Pearl Jam Twenty


Pearl Jam Twenty

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This programme includes strong With Mother Love Bone you had some

:00:15.:00:19.

success, a bit of a tragedy there. Right. And what made you decide not

:00:19.:00:22.

to continue with Mother Love Bone and to form something totally

:00:22.:00:26.

different? Cos it was old at that time and we wanna do something new,

:00:26.:00:31.

so, this is what we're doing now. New and fresh. And then they saw me

:00:31.:00:35.

in a bra and that was it. And then they said, "We've gotta have him."

:00:35.:00:45.
:00:45.:00:47.

That was before his front tooth got # Three nights and days, I sail the

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sea. # We interrupt this program to give you a bulletin. Keep this

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frequency clear. # I believe, I believe.

:00:53.:00:57.

# I have a weather report for you, people. And, it's not a good one.

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KCMU. Rocket Report. What is it that drives thousands of young

:01:00.:01:03.

angelic faced boys in our calm, tree-lined suburbs to spend their

:01:03.:01:06.

allowances on Marshall amplifiers? Why is this happening? Truth be

:01:06.:01:10.

told there's always been a great scene in Seattle. If you want some

:01:10.:01:13.

crisp, aggressive and emotional rock and roll then get on down to

:01:13.:01:17.

the Off Ramp on Friday, July 5th. Ah, wee ha! You haven't seen

:01:17.:01:20.

anything yet. Lock that. For lock's sake. Lock off. My name is Cameron

:01:21.:01:30.
:01:31.:02:03.

Crowe and I was a rock journalist My name is Cameron Crowe and no was

:02:03.:02:07.

a rock journalist when I first moved to Seattle in the mid- 1980s.

:02:07.:02:10.

I became aware of a scene of musicians that work together to

:02:10.:02:14.

create their own world of influence and bans and community. I

:02:15.:02:18.

immediately realised how much this was different from the places I

:02:18.:02:22.

grew up in and the music I listen to in southern California. This was

:02:22.:02:26.

music that came from guys who stayed indoors a lot, had a lot of

:02:26.:02:29.

time to play and a lot of time to listen. And they listened to

:02:29.:02:39.
:02:39.:02:40.

everything. All of it brought together into this majestic mix of

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:02:50.:02:59.

We would go and see these guys. And these guys would come and see us.

:02:59.:03:02.

Two guys I met early on were stoned Ossard and Jeff Eamonn, who had

:03:02.:03:07.

been in a well-known local ban, Green River, and had an obvious

:03:07.:03:10.

bond that drew a lot of people to them. On any given night it was not

:03:10.:03:17.

hard to run into them going out to listen to live music. Stick with me,

:03:17.:03:27.
:03:27.:03:29.

my child. Those people over there, police officers. How are you doing?

:03:29.:03:37.

This is not MTV, but it very well could be at any time. Sarcastic

:03:37.:03:41.

police officers, excellent. We are supposed in tonight, but so far

:03:41.:03:47.

nobody has showed up. We finally got into the show. We were outside

:03:47.:03:51.

for a long time but we got these things, backstage passes. How come

:03:51.:03:58.

you did not come and give me my pass? We were outside for a long

:03:58.:04:04.

time. This is my witness. When I first met him, could not imagine

:04:04.:04:08.

hanging out with him. I was introduced to him and within 30

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seconds I think he wanted to punch me. I had recently been introduced

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to the exciting world of sarcasm, and for me it was the greatest joy

:04:19.:04:29.
:04:29.:04:31.

anyone could have. Out here, rock people of all sorts. We had a bit

:04:31.:04:34.

of a chip on our shoulder. We always felt that if it came from

:04:34.:04:39.

New York, and Chicago, Minneapolis or Athens, it was probably better.

:04:39.:04:45.

But there was also this attitude of, somehow we will persevere. It was

:04:45.:04:49.

very different from Los Angeles and New York. There were tens of groups

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in Seattle, but they all knew each other and everybody was talking

:04:54.:04:59.

about the new band, Mother Love Bone, and their amazing,

:04:59.:05:09.
:05:09.:05:09.

charismatic frontman. His name was Andy. -- and D Wood. Want the world

:05:09.:05:12.

to know that Mother Love Bone is coming to take over the world, a

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plethora of delights. A fruit salad Said I've been around the world,

:05:22.:05:26.

wrote a million songs. # It's all a bore to me. #

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He was a fantastic entertainer. People loved him. I mean, people

:05:29.:05:33.

loved to see him do his thing. # And I've lied to the dogs. It

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never... He was very funny. He would do

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something like go to the Central Tavern when there was 25 people

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there. He'd play it like it was a Coliseum. "To all you people in the

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back". And there's like, two, there's the guy at the door.

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# But with my crystal sheen guitar. He was a rock star. He knew it, and

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something about that, I'll speak for everyone, made us believe that

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we were too. # Yeah, yeah.

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I wanna get on an arena tour with some band, who cares? Warrant for

:06:00.:06:04.

that matter. What the hell, go on tour with Warrant, just so we could

:06:04.:06:08.

play arenas. That's the kind of crowd I like. Those are easy crowds.

:06:08.:06:11.

Oh, you can say anything, you can say, "Your mother smells bad,

:06:11.:06:14.

people," and they'll just go "Yeah, Yeah". There's certain people you

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just know that you love and you'll do anything for them. You just

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wanted him to be a rock star. You just saw it and were like, "I'm on

:06:22.:06:26.

your team. I want to be anywhere near you." We're going down to LA

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on Monday to record an album. # I'm trippin' on it now.

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# It brings me home again. #Oh, oh, oh, oh, yeah. #

:06:35.:06:39.

Do you think you're the band of the nineties? Do you think you're going

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to be one of the forerunners? think so. I hope so. I mean, I

:06:43.:06:47.

thought I always would be involved in the band of the nineties, so if

:06:47.:06:51.

we're not the band of the nineties I'm gonna fire my band and get a

:06:51.:06:55.

new one. Then they'll be the band of the nineties. Cos you know what

:06:55.:07:00.

was weird. I was listening to the bottom end of all the songs, cos I

:07:00.:07:03.

was kind of worried about Stardog, you know, and the bottom end of it,

:07:03.:07:08.

and to me... The first guy that I called to see if he wanted to be my

:07:08.:07:12.

roommate was Stone Gossard. He was living at home, I think, and he

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answered the phone and he's like, "Yeah, no, I'm good. Um, I don't

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really wanna. I don't really wanna change my living situation right

:07:19.:07:23.

now." And he was at home so I thought that was a little weird.

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But I thought, "Whatever, that's great". Um, and he said, "But Andy

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just got out of rehab, and he might need a place". And I thought, "Well,

:07:30.:07:34.

that'd be cool". I didn't really know him but I thought, "Well, that

:07:34.:07:37.

would be interesting. He seems like an interesting guy, it would be

:07:37.:07:41.

cool". I called Andy up and he's like, "Sure, I'm coming over."

:07:41.:07:44.

Chris and Andy had a very deep relationship. I know that both of

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them had four-tracks set up in their bedrooms, and they would each

:07:48.:07:52.

try to record a song a day, and play it for the other guy. He just

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had a freedom. He didn't edit anything that he did, anything that

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he wrote, he didn't care. He just charged through the creative

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process without a care in the world, and I was the opposite,

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overanalyzing. And it was just a really exciting, creative time.

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Thank you so much. As long as I've known the guy there's always been

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different times where he wasn't comfortable with himself, and his

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using drugs was a product of that too. If you know any addicts you

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know that, you know, just because they quit for three months, doesn't

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mean shit. And he was someone who definitely had a certain tragic

:08:22.:08:26.

flaw. That's where his greatness came from. We knew that he was

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trying to be sober. We knew that he was really, that he couldn't just

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sustain, you know. You can't, you can't really be a junkie and be

:08:33.:08:37.

super productive and like, I mean, maybe somebody can but he wasn't

:08:37.:08:40.

going to be able to do it. That morning like, March 19th, 1990,

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there was like, five messages from Xana, Andy's girlfriend at the time,

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:08:54.:09:10.

saying, you know, just hysterical. # Summer nights and long, warm days.

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We all got in a taxi and went up to Harborview and he was on life

:09:15.:09:19.

support at that point and it was a locking trip, man. I mean, it was

:09:19.:09:22.

like the worst, most horrible, ah... It was confusing you know, it was

:09:23.:09:26.

like, Andy OD'd and he's not dead but he's not gonna live, but he's

:09:26.:09:30.

not dead. And you gotta come now. Whenever people would start to get

:09:30.:09:34.

into drugs after that I'd always... I always thought like, I wish I had

:09:34.:09:38.

a picture of Andy when he was in the hospital cos it, it was, it was

:09:39.:09:42.

so horrible. He was kept alive for a couple of days and, I think,

:09:42.:09:46.

mostly just so just family and friends could say goodbye or

:09:46.:09:49.

whatever but it was... It was horrible. It's... It's difficult to

:09:49.:09:52.

articulate it but, um, it's... You know, up to that point, I think,

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life was really good for us as a... As a, just a group of musicians and

:09:57.:10:01.

a scene making music. Um, it just... You know, the world was sort of our

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oyster and we had support and we supported each other, and he was

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kind of like this beam of light sort of above it all. And to see

:10:09.:10:13.

him hooked up to machines, um... It... That was the, I think the

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death of the innocence of the scene. It wasn't later when people

:10:16.:10:20.

surmised that Kurt blowing his head off was the end of the innocence.

