Browse content similar to Tony Bennett: An American Classic. Check below for episodes and series from the same categories and more!
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PIANO PLAYS SOFTLY | 0:00:11 | 0:00:14 | |
# Smile though your heart is aching | 0:00:14 | 0:00:19 | |
# Smile even though it's breaking | 0:00:20 | 0:00:24 | |
# When there are clouds in the sky | 0:00:25 | 0:00:30 | |
# You'll get by | 0:00:30 | 0:00:33 | |
# If you smile through your fears and sorrow | 0:00:34 | 0:00:39 | |
# Smile and maybe tomorrow | 0:00:39 | 0:00:45 | |
# You'll see the sun come shining through | 0:00:46 | 0:00:53 | |
# For you... # | 0:00:54 | 0:00:59 | |
-BARBRA STREISAND: -# When you light up your face with gladness | 0:00:59 | 0:01:08 | |
# Hide every trace of sadness | 0:01:09 | 0:01:17 | |
# Although a tear | 0:01:18 | 0:01:22 | |
# May be ever so near | 0:01:22 | 0:01:30 | |
# That's the time | 0:01:31 | 0:01:36 | |
# You must keep on trying | 0:01:36 | 0:01:40 | |
# Smile | 0:01:40 | 0:01:44 | |
# What's the use of crying? | 0:01:44 | 0:01:49 | |
# You'll find that life | 0:01:50 | 0:01:53 | |
# Life is still worthwhile | 0:01:55 | 0:01:59 | |
# If you just smile | 0:01:59 | 0:02:10 | |
# Light up your face with gladness | 0:02:23 | 0:02:27 | |
# And hide | 0:02:27 | 0:02:30 | |
# Every little trace of sadness | 0:02:30 | 0:02:38 | |
# Although a tear | 0:02:38 | 0:02:42 | |
# May be ever so near | 0:02:42 | 0:02:51 | |
# That's the time | 0:02:51 | 0:02:55 | |
# You must keep on trying | 0:02:55 | 0:02:59 | |
# Smile | 0:03:02 | 0:03:04 | |
# What's the use of crying? | 0:03:04 | 0:03:09 | |
# You'll find | 0:03:09 | 0:03:12 | |
# That life is still worthwhile | 0:03:12 | 0:03:19 | |
# If you just smile. # | 0:03:19 | 0:03:32 | |
PIANO PLAYS SOFTLY | 0:03:32 | 0:03:34 | |
DOUBLE BASS PLAYS | 0:03:48 | 0:03:50 | |
# I got rhythm, I got music | 0:03:50 | 0:03:53 | |
# I got my gal Who could ask for anything more? | 0:03:53 | 0:03:56 | |
# I got daisies in green pastures | 0:03:56 | 0:03:58 | |
# I got my gal Who could ask for anything more? | 0:03:58 | 0:04:01 | |
# Old man trouble I don't mind him | 0:04:01 | 0:04:04 | |
# You won't find him round my door | 0:04:04 | 0:04:07 | |
# I got starlight I got sweet dreams | 0:04:07 | 0:04:09 | |
# I got rhythm Who could ask for anything more? | 0:04:09 | 0:04:12 | |
# Who could ask for anything more? # | 0:04:12 | 0:04:14 | |
JAZZ PIANO | 0:04:14 | 0:04:17 | |
PERCUSSION | 0:04:38 | 0:04:41 | |
# Old man trouble I don't mind him | 0:04:49 | 0:04:52 | |
# You won't find him round my door | 0:04:52 | 0:04:55 | |
# I got starlight I got sweet dreams | 0:04:55 | 0:04:58 | |
# I got rhythm Who could ask for anything more? | 0:04:58 | 0:05:00 | |
# Who could ask for anything more? # | 0:05:00 | 0:05:02 | |
PERCUSSION | 0:05:02 | 0:05:05 | |
# I got rhythm Who could ask for anything more? | 0:05:13 | 0:05:19 | |
# Who could ask for anything more? # | 0:05:19 | 0:05:26 | |
HE SKATS | 0:05:27 | 0:05:31 | |
You don't wake up one day and say, | 0:05:35 | 0:05:38 | |
"Hey, I'm Tony Bennett." It has to start somewhere. | 0:05:38 | 0:05:41 | |
As a teenager, Anthony Dominick Benedetto would hop the subway, | 0:05:41 | 0:05:46 | |
which cost a dime at the time, | 0:05:46 | 0:05:47 | |
