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Next on UTV is the The Magic Box. Hang on, eggs on the BBC! I'm UTV. | :00:17. | :00:27. | |
| :00:27. | :00:28. | ||
It is awfully confusing. Anyway, sit back and enjoy this spectacular | :00:28. | :00:38. | |
| :00:38. | :01:09. | ||
APPLAUSE But ladies and gentlemen, live on BBC Northern Ireland and on | :01:09. | :01:14. | |
UTV. Up it is my great pleasure to introduce your host for the evening, | :01:14. | :01:24. | |
| :01:24. | :01:33. | ||
Thank you very much. Good to see you, good evening, welcome to the | :01:33. | :01:37. | |
The Magic Box, a piece of television history. Not just | :01:37. | :01:40. | |
because tonight we move into the digital age, but because for the | :01:40. | :01:44. | |
first time ever UTV and BBC Northern Ireland are sharing the | :01:44. | :01:48. | |
airwaves and transmitting the same programme at the same time. Tonight | :01:48. | :01:52. | |
is magic because it is an amazing story. It covers 60 years involving | :01:52. | :01:57. | |
so many people, many in the studio tonight. Let's start with the | :01:57. | :02:01. | |
person who just introduced me. You will know him as the voice of | :02:01. | :02:06. | |
satellite, -- Saturday night, he has mastered entertainment, the man | :02:06. | :02:13. | |
who makes the tax factor, it is Peter Dixon! -- the man who makes | :02:13. | :02:23. | |
| :02:23. | :02:23. | ||
Don't encourage him! But you are all part of the story, you are part | :02:23. | :02:28. | |
of this The Magic Box, and for you it all started here. | :02:28. | :02:33. | |
It did indeed, my first job was on BBC Radio Ulster, at the same time | :02:33. | :02:37. | |
you win at UTV. My very first job was the glamour | :02:37. | :02:43. | |
this role of reading of the stock prices on Radio Ulster at 6pm. | :02:43. | :02:47. | |
What way did they call? And actually have the original | :02:47. | :02:52. | |
script with me tonight. Can give you a little flavour. | :02:52. | :03:00. | |
Hobbit, down two shillings, skiers come up �1.60, to �12.60 shillings | :03:00. | :03:07. | |
and fourpence! Lovely. | :03:07. | :03:12. | |
As you can probably tell, I had no idea what I was talking about it. | :03:12. | :03:16. | |
Anyway, happy days. If it ever was wrong at the at | :03:16. | :03:24. | |
Hydra... Peter is just one of the many | :03:24. | :03:28. | |
people who played their part in our 60 your journey. We have another | :03:28. | :03:35. | |
one here. The biggest thing to happen to that -- did his | :03:35. | :03:38. | |
television is the digital switchover. We're delighted to see | :03:38. | :03:48. | |
| :03:48. | :03:53. | ||
the person chosen to actually do That is the good news, the bad news | :03:53. | :03:58. | |
is that will happen in 50 minutes' time and it is up on the mountain? | :03:58. | :04:03. | |
Do you still do any running? If you're coming with me. | :04:03. | :04:07. | |
What do you do? Do you pillock a plug? And I press a button, I | :04:08. | :04:16. | |
believe. A -- do you pull out a plug. | :04:16. | :04:20. | |
A lot of my friends have been e- mailing me saying, don't do it | :04:20. | :04:25. | |
tonight, I'm not ready! That is a whole other thing. Thank | :04:25. | :04:29. | |
you very much. Who would have imagined when the television was a | :04:29. | :04:32. | |
great box made of valves and knobs that our screens would be flat, | :04:32. | :04:36. | |
nobody would have good bit of this will fat to change channels and, | :04:36. | :04:43. | |
strangest of all, you could watch a programme you had missed. Now, you | :04:43. | :04:47. | |
don't have to watch TV, you can do it on you to -- on your tablet | :04:47. | :04:57. | |
| :04:57. | :04:58. | ||
computer, and let's look back at In the early 1950s, having a | :04:58. | :05:03. | |
television was a luxury enjoyed by the very few. People who relied on | :05:03. | :05:06. | |
the radio all their lives were a little suspicious of the new | :05:07. | :05:13. | |
technology, and what it may bring. It is surely the greatest moment in | :05:13. | :05:16. | |
television history, as we take you now into the heart of London to | :05:16. | :05:22. | |
witness these memorable events. Northern Ireland's first television | :05:22. | :05:26. | |
broadcast was the Coronation in 1953. The local transmitter was | :05:26. | :05:31. | |
housed in an old Nissen hut, and most of the time programmes were | :05:31. | :05:36. | |
relayed from London. The first locally-produced magazine programme, | :05:36. | :05:42. | |
the Ulster murder, began broadcasting fortnightly from 1954. | :05:42. | :05:46. | |
