The Beatles: The First US Visit
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Transcript
| Line | From | To | |
|---|---|---|---|
FANFARE PLAYS | 0:00:02 | 0:00:05 | |
Charge! | 0:00:07 | 0:00:09 | |
Triple ripple, triple-play, | 0:00:09 | 0:00:11 | |
three in a row without commercial interruption. | 0:00:11 | 0:00:14 | |
Here's what happening, baby - The Beatles! | 0:00:14 | 0:00:17 | |
# She loves you Yeah, yeah, yeah, yeah | 0:00:20 | 0:00:24 | |
# You think you've lost your love Well, I saw... # | 0:00:25 | 0:00:29 | |
-CROWD SINGS: -# Her yesterday-ee-ay | 0:00:29 | 0:00:31 | |
# It's you she's thinking of | 0:00:31 | 0:00:33 | |
# And she told me what to say-ee-ay She says she loves you | 0:00:33 | 0:00:38 | |
# And you know that can't be bad | 0:00:38 | 0:00:41 | |
# She loves you | 0:00:41 | 0:00:43 | |
# And you know you should be glad Aaah! # | 0:00:43 | 0:00:47 | |
SCREAMING | 0:00:47 | 0:00:49 | |
LOUD SCREAMING | 0:00:54 | 0:00:56 | |
Trying to ask a question, would you be quiet? | 0:01:29 | 0:01:32 | |
Please sing something. | 0:01:32 | 0:01:33 | |
ALL: No! | 0:01:33 | 0:01:34 | |
-Sorry. -Next question! | 0:01:34 | 0:01:36 | |
-Is there something you can sing? -No, we need money first. | 0:01:36 | 0:01:39 | |
LAUGHTER | 0:01:39 | 0:01:41 | |
-There's a question here. -How many are bald if you have to wear those wigs? | 0:01:41 | 0:01:45 | |
-All of us! -I'm bald. | 0:01:45 | 0:01:47 | |
-Oh, we're all bald, yeah. -Don't tell anyone, please. | 0:01:47 | 0:01:50 | |
-I'm deaf and dumb, too. -A gentleman there... | 0:01:50 | 0:01:52 | |
-Quiet, please! -Quiet, please. | 0:01:52 | 0:01:55 | |
Go on. | 0:01:55 | 0:01:56 | |
Are you for real? | 0:01:56 | 0:01:58 | |
Come and have a feel! | 0:01:58 | 0:02:00 | |
I got a question. Do you hope to get a haircut at all? | 0:02:02 | 0:02:06 | |
-No. -I had one yesterday. | 0:02:06 | 0:02:08 | |
LAUGHTER | 0:02:08 | 0:02:09 | |
And that's no lie! | 0:02:09 | 0:02:11 | |
-It's the truth. -There's one here... | 0:02:11 | 0:02:13 | |
-What do you think your music does to these people? -I don't know. | 0:02:13 | 0:02:17 | |
Pleases them, I think. | 0:02:17 | 0:02:19 | |
It must do, cos they're buying it. | 0:02:19 | 0:02:21 | |
-Why does it excite them so much? -We don't know, really. | 0:02:21 | 0:02:24 | |
-If we knew, we'd form another group and be managers. -LAUGHTER | 0:02:24 | 0:02:27 | |
They're here! Count it off, fellas. | 0:02:30 | 0:02:33 | |
One, two, three, four! | 0:02:33 | 0:02:35 | |
# Well, she was just 17 | 0:02:40 | 0:02:43 | |
# You know what I mean | 0:02:43 | 0:02:46 | |
# And the way she looked was way beyond compare | 0:02:46 | 0:02:51 | |
# So how could I dance with another? | 0:02:52 | 0:02:57 | |
# Woo, when I saw her standing there | 0:02:57 | 0:03:02 | |
# Well, she looked at me, and I | 0:03:04 | 0:03:08 | |
# I could see | 0:03:08 | 0:03:10 | |
# That before too long I'd fall in love with her... # | 0:03:10 | 0:03:15 | |
ON PORTABLE RADIO: # She wouldn't dance with another | 0:03:15 | 0:03:20 | |
# Woo! # | 0:03:20 | 0:03:22 | |
RADIO DJ: 'And tomorrow morning, Brad Phillips has The Battles Of The Beatles. | 0:03:22 | 0:03:26 | |
-'The Beatles take on all the groups in the world...' -Yeah! Yeah! | 0:03:26 | 0:03:30 | |
Marvellous radio over here. | 0:03:30 | 0:03:32 | |
'Tomorrow night at seven, The Beatles read their own poetry | 0:03:32 | 0:03:35 | |
-'on a documentary, Meet The Beatles.' -Oh? Really? | 0:03:35 | 0:03:39 | |
-I don't get that! -I don't understand this... | 0:03:39 | 0:03:42 | |
-'Tomorrow night from seven till eight, here.' -We ain't written no poetry. | 0:03:42 | 0:03:46 | |
-'..cigarette that really satisfies...' -Lucky for one. | 0:03:46 | 0:03:49 | |
-'..that will give you the pleasure...' -I am. Yes. Well... | 0:03:49 | 0:03:53 | |
Well...but which one? | 0:03:53 | 0:03:57 | |
RADIO CHATTER CONTINUES | 0:03:57 | 0:04:00 | |
NOVELTY SONG PLAYS ON RADIO | 0:04:00 | 0:04:03 | |
RINGO SINGS ALONG | 0:04:13 | 0:04:16 | |
Whatever you wanna do. | 0:04:23 | 0:04:24 | |
It's on the post. Is it? | 0:04:24 | 0:04:27 | |
-Oh yeah, I see it. -They got a tremendous crowd there. | 0:04:27 | 0:04:30 | |
There's the kids. You're missing a fab shot. | 0:04:30 | 0:04:33 | |
You're missing the kids! | 0:04:33 | 0:04:35 | |
SCREAMING | 0:04:35 | 0:04:38 | |
How're we gonna get in, then? | 0:04:38 | 0:04:40 | |
Hey, we've had it! | 0:04:42 | 0:04:43 | |
Lock the door, man! | 0:04:43 | 0:04:45 | |
SCREAMING CONTINUES | 0:04:45 | 0:04:47 | |
Hi, girls! | 0:04:50 | 0:04:51 | |
What about this old man here, going potty? | 0:04:55 | 0:04:57 | |
The horse is in front. | 0:05:11 | 0:05:13 | |
Come on! | 0:05:15 | 0:05:16 | |
It's OK, he's gonna get the horses behind us. | 0:05:20 | 0:05:23 | |
Look at them all! | 0:05:25 | 0:05:27 | |
What's that? | 0:05:30 | 0:05:32 | |
Is this it? | 0:05:38 | 0:05:39 | |
Let's get in, quick. | 0:05:39 | 0:05:41 | |
SCREAMING | 0:05:44 | 0:05:47 | |
TV NEWSREADER: 'The British invasion this time goes by the codename Beatlemania. | 0:06:03 | 0:06:08 | |
'The D-day has been common knowledge for months and this was the day.' | 0:06:08 | 0:06:13 | |
The news. | 0:06:13 | 0:06:15 | |
'From New York's Kennedy International Airport.' | 0:06:15 | 0:06:18 | |
-GEORGE ON TV: -'I had one yesterday.' | 0:06:18 | 0:06:20 | |
LAUGHTER | 0:06:20 | 0:06:23 | |
-JOHN ON TV: -'If we knew, we'd form another group and be managers.' | 0:06:23 | 0:06:27 | |
NEWSREADER: 'That's the way it is. February 7th, 1964.' | 0:06:27 | 0:06:31 | |
'For tonight, mostly on the cloudy side, temperatures dropping sharply to a low of 30 in the morning...' | 0:06:31 | 0:06:37 | |
Come in! | 0:06:44 | 0:06:45 | |
PHONE RINGS | 0:06:50 | 0:06:52 | |
It's for me! | 0:06:52 | 0:06:54 | |
Hello? Oh, hello, yes. Who do you want? Quick, speak up! | 0:06:54 | 0:06:58 | |
It's me, you know me. | 0:07:00 | 0:07:02 | |
-Yes. -Is it? | 0:07:02 | 0:07:04 | |
No, but we're waiting for a very important call from London which you're blocking the line on. | 0:07:04 | 0:07:09 | |
See you later, love, OK? | 0:07:13 | 0:07:14 | |
Good luck, babe, bye. | 0:07:14 | 0:07:16 | |
HE LAUGHS | 0:07:16 | 0:07:18 | |
It was Maureen. | 0:07:18 | 0:07:19 | |
'The Huntley-Brinkley Report!' | 0:07:20 | 0:07:23 | |
'..Response to Cuba's denial of water to our naval base at Guantanamo Bay...' | 0:07:25 | 0:07:29 | |
Hey. | 0:07:29 | 0:07:30 | |
Every question... | 0:07:30 | 0:07:32 | |
"Can you sing? Answer: We need money first." | 0:07:34 | 0:07:36 | |
-Who said that? -Nobody, it's... -"What do you have that nobody else has? | 0:07:36 | 0:07:41 | |
"Answer: Press agents." | 0:07:41 | 0:07:43 | |
They haven't quite got it right! | 0:07:43 | 0:07:45 | |
"How about your hair? Answer: We're really bald." Fine. | 0:07:45 | 0:07:50 | |
INAUDIBLE RADIO CHATTER | 0:07:54 | 0:07:56 | |
'This is John Lennon of The Beatles on 1010 W-I-N-S!' | 0:08:01 | 0:08:06 | |
