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This programme contains very strong language | 0:00:02 | 0:00:07 | |
-You should say start the intro tape. -Intro tape starting. | 0:00:07 | 0:00:11 | |
CHEERING | 0:00:30 | 0:00:33 | |
Great. Perfect. | 0:01:27 | 0:01:28 | |
Alan, if you'll just turn your head more towards me. | 0:01:28 | 0:01:30 | |
That's great. Martin... Nice. | 0:01:30 | 0:01:32 | |
Andrew, great. David, if you'd... | 0:01:32 | 0:01:36 | |
That's it. Another. | 0:01:36 | 0:01:38 | |
Yeah. That's great. | 0:01:38 | 0:01:41 | |
OK. Now, looking at me. Everyone looking at me. | 0:01:41 | 0:01:44 | |
# Master and servant... # | 0:01:58 | 0:01:59 | |
Yeah! | 0:02:14 | 0:02:15 | |
CHEERING | 0:02:15 | 0:02:18 | |
# There's a new game | 0:02:30 | 0:02:31 | |
# We'd like you to see | 0:02:31 | 0:02:32 | |
# A game with added reality | 0:02:32 | 0:02:36 | |
# Treat me like a dog get me down on my knees | 0:02:36 | 0:02:40 | |
# We call it master and servant | 0:02:40 | 0:02:44 | |
# We call it master and servant | 0:02:44 | 0:02:48 | |
# Owwwww... # | 0:02:53 | 0:02:54 | |
-Hi. -I'm calling about Philadelphia. | 0:03:14 | 0:03:17 | |
We're a bit worried cos it's holiday. | 0:03:17 | 0:03:20 | |
I believe it's a holiday weekend, the first one where | 0:03:20 | 0:03:23 | |
people disappear, open up their summer houses, that kind of stuff. | 0:03:23 | 0:03:26 | |
Erm, we're just a bit worried that | 0:03:26 | 0:03:29 | |
the place doesn't look too empty. | 0:03:29 | 0:03:32 | |
Is it gonna be possible to move the stage forward in the arena? | 0:03:32 | 0:03:37 | |
HE LAUGHS | 0:03:44 | 0:03:46 | |
Miss Beal? | 0:03:46 | 0:03:47 | |
(Fuck off!) | 0:03:49 | 0:03:50 | |
The band are worried that it doesn't look empty. | 0:03:51 | 0:03:54 | |
10,000 is still a pretty good crowd, I think. Erm, but... | 0:03:54 | 0:03:58 | |
'..by Depeche Mode. | 0:03:58 | 0:04:00 | |
'Also on the bill, OMD and other bands...' | 0:04:00 | 0:04:04 | |
CONVERSATION DROWNS SPEECH | 0:04:04 | 0:04:07 | |
'..over the next few weeks.' | 0:04:07 | 0:04:09 | |
CHEERING | 0:04:09 | 0:04:11 | |
'Right now, we have, riding into the Rose Bowl | 0:04:12 | 0:04:15 | |
'in a beautiful convertible classic car | 0:04:15 | 0:04:17 | |
'Is that a Cadillac? | 0:04:17 | 0:04:19 | |
'Yeah. A beautiful Cadillac. | 0:04:19 | 0:04:21 | |
'Driven by David Gahan himself, we have Depeche Mode... | 0:04:21 | 0:04:26 | |
'I'll just describe that. They are all wearing black leather. | 0:04:26 | 0:04:28 | |
'They're going to come over to the microphone right now. | 0:04:28 | 0:04:31 | |
'Depeche Mode!' | 0:04:31 | 0:04:33 | |
CHEERING | 0:04:33 | 0:04:34 | |
Alan has a specially-prepared speech for us. | 0:04:34 | 0:04:37 | |
I do, yes. | 0:04:37 | 0:04:39 | |
Good morning. We wanted to say good morning | 0:04:39 | 0:04:41 | |
to all our fans listening and watching this morning. | 0:04:41 | 0:04:45 | |
We'd like to announce a special final concert to our world tour | 0:04:45 | 0:04:51 | |
on Saturday June 18th, we'll be playing a concert for the masses | 0:04:51 | 0:04:57 | |
here at the Rose Bowl, Pasadena. | 0:04:57 | 0:04:59 | |
Ni hao. Ni hao. | 0:04:59 | 0:05:02 | |
Ni hao, China. This is Martin Gore from Depeche Mode. | 0:05:02 | 0:05:06 | |
I hope you like listening to our music. | 0:05:06 | 0:05:08 | |
-Is that all right? -Yeah, that was fine. Maybe one more. | 0:05:08 | 0:05:11 | |
Yeah, that was perfect. | 0:05:11 | 0:05:12 | |
That's fine. Nice and simple. | 0:05:12 | 0:05:16 | |
At the beginning of the concert, the crowd's going wild. | 0:05:16 | 0:05:19 | |
What's going through your mind at that point? | 0:05:19 | 0:05:21 | |
Erm... | 0:05:21 | 0:05:23 | |
There you go! Woah! | 0:05:25 | 0:05:27 | |
How about all together? | 0:05:34 | 0:05:36 | |
ALL TALK AT ONCE | 0:05:36 | 0:05:38 | |
LAUGHTER | 0:05:38 | 0:05:40 | |
Hi. This is Teresa. I work for Depeche Mode. | 0:05:43 | 0:05:46 | |
It's going fantastic. | 0:05:46 | 0:05:48 | |
Sold out Houston. | 0:05:48 | 0:05:50 | |
20,000 people. | 0:05:50 | 0:05:52 | |
We've sold out Dallas as well. | 0:05:52 | 0:05:55 | |
I'm calling you regards to if there's any possibility - | 0:05:55 | 0:05:59 | |
I know it's very late in the game - | 0:05:59 | 0:06:01 | |
of setting up some kind of giveaways or something like that | 0:06:01 | 0:06:04 | |
just to pump up the show a bit. | 0:06:04 | 0:06:06 | |
-We're running late today. -All right? -Yeah. | 0:06:09 | 0:06:13 | |
OK. If you want to start the tape, give us a shout | 0:06:13 | 0:06:15 | |
as soon as it's rolling. OK. The tape's started. | 0:06:15 | 0:06:19 | |
Thank you very much. | 0:06:20 | 0:06:22 | |
15 seconds to go... | 0:06:29 | 0:06:30 | |
