
Browse content similar to Wild Boys: The Story of Duran Duran. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains some strong language. | 0:00:03 | 0:00:06 | |
# Can you hear me? # | 0:00:06 | 0:00:08 | |
We've been through changes. | 0:00:08 | 0:00:11 | |
It took 17 years to get rid of the three Taylors. | 0:00:11 | 0:00:14 | |
HIGH-PITCHED VOICE: Welcome to our show! | 0:00:14 | 0:00:17 | |
John Taylor was the bomb - the one all the girlies wanted. | 0:00:17 | 0:00:22 | |
We were like a gang, a gang of princes! | 0:00:24 | 0:00:28 | |
I saw myself as a bit of an Errol Flynn - | 0:00:33 | 0:00:36 | |
a bit of swash and buckle. | 0:00:36 | 0:00:38 | |
It was the blueprint for new pop bands. | 0:00:43 | 0:00:46 | |
# I tell you somebody's fooling around... # | 0:00:49 | 0:00:51 | |
They were really good-looking | 0:00:51 | 0:00:54 | |
and they were dressed in a glamorous and cool new way. | 0:00:54 | 0:00:58 | |
They were the Beatles of the '80s, a classic pop band. | 0:01:03 | 0:01:07 | |
They can make records, write the music and perform it live. | 0:01:12 | 0:01:17 | |
It's not a lip-synch affair. It's the real thing. | 0:01:17 | 0:01:20 | |
The life and times of Duranasty. | 0:01:24 | 0:01:27 | |
Yes. | 0:01:27 | 0:01:29 | |
Summer 2000. On tour in the USA, | 0:01:40 | 0:01:43 | |
a gang of pop princes are celebrating their 20th anniversary. | 0:01:43 | 0:01:47 | |
# Mesmerised | 0:01:49 | 0:01:51 | |
# It's in your eyes... # | 0:01:56 | 0:01:59 | |
They're not a teenybop band from the '80s. They've transcended that. | 0:02:01 | 0:02:06 | |
Line-up 2000 features originals Simon Le Bon and Nick Rhodes | 0:02:06 | 0:02:11 | |
along with American guitarist Warren Cuccurullo. | 0:02:11 | 0:02:15 | |
Simon has his own personality. Nick has a fashion flair that I'm in awe of. | 0:02:15 | 0:02:21 | |
-And... I don't know. -Warren's the muscle man! | 0:02:21 | 0:02:25 | |
Having sold over 60 million records worldwide, | 0:02:25 | 0:02:30 | |
Duran Duran lived the '80s dream of wealth, women and wild living. | 0:02:30 | 0:02:34 | |
This is their story from Planet Earth to pop trash. | 0:02:34 | 0:02:40 | |
It all began in '70s Birmingham, | 0:02:46 | 0:02:49 | |
when Nick Rhodes, John Taylor and Stephen Duffy formed an art-school band. | 0:02:49 | 0:02:53 | |
Birmingham was this nether world between London and the north. | 0:02:53 | 0:03:00 | |
Birmingham needed something of its own. It didn't have a punk band. | 0:03:00 | 0:03:06 | |
You know, Manchester had the Buzzcocks. | 0:03:06 | 0:03:11 | |
Neither of us played a thing, | 0:03:11 | 0:03:14 | |
but we just knew we had to learn. That was just an obstacle | 0:03:14 | 0:03:17 | |
to us being in a band. | 0:03:17 | 0:03:20 | |
We were inspired by Low and Heroes, so Bowie was still important | 0:03:20 | 0:03:27 | |
but punk had just begun. | 0:03:27 | 0:03:29 | |
# We're so pretty, oh, so pretty | 0:03:29 | 0:03:33 | |
# We're vacant... # | 0:03:34 | 0:03:36 | |
The Sex Pistols literally pointed at me and said, "You're all right. | 0:03:36 | 0:03:41 | |
"You're 17 and you've got nothing else in your life, so come on." | 0:03:41 | 0:03:45 | |
They took the name Duran Duran | 0:03:45 | 0:03:48 | |
from a character in the sexy sci-fi film Barbarella. | 0:03:48 | 0:03:51 | |
Four gigs later, they looked set to be what Birmingham needed. | 0:03:51 | 0:03:55 | |
# We're so pretty, oh, so pretty... # | 0:04:01 | 0:04:05 | |
I thought things were going really well. About a week later, Stephen decided to leave. | 0:04:05 | 0:04:12 | |
They were the most ambitious people I'd met. | 0:04:12 | 0:04:16 | |
I never doubted that they were going to be superstars. | 0:04:16 | 0:04:22 | |
As Stephen Duffy launched his cultish solo career, | 0:04:22 | 0:04:27 | |
new romantics made an impact on pop culture. | 0:04:27 | 0:04:30 | |
Even Birmingham's top night spot embraced the fashionable movement. | 0:04:30 | 0:04:36 | |
The Rum Runner club was a beacon for adventurous musical directions. | 0:04:38 | 0:04:46 | |
It took its inspiration from Roxy Music and David Bowie. | 0:04:46 | 0:04:52 | |
Most significant day in our history - | 0:04:52 | 0:04:54 | |
Nick and I showed up at the Rum Runner with a demo tape, asking if we could play a gig. | 0:04:54 | 0:04:58 | |
Paul and Michael Berrow wanted to become involved. | 0:04:58 | 0:05:04 | |
They said, "Yeah, you can play here, | 0:05:04 | 0:05:06 | |
"but do you have a manager?" | 0:05:06 | 0:05:08 | |
And we said, "No." | 0:05:08 | 0:05:10 | |
Somehow the fact that they had this nightclub that we could play at | 0:05:10 | 0:05:16 | |
and rehearse at seemed to be a really good deal. | 0:05:16 | 0:05:22 | |
With regular gigs guaranteed, | 0:05:22 | 0:05:25 | |
they recruited two more unrelated Taylors - | 0:05:25 | 0:05:29 | |
drummer Roger and guitarist Andy. | 0:05:29 | 0:05:32 | |
But they still desperately needed a decent singer. | 0:05:32 | 0:05:36 | |
# Slow down, you're moving too fast | 0:05:41 | 0:05:44 | |
# You gotta make the morning last... # | 0:05:44 | 0:05:48 | |
The answer to their prayers | 0:05:48 | 0:05:52 | |
would be former chip-loving child-star-turned-thespian, Simon Le Bon. | 0:05:52 | 0:05:57 | |
I put my best pair of pants on and a pair of Chelsea boots | 0:05:59 | 0:06:05 | |
and got on a number 8 bus | 0:06:05 | 0:06:08 | |
and took a ride to the Rum Runner. | 0:06:08 | 0:06:10 | |
NICK RHODES: When Simon walked in, I thought he looked like one of us, which really worked. | 0:06:10 | 0:06:18 | |
I thought he was one of our tribe. I just hoped he could sing. | 0:06:18 | 0:06:22 | |
I had my book of lyrics with about 20 songs in there. | 0:06:22 | 0:06:27 | |