'Now, we just wanna tell everybody this is The Beatles station. They're telling us what to play.' | 0:08:06 | 0:08:11 | |
One more week of this and I'm gonna become the fifth Beatle, baby. | 0:08:11 | 0:08:14 | |
All right? OK, I'd love to do that and become the fifth Beatle. | 0:08:14 | 0:08:18 | |
-Paul, suppose you tell 'em what we've got next, baby? -'Marvin Gaye, Pride And Joy.' -Pride And Joy. | 0:08:18 | 0:08:23 | |
-When you introduce that, you want some echo in your voice? -A little bit. | 0:08:23 | 0:08:27 | |
All right. Now, you say it and say who you are and tell 'em the song you're gonna play, | 0:08:27 | 0:08:32 | |
-and I'll give you the echo. -'OK, this is Paul McCartney for WINS, 1010 W-I-N-S, | 0:08:32 | 0:08:37 | |
'it's Marvin Gaye, here he is singing Pride And Joy.' | 0:08:37 | 0:08:41 | |
MUSIC: "Pride And Joy" by Marvin Gaye | 0:08:41 | 0:08:44 | |
Yeah, baby. You got it. | 0:08:44 | 0:08:46 | |
# You are my pride and joy | 0:08:49 | 0:08:56 | |
# And I just love you Love you, darling | 0:08:56 | 0:09:00 | |
# Like a little baby loves his toy | 0:09:00 | 0:09:04 | |
# You've got kisses sweeter than honey | 0:09:04 | 0:09:08 | |
# And I work seven days a week to give you all my money | 0:09:08 | 0:09:12 | |
# And I'd cry if I ever lost your love | 0:09:12 | 0:09:18 | |
-# Telling the world you're my -Pride and joy -Pride and joy | 0:09:19 | 0:09:24 | |
-# And I'm your -Baby boy -Baby boy. # | 0:09:24 | 0:09:28 | |
'It's the gear?' | 0:09:28 | 0:09:30 | |
-What does that mean? It's happening? -It's good, it's marvellous, it's the best! | 0:09:30 | 0:09:35 | |
-I see. It's a gear. -'It's the gear, la!' | 0:09:35 | 0:09:37 | |
-All right. -All right! -HE SHOUTS | 0:09:37 | 0:09:41 | |
-POSH ACCENT: -Anyone understand him? | 0:09:43 | 0:09:45 | |
I think that what we have right about here is how about telling them | 0:09:45 | 0:09:48 | |
-about your very first big hit over in... -'Love Me Do?' -Love Me Do. | 0:09:48 | 0:09:52 | |
Would you say that your sound... Was that the record that had your present-day sound, the start of it? | 0:09:52 | 0:09:57 | |
'Yeah, that was the start of everything for us, you know? | 0:09:57 | 0:10:00 | |
-'After that, we never looked back.' -Never looked back. All right, baby, let's hear it one more time. | 0:10:00 | 0:10:06 | |
MUSIC: "Love Me Do" by The Beatles | 0:10:06 | 0:10:10 | |
Shades of James Ray with the harmonica there, I say. | 0:10:10 | 0:10:14 | |
'Er...John, actually.' | 0:10:14 | 0:10:16 | |
-Yeah? Did John play that line? -'Yeah.' -That's a gas. | 0:10:16 | 0:10:19 | |
# Love, love me do | 0:10:19 | 0:10:22 | |
# You know I love you | 0:10:22 | 0:10:25 | |
# I'll always be true... # | 0:10:25 | 0:10:28 | |
I'm tired. | 0:10:28 | 0:10:29 | |
Because I've been up for days. | 0:10:29 | 0:10:31 | |
-JOHN MIMICS DJ: -For days, just simply happening. | 0:10:31 | 0:10:34 | |
-Yeah. -What was he saying?! -What? | 0:10:34 | 0:10:36 | |
A "happening". | 0:10:36 | 0:10:37 | |
It's quarter past eleven, really. | 0:10:37 | 0:10:40 | |
I'll tell you, anyone who wants to know the English time, I've still got mine to English. | 0:10:40 | 0:10:44 | |
-Well, I've worked it out myself. -Have you? -Oh, yes, I have! | 0:10:44 | 0:10:47 | |
-POSH ACCENT: You're so educated! -Oh. yes! | 0:10:47 | 0:10:49 | |
-Look, if we go to bed now... -We'll be up at three. | 0:10:49 | 0:10:53 | |
That's what I mean. | 0:10:53 | 0:10:54 | |
Aren't we going out? | 0:10:56 | 0:10:57 | |
Yes, later. | 0:10:57 | 0:10:59 | |
-Later? -Well, it's only early! | 0:10:59 | 0:11:01 | |
It's America, you know. | 0:11:01 | 0:11:04 | |
I know it's America. I've noticed. | 0:11:04 | 0:11:06 | |
-CROWD: We want The Beatles! -We want 'em! | 0:11:06 | 0:11:09 | |
CHANTING CONTINUES | 0:11:09 | 0:11:12 | |
What floor are they sleeping on? | 0:11:14 | 0:11:15 | |
SCREAMING | 0:11:15 | 0:11:18 | |
Good morning. | 0:11:29 | 0:11:30 | |
-Morning. -Everybody. | 0:11:30 | 0:11:32 | |
-Morning. -How you doin'? | 0:11:32 | 0:11:34 | |
Friendly, they're very friendly. Very friendly. Lovely people. Very nice. | 0:11:36 | 0:11:41 | |
Are you going down in the elevator? | 0:11:41 | 0:11:44 | |
Elevators? | 0:11:44 | 0:11:45 | |
Hey, Beatles! Hey, Beatles! | 0:11:52 | 0:11:55 | |
-Say, Beatles! -Hey, Beatles! This way. -Hey, Beatles! This way. | 0:11:56 | 0:12:00 | |
THEY CHATTER | 0:12:00 | 0:12:03 | |
Not that way, the other way! | 0:12:09 | 0:12:11 | |
-This way? -Yeah, that way! | 0:12:11 | 0:12:13 | |
Get close together, huh? | 0:12:13 | 0:12:15 | |
Why don't you guys walk back and show some snow on the ground, get a picture that looks like something? | 0:12:19 | 0:12:25 | |
C'mon, c'mon! I got an idea. | 0:12:29 | 0:12:31 | |
Hey, Beatles! Hey, walk together. | 0:12:35 | 0:12:37 | |
Where do the birds fly? Up there! That's it. Yeah, yeah, yeah. | 0:12:39 | 0:12:43 | |
Hold it! Hold it! | 0:12:45 | 0:12:47 | |
-BEATLES: -YEAH! | 0:12:52 | 0:12:55 | |
Oh, well done! | 0:12:55 | 0:12:56 | |
I'm slippin'! | 0:12:56 | 0:12:58 | |
Can you do that pointing, you know, without hiding your face? | 0:12:58 | 0:13:01 | |
You're very close, you know? | 0:13:01 | 0:13:03 | |
-Will you do it once more? -Well, I haven't stopped! | 0:13:03 | 0:13:06 | |
THEY LAUGH | 0:13:06 | 0:13:08 | |
-You just look at TV and that kinda stuff last night? -We're lazy, yeah. | 0:13:08 | 0:13:13 | |
That's all we did last night. And listened to the radio. | 0:13:13 | 0:13:16 | |
In fact, ladies and gentlemen, for the continuity of the film, | 0:13:16 | 0:13:19 | |
I'd like to reintroduce the radio. | 0:13:19 | 0:13:21 | |
ORCHESTRAL MUSIC PLAYS | 0:13:21 | 0:13:23 | |
Sounds like Breakfast At Tiffany's. | 0:13:23 | 0:13:26 | |
RINGING | 0:13:31 | 0:13:33 | |
Er...provisionally the subject... | 0:13:35 | 0:13:37 | |
-Hello? -'Yes, I'm just calling for the manager of The Beatles. What is his name?' | 0:13:38 | 0:13:43 | |
'May we have his name, please?' | 0:13:43 | 0:13:45 | |
-Their manager's name is Mr Brian Epstein. -'Brian Epsteen?' | 0:13:45 | 0:13:50 | |
'What was the first name, B-R-Y-A-N or I-A-N?' | 0:13:50 | 0:13:52 | |
The manager's name is Brian Epstein. | 0:13:52 | 0:13:56 | |
I'm terribly sorry, he can't take any calls right now, he's waiting for a call from London. | 0:13:56 | 0:14:01 | |
Bye-bye. | 0:14:01 | 0:14:04 | |
-What did I say before? -Concerning The Beatles? -Yes. | 0:14:05 | 0:14:09 | |
"We would like to confirm the dates you suggested for The Beatles' television performance." | 0:14:09 | 0:14:14 | |
-PHONE RINGS -Er... | 0:14:14 | 0:14:17 | |
Hello? | 0:14:18 | 0:14:19 | |
-Hello? -Oh, that's England calling. | 0:14:19 | 0:14:22 | |
OK, hold. Thank you. | 0:14:29 | 0:14:31 | |
Your London call. It's in there, on 223. | 0:14:31 | 0:14:36 | |
-'..Beatles' new record is in the Top 10...' -Yes? Tremendous. | 0:14:38 | 0:14:41 | |
'There's talk that this one will exceed all previous records.' | 0:14:41 | 0:14:45 | |