before the job. | 0:06:30 | 0:06:32 | |
15 seconds to go. | 0:06:34 | 0:06:35 | |
Ten, nine, eight, seven, | 0:06:35 | 0:06:39 | |
six, five... Come on then! | 0:06:39 | 0:06:42 | |
CHEERING | 0:06:42 | 0:06:45 | |
927 WDRE, New York's New Music. Good evening, I'm Malibu Sue | 0:06:51 | 0:06:56 | |
Depeche Mode are making a movie and they'd like some of their fans | 0:06:56 | 0:06:59 | |
to appear with them. | 0:06:59 | 0:07:00 | |
You must be 18 or older and be available to be on location | 0:07:00 | 0:07:02 | |
June 10th - 18th. Just appear at Malibu, this Sunday, 7pm, | 0:07:02 | 0:07:06 | |
dressed for the movies. Good luck. | 0:07:06 | 0:07:08 | |
From New York's New Music, 927 WDRE. | 0:07:08 | 0:07:13 | |
# Well, if you ever plan to motor west | 0:07:15 | 0:07:19 | |
# Travel my way | 0:07:22 | 0:07:24 | |
# Take the highway, that's the best | 0:07:24 | 0:07:27 | |
# Get your kicks on Route 66 | 0:07:30 | 0:07:34 | |
# It winds from Chicago to LA | 0:07:37 | 0:07:42 | |
# More than 2,000 miles all the way | 0:07:44 | 0:07:49 | |
# Get your kicks on Route 66 | 0:07:51 | 0:07:56 | |
INDISTINCT | 0:08:16 | 0:08:19 | |
Rrrrrr! Ow! Ow! Ow! | 0:08:30 | 0:08:32 | |
Nice legs, darling! Yeah! | 0:08:32 | 0:08:34 | |
Thank you. | 0:08:40 | 0:08:41 | |
We've got some legal things to deal with. | 0:08:43 | 0:08:46 | |
There are lawyers in this business that I have to appease. | 0:08:46 | 0:08:50 | |
Do you have any questions? Please let me know. | 0:08:50 | 0:08:53 | |
INDISTINCT | 0:08:56 | 0:08:59 | |
That's it. I don't know what it means! | 0:09:01 | 0:09:02 | |
Does it have the listing of how old you have to be in different states? | 0:09:02 | 0:09:06 | |
You've got to have ID for 21. | 0:09:06 | 0:09:08 | |
SHE LAUGHS | 0:09:08 | 0:09:09 | |
-23. -And how old are you? -19! | 0:09:09 | 0:09:13 | |
-How old are you? -19. | 0:09:15 | 0:09:16 | |
You change the nine to a five on the licence, it's a lot easier. | 0:09:16 | 0:09:20 | |
Maybe I should do that! | 0:09:20 | 0:09:22 | |
It looks pretty good. In the dark, it's really good. | 0:09:24 | 0:09:27 | |
That's the one I have. | 0:09:27 | 0:09:28 | |
It's very dark. | 0:09:28 | 0:09:30 | |
-How do you guys feel? -Great. -Great. -Great. | 0:09:30 | 0:09:33 | |
-You're excited that you're off for two weeks? -ALL: Yeah. | 0:09:33 | 0:09:36 | |
-Did you bring lots of underwear? -ALL: Yeah! | 0:09:36 | 0:09:38 | |
Oh, my God! | 0:09:38 | 0:09:41 | |
-Bye, Ma. -Bye, honey. | 0:09:41 | 0:09:42 | |
Be careful! | 0:09:45 | 0:09:47 | |
Don't dance too much! | 0:09:48 | 0:09:50 | |
Nashville. What's in Nashville? | 0:09:50 | 0:09:52 | |
We can go to the Atomic Museum in Albuquerque. | 0:09:52 | 0:09:55 | |
Or we could just tail it to Phoenix. | 0:09:55 | 0:09:58 | |
Here we come! | 0:09:58 | 0:09:59 | |
Are you shitting me?! 15-year-olds across the country? Oh no! | 0:09:59 | 0:10:06 | |
# You'll see Amarillo | 0:10:06 | 0:10:10 | |
# Gallup, New Mexico | 0:10:10 | 0:10:12 | |
# Blackstaff, Arizona | 0:10:13 | 0:10:15 | |
# Don't forget Winona | 0:10:15 | 0:10:17 | |
# Kingman, Barstow, San Bernadino | 0:10:17 | 0:10:20 | |
# You | 0:10:20 | 0:10:22 | |
# Get hip to this kind of tip | 0:10:22 | 0:10:25 | |
# And you take that California trip | 0:10:27 | 0:10:32 | |
# Get your kicks on Route 66... # | 0:10:35 | 0:10:37 | |
WDRE for the weekend. For the holiday weekend | 0:10:43 | 0:10:47 | |
they're doing the top 200 songs. | 0:10:47 | 0:10:50 | |
By request, I think. | 0:10:50 | 0:10:53 | |
So it's the top 200. Depeche Mode had more songs in the top 200 | 0:10:53 | 0:10:57 | |
than any other bands. | 0:10:57 | 0:10:58 | |
What is this weekend about? | 0:10:58 | 0:11:01 | |
It's to remember the people who were killed in the war, isn't it? | 0:11:01 | 0:11:05 | |
-Which war? -Any war. | 0:11:05 | 0:11:09 | |
People who have... | 0:11:09 | 0:11:10 | |
I hope it's not to celebrate the War of Independence. | 0:11:10 | 0:11:17 | |
-Come on! -All the wars. | 0:11:17 | 0:11:18 | |
See where that grey car is? Right there. | 0:11:24 | 0:11:26 | |
-While you jump out, I'm gonna turn around. -OK. | 0:11:30 | 0:11:34 | |
Save a couple of seconds. | 0:11:34 | 0:11:36 | |
These are my friends. | 0:11:45 | 0:11:47 | |
Baby, come on! Say hello to the video camera. | 0:11:47 | 0:11:50 | |
HE LAUGHS | 0:11:50 | 0:11:51 | |
-These are my friends. -God, I'm gonna kill you! | 0:11:51 | 0:11:53 | |
I'll return all of these, I promise. | 0:12:00 | 0:12:02 | |
Thank you. Bye. Mwah! | 0:12:06 | 0:12:09 | |
-OK. The bus is outside. -Really? | 0:12:09 | 0:12:13 | |
HORN BLARES | 0:12:13 | 0:12:15 | |
How do I get there from here? | 0:12:18 | 0:12:19 | |
