Catholic getaway wagon | 0:11:49 | 0:11:53 | |
ready to take the Baptist boy down to the Comedy Store. | 0:11:53 | 0:11:55 | |
We'd never been in a nightclub, but when we walked in it was like, | 0:12:01 | 0:12:06 | |
"Whoa!" The whole thing is set up for comedy. | 0:12:06 | 0:12:09 | |
And there was chairs and they were all pointed at the stage. | 0:12:09 | 0:12:13 | |
This was what it was all about. | 0:12:13 | 0:12:15 | |
We did the first few jokes and it started working. | 0:12:18 | 0:12:21 | |
I think everybody was very receptive to them | 0:12:21 | 0:12:24 | |
because they were like these little kids trying to be a part of this adult world. | 0:12:24 | 0:12:28 | |
When Bill first started, you could see Woody Allen. | 0:12:28 | 0:12:32 | |
He had the Woody Allen mannerisms a bit. But that's not a bad thing. | 0:12:32 | 0:12:35 | |
If you keep doing it and you don't grow out of it, that's a bad thing. | 0:12:35 | 0:12:39 | |
When a comic first starts, you can tell his influences. | 0:12:39 | 0:12:42 | |
Bill and I got off stage and we were flying. We had done well. | 0:12:42 | 0:12:46 | |
It was beyond, you know, the exhilaration was just... | 0:12:48 | 0:12:52 | |
It was just, here we go, we're real comics. | 0:12:52 | 0:12:56 | |
And then the shit hit the fan. Mrs Hicks calls Scott's mom, | 0:12:56 | 0:13:00 | |
says, "Is Bill over there?" "No, they went down to the Comedy Workshop." | 0:13:00 | 0:13:04 | |
"Oh." So when Bill gets home, he gets nailed. Mrs Hicks calls my parents, and I get nailed. | 0:13:04 | 0:13:10 | |
It went from being thrilled with the fact that, | 0:13:10 | 0:13:13 | |
"Hey, we're doing this" to, "Now what do we do? | 0:13:13 | 0:13:16 | |
We're comics, we have to work on this career. We can do it." | 0:13:16 | 0:13:20 | |
And just as I thought that, my father came home and said, | 0:13:20 | 0:13:24 | |
"I've bought a business in Klamath Falls, Oregon. We're moving in July." | 0:13:24 | 0:13:28 | |
I was devastated, and I go, "I've got to tell you something. | 0:13:36 | 0:13:40 | |
"In July I'm going to be moving to Klamath Falls, Oregon." | 0:13:40 | 0:13:43 | |
There was just silence. Bill didn't exhibit any emotion about it. | 0:13:43 | 0:13:48 | |
It was just one more fucking thing we were going to have to deal with | 0:13:48 | 0:13:52 | |
and in typical fashion, we just began joking about it. | 0:13:52 | 0:13:55 | |
"When you get up to Calamity Falls..." "It's Klamath Falls." | 0:13:55 | 0:13:59 | |
"Whatever. You're going to meet a girlfriend, you're going to be happy." | 0:13:59 | 0:14:03 | |
"Yeah, but I'm missing my friend." "Oh, you'll make new friends." | 0:14:03 | 0:14:07 | |
So we joked about it, but there was this idea that it was all over. | 0:14:07 | 0:14:10 | |
What were we going to do? What could we possibly do? | 0:14:10 | 0:14:14 | |
He'd never focused on doing solo stand-up. | 0:14:14 | 0:14:18 | |
Our stuff was about characters, about creating worlds. | 0:14:18 | 0:14:21 | |
I think when I left, he just threw himself into music and the band. | 0:14:21 | 0:14:24 | |
I couldn't imagine Bill performing without Dwight or Dwight performing without Bill. | 0:14:24 | 0:14:29 | |
I thought the three of us would be doing music forever. | 0:14:29 | 0:14:32 | |
Dwight took off. And poof, he was gone. | 0:14:32 | 0:14:34 | |
And at the time, too, I had actually seen Dwight perform comedy | 0:14:37 | 0:14:41 | |
without Bill but I hadn't seen Bill perform comedy without Dwight. | 0:14:41 | 0:14:46 | |
And so I wasn't sure how it was going to go. | 0:14:46 | 0:14:49 | |
A big hand for the very funny Mr Bill Hicks. | 0:14:49 | 0:14:52 | |
APPLAUSE Yeah! Whoa! | 0:14:52 | 0:14:55 | |
Thank you. This is weird, I've got to see if this is universal or not. | 0:15:04 | 0:15:09 | |
-Remember this thing called flinching? -Yeah. | 0:15:09 | 0:15:12 | |
You know what this is, you guys? Some guy would come up to you | 0:15:12 | 0:15:16 | |
and they'd go, "Hey." You'd go, "God! Watch out, man!" | 0:15:16 | 0:15:19 | |
And he'd go, "Ah, flinched! I owe you a poke." | 0:15:19 | 0:15:22 | |
The guy would go, "Oh, shit, I flinched. Here, poke me." | 0:15:22 | 0:15:26 | |
You remember that? First time it happened to me, | 0:15:26 | 0:15:28 | |
this guy comes up, "Hey, Hicks!" I went, "God! Get away from me." | 0:15:28 | 0:15:32 | |
And he goes, "Ah, flinched! I owe you a poke." | 0:15:32 | 0:15:34 | |
I said, "Get away from me, you jerk." | 0:15:34 | 0:15:36 | |
Principal's walking by. He goes, "What's going on here?" | 0:15:36 | 0:15:40 | |
That guy goes, "He flinched and won't let me poke him!" | 0:15:40 | 0:15:43 | |
I said, "He's trying to hit me." The principal went, | 0:15:43 | 0:15:46 | |
"DID you flinch, Bill?" | 0:15:46 | 0:15:48 | |
LAUGHTER AND APPLAUSE | 0:15:48 | 0:15:50 | |
I remember Kevin telling me early on that he's going to be a comedian | 0:15:55 | 0:15:59 | |
and he writes comedy, and I thought that was really strange, | 0:15:59 | 0:16:03 | |
because we were only 16 years old or something | 0:16:03 | 0:16:06 | |
and finally I just said, "Kevin, I want to go over and meet this guy." | 0:16:06 | 0:16:10 | |
Bill and I had the same sense of humour from the very beginning | 0:16:10 | 0:16:13 | |
and we just got each other instantly. | 0:16:13 | 0:16:15 | |
It was, "Oh, really, you got a camera? Oh, these pictures are good." | 0:16:15 | 0:16:19 | |
"Well, yeah, you're my photographer. Come on, take some pictures of me. I need pictures for a newspaper." | 0:16:19 | 0:16:24 | |
Immediately, no question, I'm the photographer, he put complete faith in me. | 0:16:24 | 0:16:28 | |
I just saw it as that I found a kindred spirit. | 0:16:28 | 0:16:32 | |
He was the guy that was out in front, breaking barriers. | 0:16:32 | 0:16:35 | |
Cos it was a very adult world and he was like the high schooler | 0:16:35 | 0:16:38 | |
that was telling them what fools they were for drinking and smoking | 0:16:38 | 0:16:42 | |
and giving them this clear mirror. | 0:16:42 | 0:16:44 | |
You could tell they all really respected him. | 0:16:44 | 0:16:46 | |
The good sign for a comic is not just when audiences come in | 0:16:46 | 0:16:49 | |
and ask for you, it's when other comics stop what they're doing and come in the room and watch you. | 0:16:49 | 0:16:54 | |
There has never been anybody funnier at his age as a stand-up. | 0:16:54 | 0:16:58 | |
Maybe the only other guy that touched him was Buster Keaton. | 0:16:58 | 0:17:01 | |
The stuff about his family and his parents and growing up | 0:17:01 | 0:17:05 | |
was entertaining to anybody. Bill should have been famous right away. | 0:17:05 | 0:17:10 | |
Open house night, your parents go up, talk to your teachers, | 0:17:10 | 0:17:14 | |
find out you've been lying through your teeth. "His name is Bill? | 0:17:14 | 0:17:18 | |
LAUGHTER | 0:17:18 | 0:17:23 | |
"I thought it was Moltvic." | 0:17:23 | 0:17:27 | |
Come home the next night, my father's sitting there and he goes, | 0:17:27 | 0:17:31 | |
"Hold it, Moltvic." | 0:17:31 | 0:17:33 | |
LAUGHTER | 0:17:33 | 0:17:35 | |
"Went up to the school last night and I talked to your teachers. | 0:17:42 | 0:17:46 | |
"I talked to Miss Jones and she said you called her a frothing slut. | 0:17:46 | 0:17:51 | |
"What is that all about?" | 0:17:52 | 0:17:55 | |
"Well, Dad, she's a loser." | 0:17:55 | 0:17:58 | |
"Everyone's a loser, everyone's a jerk? | 0:17:58 | 0:18:00 | |
"Tell me, Mr Blister, who's the real loser?" | 0:18:00 | 0:18:03 | |
"Promise you won't get mad, Dad?" | 0:18:07 | 0:18:09 | |
Where it really hit me was one weekend, | 0:18:14 | 0:18:17 | |
I was home from college and he said, "Come down to this comedy club" | 0:18:17 | 0:18:23 | |
and here was Bill performing and the place was sold out, | 0:18:23 | 0:18:26 | |
and I remember going and telling all my friends, "Man, you got to come, | 0:18:26 | 0:18:29 | |
"this is unreal." And it hit me pretty powerfully, it really did. | 0:18:29 | 0:18:33 | |
What Bill's comedy was, was his view of our life. | 0:18:33 | 0:18:39 | |
He had been able to turn that into this thing that could entertain strangers. | 0:18:39 | 0:18:45 | |
"Oh, that's what you've been doing the last few years. | 0:18:45 | 0:18:49 | |
Both of my parents are college graduates. | 0:18:49 | 0:18:51 | |
My sister and I are graduates. Here came Bill and he said, | 0:18:51 | 0:18:55 | |
"I'm going to LA to be a comedian." What does that mean? We had no idea. | 0:18:55 | 0:18:59 | |
Bill basically said, "I'm moving to LA. I won't play music any more". | 0:18:59 | 0:19:04 | |
I was really taken aback, it was definitely depressing. | 0:19:04 | 0:19:07 | |
LA was something that had to be done. It was the next step. You had to go. | 0:19:07 | 0:19:11 | |
I cried, of course, and I said, "Bill... | 0:19:11 | 0:19:14 | |
"nobody will say a thing if you don't go. | 0:19:14 | 0:19:17 | |
And he said, "Mom, this is hard for me so I'm going, | 0:19:17 | 0:19:21 | |
"so please stop crying. If I don't make it, I'll come back. | 0:19:21 | 0:19:24 | |
"But I've got to try." | 0:19:24 | 0:19:26 | |
And that's how he lived the rest of his life. | 0:19:28 | 0:19:31 | |
I mean, he had girlfriends and relationships. | 0:19:31 | 0:19:34 | |
But certainly, life on the road as a comedian, | 0:19:34 | 0:19:36 | |
there's a lot of time by yourself. | 0:19:36 | 0:19:39 | |
I was working at the Comedy Store. Bill came up one afternoon. | 0:19:55 | 0:19:59 | |
Pale, bad haircut, had a suitcase with him. | 0:19:59 | 0:20:02 | |
He said, "I'm here to be a comic". I explained amateur night to him. | 0:20:02 | 0:20:06 | |
I got lucky, and was passed on my first audition. Bill did too. | 0:20:06 | 0:20:10 | |
The difficult part was stage time once you became a regular. | 0:20:10 | 0:20:14 | |
Bill was in a hurry too. He had an impatience about him. | 0:20:14 | 0:20:18 | |
But you went there to be on stage, to hone your performing abilities, | 0:20:18 | 0:20:22 | |
and, you know, to showcase for producers. | 0:20:22 | 0:20:25 | |
I remember we went out to visit him. | 0:20:29 | 0:20:31 | |
Being on Sunset Boulevard in Los Angeles at the world famous | 0:20:34 | 0:20:37 | |
Comedy Store where people like Robin Williams and Richard Pryor | 0:20:37 | 0:20:41 | |
and Billy Crystal also performed and then Bill Hicks. | 0:20:41 | 0:20:44 | |
That was the Mecca for comedy and Bill got his name up there. | 0:20:44 | 0:20:48 | |
OK, there's one for the books right there, you know. | 0:20:48 | 0:20:51 | |
He was where he wanted to be, and that was pretty clear. | 0:20:51 | 0:20:56 | |
You know, he would call me up in these fits of inspiration | 0:21:00 | 0:21:03 | |
and go, "You HAVE to get down here, we've GOT to do this script. | 0:21:03 | 0:21:07 | |
"It's our key out of this." I'd already decided that's what I was going to do, | 0:21:07 | 0:21:10 | |
so I left the University of Oregon and drove south to Los Angeles. | 0:21:10 | 0:21:15 | |
I remember knocking at the door and it was an intense moment. | 0:21:17 | 0:21:20 | |
I had the map out and I was going, "Donde esta Le Keystone?" | 0:21:20 | 0:21:25 | |
And, "Sir, you can't come in here." | 0:21:25 | 0:21:27 | |
"Where... donde esta Les Tropic de Olives?" | 0:21:27 | 0:21:30 | |
"Sir, you can't. Please." | 0:21:30 | 0:21:32 | |
And he goes, "Come on in", and of course it was just tiny, | 0:21:32 | 0:21:35 | |
and we would wind up living there for two years. | 0:21:35 | 0:21:38 | |
He goes "Do you want to go down to the Comedy Store?" I said, "Sure." | 0:21:38 | 0:21:42 | |
We got in his car, and drove down to Hollywood and I walk into the Comedy Store. | 0:21:42 | 0:21:46 | |
This is it, you know, the Ground Zero of stand up comedy. | 0:21:46 | 0:21:50 | |
He always went up really early in the show, like second or third. | 0:21:51 | 0:21:56 | |
He never swore. He was the clean-cut comic. | 0:21:56 | 0:21:58 | |
It was a nice way to restart a new chapter of our friendship. | 0:22:05 | 0:22:08 | |
I think we both knew we weren't going to be working together as stand-ups | 0:22:08 | 0:22:11 | |
cos he'd already gone on to be successful. | 0:22:11 | 0:22:13 | |
The whole focus of all this was leading to a script. | 0:22:13 | 0:22:16 | |
If we could sell a script, THAT'S when you get can excited. | 0:22:16 | 0:22:20 | |
We started to come up with an idea of, | 0:22:20 | 0:22:23 | |
how do we evolve these characters? | 0:22:23 | 0:22:26 | |
The father character and the mother character. | 0:22:26 | 0:22:28 | |
It would make a good movie. | 0:22:28 | 0:22:30 | |
We were writing constantly, pages and pages of scenes | 0:22:30 | 0:22:33 | |
and we knew these characters, the voices were in our head. | 0:22:33 | 0:22:37 | |
He flew back from LA to be the best man at my wedding. | 0:22:40 | 0:22:45 | |
He was always going to be my best man and we were going to be there | 0:22:45 | 0:22:48 | |
for each other whenever those times were. | 0:22:48 | 0:22:52 | |
But he had to perform that night, and so after the wedding | 0:22:52 | 0:22:54 | |
a bunch of people went down there "Yeah, let's go see him. | 0:22:54 | 0:22:58 | |
"What the hell! Let's go down there, you know?" | 0:22:58 | 0:23:01 | |
I didn't know I had a funny brother. | 0:23:01 | 0:23:03 | |
That was the first I was aware that that was | 0:23:03 | 0:23:06 | |
what he wanted to do as a serious profession. | 0:23:06 | 0:23:09 | |
He was hilarious. | 0:23:09 | 0:23:11 | |
The good news was the guy at William Morris said, | 0:23:13 | 0:23:16 | |
"I want to meet with you." | 0:23:16 | 0:23:18 | |
He was a big frickin' agent in Hollywood. | 0:23:18 | 0:23:21 | |