-Gosh, fantastic! That's marvellous. -'It's climbing fast. It's at number seven already.' | 0:14:45 | 0:14:50 | |
I think it'll go to number one, actually. That's marvellous. | 0:14:50 | 0:14:53 | |
Great, OK, well, thanks very much. Actually, I may call you tomorrow | 0:14:53 | 0:14:56 | |
-to see if it's improved slightly. -'Yes, you can. It's on every front page today.' | 0:14:56 | 0:15:00 | |
-Fine. -'Marvellous here.' -All right, thanks very much indeed. | 0:15:00 | 0:15:05 | |
Channel Two! | 0:15:08 | 0:15:09 | |
JOHN PLAYS MELODICA | 0:15:09 | 0:15:15 | |
Got to get on Channel Two. | 0:15:15 | 0:15:17 | |
We're on this thing now, in a minute. | 0:15:18 | 0:15:21 | |
Ready, fellas! Let's go, we're late. | 0:15:21 | 0:15:23 | |
Here you are, Mal. | 0:15:25 | 0:15:27 | |
# My love, I can't hide | 0:15:27 | 0:15:31 | |
# I can't hide. # | 0:15:31 | 0:15:33 | |
# Yeah, you know that something... # | 0:15:36 | 0:15:40 | |
-Louder! -I just want you to know that the people of Britain appreciate what you're doing for them. | 0:15:40 | 0:15:46 | |
-Louder! -I just want you to know... -I'm deaf! | 0:15:46 | 0:15:50 | |
I'm... | 0:15:50 | 0:15:51 | |
Are we going or what? | 0:15:59 | 0:16:00 | |
-OK, we're going. -See you later. -Good luck, boys. | 0:16:00 | 0:16:03 | |
I just want you to know that we appreciate what the people of Britain have done for us. | 0:16:03 | 0:16:08 | |
See ya. Ta-ra. | 0:16:10 | 0:16:12 | |
See you. See you, Harry! | 0:16:12 | 0:16:14 | |
See you, Harry, see you, Tom, see you, Jack. | 0:16:14 | 0:16:17 | |
Everybody. | 0:16:18 | 0:16:20 | |
And now, here he is, Ed Sullivan! | 0:16:37 | 0:16:41 | |
APPLAUSE | 0:16:41 | 0:16:45 | |
Thank you very much. Thank you. | 0:16:45 | 0:16:48 | |
Yesterday and today our theatre's been jammed with newspaper men and photographers | 0:16:48 | 0:16:52 | |
from all over the nation and these veterans agree that the city never has witnessed the excitement | 0:16:52 | 0:16:57 | |
stirred by these youngsters from Liverpool who call themselves The Beatles. Now, tonight, | 0:16:57 | 0:17:01 | |
you're gonna twice be entertained by them. Right now, and in the second half. Ladies and gentlemen, | 0:17:01 | 0:17:07 | |
The Beatles! | 0:17:07 | 0:17:08 | |
SCREAMING AND APPLAUSE | 0:17:08 | 0:17:11 | |
Yo! One, two, three, four... | 0:17:11 | 0:17:14 | |
# Close your eyes and I'll kiss you Tomorrow I'll miss you | 0:17:14 | 0:17:20 | |
# Remember I'll always be true | 0:17:20 | 0:17:25 | |
# And then while I'm away | 0:17:26 | 0:17:29 | |
# I'll write home every day | 0:17:29 | 0:17:32 | |
# And I'll send all my loving to you | 0:17:32 | 0:17:37 | |
# I'll pretend that I'm kissing | 0:17:38 | 0:17:42 | |
# The lips I am missing | 0:17:42 | 0:17:45 | |
# And hope that my dreams will come true | 0:17:45 | 0:17:50 | |
# And then while I'm away | 0:17:51 | 0:17:54 | |
# I'll write home every day | 0:17:54 | 0:17:56 | |
# And I'll send all my loving to you | 0:17:56 | 0:18:01 | |
# All my loving, I will send to you | 0:18:03 | 0:18:07 | |
# All my loving, darling I'll be true, yeah! | 0:18:09 | 0:18:15 | |
# Close your eyes and I'll kiss you | 0:18:27 | 0:18:30 | |
# Tomorrow I'll miss you | 0:18:30 | 0:18:33 | |
# Remember I'll always be true | 0:18:33 | 0:18:38 | |
# And then while I'm away | 0:18:40 | 0:18:42 | |
# I'll write home every day | 0:18:42 | 0:18:46 | |
# And I'll send all my loving to you | 0:18:46 | 0:18:50 | |
# All my loving, I will send to you | 0:18:51 | 0:18:56 | |
# All my loving, darling I'll be true | 0:18:58 | 0:19:02 | |
# All my loving | 0:19:04 | 0:19:07 | |
# All my loving | 0:19:07 | 0:19:10 | |
# Ooh, all my loving | 0:19:10 | 0:19:12 | |
# I will send to you. # | 0:19:12 | 0:19:16 | |
APPLAUSE AND SCREAMING | 0:19:17 | 0:19:20 | |
# She loves you, yeah, yeah, yeah | 0:19:24 | 0:19:27 | |
# She loves you, yeah, yeah, yeah | 0:19:27 | 0:19:30 | |
# She loves you Yeah, yeah, yeah, yeah | 0:19:30 | 0:19:35 | |
# You think you lost your love | 0:19:36 | 0:19:39 | |
# Well, I saw her yesterday-yi-yay | 0:19:39 | 0:19:43 | |
# It's you she's thinking of | 0:19:43 | 0:19:45 | |
# And she told me what to say | 0:19:45 | 0:19:48 | |
# She says she loves you And you know that can't be bad | 0:19:48 | 0:19:53 | |
# Yes, she loves you And you know you should be glad | 0:19:55 | 0:20:00 | |
# She said you hurt her so She almost lost her mind | 0:20:01 | 0:20:08 | |
# And now she says she knows You're not the hurting kind | 0:20:08 | 0:20:14 | |
# She says she loves you And you know that can't be bad | 0:20:14 | 0:20:18 | |
# Yes, she loves you And you know you should be glad | 0:20:20 | 0:20:25 | |
# Woo | 0:20:25 | 0:20:27 | |
# She loves you, yeah, yeah, yeah She loves you, yeah, yeah, yeah | 0:20:27 | 0:20:33 | |
# With a love like that You know you should be glad | 0:20:33 | 0:20:37 | |
# You know it's up to you | 0:20:39 | 0:20:42 | |
# I think it's only fair | 0:20:42 | 0:20:45 | |
# Pride can hurt you, too | 0:20:45 | 0:20:48 | |
# Apologize to her | 0:20:48 | 0:20:51 | |
# Because she loves you And you know that can't be bad | 0:20:51 | 0:20:56 | |
# Yes, she loves you And you know you should be glad | 0:20:57 | 0:21:03 | |
# Woo | 0:21:03 | 0:21:04 | |
# She loves you, yeah, yeah, yeah She loves you, yeah, yeah, yeah | 0:21:04 | 0:21:11 | |
# With a love like that You know you should be glad | 0:21:11 | 0:21:15 | |
# With a love like that You know you should be glad | 0:21:17 | 0:21:21 | |
# With a love like that You know you should be glad | 0:21:23 | 0:21:29 | |
# Yeah, yeah, yeah | 0:21:32 | 0:21:34 | |
# Yeah, yeah, yeah, yeah. # | 0:21:35 | 0:21:39 | |
SCREAMING AND APPLAUSE | 0:21:40 | 0:21:43 | |
Something very nice happened and The Beatles got a great kick out of it. They just received a wire | 0:21:48 | 0:21:54 | |
from Elvis Presley and Colonel Tom Parker wishing them a tremendous success in our country. | 0:21:54 | 0:21:59 | |
I think that was very nice. | 0:21:59 | 0:22:01 | |
SCREAMING AND APPLAUSE | 0:22:01 | 0:22:04 | |
Introducing The Beatles again, they'll be on our show for the next two Sundays, | 0:22:04 | 0:22:09 | |
next Sunday from the Deauville Hotel, Miami Beach, starring Hollywood's exciting Mitzi Gaynor. | 0:22:09 | 0:22:14 | |
-But, ladies and gentlemen, once again... -SCREAMING | 0:22:14 | 0:22:18 | |
# Oh, yeah, I'll tell you something | 0:22:24 | 0:22:28 | |
# I think you'll understand | 0:22:29 | 0:22:32 | |
# When I say that something | 0:22:32 | 0:22:36 | |
# I wanna hold your hand | 0:22:36 | 0:22:39 | |
# I wanna hold your hand I wanna hold your hand | 0:22:40 | 0:22:46 | |
# Oh, please say to me You'll let me be your man | 0:22:46 | 0:22:54 | |
# And please say to me | 0:22:54 | 0:22:58 | |
# You'll let me hold your hand | 0:22:58 | 0:23:02 | |
# You'll let me hold your hand I wanna hold your hand | 0:23:02 | 0:23:08 | |
# And when I touch you I feel happy inside... # | 0:23:09 | 0:23:16 | |
SCREAMING INCREASES | 0:23:16 | 0:23:17 | |