This is the BBC television service with a programme specially for | :05:46. | :05:50. | |
viewers in Northern Ireland. Local news bulletins began three | :05:50. | :05:54. | |
the years later, then, in a bottle by 1959... | :05:54. | :05:57. | |
It is Mike unique privilege to be the first person to appear before | :05:57. | :06:03. | |
you on Ulster Television. Few was now had a choice of two | :06:03. | :06:08. | |
channels, as UTV took to the air. - - viewers are now had a choice. At | :06:08. | :06:13. | |
first it was just 20 minutes of programming each day, but it was | :06:13. | :06:18. | |
soon making of iconic shows, like teatime with Tommy and children's | :06:18. | :06:28. | |
| :06:28. | :06:29. | ||
The jack-in-the-box jumped out of his house, and that means it is | :06:29. | :06:35. | |
time again. Today I can see Linda and Michael, and I can see Eamonn | :06:35. | :06:41. | |
Holmes. Too late now! My little heart was | :06:41. | :06:48. | |
broken! You never said my name. can see you now in the flesh. | :06:48. | :06:54. | |
you get complaints with people writing to you saying you never | :06:54. | :06:58. | |
mentioned my name? Yes, the Protestant said you never | :06:58. | :07:01. | |
mentioned a cat books, the Catholic say do you never mention the | :07:01. | :07:04. | |
Protestants. Is this Mr Doody? | :07:04. | :07:11. | |
I am wondering if anybody knows the song? If I start will you all join | :07:11. | :07:19. | |
I always do what right. I never do anything wrong. | :07:19. | :07:29. | |
| :07:29. | :07:36. | ||
I'm a romper ring Doody, added the That just brought me back to being | :07:36. | :07:41. | |
27 again. Brilliant. And Miss Adrian behind | :07:41. | :07:49. | |
Jude de! -- behind you! You were there we saw Laurence Olivier | :07:49. | :07:53. | |
pressing the button. Dame Mary Peters is turning us off tonight, | :07:53. | :07:59. | |
he turned us on. You were there? I was there, and that evening after | :07:59. | :08:02. | |
the official opening he read an epilogue. | :08:02. | :08:06. | |
The next morning I found on my desk in his handwriting a list of all | :08:06. | :08:10. | |
the pieces. He did not read one catalogue, but four. One was from | :08:11. | :08:17. | |
the Bible, one was Joseph Adams, one was St Patrick and one was | :08:17. | :08:22. | |
Shakespeare, of course. Every evening, the duty editor had to | :08:22. | :08:25. | |
find a poem or a piece of prose to read, which turned out to be very | :08:26. | :08:30. | |
successful. The first night was very successful, so is tonight. | :08:30. | :08:38. | |
During the past week or so we have been asking you to vote online for | :08:38. | :08:43. | |
your favourite magical moment on the box. The vote is still open, so | :08:43. | :08:53. | |
| :08:53. | :09:02. | ||
here are some of the highlights you We have a can summon hens to ban... | :09:02. | :09:06. | |
And a you are moving around too much, the camera can see you. | :09:06. | :09:10. | |
The we have a can summon... We are supporting the ban, and the | :09:10. | :09:19. | |
money is going up every year. I'll take it from here. | :09:19. | :09:25. | |
You can't do this! De excuse me, Pope cardinal, | :09:25. | :09:30. | |
cardinal Pope. This is an abomination, you heretic! Boat you | :09:30. | :09:36. | |
Lord it about with me, I am the Pope. I knew we should have gone to | :09:36. | :09:46. | |
| :09:46. | :10:16. | ||
Right, lads, sorry, but this is a more traditional group. Pass on | :10:16. | :10:26. | |
| :10:26. | :10:32. | ||
Phenomenum. Phenomenon. Phenomemum. Phenomenum. Phenomenon. But traffic | :10:32. | :10:35. | |
wardens are hardly a Belfast phenomemum. Ha-ha! | :10:35. | :10:40. | |
Phen...phenomenom. Ha-ha! I can't get this. | :10:40. | :10:48. | |
The train doesn't stop till it arrives in Dublin! Stop the train. | :10:48. | :10:52. | |
I'm sorry, I can't do that. What the heavens, I'll do it. Oh | :10:52. | :11:02. | |
| :11:02. | :11:23. | ||
APPLAUSE The to vote for the The Wee Man From Strabane, texture and | :11:23. | :11:33. | |
| :11:33. | :11:39. | ||
Texts will be charged at the standard rate. It is one vote per | :11:39. | :11:49. | |
| :11:49. | :11:51. | ||
number and further board would For some people, begin local TV has | :11:51. | :11:55. | |
been a springboard to a wider audience. One local girl from | :11:55. | :11:59. | |
Portadown started out as a sinner then became a production assistant. | :11:59. | :12:05. | |
She worked for both BBC and UTV and is now one of our best loved | :12:05. | :12:13. | |