He looked at us and he goes, "You guys are 19?" | 0:23:21 | 0:23:23 | |
And we go, "Yeah." He goes, "How did you get in my office?" | 0:23:23 | 0:23:26 | |
So we kind of told him the story of being stand-ups | 0:23:26 | 0:23:29 | |
and that we're just out of high school and we're writing | 0:23:29 | 0:23:32 | |
a script about being from high school and that really intrigued him. | 0:23:32 | 0:23:36 | |
"I want you to rewrite it. It doesn't have much of an ending. | 0:23:36 | 0:23:38 | |
"I really want to see another script from you guys. | 0:23:38 | 0:23:41 | |
"After that, I want to talk about representing you. | 0:23:41 | 0:23:44 | |
"You guys are going to be good screenwriters." | 0:23:44 | 0:23:46 | |
And I was very excited too. This was my first break. | 0:23:46 | 0:23:49 | |
Bill was just disappointed because we'd put so much into that script, obviously, | 0:23:49 | 0:23:54 | |
and he would have liked to hear that it got bought. | 0:23:54 | 0:23:57 | |
And in the months that followed that, | 0:24:06 | 0:24:10 | |
he just lost interest in writing, and I could not fire him up about, | 0:24:10 | 0:24:17 | |
"We have a ton of ideas about scripts. | 0:24:17 | 0:24:19 | |
"Let's just write another one. Let's get him what he wants and see if we can do this." | 0:24:19 | 0:24:23 | |
He just wasn't into it. He didn't want to. | 0:24:23 | 0:24:25 | |
He was through being a screenwriter. He wanted to move on to being a comic. | 0:24:25 | 0:24:30 | |
Hello, this is Bill. | 0:24:30 | 0:24:32 | |
I just needed to talk with somebody and this tape recorder is all I've got right now. | 0:24:33 | 0:24:39 | |
I haven't been funny in a long time. | 0:24:39 | 0:24:41 | |
I haven't come up with new material in a long time, | 0:24:41 | 0:24:44 | |
and, I tell you what, there's nothing scarier, | 0:24:44 | 0:24:47 | |
especially for me out here, forsaking college and an easy life, | 0:24:47 | 0:24:51 | |
coming out here. What happens if I'm just not funny? | 0:24:51 | 0:24:54 | |
I have nothing. I am a bum. | 0:24:54 | 0:24:57 | |
I could be five years in the Store, no-one gives a shit there. | 0:24:57 | 0:25:01 | |
Fuck doing this stuff. | 0:25:01 | 0:25:04 | |
LA wanted six minutes of clean to do on the Tonight Show, | 0:25:05 | 0:25:09 | |
and that wasn't enough for Bill, Bill wasn't growing enough. | 0:25:09 | 0:25:13 | |
The only way you could grow was to get more stage time. | 0:25:13 | 0:25:16 | |
Bill, you know, was a veteran. | 0:25:16 | 0:25:19 | |
For Christ's sake, he was 21 years old in 1982. | 0:25:19 | 0:25:24 | |
And he had been a comic for seven years. | 0:25:24 | 0:25:28 | |
Coming to LA was such a romantic and meaningful and emotional experience | 0:25:28 | 0:25:33 | |
and then leaving like a thief in the night with every possession he has | 0:25:33 | 0:25:38 | |
streaming out of the back of his car, | 0:25:38 | 0:25:40 | |
Bill and his leather jacket and his guitar | 0:25:40 | 0:25:43 | |
and me going away with a knapsack to Oregon, | 0:25:43 | 0:25:47 | |
just glad to be the hell out of there. | 0:25:47 | 0:25:49 | |
And knowing that we both had all the tools | 0:25:49 | 0:25:52 | |
we needed for the rest of our lives. | 0:25:52 | 0:25:54 | |
For Bill, that period in Los Angeles was when he solidified | 0:25:54 | 0:25:59 | |
his identity as a stand-up comic. It taught him how to be on his own, | 0:25:59 | 0:26:03 | |
to take his comedy seriously, that this was what he was going to do | 0:26:03 | 0:26:06 | |
for the rest of his life. It strengthened him and wised him up. | 0:26:06 | 0:26:10 | |
But even when he went to LA the first time, | 0:26:10 | 0:26:13 | |
I don't think Bill had really found his voice. | 0:26:13 | 0:26:15 | |
You could be liked and doing well, but that day you find your voice, | 0:26:15 | 0:26:20 | |
the difference is night and day. | 0:26:20 | 0:26:23 | |
Bill called me and I thought he was still in LA. | 0:26:23 | 0:26:27 | |
He's like, "Guess what." I said, "What?" He goes, "I'm here." | 0:26:27 | 0:26:30 | |
I was like, "What?" and he goes, "I'm in Houston and guess what else? | 0:26:30 | 0:26:33 | |
"We're going to take psychedelic mushrooms tonight." | 0:26:33 | 0:26:36 | |
I was like, "Yeah, funny, Bill." He's like, "No, it's not what you think it is. | 0:26:36 | 0:26:40 | |
If there was one person that could talk me into doing it, it was Bill. | 0:26:40 | 0:26:45 | |
And we took some mushrooms in this vegetarian restaurant, | 0:26:45 | 0:26:49 | |
and just laughed our asses off. | 0:26:49 | 0:26:51 | |
Only Bill would try hallucinogenics before he tried alcohol. | 0:26:53 | 0:26:59 | |
He just had a whole new appetite, you know. | 0:26:59 | 0:27:02 | |
"I want to try everything." | 0:27:02 | 0:27:04 | |
When he came back to Texas realising that the difference | 0:27:04 | 0:27:09 | |
between where he was and, say, where Richard Pryor was, | 0:27:09 | 0:27:12 | |
was a way big thing, way bigger than he'd thought, | 0:27:12 | 0:27:15 | |
he knew that he was going to have to break moulds | 0:27:15 | 0:27:17 | |
and that it wasn't just enough that he was the baby-faced kid. | 0:27:17 | 0:27:21 | |
And I don't think he knew exactly where it was that he had to get to, | 0:27:21 | 0:27:25 | |
but he just knew that he wasn't there yet. | 0:27:25 | 0:27:27 | |
I think we left as kids and came back as real, seasoned comics. | 0:27:29 | 0:27:34 | |
Some sort of forces were moving people from Houston together. | 0:27:34 | 0:27:38 | |
There were so many kindred spirits and other comics | 0:27:38 | 0:27:41 | |
that made Houston different from other parts of the country. | 0:27:41 | 0:27:44 | |
-How many guys in here just broke up with my girlfriend? -LAUGHTER | 0:27:44 | 0:27:48 | |
There were six of us at the time, and it was founded by Steve Epstein. | 0:27:48 | 0:27:52 | |
I was more of the court jester, in a sense, in that I was kind of goofy. | 0:27:52 | 0:27:57 | |
I-I say, Steve Epstein was driving a '78 Rabbit! | 0:27:57 | 0:28:01 | |
Oohorr! | 0:28:01 | 0:28:04 | |
He'd just flap around like an unattended fire hose, but he got everything going. | 0:28:04 | 0:28:08 | |
Andy Huggins, we met in LA. | 0:28:08 | 0:28:11 | |
I had a feeling Andy was more like a Houston comic than an LA comic. | 0:28:11 | 0:28:14 | |
And after Armageddon, there'll be a small reception at the Ramada Inn. | 0:28:14 | 0:28:19 | |
Jimmy talked me into coming back to Houston. | 0:28:19 | 0:28:21 | |
He said, "You want to do stand-up? We've more stage time for you." | 0:28:21 | 0:28:25 | |
That's all I needed to hear. John Farneti was a very successful lawyer, | 0:28:25 | 0:28:29 | |
-but just a terrific performer. -I was born in Wyoming. | 0:28:29 | 0:28:33 | |
I lived there until I learned how to read a road map. | 0:28:33 | 0:28:37 | |
I'd wanted to do it since I was six years old | 0:28:37 | 0:28:39 | |
but there was nowhere on earth to do it. | 0:28:39 | 0:28:42 | |
And suddenly there's this place where you just walk in and people are lined up in the rain to get in. | 0:28:42 | 0:28:46 | |
And I wanted, like everybody, to hang around with Bill Hicks. | 0:28:46 | 0:28:51 | |
Everyone knew he was just head, shoulders, | 0:28:51 | 0:28:53 | |
waist, kneecaps and ankles above everybody else. | 0:28:53 | 0:28:56 | |
My problem with going to U of H, I went there in the summer session. | 0:28:56 | 0:28:59 | |
All I had in all my classes were jocks trying to make up credit. | 0:28:59 | 0:29:03 | |
You know that feeling? They weren't there to learn at all. | 0:29:03 | 0:29:06 | |
I remember the first day of my Eastern philosophy course. | 0:29:06 | 0:29:10 | |
The instructor walks out and goes, "God is consciousness. | 0:29:10 | 0:29:15 | |
"And we are all God trying to realise our full potential." | 0:29:15 | 0:29:21 | |
Wowwwwwwwww... | 0:29:21 | 0:29:24 | |
-This guy in the back row, "Yeah, we going to need to know that? -LAUGHTER | 0:29:24 | 0:29:29 | |
"Is that going to be on the quiz?" | 0:29:29 | 0:29:32 | |
# Hey hey, hey hey, it's just a sunny day. # | 0:29:32 | 0:29:38 | |
From starting taking mushrooms and smoking cigarettes | 0:29:38 | 0:29:41 | |
to that night he first got drunk, it was a matter of months. | 0:29:41 | 0:29:44 | |
When the Comedy Annex started hopping for the first time, it was an exciting place to be, | 0:29:44 | 0:29:48 | |
and it was a place to go every night. There was drugs, alcohol and women. | 0:29:48 | 0:29:52 | |
We were there every night. | 0:29:52 | 0:29:54 | |
Pineapple and Huggins were hysterical drunks, | 0:29:54 | 0:29:58 | |
so I think he was ready to learn from us in other ways, I guess. | 0:29:58 | 0:30:01 | |
I remember he came up to David Johndrow and I, and he was like, | 0:30:01 | 0:30:04 | |
"I want to try a drink. What's a drink people drink?" | 0:30:04 | 0:30:07 | |
I said, "You want to try drinking for the first time, order a margarita." | 0:30:07 | 0:30:11 | |
He went up to the bar and ordered seven margaritas. And he downed them | 0:30:11 | 0:30:15 | |
and went up on stage. | 0:30:15 | 0:30:18 | |
He never drunk before, and the bitterness came out | 0:30:18 | 0:30:21 | |
for the first time, it just came pouring out. | 0:30:21 | 0:30:23 | |
He was literally crawling around the stage | 0:30:23 | 0:30:26 | |
with a full house of 200 people watching him. | 0:30:26 | 0:30:28 | |
But he was still funny. People were still laughing, the whole time. | 0:30:28 | 0:30:32 | |
The drinking was a way that he was able to have this breakthrough | 0:30:32 | 0:30:37 | |
of really going out on the edge | 0:30:37 | 0:30:39 | |
and not being concerned with people's reaction. | 0:30:39 | 0:30:42 | |
Then all of a sudden he could really be bold | 0:30:42 | 0:30:44 | |
and really say what he wanted and not be concerned. | 0:30:44 | 0:30:47 | |
-HECKLER: How's your girlfriend? -Oh, my girlfriend! Thanks, pal(!) | 0:30:47 | 0:30:50 | |
Throw salt on the fucking wound! Thanks a lot! | 0:30:50 | 0:30:54 | |
Why don't you just come up here and throw salt on it, huh? | 0:30:54 | 0:30:57 | |
Here, here's my heart. Throw salt. | 0:30:57 | 0:30:59 | |
Come on. Dig it in. Yeah, my girlfriend left me. | 0:30:59 | 0:31:03 | |
Five years. I loved her more than anything in the fucking world | 0:31:03 | 0:31:06 | |
and she just split on me. Remember your first love? Didn't that hurt? | 0:31:06 | 0:31:10 | |
Isn't it hard to get over? But I think it helped my career | 0:31:10 | 0:31:13 | |
when she left me, cos I'm a driven man now. | 0:31:13 | 0:31:18 | |
I'm driven by a fantasy that one day, this girl who I loved | 0:31:18 | 0:31:20 | |
more than anyone in the world and I gave my heart to, and she spat upon it and spun out the door, | 0:31:20 | 0:31:27 | |
one day this girl'll be living in a trailer park in Oklahoma, | 0:31:27 | 0:31:32 | |
swampy trailer ground and clouds of Aids mosquitoes | 0:31:32 | 0:31:37 | |
swarming around her, blocking out the light from the sun. | 0:31:37 | 0:31:41 | |
She has like nine naked little kids with rickets. | 0:31:41 | 0:31:45 | |
They got burrs in their hair and jam on their face | 0:31:45 | 0:31:48 | |
and rats laying babies in their ears at night. | 0:31:48 | 0:31:50 | |
LAUGHTER | 0:31:50 | 0:31:52 | |
And they bring home dead animals from beside the road to eat. | 0:31:52 | 0:31:56 | |
And she lives with this ex-welder who doesn't have a job. | 0:31:56 | 0:31:59 | |
He's got fur all over his back. He's fat, like 600lbs, | 0:31:59 | 0:32:03 | |
and he makes love to her with a broom handle at night. | 0:32:03 | 0:32:06 | |
LAUGHTER | 0:32:06 | 0:32:09 | |
And one night he's going to be romancing her with that stick | 0:32:09 | 0:32:12 | |
and his heart is going to explode | 0:32:12 | 0:32:14 | |
and she's trapped under 600lbs of flaccid, sweaty, | 0:32:14 | 0:32:17 | |
fish belly cellulite that's moving like the tides of the ocean | 0:32:17 | 0:32:22 | |
and blood and phlegm and bile pours out of his mouth and nose | 0:32:22 | 0:32:27 | |
into her face, into her face, and just before she drowns in that vomit | 0:32:27 | 0:32:33 | |
she turns to the TV and I'm going to be on it. Hahaha. | 0:32:33 | 0:32:37 | |
LAUGHTER AND APPLAUSE | 0:32:37 | 0:32:41 | |
Once Bill decided that he would just be in his home base | 0:32:43 | 0:32:47 | |
and he would just do his own comedy the way he wanted | 0:32:47 | 0:32:50 | |
and that the world would come to him, well, it did. | 0:32:50 | 0:32:54 | |
He was just too good not for fame to find him, | 0:32:54 | 0:32:57 | |
no matter how many corners it had to go around. | 0:32:57 | 0:33:01 | |
Jay Leno showed up at the Annex and they adored Jay Leno at the time, | 0:33:01 | 0:33:05 | |
cos he was THE professional stand-up comic, | 0:33:05 | 0:33:08 | |
You know, he was just the best. | 0:33:08 | 0:33:10 | |
Jay did help. Jay liked Bill's act. | 0:33:10 | 0:33:13 | |
He gave Bill advice. He made a few phone calls. | 0:33:13 | 0:33:18 | |
When Leno said this guy is good, | 0:33:18 | 0:33:20 | |
I would imagine Letterman knew totally he was. | 0:33:20 | 0:33:25 | |
Hello. Good evening. Good evening. | 0:33:27 | 0:33:29 | |
My name is Bill Hicks. Thank you. | 0:33:29 | 0:33:34 | |
Full name is William Melvin Hicks. Thanks, Dad. | 0:33:34 | 0:33:38 | |
It's a name with certain connotations, huh? | 0:33:38 | 0:33:41 | |
"Hi, my name is Melvin Hicks. This is my wife and my sister." | 0:33:41 | 0:33:45 | |
"OK, Melvin..." | 0:33:45 | 0:33:46 | |
All right. | 0:33:50 | 0:33:52 | |
He called us every time he was going to be on | 0:33:52 | 0:33:54 | |
and I used to always tell him, "Billy, it's just not you," | 0:33:54 | 0:33:58 | |