INDISTINCT | 0:12:19 | 0:12:23 | |
HE LAUGHS | 0:12:25 | 0:12:26 | |
Beltway? Beltparkway from here? | 0:12:26 | 0:12:29 | |
INDISTINCT | 0:12:29 | 0:12:31 | |
-Take a right here. -Take a right here. | 0:12:32 | 0:12:34 | |
The tiniest streets I've ever seen. | 0:12:34 | 0:12:37 | |
Holy shit! You've got to shrink the bus to make the corner. | 0:12:37 | 0:12:41 | |
Yeah! We made that. All right. | 0:12:41 | 0:12:43 | |
It's a war zone around here. | 0:12:45 | 0:12:47 | |
Just look at that car in the corner. | 0:12:47 | 0:12:49 | |
Fix that one! | 0:12:49 | 0:12:50 | |
You've gotta be shitting me! | 0:12:52 | 0:12:54 | |
Hey, Ma. I parked your car round the corner last night. | 0:12:54 | 0:12:57 | |
# Late at night I parked my car | 0:13:03 | 0:13:07 | |
# Stick my face in the singles' bar | 0:13:07 | 0:13:10 | |
# Face to face toe to toe | 0:13:10 | 0:13:13 | |
# Heart to heart as we hit the floor | 0:13:13 | 0:13:17 | |
-SINGING ALONG: -# Lumber up, limbo down | 0:13:17 | 0:13:21 | |
# The locked embrace the stumble around | 0:13:21 | 0:13:26 | |
# I say go, she say yes | 0:13:26 | 0:13:29 | |
# I dim the lights you can guess the rest... # | 0:13:29 | 0:13:32 | |
CHEERING | 0:13:33 | 0:13:36 | |
I'm lost. They detoured me off the highway. | 0:13:39 | 0:13:42 | |
# ..is here to stay | 0:13:49 | 0:13:51 | |
# Oliver's army are on their way | 0:13:51 | 0:13:54 | |
# And I would rather be anywhere else | 0:13:54 | 0:13:58 | |
# Than here today... # | 0:13:58 | 0:14:01 | |
UPBEAT MUSIC ON TV PLAYS | 0:14:06 | 0:14:09 | |
# Come on, yeah | 0:14:25 | 0:14:29 | |
# Master and servant | 0:14:31 | 0:14:32 | |
-# It's a lot -It's a lot | 0:14:32 | 0:14:34 | |
-# It's a lot -It's a lot | 0:14:34 | 0:14:35 | |
-# It's a lot -It's a lot | 0:14:35 | 0:14:37 | |
-# It's a lot -It's a lot | 0:14:37 | 0:14:39 | |
# Like life | 0:14:39 | 0:14:40 | |
-# It's a lot -It's a lot | 0:14:40 | 0:14:42 | |
-# It's a lot -It's a lot | 0:14:42 | 0:14:43 | |
-# It's a lot -It's a lot | 0:14:43 | 0:14:45 | |
# Master and servant | 0:14:45 | 0:14:47 | |
-# It's a lot -It's a lot | 0:14:47 | 0:14:48 | |
-# It's a lot -It's a lot | 0:14:48 | 0:14:51 | |
-# It's a lot -It's a lot | 0:14:51 | 0:14:52 | |
-# It's a lot -It's a lot | 0:14:52 | 0:14:53 | |
-# It's a lot -Like life | 0:14:53 | 0:14:55 | |
# It's a lot like life | 0:14:55 | 0:14:57 | |
# And that's what's appealing | 0:14:57 | 0:14:59 | |
# If you despise that throwaway feeling | 0:14:59 | 0:15:02 | |
# From disposable fun | 0:15:02 | 0:15:04 | |
# Then this is the one | 0:15:06 | 0:15:07 | |
# Let's play master and servant | 0:15:17 | 0:15:21 | |
# Come on, master and servant | 0:15:21 | 0:15:25 | |
# Let's play master and servant | 0:15:25 | 0:15:28 | |
# Come on | 0:15:28 | 0:15:30 | |
# Master and servant | 0:15:30 | 0:15:32 | |
# Let's play master and servant | 0:15:32 | 0:15:36 | |
# Come on, master and servant | 0:15:36 | 0:15:40 | |
# Masters | 0:15:40 | 0:15:42 | |
# Masters | 0:15:42 | 0:15:44 | |
# Masters | 0:15:44 | 0:15:46 | |
# Masters | 0:15:46 | 0:15:48 | |
# Masters | 0:15:48 | 0:15:49 | |
# Masters | 0:15:49 | 0:15:51 | |
# Masters | 0:15:51 | 0:15:54 | |
# Masters | 0:15:54 | 0:15:55 | |
# Master and servant. # | 0:15:55 | 0:15:57 | |
Thank you! | 0:15:57 | 0:15:58 | |
CHEERING AND APPLAUSE | 0:15:58 | 0:16:01 | |
Thank you very much. | 0:16:01 | 0:16:03 | |
Good night, everybody. Thank you! | 0:16:05 | 0:16:08 | |
Who's in here? | 0:16:09 | 0:16:11 | |
We're stopping in a truck stop in five minutes. | 0:16:11 | 0:16:14 | |
-Are we? -Yeah. We're gonna stop in a truck stop and hang out. | 0:16:14 | 0:16:17 | |
Let's see what we can... | 0:16:17 | 0:16:18 | |
Let's see what people can meet in this godforsaken country of ours! | 0:16:18 | 0:16:23 | |
I saw this in a Twilight Zone movie. | 0:16:23 | 0:16:25 | |
There she is. There's the girl that cooks hamburgers. | 0:16:25 | 0:16:29 | |
And she makes everybody drive backwards. She runs the country. | 0:16:29 | 0:16:33 | |
Come on. Come on. | 0:16:33 | 0:16:36 | |
Smile, motherfucker! Smile! | 0:16:46 | 0:16:50 | |
Sounds good to me. | 0:16:50 | 0:16:51 | |
BOTTLE SHATTERS | 0:16:56 | 0:16:57 | |
Get cans. | 0:16:59 | 0:17:00 | |
HE LAUGHS | 0:17:05 | 0:17:06 | |
-You fucked up! -Oh, shit! | 0:17:06 | 0:17:08 | |
Washington Street. | 0:17:08 | 0:17:10 | |
OK. | 0:17:12 | 0:17:14 | |
SYNTHESISER MUSIC PLAYS | 0:17:14 | 0:17:17 | |
-You want some history now? -Yes. | 0:17:32 | 0:17:34 | |
Well, er, it's a long story. | 0:17:34 | 0:17:37 | |
The reason we don't have a drummer | 0:17:37 | 0:17:39 | |
is because in the early days, it was... | 0:17:39 | 0:17:42 | |
Well, they couldn't find a drummer. I wasn't in the band. | 0:17:42 | 0:17:45 | |