And that's what, I think, attracted them to me. | 0:06:27 | 0:06:33 | |
NICK RHODES: Using the energy of the punk movement, | 0:06:33 | 0:06:38 | |
the style of the glam movement, the groove of disco music, | 0:06:38 | 0:06:45 | |
and some German electronic music thrown in on top, | 0:06:45 | 0:06:50 | |
is really what created the Duran Duran sound | 0:06:50 | 0:06:54 | |
that we launched in 1980. | 0:06:54 | 0:06:56 | |
# It's easy to disturb with a thought when you whisper | 0:06:57 | 0:07:03 | |
# With a careless memory | 0:07:04 | 0:07:07 | |
# With a careless memory | 0:07:07 | 0:07:09 | |
# With a careless memory | 0:07:09 | 0:07:12 | |
# With a careless memory... # | 0:07:12 | 0:07:15 | |
I walked on stage to play in the first Duran Duran show of my life | 0:07:15 | 0:07:21 | |
and I couldn't think of anything to say. People were staring at me. | 0:07:21 | 0:07:26 | |
I stood there and I went, "This is our party. This is your party!" | 0:07:26 | 0:07:32 | |
# Where are you now Cos I don't want to meet you? | 0:07:32 | 0:07:36 | |
# I think I'd die I think I'd laugh at you | 0:07:37 | 0:07:41 | |
# I know I'd cry What am I supposed to do? # | 0:07:41 | 0:07:43 | |
Paul and Michael decided | 0:07:45 | 0:07:48 | |
that we needed to expose ourselves | 0:07:48 | 0:07:50 | |
on a national level. | 0:07:50 | 0:07:53 | |
The best way would be to buy ourselves on to a tour. | 0:07:53 | 0:07:58 | |
# On the third week at Greenham blew bye-bye | 0:07:58 | 0:08:02 | |
# On the fourth we sent rockets to the sky... # | 0:08:02 | 0:08:05 | |
In late 1980, Duran supported punk princess Hazel O'Connor | 0:08:05 | 0:08:10 | |
on their first tour of the UK. | 0:08:10 | 0:08:12 | |
The Berrow brothers were very clever. | 0:08:12 | 0:08:15 | |
And I think it was a masterful stroke | 0:08:15 | 0:08:20 | |
to have Duran Duran opening for me at that time in my career. | 0:08:20 | 0:08:24 | |
# ..and he said behold... # | 0:08:24 | 0:08:27 | |
We did this thing in the Dominion in London, last gig of the tour. | 0:08:27 | 0:08:33 | |
We were singing Suffragette City, all of us together. | 0:08:33 | 0:08:36 | |
We just all got along really well. | 0:08:36 | 0:08:38 | |
# Oh, don't lean on me, man cos you can't afford the ticket | 0:08:38 | 0:08:42 | |
# I'm back in suffragette city | 0:08:42 | 0:08:44 | |
# Don't lean on me, man cos you can't afford the ticket... # | 0:08:44 | 0:08:49 | |
They had great songs, brilliant songs. | 0:08:49 | 0:08:53 | |
We'd run to the back of the auditorium and watch them. | 0:08:53 | 0:08:57 | |
Duran Duran caught the eye of the man who signed the Sex Pistols. | 0:08:57 | 0:09:03 | |
Looking at the lead singer, I thought Simon was an absolute star. | 0:09:05 | 0:09:11 | |
Then you looked at the rest of the band, and they all looked fantastic. | 0:09:11 | 0:09:14 | |
I thought, "This is going to be massive." | 0:09:14 | 0:09:17 | |
# Only came outside to watch the nightfall with the rain. # | 0:09:20 | 0:09:26 | |
We really thought we'd arrived. This was something we'd grown up watching. | 0:09:28 | 0:09:32 | |
# Like some new romantic looking for the TV sound... # | 0:09:32 | 0:09:40 | |
They were such new romantics. When they did that, they had the crimped hair, the ruffles. | 0:09:40 | 0:09:48 | |
They looked ridiculous, but they matured very quickly. | 0:09:48 | 0:09:55 | |
# Can you hear me now? | 0:09:55 | 0:09:59 | |
# Oh, this is Planet Earth. # | 0:09:59 | 0:10:04 | |
The look was androgynous. It wasn't a sexual thing, it was ethereal. | 0:10:04 | 0:10:11 | |
# This is Planet Earth. # | 0:10:11 | 0:10:14 | |
Nick Rhodes was fantastic. | 0:10:19 | 0:10:22 | |
The blonde hair swept over to one side, the make-up... | 0:10:22 | 0:10:26 | |
And straight as well. | 0:10:26 | 0:10:28 | |
It wasn't a gay thing necessarily. | 0:10:28 | 0:10:32 | |
It was just about men looking beautiful. | 0:10:32 | 0:10:36 | |
When Bolan and Bowie and Roxy Music wore make-up, it suited them. | 0:10:36 | 0:10:42 | |
The problem with Duran Duran | 0:10:42 | 0:10:43 | |
was that they were not very beautiful. | 0:10:43 | 0:10:46 | |
We had a lot of criticism from the serious rock press | 0:10:46 | 0:10:51 | |
who thought you shouldn't care about things like that. | 0:10:51 | 0:10:55 | |
You should go on stage with your grubby jeans and your axe. | 0:10:55 | 0:11:00 | |
I thought the whole thing was a filthy business. | 0:11:00 | 0:11:04 | |
Duran Duran was about having energy, style and a sense of humour. | 0:11:04 | 0:11:08 | |
Their first single, Planet Earth, | 0:11:08 | 0:11:12 | |
broke the UK charts in 1981 | 0:11:12 | 0:11:15 | |
but it would be Godley and Creme's video for Girls On Film | 0:11:15 | 0:11:20 | |
that really got them noticed. | 0:11:20 | 0:11:22 | |
PAUL BERROW: Girls On Film, there were these two interesting video directors. | 0:11:22 | 0:11:28 | |
They were always doing slightly quirky, unusual videos. | 0:11:28 | 0:11:33 | |
They were right for Girls On Film. | 0:11:33 | 0:11:36 | |
The only brief that we were given, as I recall, | 0:11:39 | 0:11:42 | |
was that it should be daring, it should feature the band, | 0:11:42 | 0:11:46 | |
and it should have an undercurrent, | 0:11:46 | 0:11:49 | |
or indeed an overcurrent, if there is such a word, of sex. | 0:11:49 | 0:11:52 | |
The video market in the USA was becoming important. | 0:11:53 | 0:11:58 | |
A chain of clubs had video screens. | 0:11:58 | 0:12:01 | |
We thought we'd make an X-rated video. | 0:12:01 | 0:12:05 | |
It could have been sexier actually. | 0:12:13 | 0:12:15 | |
It was too porno and not sexy enough. | 0:12:15 | 0:12:20 | |