but, you know, that first time, the impact and nirvana | 0:33:58 | 0:34:01 | |
of being on national TV, I mean, we felt that too, watching him, | 0:34:01 | 0:34:05 | |
-and I was like, "No, it was great." -Christmas rolled around, my friends got go-karts. | 0:34:05 | 0:34:09 | |
I'm 12 years old, I got a college dictionary. | 0:34:09 | 0:34:13 | |
Mom goes, "Bill, it's the thought that counts!" | 0:34:13 | 0:34:16 | |
Oh, Mom, but what were you thinking? Seriously. | 0:34:16 | 0:34:19 | |
Laughter is big business in Houston. | 0:34:22 | 0:34:24 | |
Now you've been on television, it's like a stamp of approval. | 0:34:24 | 0:34:28 | |
So if you were on the David Letterman Show, it was like, yeah. | 0:34:28 | 0:34:31 | |
He did not want Jim and me to see him. | 0:34:45 | 0:34:48 | |
I guess he thought we wouldn't understand. | 0:34:48 | 0:34:51 | |
But we did sneak into that one in Austin. | 0:34:51 | 0:34:54 | |
Steve thought we were in shock when we saw Bill perform. | 0:34:54 | 0:34:57 | |
-I know you were in shock when you saw Bill. -Uh-uh. | 0:34:57 | 0:35:00 | |
Cos he did not know they were in the audience so it was the entire show. | 0:35:00 | 0:35:03 | |
I was not shocked. I was in awe, to tell you the truth. | 0:35:03 | 0:35:07 | |
-I could not believe... -Oh, how the years have changed your memory! | 0:35:07 | 0:35:12 | |
I couldn't believe that he was up there and he had such poise. | 0:35:12 | 0:35:16 | |
I think Bill was the one in shock. But all he said was, | 0:35:16 | 0:35:20 | |
"Well, that's what I do." And I said, "Well, that was very good." | 0:35:20 | 0:35:24 | |
And then the odd thing about it is he didn't really temper | 0:35:24 | 0:35:27 | |
his material for them. Not like I would have. | 0:35:27 | 0:35:31 | |
And I think they kind of treated it like, "Well, that's his world. | 0:35:31 | 0:35:34 | |
"We don't understand it, but that's what he does." | 0:35:34 | 0:35:38 | |
He was open for anything, really. | 0:35:40 | 0:35:43 | |
Yeah, I have had a good job. I've had a good job. | 0:35:43 | 0:35:45 | |
I'm not complaining about every fucking job I've had. | 0:35:45 | 0:35:49 | |
I used to work at a lady's shoe store. I liked that. I got to see this all day long. | 0:35:49 | 0:35:53 | |
It was great. Women came in, they'd wear dresses to try on the shoes. | 0:35:53 | 0:35:56 | |
I'm the guy that helped them on with the shoes. | 0:35:56 | 0:35:59 | |
I don't know if you ladies do that on purpose, but keep it up. | 0:35:59 | 0:36:02 | |
They're sitting there, going, "Ahh... | 0:36:02 | 0:36:05 | |
"How does it look?" Oh, gwaaaaa... | 0:36:09 | 0:36:13 | |
"It looks great. Yeah, it's you. It's definitely you." | 0:36:18 | 0:36:23 | |
"Mmmm...it's kind of tight." | 0:36:23 | 0:36:28 | |
Oh, man... | 0:36:28 | 0:36:31 | |
"I can stretch it out for you." | 0:36:35 | 0:36:37 | |
LAUGHTER AND APPLAUSE | 0:36:37 | 0:36:42 | |
So after I got fired from that job... | 0:36:42 | 0:36:45 | |
No-one said it'd be pretty! | 0:36:45 | 0:36:48 | |
Bill was always an all-or-nothing guy. | 0:36:48 | 0:36:50 | |
There was no halfway for Bill. | 0:36:50 | 0:36:53 | |
And wanting to experiment with mushrooms was to him | 0:36:53 | 0:36:56 | |
a way of trying to, like, further his evolution as a person. | 0:36:56 | 0:37:00 | |
Just hearing about something was not good enough. | 0:37:00 | 0:37:03 | |
Bill always wanted revelation to be first-hand. | 0:37:03 | 0:37:07 | |
Our family got this ranch, and it ended up being a place | 0:37:10 | 0:37:13 | |
where we could come and get away from everybody. | 0:37:13 | 0:37:17 | |
Our friends said, "You're just trying to get fucked up." | 0:37:17 | 0:37:20 | |
Bill would just say, "No, we really are trying to get somewhere else with this." | 0:37:20 | 0:37:25 | |
So we would go out and fast a little bit and prepare | 0:37:25 | 0:37:29 | |
and then have this experience and see what happened. | 0:37:29 | 0:37:33 | |
Well, some really amazing things happened. | 0:37:33 | 0:37:37 | |
The world is one magical motherfucker. | 0:37:37 | 0:37:40 | |
If you take a certain amount of mushrooms, you're in a magical world. | 0:37:40 | 0:37:45 | |
A lot of people have this thought when they take these, | 0:38:06 | 0:38:10 | |
"Does anybody know about this?" Because it's like a secret. | 0:38:10 | 0:38:15 | |
It's like this fundamental thing about the human brain, | 0:38:15 | 0:38:19 | |
but no-one knows about it and no-one talks about it. | 0:38:19 | 0:38:22 | |
There was one time in particular, the harmonic convergence. | 0:38:30 | 0:38:35 | |
It was basically this time when all the planets were to align | 0:38:35 | 0:38:39 | |
in some alignment that only happens once every 10,000 years. | 0:38:39 | 0:38:43 | |
I remember walking down this tunnel of light and feeling like we were walking into a spaceship. | 0:38:47 | 0:38:52 | |
Bill was just asking, "Who are you and why are you here?" | 0:38:52 | 0:38:55 | |
and basically being told that the boundaries of space and time | 0:38:55 | 0:38:59 | |
are all in our minds and that we all are one, and everything is one. | 0:38:59 | 0:39:02 | |
We all are one, everything is one. | 0:39:02 | 0:39:05 | |
ECHOING: We all are one, everything is one. | 0:39:05 | 0:39:07 | |
I remember Bill just looking at me, like, "Oh, my God. | 0:39:07 | 0:39:11 | |
"Can you believe that just happened?" | 0:39:11 | 0:39:13 | |
At first I was like, "That was just something I thought of", | 0:39:13 | 0:39:16 | |
and then Bill explained everything that I had just seen | 0:39:16 | 0:39:18 | |
and then the day went even further than that, | 0:39:18 | 0:39:21 | |
where it was like tapping into all these other minds, | 0:39:21 | 0:39:24 | |
like thousands of them all at once. And I'm really sceptical. | 0:39:24 | 0:39:28 | |
I was ready to say, "OK, we're on drugs. | 0:39:28 | 0:39:31 | |
But something about what happened on this day was different. It was significant and very tangible. | 0:39:31 | 0:39:36 | |
ECHOING: We all are one, everything is one. | 0:39:36 | 0:39:38 | |
You know, this was accepted by human beings that you take substances | 0:39:38 | 0:39:42 | |
to change your consciousness, from the beginning of human history. | 0:39:42 | 0:39:46 | |
After that day, I think he really was like 100% sure | 0:39:46 | 0:39:50 | |
that something did exist on the other side | 0:39:50 | 0:39:53 | |
and it helped him go out there and become a lot more fearless, | 0:39:53 | 0:39:56 | |
and part of his art was being able to broadcast | 0:39:56 | 0:39:59 | |
cutting edge ideas to the public. | 0:39:59 | 0:40:02 | |
We came here for the truth, right? | 0:40:02 | 0:40:05 | |
That's all I want out of life, is the truth. Is that too much to ask for? | 0:40:05 | 0:40:10 | |
You ever see a positive story about drugs on the news? | 0:40:10 | 0:40:12 | |
Ever? Me either. | 0:40:12 | 0:40:14 | |
Isn't that weird? The news is supposed to be objective. | 0:40:14 | 0:40:18 | |
Same LSD story every time. We've all heard it. | 0:40:19 | 0:40:22 | |
Young man takes acid, thinks he can fly, jumps out of a building. | 0:40:22 | 0:40:25 | |
What a tragedy. | 0:40:25 | 0:40:27 | |
What a dick, really, when you think about it. | 0:40:27 | 0:40:30 | |
If he thought he could fly, | 0:40:30 | 0:40:31 | |
why didn't he take off from the ground and check it out, first? | 0:40:31 | 0:40:35 | |
Why give acid a bad name cos you're a moron, you know? | 0:40:37 | 0:40:41 | |
LAUGHTER | 0:40:41 | 0:40:43 | |
I'd like to see a positive LSD story. Would that be newsworthy, just once? | 0:40:46 | 0:40:50 | |
"Today a young man on acid realised that all matter is merely energy | 0:40:50 | 0:40:53 | |
"condensed to a slower vibration, that we are all one consciousness | 0:40:53 | 0:40:57 | |
"going through itself, subjectively, there's no such thing as death, | 0:40:57 | 0:41:01 | |
"life is only a dream, and you're the imagination of yourselves. | 0:41:01 | 0:41:04 | |
"Here's Tom with the weather!" | 0:41:04 | 0:41:06 | |
LAUGHTER AND APPLAUSE | 0:41:06 | 0:41:09 | |
Wow. | 0:41:10 | 0:41:12 | |
During this time, all the drinking and drugging too, some of the club owners | 0:41:12 | 0:41:16 | |
were concerned about how erratic the shows would be. | 0:41:16 | 0:41:19 | |
Alcohol with Bill was definitely like throwing gasoline onto a fire. | 0:41:19 | 0:41:23 | |
You know, it was kind of a tightrope, | 0:41:23 | 0:41:24 | |
cos you never knew what was going to happen, and usually, | 0:41:24 | 0:41:27 | |
if there was a lot of drinks being pounded down, it was going to go bad. | 0:41:27 | 0:41:31 | |
I mean he was always like an angry kid, but when he drank the alcohol, | 0:41:31 | 0:41:35 | |
he was letting everybody have it. | 0:41:35 | 0:41:37 | |
And so we were like, "Ooh, this is a new kind of comedy". | 0:41:37 | 0:41:41 | |
# Shout! # | 0:41:41 | 0:41:42 | |
Bill was what we used to call a shortball. He got drunk real quick. | 0:41:46 | 0:41:49 | |
What happened? | 0:41:49 | 0:41:51 | |
The main thing that I remember was him getting on stage | 0:41:51 | 0:41:55 | |
and people in the audience sending him up drinks. | 0:41:55 | 0:41:57 | |
Fuck it, I'll drink red wine if no-one's going to offer me anything real. Fuck you! | 0:41:57 | 0:42:02 | |
And people said I couldn't improvise! | 0:42:02 | 0:42:05 | |
He could drink a lot because he had all the adrenaline of the show | 0:42:05 | 0:42:09 | |
and he said, "I'm a bull, I can't be brought down. | 0:42:09 | 0:42:12 | |
Conflict.. | 0:42:12 | 0:42:13 | |
Sorry - y'all lost. | 0:42:15 | 0:42:16 | |
Coke dealers would be giving Bill free coke. | 0:42:16 | 0:42:19 | |
Can I get a shot of Jack up here? | 0:42:19 | 0:42:20 | |
"How much can we get Bill to take on stage? | 0:42:20 | 0:42:23 | |
"Let's all watch." | 0:42:23 | 0:42:24 | |
It was just like a red flag for club owners. | 0:42:24 | 0:42:27 | |
He was like suddenly not on Letterman any more. | 0:42:27 | 0:42:29 | |
He started losing bookings. | 0:42:29 | 0:42:31 | |
Be careful going home tonight, cos I'm driving right along with you, fuckers. | 0:42:31 | 0:42:35 | |
I got there in the middle of the set and nobody was laughing, really. | 0:42:35 | 0:42:39 | |
He was laying down on his back screaming into the microphone. | 0:42:39 | 0:42:44 | |
-It was awful. -It was terrible. It wasn't a show any more. | 0:42:44 | 0:42:46 | |
It was a drunk on stage, is what it was. | 0:42:46 | 0:42:49 | |
I'd taken a friend from work. "You're going to love him. He's my brother! He's hilarious!" | 0:42:49 | 0:42:53 | |
To have a room clear, I felt bad for him. | 0:42:53 | 0:42:58 | |
He called me the next day and said, "Well, they fired me too. | 0:42:58 | 0:43:00 | |
"Seems to be the thing. Everybody fires me." Like, yeah, it wasn't funny! | 0:43:00 | 0:43:06 | |
Bill didn't bring these problems into the family. | 0:43:08 | 0:43:11 | |
Just the fact that now he drank and now he smoked, well, | 0:43:11 | 0:43:15 | |
so did I, so how big of a deal was that? | 0:43:15 | 0:43:18 | |
I don't know what I would have said, had I said anything. | 0:43:18 | 0:43:22 | |
Maybe I should have, but I didn't. | 0:43:22 | 0:43:23 | |
But I knew there was something in there during that time. | 0:43:23 | 0:43:27 | |
You can see it in his eyes. | 0:43:27 | 0:43:30 | |
That was after he got in that fight and he broke his leg | 0:43:30 | 0:43:33 | |
and he was performing and leaning on crutches. | 0:43:33 | 0:43:37 | |
I'd like this man to leave the room, | 0:43:37 | 0:43:39 | |
if I could have that, please. Thank you very much, sir. | 0:43:39 | 0:43:42 | |
Why don't you applaud the fact that you're a mobile biped right in front of me? | 0:43:42 | 0:43:46 | |
Why don't you do a fucking cartwheel into your stall, sir? | 0:43:46 | 0:43:49 | |
Thank you, I'd like to do my impression of Ironside now. | 0:43:49 | 0:43:52 | |
Next week we have Helen Keller... | 0:43:52 | 0:43:55 | |
No. I'm delirious. I'm delirious. | 0:43:55 | 0:43:57 | |
It's the heroin. | 0:43:57 | 0:43:59 | |
Seriously. | 0:44:02 | 0:44:04 | |
Aaah! | 0:44:04 | 0:44:06 | |
Good evening. Don't worry, there is no pain. | 0:44:09 | 0:44:12 | |
I just didn't want to spill my beer. | 0:44:12 | 0:44:14 | |
There are priorities, even in the world of pain. | 0:44:14 | 0:44:18 | |
I wish that we had been more worried about him, maybe. | 0:44:18 | 0:44:21 | |
But there was kind of a code that we had, Kevin and Bill and I, | 0:44:21 | 0:44:25 | |
which was, "You're going to do what you're going to do | 0:44:25 | 0:44:27 | |
"and I'm there for ya, but I'm not going to stop ya". | 0:44:27 | 0:44:30 | |
But it was kind of cool, because it was like we had faith in each other. | 0:44:30 | 0:44:33 | |
We tended to trust that he knew what he was doing. | 0:44:33 | 0:44:36 | |
I got beat up by a guy in a kilt. Are you happy? You wanna see blood? | 0:44:36 | 0:44:40 | |
It suffered, yeah. | 0:44:40 | 0:44:42 | |
There were club owners that were willing to forgive and forget, | 0:44:42 | 0:44:45 | |
cos he was that good, and there were other club owners that... | 0:44:45 | 0:44:48 | |
you know, it wasn't worth it. It wasn't worth it. | 0:44:48 | 0:44:51 | |
When I saw him at my wedding, he was clearly enmeshed in substance abuse. | 0:44:53 | 0:44:57 | |
You know, and he'd obviously been up all night and he looked beaten. | 0:44:57 | 0:45:00 | |
My wife-to-be, and she'd never met Bill, | 0:45:00 | 0:45:02 | |
she didn't know anything about him, thought he was wild - funny - | 0:45:02 | 0:45:07 | |
but wild, could not be contained. | 0:45:07 | 0:45:08 | |
There were half a dozen of us that were in bad shape that way, | 0:45:08 | 0:45:12 | |