:10:20.:10:30.
:10:30.:10:45.

It was that. It was walking into that room.

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# And I'm lost behind the words I'll never find.

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And I'm left... So at this point I think everyone

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really wants to take a break, for one, and just kind of let things

:10:57.:11:01.

happen naturally to a certain extent to see where we wanna go

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with it. You know, we're not in any huge rush to be rock stars at this

:11:05.:11:08.

point. Andy's attitudes and personality were such an integral

:11:08.:11:12.

part of Mother Love Bone that, ah, you know, you wouldn't be able to

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replace him. It's just not in our minds. At least, it just...

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Fiddle with the... You just lost all sound? Check. Hello, hello,

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hello. In some ways, I was just thinking about this in the last

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couple of days, that I can relate to the Clippers and the Nets.

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Because I've kind of, I feel like my musical career has kind of been

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that way, in that every time that it seems like it's starting to take

:11:33.:11:36.

off, somebody goes down with an injury, coach gets fired, or

:11:36.:11:39.

something happens. I remember Jeff saying, "Maybe I'm not supposed to

:11:39.:11:44.

be doing this, you know. That was my shot and it's gone". I think if

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my dad and I hadn't had such a contentious relationship at that

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point, I probably would have left Seattle. I never felt like giving

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up. No, I think I was writing songs days later, probably. You know,

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playing my guitar and still just going, "I love playing my guitar".

:11:57.:12:01.

I ended up playing with a really good friend of mine in town named

:12:01.:12:05.

Mike McCready. We got together and we started playing in his parent's

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attic. That's when I had the conversation. "We've got to get

:12:08.:12:12.

Jeff Ament in the band". Jeff was playing with some other folks and I

:12:12.:12:16.

think having a good time doing that. And my first instinct was like, "I

:12:16.:12:19.

don't know". I remember him just saying, "Lock Jeff Ament". Or

:12:19.:12:22.

something like that and I was kind of shocked. I was like, "Dude,

:12:22.:12:32.
:12:32.:12:35.

that's your guy. You've been with I was shocked. I was like, you have

:12:35.:12:42.

been with him forever. He was like, no, you have to. And I was like, OK.

:12:42.:12:47.

And then I was like, yes. We did a demo quickly after that with

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Cameron. I was like, what are you doing with it? They said, we are

:12:53.:12:58.

trying to get a singer. I was working at a job and making music

:12:58.:13:02.

in my spare time. His instrumental tape migrated to me and started

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bringing out emotions I had not touched on in a time. This natural

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thing came out and all I did was record. I surfed one morning after

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work and went unrecorded literally with the sand in my feet. I sent it

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off that day. # Reach out to me

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# I won't be home. # this is where his apartment was.

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This is the place where I came over after he called me and said, I have

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got this demo. I got this demo back from Eddie, and you should come

:13:46.:13:52.

over and check it out. It is good. It was a voice on a tape that blew

:13:52.:13:57.

my mind. It was kind of, who is this? Is this real? I remember

:13:57.:14:07.
:14:07.:14:14.

thinking, is this a real guy? Who I remember thinking about his voice.

:14:14.:14:19.

I heard a real person in there. It was not a person trying to sound

:14:19.:14:27.

like another person. I heard a guy. And there is my phone number on it.

:14:27.:14:33.

I will call the number later in see if I can find a younger you. Tell

:14:33.:14:43.
:14:43.:14:44.

him to be careful. Hold on. Hi, I am Eddie Vedder. In Seattle,

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I feel like I am kind of the new kid. I will be for a while. We flew

:14:51.:14:55.

head up and hang out for a week and work on these songs in the basement

:14:55.:15:01.

of Galleria Potatohead. It is nice to walk in that room and smell or

:15:01.:15:06.

materials. There is a feeling of creativity. You hear your footsteps

:15:06.:15:11.

as you go down into this basement. You just going and light it up.

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remember her before he got on the plane, he said, when I get there, I

:15:17.:15:23.

want you to go straight to the practice studio. The music sprouted

:15:24.:15:28.

write off the bat. It was heartfelt and deep. We spent five days

:15:28.:15:34.

rehearsing and on the sixth day, we played a show. It was in saying

:15:34.:15:39.

that we were playing a show after being together for five or six days.

:15:39.:15:49.
:15:49.:15:59.

# Son, she said, have I got a little story for you.

:15:59.:16:07.

# What you thought was your daddy was nothing but a... While you were

:16:07.:16:16.

sitting home alone at age 13. # Your real daddy was dying.

:16:16.:16:24.

# Sorry you didn't see him, but I'm glad we talked. Let's talk about

:16:24.:16:32.

the hidden Eddie Vedder. Where was he? At he was terrified.

:16:32.:16:41.

# I'm still a live there. It was hard for me at the beginning,

:16:41.:16:46.

coming up and being part of a different place. It was not just a

:16:46.:16:55.

neutral zone, it was there a lot -- He was coming from a different

:16:55.:17:00.

place that I did not fully understand. I felt like, he is good.

:17:00.:17:06.

And once I met him and saw how personable he was an excited and,

:17:06.:17:12.

you know, we sent him music and two weeks later, we had music back. And

:17:12.:17:18.

it was not Mother Love Bone. We got a few tapes, and they had all been

:17:18.:17:28.
:17:28.:17:29.

like tribute things. It took me years to understand Eddie. My dad,

:17:29.:17:35.

he passed away before I knew he was my dad. So I grew up with this dad

:17:35.:17:39.

and then I found out that he was not my dad, and the guy that was my

:17:39.:17:48.

dad had already passed a few years earlier.

:17:48.:17:53.

There are only two chords to this song. It will probably be really

:17:53.:17:58.

boring on acoustic. Looking back, I realised that we all got together

:17:58.:18:03.

in that room in that time, and I was still thinking about stuff with

:18:03.:18:08.

my dad and loss and all that. And they were thinking about having

:18:08.:18:12.

been through with the situation with Andy, so in ways, we were

:18:12.:18:16.

strangers, but we were coming from a similar place. And all of that

:18:16.:18:26.
:18:26.:18:32.

kind of came out in the first batch Release was kind of a droned jam

:18:32.:18:35.

that we were messing around with in the basement the first week that Ed

:18:35.:18:40.

came up. It was one of those songs that he just started singing and

:18:40.:18:47.

these words came out of him. # Oh, dear Dad.

:18:47.:18:56.

# Can you see me now? # I am myself.

:18:56.:19:06.
:19:06.:19:08.

# Liked you, somehow. # I will ride the wave it.

:19:08.:19:18.

# Where it takes me. # I will hold the pain.

:19:18.:19:27.

# Release me. I remember the first time we played that song, right at

:19:27.:19:32.

the end of it, he sort of ran away around the corner. I was thinking

:19:32.:19:38.

about my dad at, and afterwards it got me all tore up. I went into the

:19:38.:19:46.

little hallway, and then Jeff came out and said, are you OK?

:19:46.:19:56.
:19:56.:20:01.

# Oh, dear John. So this one here is my dad or. I

:20:01.:20:10.

met him a few times. But he was just like a friend of the family.

:20:10.:20:15.

Edward Louis Severson. When I was born, that was my name. So he is

:20:15.:20:25.
:20:25.:20:25.

kind of up there for me somewhere. # Release me.

:20:25.:20:35.
:20:35.:20:35.

Apology for the loss of subtitles for 49 seconds

:20:35.:21:25.

# I am, Reach Down. # And pick the crowd up.

:21:25.:21:35.

# And carried back in my hand. # To the promised land.

:21:35.:21:44.

And the camaraderie and the healthy competition part, I found later,

:21:44.:21:51.

was unusual. Johnny Ramones pointed that out to me later, talking about

:21:51.:21:55.

the friendship he saw between Pearl Jam and some garden, and saying, I

:21:55.:22:00.

have never seen that before. New York was not like that. We would

:22:00.:22:05.

school each other up. The best thing about it is, I think that you

:22:05.:22:10.

learn from each other and you are inspired by each other. For me,

:22:10.:22:17.

Temple of the Dog Grout of that. After Andy past, Chris judge wrote

:22:17.:22:23.

these songs. We were going to recorded with the surviving members

:22:23.:22:31.

of Mother Love Bone. # I don't mind stealing bread from

:22:31.:22:40.

the mouths of decadence. # But I can't feed on the powerless

:22:40.:22:49.

when my cup's already overfilled. # Yeah.

:22:49.:22:54.

It was a fun record that nobody had any expectations for, and that made

:22:54.:22:59.

it feel very fresh. For him, to write songs and have the idea of

:22:59.:23:03.

sharing those songs with Jeff and I was like another generous gesture

:23:03.:23:08.

that said, I will not only help you guys with this record, but I will

:23:08.:23:13.

even ask your new singer, who is just the age shy Di and I have not

:23:13.:23:19.

heard his voice yet, but I saw you guys and maybe he can sing.

:23:19.:23:25.

# I don't mind stealing bread from the mouths of decadence. And then

:23:26.:23:35.
:23:36.:23:36.

you hear it and go, well away. Our guy sings really good, too.

:23:36.:23:42.

# I can't feed off the powerless when my cup's already overfilled.

:23:42.:23:47.

Eddie was very shy at the beginning. He was self-conscious. He was not

:23:48.:23:57.
:23:58.:23:59.

fully comfortable, until we went out one night.