# It's such a feeling That, my love, I can't hide | 0:23:17 | 0:23:23 | |
# I can't hide, I can't hide | 0:23:23 | 0:23:28 | |
# Yeah, you got that something | 0:23:29 | 0:23:32 | |
# I think you'll understand | 0:23:33 | 0:23:37 | |
# When I say that something | 0:23:37 | 0:23:40 | |
# I wanna hold your hand | 0:23:41 | 0:23:44 | |
# I wanna hold your hand | 0:23:44 | 0:23:48 | |
# I wanna hold your hand | 0:23:48 | 0:23:51 | |
# And when I touch you | 0:23:52 | 0:23:55 | |
# I feel happy inside | 0:23:55 | 0:23:59 | |
# It's such a feeling That, my love, I can't hide | 0:24:00 | 0:24:06 | |
# I can't hide, I can't hide | 0:24:06 | 0:24:11 | |
# Yeah, you got that something | 0:24:12 | 0:24:16 | |
# I think you'll understand | 0:24:16 | 0:24:19 | |
# When I say that something | 0:24:19 | 0:24:23 | |
# I wanna hold your hand | 0:24:23 | 0:24:27 | |
# I wanna hold your hand I wanna hold your hand | 0:24:27 | 0:24:35 | |
# I wanna hold your hand. # | 0:24:35 | 0:24:41 | |
APPLAUSE AND SCREAMING | 0:24:41 | 0:24:44 | |
SPEECH OBSCURED BY SCREAMING | 0:24:59 | 0:25:02 | |
Hello! | 0:25:02 | 0:25:04 | |
Ooh, I love this place, America! | 0:25:05 | 0:25:08 | |
The record's on't radio. Lovely! | 0:25:08 | 0:25:11 | |
Terrific, it is! | 0:25:11 | 0:25:15 | |
# Transistor sister, ooh! # | 0:25:18 | 0:25:21 | |
BAND ON STAGE PLAY "MONEY" BY BARRETT STRONG | 0:25:35 | 0:25:38 | |
MUSIC OBSCURES SPEECH | 0:26:19 | 0:26:22 | |
Hey! | 0:26:52 | 0:26:54 | |
# Money don't buy everything It's true | 0:26:54 | 0:26:57 | |
# What it don't buy, I can't use I need some money | 0:26:57 | 0:27:00 | |
-# What I want -That's what I want | 0:27:00 | 0:27:03 | |
-# What I want -That's what I want | 0:27:03 | 0:27:07 | |
# Yeah | 0:27:07 | 0:27:09 | |
-# Money -What I want -Come on, come on | 0:27:12 | 0:27:16 | |
-# What I want -Money | 0:27:16 | 0:27:20 | |
# What I wa-a-ant, yeah | 0:27:20 | 0:27:24 | |
# That's what I want. # | 0:27:24 | 0:27:26 | |
APPLAUSE | 0:27:26 | 0:27:29 | |
Smile! There's a camera recording this. | 0:27:33 | 0:27:35 | |
Hey! | 0:27:35 | 0:27:38 | |
-JOHN: -Another quiet evening out. | 0:27:49 | 0:27:52 | |
'Scuse me, I'm not going... | 0:28:09 | 0:28:11 | |
Well, here we are on the 12th floor... | 0:28:22 | 0:28:25 | |
Ladies and gentlemen, on your right you'll see the Washington Memorial. | 0:28:28 | 0:28:31 | |
-Ban the bomb! -Ban the Pope! | 0:28:34 | 0:28:37 | |
The press, you fools! | 0:28:46 | 0:28:48 | |
Can we get in? | 0:28:48 | 0:28:50 | |
No... | 0:28:50 | 0:28:51 | |
DOOR SLAMS SHUT | 0:28:55 | 0:28:57 | |
-Ooh! -Now, this is embarrassing. | 0:28:58 | 0:29:02 | |
We came upstairs. | 0:29:02 | 0:29:05 | |
Could you just tell us where to go? | 0:29:05 | 0:29:07 | |
Come on. | 0:29:08 | 0:29:10 | |
We made it! | 0:29:13 | 0:29:14 | |
We got up here! | 0:29:14 | 0:29:16 | |
-Are you registered in the hotel? -Yes, we are. -What room? | 0:29:24 | 0:29:27 | |
-Erm, the other room around the corner. I don't have a very good memory for numbers. -Right, come on. | 0:29:27 | 0:29:32 | |
Aw, see that? | 0:29:32 | 0:29:33 | |
We don't got a room here! | 0:29:49 | 0:29:51 | |
All right, come on with me. | 0:29:51 | 0:29:53 | |
Let's go. | 0:29:53 | 0:29:54 | |
CROWD SINGS: # Beatles, oh, yes, we do! | 0:30:00 | 0:30:04 | |
# We love The Beatles | 0:30:04 | 0:30:06 | |
# And we'll be true | 0:30:06 | 0:30:08 | |
# When you're not near us... # | 0:30:08 | 0:30:11 | |
Beatles! I love you! | 0:30:11 | 0:30:14 | |
# Beatles, we love you. # | 0:30:14 | 0:30:17 | |
SCREAMING | 0:30:17 | 0:30:20 | |
Shut up! | 0:30:21 | 0:30:22 | |
SCREAMING | 0:30:31 | 0:30:33 | |
Please don't kick me out before I can get in to see them, to give them this petition. | 0:30:37 | 0:30:42 | |
What about the petition? | 0:30:42 | 0:30:43 | |
They won't let me give it to them! | 0:30:43 | 0:30:45 | |
Can't you give it to anybody? | 0:30:45 | 0:30:47 | |
-No. -Oh, darn! | 0:30:47 | 0:30:50 | |
No, I've friends up there. | 0:30:50 | 0:30:52 | |
Oh, really? | 0:30:52 | 0:30:54 | |
How can we get in touch with them? They just came down, told us to come up. | 0:30:54 | 0:30:57 | |
He says no. | 0:30:59 | 0:31:00 | |
-How about... -He just did! | 0:31:00 | 0:31:03 | |
He's our friend! | 0:31:09 | 0:31:10 | |
For the address of Elvis Presley. | 0:31:10 | 0:31:13 | |
9451... | 0:31:14 | 0:31:16 | |
And it's Colonel Parker? | 0:31:16 | 0:31:18 | |
Thank you very much indeed. Bye-bye. | 0:31:18 | 0:31:21 | |
The cable there... | 0:31:21 | 0:31:23 | |
must be..."Many thanks | 0:31:23 | 0:31:26 | |
"for your cables. | 0:31:26 | 0:31:27 | |
"Stop. Boys and myself... | 0:31:33 | 0:31:37 | |
"most appreciative...of... | 0:31:37 | 0:31:42 | |
"..er...gesture. | 0:31:44 | 0:31:48 | |
"Regards and best wishes." | 0:31:51 | 0:31:53 | |
All right. | 0:31:53 | 0:31:55 | |
Brian Epstein. | 0:31:56 | 0:31:58 | |
PHONE RINGS | 0:31:59 | 0:32:02 | |
Hello? | 0:32:02 | 0:32:03 | |
I'm sorry, Mr Epstein is just leaving to see the boys off in Washington. | 0:32:03 | 0:32:08 | |
I don't, quite honestly, no, sorry. | 0:32:09 | 0:32:12 | |
OK, bye-bye. | 0:32:12 | 0:32:14 | |
All right? Let's do it. | 0:32:17 | 0:32:18 | |
I'll be back round about half past twelve. | 0:32:18 | 0:32:21 | |
PHONE RINGS | 0:32:21 | 0:32:23 | |
See you later. | 0:32:37 | 0:32:38 | |
-That's all right. -Thanks! Thank you. | 0:32:51 | 0:32:55 | |
See ya. | 0:32:55 | 0:32:56 | |
-Can I have your autograph? -It's like running for President, isn't it? | 0:32:59 | 0:33:02 | |
How ya doin', sir? Pleased to have you on the trip. | 0:33:07 | 0:33:11 | |
Enjoy yourself. Refreshment in the back of the car. | 0:33:11 | 0:33:14 | |
Water and more water. | 0:33:14 | 0:33:17 | |
PRESS CHATTER | 0:33:22 | 0:33:24 | |
We're what's happening out here! | 0:33:24 | 0:33:26 | |
Everyone's waiting round with their cameras. As soon as someone stands up... | 0:33:40 | 0:33:44 | |
Take three... | 0:33:44 | 0:33:46 | |
Take four! | 0:33:47 | 0:33:48 | |
LAUGHTER | 0:33:48 | 0:33:50 | |
Take five! | 0:33:50 | 0:33:52 | |
Take six! | 0:33:53 | 0:33:55 | |
LAUGHTER | 0:33:55 | 0:33:57 | |
-Take this! -What? | 0:33:57 | 0:33:58 | |
Take that! | 0:33:58 | 0:34:00 | |
Take that! | 0:34:00 | 0:34:01 | |
Smile! | 0:34:05 | 0:34:06 | |
Oh, isn't he pretty? | 0:34:07 | 0:34:09 | |
I love that space in your hair... | 0:34:09 | 0:34:12 | |
Cameras...excuse me. | 0:34:17 | 0:34:19 | |
Excuse me, madam. | 0:34:19 | 0:34:20 | |
We gotta get 'em through. 'Scuse me! | 0:34:20 | 0:34:23 | |
Exclusive! | 0:34:23 | 0:34:25 | |
'Scuse me. | 0:34:26 | 0:34:27 | |
I am a camera. | 0:34:27 | 0:34:30 | |
I can't keep it up. | 0:34:37 | 0:34:38 | |
OK. | 0:34:41 | 0:34:43 | |
Don't worry, I'll be back. | 0:34:43 | 0:34:45 | |
John? | 0:34:45 | 0:34:46 | |
-Yeah? -Can I have a cigarette, please? | 0:34:46 | 0:34:48 | |
-You're on... -John! -What's that, George? | 0:34:48 | 0:34:50 | |
Have you got a cigarette for me, please? | 0:34:50 | 0:34:54 | |
I think I've got one here for you, George. | 0:34:54 | 0:34:56 | |