It worked in clubs. We could show it there. No-one else was going to show it. It was a "restricted", I believe. | 0:12:27 | 0:12:34 | |
To escape the stir caused by Girls On Film, | 0:12:38 | 0:12:42 | |
the five boys fled to Sri Lanka | 0:12:42 | 0:12:44 | |
to film the first of their "pop stars in paradise" videos. | 0:12:44 | 0:12:49 | |
There was the music and the visuals. | 0:12:49 | 0:12:54 | |
It was one of the first bands that married visuals and music together. | 0:12:54 | 0:13:00 | |
People looked forward to the next Duran video. | 0:13:00 | 0:13:04 | |
# Don't say a prayer for me now | 0:13:04 | 0:13:08 | |
# Save it till the morning after | 0:13:08 | 0:13:13 | |
# No, don't say a prayer for me now... # | 0:13:13 | 0:13:17 | |
-MICHAEL BERROW: -We recorded an elephant trumpeting. It was a male calling a female. | 0:13:17 | 0:13:24 | |
Then we played it back to them, | 0:13:24 | 0:13:27 | |
so this elephant that had been talking to a female elephant | 0:13:27 | 0:13:32 | |
was now hearing itself talking to an elephant on the speakers. | 0:13:32 | 0:13:36 | |
Roger was on the female elephant, wasn't he? | 0:13:36 | 0:13:40 | |
The elephant just took off down stream! | 0:13:40 | 0:13:45 | |
The managers just saw their drummer going off down the river. | 0:13:45 | 0:13:49 | |
They just went white. | 0:13:49 | 0:13:52 | |
This bull elephant wasn't going to come back. It had the drummer on its back. | 0:13:52 | 0:13:58 | |
From shooting the videos in Sri Lanka, we went to Australia, | 0:13:58 | 0:14:04 | |
played there and then went back to America. | 0:14:04 | 0:14:08 | |
It was amazing, because in the space of four or five months | 0:14:08 | 0:14:13 | |
we had become massive, a really big outfit. | 0:14:13 | 0:14:17 | |
New York's Broadway saw some extraordinary scenes | 0:14:17 | 0:14:22 | |
when Duran Duran went to sign autographs in a video store. | 0:14:22 | 0:14:26 | |
It turned out to be reminiscent of the days when the Beatles took the USA by storm. | 0:14:26 | 0:14:33 | |
Love them. They're great. | 0:14:33 | 0:14:35 | |
GIRLS SCREAMING | 0:14:35 | 0:14:37 | |
NEWS FOOTAGE: Within minutes of their arrival, police were called in. | 0:14:37 | 0:14:41 | |
Like animals out here! | 0:14:41 | 0:14:43 | |
Eager fans scrambled for vantage points | 0:14:43 | 0:14:46 | |
and were unceremoniously removed by police, who said they'd seen nothing like it for years. | 0:14:46 | 0:14:53 | |
There's tons of people here. There's 2,000, 3,000, four million! | 0:14:53 | 0:14:59 | |
America embraced Duran because of their style, their fashion sense | 0:15:05 | 0:15:11 | |
and the way that they integrate that in with their music | 0:15:11 | 0:15:16 | |
and their sensibility about who they want to be. | 0:15:16 | 0:15:20 | |
# I smell like I sound | 0:15:20 | 0:15:22 | |
# I'm lost and I'm found | 0:15:22 | 0:15:25 | |
# And I'm hungry like the wolf | 0:15:25 | 0:15:29 | |
# Straddle the line in discord and rhyme... # | 0:15:29 | 0:15:31 | |
With Raiders Of The Lost Ark imagery and Simon swashbuckling, | 0:15:31 | 0:15:37 | |
the video for Hungry Like The Wolf was a favourite with MTV. | 0:15:37 | 0:15:42 | |
In a Beatles-esque tradition, we all took a vacation together. | 0:15:42 | 0:15:47 | |
We all went to Antigua except Andy, who'd just got married. | 0:15:47 | 0:15:52 | |
I think he went to Wolverhampton for a holiday - a busman's holiday. | 0:15:52 | 0:15:58 | |
We rented apartments at English Harbour. | 0:15:58 | 0:16:02 | |
We were all with our girlfriends and we'd all lock up at night. | 0:16:02 | 0:16:07 | |
In the morning, we'd come out with our towels and our swimming trunks. | 0:16:07 | 0:16:13 | |
"Hey! Morning!" We'd go swimming. | 0:16:13 | 0:16:17 | |
It was like being in MI5. | 0:16:17 | 0:16:19 | |
We were just about to leave and Paul called and said, | 0:16:19 | 0:16:23 | |
"Don't leave. Andy and me are coming over | 0:16:23 | 0:16:26 | |
"and the film crew are coming over to do some videos." | 0:16:26 | 0:16:30 | |
# Her name is Rio and she dances on the sand... # | 0:16:30 | 0:16:35 | |
NICK: Russell had the idea of doing it on this boat, | 0:16:37 | 0:16:42 | |
which seemed like a good idea at the time and cinematically it was a good idea. | 0:16:42 | 0:16:48 | |
To me it was a complete nightmare because I loathe boats. | 0:16:48 | 0:16:54 | |
I think they're fine when they're tied up | 0:16:54 | 0:16:58 | |
and you have a little cocktail with a few friends when the sun's setting. | 0:16:58 | 0:17:03 | |
But once they get out and they start going like that... | 0:17:03 | 0:17:08 | |
I don't like that so much. | 0:17:08 | 0:17:11 | |
There we are, wearing these bright silk Anthony Price suits, | 0:17:11 | 0:17:16 | |
clinging for dear life. | 0:17:16 | 0:17:18 | |
# ..down to the Rio Grande. # | 0:17:18 | 0:17:22 | |
When I throw Andy off the boat, he didn't know I was going to do it. | 0:17:22 | 0:17:27 | |
He was very upset about it. | 0:17:27 | 0:17:30 | |
It wasn't planned. | 0:17:30 | 0:17:32 | |
It was just a moment of spontaneous meanness! | 0:17:32 | 0:17:36 | |
PAUL MORLEY: I remember when Le Bon wore that yellow suit. | 0:17:38 | 0:17:43 | |
He just looked like a lump you'd find in your custard. | 0:17:43 | 0:17:49 | |
There was nothing beautiful about it. | 0:17:49 | 0:17:52 | |
All that mattered was the image. That's what people got. | 0:17:52 | 0:17:56 | |
People got this amazing sort of... | 0:17:56 | 0:17:59 | |
..incredibly glamorous feeling from the whole thing. | 0:18:02 | 0:18:07 | |
That's what people wanted at the time. | 0:18:07 | 0:18:11 | |
At this election, we have the chance to banish for ever | 0:18:11 | 0:18:16 | |
the dark, divisive clouds of extreme left-wing socialism. | 0:18:16 | 0:18:21 | |