exports on the small screen. She is A spoonful of sugar helps the | :12:13. | :12:18. | |
medicine go down, the medicine go down. | :12:18. | :12:22. | |
I must say, I am so disappointed I cannot be with you this evening, | :12:22. | :12:26. | |
but I am actually heading to America. Other than that, it would | :12:26. | :12:33. | |
be my greatest wish to be with you. Now I know why not all women drive | :12:33. | :12:39. | |
Rolls-Royces, it is so comfortable. Everything I have today I ought to | :12:39. | :12:41. | |
my broadcasting upbringing in Northern Ireland. | :12:41. | :12:45. | |
I have stood at the sidelines of this game too long, I have to go | :12:45. | :12:48. | |
and find out what football is all about. | :12:48. | :12:52. | |
The very first day I studied at BBC Northern Ireland, Dan Gilbert, who | :12:52. | :12:56. | |
gave me the job, brought me into the newsroom. He said you're not | :12:56. | :12:59. | |
coming here to do the knitting and sewing and all the women's things. | :12:59. | :13:04. | |
Remember, you are as good as anyone in this newsroom and you will be | :13:04. | :13:07. | |
out on the streets in bombs, bullets and barricades, just like | :13:07. | :13:10. | |
the rest. Christmas shopping anywhere can be | :13:10. | :13:14. | |
difficult, but in Belfast with large sections of the sopping | :13:14. | :13:18. | |
segregated of, you can find yourself searched anything up to 20 | :13:18. | :13:24. | |
times in a single afternoon. Happy birthday to you, happy | :13:24. | :13:29. | |
birthday Fiona, happy birthday to you. There you go. I did good | :13:29. | :13:32. | |
evening Ulster nightly for three years, the best learning curve I | :13:32. | :13:36. | |
ever had a amongst all the other broadcasting I did. It trained me | :13:36. | :13:41. | |
well and I live by it to this very day. I still enjoy the work, and I | :13:41. | :13:45. | |
attribute all that to what I did in Northern Ireland. | :13:45. | :13:51. | |
When I left, are very young, very slim boy got my job. He had | :13:51. | :13:54. | |
previously been working on the farming programme, so I knew him in | :13:54. | :13:58. | |
his wellingtons and short trousers. I don't think the viewers really | :13:58. | :14:04. | |
knew much of him, but I emphasise, he was very trim and very young, | :14:04. | :14:10. | |
and he came in and I know he did a brilliant job of taking over the | :14:10. | :14:12. | |
mantle of seeing, good evening Ulster. | :14:12. | :14:17. | |
I wish to wish Eamonn Holmes and everyone involved in the programme | :14:17. | :14:20. | |
a happy evening. I have such brilliant memories of some of the | :14:20. | :14:23. | |
eclipse this evening, so I send my love to all of you and I wish I | :14:23. | :14:33. | |
| :14:33. | :14:45. | ||
She was a phenomenon, wasn't she? She was quite phenomenal. She was | :14:45. | :14:50. | |
the Queen at that time without question. We used to watch her in | :14:50. | :14:58. | |
the studio, and there was no autocue. You know how you have the | :14:58. | :15:06. | |
words, she would walk right into the camera was no words, we used to | :15:06. | :15:11. | |
say, I wish we could do that, and we never could. I wish you could | :15:11. | :15:17. | |
sing like carrots well. I was a better singer than her. -- sing | :15:17. | :15:24. | |
like her. For those of you watching, this is Northern Ireland's Mr sport. | :15:24. | :15:31. | |
I was his apprentice. You work, you were solitary and slim at that time. | :15:31. | :15:37. | |
You haven't really changed. Indeed. We were working at UTV during the | :15:37. | :15:42. | |
Troubles, the sort of image that that gave of the country all around | :15:42. | :15:47. | |
the world, it divided a lot of people, but sport brought everybody | :15:47. | :15:57. | |
| :15:57. | :16:07. | ||
together and give us a reason to be Who said television was a | :16:07. | :16:17. | |
| :16:17. | :16:17. | ||
Apology for the loss of subtitles for 41 seconds | :16:17. | :16:59. | |
I won the gold, I brought it back APPLAUSE. | :16:59. | :17:05. | |
If that stirs emotions and reminds you of the times you jump up and | :17:06. | :17:10. | |
down, here is proof that the same can happen to professionals. The | :17:10. | :17:15. | |
game between Donegal and Kildare, and the commentator is Mark | :17:15. | :17:25. | |
| :17:25. | :17:25. | ||
Sidebottom. And it is Cassidy, and it is galling and it is over, my | :17:25. | :17:33. | |
God, it is Donegal, they have done it. They have done it, they have | :17:33. | :17:40. | |
done it. It is over! The day belongs to them. I don't know how | :17:40. | :17:48. | |