:23:59.:24:05.

# And it is all on the table. # Their mouths are choking.

:24:05.:24:15.
:24:15.:24:16.

# But I'm going hungry. He really embraced Eddie when he first moved

:24:16.:24:21.

up here. Sometimes I wonder if that was a void that he felt from Andy's

:24:21.:24:26.

passing. Having another equally talented singer that he could

:24:26.:24:31.

bounce ideas off or relate to. I know Eddie felt a real mentor

:24:31.:24:37.

should, and I think that gave him confidence.

:24:37.:24:47.
:24:47.:24:51.

# I'm going hungry. It was the first time I heard

:24:51.:24:55.

myself on a real record, so it could be one of my favourite songs

:24:55.:25:02.

that I have ever been on, or the most meaningful.

:25:02.:25:12.
:25:12.:25:34.

# I don't mind stealing bread. Where is Stone Gossard when we need

:25:34.:25:44.
:25:44.:25:50.

him? Where is he? Oh, my God. went to Vancouver to open for Alice

:25:50.:26:00.

in Chains. Played at this place called The Town Pump. During the

:26:00.:26:08.

song Breath, security was taking out some drunk guy. Watchet, you

:26:08.:26:15.

guys. They just took him out. were being overly aggressive. And

:26:15.:26:25.
:26:25.:26:31.

Ed noticed that. And you could just see this change come over him.

:26:31.:26:35.

This guy that had been shy, that people did not really know, all of

:26:35.:26:39.

a sudden his voice changes, his attitude changes, he just got

:26:39.:26:49.
:26:49.:27:11.

They are known as Mookie Blaylock, but not any more. We had some legal

:27:11.:27:15.

problems. The name was taken by this guy named Mookie Blaylock!

:27:15.:27:21.

Mookie Blaylock and Michael Jordan. They played yesterday. The Bulls

:27:21.:27:29.

won. He knows we are changing the name. So the new name is Pearl Jam.

:27:29.:27:34.

We will not cultivate anything today.

:27:34.:27:41.

# Why go home? Why go home? # She seems to be stronger, but

:27:41.:27:46.

what they want is for her to be weak.

:27:46.:27:51.

# She could just pretend. # She could join in the game.

:27:51.:28:01.
:28:01.:28:01.

# She could be another clone. you guys have a lot of other stuff

:28:01.:28:07.

going on almost as we speak? Yeah, we are going to the city tomorrow

:28:07.:28:17.
:28:17.:28:30.

to make our first album. I was selling merchandise at the

:28:30.:28:35.

time, and you can only just take so much stuff into Canada. Everything

:28:35.:28:39.

we brought, a broad based on what we have been selling until then.

:28:39.:28:43.

That night, before the opening band had even finished, I had sold out

:28:43.:28:47.

of everything we brought across. I had nothing to do for the rest of

:28:47.:28:51.

the night, so I grabbed my camera and film to the show. Things were

:28:51.:29:01.
:29:01.:29:03.

taking off. # Why go home? Why go home?

:29:03.:29:09.

This is our CD. You can barely see this. I hate holding a CD. I want

:29:09.:29:19.
:29:19.:29:25.

to hold up an album. # Why go home? Why go home? Why go

:29:25.:29:35.
:29:35.:29:48.

The band was doing 10 times as well as I never thought we would, get

:29:48.:29:58.
:29:58.:30:02.

him to play shows almost every day. The band's chemistry seems really

:30:02.:30:10.

good right now. Yeah, very much a family. Being on the road, touring,

:30:10.:30:16.

what is the strangest thing that has happened to you? I would like

:30:16.:30:22.

to thank the Smashing Pumpkins for letting me borrow the wardrobe.

:30:22.:30:30.

looks better than you do! We showed up in Zurich, Switzerland, and the

:30:30.:30:35.

venue was almost like an art house. The stage was as big as our drum

:30:35.:30:40.

riser. We were, what are we going to do? We were ready to change

:30:40.:30:43.

something up and we asked the locals to give us the acoustic

:30:43.:30:46.

instruments and we could do an acoustic set. We had never done

:30:46.:30:56.
:30:56.:31:20.

And then it was the next day, and somebody asked if we could do MTV

:31:20.:31:30.
:31:30.:31:38.

Unplugged. We said, yeah, we could # I know some day you'll have a

:31:39.:31:42.

beautiful life # I know some day you'll be a star

:31:42.:31:47.

in somebody else's Sky. # It's the true story, something I

:31:47.:31:57.
:31:57.:32:05.

really felt, and I still feel every A lot of your songs are on the dark

:32:05.:32:10.

side. Is there any reason for that, is it mostly what you see?

:32:10.:32:15.

emotions. I should be really happy right now. I get to play shows and

:32:15.:32:19.

it has been amazing. But my emotions are like a quarter flicked

:32:19.:32:23.

in the air, black-and-white, good and bad, constantly. Maybe by

:32:23.:32:27.

talking about things that may be darker, more on the negative side

:32:27.:32:32.

of our existence, by dealing with them, maybe that is where I find my

:32:32.:32:38.

happiness. # We belong together

:32:38.:32:44.

# Together # We belong

:32:44.:32:54.
:32:54.:33:00.

Unperturbed NTV said they thought that was one of the best. Is it

:33:00.:33:04.

nice to get that kind of response, especially when it is stripped

:33:04.:33:08.

down? I don't trust nobody, especially when they say something

:33:08.:33:18.
:33:18.:33:18.

Apology for the loss of subtitles for 49 seconds

:33:18.:34:08.

good. If I even see you having fun, They played at three in the

:34:08.:34:12.

afternoon, the second group. But the frenzy during their set got

:34:12.:34:20.

more and more extreme as the tour went on.

:34:21.:34:25.

It was a whirlwind. We went from little clubs to bigger clubs, and

:34:25.:34:32.

then everything blew up. I remember not being able to sleep for entire

:34:32.:34:35.

nights after the show because you were so buzzed. I found out years

:34:35.:34:41.

later that if I today Bath, that would put me to sleep. -- if I took

:34:41.:34:51.
:34:51.:35:06.

Is it like, you were just walking down the street one day and all of

:35:06.:35:09.

a sudden you feel you are getting a lot more exposure by a lot more

:35:09.:35:13.

people coming up to you? When would you start noticing that all of a

:35:13.:35:19.

sudden, you know, millions of people are like, yeah, exactly?

:35:19.:35:23.

try not to think about that as much as we can. We try not to think

:35:23.:35:29.

about that as much as we can. Think about that sentence, America. Think

:35:29.:35:37.

about it. Back with Eddie and Mike of the band Pearl Jam. The album is

:35:37.:35:42.

called 10. Why is that? It is back to Mookie Blaylock, total

:35:42.:35:48.

dedication to him. We are about to blow your video for Alive. Did you

:35:49.:35:53.

like making the video? We did not make a video. There is no way with

:35:53.:35:56.

a song like that, which talks about living for the moment, that we

:35:56.:36:00.

would lips sink something we had recorded months ago. I wonder what

:36:00.:36:05.

we will do for another video, because we only want to do live.

:36:05.:36:08.

You cannot see ourselves making some sort of conceptual video, or

:36:08.:36:18.
:36:18.:36:34.

# At home, pictures of mountain tops

:36:34.:36:39.

# With him on top # Lemon yellows San. #

:36:39.:36:44.

I have no problem with the idea of a concert video at all. It is like

:36:44.:36:52.

giving up some control this time and seeing how it works. That song

:36:52.:36:56.

was part of the second wave of songs that we wrote with Ed. I

:36:56.:36:59.

still did not understand songwriting at that point. That

:36:59.:37:03.

whole song is pretty much in the cord of a. There are no chord

:37:03.:37:07.

changes in the song. It goes against the rules of how to write a

:37:07.:37:10.

pop song. He had been reading a newspaper when we were starting to

:37:10.:37:14.

jam on the song and he wrote the entire lyrics of the newspaper

:37:14.:37:19.

article. Making that video, he did such a great job at making you see

:37:19.:37:25.

how heavy the lyric was. He seemed embarrassed about it. It seems a

:37:25.:37:31.

valid artistic thing to be doing. It is a different kind of focus.

:37:31.:37:37.

That is the key to it, just focusing. But like with a camera,

:37:37.:37:47.
:37:47.:37:47.

Apology for the loss of subtitles for 49 seconds

:37:47.:38:39.

that is just... You know, I am just Yeah! We have never played for this

:38:39.:38:43.

many people before. Never thought we would ever play for this many

:38:43.:38:53.

people. Are you ready for one more? 1, two, three.

:38:53.:38:57.

# You dare not leave a message # At least I could have heard a

:38:57.:39:02.

voice one last time # Would you hear me?

:39:02.:39:12.
:39:12.:39:15.

# Would you hear me # This could be the day

:39:15.:39:17.

# Hold my hand # Walk beside me

:39:17.:39:27.
:39:27.:39:27.

Apology for the loss of subtitles for 49 seconds

:39:27.:40:08.