and we were drinking suicidally basically, that's where it was headed. | 0:45:12 | 0:45:16 | |
We were sitting up, me and Bill, and he just started crying, | 0:45:16 | 0:45:20 | |
and he broke down and he said, "Man, I've got a problem. | 0:45:20 | 0:45:23 | |
"My life is out of control". | 0:45:23 | 0:45:25 | |
My big answer was, "Well, just stop, then, Bill. Stop doing that. | 0:45:25 | 0:45:29 | |
And he straightened back up real quick | 0:45:29 | 0:45:32 | |
but it was the one thing I always felt I let Bill down about. | 0:45:32 | 0:45:34 | |
And it was just from ignorance. | 0:45:34 | 0:45:36 | |
I didn't know how to handle it, didn't know what to do. | 0:45:36 | 0:45:39 | |
And when a Bill Hicks show became more about, | 0:45:39 | 0:45:42 | |
"How drunk can we get Bill?" instead of, "Let's see how far | 0:45:42 | 0:45:44 | |
"Bill can take us with his ideas", that's when the party was over. | 0:45:44 | 0:45:48 | |
You know, realising, "What the fuck am I doing? | 0:45:48 | 0:45:52 | |
"These people are not my friends, you know? | 0:45:52 | 0:45:54 | |
These people are trying to kill me. Led him down the path of knowing, | 0:45:54 | 0:45:57 | |
"If I don't make a drastic change, I'm going to die." | 0:45:57 | 0:46:00 | |
That was a moment of clarity for Bill. | 0:46:05 | 0:46:07 | |
That could've been the wake-up call. I guess he just woke up. | 0:46:07 | 0:46:11 | |
He realised what he was working for and this was in the way of it. | 0:46:11 | 0:46:17 | |
Bill quit drinking in February of '88, I quit in April, | 0:46:19 | 0:46:24 | |
and we started going to meetings together in downtown Houston. | 0:46:24 | 0:46:27 | |
Being the stupid alcoholic I am, I'm going "Good, good for him, | 0:46:27 | 0:46:31 | |
"he should go in there", not thinking about what a fuckup I was. | 0:46:31 | 0:46:34 | |
"You need to get sober and get clean. Good job." | 0:46:34 | 0:46:37 | |
Bill knew there was no way he was going to be able to sustain | 0:46:37 | 0:46:41 | |
any kind of sobriety surrounded by all these Houston comics. | 0:46:41 | 0:46:46 | |
He told me, as a matter of fact, you have to get rid of the people, | 0:46:46 | 0:46:49 | |
that you can't be around the same environment and expect to survive. | 0:46:49 | 0:46:54 | |
Bill realised that he had to jump ship and as crazy as it sounds, | 0:46:54 | 0:46:58 | |
moving to a big city, by yourself, is the way to get sober, and, um... | 0:46:58 | 0:47:03 | |
Bill just disappeared to New York. | 0:47:03 | 0:47:06 | |
When you're dealing with drugs and alcohol, willpower, | 0:47:14 | 0:47:17 | |
it's the opposite, it's when you admit that you don't have, you're powerless. | 0:47:17 | 0:47:22 | |
I don't think there was ever a question | 0:47:24 | 0:47:27 | |
that he was not going to continue even though the struggles must have been mighty. | 0:47:27 | 0:47:31 | |
He was tapped on the shoulder and this was what he was going to do | 0:47:31 | 0:47:35 | |
and it doesn't mean it's going to be handed to you | 0:47:35 | 0:47:38 | |
and I'm sure that it had to have been unbelievably challenging. | 0:47:38 | 0:47:43 | |
He told me that it was six months before he could start being funny again. | 0:47:43 | 0:47:48 | |
That's when he went from being just an above-average comedian | 0:47:48 | 0:47:53 | |
to being something spectacular. | 0:47:53 | 0:47:57 | |
Let me hear you say, "yeah!" | 0:48:06 | 0:48:08 | |
ALL: Yeah! | 0:48:08 | 0:48:10 | |
-Sing it! Yeah! -ALL: Yeah! | 0:48:10 | 0:48:13 | |
-Well, all right. -ALL: All right. | 0:48:13 | 0:48:15 | |
That's it, end of your part. Thank you. | 0:48:15 | 0:48:18 | |
Hope you don't mind if I smoke. I know it's getting harder and harder to find a place to smoke these days. | 0:48:18 | 0:48:22 | |
I feel like I'm in high school with the bathroom window cracked again. | 0:48:22 | 0:48:26 | |
I don't do drugs. | 0:48:26 | 0:48:27 | |
I don't think they tell us the truth about drugs, though. | 0:48:27 | 0:48:30 | |
They tell you marijuana smoking makes you unmotivated. | 0:48:30 | 0:48:33 | |
That's bullshit. | 0:48:33 | 0:48:34 | |
When I was high, | 0:48:34 | 0:48:35 | |
I could do everything I normally could do just as well. | 0:48:35 | 0:48:38 | |
I just realised it wasn't worth the fucking effort, man, that was it. | 0:48:38 | 0:48:42 | |
Why get out of bed? Shit, | 0:48:42 | 0:48:43 | |
I'm just going to get stuck in traffic and go to a job I hate. | 0:48:43 | 0:48:45 | |
Fuck it. Stay in bed and watch cartoons. | 0:48:45 | 0:48:49 | |
By the time he came back in late '88 for a show, | 0:48:49 | 0:48:53 | |
he almost didn't talk to me or Jimmy, who was with him on the bill that night. | 0:48:53 | 0:48:57 | |
He was staying away from, "You guys drink, you get loaded. I can't be near that", | 0:48:57 | 0:49:00 | |
which we didn't understand or appreciate. | 0:49:00 | 0:49:02 | |
Here he is, Bill Hicks! | 0:49:02 | 0:49:05 | |
Cut! | 0:49:12 | 0:49:14 | |
How about a hand for Jimmy "The Odious" Pineapple, and John... | 0:49:14 | 0:49:18 | |
..John "His Whimsical Shadow" Farneti. | 0:49:18 | 0:49:21 | |
APPLAUSE | 0:49:21 | 0:49:23 | |
Give them some love, God DING it, give them some love. | 0:49:24 | 0:49:28 | |
Can I get a coke, por favor? Is that part of my star treatment? | 0:49:28 | 0:49:31 | |
I started out in this club ten years ago. | 0:49:31 | 0:49:35 | |
Pretty bold of me to admit that! | 0:49:35 | 0:49:37 | |
I want you to know I started out when I was 15 years old. | 0:49:37 | 0:49:40 | |
It's weird doing comedy when you're 15 and going up in front of strangers. | 0:49:40 | 0:49:43 | |
I don't know these people. It's scary, you know? | 0:49:43 | 0:49:45 | |
You don't know if you're funny. You don't know, you know, what you're doing. | 0:49:45 | 0:49:49 | |
All the other comics were helpful. If I had a bad show, they'd buy me a drink or something. | 0:49:49 | 0:49:53 | |
"If I had a good show, we'd celebrate and get a drink. Pretty soon, I was getting better. | 0:49:53 | 0:49:58 | |
People I didn't even know would buy me a drink after the show. | 0:49:58 | 0:50:01 | |
Women would come up to me, you know, buy me drinks... | 0:50:01 | 0:50:04 | |
offer me coke and I started doing coke and drinking every night | 0:50:04 | 0:50:08 | |
and women I don't even know getting me coke and booze and... | 0:50:08 | 0:50:13 | |
Phew. | 0:50:13 | 0:50:14 | |
I just want to tell you what my life's been like for ten years. | 0:50:14 | 0:50:17 | |
How's y'alls jobs? | 0:50:19 | 0:50:21 | |
I said, "Bill, gosh, you're not doing your mom any more. | 0:50:21 | 0:50:24 | |
"That's so funny. | 0:50:24 | 0:50:26 | |
He goes, "Yes, but I've done that. "Yeah, but it's funny. | 0:50:26 | 0:50:29 | |
I was still in the thing where, "This is what it's all about". | 0:50:29 | 0:50:33 | |
But he was in this thing, "I have other things I want to say. | 0:50:33 | 0:50:35 | |
John Kennedy is murdered. Martin Luther King is murdered. Jesus Christ is murdered. | 0:50:35 | 0:50:39 | |
Reagan - shot, wounded, cancer eight times. | 0:50:39 | 0:50:41 | |
That fucker still walks, doesn't he? | 0:50:41 | 0:50:43 | |
Rrrrrr! | 0:50:43 | 0:50:46 | |
When Bill first came back and announced to me that | 0:50:46 | 0:50:48 | |
he really was sober several months later, | 0:50:48 | 0:50:51 | |
I didn't really believe him at first, and I watched him do a set at the Laff Stop | 0:50:51 | 0:50:55 | |
and all of a sudden it was like, oh, my God. Bill was back. | 0:50:55 | 0:50:59 | |
The Fundamentalists, they try to get creationism taught in schools as a science. | 0:50:59 | 0:51:02 | |
What exactly would that be? | 0:51:02 | 0:51:03 | |
"Welcome to Creationist Science, on the sixth day, God created the world. | 0:51:03 | 0:51:08 | |
"On the seventh day he rested, and... | 0:51:08 | 0:51:10 | |
"Well, shit, class dismissed, you got it!" | 0:51:10 | 0:51:13 | |
It was like he had re-hatched out of a cocoon or something. | 0:51:13 | 0:51:16 | |
He had the same stamina that he had as the young boy | 0:51:16 | 0:51:19 | |
that could run the 2.20s on the track team, and smoke everybody. | 0:51:19 | 0:51:23 | |
You know, and I said, "Now is the time we have to make a video recording of a feature-length set", | 0:51:23 | 0:51:28 | |
and that's when we did Sane Man. | 0:51:28 | 0:51:32 | |
I remember coming in to do the show that day and I was just | 0:51:33 | 0:51:36 | |
so scared that he was going to break his sobriety before he went on stage. | 0:51:36 | 0:51:39 | |
And Jimmy Pineapple, who opened the show, had also gone sober. | 0:51:39 | 0:51:45 | |
Backstage, Jimmy said, "Screw it, I'm going to down some whiskeys before I go on stage. | 0:51:45 | 0:51:49 | |
I hadn't been sober that long. I go, I could try it again later. | 0:51:49 | 0:51:53 | |
But for this show, these audiences, | 0:51:53 | 0:51:56 | |
working with Bill, I wanted to knock it out of the ball park | 0:51:56 | 0:51:58 | |
and I wasn't going to fuck around with the jitters about being sober. | 0:51:58 | 0:52:02 | |
I know some of you people are looking up here and saying, "Hey, man, this guy is IT. | 0:52:03 | 0:52:09 | |
LAUGHTER | 0:52:09 | 0:52:12 | |
Well, you're right. | 0:52:14 | 0:52:16 | |
I am it. I've always been it. | 0:52:18 | 0:52:19 | |
Even when I was a kid, I was it. | 0:52:19 | 0:52:21 | |
When we played tag... | 0:52:23 | 0:52:24 | |
LAUGHTER | 0:52:24 | 0:52:26 | |
..some kid would hit me and say, "Hey, you're it!", | 0:52:28 | 0:52:30 | |
and I'd say, "You're goddamn right, buddy". | 0:52:30 | 0:52:33 | |
Here I am really praying that Bill's not going to do the same thing | 0:52:35 | 0:52:39 | |
and I went back into Bill's green room | 0:52:39 | 0:52:41 | |
and Bill was still just drinking water and pacing around and smoking. | 0:52:41 | 0:52:44 | |
We were already making films for Access Television | 0:52:44 | 0:52:48 | |
and I was backstage and Kevin had said, | 0:52:48 | 0:52:50 | |
"Wait till you see his new stuff". | 0:52:50 | 0:52:53 | |
This was like the sober Bill, | 0:52:53 | 0:52:55 | |
and I guess he'd been on the road working new material. | 0:52:55 | 0:52:59 | |
How about a nice round of applause for Mr Bill Hicks? | 0:52:59 | 0:53:02 | |
APPLAUSE | 0:53:02 | 0:53:04 | |
Yeah, it's good to be here. | 0:53:04 | 0:53:06 | |
I haven't been here in two years. | 0:53:06 | 0:53:08 | |
Thanks. | 0:53:09 | 0:53:11 | |
That warmth I've missed in Austin. | 0:53:12 | 0:53:14 | |
"So? We been here. | 0:53:14 | 0:53:16 | |
"Not our fault you got to travel around, shit. | 0:53:17 | 0:53:20 | |
"We supposed to follow you around? You supposed to be back here. | 0:53:20 | 0:53:23 | |
"What are you doing? Where are you?" | 0:53:23 | 0:53:25 | |
Where have I been? I've been on my flying saucer tour. | 0:53:25 | 0:53:29 | |
Which means like flying saucers, I too have been appearing | 0:53:29 | 0:53:31 | |
in small southern towns in front of a handful of hillbillies lately. | 0:53:31 | 0:53:34 | |
No-one doubts MY existence. | 0:53:36 | 0:53:38 | |
I've noticed a certain anti-intellectualism going around this country, man. | 0:53:40 | 0:53:44 | |
I was in Nashville, Tennessee, last week, | 0:53:44 | 0:53:46 | |
and after the show I went to a Waffle House. | 0:53:46 | 0:53:48 | |
I'm sitting there and I'm eating and I'm reading a book. | 0:53:48 | 0:53:50 | |
I don't know anybody. I'm alone. I'm eating and I'm reading a book. | 0:53:50 | 0:53:53 | |
And this waitress comes over to me - "Chkchkchk! | 0:53:53 | 0:53:56 | |
"What you reading for?" | 0:53:56 | 0:53:58 | |
Wow, I've never been asked that. | 0:54:00 | 0:54:03 | |
Not what am I READING, but what am I reading FOR? | 0:54:03 | 0:54:07 | |
Well, God damn it, you stumped me. | 0:54:07 | 0:54:09 | |
I guess I read for a lot of reasons but the main one is | 0:54:14 | 0:54:17 | |
so I don't end up being a fucking waffle waitress. | 0:54:17 | 0:54:20 | |
Am I stepping out of some intellectual closet here? | 0:54:20 | 0:54:23 | |
I read. There, I said it. | 0:54:23 | 0:54:26 | |
I feel better. | 0:54:26 | 0:54:27 | |
Suddenly he's just commanding the audience. | 0:54:27 | 0:54:30 | |
There's no breaks. | 0:54:30 | 0:54:31 | |
It's just perfectly choreographed. | 0:54:31 | 0:54:33 | |
I don't do drugs. | 0:54:33 | 0:54:35 | |
I want to thank management for offering. But I said no. | 0:54:35 | 0:54:39 | |
When I say no, it means... | 0:54:39 | 0:54:41 | |
how much and can I get some more? | 0:54:41 | 0:54:43 | |
No. It means... seriously, it means no... | 0:54:43 | 0:54:45 | |
is the bar open? | 0:54:45 | 0:54:47 | |
OK, no, it means... | 0:54:47 | 0:54:48 | |
Let's see how I... | 0:54:48 | 0:54:50 | |
No, I used to do drugs. I had no luck with drugs, man. | 0:54:50 | 0:54:53 | |
Got pulled over tripping once. | 0:54:53 | 0:54:55 | |
Whoo! There's a dream come true. | 0:54:55 | 0:54:58 | |
I'll match that to any drunk story you got. | 0:54:58 | 0:55:02 | |
Pulled over tripping. Jesus! | 0:55:02 | 0:55:04 | |
The cop was tapping on THIS window. We're staring at him in this mirror over here. | 0:55:04 | 0:55:08 | |
LAUGHTER | 0:55:08 | 0:55:11 | |
How tall are you? | 0:55:14 | 0:55:16 | |
Whoohooh! | 0:55:24 | 0:55:26 | |
Shit. | 0:55:28 | 0:55:29 | |
Ambush. | 0:55:30 | 0:55:32 | |
Big one and a little one. | 0:55:32 | 0:55:34 | |
Twins. | 0:55:35 | 0:55:37 | |
Oh, shit. | 0:55:38 | 0:55:41 | |
Be cool. | 0:55:41 | 0:55:42 | |
But I think he'd had to work to get to that point. | 0:55:45 | 0:55:47 | |
He had to go through some dark shows and break some furniture, | 0:55:47 | 0:55:50 | |
but after going through that I think he knew where his limits were and... | 0:55:50 | 0:55:55 | |