Margaret Thatcher and Milton Friedman came along | 0:18:21 | 0:18:27 | |
and offered us a new vision of right-wing thinking - | 0:18:27 | 0:18:31 | |
every man for himself and let's make lots of money. | 0:18:31 | 0:18:34 | |
# I made a break I run out yesterday | 0:18:34 | 0:18:38 | |
# Tried to find my mountain hideaway | 0:18:38 | 0:18:42 | |
# Maybe next year... # | 0:18:42 | 0:18:44 | |
Duran Duran and Spandau, those two bands, suggested a celebration of, | 0:18:44 | 0:18:50 | |
you know, let's go out and get it, let's go and enjoy it and who cares? | 0:18:50 | 0:18:56 | |
# Please, please tell me now | 0:18:56 | 0:18:59 | |
# Is there something I should know? | 0:18:59 | 0:19:03 | |
# Is there something I should say | 0:19:03 | 0:19:07 | |
# That'll make you come my way? # | 0:19:07 | 0:19:11 | |
Duran Duran were, like, number one. That was the life, right there. | 0:19:11 | 0:19:16 | |
I'm desperate to know what it's like to be a pop star. | 0:19:23 | 0:19:28 | |
Really? What do you imagine it's like? | 0:19:28 | 0:19:31 | |
-I'm still hoping. -Do you think it's all fast cars, fast women, fast living? | 0:19:31 | 0:19:38 | |
-That's probably part of it. -It is! | 0:19:38 | 0:19:40 | |
We were still at school. We found out where Simon's dad lived in Pinner. | 0:19:42 | 0:19:48 | |
I'd made him a cake. He'd mentioned on Saturday Superstore | 0:19:48 | 0:19:54 | |
that he liked orange Smarties, so we decorated it with orange Smarties. | 0:19:54 | 0:19:59 | |
We gave it to his dad. An hour later, Simon came out with the cake. | 0:19:59 | 0:20:05 | |
It was cut into pieces and we all tucked in. | 0:20:05 | 0:20:09 | |
He signed autographs and posed for pictures. | 0:20:09 | 0:20:13 | |
He was just so fantastic. | 0:20:13 | 0:20:15 | |
I phoned my mum and said, "I've just met Simon." She said, "Simon who?" | 0:20:15 | 0:20:21 | |
# ..Please, please tell me now... # They were winning everything. | 0:20:26 | 0:20:31 | |
John Taylor was always Best-Looking Male. | 0:20:31 | 0:20:34 | |
Simon was The Best Dressed. | 0:20:34 | 0:20:37 | |
They were the best-loved group of the '80s, above Spandau and Wham. | 0:20:37 | 0:20:42 | |
The winner... | 0:20:44 | 0:20:45 | |
-It's a good year for Birmingham. Duran Duran. -Simon Le Bon. | 0:20:45 | 0:20:49 | |
-Rio by Duran Duran. -Duran Duran. | 0:20:49 | 0:20:51 | |
And the winner is Duran Duran. | 0:20:51 | 0:20:55 | |
We had our own chart. It was T-shirt sales. | 0:20:55 | 0:21:00 | |
John topped the T-shirt sales year after year after year. | 0:21:00 | 0:21:05 | |
John Taylor was the handsome one, a bit more laid back. | 0:21:05 | 0:21:11 | |
He knew he was good looking, | 0:21:11 | 0:21:14 | |
and took advantage of it. | 0:21:14 | 0:21:17 | |
You're going to all these places, | 0:21:17 | 0:21:20 | |
and you're meeting great people and getting all this attention. | 0:21:20 | 0:21:25 | |
# ..And the wind doesn't have a name | 0:21:25 | 0:21:29 | |
# So call it what you want to call it | 0:21:29 | 0:21:34 | |
# Still blows down the lane... # | 0:21:34 | 0:21:37 | |
I wrote the song Hold Back The Rain about John | 0:21:37 | 0:21:42 | |
because it was saying to John, "Hey, careful, man. | 0:21:42 | 0:21:46 | |
"Don't lose yourself." I thought he was going off the rails a bit. | 0:21:46 | 0:21:52 | |
Nobody had ever warned me about the pitfalls. | 0:21:52 | 0:21:57 | |
It seemed like, "Drugs. That's what The Beatles did, | 0:21:57 | 0:22:02 | |
"that's what the Rolling Stones do. Why wouldn't I want to?" | 0:22:02 | 0:22:07 | |
John was staying up too late, | 0:22:07 | 0:22:10 | |
taking drugs, drinking too much, going home with the wrong people. | 0:22:10 | 0:22:16 | |
"Why don't you want to have sex? | 0:22:16 | 0:22:18 | |
"If someone's pretty and they want to have sex with you?" | 0:22:18 | 0:22:22 | |
The night I wrote it, I slipped a copy of it under his door. | 0:22:22 | 0:22:26 | |
He's never mentioned it to me. Never. | 0:22:26 | 0:22:29 | |
Sometimes you need to take yourself to the edge | 0:22:29 | 0:22:33 | |
to realise this is not the right place. | 0:22:33 | 0:22:37 | |
The demands on the band increased as Duran-mania intensified. | 0:22:37 | 0:22:43 | |
By the mid-80s, they'd already sold ten million records | 0:22:43 | 0:22:46 | |
and performed to one million Duranies. | 0:22:46 | 0:22:49 | |
# ..Fear hangs a plane of gunsmoke | 0:22:49 | 0:22:53 | |
# Drifting in our room... # | 0:22:53 | 0:22:57 | |
We got used to the excitement that that screaming gives you. | 0:22:57 | 0:23:02 | |
Whenever it died down, one of us would go up and shake a little bit. | 0:23:02 | 0:23:07 | |
That would pick it right up again. | 0:23:07 | 0:23:11 | |
# ..Drifting in our room... # | 0:23:11 | 0:23:14 | |
Oh, my God! Oh, my God! | 0:23:14 | 0:23:18 | |
# ..I just try to forget y-o-u... # | 0:23:18 | 0:23:23 | |
ALL: I love you. I love you. John! | 0:23:23 | 0:23:27 | |
Being stuck at the front and being so squashed - | 0:23:30 | 0:23:35 | |
15,000 fans trying to get you to move out of the way. | 0:23:35 | 0:23:40 | |
It was so unbelievable, so crushed that you think, "I'm never going to get out." | 0:23:40 | 0:23:46 | |
You do. And you go back the next night. | 0:23:46 | 0:23:49 | |
# ..So easy to disturb with a thought | 0:23:49 | 0:23:52 | |
# With a whisper | 0:23:52 | 0:23:55 | |
# With a careless memory | 0:23:55 | 0:23:58 | |
# With a careless memory | 0:23:58 | 0:24:01 | |
# With a careless memory | 0:24:01 | 0:24:04 | |
# With a careless memory. # | 0:24:04 | 0:24:06 | |
I remember leaving a venue before they put the house lights up, | 0:24:09 | 0:24:14 | |