and travel from his hometown of Astoria, Queens, into New York City. | 0:05:47 | 0:05:51 | |
He'd get off at 52nd Street and Sixth Avenue, | 0:05:51 | 0:05:54 | |
Swing Street as it was known. | 0:05:54 | 0:05:56 | |
It was the centre of jazz in this country. | 0:05:56 | 0:05:58 | |
There were 38 clubs on two city blocks. | 0:05:58 | 0:06:01 | |
The names of the clubs are right out of a Damon Runyon novel, | 0:06:01 | 0:06:05 | |
names like the Blue Note, the Onyx, the Three Deuces | 0:06:05 | 0:06:08 | |
and the club that I went to when I was a kid cos my dad produced the jazz shows there - Jimmy Ryan's. | 0:06:08 | 0:06:13 | |
As a teenager, young Anthony, who would, of course, change his name | 0:06:13 | 0:06:17 | |
to Kirk Douglas - first - and then since someone had it, | 0:06:17 | 0:06:21 | |
became Tony Bennett. | 0:06:21 | 0:06:23 | |
He'd stand at the back of these clubs and watch the great jazz players play | 0:06:23 | 0:06:27 | |
and he would study them like a musician. | 0:06:27 | 0:06:29 | |
He'd listen to the way Miles Davis would squeeze a note out of his trumpet | 0:06:29 | 0:06:34 | |
or the way that Art Tatum would create an unpredictable phrase | 0:06:34 | 0:06:37 | |
or the way that Lester Young would soulfully play a rift. | 0:06:37 | 0:06:40 | |
And he said to himself, "If I could sing like that, maybe I'd be unique, maybe I'd be something special." | 0:06:40 | 0:06:46 | |
And around 3am, the musicians would stop playing for the patrons | 0:06:46 | 0:06:50 | |
and they'd start playing for each other. | 0:06:50 | 0:06:53 | |
Sometimes these shows would go on till dawn. | 0:06:53 | 0:06:56 | |
JAZZ MUSIC PLAYS | 0:06:57 | 0:07:00 | |
Brothers! | 0:07:08 | 0:07:10 | |
Sisters! | 0:07:11 | 0:07:12 | |
# Listen to what we say | 0:07:12 | 0:07:16 | |
# Moaning and groaning won't drive those blues away | 0:07:16 | 0:07:24 | |
# Lift up your voices in song | 0:07:24 | 0:07:28 | |
# You know you've all done wrong You sinners | 0:07:28 | 0:07:31 | |
# Drop everything | 0:07:31 | 0:07:32 | |
# Let the harmony ring | 0:07:34 | 0:07:36 | |
# Up to Heaven | 0:07:36 | 0:07:39 | |
# Sing, you sinners | 0:07:39 | 0:07:41 | |
# Just wave your arms all about | 0:07:41 | 0:07:45 | |
# Let the Lord hear you shout | 0:07:45 | 0:07:47 | |
# Pour the music right out | 0:07:47 | 0:07:50 | |
# Sing, you sinners | 0:07:50 | 0:07:52 | |
# Whenever there's music | 0:07:54 | 0:07:56 | |
# The devil kicks | 0:07:56 | 0:07:59 | |
# He don't allow music | 0:07:59 | 0:08:01 | |
# By the River Styx | 0:08:01 | 0:08:03 | |
# You're wicked and you're depraved | 0:08:03 | 0:08:07 | |
# And you all misbehave | 0:08:07 | 0:08:09 | |
# If you wanna be saved | 0:08:09 | 0:08:12 | |
# Sing, you sinners. # | 0:08:12 | 0:08:15 | |
We've been asking everybody to sing | 0:08:15 | 0:08:17 | |
but if you don't feel like singing, come on - dance! | 0:08:17 | 0:08:21 | |
HE SKATS | 0:08:28 | 0:08:31 | |
# Oh, swing, swing, swing Swing, you sinners | 0:08:38 | 0:08:43 | |
# Whenever there's music | 0:08:45 | 0:08:48 | |
# The devil kicks | 0:08:48 | 0:08:49 | |
# Oh, he don't allow music | 0:08:49 | 0:08:53 | |
# By the River Styx | 0:08:53 | 0:08:55 | |
# You're wicked and you're depraved | 0:08:55 | 0:08:57 | |
# And you all misbehave | 0:08:57 | 0:09:01 | |
# So if you wanna be saved | 0:09:01 | 0:09:04 | |
# If you wanna be saved | 0:09:04 | 0:09:06 | |
# Sing, you sinners. # | 0:09:06 | 0:09:15 | |
HE SKATS | 0:09:15 | 0:09:16 | |