they have Dannette, but I know and he knows they have done it. He is | :17:48. | :17:55. | |
in the audience tonight. We are frightened about getting you to | :17:55. | :18:01. | |
dock. I knew from Donegal or Kildare? No. Sometimes you get | :18:01. | :18:09. | |
caught up in the moment. We are in a privileged position. We become a | :18:09. | :18:15. | |
conduit for the people, without them you are nothing. For anybody | :18:15. | :18:24. | |
that says it is only a game? It is more than that. Obviously. And you | :18:24. | :18:28. | |
were not drinking? As my colleague here says, you need to get into the | :18:29. | :18:36. | |
moment. I was in the moment. Sometimes local television work its | :18:36. | :18:43. | |
magic, shocked this, made us cry, laugh or yawn. Often we just wanted | :18:43. | :18:53. | |
| :18:53. | :19:31. | ||
Mr Gerry Kelly. Mr Jon Daly. Mr That's none of your business. Thank | :19:31. | :19:41. | |
| :19:41. | :20:04. | ||
you very much for watching, welcome # Don't go wasting my precious | :20:04. | :20:14. | |
| :20:14. | :20:21. | ||
I tell you what I want, Gerry Kelly, who featured in one of those clubs. | :20:21. | :20:27. | |
You had a young guest visit you. He predicted greatness for them. | :20:27. | :20:32. | |
had heard about him, he had just won the under 10 his golf | :20:32. | :20:37. | |
championships. Tiger would won it when he was nine years old. So we | :20:37. | :20:41. | |
thought we would see this kid. I brought 10 men. I was speaking to | :20:41. | :20:49. | |
him, what you do in the winter? He said I hit balls down the hall and | :20:49. | :20:52. | |
we open the kitchen door and my mother opens the washing machine | :20:52. | :20:58. | |
and I chip into it. I said, if you can do that in your home you can do | :20:58. | :21:08. | |
| :21:08. | :21:08. | ||
it in the studio. This was the Whatever happened to that little | :21:08. | :21:15. | |
boy? I've no idea, but I remember saying, remember the name, Rory | :21:16. | :21:25. | |
McIlroy. Remember that name. John Daly, he is in the audience. Two | :21:25. | :21:33. | |
Johns together. Do you remember this? Can we find out who is | :21:33. | :21:39. | |
coughing? We will get something done. I think I know. Somebody is | :21:39. | :21:49. | |
| :21:49. | :21:54. | ||
coughing in the audience. joking. For a lap women out. | :21:54. | :22:04. | |
| :22:04. | :22:11. | ||
A lot of people mocked and ridiculed her, but a lot wanted to | :22:11. | :22:16. | |
be like her, didn't they? Absolutely, there was nothing like | :22:16. | :22:26. | |
| :22:26. | :22:32. | ||
Whatever happened to those out debts? I overheard him after words, | :22:32. | :22:41. | |
asking if he could kick me out there. You know what they are like, | :22:41. | :22:46. | |
they're like to dress up. It is coming up to at Hallowe'en. So if | :22:46. | :22:56. | |
| :22:56. | :23:00. | ||
you see anything like that... Have Thank you very much. What about | :23:00. | :23:10. | |
| :23:10. | :23:21. | ||
It was a sure that completely changed my life. The BBC gave me a | :23:21. | :23:30. | |
new set of tools to Plymouth. The most important thing was it was | :23:31. | :23:35. | |
completely alive. Everybody that work on it, from the camera crew to | :23:35. | :23:42. | |
the producers, the team at the BBC, completely pulled the most amazing | :23:42. | :23:52. | |
| :23:52. | :24:02. | ||
We had no trouble getting guests. People bit ridiculous things. | :24:02. | :24:12. | |
| :24:12. | :24:20. | ||
The great thing about this part was it made people feel like they were | :24:20. | :24:30. | |
| :24:30. | :24:31. | ||
at a party. We asked Rose Noelle, she was very serious, we got her to | :24:31. | :24:41. | |
| :24:41. | :24:43. | ||
strip off and saying a Madonna song. -- sing. Some of the stuff we were | :24:43. | :24:52. | |
great that, covering news and current affairs in Belfast, and | :24:52. | :24:54. | |
after that show, we realised entertainment was something we | :24:54. | :25:02. | |
could all do really well. That is something I am really proud of. I | :25:02. | :25:12. | |
| :25:12. | :25:15. | ||
wish I was there, and I hope that I am going to ask what everybody | :25:15. | :25:25. | |
else is thinking. My husband is the only man. The next thing, I was in | :25:25. | :25:30. | |
a taxi, the taxi driver said he saw me on the TV. He asked me if I had | :25:30. | :25:40. | |
| :25:40. | :25:41. | ||
had a drink. I said, no, that was the real Rose. Great to see you. | :25:41. | :25:51. | |
| :25:51. | :25:57. | ||