you wanted to leave attracting as little attention as possible. | 0:24:14 | 0:24:19 | |
I remember having a private plane which was on a nearby airfield, | 0:24:19 | 0:24:24 | |
getting the plane up at 11pm and circling over the venue. | 0:24:24 | 0:24:30 | |
People coming out of the venue... | 0:24:30 | 0:24:32 | |
That was an image that stuck with me. | 0:24:32 | 0:24:34 | |
The band had conquered the world. | 0:24:34 | 0:24:37 | |
Critics that had expected them to fade away had been proved wrong. | 0:24:37 | 0:24:42 | |
The band hooked up with big-league producer Nile Rodgers of Chic. | 0:24:42 | 0:24:47 | |
The first work I did with Duran was the famous - | 0:24:47 | 0:24:52 | |
# Tra-la-la-la, tra-la-la-la Fl-fl-fl-flex. # | 0:24:52 | 0:24:56 | |
# ..You've gone to far this time | 0:24:56 | 0:25:00 | |
# But I'm dancing on the Valentine... # | 0:25:00 | 0:25:04 | |
The record company thought it was an absolute disaster. | 0:25:04 | 0:25:08 | |
I remember the guys calling me, and they were close to tears, | 0:25:08 | 0:25:13 | |
especially Nick who was saying, | 0:25:13 | 0:25:16 | |
"Nile, I can't believe this. They told us it was horrible." | 0:25:16 | 0:25:21 | |
They asked what they should do. I told them to put the record out. | 0:25:21 | 0:25:26 | |
They did and you guys know what happened, right? | 0:25:26 | 0:25:29 | |
Whoosh to the top of the charts. It's their best-selling single. | 0:25:29 | 0:25:32 | |
# ..W-h-y don't you use it?... # | 0:25:32 | 0:25:37 | |
Although Number One in the UK and US, | 0:25:37 | 0:25:41 | |
not everyone was aware of their global following. | 0:25:41 | 0:25:46 | |
I knew they were well-known. I didn't think they were that huge. | 0:25:48 | 0:25:53 | |
When we went on our first date, a movie premiere, | 0:25:53 | 0:25:58 | |
I didn't expect there to be that many screaming fans. | 0:25:58 | 0:26:03 | |
There were thousands. | 0:26:03 | 0:26:05 | |
That's when it occurred to me that they were bigger than I thought. | 0:26:05 | 0:26:11 | |
Duran Duran had it all - | 0:26:11 | 0:26:15 | |
superstar musicians who dressed flash and had model partners. | 0:26:15 | 0:26:21 | |
# ..I'm on a ride and I want to get off... # | 0:26:27 | 0:26:31 | |
The fans have never worried me at all. | 0:26:31 | 0:26:35 | |
There are a lot of well-known pretty young ladies out there, | 0:26:35 | 0:26:40 | |
who all go a bit of a flutter when they meet him. | 0:26:40 | 0:26:44 | |
It's really strange cos he's Simon. It's a very odd thing. | 0:26:46 | 0:26:52 | |
I went away with Simon and Yasmin on a weekend. | 0:26:52 | 0:26:56 | |
We had the first dinner and I said to him, | 0:26:56 | 0:27:01 | |
"I've got something to tell you. | 0:27:01 | 0:27:04 | |
"When I was 14, I had a poster of you and your group on my wall." | 0:27:04 | 0:27:09 | |
The most famous Duranie was Diana, Princess of Wales, | 0:27:12 | 0:27:17 | |
who met the band when they played the Prince's Trust in 1983. | 0:27:17 | 0:27:21 | |
Across the Atlantic, Duran, like Blondie, were regular guests at the court of Andy Warhol. | 0:27:21 | 0:27:28 | |
Andy always liked good-looking young men. | 0:27:28 | 0:27:32 | |
He was attracted to them. They were a picture of pop art come to life. | 0:27:32 | 0:27:38 | |
# ..You got sirens for a welcome | 0:27:47 | 0:27:50 | |
# There's bloodstain for your pain... # | 0:27:50 | 0:27:54 | |
It's the nearest there is to a movie of the William Burroughs book. | 0:27:54 | 0:28:00 | |
# ..They tried to tame you, looks like they'll try again | 0:28:00 | 0:28:07 | |
-# Wild boys -Wild boys... # | 0:28:07 | 0:28:09 | |
Because of the level of aggression and violence in the music, | 0:28:09 | 0:28:14 | |
I thought it would look good for the band to perform under duress. | 0:28:14 | 0:28:20 | |
# ..Wild boys always shine... # | 0:28:20 | 0:28:27 | |
I said, "OK, we'll strap you to the windmill, | 0:28:28 | 0:28:31 | |
but I want the windmill to go underwater." | 0:28:31 | 0:28:33 | |
# ..You got sirens for a welcome | 0:28:38 | 0:28:41 | |
# There's bloodstain for your pain | 0:28:41 | 0:28:45 | |
# And your telephone's been ringing | 0:28:45 | 0:28:50 | |
# While you're dancing in the rain... # | 0:28:50 | 0:28:55 | |
It was my idea for my head to go underwater as well. | 0:28:55 | 0:29:00 | |
There's a big myth about this. | 0:29:00 | 0:29:03 | |
I heard that he almost drowned. | 0:29:03 | 0:29:05 | |
During one of the circles, he was stuck underwater. | 0:29:05 | 0:29:09 | |
It broke down with him underwater. | 0:29:09 | 0:29:13 | |
He was underwater for at least 40 seconds to a minute. | 0:29:13 | 0:29:18 | |
I think I DIDN'T nearly drown. There were two safety divers there, | 0:29:18 | 0:29:23 | |
and there were people around me. | 0:29:23 | 0:29:26 | |
If I had been stuck underwater, I'd have been dragged out quickly. | 0:29:26 | 0:29:33 | |
Fantastic. | 0:29:33 | 0:29:34 | |
If Duran Duran ever walked down a punk-rock street, | 0:29:45 | 0:29:50 | |
that was the closest they could get. | 0:29:50 | 0:29:53 | |
I could have done Wild Boys with The Clash. | 0:29:53 | 0:29:57 | |
People will say, "NO! Fucking hell, man!" | 0:29:57 | 0:30:01 | |
If The Clash had done Wild Boys, the vocals wouldn't be the same, | 0:30:01 | 0:30:06 | |
but vibe-wise it would make sense. | 0:30:06 | 0:30:09 | |
# ..Wild boys never lose it... # | 0:30:09 | 0:30:14 | |
Their videos were so indulgent. | 0:30:14 | 0:30:18 | |
That bugged a lot of people. | 0:30:18 | 0:30:20 | |
# ..Wild boys never close your eyes Wild boys always... # | 0:30:20 | 0:30:26 | |
They acted like they'd won the pools. That's what pop groups do. | 0:30:26 | 0:30:31 | |
There was something about them that showed off a little too much. | 0:30:31 | 0:30:36 | |