AUDIENCE APPLAUDS | 0:09:22 | 0:09:24 | |
In the spring of 1950, | 0:09:30 | 0:09:32 | |
Tony Bennett officially became a signed artist with Columbia Records. | 0:09:32 | 0:09:36 | |
But Columbia wasn't too happy with its newest boy singer. | 0:09:36 | 0:09:40 | |
His latest single "Our Lady Of Fatima" | 0:09:40 | 0:09:42 | |
wasn't exactly eating up the charts. | 0:09:42 | 0:09:45 | |
Tony knew if he didn't get a bona fide hit | 0:09:45 | 0:09:47 | |
he'd be dropped from the label. | 0:09:47 | 0:09:49 | |
His arranger Percy Faith told him, "I've got just the song." | 0:09:49 | 0:09:54 | |
When it was released, "Because Of You" failed to cause a stir. | 0:09:54 | 0:09:58 | |
But then something remarkable happened. | 0:09:58 | 0:10:00 | |
People found it on jukeboxes. | 0:10:00 | 0:10:03 | |
They started playing it, | 0:10:03 | 0:10:05 | |
all across the nation, a nickel at a time. | 0:10:05 | 0:10:08 | |
The record made the Billboard Charts and stayed there for 32 weeks. | 0:10:08 | 0:10:12 | |
Was Columbia happy? | 0:10:12 | 0:10:14 | |
Before the year's end, | 0:10:14 | 0:10:17 | |
Tony was back in their studio recording 15 new songs. | 0:10:17 | 0:10:22 | |
-MAN: -OK, let's try another. | 0:10:24 | 0:10:26 | |
This is Tony Bennett, kd lang, Chris Botti - "Because Of You". | 0:10:26 | 0:10:32 | |
STRINGS PLAY | 0:10:32 | 0:10:35 | |
# Because of you | 0:10:36 | 0:10:41 | |
# There's a song in my heart | 0:10:41 | 0:10:49 | |
# Because of you | 0:10:50 | 0:10:55 | |
# My romance had its start | 0:10:55 | 0:11:02 | |
# Because of you | 0:11:04 | 0:11:07 | |
# The sun will shine | 0:11:07 | 0:11:10 | |
# The moon and stars will say that you are mine | 0:11:11 | 0:11:17 | |
# For ever | 0:11:17 | 0:11:19 | |
# And never to part | 0:11:20 | 0:11:25 | |
# I only live | 0:11:28 | 0:11:31 | |
# For your love and your kiss | 0:11:31 | 0:11:37 | |
# It's paradise | 0:11:41 | 0:11:45 | |
# To be near you like this | 0:11:45 | 0:11:54 | |
# Because of you | 0:11:54 | 0:12:01 | |
# My life is now worthwhile | 0:12:01 | 0:12:06 | |
-# And I can -smile | 0:12:06 | 0:12:10 | |
# Because of you. # | 0:12:10 | 0:12:16 | |
TRUMPET PLAYS MELODY SOFTLY | 0:12:16 | 0:12:19 | |
# I only live | 0:13:09 | 0:13:12 | |
# For your love and your kiss | 0:13:12 | 0:13:19 | |
# It's paradise | 0:13:21 | 0:13:26 | |
# To be near you like this | 0:13:26 | 0:13:35 | |
# Because of you | 0:13:35 | 0:13:41 | |
# My life is now worthwhile | 0:13:41 | 0:13:46 | |
# And I can smile | 0:13:46 | 0:13:53 | |
# Because of you. # | 0:13:53 | 0:14:02 | |
That's great. We got it. | 0:14:19 | 0:14:21 | |
Tony Bennett Show, episode 4, take 1. | 0:14:23 | 0:14:26 | |
APPLAUSE | 0:14:27 | 0:14:29 | |
Live from Hollywood - it's the Tony Bennett Show! | 0:14:29 | 0:14:33 | |
Brought to you by Target. | 0:14:33 | 0:14:35 | |
Special guests - Diana Krall and Juanes. | 0:14:35 | 0:14:38 | |
ORCHESTRA PLAYS | 0:14:38 | 0:14:41 | |
DOUBLE BASS PLAYS | 0:15:22 | 0:15:24 | |
# Out of the tree of life I just picked me a plum... # | 0:15:24 | 0:15:28 | |
AUDIENCE APPLAUDS | 0:15:28 | 0:15:30 | |