As well as entertainers, TV gave us front row seats as history was made. | :25:57. | :26:07. | |
| :26:07. | :26:07. | ||
Apology for the loss of subtitles for 41 seconds | :26:07. | :26:55. | |
25 years of IRA violence ended This is a perfectly balanced | :26:55. | :27:05. | |
weekend. Joining me is four guys who report the news in Northern | :27:05. | :27:11. | |
Ireland. Denis Murray, Paul Clark, Gordon Burns. Very good to see you. | :27:11. | :27:20. | |
What was the rivalry like? There was rivalry? Do you remember that? | :27:20. | :27:25. | |
Not at all. Whenever we were on the front line together, if anyone | :27:25. | :27:31. | |
needed help, we helped each other. There may have been rivalry but we | :27:31. | :27:35. | |
work together and we continue to work together. Did you ever worked | :27:35. | :27:42. | |
with Brian Baird? I did, splendid news reader. Top professional. I am | :27:42. | :27:46. | |
going to show you how professional. Here is a clap of the late Brian | :27:47. | :27:49. | |
Here is a clap of the late Brian beard. Keep a lookout on his top | :27:49. | :27:59. | |
| :27:59. | :28:05. | ||
lip. This gave new meaning to stiff Could you have done that? No, I | :28:05. | :28:11. | |
would just left and it would have gone up my nose. Very good. Much of | :28:11. | :28:15. | |
the news is dominated by politicians and they do not always | :28:15. | :28:21. | |
appreciate the questions. Would you listen to the answer? I think that | :28:21. | :28:25. | |
is a ridiculous question to put to May. We need to cut it there. Thank | :28:25. | :28:34. | |
you. Thank you for nothing. Listen to the answer. Gerry Adams talks | :28:34. | :28:39. | |
about expecting Santa Claus to come down the chimney. Santa clause | :28:39. | :28:49. | |
| :28:49. | :29:01. | ||
You saw some of it there but now has some more small-screen drama. | :29:01. | :29:07. | |
Northern Ireland has produced some of the best technicians. They have | :29:07. | :29:16. | |
attracted critical acclaim. I will cripple you. You will cripple me? | :29:16. | :29:26. | |
| :29:26. | :29:34. | ||
You just cannot sing. What time Way army will protect us. | :29:34. | :29:41. | |
police and the army? It might protect you, but not ours. | :29:41. | :29:51. | |
| :29:51. | :30:09. | ||
And now, one of our actors who got his break in front of a police car. | :30:09. | :30:19. | |
| :30:19. | :30:20. | ||
-- Jimmy Ellis! Jimmy, that was the early 60s and you had to bring the | :30:20. | :30:24. | |
Norwich -- Northern Irish accent into mainland Britain. How did you | :30:24. | :30:31. | |
get the job? Well now, that is quite interesting. | :30:31. | :30:34. | |
I went a long before the interview and met a lovely man called David | :30:34. | :30:40. | |
Rose, who was the producer for the first period of time. I had so much | :30:40. | :30:47. | |
bad luck, doors slammed in my face, and David Rose asked me the | :30:48. | :30:54. | |
question, can you do a Liverpool Irish accent? Thinking on my feet I | :30:54. | :31:04. | |
| :31:04. | :31:04. | ||
said, I am lovable Irish. But in fact was true. J and it worked very | :31:04. | :31:10. | |
well, thank you very much indeed, Jimmy... | :31:10. | :31:14. | |
I was on next door... Thank you very much Jimmy, I have | :31:14. | :31:17. | |
been move on, because if they are watching UTV they're getting their | :31:17. | :31:27. | |
| :31:27. | :31:30. | ||
advert, we can talk when it is just the BBC. If you want to walk, don't | :31:30. | :31:37. | |
bother because the lender closed. UTV are leaving for their | :31:37. | :31:41. | |
commercial break, so if you are watching UTV, see you later. But | :31:41. | :31:46. | |
the BBC is going nowhere. One man who went on to international | :31:46. | :31:56. | |
| :31:56. | :32:10. | ||
stardom in films like Star Wars was That was Liam Neeson, and what is | :32:10. | :32:15. | |
his connection with Frank Mitchell? Frank is here, and Liam was a big | :32:15. | :32:22. | |
fan of your The Wee Man From Strabane absolutely. We were very - | :32:22. | :32:32. | |
- a fan of your programme? He yes, we were very far to and. | :32:32. | :32:35. | |
Poll Letters to the programme were very special, but to get one from | :32:35. | :32:40. | |
Liam Neeson was remarkable. Alongside that, it took us two | :32:40. | :32:45. | |
years to show the programme, because there was a waiting list. | :32:45. | :32:49. | |
By the time we actually showed it did, I had almost forgotten he had | :32:49. | :32:55. | |
sent the letter. I was driving along one day and had to answer the | :32:55. | :32:59. | |