It's Marl-a-boro. | 0:34:56 | 0:34:58 | |
With a microknee finger. | 0:34:58 | 0:35:01 | |
Marlboro with a microknee finger? Thank you very much, John. | 0:35:01 | 0:35:06 | |
It's a big cigarette for a big man. | 0:35:06 | 0:35:09 | |
I will...ha.. I will light it now. | 0:35:09 | 0:35:12 | |
LAUGHTER | 0:35:12 | 0:35:14 | |
We are smoking our Marlboro. | 0:35:14 | 0:35:16 | |
George and John. Buddies and pals! | 0:35:16 | 0:35:20 | |
LAUGHTER | 0:35:20 | 0:35:23 | |
LAUGHTER | 0:35:31 | 0:35:33 | |
Ha-ha-ha-ha! Ha! | 0:35:33 | 0:35:35 | |
We need more ice! | 0:35:36 | 0:35:38 | |
KNOCKING Knock-knock! | 0:35:44 | 0:35:46 | |
Who's there? | 0:35:46 | 0:35:47 | |
'Scuse me! You're wrecking the film here. | 0:35:49 | 0:35:52 | |
All in the way. | 0:35:52 | 0:35:53 | |
Come on. | 0:35:54 | 0:35:56 | |
It's me! | 0:36:00 | 0:36:02 | |
I'm not in a laughing mood, even. | 0:36:07 | 0:36:09 | |
It's great being here in New York. OK? | 0:36:23 | 0:36:26 | |
< Washington! | 0:36:26 | 0:36:27 | |
Oh, is that the place? I don't know, Washington. | 0:36:27 | 0:36:30 | |
I'm just moving so fast. | 0:36:30 | 0:36:32 | |
DISTANT SCREAMING | 0:36:32 | 0:36:35 | |
SCREAMING INCREASES | 0:36:48 | 0:36:52 | |
LOUD SCREAMS | 0:36:52 | 0:36:55 | |
Hello. | 0:37:32 | 0:37:33 | |
Hello, hello, hello! | 0:37:57 | 0:37:59 | |
Whoa! Hello! | 0:38:01 | 0:38:03 | |
Thank you. | 0:38:04 | 0:38:06 | |
Thank you. Thank you very much, | 0:38:08 | 0:38:10 | |
everybody. | 0:38:10 | 0:38:12 | |
And, er, good evening. | 0:38:12 | 0:38:14 | |
How do you do? | 0:38:14 | 0:38:16 | |
LOUD SCREAMING | 0:38:16 | 0:38:19 | |
This one, which we recorded on an LP that we made - | 0:38:19 | 0:38:23 | |
that's English for album - | 0:38:23 | 0:38:25 | |
an album that we made, and we'd like you, if you would, | 0:38:25 | 0:38:29 | |
to sort of join in, and clap your hands, and stamp your feet. | 0:38:29 | 0:38:34 | |
AUDIENCE SCREAMS | 0:38:34 | 0:38:37 | |
Yeah, you know! Everybody, just join in, all together. | 0:38:38 | 0:38:42 | |
OK? | 0:38:42 | 0:38:44 | |
All right? | 0:38:44 | 0:38:45 | |
The song...yeah. | 0:38:45 | 0:38:48 | |
The song's called I Saw Her Standing There. | 0:38:48 | 0:38:50 | |
One, two, three, four! | 0:38:50 | 0:38:52 | |
# Well, she was just 17 | 0:38:56 | 0:39:00 | |
# You know what I mean | 0:39:00 | 0:39:03 | |
# And the way she looked was way beyond compare | 0:39:03 | 0:39:07 | |
# How could I dance with another? | 0:39:09 | 0:39:14 | |
# Woo | 0:39:14 | 0:39:15 | |
# When I saw her standing there | 0:39:15 | 0:39:19 | |
# Well, she looked at me | 0:39:21 | 0:39:24 | |
# And I, I could see | 0:39:24 | 0:39:27 | |
# That before too long I'd fall in love with her | 0:39:27 | 0:39:32 | |
# She wouldn't dance with another | 0:39:33 | 0:39:38 | |
# Woo | 0:39:38 | 0:39:39 | |
# When I saw her standing there | 0:39:39 | 0:39:43 | |
# Well, my heart went boom when I crossed that room | 0:39:45 | 0:39:51 | |
# And I held her hand | 0:39:51 | 0:39:54 | |
# In mi-i-ne | 0:39:54 | 0:40:00 | |
# Whoa, we danced through the night | 0:40:00 | 0:40:03 | |
# And we held each other tight | 0:40:03 | 0:40:06 | |
# And before too long I fell in love with her | 0:40:06 | 0:40:11 | |
# Now I'll never dance with another | 0:40:13 | 0:40:17 | |
# Woo | 0:40:17 | 0:40:19 | |
# When I saw her standing there | 0:40:19 | 0:40:23 | |
# Wow! | 0:40:23 | 0:40:25 | |
# Well, we danced through the night | 0:40:49 | 0:40:52 | |
# And we held each other tight | 0:40:52 | 0:40:55 | |
# And before too long I fell in love with her | 0:40:55 | 0:41:00 | |
# I'll never dance with another, woo | 0:41:02 | 0:41:07 | |
# Since I saw her standing there | 0:41:07 | 0:41:11 | |
# Well, since I saw her standing there | 0:41:13 | 0:41:17 | |
# Since I saw her standing there. # | 0:41:19 | 0:41:23 | |
SCREAMING AND APPLAUSE | 0:41:26 | 0:41:28 | |
Thank you very much, ladies and gentlemen, thank you. | 0:41:50 | 0:41:53 | |
Well, for this spot, we'd like to feature somebody | 0:41:53 | 0:41:57 | |
who doesn't often get much of a chance to sing. | 0:41:57 | 0:42:00 | |
So... | 0:42:03 | 0:42:04 | |
So...thank you. | 0:42:15 | 0:42:16 | |
So now, singing a song which was also on the album that we made. | 0:42:16 | 0:42:22 | |
Singing a song called I Wanna Be Your Man, our drummer... | 0:42:23 | 0:42:26 | |
LOUD CHEERING | 0:42:26 | 0:42:28 | |
A big round of applause for our drummer, Ringo! | 0:42:30 | 0:42:33 | |
APPLAUSE AND SCREAMING | 0:42:33 | 0:42:34 | |
# I wanna be your lover, baby | 0:42:40 | 0:42:42 | |
# I wanna be your man | 0:42:42 | 0:42:44 | |
# Love you like no other, baby | 0:42:44 | 0:42:47 | |
# Like no other can | 0:42:47 | 0:42:49 | |
# Love you like no other, baby | 0:42:49 | 0:42:52 | |
# Like no other can | 0:42:52 | 0:42:53 | |
# I wanna be your man | 0:42:54 | 0:42:56 | |
# I wanna be your man | 0:42:57 | 0:42:58 | |
# I wanna be your man | 0:42:59 | 0:43:02 | |
# I wanna be your man | 0:43:02 | 0:43:04 | |
-# Yeah! -Tell me that you love me, baby | 0:43:04 | 0:43:08 | |
# Let me understand | 0:43:08 | 0:43:09 | |
# Tell me that you love me, baby | 0:43:10 | 0:43:12 | |
# I wanna be your man | 0:43:12 | 0:43:14 | |
# I wanna be your lover, baby | 0:43:15 | 0:43:17 | |
# I wanna be your man | 0:43:17 | 0:43:19 | |
# I wanna be your lover, baby | 0:43:19 | 0:43:22 | |
# I wanna be your man | 0:43:22 | 0:43:24 | |
# I wanna be your man | 0:43:25 | 0:43:27 | |
# I wanna be your man | 0:43:27 | 0:43:29 | |
# I wanna be your man | 0:43:30 | 0:43:32 | |
# I wanna be your man | 0:43:32 | 0:43:35 | |
# Wow! | 0:43:35 | 0:43:36 | |
# Tell me that you love me, baby | 0:43:50 | 0:43:53 | |
# Let me understand | 0:43:53 | 0:43:55 | |
# Tell me that you love me, baby | 0:43:56 | 0:43:58 | |
# I wanna be your man | 0:43:58 | 0:44:00 | |
# I wanna be your lover, baby | 0:44:01 | 0:44:03 | |
# I wanna be your man | 0:44:03 | 0:44:05 | |
# I wanna be your lover, baby | 0:44:06 | 0:44:08 | |
# I wanna be your man | 0:44:08 | 0:44:10 | |
# I wanna be your man | 0:44:11 | 0:44:13 | |
# I wanna be your man | 0:44:13 | 0:44:16 | |
# I wanna be your man | 0:44:16 | 0:44:18 | |
# I wanna be your man | 0:44:18 | 0:44:21 | |
# I wanna be your man | 0:44:21 | 0:44:22 | |
# I wanna be your man | 0:44:23 | 0:44:25 | |
# Oh, I wanna be your man | 0:44:25 | 0:44:27 | |
# I wanna be your man | 0:44:27 | 0:44:30 | |
# I wanna be your man | 0:44:31 | 0:44:33 | |
# I wanna be your man. # | 0:44:33 | 0:44:35 | |
APPLAUSE AND SCREAMING | 0:44:36 | 0:44:39 | |
LAUGHTER | 0:44:58 | 0:45:01 | |
I'm having a rest. | 0:45:01 | 0:45:02 | |
-Hi. -Hello. | 0:45:02 | 0:45:04 | |
Hi. | 0:45:05 | 0:45:07 | |
Well, er... | 0:45:07 | 0:45:09 | |
LAUGHTER | 0:45:09 | 0:45:10 | |
I never thought I'd ever meet a good, real, real good singer. | 0:45:10 | 0:45:15 | |
Well... | 0:45:15 | 0:45:16 | |
-AMERICAN ACCENT: -You're too kind. | 0:45:16 | 0:45:19 | |
THEY LAUGH | 0:45:19 | 0:45:20 | |