how much the audience could take and how far he could push 'em. | 0:55:55 | 0:55:58 | |
Our emotions are running wild and our mind has stopped, man. | 0:55:58 | 0:56:01 | |
The flag-burning thing. | 0:56:01 | 0:56:03 | |
Oh, God, did that bring up some fucking retarded emotions! | 0:56:03 | 0:56:06 | |
The flag! The flag! They said we could burn the flag! | 0:56:06 | 0:56:10 | |
They didn't say that, they said, "If a guy burns a flag, | 0:56:12 | 0:56:15 | |
"he perhaps doesn't need to go to jail for a fuckin' year." | 0:56:15 | 0:56:18 | |
Pretty harsh on their part, isn't it? | 0:56:18 | 0:56:20 | |
People are going, "Hey, buddy, let me tell you something. | 0:56:20 | 0:56:24 | |
"My daddy died for that flag. | 0:56:29 | 0:56:32 | |
"Really? | 0:56:33 | 0:56:35 | |
"I bought mine. | 0:56:35 | 0:56:37 | |
"You know they sell them at Kmart and shit? Three bucks. | 0:56:38 | 0:56:41 | |
"He died in the Korean War for that flag. | 0:56:41 | 0:56:44 | |
"What a coincidence! Mine was made in Korea. | 0:56:44 | 0:56:47 | |
He didn't die for a fucking flag. | 0:56:49 | 0:56:51 | |
It's a piece of cloth. He died for what the flag represents, which is... | 0:56:51 | 0:56:54 | |
the freedom... to burn the fucking flag! | 0:56:54 | 0:56:57 | |
And as my friend Jimmy Pineapple would say, "Case. Fucking. Closed." | 0:56:57 | 0:57:04 | |
We filmed two sets that night. | 0:57:04 | 0:57:06 | |
His parents were there for the first set. | 0:57:06 | 0:57:09 | |
And now that he'd gone sober, I think they were just more proud | 0:57:09 | 0:57:12 | |
of him and I don't think Bill was really censoring himself that much. It'd kind of gone beyond that. | 0:57:12 | 0:57:17 | |
Bill's demeanour was different. | 0:57:17 | 0:57:19 | |
His eyes were brighter. | 0:57:19 | 0:57:21 | |
My thought was, "Thank goodness that that's behind us. | 0:57:21 | 0:57:25 | |
I never said anything like that to Bill. | 0:57:25 | 0:57:28 | |
I just accepted him like he was. | 0:57:28 | 0:57:30 | |
-Watch this, Uncle Bill! -Wow. | 0:57:35 | 0:57:38 | |
We did have this place south of Austin called Wimberley, | 0:57:38 | 0:57:42 | |
and when he'd come to Austin, Bill went down there with us. | 0:57:42 | 0:57:47 | |
You know, I think that he just really got into the rhythm of this place, | 0:57:47 | 0:57:52 | |
which was a total getaway. | 0:57:52 | 0:57:56 | |
The cracker man. | 0:57:56 | 0:57:57 | |
All right! | 0:57:57 | 0:57:58 | |
It's a duck frenzy. | 0:57:58 | 0:58:01 | |
BOY SQUEALS | 0:58:01 | 0:58:03 | |
Coming from the hecticness of what he did, what all of us did, | 0:58:03 | 0:58:07 | |
that was a great little place to spend a week, | 0:58:07 | 0:58:09 | |
before he went back out and hit it again. | 0:58:09 | 0:58:13 | |
I really don't think the full Bill kicked in until he went sober. | 0:58:13 | 0:58:18 | |
I really don't. | 0:58:18 | 0:58:19 | |
I think a lot of people were still coming to see the shock jock comedian, | 0:58:19 | 0:58:23 | |
and now Bill was slipping in some loftier ideas to leave people with. | 0:58:23 | 0:58:28 | |
You know, just because this is a comedy club, | 0:58:28 | 0:58:31 | |
doesn't mean that we can't do something more with this. | 0:58:31 | 0:58:34 | |
My clothes have got to be clean on time. | 0:58:34 | 0:58:36 | |
-We're going to have to get on the beer... -Well, that's right! | 0:58:36 | 0:58:40 | |
When I saw him in Chicago in 1989, | 0:58:40 | 0:58:43 | |
we hadn't seen each other for three years. | 0:58:43 | 0:58:46 | |
His life was completely on track and he was beaming about it. | 0:58:46 | 0:58:50 | |
It's been a very exciting week for me because I'm working with Dwight, who... | 0:58:50 | 0:58:53 | |
He and I started off doing comedy together, | 0:58:53 | 0:58:56 | |
we were 13 years old in Houston, Texas. | 0:58:56 | 0:58:58 | |
It's good to be in Chicago. What a great town, man! | 0:58:58 | 0:59:01 | |
Went to Lincoln Park Zoo. How many people have been there? | 0:59:01 | 0:59:04 | |
APPLAUSE A couple? Yeah? | 0:59:04 | 0:59:06 | |
Well, if you haven't been there, I'll save you a little time. | 0:59:06 | 0:59:09 | |
I'll do a quick visual impression for you guys. | 0:59:09 | 0:59:10 | |
First time ever seen. This is every animal in Lincoln Park zoo. | 0:59:10 | 0:59:14 | |
Here we go. Save you some time. Ladies and gentlemen, every animal in the Lincoln Park Zoo. | 0:59:14 | 0:59:18 | |
HE SNORES | 0:59:20 | 0:59:21 | |
LAUGHTER AND APPLAUSE | 0:59:21 | 0:59:23 | |
What a fucking rip-off. | 0:59:34 | 0:59:36 | |
We had this unique relationship that... | 0:59:36 | 0:59:39 | |
I brought out things in him that normally would not be brought out, and he did the same thing. | 0:59:39 | 0:59:44 | |
What do you feel? What's inside you? | 0:59:44 | 0:59:46 | |
What makes you tick? What fires you up? | 0:59:46 | 0:59:49 | |
What pisses you off? | 0:59:49 | 0:59:51 | |
It's nice to have someone in your life that's like that. He brought that out of you. | 0:59:51 | 0:59:54 | |
He expected it out of you. | 0:59:54 | 0:59:56 | |
This is called logic. It won't hurt you, it'll set you free. But we'll get to that later. | 0:59:56 | 1:00:01 | |
I think a lot of comics have confused being a great comic | 1:00:01 | 1:00:05 | |
with being like Bill Hicks. | 1:00:05 | 1:00:07 | |
Well, no. Being a great comic has to do with your inner voice matching your outer voice. | 1:00:07 | 1:00:12 | |
That's what Bill did. | 1:00:12 | 1:00:13 | |
His personality on stage was just an animated extension of who he was. | 1:00:13 | 1:00:18 | |
Hey, get this, man. | 1:00:18 | 1:00:19 | |
I was in Las Vegas, right? | 1:00:19 | 1:00:21 | |
I'm going to get an elevator at the hotel and I'm smoking. | 1:00:21 | 1:00:23 | |
There's a lady next to me, coughing. | 1:00:23 | 1:00:25 | |
"Hehhem! Hehhehhehhem!" (Shut up...) | 1:00:25 | 1:00:28 | |
I look out the window of the hotel and I see the sunset, | 1:00:28 | 1:00:31 | |
and it's green and purple, | 1:00:31 | 1:00:33 | |
and it's 3pm, | 1:00:33 | 1:00:35 | |
and then a mushroom cloud forms in the desert, | 1:00:35 | 1:00:38 | |
and the hotel starts shaking and every elevator stops working. | 1:00:38 | 1:00:42 | |
I was a little bit curious. | 1:00:42 | 1:00:44 | |
So I turn to this lady who lived in Las Vegas and I say, "What was that?" | 1:00:44 | 1:00:47 | |
And she goes, "Oh! That's the army. | 1:00:47 | 1:00:49 | |
"We don't know what they're doing out there. Hahaha!" | 1:00:49 | 1:00:55 | |
And you're worried about my cigarette smoke? | 1:00:55 | 1:00:58 | |
I would get a fucking priority list happening. | 1:00:58 | 1:01:00 | |
And then I talked to people who lived in Vegas and they go, | 1:01:00 | 1:01:03 | |
"Well, they're 100 miles away." | 1:01:03 | 1:01:06 | |
Yeah, well, my little deodorant aerosol can | 1:01:06 | 1:01:08 | |
is 50 miles from the ozone, so shut the fuck up. | 1:01:08 | 1:01:11 | |
I'll use Cheez Whiz, aerosol, anything I want. | 1:01:11 | 1:01:14 | |
Shut up. | 1:01:14 | 1:01:16 | |
Quit setting off nuclear bombs, OK, it being our planet and all, | 1:01:16 | 1:01:19 | |
don't you think? | 1:01:19 | 1:01:20 | |
What gives them the right to set off bombs? | 1:01:20 | 1:01:22 | |
Haha! I love y'all. | 1:01:22 | 1:01:26 | |
He knew that he was just formulated to be a comic who was supposed to shake things up. | 1:01:26 | 1:01:30 | |
It's all about money, not freedom, y'all, OK? | 1:01:30 | 1:01:33 | |
Haha. | 1:01:33 | 1:01:34 | |
Nothing to do with fucking freedom. | 1:01:34 | 1:01:36 | |
You think you're free? | 1:01:36 | 1:01:37 | |
Try going somewhere without any fucking money, OK? | 1:01:37 | 1:01:39 | |
When you laugh at him, | 1:01:39 | 1:01:41 | |
it makes you think about things you hadn't thought about before. | 1:01:41 | 1:01:44 | |
It's about fucking money, not about freedom. | 1:01:44 | 1:01:46 | |
Don't ever think that it is. Thank you. Sorry. | 1:01:46 | 1:01:48 | |
I am a child of God sent here to bring salvation to the earth, | 1:01:48 | 1:01:51 | |
and you're welcome. | 1:01:51 | 1:01:53 | |
When people walked out of his shows, they may not have admitted it, | 1:01:54 | 1:01:58 | |
but they just were changed a little bit. | 1:01:58 | 1:02:01 | |
He knew that he'd have problems | 1:02:01 | 1:02:03 | |
because he would be going to places that his fan base, | 1:02:03 | 1:02:06 | |
his audience, may not follow him. | 1:02:06 | 1:02:08 | |
As Bill evolved as a comedian, | 1:02:08 | 1:02:10 | |
the comedy clubs were probably de-evolving. | 1:02:10 | 1:02:13 | |
Please quit yelling, man. | 1:02:13 | 1:02:15 | |
It's not funny, it's stupid, it's repetitive - | 1:02:15 | 1:02:18 | |
why the fuck would you continue to yell that? | 1:02:18 | 1:02:20 | |
I'm serious. | 1:02:20 | 1:02:22 | |
Kevin Matthews - OK, what does that mean now? | 1:02:22 | 1:02:24 | |
Now what does it mean? I understand where it comes from. | 1:02:24 | 1:02:26 | |
So do you. Now what does it all mean? | 1:02:26 | 1:02:28 | |
What is the culmination of yelling that? | 1:02:28 | 1:02:30 | |
Jimmy Shorts. He's not here. He's not going to be here. | 1:02:30 | 1:02:33 | |
Now what? Now where are we? | 1:02:33 | 1:02:36 | |
We're here at you interrupting me again, you fucking idiot. | 1:02:36 | 1:02:39 | |
Yes, we're here at the same point again where you, | 1:02:39 | 1:02:42 | |
the fucking peon masses, can once again ruin anyone | 1:02:42 | 1:02:48 | |
who tries to do anything because you don't know how to do it on your own! | 1:02:48 | 1:02:52 | |
That's where we're fucking at once again, the useless waste | 1:02:52 | 1:02:56 | |
of fucking flesh that has ruined everything good | 1:02:56 | 1:02:59 | |
in this goddamn world! | 1:02:59 | 1:03:01 | |
People started to notice Bill at this point. | 1:03:01 | 1:03:06 | |
You know, a lot of the places I travelled to | 1:03:06 | 1:03:08 | |
to be able to experience that with him. | 1:03:08 | 1:03:11 | |
We were brothers, we were pretty close, | 1:03:11 | 1:03:13 | |
and that's what we did, going to Las Vegas for the first time | 1:03:13 | 1:03:16 | |
and being there on opening night by request by Rodney Dangerfield. | 1:03:16 | 1:03:20 | |
It was cool being backstage at the filming of an HBO One Night Stand special. | 1:03:20 | 1:03:27 | |
From the Vic Theatre in Chicago... | 1:03:27 | 1:03:30 | |
please welcome Bill Hicks! | 1:03:30 | 1:03:32 | |
WILD APPLAUSE | 1:03:32 | 1:03:35 | |
Good evening, brothers and sisters, friends and neighbours, | 1:03:39 | 1:03:42 | |
vibrations in the mind of the one true God whose name is love. | 1:03:42 | 1:03:46 | |
How many smokers do we have here tonight? Smokers? | 1:03:49 | 1:03:51 | |
CHEERING | 1:03:51 | 1:03:54 | |
That's a lot of energy for you fuckers. That's good. | 1:03:54 | 1:03:57 | |
Usually you get... | 1:03:57 | 1:03:58 | |
HE COUGHS | 1:03:58 | 1:04:01 | |
Thank you, guys, thank you. | 1:04:04 | 1:04:06 | |
Next time I need you, just hawk up a chunk of lung for me, all right? | 1:04:06 | 1:04:10 | |
Rear back, launch a phlegm gem towards the stage. | 1:04:10 | 1:04:13 | |
Cuh! | 1:04:14 | 1:04:16 | |
BUT listen to this. | 1:04:16 | 1:04:17 | |
How many... | 1:04:17 | 1:04:19 | |
NON-smokers do we have here tonight? | 1:04:19 | 1:04:22 | |
WILD CHEERING AND WHOOPS | 1:04:22 | 1:04:26 | |
Bunch of whining little maggots. | 1:04:29 | 1:04:32 | |
LAUGHTER | 1:04:32 | 1:04:34 | |
You obnoxious, | 1:04:41 | 1:04:43 | |
self-righteous... | 1:04:43 | 1:04:46 | |
slugs. | 1:04:46 | 1:04:48 | |
Don't take that wrong. | 1:04:51 | 1:04:53 | |
I'd quit smoking if I didn't think I'd become one of you. | 1:04:54 | 1:04:58 | |
LAUGHTER | 1:04:58 | 1:04:59 | |
But you got to understand something. I don't do anything else. | 1:05:01 | 1:05:04 | |
I don't drink. | 1:05:04 | 1:05:05 | |
Now, a lot of you non-smokers are drinking, OK? | 1:05:05 | 1:05:07 | |
I'm a non-drinker and I smoke. Now, to me, we're trading off vices. | 1:05:07 | 1:05:11 | |
That seems fair to me. | 1:05:11 | 1:05:13 | |
Yeah. Like fuck. "No, it's not. No, it's not. | 1:05:13 | 1:05:17 | |
"Why should our lives be threatened by your nasty habit? | 1:05:17 | 1:05:20 | |
"Nyehnyehnyehnyehnyeh!" | 1:05:20 | 1:05:22 | |
Yeah, but you know what? | 1:05:22 | 1:05:23 | |
I can't kill anyone in a car cos I'm smoking a fucking cigarette, | 1:05:23 | 1:05:26 | |
all right? | 1:05:26 | 1:05:27 | |
RALLYING CRIES | 1:05:27 | 1:05:29 | |
And I've tried. | 1:05:29 | 1:05:31 | |
LAUGHTER | 1:05:31 | 1:05:33 | |
Turn off all the lights and rush 'em, they always see the glow. | 1:05:33 | 1:05:36 | |
HOWLS OF LAUGHTER | 1:05:36 | 1:05:39 | |
"Man, there's a big firefly heading this way. | 1:05:41 | 1:05:45 | |
"Shit! It's knocking over shrubs!" | 1:05:45 | 1:05:48 | |
It's really weird, he could do an HBO special one night at a big arena, | 1:05:50 | 1:05:53 | |
and then to go back on the road and do crappy clubs. | 1:05:53 | 1:05:58 | |
'American Airlines flight 577.' | 1:05:58 | 1:06:01 | |
I think to him that was part of the journey, | 1:06:01 | 1:06:03 | |
getting his vision out to more people, | 1:06:03 | 1:06:06 | |
that was what he needed to do. | 1:06:06 | 1:06:08 | |
I'm really tired. I apologise upfront. I'm really tired of... | 1:06:08 | 1:06:11 | |
uh, travelling, and tired of doing comedy, | 1:06:11 | 1:06:14 | |
and tired of staring out at your blank faces looking back at me, | 1:06:14 | 1:06:18 | |
wanting me to fill your empty lives with humour | 1:06:18 | 1:06:22 | |
you couldn't possibly think of yourselves. | 1:06:22 | 1:06:25 | |
Good evening. | 1:06:26 | 1:06:29 | |
American audiences, people are too quick to take offence over here. | 1:06:29 | 1:06:32 | |