They couldn't find a drummer. | 0:17:45 | 0:17:47 | |
The only way that they could rehearse quietly | 0:17:47 | 0:17:49 | |
in somebody's house at a very cheap cost | 0:17:49 | 0:17:52 | |
was to use keyboards with headphones. | 0:17:52 | 0:17:54 | |
We used to use a four-track tape recorder. | 0:17:54 | 0:17:56 | |
We used to sit it in the middle of the stage like a drummer. | 0:17:56 | 0:18:00 | |
We didn't want people thinking we were trying to hide the fact. | 0:18:00 | 0:18:03 | |
For now, the tape machine has moved to the side of the stage. | 0:18:03 | 0:18:06 | |
It's basically the same way we first started. | 0:18:06 | 0:18:09 | |
The keyboard has a total of 36 different banks. | 0:18:09 | 0:18:11 | |
Each song has its own set of sounds. | 0:18:11 | 0:18:15 | |
On Black Celebration I've got several sounds | 0:18:15 | 0:18:18 | |
allocated to specific parts of the keyboard. | 0:18:18 | 0:18:21 | |
The first sound is... | 0:18:21 | 0:18:22 | |
DESCENDING BASS EFFECT PLAYS | 0:18:22 | 0:18:24 | |
The next sound I have to play is further up on the keyboard... | 0:18:28 | 0:18:31 | |
JANGLY ECHO EFFECT PLAYS | 0:18:31 | 0:18:33 | |
..which is just that. | 0:18:33 | 0:18:35 | |
So then I can put the two together | 0:18:35 | 0:18:37 | |
HE PLAYS TWO KEYBOARD EFFECTS | 0:18:37 | 0:18:41 | |
Later on, I have to play a melodic harp. | 0:18:41 | 0:18:43 | |
MELODIC HARP EFFECT PLAYS | 0:18:43 | 0:18:46 | |
And so on. You're only limited by what you can manage with your hands. | 0:19:00 | 0:19:05 | |
-As far as the sound goes... -You've got to remember where you put them. | 0:19:05 | 0:19:09 | |
That comes after a while. It gets to be automatic. | 0:19:09 | 0:19:12 | |
-Your hands just go there. -Do you ever forget? -Of course. | 0:19:12 | 0:19:16 | |
These are linked to this keyboard. | 0:19:16 | 0:19:18 | |
All you have to do is imagine that these two pads here | 0:19:18 | 0:19:22 | |
are extra keys on the keyboard. | 0:19:22 | 0:19:25 | |
When I hit that pad, it's the same process | 0:19:25 | 0:19:27 | |
as if I was playing a key on the keyboard. | 0:19:27 | 0:19:29 | |
CLANGING INDUSTRIAL EFFECT | 0:19:29 | 0:19:32 | |
He said if I let my hair go black, he wouldn't go out with me any more. | 0:19:32 | 0:19:36 | |
-Not true. -Yes, true! | 0:19:36 | 0:19:38 | |
-If you let it... -If I let it go back. to a different colour, | 0:19:38 | 0:19:41 | |
he wouldn't go out with me any more. | 0:19:41 | 0:19:44 | |
Now, my hair's falling out cos I bleach it all the time | 0:19:44 | 0:19:46 | |
just to make him happy. | 0:19:46 | 0:19:47 | |
HAIRDRYER WHIRS | 0:19:47 | 0:19:49 | |
Hello? So you're gonna have a bald wife. | 0:19:49 | 0:19:53 | |
He'll love me bald. | 0:19:53 | 0:19:55 | |
Always. | 0:19:55 | 0:19:56 | |
SHE LAUGHS | 0:19:56 | 0:19:59 | |
Are you going to get married? | 0:19:59 | 0:20:00 | |
-I hope not. -We're gonna have ten kids. | 0:20:00 | 0:20:03 | |
-Whether she likes it or not. -Very funny! | 0:20:03 | 0:20:05 | |
They're going to grow up totally normal. | 0:20:05 | 0:20:08 | |
Doesn't it look neat? It's short on this side and then it goes whoo! | 0:20:08 | 0:20:11 | |
She looks pretty. That looks nice. | 0:20:11 | 0:20:15 | |
Thank you. | 0:20:17 | 0:20:18 | |
It's... It's there. | 0:20:18 | 0:20:21 | |
Do you want any more? | 0:20:26 | 0:20:27 | |
-Darling, I love you. -Let's go now. Forget it. | 0:20:32 | 0:20:35 | |
Yes, darling, dearest, love of my life! | 0:20:35 | 0:20:40 | |
I hate him. I really do. | 0:20:41 | 0:20:43 | |
Things You Said first. | 0:20:48 | 0:20:50 | |
Let's do it then. | 0:20:51 | 0:20:53 | |
# Heard it from my friends about the things you said | 0:21:16 | 0:21:20 | |
# I heard it from my friends about the things you said | 0:21:24 | 0:21:30 | |
# They know me better than that | 0:21:33 | 0:21:36 | |
# They know me better than that | 0:21:36 | 0:21:41 | |
# They know my weaknesses | 0:21:41 | 0:21:45 | |
# They know my weaknesses | 0:21:45 | 0:21:49 | |
# I heard it from my friends about the things you said | 0:21:59 | 0:22:04 | |
# I heard it from my friends about the things you said | 0:22:07 | 0:22:13 | |
# How can a view become so twisted | 0:22:16 | 0:22:20 | |
# How can a view become so twisted | 0:22:20 | 0:22:25 | |
# They know my weaknesses | 0:22:25 | 0:22:29 | |
# They know my weaknesses | 0:22:29 | 0:22:34 | |
# I get so carried away | 0:22:42 | 0:22:46 | |
# You brought me down to earth | 0:22:46 | 0:22:50 | |
# I thought we had something precious | 0:22:50 | 0:22:55 | |
# Now I know what it's worth | 0:22:55 | 0:22:59 | |
# I heard it from my friends about the things you said | 0:23:08 | 0:23:14 | |
# I heard it from my friends about the things you said | 0:23:17 | 0:23:23 | |
# Never felt so disappointed | 0:23:26 | 0:23:30 | |
# Never felt so disappointed | 0:23:30 | 0:23:34 | |
# Didn't know my weaknesses | 0:23:34 | 0:23:39 | |
# Didn't know my weaknesses | 0:23:39 | 0:23:43 | |
# They know me better than that | 0:23:52 | 0:23:57 | |
CHEERING AND APPLAUSE | 0:24:07 | 0:24:10 | |