Yeah, lots of times. Especially when our singer starts climbing on

:40:08.:40:18.
:40:18.:40:18.

the ceiling, 50 ft above the stage. Don't do that! Are you worried he

:40:18.:40:23.

will fall down? All of the time. I thought, he is going to have fallen

:40:23.:40:33.
:40:33.:40:59.

kill himself. I was worried every Over the years, he would get higher

:40:59.:41:03.

and higher. He would not shift it up, because he is survived the last

:41:03.:41:07.

one. We are going to take this to some level that people will not

:41:07.:41:17.
:41:17.:41:21.

forget. If that means risking your We would get to the hotel after the

:41:21.:41:25.

show then feel pretty good, physically. Then I would take a

:41:25.:41:32.

shower and realise I had 1000 deep scratches on my back. I did not

:41:32.:41:36.

want him to hurt himself, but at the same time, there was no talking

:41:36.:41:40.

to him. He was going to do what he was going to do. He could have

:41:40.:41:44.

killed himself a couple of times, probably, for sure. Which would

:41:44.:41:51.

have been more than I could have taken.

:41:51.:41:56.

You look quite mixed up. I will show you these pictures and you

:41:56.:42:00.

will see why I look the way I do. It is a little bit overwhelming to

:42:00.:42:04.

see this many people. I am sure you have been looking at this all day.

:42:04.:42:09.

It is a lot of people. We are used to playing small clubs, and we want

:42:09.:42:16.

to go back to playing small clubs. He wanted Pearl Jam to be a band

:42:16.:42:19.

that goes out and tours in a van and pays its dues and plays in

:42:19.:42:24.

clubs and makes albums and as a slow, natural life. He did not want

:42:24.:42:29.

to come out and have overnight success. He was critical about the

:42:29.:42:33.

mix has, he thought maybe they were too commercial. He was really

:42:33.:42:40.

reluctant. You are also not going to be doing videos right away at

:42:40.:42:46.

least. We just do not know. Our mind is on music, which is probably

:42:46.:42:56.
:42:56.:42:56.

a good thing for everybody. cumin 1 earlier than I normally do.

:42:56.:43:01.

I still did four, so it almost felt like I did one too many. Let's do

:43:01.:43:11.
:43:11.:43:11.

Apology for the loss of subtitles for 49 seconds

:43:11.:44:02.

A lot of my job is taking what they bring and turning it into something.

:44:02.:44:08.

This is a chord change, this is a melody. But what does that mean? If

:44:08.:44:18.
:44:18.:44:26.

I close my eyes, where am I? What I was in a small coffee shop and

:44:27.:44:33.

someone came up and stopped me, and the waitress witnessed it and said

:44:33.:44:39.

oh, you are... And I said, you know. She said, you don't like it? I said,

:44:39.:44:43.

it is no big deal. And she said, if you don't like it, you picked the

:44:43.:44:48.

wrong business to be in. And she had a good point. When you are

:44:48.:44:51.

sitting in your room, playing guitar, you don't have to worry

:44:51.:45:01.
:45:01.:45:07.

I had done the movie Say Anything... And was anxious to do the next

:45:07.:45:13.

movie in Seattle, and it would have the mix of music that I love. The

:45:13.:45:16.

studio of that the movie and said, we do it now have to sell this

:45:16.:45:22.

movie. We don't want to put it out. But as Nirvana and Pearl Jam got

:45:22.:45:28.

bigger, they came to me and said, there is one way. When we looked at

:45:28.:45:32.

the schedule, there was one day off that week, and that was the day you

:45:32.:45:39.

wanted us to play. Any memories of the singles party in Los Angeles?

:45:39.:45:47.

We have vivid footage. You have footage of that? We do. I will not

:45:47.:45:56.

watch that. It was pretty bad. are all just warming up. It is one

:45:57.:46:03.

of these things. In it was a total disaster. Everybody loves us.

:46:03.:46:11.

Everybody loves our town. There were some long soundtracks -- sound

:46:11.:46:17.

checks that day, and so I drank one bottle of wine. And then there was

:46:17.:46:24.

another that I opened to give to friends who were not drinking.

:46:24.:46:27.

went downstairs and there was a bottle of tequila. We hardly ever

:46:27.:46:37.
:46:37.:46:40.

drank before the show, but by that point, we were already wasted.

:46:40.:46:46.

monitors were not working that well. And my ears were not working. I

:46:46.:46:49.

kept asking them to turn the monitors up, and it would not turn

:46:49.:46:57.

up. After a while, I just got upset and pulled this drape down. And I

:46:57.:47:00.

looked over and there was the lighting person. I kept wandering,

:47:01.:47:10.
:47:11.:47:11.

why is it getting brighter in here? I will do this one myself. I began

:47:11.:47:15.

to see studio executives and their families started to stream for the

:47:15.:47:25.
:47:25.:47:28.

exits. Fights were breaking out. Don't be violent!

:47:28.:47:35.

# Hai, that's something. Because we had waited so long for anyone to

:47:36.:47:40.

ask us to do something, we were saying yes. But that was a moment

:47:40.:47:44.

where it was evident that there would always be one more thing they

:47:44.:47:54.
:47:54.:47:54.

would want you to do. At some point, you have to say no. That was the

:47:54.:48:04.
:48:04.:48:07.

Oh, hey, oh...ee-oo, zama dama dingy do. Billboard numero uno, oh

:48:07.:48:09.

yeah. Oh, ee-oo, zama mama dingy dong. Covero Time Magazine-o, oh,

:48:09.:48:19.
:48:19.:48:36.

Let's keep things rolling here. Grunge rockers, Pearl Jam.

:48:37.:48:46.
:48:47.:48:47.

# Everybody loves us. Everybody loves our town. Things got crazy.

:48:47.:48:57.
:48:57.:49:01.

It was all summer. We are just about to launch MTV in Latin

:49:02.:49:06.

America. I don't know if you feel comfortable do a couple of IDs for

:49:06.:49:15.

us in Spanish? Spanish is interesting? Somos Pearl Jam. E

:49:15.:49:20.

esto es MTV. What do you think grunge means? I would not even news

:49:20.:49:26.

that word. Everyone is talking about Pearl Jam. I have always

:49:26.:49:30.

hated their band. The first programme record came out two

:49:30.:49:35.

months before the Never mind record, so it came -- became a pearl Jam

:49:35.:49:42.

versus Nirvana thing. He said at nirvana's music was too commercial.

:49:42.:49:47.

I was so naive and fresh where we first came out. And then everyone

:49:47.:49:53.

looked at it from a cynical point of view or started copying it.

:49:53.:50:03.
:50:03.:50:09.

Eddie Vedder joins Creed front man. Eddie you various attempted to rip

:50:09.:50:19.
:50:19.:50:20.

him out. Pearl Jam. Pearl Jam. Pearl Jam. Pearl Jam. Pearl Jam.

:50:20.:50:24.

Pearl Jam will become the second Seattle band in a month to enter

:50:24.:50:28.

the billboard pop album chart at number one next week. Since his

:50:28.:50:35.

Release a week ago, Versus has sold 950,000 copies. A million. I am

:50:35.:50:40.

having a hard enough time with one right now. We played such a thing I

:50:40.:50:44.

live for the second time and I talked to Stone the next day, and

:50:44.:50:50.

he said, what did you think of Daughter? And I thought, we played

:50:50.:50:55.

Daughter? I essentially black out on TV. That was how I dealt with

:50:55.:51:01.

how big we got. I bought into the myth, and it was killing me.

:51:01.:51:06.

last time I talked to curb, we agreed that we would not

:51:06.:51:10.

participate in the Time magazine interview. And then they put me on

:51:10.:51:17.

the cover anyway. Sure, I read it on the plains, but I don't take it

:51:17.:51:21.

seriously. If you want to find out anything, I am not going to read

:51:21.:51:25.

Time magazine. Time magazine is your parents' magazine or the one

:51:25.:51:30.

in the doctor's office. And I thought wow, we have been swallowed

:51:30.:51:35.

up by the mainstream. No one will want to listen to us. I am not

:51:35.:51:39.

going to read Newsweek. These magazines have too much to lose by

:51:39.:51:49.
:51:49.:52:24.

printing the truth. You know that. The # Trains and spills, soaks the

:52:24.:52:34.
:52:34.:53:13.

# Stab it down. # Fill the pages.

:53:13.:53:23.
:53:23.:53:56.

How were you going to survive and not do something wrong? Now you

:53:56.:54:00.

have sold too many records, but these people are so happy to hear

:54:00.:54:04.

your music. But these people hate you now. And these people love you

:54:04.:54:10.

so much that they want to kill you. So how do you relate any of these

:54:10.:54:18.

people from where you are? The One That I Want to get in personal with

:54:18.:54:22.

was No Code, because its dock are problems. I built a wall in front

:54:22.:54:30.

of the House. Why? Because I have been open and honest and intimate

:54:30.:54:38.

in lyrics. Now I have to build a wall in front of my house. That

:54:38.:54:44.

wall saved my life. Not because of privacy or anything, but literally

:54:44.:54:53.

because someone tried to drive into the house at 50 miles an hour. So

:54:53.:55:01.

you wonder what happened. How did it mutate into this situation? You

:55:01.:55:07.

will have to edit this part. young musician who made grunge

:55:08.:55:11.

music popular became an overnight spokesman for many disaffected

:55:11.:55:16.

young Americans as his fans tried to sort out what caused him to take

:55:16.:55:23.

his life. I was trying to tell them, don't hurt me. And what is this

:55:23.:55:27.

nonsense about how terrible life is? A young girl who stood outside

:55:27.:55:32.

his home in Seattle, with tears streaming down her face, said, it

:55:32.:55:35.

is hard to be a young person nowadays. He helped open young

:55:35.:55:39.

people's eyes to our struggles. Please wipe the tears from your

:55:39.:55:43.

eyes, dear, you are breaking my heart. I would love to relieve the

:55:43.:55:50.

pain you are going through by switching my age for yours. I was

:55:50.:55:54.

trying to call him because I had read something he said that he

:55:54.:55:58.

could not keep it real. I just wanted to tell him, you don't have

:55:58.:56:03.

to do anything anybody tells you to do. Just stop playing and don't do

:56:03.:56:07.

anything. I had a whole thing I was going to tell him, but I never got

:56:07.:56:12.

the chance. Sometimes people and have you whether you like it or not.