# You came along and everything started to hum | 0:15:31 | 0:15:35 | |
# Still, it's a real good bet | 0:15:38 | 0:15:40 | |
# The best is yet to come... # | 0:15:40 | 0:15:43 | |
AUDIENCE CHEERS AND APPLAUDS | 0:15:43 | 0:15:46 | |
# The best is yet to come And, babe, won't it be fine? | 0:15:46 | 0:15:51 | |
# You think you've seen the sun But you ain't seen it shine | 0:15:53 | 0:15:59 | |
# Wait till the warm-up's underway | 0:16:00 | 0:16:04 | |
# Wait till our lips have met | 0:16:04 | 0:16:06 | |
# Wait till you see that sunshine day | 0:16:08 | 0:16:11 | |
# You ain't seen nothin' yet | 0:16:11 | 0:16:14 | |
# The best is yet to come And, babe, won't that be fine? | 0:16:15 | 0:16:19 | |
# The best is yet to come | 0:16:19 | 0:16:21 | |
# The best is yet to come Come the day you're mine | 0:16:21 | 0:16:27 | |
# Come the day you're mine | 0:16:27 | 0:16:30 | |
# I'm gonna teach you to fly | 0:16:30 | 0:16:34 | |
# We've only tasted the wine | 0:16:35 | 0:16:38 | |
# We're gonna drain the cup dry | 0:16:38 | 0:16:41 | |
# Wait till your charms are right for these arms to surround | 0:16:43 | 0:16:49 | |
# Ba-da-di-do | 0:16:49 | 0:16:51 | |
# You think you've flown before but you ain't left the ground | 0:16:51 | 0:16:55 | |
# Wait till you're locked in my embrace | 0:16:58 | 0:17:02 | |
# Wait till I draw you near | 0:17:02 | 0:17:04 | |
# Wait till you find that sunshine place | 0:17:06 | 0:17:09 | |
# Ain't nothin' like it here | 0:17:09 | 0:17:13 | |
# The best is yet to come And, Tony, won't it be fine? | 0:17:13 | 0:17:18 | |
# Yeah, the best is yet to come Come the day you're mine. # | 0:17:19 | 0:17:26 | |
ORCHESTRA PLAYS | 0:17:26 | 0:17:27 | |
# Wait till your charms are right for these arms to surround | 0:17:42 | 0:17:47 | |
# You think you've flown before But you ain't left the ground | 0:17:49 | 0:17:54 | |
# Wait till you're locked in my embrace | 0:17:56 | 0:18:00 | |
# Wait till I draw you near | 0:18:00 | 0:18:03 | |
# Wait till you see that sunshine place | 0:18:03 | 0:18:07 | |
# Ain't nothing like it here | 0:18:07 | 0:18:11 | |
# The best is yet to come And, babe, won't that be fine? | 0:18:11 | 0:18:15 | |
# The best is yet to come | 0:18:15 | 0:18:18 | |
# The best is yet to come Come the day you're mine | 0:18:18 | 0:18:24 | |
# Come the day you're mine | 0:18:24 | 0:18:26 | |
# Come the day you're mine | 0:18:27 | 0:18:30 | |
# Come the day you're mine. # | 0:18:30 | 0:18:36 | |
APPLAUSE | 0:18:41 | 0:18:43 | |
WOODWIND PLAYS SOFTLY | 0:18:50 | 0:18:52 | |
STRINGS JOIN IN | 0:18:55 | 0:18:58 | |
# The shadow of your smile | 0:19:12 | 0:19:18 | |
# When you are gone | 0:19:19 | 0:19:24 | |
# Will colour all my dreams | 0:19:25 | 0:19:29 | |
# And light the dawn | 0:19:32 | 0:19:37 | |
# Look into my eyes | 0:19:39 | 0:19:43 | |
# My love | 0:19:43 | 0:19:46 | |
# And see | 0:19:47 | 0:19:52 | |
# All the lovely things You are to me | 0:19:54 | 0:20:04 | |
# Our wistful little star | 0:20:05 | 0:20:10 | |
# Was far too high | 0:20:12 | 0:20:17 | |
# A teardrop kissed your lips | 0:20:19 | 0:20:23 | |
# And so did I | 0:20:25 | 0:20:31 | |
# Now when I remember spring | 0:20:31 | 0:20:37 | |
# All the joy that love can bring | 0:20:39 | 0:20:44 | |
# I will be remembering | 0:20:46 | 0:20:51 | |
# The shadow of your smile. # | 0:20:52 | 0:20:57 | |
# Laralaralara | 0:20:57 | 0:21:00 | |
# Laralara... # | 0:21:02 | 0:21:04 | |
HE SINGS IN SPANISH | 0:21:05 | 0:21:09 | |