He just couldn't get any momentum going. | 1:06:32 | 1:06:35 | |
So I guess there was a frustration level of... | 1:06:35 | 1:06:37 | |
you grow past where you're working | 1:06:37 | 1:06:40 | |
and Bill was moving faster than the audiences at times. | 1:06:40 | 1:06:44 | |
What is pornography, man? No-one knows. | 1:06:46 | 1:06:48 | |
The Supreme Court says pornography is any act that has no artistic merit and causes sexual thoughts. | 1:06:48 | 1:06:54 | |
That's their definition, essentially. | 1:06:54 | 1:06:55 | |
No artistic merit. Causes sexual thoughts. | 1:06:55 | 1:06:59 | |
Hm. | 1:06:59 | 1:07:00 | |
That sounds like every commercial on television, doesn't it? | 1:07:00 | 1:07:06 | |
You know, when I see those two twins on that Double Mint commercial, | 1:07:06 | 1:07:10 | |
I'm not thinking of gum. | 1:07:10 | 1:07:12 | |
I am thinking of chewing. | 1:07:16 | 1:07:17 | |
Maybe that's the connection they're trying to make there in a roundabout way. | 1:07:17 | 1:07:22 | |
You've all seen that Busch Beer commercial. | 1:07:25 | 1:07:27 | |
The girl in the short hot pants opens the beer bottle on her belt buckle, leaves it between her legs, | 1:07:27 | 1:07:32 | |
it foams over the bottle and over her hand, and the voiceover goes, "Get yourself a Busch". | 1:07:32 | 1:07:38 | |
Hmmmmm. | 1:07:39 | 1:07:41 | |
You know, correct me if I'm wrong, that looks just... No. No. | 1:07:43 | 1:07:48 | |
The fine liquor company wouldn't try and plant that idea in my head, would they? | 1:07:48 | 1:07:53 | |
Not the fine upstanding liquor company! | 1:07:53 | 1:07:57 | |
Let me tell you what commercial they'd like to do if they could, | 1:07:57 | 1:08:00 | |
and I guaran-fucking-tee if they could, they'd do this. | 1:08:00 | 1:08:02 | |
Here's the woman's face. Beautiful. Camera pulls back. | 1:08:02 | 1:08:05 | |
Naked breasts. | 1:08:05 | 1:08:07 | |
Camera pulls back. | 1:08:07 | 1:08:08 | |
She's totally naked. | 1:08:08 | 1:08:10 | |
Legs apart. | 1:08:10 | 1:08:12 | |
Two fingers right here. | 1:08:12 | 1:08:13 | |
And it just says, "Drink Coke". | 1:08:13 | 1:08:16 | |
LAUGHTER | 1:08:16 | 1:08:18 | |
Now, I don't know the connection here... | 1:08:23 | 1:08:25 | |
..but God damn if Coke isn't on my shopping list this week! | 1:08:27 | 1:08:31 | |
After doing these big, long shows, which always wore him out, | 1:08:32 | 1:08:35 | |
being on the road, it was good to be back in Austin | 1:08:35 | 1:08:38 | |
and to be playing music with his friends. | 1:08:38 | 1:08:40 | |
The start of the Marblehead Johnson thing was the three of us playing | 1:08:40 | 1:08:45 | |
the night of the first Gulf War breaking out, | 1:08:45 | 1:08:47 | |
and Bill had these new songs that he had written. | 1:08:47 | 1:08:51 | |
My band Year Zero broke up and we were looking for something to do | 1:08:51 | 1:08:54 | |
and Bill came to town one day and sat in with us, and it totally gelled. | 1:08:54 | 1:09:00 | |
We were watching the live feed of the war and the classic... shells going over downtown Baghdad. | 1:09:00 | 1:09:06 | |
It was weird watching that kick off live, and that's the surreal thing about American wars now, | 1:09:06 | 1:09:11 | |
is that they're televised with some sort of ratings blood lust. | 1:09:11 | 1:09:16 | |
# Just one thing I know for sure Chicks dig jerks, yeah... # | 1:09:16 | 1:09:22 | |
Bill then got the HBO special and gained greater and wider notoriety. | 1:09:22 | 1:09:28 | |
Still there wasn't that explosion. | 1:09:28 | 1:09:32 | |
Why didn't the country like Bill as much as we do? | 1:09:32 | 1:09:34 | |
He went to the Just For Laughs Festival in Montreal. | 1:09:34 | 1:09:38 | |
Just For Laughs is like the Cannes Film Festival for comedy. | 1:09:38 | 1:09:41 | |
They come from all over the world and it's a big deal. | 1:09:41 | 1:09:44 | |
He realised for the first time in Canada | 1:09:44 | 1:09:46 | |
that there was a new boundary and far more thirst for his perspective | 1:09:46 | 1:09:50 | |
about what was going on with the American dream. | 1:09:50 | 1:09:53 | |
First of all, this needs to be said. | 1:09:53 | 1:09:56 | |
There never was a war. | 1:09:56 | 1:09:59 | |
How can you say that, Bill? | 1:09:59 | 1:10:01 | |
Well, a war is when two armies are fighting. | 1:10:01 | 1:10:05 | |
So you see right there, I think. | 1:10:09 | 1:10:11 | |
We can all agree. Yeah. | 1:10:11 | 1:10:14 | |
Those guys were in hog heaven out there. You understand, man? | 1:10:14 | 1:10:17 | |
They had a big weapons catalogue opened up. | 1:10:17 | 1:10:20 | |
"What's G12 do, Tommy?" | 1:10:20 | 1:10:21 | |
"Well, it says here it destroys everything | 1:10:22 | 1:10:25 | |
"but the fillings in their teeth. | 1:10:25 | 1:10:27 | |
"Helps us pay for the war effort. | 1:10:27 | 1:10:29 | |
"Well, shit, pull that one up. | 1:10:29 | 1:10:32 | |
"Pull up G12, please." | 1:10:32 | 1:10:34 | |
Shhwwshh! | 1:10:34 | 1:10:36 | |
Kkkcckkk! | 1:10:43 | 1:10:44 | |
"Cool. What's G13 do?" | 1:10:46 | 1:10:48 | |
LAUGHTER | 1:10:48 | 1:10:49 | |
Everyone got excited about the technology, and I guess it was | 1:10:49 | 1:10:52 | |
pretty incredible watching a missile fly down an air vent. | 1:10:52 | 1:10:56 | |
Pretty unbelievable. | 1:10:56 | 1:10:58 | |
But couldn't we feasibly use that same technology to shoot | 1:10:58 | 1:11:01 | |
food at hungry people? You know what I mean? | 1:11:01 | 1:11:04 | |
Flying over Ethiopia. There's a guy that needs a banana! | 1:11:04 | 1:11:07 | |
Shhkkkrrrkkk! | 1:11:07 | 1:11:09 | |
Shhwwshh! | 1:11:11 | 1:11:12 | |
APPLAUSE | 1:11:12 | 1:11:16 | |
Here he was not only just playing in the arena of international comedy, | 1:11:19 | 1:11:24 | |
he was excelling in that arena. | 1:11:24 | 1:11:27 | |
Cos I live in the States, a very puritanical place, | 1:11:27 | 1:11:30 | |
full of superstition, | 1:11:30 | 1:11:32 | |
and ancient, ancient religions that no longer serve their function on this planet, | 1:11:32 | 1:11:37 | |
because they're based on fear instead of love. | 1:11:37 | 1:11:39 | |
But, uh... | 1:11:39 | 1:11:41 | |
they say rock'n'roll is the devil's music. | 1:11:41 | 1:11:44 | |
Well, let's say that it is. I got news for you. | 1:11:44 | 1:11:46 | |
Let's say that rock'n'roll IS the devil's music | 1:11:46 | 1:11:48 | |
and we know it for a fact to be absolutely, unequivocally true. | 1:11:48 | 1:11:52 | |
Boy, at least he fucking jams. | 1:11:55 | 1:11:57 | |
OK, did you hear that correctly? | 1:12:00 | 1:12:03 | |
If it's a choice between eternal hell | 1:12:03 | 1:12:04 | |
and good tunes or eternal heaven and New Kids On The fucking Block... | 1:12:04 | 1:12:09 | |
I'm going to be surfing on the lake of fire, rockin' out. | 1:12:11 | 1:12:15 | |
"Oh, come on, Bill, they're the New Kids. | 1:12:15 | 1:12:17 | |
"Don't pick on them. They're so good, they're so clean-cut | 1:12:17 | 1:12:20 | |
"and they're such a good image for the children." | 1:12:20 | 1:12:22 | |
Fuck that. When did mediocrity and banality become a good image for your children? | 1:12:22 | 1:12:28 | |
I want my children to listen to people who fucking rocked! | 1:12:28 | 1:12:32 | |
I don't care if they died in puddles of their own vomit! | 1:12:32 | 1:12:36 | |
I want someone who plays from his fucking heart! | 1:12:36 | 1:12:40 | |
I want 'em to fucking play with one hand | 1:12:40 | 1:12:42 | |
and put a gun in their other fucking hand! "I hope you enjoy the show!" Bkkk! | 1:12:42 | 1:12:48 | |
YES! YES! | 1:12:48 | 1:12:50 | |
Play from your fucking heart! | 1:12:52 | 1:12:56 | |
LAUGHTER | 1:12:56 | 1:12:57 | |
I am available for children's parties, by the way. | 1:13:02 | 1:13:06 | |
I don't think Bill knew that this video | 1:13:07 | 1:13:09 | |
they made there was going to suddenly be broadcast on British TV, | 1:13:09 | 1:13:12 | |
and then that would be the beginning of the next step. | 1:13:12 | 1:13:17 | |
From the United States, please raise the roof for Bill Hicks. Yeah! | 1:13:24 | 1:13:29 | |
I love being a comedian. | 1:13:29 | 1:13:31 | |
It's the greatest job in the world for one simple reason - I don't have a boss. | 1:13:31 | 1:13:33 | |
Definite plus in a lifestyle, man. Every job I've had with a boss, always harassed. | 1:13:33 | 1:13:37 | |
"Hicks, how come you're not working?" | 1:13:37 | 1:13:38 | |
"There's nothing to do. | 1:13:38 | 1:13:40 | |
"Well, you pretend like you're working. | 1:13:40 | 1:13:42 | |
"Well, why don't YOU pretend I'm working? | 1:13:42 | 1:13:47 | |
"You get paid more than me. You fantasise". | 1:13:47 | 1:13:50 | |
In Edinburgh, he won the Judges' Award. | 1:13:50 | 1:13:52 | |
He realised, "Man, OK, there is an audience for what I do. | 1:13:52 | 1:13:56 | |
Here's an American ridiculing America. | 1:13:56 | 1:13:58 | |
He had been so good at making fun of his parents, especially his father. | 1:13:58 | 1:14:02 | |
Now he was terrific at making fun of his fatherland. | 1:14:02 | 1:14:06 | |
The American dream was supposed to be us running from the Brits, | 1:14:06 | 1:14:10 | |
and now Americans are having to tell the Brits | 1:14:10 | 1:14:13 | |
what's become of the American dream. | 1:14:13 | 1:14:15 | |
They did get it. They got it. They could handle it. | 1:14:15 | 1:14:19 | |
How that manifested itself was his confidence went through the roof, | 1:14:19 | 1:14:24 | |
and he definitely attributed that to being in the UK. | 1:14:24 | 1:14:28 | |
This is amazing. Last show I did... You're not going to believe this, but its true. | 1:14:29 | 1:14:33 | |
Belfast, Ireland, last week. | 1:14:33 | 1:14:35 | |
Never been to Belfast, Ireland. | 1:14:35 | 1:14:37 | |
Played to 900 screaming and adoring fans | 1:14:37 | 1:14:40 | |
in a turn-of-the-century theatre | 1:14:40 | 1:14:43 | |
that Oscar Wilde performed on... | 1:14:43 | 1:14:47 | |
only to come back to America, the country I have toured ceaselessly for 15 years | 1:14:47 | 1:14:53 | |
to play Adolf's Comedy Bunker in Idaho, | 1:14:53 | 1:14:58 | |
in front of 25 apathetic people, | 1:14:58 | 1:15:01 | |
strangers one and all, | 1:15:01 | 1:15:04 | |
who stared at me like a dog that had just been shown a card trick. | 1:15:04 | 1:15:08 | |
LAUGHTER | 1:15:08 | 1:15:11 | |
One of life's little ironies. | 1:15:15 | 1:15:18 | |
When Bill talked to me about breaking out in England | 1:15:18 | 1:15:21 | |
and making it there, I thought, "Oh, shit, you know? | 1:15:21 | 1:15:25 | |
You're going to be over in England? But it was pretty much for him a fait accompli. | 1:15:25 | 1:15:29 | |
"This is the place that gets me, I'm filling theatres, not comedy clubs, and partial comedy clubs. | 1:15:29 | 1:15:36 | |
It wasn't really until I saw the Revelations special | 1:15:36 | 1:15:38 | |
that we were all like, "Oh, my God, you know. | 1:15:38 | 1:15:41 | |
"Bill's like a rock star over there, that's amazing. You know, finally." | 1:15:41 | 1:15:44 | |
FANS SCREAM, ROCK MUSIC PLAYS | 1:15:44 | 1:15:51 | |
You're in the right place. | 1:16:00 | 1:16:02 | |
It's Bill! | 1:16:02 | 1:16:05 | |
I'm so sick of arming the world and then sending troops over | 1:16:05 | 1:16:08 | |
to destroy the fucking arms, you know what I mean? | 1:16:08 | 1:16:10 | |
We keep arming these little countries | 1:16:10 | 1:16:13 | |
then we go and blow the shit out of them. | 1:16:13 | 1:16:15 | |
We're like the bullies of the world. | 1:16:15 | 1:16:17 | |
We're like Jack Palance in the movie Shane, | 1:16:17 | 1:16:21 | |
throwing the pistol at the sheep herder's feet. | 1:16:21 | 1:16:24 | |
"Pick it up." | 1:16:24 | 1:16:26 | |
LAUGHTER | 1:16:26 | 1:16:28 | |
"I don't want to pick it up, mister. You'll shoot me." | 1:16:30 | 1:16:33 | |
"Pick up the gun." | 1:16:37 | 1:16:40 | |
"Mister, I don't want no trouble, huh? | 1:16:44 | 1:16:46 | |
"I just came downtown here to get some hardrock candy for my kids, | 1:16:46 | 1:16:50 | |
"some gingham for my wife. | 1:16:50 | 1:16:53 | |
"I don't even know what gingham is, but she goes... | 1:16:53 | 1:16:57 | |
"she goes through about ten rolls a week of that stuff. | 1:16:57 | 1:17:00 | |
"I ain't looking for no trouble, mister." | 1:17:00 | 1:17:02 | |
"Pick up the gun." | 1:17:05 | 1:17:07 | |
LAUGHTER | 1:17:17 | 1:17:19 | |
Pkk! Pkk! Pkk! | 1:17:22 | 1:17:24 | |
"You all saw him. | 1:17:26 | 1:17:28 | |
"He had a gun." | 1:17:28 | 1:17:30 | |
LAUGHTER | 1:17:30 | 1:17:31 | |
Bill was a true patriot, and that is like a true American | 1:17:31 | 1:17:34 | |
and a true patriot does question the Government and that's what | 1:17:34 | 1:17:37 | |
being a patriot means, is that you question the powers. | 1:17:37 | 1:17:39 | |
I mean, I think he was still always proud to be an American, | 1:17:39 | 1:17:42 | |
but he was embarrassed about the things that his government was becoming. | 1:17:42 | 1:17:46 | |
By the way, if anyone here is in advertising or marketing, | 1:17:46 | 1:17:50 | |
kill yourself. | 1:17:50 | 1:17:51 | |
-LAUGHTER -Thank you, thank you. | 1:17:51 | 1:17:53 | |
Thanks. | 1:17:53 | 1:17:54 | |
Just a little thought. I'm just trying to plant seeds. | 1:17:54 | 1:17:59 | |
Maybe...maybe one day they'll take root, I don't know. | 1:17:59 | 1:18:01 | |
You try. You do what you can. | 1:18:01 | 1:18:04 | |
(Kill yourselves.) | 1:18:04 | 1:18:08 | |
Seriously, though, if you are, do. | 1:18:08 | 1:18:09 | |
Uh... | 1:18:09 | 1:18:11 | |
no, really. There's no rationalisation for what you do | 1:18:11 | 1:18:15 | |
and you are Satan's little helpers. OK? Kill yourself, seriously. | 1:18:15 | 1:18:19 | |