Wild Boys would be the peak | 0:30:36 | 0:30:39 | |
of their international punk/rock-meets-teenybop fame. | 0:30:39 | 0:30:45 | |
Touring became more relentless and the media attention more intense. | 0:30:45 | 0:30:50 | |
Duran Duran began to pay the price of their success. | 0:30:50 | 0:30:54 | |
We were arguably the best, not the best, the biggest, | 0:30:54 | 0:30:58 | |
most successful band on the planet, | 0:30:58 | 0:31:01 | |
and probably had been for two years. | 0:31:01 | 0:31:05 | |
We had it all going our own way, | 0:31:05 | 0:31:08 | |
for some reason, all bands do this, | 0:31:08 | 0:31:11 | |
when they're really at the top, they fragment. | 0:31:11 | 0:31:15 | |
Fed up with being branded "teen idols", | 0:31:15 | 0:31:19 | |
musical differences led to John and Andy Taylor | 0:31:19 | 0:31:23 | |
taking a sabbatical from Duran Duran to form rock band Power Station with Robert Palmer. | 0:31:23 | 0:31:28 | |
It was what I needed. | 0:31:31 | 0:31:34 | |
It showed we could do things outside Duran Duran. | 0:31:34 | 0:31:38 | |
It wasn't all about the looks and phenomena. | 0:31:38 | 0:31:42 | |
We could make really great music. | 0:31:42 | 0:31:44 | |
I thought it was really rockist. | 0:31:44 | 0:31:47 | |
I wasn't very me at all. | 0:31:47 | 0:31:50 | |
It was all the things I would avoid - | 0:31:50 | 0:31:55 | |
really heavy, clompy drum sounds, | 0:31:55 | 0:31:58 | |
lots of guitar riffs and solos. | 0:31:58 | 0:32:02 | |
In reaction to Power Station, Nick, Simon and Roger moved to Paris | 0:32:12 | 0:32:16 | |
to form their satellite pop art band, Arcadia. | 0:32:16 | 0:32:20 | |
It featured collaborations with Grace Jones and Sting. | 0:32:20 | 0:32:24 | |
We were living in a hotel in Paris. We had the whole floor. | 0:32:24 | 0:32:29 | |
We'd open our doors and we could run from one end to another through all the suites. | 0:32:29 | 0:32:36 | |
It was an extravagant record, but... | 0:32:36 | 0:32:41 | |
I don't know. What are you gonna spend your money on? | 0:32:41 | 0:32:44 | |
ANNOUNCER: It's 12 noon in London, 7am in Philadelphia. | 0:32:44 | 0:32:50 | |
And around the world, it's time for Live Aid. | 0:32:50 | 0:32:53 | |
Live to Philadelphia for Duran Duran. | 0:32:56 | 0:32:59 | |
Due to Power Station's US tour, | 0:32:59 | 0:33:02 | |
Simon, Nick and Roger had to fly to Philadelphia | 0:33:02 | 0:33:06 | |
to perform at Live Aid USA. | 0:33:06 | 0:33:08 | |
# Meeting you, with a view to a kill | 0:33:08 | 0:33:13 | |
# Face to face in secret places, feel the chill... # | 0:33:15 | 0:33:21 | |
Cracks were beginning to appear in their make-up. | 0:33:23 | 0:33:26 | |
It was Roger, really. | 0:33:26 | 0:33:30 | |
After the Live Aid show, he just said, "That's it for me." | 0:33:30 | 0:33:37 | |
Roger was, I think, very affected by the whole situation, | 0:33:38 | 0:33:44 | |
particularly what was happening to the band - | 0:33:44 | 0:33:48 | |
his world was breaking up. | 0:33:48 | 0:33:51 | |
Also, he hated doing interviews. | 0:33:51 | 0:33:54 | |
Still does. It stressed him out | 0:33:54 | 0:33:57 | |
in a way that he wasn't prepared to accept. | 0:33:57 | 0:34:02 | |
He was on the verge of a nervous breakdown. | 0:34:02 | 0:34:05 | |
He was a very sensitive guy. | 0:34:05 | 0:34:08 | |
I think when we stopped a little in '85, to do Arcadia, | 0:34:08 | 0:34:13 | |
we'd taken the rollercoaster up to the top | 0:34:13 | 0:34:17 | |
and suddenly he was looking down, as were the rest of us, | 0:34:17 | 0:34:22 | |
and we went, "Wow! | 0:34:22 | 0:34:24 | |
"That's a long way down, isn't it?" | 0:34:24 | 0:34:27 | |
And...that's when he got vertigo. | 0:34:27 | 0:34:32 | |
He said, "I don't want to do this. | 0:34:32 | 0:34:34 | |
"I don't like it. I don't want to be public property." | 0:34:34 | 0:34:38 | |
In 1986, Roger Taylor quit Duran Duran | 0:34:38 | 0:34:42 | |
and retreated to his country home with his wife. | 0:34:42 | 0:34:45 | |
He remains out of the spotlight. | 0:34:45 | 0:34:48 | |
Popstar Simon Le Bon and the crew of his capsized yacht | 0:34:48 | 0:34:52 | |
have been saved from gale-force seas. | 0:34:52 | 0:34:55 | |
REPORTER: Simon Le Bon's racer, Drum England, | 0:34:55 | 0:35:01 | |
capsized in force eight winds. | 0:35:01 | 0:35:04 | |
Most of the crew scrambled clear, but six, including Le Bon, | 0:35:04 | 0:35:09 | |
were trapped inside the hull in an air pocket. | 0:35:09 | 0:35:13 | |
After about 45 minutes, | 0:35:13 | 0:35:16 | |
we heard a helicopter, ten minutes later, a guy pops his head up. | 0:35:16 | 0:35:21 | |
An hour later, I'd swam out and up, | 0:35:21 | 0:35:24 | |
surfaced and started to get winched off back to land. | 0:35:24 | 0:35:29 | |
Everything went through my mind - | 0:35:29 | 0:35:33 | |
I wouldn't be seeing Yasmin again, | 0:35:33 | 0:35:36 | |
I wouldn't see my brother David, my brother Jonathan, my mum, my dad. | 0:35:36 | 0:35:42 | |
I thought he was really courageous, not cos it's a dangerous race, | 0:35:42 | 0:35:48 | |
but for following a dream - | 0:35:48 | 0:35:50 | |
for not being sensible and staying at home, | 0:35:50 | 0:35:53 | |
writing another album, and doing what people thought he should do, | 0:35:53 | 0:35:57 | |
he did something that was extraordinary. | 0:35:57 | 0:36:00 | |
# N-N-Notorious... # | 0:36:00 | 0:36:04 | |
With Roger gone, the next disgruntled Taylor to jump ship was guitarist Andy. | 0:36:12 | 0:36:17 | |
He wanted to pursue his solo career. | 0:36:17 | 0:36:19 | |
When Andy decided to go, | 0:36:22 | 0:36:25 | |
it was inevitable, really, that our role... | 0:36:25 | 0:36:31 | |