Thank you. | 0:24:10 | 0:24:12 | |
CHEERING AND APPLAUSE | 0:24:12 | 0:24:16 | |
No major fuck-ups. Yet. | 0:24:16 | 0:24:19 | |
Come on then, lads. | 0:24:19 | 0:24:21 | |
CHEERING | 0:24:25 | 0:24:27 | |
# Girl of 16 | 0:24:52 | 0:24:54 | |
# All life ahead of her | 0:24:54 | 0:24:56 | |
# Slashed her wrist | 0:24:56 | 0:24:58 | |
# Bored with life | 0:24:58 | 0:25:00 | |
# Didn't succeed | 0:25:00 | 0:25:02 | |
# Thank the Lord | 0:25:02 | 0:25:04 | |
# For small mercies... # | 0:25:04 | 0:25:06 | |
CHEERING | 0:25:08 | 0:25:12 | |
# Fighting back the tears | 0:25:22 | 0:25:24 | |
# Mother reads the note again | 0:25:24 | 0:25:26 | |
# 16 candles burn in her mind | 0:25:26 | 0:25:30 | |
# She takes the blame it's always the same | 0:25:30 | 0:25:34 | |
# She goes down on her knees and prays | 0:25:34 | 0:25:38 | |
# I don't want to start any blasphemous rumours | 0:25:44 | 0:25:48 | |
# But I think that God's got a sick sense of humour | 0:25:48 | 0:25:52 | |
# And when I die I expect to find him laughing | 0:25:52 | 0:25:59 | |
# I don't want to start any blasphemous rumours | 0:26:30 | 0:26:34 | |
# But I think that God's got a sick sense of humour | 0:26:34 | 0:26:39 | |
# And when I die I expect to find him laughing... # | 0:26:39 | 0:26:45 | |
SHE SCREAMS | 0:26:52 | 0:26:56 | |
# Girl of 16 | 0:27:03 | 0:27:05 | |
# Fell in love with everything | 0:27:05 | 0:27:06 | |
# Found new life in Jesus Christ | 0:27:06 | 0:27:10 | |
# Hit by a car | 0:27:10 | 0:27:13 | |
# Ended up | 0:27:13 | 0:27:14 | |
# On a life support machine... # | 0:27:14 | 0:27:18 | |
SHE SCREAMS | 0:27:20 | 0:27:21 | |
# Summer's day | 0:27:33 | 0:27:35 | |
# As she passed away | 0:27:35 | 0:27:37 | |
# Birds were singing | 0:27:37 | 0:27:39 | |
# In the summer sky | 0:27:39 | 0:27:41 | |
# Then came the rain | 0:27:41 | 0:27:43 | |
# And once again | 0:27:43 | 0:27:45 | |
# A tear fell from mother's eye | 0:27:45 | 0:27:48 | |
# I don't want to start any blasphemous rumours | 0:27:48 | 0:27:53 | |
# But I think that God's got a sick sense of humour | 0:27:53 | 0:27:57 | |
# And when I die I expect to find him laughing | 0:27:57 | 0:28:02 | |
# I don't want to start any blasphemous rumours | 0:28:05 | 0:28:09 | |
# But I think that God's got a sick sense of humour | 0:28:09 | 0:28:12 | |
# And when I die I expect to find him laughing | 0:28:12 | 0:28:20 | |
# I don't want to start any blasphemous rumours | 0:28:21 | 0:28:24 | |
# But I think that God's got a sick sense of humour | 0:28:24 | 0:28:28 | |
# And when I die I expect to find him laughing | 0:28:28 | 0:28:35 | |
# I don't want to start any blasphemous rumours | 0:28:37 | 0:28:41 | |
# But I think that God's got a sick sense of humour | 0:28:41 | 0:28:45 | |
# And when I die I expect to find him laughing... # | 0:28:45 | 0:28:51 | |
Yeah! | 0:28:53 | 0:28:54 | |
CHEERING | 0:28:54 | 0:28:58 | |
So this is the rock'n'roll bus, eh? | 0:29:01 | 0:29:03 | |
Yeah. | 0:29:03 | 0:29:04 | |
-Come on in. -Bring your own underwear. | 0:29:04 | 0:29:06 | |
It's a heavy metal bus | 0:29:06 | 0:29:08 | |
This is where we hang out. | 0:29:08 | 0:29:10 | |
This looks like fun. | 0:29:10 | 0:29:12 | |
-Two to a bed. -Double beds? We don't get double beds on our buses. | 0:29:12 | 0:29:17 | |
You got gipped. | 0:29:17 | 0:29:19 | |
OK. This here... | 0:29:19 | 0:29:21 | |
Hey, there's some chick in here. | 0:29:21 | 0:29:24 | |
SHE LAUGHS | 0:29:24 | 0:29:25 | |
-This is a bit intimate, isn't it? -Er... No! | 0:29:25 | 0:29:28 | |
It seems I've interrupted something here. | 0:29:28 | 0:29:31 | |
I think I better clear the curtain. | 0:29:31 | 0:29:34 | |
What's going on? | 0:29:34 | 0:29:36 | |
This is my 13th beer. | 0:29:36 | 0:29:38 | |
13 and I'm still walking. | 0:29:38 | 0:29:41 | |
13 beers. That's pretty good, don't you think? | 0:29:42 | 0:29:45 | |
The bus is going like this and there's a horrible smell. | 0:29:45 | 0:29:48 | |
There was a smell? | 0:29:48 | 0:29:51 | |
I've never thrown up like that before. | 0:29:51 | 0:29:53 | |
Never! | 0:29:53 | 0:29:55 | |
Don't look at me like that! | 0:29:55 | 0:29:57 | |
Jay was over here. He was over here, too. Oh, Jay was over here, too. | 0:29:58 | 0:30:03 | |
Much exaggeration on this. | 0:30:03 | 0:30:04 | |
Where are we going today, do you know? | 0:30:06 | 0:30:09 | |