You see that bit about the news? | 0:45:20 | 0:45:23 | |
Well, you know. It's just funny half the time. | 0:45:23 | 0:45:26 | |
And everyone's so used to it, that it doesn't look funny anymore in America. | 0:45:26 | 0:45:31 | |
There was this fella, and he's just doing the news the other night, | 0:45:31 | 0:45:35 | |
and he said, "So that is the end of the news..." | 0:45:35 | 0:45:38 | |
No, he didn't even say it was the end of the news, he said, | 0:45:38 | 0:45:41 | |
"And in China, the situation is very bad. | 0:45:41 | 0:45:44 | |
"Have you ever wondered, when you're eating... Coke?" | 0:45:44 | 0:45:48 | |
I was going to ask you yesterday, but I thought you might think I was being hostile. | 0:45:52 | 0:45:56 | |
I was going to say, are you kidding us? | 0:45:56 | 0:45:58 | |
We're not kidding, we're just answering how we feel. You know? | 0:45:58 | 0:46:02 | |
Yeah, but...something about your spirit in all this | 0:46:02 | 0:46:06 | |
is very much in the spirit of enjoying a game that has its aspects of cynicism. | 0:46:06 | 0:46:11 | |
Yeah. We all try and top each other, I think, doing gags. | 0:46:11 | 0:46:15 | |
Yeah. You do a good job of it, too! | 0:46:15 | 0:46:17 | |
That's the main thing, really. | 0:46:17 | 0:46:18 | |
I noticed outside the Ed Sullivan theatre, | 0:46:18 | 0:46:22 | |
when that guy called you up there, television interviewer, | 0:46:22 | 0:46:26 | |
talked about the new hairstyle, you said to him, | 0:46:26 | 0:46:29 | |
"You haven't caught onto it yet!" | 0:46:29 | 0:46:31 | |
He was bald, wasn't he? | 0:46:31 | 0:46:33 | |
Yeah, he was! | 0:46:33 | 0:46:34 | |
But he wasn't really with it, I mean... | 0:46:34 | 0:46:37 | |
He asked you what was your favourite number, you said White Christmas. | 0:46:37 | 0:46:41 | |
He said, "Well, that isn't rock 'n' roll!" | 0:46:41 | 0:46:43 | |
That's how it goes, you know? That's the only way we can get our laughs. | 0:46:43 | 0:46:48 | |
Which one are you? | 0:46:48 | 0:46:50 | |
It's Paul. | 0:46:50 | 0:46:51 | |
-Huh? -Paul. | 0:46:51 | 0:46:52 | |
-Paul! How are you? -How you doin'? | 0:46:52 | 0:46:55 | |
-George... -Ringo. | 0:46:55 | 0:46:57 | |
Oh, Ringo? That's the one I missed. | 0:46:57 | 0:47:00 | |
And I missed George. | 0:47:00 | 0:47:01 | |
OK, thank you. | 0:47:03 | 0:47:05 | |
-SHOUTING: -Who are you? | 0:47:14 | 0:47:16 | |
What's your name? | 0:47:16 | 0:47:19 | |
Which one are you? | 0:47:19 | 0:47:21 | |
SCREAMING | 0:47:21 | 0:47:23 | |
Yeah, someone's collecting all of us. | 0:47:27 | 0:47:30 | |
Somebody's collec... | 0:47:30 | 0:47:31 | |
PAUL WHISPERS | 0:47:34 | 0:47:35 | |
(Are we on TV?) | 0:47:35 | 0:47:37 | |
(No. | 0:47:37 | 0:47:38 | |
(Look, I don't think we're really..) | 0:47:38 | 0:47:40 | |
(Is me tie straight?) | 0:47:40 | 0:47:41 | |
(It's OK... | 0:47:41 | 0:47:42 | |
(I think it's a camera. I've seen him around.) | 0:47:42 | 0:47:46 | |
(Do you mean they're watching now?) | 0:47:46 | 0:47:48 | |
(Yeah.) | 0:47:48 | 0:47:49 | |
-Mr Starr, the viewers are watching you now, Mr Starr. -Hi! | 0:47:50 | 0:47:55 | |
Mother! | 0:47:55 | 0:47:57 | |
Oh! | 0:47:57 | 0:47:58 | |
GEORGE SINGS WORDLESSLY | 0:47:58 | 0:48:00 | |
Yeah, I like it! Do it again for me! | 0:48:03 | 0:48:06 | |
HE SINGS AGAIN | 0:48:06 | 0:48:08 | |
# Ooh, aye-ee | 0:48:13 | 0:48:15 | |
# Ooh, yeah. # | 0:48:15 | 0:48:17 | |
Sing! | 0:48:17 | 0:48:18 | |
-More like it. -Sing! | 0:48:20 | 0:48:21 | |
No! | 0:48:21 | 0:48:22 | |
-No! -Sing! -Stop that! | 0:48:22 | 0:48:24 | |
-It was snowing, and the little children lay around on the ground. -Snowing! | 0:48:35 | 0:48:39 | |
I didn't do it. Paul McCartney of The Beatles did that! | 0:48:42 | 0:48:45 | |
THEY LAUGH | 0:48:45 | 0:48:47 | |
'Good evening, ladies and gentlemen. Tonight, live from Miami Beach, | 0:48:47 | 0:48:51 | |
'The Ed Sullivan Show! | 0:48:51 | 0:48:54 | |
'And now, from the stage of the Deauville Hotel, | 0:48:56 | 0:48:59 | |
'Here he is, Ed Sullivan!' | 0:48:59 | 0:49:02 | |
APPLAUSE | 0:49:05 | 0:49:07 | |
Thank you very, very much. Thank you. | 0:49:09 | 0:49:12 | |
Well, you know, so very nice to be here. | 0:49:13 | 0:49:17 | |
Thank you for that very nice intro. | 0:49:17 | 0:49:19 | |
And now, this has happened again. Last Sunday, on our show in New York, | 0:49:19 | 0:49:24 | |
The Beatles played to the greatest TV audience | 0:49:24 | 0:49:26 | |
that's ever been assembled in the history of American TV. | 0:49:26 | 0:49:30 | |
Now, tonight, here in Miami Beach, | 0:49:30 | 0:49:33 | |
again The Beatles face our record-busting audience. | 0:49:33 | 0:49:37 | |
-CHEERING AND APPLAUSE -Ladies and gentlemen, | 0:49:37 | 0:49:40 | |
here are four of the nicest youngsters we've ever had on our stage. | 0:49:40 | 0:49:44 | |
The Beatles, bring 'em on now! | 0:49:44 | 0:49:46 | |
CHEERING | 0:49:46 | 0:49:49 | |
Thank you. | 0:49:51 | 0:49:52 | |
Thank you very much. Thank you. | 0:49:52 | 0:49:54 | |
One, two, three. | 0:49:54 | 0:49:56 | |
# Da da da da da dum dum da | 0:49:56 | 0:49:59 | |
# Da da da da da dum dum da | 0:49:59 | 0:50:02 | |
# If there's anything that you want | 0:50:02 | 0:50:05 | |
# If there's anything I can do | 0:50:05 | 0:50:09 | |
# Just call on me and I'll send it along | 0:50:09 | 0:50:12 | |
# With love from me to you | 0:50:12 | 0:50:15 | |
# I've got everything that you want | 0:50:15 | 0:50:19 | |
# Like a heart that's oh so true | 0:50:19 | 0:50:22 | |
# Just call on me and I'll send it along | 0:50:22 | 0:50:25 | |
# With love from me to you | 0:50:25 | 0:50:29 | |
# I've got arms that long to hold you | 0:50:29 | 0:50:32 | |
# And keep you by my side | 0:50:32 | 0:50:35 | |
# I've got lips that long to kiss you | 0:50:35 | 0:50:39 | |
# And keep you satisfied, woo | 0:50:39 | 0:50:42 | |
# If there's anything that you want | 0:50:42 | 0:50:45 | |
# If there's anything I can do | 0:50:45 | 0:50:48 | |
# Just call on me and I'll send it along | 0:50:48 | 0:50:52 | |
# With love from me to you | 0:50:52 | 0:50:55 | |
# From me | 0:50:57 | 0:50:59 | |
# To you | 0:51:01 | 0:51:02 | |
# Just call on me and I'll send it along | 0:51:02 | 0:51:05 | |
# With love from me to you | 0:51:05 | 0:51:08 | |
# I've got arms that long to hold you | 0:51:08 | 0:51:12 | |
# And keep you by my side | 0:51:12 | 0:51:15 | |
# I've got lips that long to kiss you | 0:51:15 | 0:51:19 | |
# And keep you satisfied, woo | 0:51:19 | 0:51:22 | |
# If there's anything that you want | 0:51:22 | 0:51:25 | |
# If there's anything I can do | 0:51:25 | 0:51:28 | |
# Just call on me and I'll send it along | 0:51:28 | 0:51:32 | |
# With love from me to you | 0:51:32 | 0:51:35 | |
# To you | 0:51:35 | 0:51:36 | |
# To you | 0:51:36 | 0:51:38 | |
# To you. # | 0:51:38 | 0:51:39 | |
APPLAUSE AND CHEERING | 0:51:42 | 0:51:46 | |