phone do the young woman from New York and asked if I did take a call | :32:59. | :33:05. | |
from Liam Neeson to thank me from put it -- for putting his dad's | :33:05. | :33:09. | |
School on of the programme. It shows he has not only a superstar, | :33:09. | :33:19. | |
| :33:19. | :33:22. | ||
While UTV are on the adverts, we will have a few of our born. | :33:22. | :33:26. | |
Remember the days when you had to watch the adverts? You don't have | :33:26. | :33:30. | |
to now, you can record and fast- forward through them, but I | :33:30. | :33:33. | |
remember when they were something to talk about. And many of these | :33:34. | :33:42. | |
They love to eat Kennedy's bread, it is hard to beat Kennedy's bread, | :33:43. | :33:47. | |
it is quite a treat, Kennedy's bread, GB Kennedy's bread out the | :33:47. | :33:56. | |
That is what I call a proper cup of tea. | :33:56. | :34:06. | |
| :34:06. | :34:09. | ||
Cookstown sausages make a real big We have no bread. | :34:09. | :34:15. | |
Bread? Did you remember the peas? | :34:15. | :34:25. | |
| :34:25. | :34:27. | ||
Can I have a prescription? Doctor, doctor, my stomach is ill, can I | :34:27. | :34:37. | |
| :34:37. | :34:39. | ||
have a prescription? Can I have a You can make it in the end with a | :34:39. | :34:49. | |
| :34:49. | :34:51. | ||
Walking. That is what to do. Stepping out is | :34:51. | :35:01. | |
| :35:01. | :35:06. | ||
good for you. Call walking, it is Would it not be great if he was | :35:06. | :35:16. | |
| :35:16. | :35:23. | ||
At boat I know we were all in a state of confusion if you're | :35:23. | :35:27. | |
watching on the BBC you're seeing adverts, on UTV you're seeing it | :35:27. | :35:32. | |
admits, and now we're all back together again. We have been | :35:32. | :35:36. | |
looking at the old adverts, but this evening is all about switching | :35:36. | :35:41. | |
over to digital. I remember when digital used to be about getting a | :35:41. | :35:45. | |
new watch or calculator, so a lot of people are still confused, some | :35:45. | :35:55. | |
| :35:55. | :36:00. | ||
I demand to see the controller of BBC occupied Six Counties! | :36:00. | :36:05. | |
The man says he is not available. Call, he is not available! Tell you | :36:05. | :36:10. | |
what, if I was Peter Robinson or Mike Nisbet he would be available! | :36:11. | :36:16. | |
If you were Mike Nesbitt, I would be available! | :36:16. | :36:21. | |
Digital switchover! Award to know if I will still get our teeth. | :36:21. | :36:25. | |
Another thing, where does the switch-over happened last of all? | :36:25. | :36:33. | |
Here, at the north. I wonder why that is. It is British cultural | :36:33. | :36:39. | |
imperialism. They hate to see us coming first at anything. Why do | :36:39. | :36:42. | |
you think we're trying to recruit Robbie McIlroy to pay it -- to play | :36:42. | :36:47. | |
for them? You never miss Downton Abbey! | :36:47. | :36:54. | |
The I only watch that for the IRA Fellow. Look, it is Jackie full of | :36:54. | :36:56. | |
himself. Jackie! | :36:57. | :37:01. | |
Sorry about him. De you know that after the digital switchover you | :37:01. | :37:07. | |
will be able to see me in high- definition? | :37:07. | :37:12. | |
Are Jackie, you are worth the television licence all by yourself! | :37:12. | :37:19. | |
That is why I don't pay it. Licence fee dodgers on the | :37:19. | :37:22. | |
premises! Security Here are the headlines: Quick! We will look up | :37:23. | :37:32. | |
| :37:33. | :37:37. | ||
I want to be -- complain about the digital switchover. Apparently when | :37:37. | :37:47. | |
| :37:47. | :37:50. | ||
it happens I will have access to... RTE. Castle, what is alter | :37:50. | :37:59. | |
television doing about it? Uncle Andy! Pamela! It is a | :37:59. | :38:07. | |
pleasure to meet you. Can I just say you are my favourite female | :38:07. | :38:13. | |
newsreader? A thanks, Andy. After Rosemary, of course. Sarah Travers, | :38:13. | :38:19. | |
Donna Traynor, Dina Campbell... Anyway, you were always in my top | :38:19. | :38:26. | |
10. Look, I have to go and read the news. Please come I need help and | :38:26. | :38:31. | |
you are a woman of high intelligence. You are a woman who | :38:31. | :38:35. | |
knows things. Am I eligible for a switch over help scheme? If there | :38:35. | :38:45. | |
is for the money going out, I want some. Argue over 75? If need be. | :38:45. | :38:51. | |
you live in a care home? I need 24- hour care. Are you registered | :38:51. | :38:57. | |
blind? Only when it comes to politics. Then it no. | :38:57. | :39:05. | |