-Oh, Graceland, probably, right? -Oh, that's right. -What's Graceland? | 0:30:09 | 0:30:12 | |
-What? -What's Graceland? -What's Graceland? | 0:30:12 | 0:30:15 | |
-Yeah. -Graceland is where Elvis lived. -Oh, really? | 0:30:15 | 0:30:19 | |
-(Boring!) -Elvis. | 0:30:21 | 0:30:23 | |
-What did you say? -I said boring. -Boring? | 0:30:23 | 0:30:26 | |
I said Elvis, I said boring. | 0:30:26 | 0:30:28 | |
Hello there. How's everything? | 0:30:32 | 0:30:35 | |
I'd like to express my great thanks to you for peeing all over the toilet seat. | 0:30:35 | 0:30:39 | |
-Really, thank you. -You know why I did that? -Really, though, thank you. Very much. | 0:30:39 | 0:30:44 | |
-We can't explain that on camera either. -I can explain that. | 0:30:47 | 0:30:50 | |
-He was standing five feet away in order to go to the bathroom. -Why? | 0:30:50 | 0:30:54 | |
-Challenge. -It was a challenge. Yeah. -Did you meet the challenge, Oliver? | 0:30:55 | 0:31:01 | |
-Not really. -Not really. -I sort of missed. I bent it and it was like... | 0:31:01 | 0:31:06 | |
-You bend it. -It didn't bend a lot. | 0:31:06 | 0:31:08 | |
"Billy Bob was here!" | 0:31:08 | 0:31:10 | |
Really, look at this! Billy Bob! | 0:31:10 | 0:31:13 | |
It's in French! You know French! I know how to say I'm bored in French. | 0:31:14 | 0:31:19 | |
Can you read that? | 0:31:19 | 0:31:21 | |
-Wow! -I arrived on... I arrived from Quebec. -Non-stop... | 0:31:22 | 0:31:28 | |
..on American Airlines. | 0:31:29 | 0:31:30 | |
On American Airlines, it was a bumpy flight and I'm sorry I came because this place sucks. | 0:31:30 | 0:31:35 | |
-Pretty mean to write in French. -Terrible! | 0:31:36 | 0:31:39 | |
We're in detention, would I pay 12 bucks to see that house more than I'd pay 12 to see this house? | 0:31:40 | 0:31:45 | |
-I would. -INAUDIBLE QUESTION -No, I have no idea. | 0:31:45 | 0:31:50 | |
I know they live in east London, right? That's about it. That's all I know. | 0:31:50 | 0:31:54 | |
-No idea. -When they die, we'll get to see! | 0:31:54 | 0:31:57 | |
OK, wait a minute. OK, ready? | 0:31:57 | 0:32:00 | |
Figured I'd look it up in the French dictionary | 0:32:01 | 0:32:04 | |
and Depeche Mode means "We play butt naked." | 0:32:04 | 0:32:07 | |
LAUGHTER | 0:32:07 | 0:32:08 | |
-No clothes on. -What sort of dictionary are you looking at? | 0:32:08 | 0:32:12 | |
That sounds good, though, we'll have that one. | 0:32:12 | 0:32:15 | |
Depeche Mode. No, somebody called the other day and said Depeche Mode means "fast fashion". | 0:32:15 | 0:32:20 | |
-Is that right? -Yeah. That's us. -That's us! | 0:32:20 | 0:32:24 | |
Do you mind taking some calls and see what's on everybody's mind here? | 0:32:24 | 0:32:27 | |
-Let's start on our toll-free number here. Hello, go ahead. Hello! -Yes. | 0:32:27 | 0:32:31 | |
-Go ahead. -'Do you like to sweat onstage?' | 0:32:31 | 0:32:35 | |
Do you like to sweat onstage? There's a question. | 0:32:35 | 0:32:38 | |
Last night, Dave reckons, was the hottest concert we've ever played. | 0:32:38 | 0:32:41 | |
It was open air. | 0:32:41 | 0:32:43 | |
-But I still didn't get a bead of sweat. -Didn't you? | 0:32:43 | 0:32:46 | |
I don't move, it's all right for us. We're keyboard players, we don't move! | 0:32:46 | 0:32:49 | |
-He's had implants. -'Can I ask another question?' | 0:32:49 | 0:32:52 | |
-Yeah, go ahead, real quick. -'I will sing for tickets.' -You'll sing what? | 0:32:52 | 0:32:56 | |
-'I will sing People Are People.' -Get out! | 0:32:56 | 0:32:59 | |
-You've got to sing a harder song than that! -'Can I sing?' -Go ahead. | 0:32:59 | 0:33:03 | |
-'I can sing?' -Yeah, go ahead. | 0:33:03 | 0:33:05 | |
-# People are people so why does it seem... # -What? | 0:33:05 | 0:33:10 | |
# ..You and I can get along so awfully? # | 0:33:10 | 0:33:14 | |
Not bad, not bad. You got three of the words right! | 0:33:14 | 0:33:17 | |
LAUGHTER | 0:33:17 | 0:33:18 | |
So we're on the right phone? OK. OK, don't go away this time, Mark. | 0:33:18 | 0:33:22 | |
OK, one more time, here's Andy. | 0:33:23 | 0:33:25 | |
Mark? Hi. Very good. I finally can contact you. | 0:33:28 | 0:33:34 | |
What? The Alternative Dance Party From Hell. | 0:33:34 | 0:33:37 | |
Right. I'll have to get this. | 0:33:39 | 0:33:42 | |
Hi, this is Andy Fletcher of Depeche Mode | 0:33:42 | 0:33:44 | |
and you're listening to Mark Hill on The Alternative Dance Party From Hell. | 0:33:44 | 0:33:48 | |
Not much, really. I'm just... | 0:33:52 | 0:33:55 | |
My job is to keep everyone together, really. | 0:33:55 | 0:33:59 | |
Martin's the songwriter, Alan's the good musician, Dave's the vocalist. | 0:33:59 | 0:34:03 | |
And I bum around. | 0:34:03 | 0:34:04 | |