# That boy took my love away | 0:51:56 | 0:52:04 | |
# He'll regret it someday-i-ay | 0:52:07 | 0:52:12 | |
# But this boy wants you back again | 0:52:12 | 0:52:18 | |
# That boy | 0:52:23 | 0:52:27 | |
# Isn't good for you | 0:52:27 | 0:52:32 | |
# Though he may want you, too | 0:52:34 | 0:52:39 | |
# This boy wants you back again | 0:52:39 | 0:52:45 | |
# Oh, and this boy | 0:52:48 | 0:52:52 | |
# Could be happy | 0:52:52 | 0:52:56 | |
# Just to love you | 0:52:56 | 0:52:58 | |
# But oh, my-hi-hi | 0:52:59 | 0:53:04 | |
# That boy won't be happy | 0:53:04 | 0:53:08 | |
# Till he's seen you cry-hi-hi | 0:53:10 | 0:53:18 | |
# This boy | 0:53:18 | 0:53:20 | |
# Wouldn't mind the pain | 0:53:21 | 0:53:26 | |
# Would always feel the same | 0:53:28 | 0:53:34 | |
# If this boy gets you back again | 0:53:34 | 0:53:40 | |
# This boy | 0:53:45 | 0:53:48 | |
# This boy | 0:53:51 | 0:53:55 | |
# This boy. # | 0:53:59 | 0:54:02 | |
CHEERING AND APPLAUSE | 0:54:02 | 0:54:05 | |
Come on, come on. | 0:54:12 | 0:54:13 | |
I just wanted to tell you fellas - | 0:54:19 | 0:54:21 | |
I told the audience before - that Richard Rodgers, | 0:54:21 | 0:54:25 | |
who is one of America's greatest composers, wanted me to congratulate you, | 0:54:25 | 0:54:30 | |
and tell the four of you that he is one of your most rabid fans. | 0:54:30 | 0:54:35 | |
-And that goes for me, too. -Thank you. -A fine hand for these boys. | 0:54:35 | 0:54:38 | |
SCREAMING | 0:54:38 | 0:54:40 | |
Good show, buddy. | 0:54:47 | 0:54:48 | |
-Ringo! -Yes, Paul? | 0:54:51 | 0:54:53 | |
THEY LAUGH | 0:54:53 | 0:54:55 | |
Packing! | 0:54:55 | 0:54:56 | |
Mal! | 0:54:56 | 0:54:57 | |
Who's got any room? I've got no room. | 0:54:57 | 0:55:00 | |
-Here you are, I have. -Oh, great. | 0:55:00 | 0:55:02 | |
Ringo! | 0:55:04 | 0:55:06 | |
Packing! | 0:55:07 | 0:55:09 | |
Excuse the mess, won't you? Packing. | 0:55:09 | 0:55:11 | |
There's only a couple more things to go in. | 0:55:13 | 0:55:16 | |
Can you put it in, can you get it in? | 0:55:19 | 0:55:21 | |
Yeah, plenty room in here. | 0:55:21 | 0:55:23 | |
OK? | 0:55:23 | 0:55:25 | |
Good evening, viewers. | 0:55:32 | 0:55:33 | |
How are you today? | 0:55:33 | 0:55:35 | |
GEORGE PLAYS AN ACOUSTIC GUITAR | 0:55:35 | 0:55:38 | |
# When I get up in the morning, gonna die | 0:55:44 | 0:55:47 | |
# Get to bed at eight o'clock | 0:55:47 | 0:55:49 | |
# Coming home, I'm back again | 0:55:49 | 0:55:51 | |
# Here he comes, Arthur Pem | 0:55:51 | 0:55:54 | |
# Singin' guitar blues | 0:55:57 | 0:55:59 | |
# Up in the mornin', out to the sun | 0:56:01 | 0:56:04 | |
# Nobody knows when we're gonna come. # | 0:56:04 | 0:56:06 | |
GEORGE LAUGHS OK. | 0:56:06 | 0:56:08 | |
HE CONTINUES TO PLAY | 0:56:08 | 0:56:10 | |
Oh, it's out of tune. | 0:56:14 | 0:56:17 | |
That's why I'm not singing. | 0:56:17 | 0:56:19 | |
What chance have I had of tuning it? | 0:56:19 | 0:56:21 | |
It's only a crummy guitar, anyway. | 0:56:24 | 0:56:27 | |
Yeah. | 0:56:30 | 0:56:31 | |
-Hey, Ringo! I've done a painting of you and I hope you like it. -Oh! | 0:56:49 | 0:56:53 | |
-It's a remarkable likeness. -Oh, that's wonderful, Paul! | 0:56:53 | 0:56:56 | |
-Do you really like it? -I really like that one. | 0:56:56 | 0:56:58 | |
-Will you buy it? -No. | 0:56:58 | 0:56:59 | |
OK, Ringo. | 0:56:59 | 0:57:01 | |
Ringo, I've done an abstract. | 0:57:02 | 0:57:04 | |
-Ho-ho-ho! That's good. -I've done an abstract of you. | 0:57:04 | 0:57:08 | |
That is good! Look at that! | 0:57:08 | 0:57:09 | |
-I couldn't get the hair good, though. -Oh, no, it's lovely. | 0:57:10 | 0:57:14 | |
It's all right, in't it? | 0:57:14 | 0:57:16 | |
Incidental music by George Harrison. | 0:57:16 | 0:57:18 | |
I've done another one since then. | 0:57:21 | 0:57:23 | |
You are clever, aren't you? | 0:57:25 | 0:57:26 | |
-Well... -Who's this? Me? | 0:57:28 | 0:57:29 | |
-No. -Oh, it is. | 0:57:29 | 0:57:31 | |
-No, that's the married one. -Oh, that's the married one. | 0:57:31 | 0:57:34 | |
Coming to feed the seagulls? | 0:57:44 | 0:57:46 | |
Watch me through the window. | 0:57:46 | 0:57:50 | |
They'll never see us again after this. | 0:58:06 | 0:58:08 | |
I hope they see us again. I hope we come back to America. | 0:58:08 | 0:58:12 | |
Mal, can you shove this in your small case just for now? | 0:58:21 | 0:58:25 | |
Give me it when we get on the plane to use in London. | 0:58:25 | 0:58:27 | |
You know, when I get off in London. | 0:58:27 | 0:58:29 | |
Well, can you fix it somehow? | 0:58:31 | 0:58:33 | |
-You must have a carrier bag. I can't get... -I'll stick it in mine. | 0:58:33 | 0:58:37 | |
-OK. -Let's go. | 0:58:37 | 0:58:39 | |
You know, all of us on this show are so darned...sorry, | 0:58:39 | 0:58:42 | |
sincerely sorry that is the third and thus our last current show | 0:58:42 | 0:58:48 | |
with The Beatles, because these youngsters from Liverpool, England | 0:58:48 | 0:58:52 | |
and their conduct over here, not only as fine professional singers, | 0:58:52 | 0:58:56 | |
but as a group of fine youngsters, | 0:58:56 | 0:58:59 | |
will leave an imprint with everyone over here who's met 'em, | 0:58:59 | 0:59:03 | |
and that goes for all of us on our show. | 0:59:03 | 0:59:05 | |
SCREAMING OBSCURES SPEAKING | 0:59:05 | 0:59:07 | |
# Well, shake it up, baby, now | 0:59:14 | 0:59:16 | |
# Shake it up, baby | 0:59:16 | 0:59:18 | |
# Twist and shout | 0:59:18 | 0:59:20 | |
# Twist and shout | 0:59:20 | 0:59:21 | |
# Come on, come on, come on Come on, baby, now | 0:59:21 | 0:59:24 | |
# Come on, baby | 0:59:24 | 0:59:25 | |
# Come on and work it all out | 0:59:25 | 0:59:27 | |
-# Work it all out, woo -Well, work it on out | 0:59:27 | 0:59:31 | |
# Work it on out | 0:59:31 | 0:59:33 | |
# You know you look so good | 0:59:33 | 0:59:35 | |
# Look so good | 0:59:35 | 0:59:36 | |
# You know you got me goin' now | 0:59:36 | 0:59:39 | |
# Got me going | 0:59:39 | 0:59:40 | |
# Just like I knew you would | 0:59:40 | 0:59:42 | |
# Like I knew you would, woo | 0:59:42 | 0:59:44 | |
# Well, shake it up, baby, now | 0:59:44 | 0:59:47 | |
# Shake it up, baby | 0:59:47 | 0:59:49 | |
# Twist and shout | 0:59:49 | 0:59:51 | |
# Twist and shout | 0:59:51 | 0:59:52 | |
# Come on, come on, come on Come on, baby, now | 0:59:52 | 0:59:55 | |
# Come on, baby | 0:59:55 | 0:59:56 | |
# Come on and work it all out | 0:59:56 | 0:59:59 | |
# Work it all out | 0:59:59 | 1:00:00 | |
# Well, you twist, little girl | 1:00:00 | 1:00:02 | |
# Twist, little girl | 1:00:02 | 1:00:04 | |
# You know you twist so fine | 1:00:04 | 1:00:06 | |
# Twist so fine | 1:00:06 | 1:00:08 | |
# Come on and twist a little closer now | 1:00:08 | 1:00:11 | |
-# Twist a little closer -And let me know that you're mine | 1:00:11 | 1:00:15 | |