SINGS IN SPANISH | 0:22:27 | 0:22:31 | |
APPLAUSE | 0:23:12 | 0:23:15 | |
The 1960s, if you turned on your television set, | 0:23:21 | 0:23:25 | |
chances are you'd see Tony Bennett singing a medley with Judy Garland | 0:23:25 | 0:23:30 | |
and appearing on the very first episode of the Tonight show with Johnny Carson. | 0:23:30 | 0:23:35 | |
If you wanted to catch Tony live, the place to go was Vegas. | 0:23:35 | 0:23:39 | |
He worked all the big hotels - | 0:23:39 | 0:23:41 | |
Sands, Dunes, | 0:23:41 | 0:23:44 | |
Caesar's Palace and the Sahara, | 0:23:44 | 0:23:47 | |
the jewel of the desert. | 0:23:47 | 0:23:49 | |
He played to the Rat Pack | 0:23:49 | 0:23:51 | |
and if you wanted to post a note to Sammy, Frank or Dean, | 0:23:51 | 0:23:55 | |
all you had to do was write Sahara on the envelope and more often than not they'd get it. | 0:23:55 | 0:23:59 | |
For much of that decade, it was Tony's second home. | 0:23:59 | 0:24:03 | |
"If you played Vegas," he once said, "you knew you were famous." | 0:24:03 | 0:24:08 | |
APPLAUSE | 0:24:08 | 0:24:10 | |
# I know I'd go from rags to riches | 0:24:15 | 0:24:19 | |
# If you would only say you cared | 0:24:22 | 0:24:26 | |
# Though my pockets may be empty | 0:24:28 | 0:24:32 | |
# I'd be a millionaire... # | 0:24:33 | 0:24:37 | |
Just like Elton! | 0:24:37 | 0:24:38 | |
LAUGHTER | 0:24:38 | 0:24:40 | |
# My clothes may still be torn and tattered | 0:24:40 | 0:24:45 | |
# But in my heart I'd still be king | 0:24:46 | 0:24:51 | |
# Your love is all that ever mattered | 0:24:51 | 0:24:56 | |
# It's everything | 0:24:59 | 0:25:03 | |
# So open your arms | 0:25:05 | 0:25:10 | |
# And you'll open the door | 0:25:10 | 0:25:13 | |
# To every treasure that I'm hoping for | 0:25:13 | 0:25:18 | |
# Hold me and kiss me | 0:25:18 | 0:25:22 | |
# And tell me you're mine evermore | 0:25:23 | 0:25:27 | |
# Must I for ever be a beggar | 0:25:29 | 0:25:33 | |
# Whose golden dreams will not come true | 0:25:35 | 0:25:40 | |
# Or will I go from rags to riches? | 0:25:40 | 0:25:45 | |
# My fate is up to you. # | 0:25:47 | 0:25:52 | |
ORCHESTRA PLAYS | 0:25:52 | 0:25:54 | |
-# Must I for ever be a beggar... # -LAUGHTER AND APPLAUSE | 0:26:05 | 0:26:10 | |
# Whose golden dreams will not come true | 0:26:10 | 0:26:16 | |
# Or, Tony Bennett, will I go from rags to riches? | 0:26:16 | 0:26:22 | |
# My fate is up to you. # | 0:26:23 | 0:26:31 | |
CHEERING AND APPLAUSE | 0:26:31 | 0:26:33 | |
-Ladies and gentlemen, Elton John. -CHEERING | 0:26:33 | 0:26:38 | |
ORCHESTRA STRIKES UP | 0:26:39 | 0:26:41 | |
# Dee, dee, dee, dee, dee, dee | 0:26:49 | 0:26:53 | |
# Just in time I found you just in time... # | 0:26:53 | 0:26:56 | |
Michael Buble. | 0:26:56 | 0:26:58 | |
APPLAUSE | 0:26:58 | 0:26:59 | |
# Before you came My time | 0:26:59 | 0:27:02 | |
# Was running low... # | 0:27:02 | 0:27:04 | |
Swing it, Tony. | 0:27:04 | 0:27:07 | |