DJs. | 0:34:08 | 0:34:09 | |
We're not big fans of DJs, generally, like radio DJs and things. | 0:34:09 | 0:34:13 | |
But I shouldn't really say that, you know. | 0:34:13 | 0:34:16 | |
I'm supposed to be doing promotion here! | 0:34:16 | 0:34:18 | |
No, but, it's not... | 0:34:19 | 0:34:22 | |
There's definitely certain areas where we suffer through lack of radio support. | 0:34:22 | 0:34:26 | |
We've just been to places like Nashville, for instance. | 0:34:26 | 0:34:30 | |
Most places in the country, we were playing to 10-15,000 people. | 0:34:30 | 0:34:35 | |
In Nashville, we get about 2,000 people along. | 0:34:35 | 0:34:38 | |
Which we were pleased with in the end because ticket sales weren't very good until the last day. | 0:34:38 | 0:34:43 | |
And in that area, it seems that nobody at all is playing our music. | 0:34:43 | 0:34:47 | |
I mean, because of their background, it doesn't surprise us that much, but... | 0:34:47 | 0:34:50 | |
I think we know there is an audience there. | 0:34:50 | 0:34:53 | |
It seems that wherever we get radio play, we immediately do well. | 0:34:53 | 0:34:58 | |
That's nice sounding, that. | 0:35:02 | 0:35:04 | |
That one's 450, but it's not as nice sounding. | 0:35:15 | 0:35:19 | |
HE PLAYS BLUES RIFF | 0:35:20 | 0:35:23 | |
They're early, though, aren't they? | 0:35:47 | 0:35:50 | |
A couple of Roy Orbison ones. | 0:35:52 | 0:35:55 | |
-Roy Orbison. -Roy Orbison? Where's Roy Orbison? -20 Early Classics. | 0:35:57 | 0:36:00 | |
-I do want Roy Orbison. -20 Early Classics. | 0:36:00 | 0:36:04 | |
You like country music? | 0:36:04 | 0:36:06 | |
A little bit. I'm finally getting into it so I thought I might come and buy some today. | 0:36:06 | 0:36:10 | |
Do you like bluegrass? Which one do you like better? | 0:36:10 | 0:36:14 | |
-Don't know enough about it. -Don't know much about it? | 0:36:14 | 0:36:17 | |
-I'm just getting into it. -I'm just going to give you a good old country sticker here. | 0:36:17 | 0:36:21 | |
This is our card. | 0:36:21 | 0:36:22 | |
When you get back home, if you'd like to order through the mail from us, write to us. | 0:36:22 | 0:36:26 | |
All right, thank you. | 0:36:26 | 0:36:27 | |
-Good crowd later. -Wow. We'll see tonight. -Yeah. | 0:36:27 | 0:36:32 | |
-I don't think so. -It'll be a good crowd. | 0:36:32 | 0:36:35 | |
Standby, open one. | 0:37:09 | 0:37:11 | |
..for the evening. Standby. | 0:37:11 | 0:37:15 | |
Spots and open mic. | 0:37:15 | 0:37:18 | |
And go. | 0:37:18 | 0:37:20 | |
# People are people so why should it be | 0:37:20 | 0:37:23 | |
# You and I should get along so awfully... # | 0:37:23 | 0:37:27 | |
Standby, everybody, for blackout. | 0:37:27 | 0:37:28 | |
# People are people so why should it be | 0:37:28 | 0:37:32 | |
# You and I should get along so awfully... # | 0:37:32 | 0:37:35 | |
Out! | 0:37:35 | 0:37:36 | |
# Help me understand | 0:37:42 | 0:37:46 | |
# Help me understand... # | 0:37:51 | 0:37:54 | |
Standby, all spots, and open wide. | 0:37:57 | 0:37:59 | |
Standby. And go. | 0:38:01 | 0:38:04 | |
# Now you're punching and you're kicking and you're shouting at me | 0:38:04 | 0:38:07 | |
# I'm relying on your common decency | 0:38:07 | 0:38:12 | |
# So far it hasn't surfaced but I'm sure it exists | 0:38:12 | 0:38:15 | |
# It just takes a while to travel from your head to your fists | 0:38:15 | 0:38:19 | |
# I can't understand what makes a man... # | 0:38:19 | 0:38:23 | |
Standby to blackout. Out. Standby to come back. And go. | 0:38:23 | 0:38:28 | |
# People are people so why should it be | 0:38:28 | 0:38:31 | |
# You and I should get along so awfully? | 0:38:31 | 0:38:36 | |
# People are people so why should it be | 0:38:36 | 0:38:40 | |
# You and I should get along so awfully... # | 0:38:40 | 0:38:43 | |
Standby to come back and open wide. And go. | 0:38:47 | 0:38:51 | |
# I can't understand what makes a man | 0:38:51 | 0:38:54 | |
# Hate another man, help me understand | 0:38:54 | 0:38:59 | |
# I can't understand what makes a man | 0:38:59 | 0:39:03 | |
# Hate another man, help me understand | 0:39:03 | 0:39:06 | |
-# People are people -What makes a man | 0:39:06 | 0:39:10 | |
# Why should it be? | 0:39:10 | 0:39:12 | |
# Hate another man, help me understand | 0:39:12 | 0:39:14 | |
-# People are people -What makes a man | 0:39:14 | 0:39:18 | |
# Why should it be? | 0:39:18 | 0:39:20 | |
# Hate another man, help me understand | 0:39:20 | 0:39:22 | |
-# People are people -What makes a man | 0:39:22 | 0:39:27 | |
# Why should it be? | 0:39:27 | 0:39:29 | |
# Hate another man, help me understand. # | 0:39:29 | 0:39:33 | |
CHEERING AND APPLAUSE | 0:39:37 | 0:39:42 | |