As far as we were concerned, what we'd been involved in no longer existed. | 0:36:31 | 0:36:36 | |
John was the first person | 0:36:36 | 0:36:40 | |
to formally fire the Berrows. | 0:36:40 | 0:36:44 | |
We felt bitter, actually, | 0:36:44 | 0:36:47 | |
that only three of the five band had somehow made it through | 0:36:47 | 0:36:53 | |
to the other side. | 0:36:53 | 0:36:55 | |
Why? Who were we gonna blame? | 0:36:55 | 0:36:58 | |
We blamed the only people we could, our managers. | 0:36:58 | 0:37:02 | |
Everybody had a lawyer. | 0:37:02 | 0:37:05 | |
-The whole process... -The bureaucracy... | 0:37:05 | 0:37:10 | |
What they were good at and what we were good at - | 0:37:10 | 0:37:15 | |
you couldn't do that, sit at a table, any more, | 0:37:15 | 0:37:18 | |
all of that stopped. | 0:37:18 | 0:37:20 | |
On the departure of the Berrows, | 0:37:20 | 0:37:23 | |
Nick, John and Simon took on the role of managing themselves. | 0:37:23 | 0:37:26 | |
# ..You pay the profits to justify your reasons... # | 0:37:28 | 0:37:32 | |
With a new album looming, | 0:37:32 | 0:37:34 | |
the first job was the search for a new guitarist. | 0:37:34 | 0:37:38 | |
We were in the studios making Notorious | 0:37:38 | 0:37:42 | |
and we get sent a tape and a photograph | 0:37:42 | 0:37:47 | |
from this guy called Warren. | 0:37:47 | 0:37:49 | |
Warren had played in a US band called Missing Persons. | 0:37:49 | 0:37:54 | |
And back to personalities, we loved Warren. | 0:37:54 | 0:37:58 | |
John said I was too good to be true. | 0:37:58 | 0:38:02 | |
He saw some video of a song which I had put in my package. | 0:38:02 | 0:38:07 | |
John said, "There was a great pout." I thought, "That's it!" | 0:38:07 | 0:38:12 | |
Despite the addition of Warren, by the late '80s, Duran looked dead. | 0:38:12 | 0:38:18 | |
The media gleefully decided that these '80s playboys had had their day. | 0:38:18 | 0:38:24 | |
We reached a point where we said, "We won't lose any more ground. | 0:38:29 | 0:38:32 | |
"We're going to dig in and fight to the death." | 0:38:32 | 0:38:36 | |
That's where Warren came in. | 0:38:36 | 0:38:39 | |
Then things really clicked | 0:38:39 | 0:38:42 | |
and we were able to write together. | 0:38:42 | 0:38:45 | |
Every time we played in a room, some spark would happen. | 0:38:45 | 0:38:50 | |
You can't put any value on that. | 0:38:50 | 0:38:53 | |
It's great to have them back. It's Duran Duran and Ordinary World. | 0:38:53 | 0:38:58 | |
# Came in from a rainy Thursday on the avenue | 0:39:01 | 0:39:07 | |
# Thought I heard you talking softly | 0:39:08 | 0:39:12 | |
# I turned on the lights the TV and the radio | 0:39:15 | 0:39:21 | |
# Still I can't escape the ghost of you... # | 0:39:22 | 0:39:26 | |
When I heard we were going to get a star on the Hollywood Walk of Fame, | 0:39:26 | 0:39:31 | |
I thought they were joking. How do you get one of those things? | 0:39:31 | 0:39:37 | |
Who decides? | 0:39:37 | 0:39:39 | |
But at the same time, there's something about it | 0:39:39 | 0:39:44 | |
that was really quite wonderful. | 0:39:44 | 0:39:48 | |
Just sort of standing there with the Mayor of Los Angeles, | 0:39:48 | 0:39:53 | |
on a Saturday morning, getting your star. | 0:39:53 | 0:39:56 | |
I don't know, it was very surreal. | 0:39:56 | 0:39:59 | |
# ..make my way to the ordinary world | 0:39:59 | 0:40:04 | |
# I will learn to survive. # | 0:40:04 | 0:40:09 | |
We got back on the road, we were selling tickets. | 0:40:09 | 0:40:12 | |
We were back. | 0:40:12 | 0:40:16 | |
But once we'd dealt with that problem of being cared about, | 0:40:16 | 0:40:20 | |
then came the problems of dealing with each other. | 0:40:20 | 0:40:24 | |
Being on tour during the Wedding album, | 0:40:24 | 0:40:28 | |
knowing that every city I went in, everybody knew those songs, | 0:40:28 | 0:40:33 | |
when we played them, everybody. | 0:40:33 | 0:40:36 | |
It was great. I thought it was always going to be that way. | 0:40:36 | 0:40:40 | |
-JILL DANDO: -Now a band successful on both sides of the Atlantic. | 0:40:40 | 0:40:45 | |
Their name is synonymous with the best in British pop | 0:40:45 | 0:40:47 | |
of the '80s and '90s. They are Duran Duran. | 0:40:47 | 0:40:51 | |
I wrote a song for Yasmin, and it was Come Undone. | 0:40:56 | 0:41:01 | |
And in the first verse, it goes, | 0:41:01 | 0:41:04 | |
"Mine, immaculate dream made breath and skin, I've been waiting for you. | 0:41:04 | 0:41:08 | |
"Signed with a home tattoo, 'happy birthday to you'... | 0:41:08 | 0:41:11 | |
"was created for you." | 0:41:11 | 0:41:13 | |
And I put it in because I wrote it on October 29th, her birthday. | 0:41:13 | 0:41:17 | |
That was my "Happy birthday to you". | 0:41:17 | 0:41:19 | |
# Mine | 0:41:21 | 0:41:23 | |
# Immaculate dream | 0:41:23 | 0:41:26 | |
# Made breath and skin | 0:41:26 | 0:41:29 | |
# I've been waiting for you | 0:41:29 | 0:41:32 | |
# Signed | 0:41:32 | 0:41:34 | |
# With a home tattoo... # | 0:41:34 | 0:41:37 | |
YASMIN: Ever since I've known Simon, it's been hard being in this band. | 0:41:37 | 0:41:42 | |
I have so much respect for them. | 0:41:42 | 0:41:44 | |
I have so much respect for him. It must eat away at your soul. | 0:41:44 | 0:41:49 | |
It must be so difficult to stay fresh and innocent and unjaded. | 0:41:49 | 0:41:55 | |
I don't know how, but he manages it. | 0:41:55 | 0:41:58 | |
Play all the music live, bust the others with the Furious Five! | 0:41:58 | 0:42:03 | |
We had a record in '95, a covers album called Thank You. | 0:42:03 | 0:42:06 | |
-# Freeze! Say rock, y'all! -Rock! -Say freeze, come on! # | 0:42:06 | 0:42:10 | |
That was one of our commercial suicide bids, I think! | 0:42:10 | 0:42:15 | |