# I was lost | 0:27:07 | 0:27:09 | |
# The losing dice were tossed | 0:27:09 | 0:27:12 | |
# My bridges all were crossed | 0:27:12 | 0:27:16 | |
# Nowhere to go | 0:27:16 | 0:27:19 | |
# And now you're here | 0:27:20 | 0:27:23 | |
# And now I know just where I'm going | 0:27:23 | 0:27:27 | |
# No more doubt or fear | 0:27:27 | 0:27:30 | |
# I found my way | 0:27:30 | 0:27:33 | |
# For love came just in time | 0:27:34 | 0:27:37 | |
# You found us just in time | 0:27:37 | 0:27:41 | |
# And changed our lonely life That lovely day. # | 0:27:41 | 0:27:48 | |
ORCHESTRA PLAYS | 0:27:48 | 0:27:51 | |
AUDIENCE CHEERS | 0:27:51 | 0:27:53 | |
# Oh, we were lost | 0:28:02 | 0:28:05 | |
# The losing dice were tossed | 0:28:05 | 0:28:09 | |
# Our bridges all were crossed | 0:28:09 | 0:28:12 | |
# And nowhere to go | 0:28:12 | 0:28:17 | |
# Well, now we're here | 0:28:17 | 0:28:20 | |
# And now we know just where we're going | 0:28:20 | 0:28:24 | |
# No more doubt or fear | 0:28:24 | 0:28:26 | |
# We've found our way | 0:28:26 | 0:28:29 | |
# For love came just in time | 0:28:29 | 0:28:33 | |
# We found you just in time | 0:28:33 | 0:28:37 | |
# You changed our lonely life That lovely day | 0:28:37 | 0:28:44 | |
# Changed our lonely life That lovely day. # | 0:28:44 | 0:28:52 | |
CHEERING AND APPLAUSE | 0:28:56 | 0:28:59 | |
ORCHESTRA PLAYS | 0:29:14 | 0:29:16 | |
# For once in my life | 0:29:22 | 0:29:26 | |
# I have someone who needs me | 0:29:26 | 0:29:29 | |
# Someone I've needed so long | 0:29:30 | 0:29:35 | |
# For once unafraid | 0:29:37 | 0:29:40 | |
# I can go where life leads me | 0:29:40 | 0:29:44 | |
# And somehow I know I'll be strong | 0:29:44 | 0:29:49 | |
# For once I can touch | 0:29:50 | 0:29:53 | |
# What my heart used to dream of | 0:29:53 | 0:29:57 | |
# Long before I knew | 0:29:58 | 0:30:03 | |
# Someone warm like you | 0:30:05 | 0:30:10 | |
# Could make my dreams come true | 0:30:11 | 0:30:16 | |
# For once in my life | 0:30:16 | 0:30:19 | |
# I won't let sorrow hurt me | 0:30:21 | 0:30:24 | |
# Not like it's hurt me before | 0:30:24 | 0:30:29 | |
# For once I have someone | 0:30:31 | 0:30:35 | |
# I know won't desert me | 0:30:35 | 0:30:39 | |
# I'm not alone any more | 0:30:39 | 0:30:44 | |
# For once I can say | 0:30:44 | 0:30:49 | |
# This is mine, you can't take it | 0:30:49 | 0:30:51 | |
# As long as I know I have love I can make it | 0:30:52 | 0:30:59 | |
# For once in my life | 0:30:59 | 0:31:03 | |
# I have someone who needs me. # | 0:31:03 | 0:31:09 | |
HARMONICA | 0:31:09 | 0:31:11 | |
HE PLAYS "I Left My Heart In San Francisco" | 0:31:24 | 0:31:28 | |
BACK TO "For Once In My Life" | 0:31:28 | 0:31:31 | |
# For once I can say | 0:31:32 | 0:31:35 | |
# This is mine, you can't take it | 0:31:35 | 0:31:39 | |
# As long as I know I have love I can make it | 0:31:39 | 0:31:46 | |
# For once in my life | 0:31:46 | 0:31:50 | |
# I have someone | 0:31:50 | 0:31:55 | |
# Who needs me | 0:31:55 | 0:32:00 | |
# For once in my life | 0:32:00 | 0:32:02 | |
# For once in my life | 0:32:02 | 0:32:03 | |
# For once in my life | 0:32:03 | 0:32:05 | |
# I have someone | 0:32:05 | 0:32:09 | |
# Who needs me. # | 0:32:09 | 0:32:17 | |
Stevie Wonderful! | 0:32:17 | 0:32:20 | |
The great Tony Bennett. | 0:32:20 | 0:32:22 | |
-Happy Birthday! -Thank you. | 0:32:22 | 0:32:24 | |
CHEERING AND APPLAUSE | 0:32:24 | 0:32:27 | |