You're the ruiner of all things good. Seriously. This is not a joke. | 1:18:19 | 1:18:23 | |
"There's going to be a joke coming." There's no fucking joke coming. | 1:18:23 | 1:18:26 | |
You are Satan's spawn, filling the world with bile and garbage. | 1:18:26 | 1:18:30 | |
You are fucked and you are fucking us. | 1:18:30 | 1:18:32 | |
Kill yourself. It's the only way to save your fucking soul. | 1:18:32 | 1:18:35 | |
Kill yourself. | 1:18:35 | 1:18:36 | |
CHEERING AND WHISTLING | 1:18:36 | 1:18:38 | |
(Thanks, thanks.) | 1:18:38 | 1:18:40 | |
Planting seeds.. | 1:18:40 | 1:18:43 | |
I know all the marketing people are going, "He's doing a joke. | 1:18:43 | 1:18:45 | |
There is no joke here. Suck a tailpipe, | 1:18:45 | 1:18:48 | |
fucking hang yourself. | 1:18:48 | 1:18:49 | |
Borrow a gun from a Yank friend. I don't care how you do it. | 1:18:49 | 1:18:53 | |
Rid the world of your evil fucking machinations. | 1:18:53 | 1:18:57 | |
Machi... Whatever. You know what I mean. | 1:18:57 | 1:19:00 | |
I know what all the marketing people are thinking now, too. | 1:19:01 | 1:19:04 | |
"Oh, you know what Bill's doing? He's going for that anti-marketing dollar. | 1:19:04 | 1:19:08 | |
"That's a good market. He's very smart." | 1:19:08 | 1:19:11 | |
LAUGHTER | 1:19:11 | 1:19:13 | |
Oh, man, I am not doing that, you fucking evil scumbags. | 1:19:13 | 1:19:18 | |
"Oh, you know what Bill's doing now? | 1:19:18 | 1:19:20 | |
"He's going for the righteous indignation dollar. | 1:19:20 | 1:19:22 | |
"That's a big dollar. A lot of people are feeling that indignation. | 1:19:22 | 1:19:26 | |
"We've done research. Huge market. He's doing a good thing." | 1:19:26 | 1:19:29 | |
God damn it, I'm not doing that, you scumbags. | 1:19:29 | 1:19:32 | |
Quit putting a goddamn dollar sign on every fucking thing on this planet! | 1:19:32 | 1:19:36 | |
It's a universal idea, but supposedly it's the American creed, | 1:19:36 | 1:19:40 | |
which is free men, that can say what they want | 1:19:40 | 1:19:43 | |
and believe what they want, and that's a powerful idea | 1:19:43 | 1:19:46 | |
when you see somebody that believes so much in that kind of freedom. | 1:19:46 | 1:19:49 | |
That's exactly what you work for. That's what it's all about. | 1:19:49 | 1:19:52 | |
Audiences that get what you're saying. | 1:19:52 | 1:19:55 | |
I got called by NBC, so I flew down and spent the whole week with him. | 1:19:58 | 1:20:04 | |
He was really relaxed and he had some time off | 1:20:06 | 1:20:09 | |
and when we were driving around Los Angeles we started developing new characters. | 1:20:09 | 1:20:12 | |
"Los Angeles, California! Stars in the making. | 1:20:12 | 1:20:16 | |
"Everyone's got a resume in their hands and dreams in their eyes..." | 1:20:16 | 1:20:20 | |
and he'd given up smoking and he goes, "I just feel great." | 1:20:20 | 1:20:24 | |
Bill never stopped wanting to make it in America. | 1:20:24 | 1:20:27 | |
He was now kind of wondering, "What does the future hold for me?" | 1:20:27 | 1:20:31 | |
You know, when I would go watch him in Austin four nights in a row, | 1:20:31 | 1:20:34 | |
I would be amazed that maybe something that was just a throwaway line the first night | 1:20:34 | 1:20:40 | |
became a five-minute bit by the fourth night. | 1:20:40 | 1:20:43 | |
Put on a helmet, go wait in that foxhole. | 1:20:43 | 1:20:45 | |
We'll tell you when we need you to kill somebody. | 1:20:45 | 1:20:48 | |
You know, I'm so sick... I've watched these fucking congressional hearings | 1:20:48 | 1:20:51 | |
and all these military guys and all the pundits seriously... | 1:20:51 | 1:20:55 | |
"Oh, the esprit de corps will be affected" and "we are such a moral..." | 1:20:55 | 1:20:58 | |
Excuse me, aren't y'all fucking hired killers? Shut up! | 1:20:58 | 1:21:02 | |
You are thugs and when we need you to go blow the fuck | 1:21:02 | 1:21:05 | |
out of a nation of little brown people, we'll let you know. | 1:21:05 | 1:21:08 | |
Until then, what do the fucking military... | 1:21:08 | 1:21:12 | |
"We are the military! | 1:21:12 | 1:21:16 | |
"Is that a village of children and kids? Where's the napalm?" | 1:21:16 | 1:21:18 | |
Shhkkk! | 1:21:18 | 1:21:20 | |
"I don't want any gay people hanging around me while I'm killing kids. | 1:21:20 | 1:21:25 | |
"I just don't want to see it." | 1:21:25 | 1:21:27 | |
APPLAUSE | 1:21:27 | 1:21:29 | |
That was, uh...June of '93, and I have those shows on video, | 1:21:29 | 1:21:32 | |
and I was at work one day and he called my wife and he said, | 1:21:32 | 1:21:37 | |
"Do you have a doctor, a family doctor, here in Austin?" | 1:21:37 | 1:21:41 | |
and she said, "Yeah, we do, and he goes, | 1:21:41 | 1:21:43 | |
"Could you call and make me an appointment? | 1:21:43 | 1:21:45 | |
I'm having stomach problems. | 1:21:45 | 1:21:47 | |
Bill called a lot of times | 1:21:47 | 1:21:49 | |
while he was waiting to go on or whatever at a show | 1:21:49 | 1:21:53 | |
and I heard Jim say, "Are you getting ready to go on?" | 1:21:53 | 1:21:57 | |
And Bill said, "No, I'm in the hospital. | 1:21:57 | 1:22:01 | |
And I remember my wife answered the phone, | 1:22:01 | 1:22:03 | |
and then she said something like, "Oh, it's your brother. | 1:22:03 | 1:22:05 | |
"He's got cancer or something", like he was making a joke | 1:22:05 | 1:22:08 | |
or something, and I got on the phone and, "What's up?" | 1:22:08 | 1:22:13 | |
and he said, "Well, I got bad news, you know", and he said... | 1:22:13 | 1:22:16 | |
And I just... It just devastated me, you know? | 1:22:16 | 1:22:19 | |
I mean it, you know, so... | 1:22:19 | 1:22:21 | |
GUITAR MUSIC DROWNS SPEECH | 1:22:21 | 1:22:24 | |
The foundation of our family was probably laid early on | 1:22:31 | 1:22:35 | |
in our lives and I don't think that there was ever any hesitation | 1:22:35 | 1:22:38 | |
of decision in Bill's mind that he just needed to get back home. | 1:22:38 | 1:22:43 | |
When he picked me up at the airport at LA, | 1:22:45 | 1:22:48 | |
he came straight from a chemo treatment. | 1:22:48 | 1:22:51 | |
I kept saying, "You want me to drive? | 1:22:51 | 1:22:54 | |
That whole trip, he drove the entire way, ten, twelve hours a day, | 1:22:54 | 1:22:59 | |
every day for four days, and he wouldn't let me drive. | 1:22:59 | 1:23:01 | |
He came here and he was sitting out on the deck, | 1:23:05 | 1:23:08 | |
and in years before when he'd go out there and sit on the deck, | 1:23:08 | 1:23:11 | |
you know, he kind of wanted to be alone. | 1:23:11 | 1:23:14 | |
So I opened the door and I said, "Bill, do you want to be alone?" | 1:23:14 | 1:23:19 | |
and he said, "Who wants to be alone?" | 1:23:19 | 1:23:21 | |
I said, "I'll be right there!" | 1:23:21 | 1:23:23 | |
As serious as it was, it was a good time. | 1:23:23 | 1:23:27 | |
He started telling me everything he had been doing, | 1:23:27 | 1:23:32 | |
filling me in on things he thought I needed to know, | 1:23:32 | 1:23:35 | |
and he turned to me and he said, | 1:23:35 | 1:23:37 | |
"Why, you're more broadminded than I thought you were!" | 1:23:37 | 1:23:41 | |
Also at night, Jim and Bill and I would walk. | 1:23:41 | 1:23:46 | |
Bill was encouraged by how those tumour markers were going down, | 1:23:47 | 1:23:51 | |
and that's why Bill didn't want anybody to know. | 1:23:51 | 1:23:54 | |
His desire to continue to work and perform came before everything else. | 1:23:56 | 1:24:02 | |
Cos he still travelled. | 1:24:02 | 1:24:03 | |
This was in August and he was still travelling and performing. | 1:24:03 | 1:24:07 | |
Receiving an awful cancer diagnosis and still wanting to work, | 1:24:07 | 1:24:13 | |
I mean, how many people really could do that? | 1:24:13 | 1:24:18 | |
What he used to say was when he was on stage, it all went away. | 1:24:18 | 1:24:22 | |
He just got in his zone and did his thing and he never felt it, | 1:24:22 | 1:24:26 | |
never thought about it. | 1:24:26 | 1:24:28 | |
He was also in that period of starting to put together Arizona Bay | 1:24:28 | 1:24:32 | |
and then Rant In E-Minor and he worked with Kevin, his producer. | 1:24:32 | 1:24:36 | |
We'd started working on Arizona Bay a few months earlier. | 1:24:36 | 1:24:39 | |
I'm here. Here's my toothbrush. | 1:24:39 | 1:24:41 | |
Wherever I am. It's my... it's my little home. | 1:24:41 | 1:24:45 | |
The years and years that Bill and I had worked together | 1:24:52 | 1:24:54 | |
brought us to a point where the idea of combining music | 1:24:54 | 1:24:57 | |
and comedy just seemed like the next natural progression. | 1:24:57 | 1:25:00 | |
OK, here we go. Ready. Plug in. | 1:25:03 | 1:25:07 | |
"You all saw him. He had a gun." | 1:25:09 | 1:25:13 | |
Bill, you know, had so much energy and so much focus, | 1:25:19 | 1:25:22 | |
I never in a million years would have thought something was wrong with him. | 1:25:22 | 1:25:25 | |
We're recording this for an album. | 1:25:25 | 1:25:28 | |
I'd like to thank you all for laughing. | 1:25:28 | 1:25:31 | |
When I got to San Francisco, Bill was smoking again. That was strange. | 1:25:31 | 1:25:34 | |
What can I say? The hook is deep, man. | 1:25:34 | 1:25:37 | |
I went nine months without 'em and that fucking hook, | 1:25:37 | 1:25:40 | |
they dropped it back in the water, boom, and there I was. | 1:25:40 | 1:25:44 | |
Whoo! | 1:25:47 | 1:25:49 | |
See, folks, here's the deal, man, in my humble opinion, | 1:25:49 | 1:25:52 | |
is that what the problem with the world is is very simple. | 1:25:52 | 1:25:55 | |
We're undergoing evolution and all our institutions are failing | 1:25:55 | 1:25:58 | |
and crumbling around us because... they're no longer relevant. | 1:25:58 | 1:26:03 | |
Hahaha! | 1:26:03 | 1:26:05 | |
I'd say let 'em go. | 1:26:05 | 1:26:07 | |
That's all. It's just evolution. | 1:26:07 | 1:26:09 | |
Evolution does not end with us growing opposable thumbs. | 1:26:09 | 1:26:13 | |
OK? We're at the point now in history, the first time ever, | 1:26:13 | 1:26:15 | |
we can evolve at will and the way we do it is we evolve ideas. | 1:26:15 | 1:26:19 | |
By the way, there are more dick jokes coming. Please relax. | 1:26:19 | 1:26:24 | |
Let's create a new philosophy. What do you say? | 1:26:24 | 1:26:27 | |
Let's create a new religion. What do you think? | 1:26:27 | 1:26:29 | |
I mean, it's not necessarily new. | 1:26:29 | 1:26:32 | |
The...the seeds are real in the religions. | 1:26:32 | 1:26:35 | |
Love and acceptance and forgiveness. That's good stuff. | 1:26:35 | 1:26:38 | |
Let's... Let's keep that. Let's just drop all the dogma, OK? | 1:26:38 | 1:26:43 | |
And let's take care of the planet, OK? | 1:26:43 | 1:26:46 | |
OK! | 1:26:46 | 1:26:47 | |
I know I'm starting to lose 'em a little bit here with this shit. | 1:26:47 | 1:26:50 | |
I'm like digging a fucking hole right now. | 1:26:50 | 1:26:53 | |
"And another thing!" | 1:26:54 | 1:26:56 | |
I don't think we would have gotten as much done | 1:26:56 | 1:27:00 | |
through those couple of months, had I known he was dying. | 1:27:00 | 1:27:04 | |
He was looking now at his life like, "I've only got so many months to live, "I want to finish the script, | 1:27:04 | 1:27:08 | |
"make a new Ninja Bachelor Party, record enough material for several more records." | 1:27:08 | 1:27:12 | |
So I was in heaven. I mean, that was my idea of a good time. | 1:27:12 | 1:27:15 | |
He actually included tripping on mushrooms as part of the sobriety. | 1:27:18 | 1:27:23 | |
So it was surprising when Bill said, | 1:27:23 | 1:27:26 | |
"Let's go to the ranch again and trip on mushrooms. | 1:27:26 | 1:27:28 | |
Suddenly Bill calls out of the blue. | 1:27:28 | 1:27:30 | |
"Hey, I think it's time we have another ranch blow-out. | 1:27:30 | 1:27:33 | |
I'm like, "Wow, OK. | 1:27:34 | 1:27:37 | |
We just... It's not something that you do that often. | 1:27:37 | 1:27:40 | |
It's pretty intense. | 1:27:40 | 1:27:41 | |
The only thing to me | 1:27:44 | 1:27:45 | |
that signalled that something was a little bit different | 1:27:45 | 1:27:49 | |
is when I suggested something that we were going to do in the future | 1:27:49 | 1:27:54 | |
that he didn't say anything, | 1:27:54 | 1:27:56 | |
like he knew there wasn't going to be a next time. | 1:27:56 | 1:27:58 | |
Then he wanted to take a photo when we got back to my house. | 1:28:00 | 1:28:03 | |
I think that he wanted one last photo shoot. | 1:28:03 | 1:28:08 | |
I think deep down inside, Bill was an activist. | 1:28:18 | 1:28:21 | |
It wasn't Bill's style to be a part of any kind of mob or group, | 1:28:21 | 1:28:25 | |
or anything like that. | 1:28:25 | 1:28:26 | |
Bill was going to do things in his own way. | 1:28:26 | 1:28:30 | |
I was in Australia during the Waco siege, and I'm from Texas, | 1:28:30 | 1:28:33 | |
and all the Australians were going... | 1:28:33 | 1:28:35 | |
"Bill, that guy is such a weirdo, right? | 1:28:35 | 1:28:38 | |
First of all, everyone hated that guy cos he called himself Jesus, | 1:28:38 | 1:28:42 | |
you know, and my first thought was, | 1:28:42 | 1:28:44 | |
"Come on, the guy's real name is Vernon. | 1:28:44 | 1:28:47 | |
"Let him be Jesus for a couple of months, you know? | 1:28:47 | 1:28:51 | |
"I mean, what's it to you?" | 1:28:51 | 1:28:53 | |
March of '93, the Bureau of Alcohol, Tobacco and Firearms | 1:28:53 | 1:28:58 | |
performed a raid on a kind of a cult compound | 1:28:58 | 1:29:02 | |
outside of Waco, Texas that was headed by David Koresh. | 1:29:02 | 1:29:07 | |
This story was so fascinating to Bill that we gathered all our cameras and drove up there. | 1:29:07 | 1:29:12 | |
We're almost there. Sense anything? | 1:29:12 | 1:29:14 | |
HE SNIFFS | 1:29:14 | 1:29:15 | |