We will, would you like to join me and then me because for a pint? | :39:05. | :39:15. | |
| :39:15. | :39:21. | ||
Come on then, it is always the same All joking aside, we are only 15 | :39:21. | :39:25. | |
minutes before we were cut off from analogue, and if anybody | :39:25. | :39:27. | |
experiences any problems tonight or tomorrow you can have all the help | :39:27. | :39:34. | |
you need at both the BBC and UTV websites. There is an old adage in | :39:34. | :39:36. | |
journalism that real news is something somebody, somewhere, | :39:36. | :39:40. | |
would have preferred to have covered up, and all the rest is | :39:40. | :39:44. | |
free advertising. Nothing shines a light on the hit and his use of | :39:44. | :39:50. | |
society like an investigative television documentary. -- shines a | :39:50. | :40:00. | |
| :40:00. | :40:01. | ||
light on the head and his use of Thank you both very much for | :40:01. | :40:07. | |
talking to me. There were three men who slipped through the police net. | :40:07. | :40:10. | |
He was beaten and interrogated by four captors. | :40:10. | :40:20. | |
He is has been described as It is a report that adds up to | :40:20. | :40:25. | |
every parent's nightmare. I did act. I did at. I did act. | :40:25. | :40:29. | |
Or was the protection of the trip's reputation more important than the | :40:29. | :40:33. | |
protection of the children? You don't think people want to know | :40:33. | :40:36. | |
the answer? Of course. | :40:37. | :40:46. | |
| :40:47. | :40:55. | ||
Is this you coding two young dogs to going for the kill? | :40:55. | :40:58. | |
John any now is one of the journalist featured in that | :40:58. | :41:03. | |
compilation, award-winning Chris Moore. Can TV really change things? | :41:04. | :41:07. | |
There is plenty of evidence that investigative television does | :41:07. | :41:12. | |
strange event in our lines. It brings the bad guys to the fore and | :41:12. | :41:17. | |
often can result in politicians and people in public life having to | :41:17. | :41:21. | |
change their ways. On a personal level, the one I am most proud of | :41:22. | :41:25. | |
was the story about Brendan Smyth, because it gave a voice to people | :41:25. | :41:30. | |
who had not got a voice before. They spoke out for the first time. | :41:30. | :41:34. | |
It took great courage on their part and exposed the wrongs of the | :41:34. | :41:37. | |
cattle trucks covering up for paedophiles. That was an important | :41:38. | :41:41. | |
issue. Dennis Murray, the night after be transmitted that story, | :41:41. | :41:46. | |
told me in the pub that the story had legs. I did not think so, and | :41:46. | :41:50. | |
was already looking at the next story, but he was right, it did | :41:50. | :41:53. | |
have legs, it still has legs and there are still people protecting | :41:54. | :42:03. | |
| :42:04. | :42:10. | ||
In the early days the people used almost was presenters, but more | :42:10. | :42:13. | |
recently local people and places can be the stars of the small | :42:13. | :42:23. | |
| :42:23. | :42:36. | ||
This sensationally curious little instrument can focus on an entire | :42:36. | :42:44. | |
mountain of a single blade of grass. It is a fascinating place. | :42:44. | :42:54. | |
| :42:54. | :42:55. | ||
He whatever you say, one thing is It is just slightly smaller than a | :42:55. | :42:58. | |
five pence piece. The highlight of the farming calendar, and this one | :42:58. | :43:08. | |
| :43:08. | :43:16. | ||
And two men who loved nothing more than getting out and about and C in | :43:16. | :43:26. | |
| :43:26. | :43:37. | ||
places and meeting people are Joe -- Joe Mahon. Is it true you never | :43:37. | :43:40. | |
go to the simplest place? I don't think I have been to the | :43:40. | :43:43. | |
simplest more than once, and people commonly asked me who it the most | :43:43. | :43:48. | |
memorable character I have met his. The 1:00am that is most memorable | :43:48. | :43:55. | |
was a man called John Henderson, who overlooked five fingers Strand. | :43:55. | :44:01. | |
He was herding goats with the assistance of a goose one day. I | :44:01. | :44:05. | |
asked him where the road going past his eyes pleaded to, and he said, | :44:05. | :44:10. | |
Australia. -- the road-going pastor's Howarth led to. | :44:10. | :44:15. | |
He said, my brother led halt -- left home 50 years ago to go to | :44:16. | :44:17. | |
Australia, and that is the road he went. | :44:17. | :44:21. | |
A very briefly, how important is it to get out and about and press the | :44:21. | :44:27. | |
flesh? It is very important, we go out | :44:27. | :44:31. | |