Describing his Carnegie Hall debut, Tony said, | 0:32:31 | 0:32:34 | |
"I put everything I'd been studying for the last 20 years into that show." | 0:32:34 | 0:32:38 | |
To a musician, playing Carnegie Hall is like crowning Everest | 0:32:38 | 0:32:42 | |
or planting a flag on the moon. When Tony finally got there, | 0:32:42 | 0:32:45 | |
it was a natural fit. Years later, when pop was eclipsed by rock'n'roll, | 0:32:45 | 0:32:50 | |
Tony's refusal to conform to the fads of the day would pay off | 0:32:50 | 0:32:54 | |
and land him in the hippest venue of them all, the soundstages of MTV. | 0:32:54 | 0:32:58 | |
In 1993, his appearance during the MTV music awards | 0:32:58 | 0:33:02 | |
with the Red Hot Chilli Peppers caused a sensation. | 0:33:02 | 0:33:06 | |
As a result, MTV Unplugged asked Tony to shoot an episode. | 0:33:06 | 0:33:10 | |
The show was a smash hit. Tony Bennett not only bridged the generation gap, | 0:33:10 | 0:33:15 | |
he demolished it. | 0:33:15 | 0:33:17 | |
The resulting album became Tony's biggest ever | 0:33:17 | 0:33:20 | |
and at the GRAMMYs he picked up Album of the Year, | 0:33:20 | 0:33:22 | |
proof that fashion is a habit but art... | 0:33:22 | 0:33:26 | |
art lasts for ever. | 0:33:26 | 0:33:28 | |
AUDIENCE CHEERS | 0:33:29 | 0:33:31 | |
ORCHESTRA PLAYS | 0:33:31 | 0:33:33 | |
APPLAUSE | 0:34:22 | 0:34:24 | |
# Steppin' out with my baby | 0:34:24 | 0:34:27 | |
# Can't go wrong cos I'm in right | 0:34:27 | 0:34:29 | |
# It's for sure, not for maybe | 0:34:29 | 0:34:31 | |
# That I'm all dressed up tonight. # | 0:34:31 | 0:34:33 | |
AUDIENCE CHEERS | 0:34:35 | 0:34:37 | |
# Steppin' out with my honey | 0:34:38 | 0:34:41 | |
# Can't be bad to feel so good | 0:34:41 | 0:34:43 | |
# Never felt quite so sunny | 0:34:43 | 0:34:45 | |
# And I keep on knockin' wood | 0:34:45 | 0:34:48 | |
# There'll be smooth sailin' Cos I'm trimmin' my sails | 0:34:48 | 0:34:51 | |
# With my top hat, my white tie and my tails | 0:34:51 | 0:34:55 | |
# I'm steppin' out with my baby | 0:34:55 | 0:34:59 | |
# Can't go wrong cos I'm in right | 0:34:59 | 0:35:01 | |
# Ask me when will that day be | 0:35:01 | 0:35:04 | |
# The big day may be tonight. # | 0:35:04 | 0:35:05 | |
PERCUSSION | 0:35:05 | 0:35:08 | |
DOUBLE BASS | 0:35:08 | 0:35:10 | |
# If I seem to scintillate | 0:35:12 | 0:35:15 | |
# It's because I've got a date | 0:35:15 | 0:35:17 | |
# A date with a package of | 0:35:17 | 0:35:20 | |
# The good things that come with love | 0:35:20 | 0:35:22 | |
# You don't have to ask me | 0:35:22 | 0:35:24 | |
# I won't waste your time | 0:35:24 | 0:35:27 | |
# But if you should ask me | 0:35:27 | 0:35:29 | |
# Why I feel sublime. # | 0:35:29 | 0:35:31 | |
ORCHESTRA PLAYS | 0:35:31 | 0:35:34 | |
# There'll be smooth sailin' Cos I'm trimmin' my sails | 0:35:49 | 0:35:54 | |
# In my top hat and my white tie and my tails, yeah | 0:35:54 | 0:35:58 | |
# I'm steppin' out with my baby | 0:35:58 | 0:36:01 | |
# Can't go wrong cos I'm in right | 0:36:01 | 0:36:03 | |
# Ask me when will that day be | 0:36:03 | 0:36:06 | |
# The big day may be tonight. # | 0:36:06 | 0:36:15 | |
What a night! | 0:36:15 | 0:36:17 | |
AUDIENCE CHEERS AND APPLAUDS | 0:36:17 | 0:36:19 | |
This year, Tony Bennett celebrates his 80th birthday. | 0:36:29 | 0:36:32 | |