I smell some holed-up people. | 1:29:15 | 1:29:17 | |
Good afternoon. Where are we going to? | 1:29:20 | 1:29:22 | |
Uh, we were going to get as close as we could and film it. | 1:29:22 | 1:29:25 | |
The government was careful to make sure that the press was pushed back | 1:29:25 | 1:29:29 | |
something like two miles away from the compound. | 1:29:29 | 1:29:33 | |
It's still a matter of debate, like who fired first. | 1:29:33 | 1:29:36 | |
But one thing is for sure, that they were just firing into a plywood building that was filled with, | 1:29:36 | 1:29:41 | |
you know, men, women and children. | 1:29:41 | 1:29:43 | |
The whole country just stood by and was just like, | 1:29:43 | 1:29:47 | |
"Well, they're fanatics, "they got what they deserved", | 1:29:47 | 1:29:49 | |
and that's what enraged Bill the most, to be that one guy going, | 1:29:49 | 1:29:52 | |
"Hey, everybody, did you just see what they did? | 1:29:52 | 1:29:56 | |
"Now, seriously, does everybody really think that's OK?" | 1:29:56 | 1:29:59 | |
Ladies and gentlemen, I have some very shocking news for you. | 1:29:59 | 1:30:04 | |
I have seen footage that you probably have never seen, | 1:30:04 | 1:30:06 | |
some of you never have, that's never aired on network television, | 1:30:06 | 1:30:10 | |
of footage of the Bradley tanks shooting fire into the compound. | 1:30:10 | 1:30:15 | |
The Branch Davidians did not start the fire. | 1:30:15 | 1:30:18 | |
They were murdered, in cold blood, by the pussies, the liars, | 1:30:18 | 1:30:24 | |
the scumbags, the ATF, | 1:30:24 | 1:30:26 | |
and the meaning of it all, the reason you didn't see it, | 1:30:26 | 1:30:30 | |
the reason they said the Branch Davidians started the fire... | 1:30:30 | 1:30:32 | |
No, they didn't, cos they know now that David Koresh was trying | 1:30:32 | 1:30:35 | |
to finish that fucking whatever, Seven Seals horseshit he was doing. | 1:30:35 | 1:30:38 | |
They know that. | 1:30:38 | 1:30:39 | |
They burned these fucking people alive because the message | 1:30:39 | 1:30:42 | |
they want to convey to you is state power will always win. | 1:30:42 | 1:30:46 | |
We'll paint you as a child molester | 1:30:46 | 1:30:48 | |
and we'll paint you as a methamphetamine manufacturer, | 1:30:48 | 1:30:51 | |
we'll say any lie we want over our propaganda machine, | 1:30:51 | 1:30:54 | |
the mainstream media, | 1:30:54 | 1:30:56 | |
and we'll burn you and your children in your fucking homes. | 1:30:56 | 1:30:58 | |
So you just be apathetic, America, you stay docile, | 1:30:58 | 1:31:01 | |
and don't you ever forget you're free to do what we tell you. | 1:31:01 | 1:31:05 | |
The real implication is why no mainstream media has picked up | 1:31:10 | 1:31:13 | |
on this footage and thought that it was news. | 1:31:13 | 1:31:15 | |
This tells you something about America | 1:31:15 | 1:31:17 | |
and the state of freedom that you live under. | 1:31:17 | 1:31:20 | |
Just seeing it firsthand, and seeing them do it on TV. | 1:31:20 | 1:31:25 | |
What if that was you in there? | 1:31:25 | 1:31:27 | |
You may not agree with them, but what if the day comes | 1:31:27 | 1:31:30 | |
where you're the guy in that church | 1:31:30 | 1:31:31 | |
practising something that they don't like? | 1:31:31 | 1:31:34 | |
Bill really was in the state of mind, of, you know, for one, | 1:31:34 | 1:31:39 | |
I'm not taking any shit from anybody any more, and two, | 1:31:39 | 1:31:41 | |
I'm going to just tell everybody exactly what it is they need to hear, | 1:31:41 | 1:31:45 | |
because time is of the essence here. | 1:31:45 | 1:31:47 | |
That last day we tripped out here, Bill was preparing for his last Letterman appearance. | 1:31:50 | 1:31:54 | |
It was only a matter of days. | 1:31:54 | 1:31:55 | |
He was taking this one really seriously. | 1:31:55 | 1:31:58 | |
And of course, Bill was the only one | 1:31:59 | 1:32:02 | |
thinking that this was going to be the last time he was going to perform | 1:32:02 | 1:32:06 | |
something to be seen by the entire American public. | 1:32:06 | 1:32:09 | |
And he called me up, he was like, "Kevin, I think I finally did it. It went so good". | 1:32:09 | 1:32:14 | |
PHONE RINGS | 1:32:14 | 1:32:16 | |
And then about an hour or so later, he called and he was just like, "I can't believe it, they cut it". | 1:32:18 | 1:32:24 | |
Bill's reaction, I am pretty sure, | 1:32:29 | 1:32:33 | |
was because he knew what he was facing. | 1:32:33 | 1:32:36 | |
I just remember him saying, you know, "I'm done with this. | 1:32:36 | 1:32:39 | |
"I'm tired of trying to please these people, | 1:32:39 | 1:32:42 | |
"I'm trying to be myself and they want me to be somebody else, | 1:32:42 | 1:32:46 | |
"and so I'm just not going to do it any more", it was kind of final like that. | 1:32:46 | 1:32:51 | |
Then he invites me over to Igby's and as we were walking in, he goes, | 1:32:51 | 1:32:55 | |
"This'll be my last night working at Igby's. | 1:32:55 | 1:32:57 | |
I go, "Why do you say that?" To me it made no sense at all. | 1:32:57 | 1:33:01 | |
"I mean, it's a nice club. You like the club. | 1:33:01 | 1:33:03 | |
He goes, "Some things you just know. | 1:33:03 | 1:33:06 | |
I thought maybe it's cos he was going to move to England... | 1:33:06 | 1:33:10 | |
Folks, I appreciate you coming out. It's a very sentimental evening for me and a very exciting one. | 1:33:10 | 1:33:15 | |
But this is my final live performance I am ever going to do, | 1:33:15 | 1:33:17 | |
stand-up comedy-wise. | 1:33:17 | 1:33:20 | |
True. No, no, no, don't get me wrong. | 1:33:20 | 1:33:22 | |
It's not sour grapes. | 1:33:22 | 1:33:24 | |
I've loved every, you know, moment of the 16 years I've been doing it, | 1:33:24 | 1:33:28 | |
in total anonymity in the country I love, and, uh... | 1:33:28 | 1:33:31 | |
every delayed flight, every EconoLodge, I've loved it all, | 1:33:31 | 1:33:37 | |
playing the Comedy Pouch in Possum Ridge, Arkansas, | 1:33:37 | 1:33:41 | |
every three months, it was my treat. | 1:33:41 | 1:33:44 | |
When I saw the Igby's tape, it just flat out blew me away. | 1:33:44 | 1:33:48 | |
You listen to any set after he knew he was sick and they're phenomenal, raging. | 1:33:48 | 1:33:53 | |
You can just feel the, "I got to get this shit out". | 1:33:53 | 1:33:56 | |
I went in and I said, "I want to do a show | 1:33:56 | 1:34:00 | |
"where we rid the world of all these fevered egos that are tainting | 1:34:00 | 1:34:03 | |
"our collective unconscious, and the CBS guy goes, | 1:34:03 | 1:34:06 | |
"Will there be titty?" | 1:34:06 | 1:34:08 | |
And I said, "Yeah, all right, sure. | 1:34:08 | 1:34:11 | |
Uh... sure. | 1:34:11 | 1:34:13 | |
Boom! A cheque falls in my lap. I'm a producer. | 1:34:13 | 1:34:16 | |
We've had creative meetings. | 1:34:16 | 1:34:18 | |
"What are these titties going to do?" "Uh... jiggle?" | 1:34:18 | 1:34:21 | |
"Son, you're a genius. Where have you been all our lives? | 1:34:21 | 1:34:26 | |
"Oh, at the Comedy Pouch in Possum Ridge, Arkansas, you fuck. | 1:34:26 | 1:34:29 | |
"I had no idea if I said the word titty, I'd get my own show, | 1:34:29 | 1:34:32 | |
"but damn it, damn me for not thinking of that. | 1:34:32 | 1:34:36 | |
What does everyone love? | 1:34:36 | 1:34:39 | |
Titties. Yes. | 1:34:39 | 1:34:41 | |
Kevin called me and said, "Bill's coming over and he wants to talk to us about something. | 1:34:43 | 1:34:47 | |
And so when he came over, we knew that something was wrong | 1:34:47 | 1:34:51 | |
because he was kind of weepy and he was hugging us and saying he loved us | 1:34:51 | 1:34:56 | |
and then told us that he had cancer and had been told that he was going to die soon. | 1:34:56 | 1:35:01 | |
You know, it was just like that feeling of just falling into a tunnel | 1:35:01 | 1:35:04 | |
and going, "Oh, God, everything makes sense all of a sudden". | 1:35:04 | 1:35:07 | |
He called and told me and then asked me who he should tell, | 1:35:07 | 1:35:12 | |
whether he should tell other people or not. | 1:35:12 | 1:35:14 | |
"Of course you fucking..." You know, "these are your best friends. You have to tell them". | 1:35:14 | 1:35:20 | |
It was just shock forever, you know. | 1:35:20 | 1:35:23 | |
Still can't believe it. | 1:35:23 | 1:35:25 | |
It always just seemed then, as it seems now, that Bill is, uh... | 1:35:25 | 1:35:29 | |
out of town and he's mad at me and he'll call me when he gets over it. | 1:35:29 | 1:35:32 | |
An awful thing, but Bill's going to beat it | 1:35:32 | 1:35:34 | |
and this has got to be at least 20 minutes of material | 1:35:34 | 1:35:38 | |
and it's going to be difficult, but he'll do it, he'll do it. | 1:35:38 | 1:35:42 | |
It just fucking sucks. You're just like... | 1:35:42 | 1:35:45 | |
I'd lost my mom four years earlier to the same thing, pancreatic cancer. | 1:35:45 | 1:35:50 | |
Only Bill, only Bill could that happen to. | 1:35:50 | 1:35:54 | |
I mean the timing of it was so Bill, you know? | 1:35:54 | 1:35:56 | |
He said, "John, you know, everything that happens is right, | 1:35:56 | 1:36:00 | |
"and that the last thing you have is family. | 1:36:00 | 1:36:03 | |
"The only thing you truly have, is family. | 1:36:03 | 1:36:07 | |
Which, of course, it goes without saying, it never occurred to me! | 1:36:07 | 1:36:11 | |
Right before we hung up I said, "I'll see you again, and he said, | 1:36:11 | 1:36:15 | |
"I know", and hung up. | 1:36:15 | 1:36:16 | |
He said, "Man, I don't want to die. | 1:36:17 | 1:36:19 | |
"It is like the biggest joke on me in the world. | 1:36:19 | 1:36:22 | |
"Here I've been a comedian all my life, | 1:36:22 | 1:36:24 | |
"and now the big joke's on me, right when it was all coming together". | 1:36:24 | 1:36:28 | |
Is there a point to all this? | 1:36:28 | 1:36:29 | |
Let's find a point. | 1:36:29 | 1:36:31 | |
Is there a point to my act? I would say there is. | 1:36:34 | 1:36:36 | |
I have to. | 1:36:39 | 1:36:42 | |
The world is like a ride in an amusement park, | 1:36:42 | 1:36:44 | |
and when you choose to go on it, you think it's real, | 1:36:44 | 1:36:47 | |
cos that's how powerful our minds are, and the ride goes up and down and round and round, | 1:36:47 | 1:36:52 | |
it has thrills and chills and it's very brightly coloured | 1:36:52 | 1:36:55 | |
and it's very loud, and it's fun for a while. | 1:36:55 | 1:36:57 | |
Some people have been on the ride for a long time | 1:36:57 | 1:36:59 | |
and they begin to question, | 1:36:59 | 1:37:01 | |
"Is this real or is this just a ride?" | 1:37:01 | 1:37:03 | |
And other people have remembered and they come back to us and say, | 1:37:03 | 1:37:06 | |
"Hey, "don't worry, don't be afraid, ever, | 1:37:06 | 1:37:08 | |
"because this is just a ride", and we... | 1:37:08 | 1:37:13 | |
kill those people. | 1:37:13 | 1:37:15 | |
"Shut him up! | 1:37:15 | 1:37:18 | |
"We have a lot invested in this ride. Shut him up! | 1:37:18 | 1:37:20 | |
"Look at my furrows of worry. | 1:37:20 | 1:37:22 | |
"Look at my big bank account and my family. | 1:37:22 | 1:37:26 | |
"This has to be real." | 1:37:26 | 1:37:29 | |
It's just a ride. | 1:37:29 | 1:37:31 | |
But we always kill those good guys who try and tell us that. | 1:37:31 | 1:37:33 | |
Ever notice that? And let the demons run amok. | 1:37:33 | 1:37:36 | |
But it doesn't matter, because... | 1:37:36 | 1:37:38 | |
..it's just a ride and we can change it any time we want. | 1:37:39 | 1:37:43 | |
It's only a choice. | 1:37:43 | 1:37:45 | |
No effort. No work. No job. No savings of money. | 1:37:45 | 1:37:48 | |
A choice right now between fear and love. | 1:37:48 | 1:37:51 | |
The eyes of fear want you to put bigger locks on your door, | 1:37:51 | 1:37:55 | |
buy guns, close yourself off. | 1:37:55 | 1:37:57 | |
The eyes of love, instead, see all of us as one. | 1:37:57 | 1:38:00 | |
Here's what we can do to change the world right now to a better ride. | 1:38:00 | 1:38:04 | |
Take all that money we spend on weapons and defence each year, | 1:38:04 | 1:38:07 | |
and, instead, spend it feeding, clothing and educating the poor | 1:38:07 | 1:38:10 | |
of the world which it would many times over, | 1:38:10 | 1:38:13 | |
not one human being excluded, and we can explore space together... | 1:38:13 | 1:38:17 | |
APPLAUSE | 1:38:17 | 1:38:18 | |
..both inner and outer... | 1:38:18 | 1:38:21 | |
forever in peace. Thank you very much. | 1:38:21 | 1:38:23 | |
You've been great. I hope you enjoyed it. | 1:38:23 | 1:38:26 | |
Thank you very much. | 1:38:26 | 1:38:29 | |
RAPTUROUS APPLAUSE | 1:38:29 | 1:38:31 | |
My mom called me the other day. | 1:39:07 | 1:39:09 | |
She's going, "Bill, honey, it's your daddy's birthday tomorrow. | 1:39:09 | 1:39:13 | |
"I want you to call him up and wish him a happy birthday. | 1:39:13 | 1:39:16 | |
"It'll mean so much to him. Please don't you forget to do that. | 1:39:16 | 1:39:19 | |
"It'll mean so much to him, to wish him a happy birthday. | 1:39:19 | 1:39:23 | |
"Please do it for me, honey. | 1:39:23 | 1:39:25 | |
"Please." I said, "OK, Mom, sure. | 1:39:25 | 1:39:27 | |
I called up my dad. Said, "Dad, happy birthday. | 1:39:27 | 1:39:30 | |
He goes, "Thanks, Son. Here's your mother. | 1:39:30 | 1:39:32 | |
I kind of look at the audience out there too. | 1:40:20 | 1:40:24 | |
Are they going to be able to take that inspiration that they feel | 1:40:24 | 1:40:27 | |
and move it forward? | 1:40:27 | 1:40:30 | |
It's not enough just to make jokes about it. | 1:40:30 | 1:40:32 | |
You have to kick over some tables. | 1:40:32 | 1:40:36 | |
Subtitles by Red Bee Media Ltd | 1:41:00 | 1:41:03 | |
E-mail [email protected] | 1:41:03 | 1:41:06 |