# Let me know you're mine, woo | 1:00:15 | 1:00:17 | |
# Aah | 1:00:33 | 1:00:35 | |
# Aah | 1:00:35 | 1:00:37 | |
# Aah | 1:00:37 | 1:00:39 | |
# Aah | 1:00:39 | 1:00:41 | |
# Aaaaah! | 1:00:41 | 1:00:44 | |
# Shake it up, baby, now | 1:00:44 | 1:00:46 | |
# Shake it up, baby | 1:00:46 | 1:00:48 | |
# Twist and shout | 1:00:48 | 1:00:50 | |
# Twist and shout | 1:00:50 | 1:00:52 | |
# Come on, come on, come on Come on, baby, now | 1:00:52 | 1:00:54 | |
# Come on, baby | 1:00:54 | 1:00:56 | |
# Come on and work it on out | 1:00:56 | 1:00:58 | |
# Work it on out | 1:00:58 | 1:01:00 | |
# Well, you twist, little girl | 1:01:00 | 1:01:02 | |
# Twist, little girl | 1:01:02 | 1:01:03 | |
# You know you twist so fine | 1:01:03 | 1:01:06 | |
# Twist so fine | 1:01:06 | 1:01:07 | |
# Come on and twist a little closer now | 1:01:07 | 1:01:10 | |
# Twist a little closer | 1:01:10 | 1:01:11 | |
# And let me know that you're mine | 1:01:11 | 1:01:14 | |
-# Let me know you're mine, woo -Well, shake it, shake it Shake it, baby, now | 1:01:14 | 1:01:18 | |
# Shake it up, baby | 1:01:18 | 1:01:19 | |
# Well, shake it, shake it Shake it, baby, now | 1:01:19 | 1:01:22 | |
# Shake it up, babe | 1:01:22 | 1:01:23 | |
# Well, shake it, shake it Shake it, baby, now | 1:01:23 | 1:01:26 | |
# Shake it up, baby | 1:01:26 | 1:01:28 | |
# Woo | 1:01:28 | 1:01:29 | |
# Aah | 1:01:29 | 1:01:31 | |
# Aah | 1:01:31 | 1:01:33 | |
# Aah. # | 1:01:33 | 1:01:35 | |
Yeah! | 1:01:35 | 1:01:36 | |
SCREAMING | 1:01:39 | 1:01:42 | |
# Last night I said these words to my girl | 1:01:52 | 1:01:56 | |
# I know you never even try, girl | 1:01:58 | 1:02:03 | |
-# Come on -Come on | 1:02:04 | 1:02:06 | |
-# Come on -Come on | 1:02:06 | 1:02:08 | |
-# Come on -Come on | 1:02:08 | 1:02:09 | |
-# Come on -Come on | 1:02:09 | 1:02:11 | |
# Please please me, oh, yeah Like I please you | 1:02:11 | 1:02:15 | |
# You don't need me to show the way, love | 1:02:18 | 1:02:23 | |
# Why do I always have to say, love? | 1:02:25 | 1:02:30 | |
-# Come on -Come on | 1:02:31 | 1:02:33 | |
-# Come on -Come on | 1:02:33 | 1:02:35 | |
-# Come on -Come on | 1:02:35 | 1:02:37 | |
-# Come on -Come on | 1:02:37 | 1:02:38 | |
# Please please me, oh, yeah Like I please you | 1:02:38 | 1:02:42 | |
# I don't wanna sound complaining but you know there's always rain in my heart | 1:02:45 | 1:02:50 | |
# In my heart | 1:02:50 | 1:02:52 | |
# I do all the pleasin' with you It's so hard to reason with you | 1:02:52 | 1:02:57 | |
# Oh, yeah, why do you make me blue? | 1:02:57 | 1:03:00 | |
# Last night I said these words to my girl | 1:03:02 | 1:03:07 | |
# I know you never even try, girl | 1:03:09 | 1:03:14 | |
-# Come on -Come on | 1:03:16 | 1:03:17 | |
-# Come on -Come on | 1:03:17 | 1:03:19 | |
-# Come on -Come on | 1:03:19 | 1:03:21 | |
-# Come on -Come on | 1:03:21 | 1:03:22 | |
# Please please me, oh, yeah Like I please you | 1:03:22 | 1:03:27 | |
# Oh, yeah, like I please you | 1:03:27 | 1:03:31 | |
# Oh, yeah, like I please you. # | 1:03:31 | 1:03:34 | |
CHEERING AND APPLAUSE | 1:03:38 | 1:03:41 | |
The Beatles! | 1:03:48 | 1:03:50 | |
# Oh, yeah, I'll tell you something | 1:03:58 | 1:04:01 | |
# I think you'll understand | 1:04:03 | 1:04:05 | |
# When I say that something | 1:04:05 | 1:04:09 | |
# I wanna hold your hand | 1:04:09 | 1:04:13 | |
# I wanna hold your hand I wanna hold your hand | 1:04:13 | 1:04:20 | |
# Oh, please say to me You'll let me be your man | 1:04:20 | 1:04:27 | |
# And please say to me | 1:04:27 | 1:04:30 | |
# You'll let me hold your hand | 1:04:32 | 1:04:35 | |
# You'll let me hold your hand I wanna hold your hand | 1:04:35 | 1:04:41 | |
# And when I touch you I feel happy inside | 1:04:42 | 1:04:49 | |
# It's such a feeling That, my love, I can't hide | 1:04:50 | 1:04:56 | |
# I can't hide, I can't hide | 1:04:56 | 1:05:01 | |
# Yeah, you got that something | 1:05:02 | 1:05:05 | |
# I think you'll understand | 1:05:07 | 1:05:09 | |
# When I hear that something | 1:05:09 | 1:05:13 | |
# I wanna hold your hand | 1:05:14 | 1:05:17 | |
# I wanna hold your hand | 1:05:17 | 1:05:22 | |
# I wanna hold your hand | 1:05:22 | 1:05:24 | |
# And when I touch you I feel happy inside | 1:05:25 | 1:05:31 | |
# It's such a feeling That, my love, I can't hide | 1:05:33 | 1:05:39 | |
# I can't hide, I can't hide | 1:05:39 | 1:05:45 | |
# Yeah, you got that something | 1:05:45 | 1:05:48 | |
# I think you'll understand | 1:05:49 | 1:05:52 | |
# When I hear that something | 1:05:52 | 1:05:56 | |
# I wanna hold your hand | 1:05:56 | 1:05:59 | |
# I wanna hold your hand I wanna hold your hand | 1:06:00 | 1:06:07 | |
# I wanna hold your hand. # | 1:06:07 | 1:06:12 | |
LOUD SCREAMING | 1:06:12 | 1:06:15 | |
First of all, I wanna congratulate you. You've been a fine audience, | 1:06:23 | 1:06:26 | |
despite severe provocation! | 1:06:26 | 1:06:28 | |
-# It won't be long, yeah -Yeah -Yeah -Yeah -Yeah -Yeah | 1:06:29 | 1:06:33 | |
-# It won't be long, yeah -Yeah -Yeah -Yeah -Yeah -Yeah | 1:06:33 | 1:06:36 | |
-# It won't be long, yeah -Yeah | 1:06:36 | 1:06:38 | |
# Till I belong to you | 1:06:38 | 1:06:40 | |
# Every night, when everybody has fun | 1:06:44 | 1:06:48 | |
# Here am I sitting all on my own | 1:06:49 | 1:06:53 | |
-# It won't be long, yeah -Yeah -Yeah -Yeah -Yeah -Yeah | 1:06:56 | 1:06:59 | |
-# It won't be long, yeah -Yeah -Yeah -Yeah -Yeah -Yeah | 1:06:59 | 1:07:03 | |
-# It won't be long, yeah -Yeah | 1:07:03 | 1:07:05 | |
# Till I belong to you | 1:07:05 | 1:07:07 | |
# Since you left me... # | 1:07:10 | 1:07:11 | |
-Excuse me, is that a Beatle haircut? -Yes, it is. | 1:07:11 | 1:07:14 | |
-It is. -Do you like The Beatles a lot? -Very much. | 1:07:14 | 1:07:17 | |
Yes. | 1:07:17 | 1:07:18 | |
# I'll be good like I know I should You're coming home | 1:07:18 | 1:07:22 | |
# You're coming home | 1:07:22 | 1:07:25 | |
# Every night, the tears come down from my eyes | 1:07:25 | 1:07:29 | |
# Every day, I've done nothing but cry | 1:07:30 | 1:07:34 | |
-# It won't be long, yeah -Yeah -Yeah | 1:07:37 | 1:07:39 | |
-# Yeah -Yeah -Yeah | 1:07:39 | 1:07:41 | |
# It won't be long, yeah | 1:07:41 | 1:07:42 | |
-# Yeah -Yeah -Yeah -Yeah -Yeah | 1:07:42 | 1:07:44 | |
-# It won't be long, yeah -Yeah | 1:07:44 | 1:07:46 | |
# Till I belong to you | 1:07:46 | 1:07:49 | |
-# Since you left me, I'm so alone -You left me here | 1:07:51 | 1:07:55 | |
-# On my own -Now you're coming You're coming on home | 1:07:55 | 1:07:58 | |
-# Now you're coming on home -I'll be good like I know I should | 1:07:58 | 1:08:02 | |
-# Yes, you're coming on home -You're coming home, you're coming home, so | 1:08:02 | 1:08:06 | |
# Every day, we'll be happy, I know | 1:08:06 | 1:08:10 | |
# Now I know that you won't leave me no more | 1:08:12 | 1:08:15 | |
-# It won't be long, yeah -Yeah -Yeah -Yeah -Yeah -Yeah | 1:08:18 | 1:08:22 | |
-# It won't be long -Yeah -Yeah -Yeah -Yeah -Yeah | 1:08:22 | 1:08:26 | |
-# It won't be long, yeah -Yeah | 1:08:26 | 1:08:28 | |
# Till I belong to you. # | 1:08:28 | 1:08:32 | |
Terrific, see? | 1:08:39 | 1:08:40 | |
-You can get him to do anything. Anything. -Hello? -PHONE RINGS | 1:08:40 | 1:08:44 | |
# And an apple for the teacher... | 1:08:44 | 1:08:46 | |
# Da da da da dee. # | 1:08:46 | 1:08:48 | |
Untouched by human hand. | 1:08:48 | 1:08:49 |