:56:12.:56:19.

It is easy to fall. I don't think any of us would be in this room

:56:19.:56:29.

tonight if it were not for Kurt Cobain. People think that we are

:56:29.:56:33.

whining or crying about success if we are just trying to tell you that

:56:33.:56:37.

there are some intense pressures and some things that could be

:56:37.:56:46.

helped. # How much difference does it make?

:56:46.:56:56.
:56:56.:56:59.

A # How much difference does it He resonates in my life. It always

:56:59.:57:04.

comes up around a camp fire or play music with a few guys in a garage

:57:04.:57:14.
:57:14.:57:15.

for no particular reason. I always think, he would have liked this.

:57:15.:57:25.
:57:25.:57:27.

Tha # I will halt the Campbell to live burns up my arm.

:57:27.:57:33.

He is a nice person. I did not like him a lot when I was talking

:57:33.:57:38.

rubbish about him all the time, but now I can appreciate him. I have

:57:38.:57:42.

realised that the same people that like our band like their band, so

:57:42.:57:51.

why create a feud over something? # I will not change direction.

:57:51.:57:56.

made us think about everything we did. His critique of us early on

:57:56.:58:00.

kept us on good behaviour in terms of everything we did. We would

:58:00.:58:08.

are good now, it is partly because of him.

:58:08.:58:13.

# How much difference does it may ache?

:58:13.:58:18.

It is not like you of friends or anything. Well, I consider him a

:58:18.:58:22.

person that I like. We have had conversations on the phone and he

:58:22.:58:27.

is a nice person. I remember the sound of his voice, Omar but I

:58:27.:58:37.
:58:37.:58:56.

don't remember what we talked about. I have not let myself change, but

:58:56.:59:02.

the way people see you changes, and that is not in my hands. Maybe what

:59:02.:59:07.

is in my control is not doing interviews or not being on MTV and

:59:07.:59:14.

not anything to glorify your face or position. I was talking about

:59:14.:59:20.

this band being a bit more viceless. It can be done. Pink Floyd. It can

:59:20.:59:30.
:59:30.:59:33.

Eddie could not be anonymous and it was affecting him. So,

:59:33.:59:38.

psychologically, he needed to take control of something. So then he

:59:38.:59:48.
:59:48.:59:50.

was like, OK, I can have control I felt that anything we put out was

:59:50.:59:54.

highly representative of me because I was kind of becoming the most

:59:54.:00:02.

recognisable guy. # Vacate is the word

:00:02.:00:08.

# Vengeance has no place on the or # Cannot find the comfort in this

:00:08.:00:16.

Vitology was the first record where it was making a record in a

:00:16.:00:22.

different way. All of a sudden I was like, wait a minute, I'm the

:00:22.:00:26.

guy, ready to get in there and do this thing. At the time I thought

:00:26.:00:31.

it was our best record. dynamics of the band, how they have

:00:31.:00:41.
:00:41.:00:58.

changed as to who was in power. # Lives opened and trashed

:00:58.:01:02.

# Watch me crash # No time to question

:01:02.:01:06.

# Why did nothing last # Grasp and hold on

:01:06.:01:10.

# We are dying fast # Is soon be over

:01:10.:01:19.

# I will relent. # As much as I am excited to play, it

:01:19.:01:24.

is a surfing tour. I plan on adding a surf board at all times. It was a

:01:24.:01:29.

big tour, the first time we went to Australia. White it was challenging,

:01:29.:01:35.

to go, I don't know if we have the same band. We might be a different

:01:35.:01:45.
:01:45.:01:54.

band right now and maybe they will WAG we have always had his

:01:55.:01:57.

adversarial relationship. It has been muted because all we thought

:01:57.:02:02.

of as our new band was immediately taken over by Ed. We learnt that as

:02:02.:02:05.

you are fighting over the scraps of control you meet somebody with so

:02:05.:02:15.
:02:15.:02:17.

much artistic energy that your # Let my spirit pass

:02:17.:02:27.
:02:27.:02:38.

# MRS, this is, We were always going towards

:02:38.:02:41.

something else. We wanted to be like Zeppelin, a chameleon of a

:02:42.:02:46.

band, not locked into a specific style. But the business of the

:02:46.:02:50.

record company is all about locking make the money now and locking wine

:02:50.:02:53.

this thing up. They could care less if it is gone tomorrow because they

:02:53.:02:57.

had something coming off the backside that will replace it. We

:02:57.:03:00.

were trying to figure out how to be a bands down the road. There was

:03:00.:03:06.

not anybody to go to at that point until we met Neil. The first time

:03:06.:03:10.

we got asked to play the bridge school in San Francisco, we made a

:03:10.:03:14.

connection and said, thank you. A few months later, he asked us to go

:03:14.:03:20.

to Europe with him. It seemed like a dream to me.

:03:20.:03:30.
:03:30.:03:33.

# There's colours on the street And it was so educational listening

:03:33.:03:38.

to him talking about his career, playing in stadiums, then in clubs,

:03:38.:03:41.

then in medium-sized places, but all along doing what he wants to do.

:03:41.:03:51.
:03:51.:03:53.

His point is to roll with the # Keeper on rocking in the free

:03:53.:04:00.

world. # Meeting Neil Young and his impact

:04:00.:04:03.

on the band, making this record with the band, he remade a record

:04:03.:04:08.

with the band and not Eddie. In my mind, he was almost saying, come on,

:04:08.:04:18.
:04:18.:04:20.

you guys are great. At the time, we I am happy to finally have an adult

:04:20.:04:24.

in my lies that leads by example. I have had some crazy adults in my

:04:24.:04:34.
:04:34.:04:43.

life so it is about time I got one I hope Neil is feeling feisty

:04:43.:04:52.

tonight. And speaking of a feisty, some smart arse, who arranged the

:04:52.:05:00.

tables, put our table right next to a Ticketmaster at's table over here.

:05:00.:05:05.

-- right next to Ticketmaster's table. I predict a food fight by

:05:05.:05:10.

the end of the evening. And I would recommend the classy people over

:05:10.:05:14.

there to scoot away, or to join in. Maybe we should all join in while

:05:14.:05:21.

we have got them right here. In the United States, the hit rock

:05:21.:05:25.

band Pearl Jam has taken battle against what it claims is the greed

:05:25.:05:28.

of the entertainment industry. It is tackling the high cost of buying

:05:28.:05:32.

from the biggest ticket agency, Ticketmaster. All that the band

:05:32.:05:39.

once, it says, is a fair deal for the fans. We do not want to be

:05:39.:05:44.

doing a press conference. We want to be playing. The nation's top

:05:44.:05:48.

rock band is accusing the biggest ticket distributor of unfair

:05:48.:05:52.

practices. If they do not agree to Ticketmaster's terms, they cannot

:05:52.:05:57.

perform. A spokesman insisted Ticketmaster never told any

:05:57.:06:01.

promoter not to book Pearl Jam. He dismissed them as petulant young

:06:01.:06:04.

children who ascribed to Business anarchy.

:06:04.:06:08.

The band took the extraordinary step of filing a complaint at the

:06:08.:06:13.

Justice Department. When you're on that big a stage, it is not in your

:06:13.:06:17.

control. You are part of a larger drama. We had a specific problem

:06:17.:06:21.

with Ticketmaster, and they asked us to testify about our problem in

:06:21.:06:26.

regards to a larger lawsuit. But it has been perceived as us trying to

:06:26.:06:31.

break up Ticketmaster. We are honoured to have representatives of

:06:31.:06:36.

Pearl Jam and Ticketmaster here today. The question is whether

:06:36.:06:39.

recent contractual agreements between Ticketmaster and most major

:06:39.:06:43.

stadiums and concert promoters have violated federal anti-trust laws.

:06:43.:06:50.

Who would like to go first? Stone? All of them looked up the members

:06:50.:06:53.

of Pearl Jam remember what it is like to be young and not have a lot

:06:53.:06:57.

of money. Many fans are teenagers who did -- do not have the money to

:06:57.:07:01.

pay $30 or more that is often charged for tickets. We have made a

:07:01.:07:05.

decision that we do not want to put prices out of the reach of fans.

:07:05.:07:09.

Fans can go from one music store to another to find the best deal on a

:07:09.:07:13.

CD but can go nowhere but Ticketmaster for concert tickets.

:07:13.:07:18.

Do you think Ticketmaster is entitled to a profit? I do not

:07:18.:07:22.

think that matters. You have a contract with your racket company

:07:22.:07:27.

and that is exclusive, is that correct? I think this line of

:07:27.:07:29.

questioning is very strange because what does that have to do with

:07:29.:07:34.

anything? The issue is whether Ticketmaster is a monopoly. It has

:07:34.:07:40.

nothing to do with our business or our relationship with our manager.

:07:40.:07:46.