maybe 40 times a year and it is good to get out and meet the people | :44:31. | :44:36. | |
and put a face to the name we read- out every day on the radio. It is a | :44:36. | :44:40. | |
bit of fun. Continued to do so, thank you very much indeed. Music | :44:40. | :44:45. | |
now, important to us as a people, where it -- whether it is parties | :44:45. | :44:49. | |
or concerts, there is nothing we like more than a good old sing-song, | :44:49. | :44:59. | |
| :44:59. | :45:29. | ||
# Nothing would please me... # # In God's country... # | :45:30. | :45:39. | |
| :45:40. | :45:40. | ||
Apology for the loss of subtitles for 41 seconds | :45:40. | :46:20. | |
Brilliant. Delighted to have some of them in the studio. You have | :46:20. | :46:24. | |
been associated with big names but I want to show you a clip from a | :46:24. | :46:34. | |
| :46:34. | :46:55. | ||
few years ago you may not remember. # Deep inside was a burning pride # | :46:55. | :47:03. | |
In the town I loved so well. # That was Luke Kelly from the | :47:03. | :47:08. | |
Dubliners but why did he have no trousers on? The whole thing happen | :47:08. | :47:13. | |
spontaneously. They were in the -- appearing backstage in the Albert | :47:13. | :47:17. | |
Hall and shooting a documentary. He started singing. He was unaware of | :47:17. | :47:23. | |
the fact that he had no trousers on. He did not expect a camera to look | :47:23. | :47:32. | |
down. Here was a song I had put lot of emotion into, serious song, he | :47:32. | :47:37. | |
was standing there with his bare legs. I don't know why you're | :47:37. | :47:42. | |
laughing. You opened the studio twenty-one years ago but you looked | :47:42. | :47:50. | |
a bit different. Here we go. Whose hero as this you wearing? Is angry | :47:50. | :47:57. | |
or extensions? That is absolutely real, 200% real. I used to grind | :47:57. | :48:07. | |
| :48:07. | :48:07. | ||
They cut it off and made it into awake for people who suffer from | :48:07. | :48:17. | |
cancer. Somebody is wearing a now. Is that a drum roll? That reminds | :48:17. | :48:21. | |
me, we have been asking you to choose your magical TV moment and | :48:21. | :48:31. | |
| :48:31. | :48:33. | ||
You're living round and the camera is there. Go ahead. It's no good to | :48:33. | :48:41. | |
us, you blasting the microphone. Alright. There's only four. Just a | :48:41. | :48:51. | |
| :48:51. | :48:55. | ||
moment. There's only four in That is the weather. Thanks if you | :48:55. | :49:01. | |
voted. Television and light music have been natural partners and if | :49:01. | :49:04. | |
you cannot be at the performance you should welcome them into your | :49:04. | :49:09. | |
front room. Here is a beautiful song as a tribute to those in the | :49:09. | :49:19. | |
| :49:19. | :49:43. | ||
Northern Ireland broadcast world no # When all the world is a hopeless | :49:43. | :49:53. | |
| :49:53. | :49:59. | ||
jumble # Raindrops tumble all around # When all the clouds darken | :49:59. | :50:09. | |
| :50:09. | :50:11. | ||
up the skyway # There's a rainbow highway to be found # Beating from | :50:11. | :50:21. | |
| :50:21. | :50:28. | ||
your window pane # To a place behind the sun # Just a step | :50:28. | :50:38. | |
| :50:38. | :50:58. | ||
# Somewhere, over the rainbow, way up high, # There's a land that I've | :50:58. | :51:08. | |
| :51:08. | :51:10. | ||
heard of once in a lullaby. # Somewhere, over the rainbow, skies | :51:10. | :51:20. | |
| :51:20. | :51:20. | ||
Apology for the loss of subtitles for 41 seconds | :51:20. | :52:05. | |
# And the dreams that you dare to # Someday I wish upon a star and | :52:05. | :52:15. | |
| :52:15. | :52:18. | ||
wake up where the clouds are far # My troubles melt like lemon drops | :52:18. | :52:28. | |
| :52:28. | :52:35. | ||
Away above the chimney tops, That's # Somewhere, over the rainbow, | :52:35. | :52:45. | |
| :52:45. | :53:11. | ||
# Birds fly over the rainbow, why # If happy little bluebirds fly | :53:11. | :53:21. | |
| :53:21. | :53:50. | ||
beyond the rainbow... # Why oh why Some famous names no longer gracing | :53:50. | :53:54. | |
the box. It shows you what a privilege it was to work with those | :53:54. | :54:02. | |
people and watch them on the box. Thank you very much. That is the | :54:02. | :54:06. | |
end of the trip down memory lane as the digital switch-over is minutes | :54:06. | :54:12. | |
away. It brings a world of broadcast possibilities. Think what | :54:12. | :54:16. | |
the digital future could have in store, higher-quality pictures, | :54:16. | :54:20. |