Over the course of his lifetime, he's been awarded many times over. | 0:36:32 | 0:36:37 | |
But if you ask Tony about the greatest compliment he's ever been paid | 0:36:37 | 0:36:41 | |
he'll tell you about the quote that appeared in Life magazine. | 0:36:41 | 0:36:44 | |
When his hero Frank Sinatra said these words over 40 years ago, | 0:36:44 | 0:36:48 | |
he couldn't have known how much they'd mean to Tony. | 0:36:48 | 0:36:51 | |
Frank said, "For my money, Tony Bennett is the best singer in the business. | 0:36:51 | 0:36:56 | |
"He moves me. | 0:36:56 | 0:36:58 | |
"He's the singer who gets across what the composer had in mind | 0:36:58 | 0:37:02 | |
"and probably a little more." | 0:37:02 | 0:37:04 | |
PIANO TRILLS | 0:37:08 | 0:37:09 | |
# The loveliness of Paris | 0:37:09 | 0:37:13 | |
# Seems somehow sadly gay | 0:37:13 | 0:37:17 | |
# The glory that was Rome | 0:37:17 | 0:37:21 | |
# Is of another day | 0:37:21 | 0:37:24 | |
# I was terribly alone | 0:37:25 | 0:37:27 | |
# And forgotten in Manhattan | 0:37:27 | 0:37:30 | |
# I'm going home | 0:37:30 | 0:37:34 | |
# To my city by the bay | 0:37:34 | 0:37:40 | |
# I left my heart | 0:37:41 | 0:37:46 | |
# In San Francisco | 0:37:47 | 0:37:51 | |
# High on a hill | 0:37:52 | 0:37:55 | |
# It calls to me | 0:37:56 | 0:38:00 | |
# To be where little cable cars | 0:38:01 | 0:38:07 | |
# Climb halfway to the stars | 0:38:08 | 0:38:12 | |
# The morning fog | 0:38:13 | 0:38:17 | |
# May chill the air | 0:38:17 | 0:38:20 | |
# I don't care | 0:38:21 | 0:38:23 | |
# My love waits there | 0:38:23 | 0:38:28 | |
# In San Francisco | 0:38:28 | 0:38:33 | |
# Above the blue | 0:38:34 | 0:38:38 | |
# And windy sea | 0:38:38 | 0:38:42 | |
# When I come home to you | 0:38:42 | 0:38:47 | |
# San Francisco | 0:38:47 | 0:38:51 | |
# Your golden sun will shine for me. # | 0:38:52 | 0:39:02 | |
PIANO PLAYS | 0:39:02 | 0:39:04 | |
# When I come home to you | 0:40:12 | 0:40:17 | |
# San Francisco | 0:40:17 | 0:40:20 | |
# Your golden sun | 0:40:21 | 0:40:25 | |
# Will shine for me. # | 0:40:25 | 0:40:37 | |
Thank you, Tony. Beautiful. | 0:40:45 | 0:40:47 | |
And cut. | 0:40:47 | 0:40:48 | |
# You're walking along the street Or you're at a party | 0:40:52 | 0:40:55 | |
# Or else you're alone and then you suddenly dig | 0:40:55 | 0:40:59 | |
# You're looking in someone's eyes And you suddenly realise | 0:40:59 | 0:41:02 | |
# This could be the start of something big | 0:41:02 | 0:41:07 | |
# There's on controlling the unrolling of your fate, my friend | 0:41:07 | 0:41:10 | |
# Who knows what's written in the magic book? | 0:41:10 | 0:41:14 | |
# But if a lover you discover at the gate, my friend | 0:41:14 | 0:41:19 | |
# Invite her in without a second look | 0:41:19 | 0:41:21 | |
# You're up in an aeroplane Or you're dining at Sardi's | 0:41:21 | 0:41:25 | |
# Or else you're alone | 0:41:25 | 0:41:27 | |
# And then you suddenly think You suddenly hear a bell | 0:41:27 | 0:41:31 | |
# Right away you can tell | 0:41:31 | 0:41:33 | |
# This could be the start of something | 0:41:33 | 0:41:35 | |
# This could be the heart of something | 0:41:35 | 0:41:38 | |
# This could be the start of something | 0:41:38 | 0:41:41 | |
# Something grand! # | 0:41:41 | 0:41:44 | |
That's it! | 0:41:44 | 0:41:47 |