Mr Worner, do you want these guys to play at Long Beach? What I want,

:07:46.:07:56.
:07:56.:08:00.

is a record here. Let's just get it First of all, I want you to know

:08:00.:08:05.

that I think you are a darling. This is great. When we got involved

:08:05.:08:09.

in this issue, I did not know very much and I still do not about

:08:09.:08:14.

alternative music. I tried to learn some pearl Jam songs. But I think

:08:14.:08:21.

it's a little beyond me. Having been a fan for many years, I don't

:08:21.:08:25.

want to become something that I despised as a kid. When my staff

:08:26.:08:29.

told me we were going to have this hearing, I knew nothing about

:08:29.:08:32.

grunge. But I know a lot about the importance of fairness and equity

:08:32.:08:38.

and I think you have raised some important questions. Who are the

:08:38.:08:41.

powers that be that wanted to be perceived as putting pressure on

:08:41.:08:46.

Ticketmaster? Those are backroom David Lynchian guys in hotel rooms

:08:46.:08:53.

with oxygen tanks, darkened LA. That is what I think of. It is like,

:08:53.:08:59.

he understands. Almost a year after picking its fight with Ticketmaster,

:08:59.:09:03.

Pearl Jam remains alone among major rock bands who could have joined

:09:03.:09:08.

the group in its boycott but never did. It is a few lonely voices

:09:08.:09:13.

because not many groups joined up. There is no deal with us and

:09:13.:09:19.

Ticketmaster. We are not playing Ticketmaster shows this summer.

:09:19.:09:29.
:09:29.:09:30.

# Restless soul, enjoy your youth # Like Mohammed, hits the truth. #

:09:30.:09:33.

The shows where we were going outside of cities and building from

:09:33.:09:43.
:09:43.:09:43.

Apology for the loss of subtitles for 49 seconds

:09:43.:10:38.

the ground up, that was a tough The question is whether artists

:10:38.:10:42.

have an inherent right to control the limits of their business and

:10:42.:10:45.

how it relates to the growth of their act. The answer, I'm

:10:45.:10:53.

convinced, is that artists do have a right to that control. I think we

:10:53.:10:56.

have always just fallen into ways of doing things the way we felt

:10:56.:10:58.

they should be done, whether they were right or whether they were

:10:58.:11:04.

wrong, they were just our ways of doing it. I have never heard of

:11:04.:11:12.

Pearl Jam, I must admit. That makes two of us.

:11:12.:11:15.

Here we are in your fine place. And what are the things you have kept

:11:15.:11:20.

that remind you of the experience of the last 20 years with the band?

:11:20.:11:24.

I am sure I have kept the least amount of things of anyone in the

:11:24.:11:30.

band. I have justified that as, one, I lose everything all the time so

:11:30.:11:34.

it comes naturally. And also, Jeff ament keeps so much, and if all I

:11:34.:11:38.

have to do is maintain my good relationship with him, I can always

:11:38.:11:41.

go to his house and look through the stuff that he has an celebrate

:11:41.:11:51.

his keeping of the things. Pearl Jam in Mexico City memorial. These

:11:51.:11:58.

are some of the Mexico City coffee cups. So that is a little faded now.

:11:58.:12:05.

Because you use it! This one clearly needs to go back in the

:12:05.:12:10.

dishwasher. Here is something. Mike McCready sent me this. It is the

:12:10.:12:20.
:12:20.:12:24.

I got a few, this is a box of Pearl Jam touring bands DVDs. That is

:12:24.:12:30.

2000. I don't know why they are still there. And I have a few CDs

:12:31.:12:35.

here. Probably I had someone bring and buy a because I was trying to

:12:35.:12:39.

remember how to play some songs. I don't know if there is anything

:12:39.:12:47.

else in here. Let's see. That might be it. There might be something in

:12:47.:12:56.

the basement. Look, there's a Grammy. I knew this was going to

:12:56.:13:06.
:13:06.:13:09.

# I'm ahead # I Merman

:13:09.:13:11.

# I'm the first mammal to wear pants

:13:11.:13:18.

# I'm at peace with my last # I can kill because in Gardai

:13:18.:13:21.

Trust # Its evolution, baby. #

:13:21.:13:26.

You can tell how I feel about the Grammys.

:13:26.:13:35.

# IMac peas, I'm the man. # I was having a bad day at the

:13:35.:13:38.

Grammys. You could not go out because of the photographers, so

:13:38.:13:47.

that was part of it. Pearl Jam. like to start off with a bang so I

:13:47.:13:50.

will say something on behalf of all of us. I do not know what this

:13:50.:14:00.
:14:00.:14:06.

means. I don't think it means I remember arguing with my friends

:14:06.:14:10.

because they were like, man, what was your boy doing? If he does not

:14:10.:14:16.

want to be there, he should not be there. And all of this stuff. And I

:14:16.:14:24.

was like, are you kidding me? If I had the balls, I would have said

:14:24.:14:34.
:14:34.:14:35.

the same thing. I should have started a fight right

:14:35.:14:43.

there. It would have been much more exciting. What would all these

:14:43.:14:47.

young people be doing if they had real problems like a Depression or

:14:47.:14:51.

Vietnam? Do their work? Are they contributing anything to the world

:14:51.:15:01.
:15:01.:15:12.

they are taking so much from? # It's evolution, baby.

:15:12.:15:15.

That was around the Ticketmaster tour. The four of us were

:15:15.:15:22.

travelling in a jet. Jack, Stone, Jeff and I. Eddie was travelling in

:15:22.:15:26.

a van to a radio show and then driving all night to the next show.

:15:26.:15:29.

So there was a huge physical disconnect, but also an emotional

:15:29.:15:35.

one. And nobody was really talking. He was trying to maintain a

:15:35.:15:41.

something that was more of a Do It Yourself type of mentality. But we

:15:41.:15:46.

were not that band, Fugazi. We needed to sit down with him and go

:15:46.:15:50.

and look, are you embarrassed by us? Do you want to be in the band

:15:50.:15:54.

any more? We thought we were going to break up. I thought that was

:15:54.:16:02.

going to happen. We all agreed we needed to take some time off and

:16:02.:16:12.
:16:12.:16:13.

figure it out. That is Highway 200. We just past Ovando. We are heading

:16:13.:16:18.

towards Lincoln, and then we keep going to the north-east. That is

:16:18.:16:28.
:16:28.:16:36.

the spot. That is your home town? My parents made me live in this

:16:36.:16:40.

desolate - I mean, I was hundreds of miles away from anybody I could

:16:40.:16:49.

relate to. I was ready to leave at about 14. A couple of trips to

:16:49.:16:57.

California really messed me up. My mom's brother had long hair, my

:16:57.:17:04.

Uncle Pat. He had tapestries in his room, and he would put the

:17:04.:17:08.

headphones on May and play Abraxas By Santana, and it would blow my

:17:08.:17:17.

mind. I remember getting a huge buzz off it and getting emotional.

:17:17.:17:21.

And I would try to look for records. There was no record store in our

:17:21.:17:26.

town, so I started subscribing to Circus and Cream magazine, and my

:17:26.:17:31.

uncle got rolling Stone magazine. You would study that stuff. And a

:17:31.:17:35.

lot of those punk rock records, you could really hear base. You could

:17:35.:17:40.

hear Dee Dee on those Ramones records. If you were trying to

:17:40.:17:44.

learn the songs, you could turn the dial to the right side and learn

:17:44.:17:50.

all of Dee Dee's parts. I moved to Seattle in 1983. All I wanted to do

:17:50.:17:54.

was living a bigger city where there were more like minded people

:17:54.:17:59.

and more culture around punk rock shows. If I wanted to see a cool

:17:59.:18:03.

movie. There was a razor haircut. I was hearing about all these movies

:18:03.:18:13.
:18:13.:18:14.

that I never got a chance to see. It must have been the first contact

:18:14.:18:20.

from Jeff. I remember there being a real connection made on the phone,

:18:20.:18:26.

talking about art work. He was into art work. And the responsibilities

:18:26.:18:31.

as a band member or working with people that get that it is not a

:18:31.:18:36.

slacker job or a rock star thing. It is about music and art. We had

:18:36.:18:40.

these things in common, which was probably why we ended up room-mates

:18:40.:18:50.
:18:50.:18:51.

when we first started touring. Reconnected and became really close.

:18:51.:18:57.

-- we connected and became real close. It is amazing now, when I

:18:57.:19:07.
:19:07.:19:11.

look back. I remember when Ed first came to town, it seemed like it was

:19:11.:19:15.

something he had been waiting for his whole life. It was obvious in

:19:15.:19:18.

the first few minutes that it was something I had been waiting for

:19:18.:19:28.
:19:28.:19:35.

# I'm thumbing my way back to heaven.

:19:35.:19:40.

It would be a very easy banned for us in some ways not to be a band.

:19:40.:19:44.

Nobody can really put a finger on what it is that keeps us coming

:19:44.:19:54.
:19:54.:20:00.

back together. It is a strange marriage. I met Mike McCready when

:20:00.:20:10.
:20:10.:20:10.

I was in seventh grade. He was good. He played solo as. I had lived in

:20:10.:20:16.

Los Angeles, tried to make it in my band at Shadow in 1986 for a year.

:20:16.:20:23.

I paid to play at the Roxy, $700 on a Sunday night in December. And

:20:23.:20:26.

there were five people there. So I struggled and I gave up playing

:20:26.:20:32.

music for a little. I moved back to Seattle and said I can't. I am done.