-# Say rock, come on y'all! -Rock! -Say freeze, come on! # | 0:42:15 | 0:42:19 | |
We did White Lines with Melle Mel and Grandmaster Flash. | 0:42:19 | 0:42:22 | |
-# Freeze! Say rock, y'all! -Rock... -# | 0:42:22 | 0:42:25 | |
Nobody wanted to play it. | 0:42:25 | 0:42:29 | |
Alternative radio said, "There's black people on it. We can't do it. | 0:42:29 | 0:42:33 | |
"Can you do it without the rapping?" | 0:42:33 | 0:42:36 | |
I was very disappointed with Thank You. | 0:42:36 | 0:42:40 | |
I felt Thank You was an easy ride. | 0:42:40 | 0:42:43 | |
My choices for the album were things that were important to me. | 0:42:43 | 0:42:49 | |
Songs like Lou Reed's Perfect Day. | 0:42:49 | 0:42:52 | |
It's one reason I wanted to be in a band. | 0:42:52 | 0:42:55 | |
# Just a perfect day | 0:42:55 | 0:42:58 | |
# Drink sangria in the park | 0:42:59 | 0:43:03 | |
# Later, when it gets dark | 0:43:04 | 0:43:08 | |
# We go home... # | 0:43:08 | 0:43:10 | |
I think Duran Duran's version of Perfect Day is... | 0:43:12 | 0:43:16 | |
possibly the best re-recording of a song of mine that I've heard. | 0:43:16 | 0:43:22 | |
I was absolutely wild about it. | 0:43:22 | 0:43:24 | |
# Then later, a movie too | 0:43:24 | 0:43:27 | |
# Then home... # | 0:43:27 | 0:43:29 | |
To cover it was an imaginative thing to do, but I can't give any credit. | 0:43:29 | 0:43:35 | |
# It's such a perfect day | 0:43:35 | 0:43:40 | |
# I'm glad I spent it with you | 0:43:40 | 0:43:45 | |
# Such a perfect day | 0:43:47 | 0:43:49 | |
# You just keep me hanging on. # | 0:43:49 | 0:43:54 | |
It ended up becoming a complicated album. | 0:43:54 | 0:43:57 | |
By the time it got finished and released, it was already a disaster. | 0:43:57 | 0:44:03 | |
Then I just thought, after that... | 0:44:03 | 0:44:06 | |
I was kinda done. | 0:44:06 | 0:44:08 | |
# Don't you worry Time's the healer... # | 0:44:08 | 0:44:13 | |
We did feel at that stage that John was becoming increasingly distant. | 0:44:13 | 0:44:19 | |
I think his private life was very different, he had some problems. | 0:44:19 | 0:44:25 | |
And he was spending a lot of time in California, basically commuting, | 0:44:25 | 0:44:30 | |
which doesn't really work in a band. | 0:44:30 | 0:44:33 | |
My ambition for the band just came to an end. | 0:44:33 | 0:44:38 | |
I thought, "Well, we can do it all again, maybe. | 0:44:38 | 0:44:43 | |
"But it won't be as much fun." | 0:44:43 | 0:44:46 | |
It shocked us, it really did. We just didn't see it coming. | 0:44:46 | 0:44:52 | |
He'd started the band with Nick, it was a big part of him. | 0:44:52 | 0:44:57 | |
It was worse when John left. Roger and Andy didn't have as many fans. | 0:44:57 | 0:45:03 | |
The three favourites were still in, but when John left it was quite sad. | 0:45:03 | 0:45:10 | |
# We're heading for meltdown If you don't mind, I'll disappear | 0:45:10 | 0:45:14 | |
# I've no desire to hang around and use its grim fear... # | 0:45:14 | 0:45:19 | |
The journey I've been on since I left has been no less hectic, | 0:45:19 | 0:45:24 | |
but it's helped me redefine myself | 0:45:24 | 0:45:27 | |
as somebody other than, you know, the bass player with Duran Duran. | 0:45:27 | 0:45:31 | |
Duran Duran - a group of warm, wonderful | 0:45:31 | 0:45:38 | |
and civilised human beings working in today's music industry. | 0:45:38 | 0:45:44 | |
Since John's departure, Duran Duran have left EMI Records | 0:45:44 | 0:45:49 | |
and signed to hip American label, Hollywood Records. | 0:45:49 | 0:45:53 | |
For me, they were the equivalent of Roxy Music and David Bowie. | 0:45:53 | 0:45:59 | |
They were the coolest thing. | 0:45:59 | 0:46:02 | |
The climate for Duran Duran here in the US | 0:46:02 | 0:46:05 | |
is high because everyone's listening to, | 0:46:05 | 0:46:08 | |
you know, classic stuff. | 0:46:08 | 0:46:10 | |
20 years on, the band a targeting a new generation of Duranies. | 0:46:10 | 0:46:14 | |
# Electric bomb! # | 0:46:20 | 0:46:22 | |
# Every little thing the reflex does | 0:46:22 | 0:46:25 | |
# Leaves the answer with a question mark! # | 0:46:25 | 0:46:28 | |
# Wild boys! Never lose it | 0:46:28 | 0:46:33 | |
# Wild boys! | 0:46:33 | 0:46:34 | |
# Never chose this way | 0:46:34 | 0:46:37 | |
# Wild boys! | 0:46:37 | 0:46:38 | |
# Never close your eyes | 0:46:38 | 0:46:41 | |
# Wild boys always...! | 0:46:41 | 0:46:45 | |
# Shine! # | 0:46:47 | 0:46:50 | |
There was a selfish part of me that would have liked it to finish, | 0:46:50 | 0:46:56 | |
but that was a choice that I made. | 0:46:56 | 0:47:00 | |
And now I'm glad that they... that it's still... | 0:47:00 | 0:47:04 | |
that it still exists, you know. | 0:47:04 | 0:47:06 | |
I don't miss there being five of us at all. | 0:47:06 | 0:47:11 | |
It's less problems for me to deal with, less people to argue with. | 0:47:11 | 0:47:15 | |
# They tried to tame you | 0:47:18 | 0:47:21 | |
# Looks like they'll try again... # | 0:47:21 | 0:47:23 | |
They're a part of rock history. | 0:47:23 | 0:47:26 | |
They've shaped so much musically and visually, they can sustain it. | 0:47:26 | 0:47:31 | |
As long as Nick and Simon stay together, they'll be Duran Duran. | 0:47:31 | 0:47:37 | |
# Wild boys always shine! # | 0:47:38 | 0:47:45 | |
Our entire existence is focused on making something | 0:47:46 | 0:47:52 | |
which, if you're lucky, | 0:47:52 | 0:47:55 | |
becomes part of the wallpaper of other people's lives. | 0:47:55 | 0:47:59 | |
# Never close your eyes | 0:47:59 | 0:48:02 | |
# Wild boys always | 0:48:02 | 0:48:06 | |
# Shi-i-ine! | 0:48:06 | 0:48:11 | |
# Wild boys! | 0:48:14 | 0:48:16 | |
# Wild boys! # | 0:48:22 | 0:48:24 | |
The Life and Times of Duranasty. Yes. | 0:48:28 | 0:48:31 |