:20:32.:20:37.

And then lo and behold, I get a call out of the blue from Stone.

:20:38.:20:45.

saw him play at a party one night. He was playing lead guitar and was

:20:45.:20:55.
:20:55.:21:09.

just unconsciously DVU these jolts. He is channelling stuff that sounds

:21:09.:21:12.

like it is coming from the heavens, but I think it is coming from

:21:12.:21:20.

inside. There is something spiritual about the way he plays.

:21:20.:21:30.
:21:30.:21:37.

And that is when he is in tune with the good stuff, you know. As you

:21:37.:21:42.

know, the song reached down, the second song I wrote for the Temple

:21:43.:21:47.

of the Dog record, I wanted it to be a sort of Neil Young screw you

:21:47.:21:50.

to the world of people who don't want to hear a guitar solo. I am

:21:50.:21:55.

going to make an 11 or 12 minutes of that is mostly a guitar solo.

:21:56.:22:01.

When I heard him play guitar, I was like, we are going to pull this off

:22:01.:22:07.

for real. He can actually play. This guy is a rock star. We just

:22:08.:22:13.

thought he was a nice little kid. He has got something in there like

:22:13.:22:17.

he is infected, and that will come out again somewhere. Good luck,

:22:17.:22:27.
:22:27.:22:41.

guys. He knows me. I would say that is 100% accurate. Eddie said, ask

:22:41.:22:49.

mic about the drummers. Ask me about the drummers? Yeah, he said

:22:49.:22:54.

Mike will give you the drummer's rap. Well, we started off with Dave

:22:54.:22:59.

Krusen. It did not work out. Matt Chamberlain did not want to go on

:22:59.:23:04.

the road. It is very Spinal Tap of us to have this many drummers. Jack

:23:04.:23:10.

gave the tape he got from Stoned to Ed. Ed wanted to repay that favour.

:23:10.:23:15.

We toured with him. He played on the Yield record. Then it got too

:23:15.:23:20.

much for Jack. He said he could not talk. We already had a tour booked.

:23:20.:23:25.

Who could recall that could do that? Matt Cameron. Soundgarden had

:23:25.:23:31.

broken up, so Ed call him. He was like, we need to leave in three

:23:31.:23:38.

weeks. In ten days, he learned 80 songs. Something crazy like that.

:23:38.:23:43.

just closed my eyes and I would be like, do I know that song? No. Matt

:23:43.:23:52.

Cameron made us a better band than we have ever been. When we had to

:23:52.:23:55.

switch a drama or something, you would do it out of survival mode.

:23:55.:24:00.

It is like removing an organ. When you remove the drummer, you are

:24:00.:24:10.
:24:10.:24:22.

removing the heart. It is like a Binaural is a dark time for me,

:24:22.:24:27.

because I have Crohn's disease. I was struggling with that,

:24:27.:24:30.

struggling with addiction. I was taking pills to take care of that,

:24:30.:24:40.
:24:40.:24:41.

and it got out of hand. It was a struggle. In the early years, we

:24:41.:24:45.

had those transcendent shows where everybody was drunk. Everybody lost

:24:45.:24:50.

their mind at once. It was harder to lose your mind at that point,

:24:50.:24:56.

because everyone was like, I am 32. I have got this relationship. We

:24:56.:24:59.

became more self-conscious and more aware as you are an adult that it

:24:59.:25:07.

is more difficult to go we have just got to go crazy. Around this

:25:07.:25:12.

time, I think we were less popular. I don't think we were doing any

:25:12.:25:16.

press. We had meetings about those things and it was like, how much

:25:16.:25:23.

press will we do on this tour? When you don't do any of it, and the

:25:23.:25:27.

changing times fluctuate, people get over you. That was around that

:25:27.:25:37.
:25:37.:25:40.

time, Binaural. People were like, I But some people stayed with us

:25:40.:25:50.
:25:50.:25:51.

because we stayed true to our vision. How important is commercial

:25:51.:26:01.
:26:01.:26:15.

success to you? Does grunge still exist today? How did the second ten

:26:15.:26:25.
:26:25.:26:28.

years happen? You did survive. What are the turning points to you?

:26:28.:26:32.

your positions. It is one of Europe's worst concert tragedies.

:26:32.:26:36.

The band stopped playing just before the incident. Deadly trouble

:26:36.:26:42.

in the shape of a crowd of 50,000 strong. There has been a lot of

:26:42.:26:47.

pushing up pay and 10 to 15 people have been badly hurt. Tragedy

:26:47.:26:51.

occurred in the rain and mud or late Friday night at the Annual

:26:51.:26:56.

Roskilde Rock Festival outside the Danish capital of Copenhagen, when

:26:56.:26:59.

rock fans surged forward during a performance by the American group

:26:59.:27:08.

Pearl Jam. The porter macro fans of the outdoor rock concert packed

:27:08.:27:13.

closer and closer to the stage, ending in a crash that killed nine

:27:13.:27:20.

people and injured three more. just wanted to get out of there. I

:27:20.:27:25.

just did not want it to be true. It was happening right in front of us,

:27:25.:27:35.
:27:35.:27:39.

but I did not want it to be true. Something as horrific and shocking

:27:39.:27:43.

as people being pulled over the barricade that are not Alive any

:27:43.:27:51.

more, what that impact was on us... It will never go away. From that

:27:51.:28:01.
:28:01.:28:02.

point on, we rethought everything. Thought I did not know what I was

:28:02.:28:08.

feeling. It is such an onslaught of confusion. The last time I felt

:28:08.:28:13.

like that was when Andy Wood died. I did not know if I wanted to play

:28:13.:28:23.
:28:23.:28:46.

I think we quantified everything that has happened to us as three

:28:46.:28:55.

Roskilde Rock Festival and afterwards. If early on there was

:28:55.:28:59.

the beginning of no. For us, the Roskilde Rock Festival was the

:28:59.:29:04.

beginning of what? What are we doing? What do we do to assist the

:29:04.:29:12.

families? What have we become, and what do we do to survive? Even

:29:12.:29:17.

since the Roskilde Rock Festival in 2000, that made everybody get into

:29:17.:29:21.

a really unique perspective on where we are and how fragile life

:29:21.:29:26.

peers. Since then, once and a while, we will say to one another, can you

:29:26.:29:36.
:29:36.:29:42.

believe it? Can you believe we are When I interviewed the band in 1993

:29:42.:29:46.

for Rolling Stone magazine, I asked Eddie Vedder if there was an Andy

:29:46.:29:49.

Wood song he would ever be interested in singing. He said

:29:49.:29:55.

there was one, and one day he would sing it. On the band's 10th

:29:55.:29:58.

anniversary show in Las Vegas, he announced to the group that he

:29:58.:30:02.

wanted to sing Crown of Thorns, up one of Mother Love Bone's greatest

:30:02.:30:12.

songs. In that moment, the two bans United. We wouldn't mind attempting

:30:12.:30:21.

something that is even older than 10 years.

:30:21.:30:26.

# You ever hear the story of Mr Faded Glory?

:30:26.:30:30.

# Say he who rides a pony must someday for

:30:31.:30:39.

# I was talking to my old Sir # Says life is what you make it

:30:39.:30:49.
:30:49.:30:55.

# And if you make it, death will For him to acknowledge the past and

:30:55.:30:59.

say, this is where we came from and be generous to Jeff and I can say,

:30:59.:31:06.

yeah, of course, that was another huge gift.

:31:06.:31:12.

# I wanted to do that I love you. # I used to think of and the all the

:31:12.:31:15.

time, especially when the band got bigger because I used to think, he

:31:15.:31:20.

would have loved to play this place, he would have loved to play the

:31:20.:31:28.

Garden. He would have torn this shit up.

:31:28.:31:33.

# I'm singing # This is my kind of love

:31:33.:31:37.

# It's the kind that moves on # It's the kind that leaves me

:31:37.:31:39.

alone or # Yeah

:31:39.:31:49.
:31:49.:31:56.

# Like a Crown of Thorns # It's all who you know

:31:56.:32:06.
:32:06.:32:18.

I wrote down on this paper, and DIS and Ed, because I think about him

:32:18.:32:23.

all the time. I think how lucky I am to go in my basement, write a

:32:23.:32:28.

song and manifested, figure out how to live recorded, whatever. That is

:32:28.:32:32.

all that you ever hoped for, as somebody that would just record.

:32:32.:32:38.

Some group of guys that would play the songs for him. And I wish that

:32:38.:32:48.
:32:48.:32:51.

we could go back in time and be the band for him.

:32:51.:33:00.

# This Is My Kind of Love, the kind that moves on

:33:00.:33:09.

# This is my kind of love. # He was playing to those places in

:33:09.:33:19.
:33:19.:33:46.

his head for a long time. The thing # How does he do it

:33:46.:33:49.

# How do they do it # Uncanny and immutable

:33:49.:33:53.

# This is such a happening tailpipe of a party

:33:53.:33:58.

# Like Sugar, the guests are so refined. #

:33:58.:34:02.

When we played in Nassau, three- quarters of the crowd booed us. It

:34:02.:34:07.

really bummed some of the band out. They were like, I never want to

:34:07.:34:16.

play the song again. I actually locking dougie it. It was all right.

:34:16.:34:26.
:34:26.:34:26.

There was a fireman in the front row and he was showing me his badge.

:34:26.:34:31.

It was such a bad time in American history and we were trying to say

:34:31.:34:37.

what we thought. When you know the crowd has turned and there are that

:34:37.:34:41.

many people, it feels like you might not make it out of there

:34:41.:34:50.

alive. That was about really trusting his instincts about a very

:34:50.:34:58.

specific thing and he wanted to do it in a way that was antagonistic.

:34:58.:35:02.

I think if you have the opportunity, you have to take on that

:35:02.:35:12.
:35:12.:35:38.

You didn't like that one? It's great to be in a band where you are

:35:38.:35:41.

not afraid to do that, not afraid to speak our minds and get booed

:35:41.:35:50.

once in a while. It's all right. It was an uncertain time for Pearl

:35:50.:35:54.

Jam, a period when many bans quite a break-up and move on, but from

:35:54.:35:58.

the beginning Stone and Jeff had always wanted a ban that would last,

:35:58.:36:02.

keep writing and record music. And that is what Pearl Jam did. Show by

:36:03.:36:07.

a show, they became one of the most dependably unpredictable bans in

:36:07.:36:16.

Ed has a feeling pretty much everywhere that we play and it is a

:36:16.:36:19.

great gauge of how the crowd is feeling and a lot of times that is

:36:19.:36:24.

why the set list does not get done until 10 minutes before we play.

:36:24.:36:28.

difficult as it was, at different times when you are like, we can go

:36:28.:36:33.

and kill his crowd. Let's start with these five songs. And you know,

:36:33.:36:42.

yeah, we going to play this first. We have not played this one

:36:42.:36:45.

together but we will work it out backstage and it will be OK.

:36:45.:36:49.

Inevitably you are so nervous that you go out and fumble it. You are

:36:49.:36:56.

like, God, let's play a hit, you know. He would be a lot easier to

:36:56.:37:00.

play a similar set every night. It would be so much easier and yet we

:37:01.:37:07.

can't find it in ourselves to do that.

:37:07.:37:17.
:37:17.:37:20.

# I'm through with screaming That is why you see Pearl Jam. It

:37:20.:37:26.

is locking different every night. Every night it is different. It is

:37:26.:37:30.

funny but lots of those decisions we made, it took 10 years to see

:37:30.:37:34.

why they were good. Mixing our set list every night, it is the

:37:34.:37:38.

greatest blessing we could have ever done. The door is open for us

:37:38.:37:43.

to be who we are every night and we just trust it.

:37:43.:37:53.
:37:53.:37:57.

# And I will be, to I think all of us have been totally

:37:57.:38:03.

embarrassed by the 70s. We are all products of it but not stuck in it.

:38:03.:38:08.

Our guitar heroes, Hendriks for Mike, Jimmy Page for me, for Eddie,

:38:08.:38:18.
:38:18.:38:37.

The Who. In a sense, it is a total Roger Daltrey wrote me a letter

:38:37.:38:41.

saying would I like to come and play? I told him, no way you.

:38:41.:38:45.

Because that is the ultimate, that is the pinnacle for me, that band,

:38:45.:38:52.

that era. We have to decide whether or not we are going to remain a

:38:52.:38:55.

circus act, in other words doing what everybody knows we can do and

:38:55.:39:00.

what we know we can do, until the band eventually turns into a

:39:00.:39:07.

cabaret act, which is inevitable. That is ridiculous. There is me and

:39:07.:39:10.

Johnny Ramone. This is me and Joe Strummer and that is the night I

:39:10.:39:15.

met Jack Irons. This was hanging in the dressing room the first night I

:39:15.:39:19.

met Peter. I was terrified. The first thing he said was, I have

:39:19.:39:28.

waited so long to meet you. # I won't get what I'm after until

:39:28.:39:38.
:39:38.:39:38.

Now, we are just grateful for our band, who we are, what we have

:39:38.:39:44.

become. And grateful that we finally figured out how to do it.

:39:44.:39:48.

think there was a huge element of our fans that just carried us

:39:48.:39:52.

through a period of time where we were not there all the way. You see

:39:52.:39:55.

their belief and even when you don't have it you go, OK, I have to

:39:55.:40:04.

figure this out. Joining the band, I was so impressed with how in

:40:04.:40:08.

house everything is, like, there is no outside influence going on. It

:40:08.:40:17.

all comes from the band. They saved me, in a certain way.

:40:17.:40:21.

# When I was a kid, oh how happy it seemed

:40:21.:40:27.

# Please let me dream its Christmas time. #

:40:27.:40:31.

We have been doing it for 10 Records, 20 years and I cannot

:40:31.:40:36.

think when I ever felt I was just phoning it in. It is always pure

:40:36.:40:46.
:40:46.:40:47.

I think there really is a collective understanding of how

:40:47.:40:50.

lucky and how fortunate we are to still be playing music with the

:40:50.:40:55.

same group of people. Everybody, you can feel it, and it makes being

:40:55.:41:03.

in a band a joy. # Yeah, yeah

:41:03.:41:13.
:41:13.:41:21.

There is a communal exchange. There's obviously a line drawn

:41:21.:41:31.
:41:31.:41:40.

between who is on stage and who is # Let me hear you

:41:40.:41:49.

# Waiting, watching the clock # It's 4 o'clock, it's got to stop

:41:49.:41:55.

# Tell him, take no more # She practises her speech

:41:55.:41:58.

# As he opens the door, she rolls over

:41:58.:42:01.

# Pretends to sleep as he looks her over

:42:01.:42:11.
:42:11.:42:13.

# She lives and says she's in love with him

:42:13.:42:20.

# Can't find a better man # She dreams in Carla

:42:20.:42:27.

# She dreams in red # Can't find a better man

:42:27.:42:37.
:42:37.:42:37.

Apology for the loss of subtitles for 49 seconds

:42:37.:43:23.

# Son, she said, have I got a little story for you?

:43:23.:43:30.

# What you thought was your father was nothing but a fault

:43:30.:43:34.

# While you were sitting at home alone at age 13

:43:34.:43:42.

# Your real father was dying # Sorry you didn't see him

:43:42.:43:50.

# But I'm glad we talked # I'm still alive

:43:50.:44:00.
:44:00.:44:13.

I loved it. We were two rose from the front. This is my fifth show.

:44:13.:44:21.

24th. 61. 54. Pearl Jam is a band for the fans. We stuck with them

:44:21.:44:25.

all the way, because what we get out of them is overwhelming.

:44:25.:44:30.

this guy flew from Bucharest. came from Denver. London. I took

:44:30.:44:34.

two weeks off from my job and travelled nine shows in a row last

:44:34.:44:42.

year. # Yeah, I am still Alive. There is

:44:42.:44:46.

not another band like them. Everybody wrote the whole crest of

:44:46.:44:54.

a wave, but after that, they came out a lot stronger. They took on

:44:54.:44:58.

Ticketmaster. They took on a man, and they could have lost, but they

:44:58.:45:08.
:45:08.:45:23.

didn't. I think this band is only # Is something wrong, she said.

:45:23.:45:28.

# Of course there is. # You're still Alive, she said.

:45:28.:45:36.

# Do I deserve to be? # Is that the question.

:45:36.:45:42.

# And if so, who answers, who answers?

:45:42.:45:52.
:45:52.:45:52.

Apology for the loss of subtitles for 49 seconds

:45:52.:49:01.

# Oh, I'm still Alive. # I feel your love, I feel your

:49:01.:49:09.

strong love. # I feel the patience of

:49:09.:49:13.

unconditional love. There was a rumour that it was going to be like

:49:13.:49:18.

the kids are all right. That is a misconception. The Kids Are All

:49:18.:49:28.
:49:28.:49:32.

Right is really super genius. What # I will never let you down.

:49:32.:49:39.

# If you just walk with me. # I am on a journey. They stay true

:49:39.:49:44.

to fans as well by releasing the bootlegs of their albums are so

:49:44.:49:54.
:49:54.:50:00.

that other people can't make a # Walk With Me. Walk with me. Walk

:50:00.:50:10.
:50:10.:50:32.

with me. We are not filming this He hates this. Why do you keep

:50:32.:50:42.
:50:42.:50:53.

# Walked with me. I don't know if they realise how much they have

:50:53.:50:59.

given to us, the fans, and how much we appreciate it.

:50:59.:51:09.
:51:09.:51:09.

Apology for the loss of subtitles for 49 seconds

:51:09.:52:01.

# Walk With Me. # Yes, I understand that every life

:52:01.:52:09.

must end. # So as we sit alone, I know

:52:09.:52:18.

someday we must go. # Yeah, I'm a lucky man to count on

:52:18.:52:27.

both hands the ones I love. # Some folks, they have won, and

:52:27.:52:37.
:52:37.:52:53.

# Stay with me. # Let's just breathe.

:52:53.:53:00.

# Practice Dharm my sins, never gonna let me win.

:53:00.:53:08.

# Under everything, just another human being.

:53:08.:53:14.

# Yeah, I don't want to hurt. # There is so much in this world to

:53:14.:53:24.
:53:24.:53:26.

# Stay with me. # You are all I see.

:53:26.:53:36.

# Did I say that I need you? # Al, did I say that I want you?

:53:36.:53:39.

# A will, if I didn't, I'm a fool, you see.

:53:39.:53:48.

# No 1 knows this more than me. # Or Karzai come clean.

:53:48.:53:54.

# I wonder every day as I look upon your face.

:53:54.:54:04.
:54:04.:54:04.

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