-Thank you! -Standby to blackout. Out! | 0:39:46 | 0:39:49 | |
Would the band have a collective identity where it could be... | 0:39:51 | 0:39:55 | |
-Like Depeche Mode talking as opposed to... -An individual? -Yeah. -Umm... | 0:39:55 | 0:40:01 | |
-Well, you know, we're all very individual, actually. -Right. | 0:40:01 | 0:40:05 | |
When was the last time you had a fistfight? | 0:40:05 | 0:40:08 | |
Let's say I asked you that. | 0:40:08 | 0:40:10 | |
I haven't actually been... Oh, I don't know. | 0:40:10 | 0:40:13 | |
-Andre will probably tell you that. -In Austria with that cabbie! | 0:40:13 | 0:40:16 | |
Oh, yeah, cab driver, yeah. Yeah. | 0:40:16 | 0:40:18 | |
-That was a real intense situation as well. -It was he and you? | 0:40:18 | 0:40:22 | |
-Just the two of you? -Yeah. | 0:40:22 | 0:40:25 | |
I assume he... | 0:40:25 | 0:40:26 | |
I was actually beating him up in the car when he was driving. Yeah. | 0:40:26 | 0:40:29 | |
Really? You couldn't have won, could you? | 0:40:29 | 0:40:31 | |
No, it was actually... I can't even remember why it happened. | 0:40:31 | 0:40:34 | |
Oh, I know why! Because he was... This guy was just crazy. | 0:40:34 | 0:40:37 | |
He was driving at about 90mph, screeching around every corner. | 0:40:37 | 0:40:41 | |
He peeled out when we sort of first drove away from the club, | 0:40:41 | 0:40:44 | |
he ran through red lights and we were like... | 0:40:44 | 0:40:46 | |
And then I just started saying to him, "Slow down, what's going..." You know. | 0:40:46 | 0:40:51 | |
He was really weird. | 0:40:51 | 0:40:52 | |
He just sort of said things like, "Look, I'm driving the car." | 0:40:52 | 0:40:55 | |
And he was a cabbie! He was supposed to be, like, driving us around. | 0:40:55 | 0:40:59 | |
So I just started, you know, beating him and stuff, yeah. | 0:40:59 | 0:41:03 | |
And I ended up actually hanging on to the door like this | 0:41:03 | 0:41:06 | |
when he was still sitting in the car. | 0:41:06 | 0:41:09 | |
I opened the door and I was kicking him like this. | 0:41:09 | 0:41:12 | |
Hanging on the car and kicking him! | 0:41:12 | 0:41:13 | |
And then afterwards... And then the guy got out of the car. | 0:41:13 | 0:41:17 | |
And he was like this big. At least, right? | 0:41:17 | 0:41:20 | |
And he was like this. And I went, "Oh." | 0:41:20 | 0:41:24 | |
And then he just... His trousers fell down! | 0:41:24 | 0:41:27 | |
He started getting really... He was so big and fat and his trousers fell down, | 0:41:27 | 0:41:31 | |
he didn't have a belt on. | 0:41:31 | 0:41:34 | |
And then he couldn't run or anything, he couldn't do anything. | 0:41:34 | 0:41:37 | |
So Andre just pushed him over he just fell over. | 0:41:37 | 0:41:41 | |
It does get to the point sometimes where you feel you could actually kill someone. | 0:41:41 | 0:41:45 | |
I mean, I don't think you would... | 0:41:45 | 0:41:47 | |
I certainly wouldn't do it, I don't think, I'm not sure, I'm not sure, actually. | 0:41:47 | 0:41:51 | |
But there's certainly been times within the band, | 0:41:51 | 0:41:54 | |
when we've been arguing, that I've felt possibly I could kill someone. | 0:41:54 | 0:41:57 | |
-What, the tech? -Yeah, possibly. You know. | 0:41:57 | 0:42:00 | |
But then afterwards, | 0:42:00 | 0:42:02 | |
you calm down and you've let all that energy out it's OK. | 0:42:02 | 0:42:06 | |
It's letting off some of that built-up energy and tension that you just... | 0:42:06 | 0:42:10 | |
It's not even enough for you to let out on stage. | 0:42:10 | 0:42:13 | |
Even when you're doing that, that's not enough. You've still got more. | 0:42:13 | 0:42:17 | |
And that's sometimes like a release. | 0:42:17 | 0:42:19 | |
And that was definitely a release, you know. | 0:42:19 | 0:42:22 | |
I'd been looking for a fight for a good few days. | 0:42:22 | 0:42:24 | |
Turn it down, turn it down, please. | 0:42:24 | 0:42:27 | |
Up yours! | 0:42:27 | 0:42:29 | |
HE TURNS VOLUME DOWN | 0:42:29 | 0:42:31 | |
Don't ever talk to a member of the band like that again, Harold, otherwise you're finished. | 0:42:31 | 0:42:36 | |
I thought we'd just get a few things... | 0:42:36 | 0:42:39 | |
If he ever talks to me like that again, he's through. | 0:42:39 | 0:42:42 | |
He may have worked for us for five years, but he's history! | 0:42:42 | 0:42:45 | |
# Bridge O-o-o-o-over... | 0:42:48 | 0:42:52 | |
-# Trou-ou-ou-ou-oubled water. -# | 0:42:52 | 0:42:56 | |
ALL CROONING | 0:43:01 | 0:43:03 | |
One of Elv's crooning ones when he got to Vegas. | 0:43:03 | 0:43:06 | |
MORE CROONING | 0:43:06 | 0:43:08 | |
-You missed it. Starting the tape. -This is one of the changes. -Oh! | 0:43:09 | 0:43:13 | |
-You missed starting the tape. -Oh, right, we're coming out to do it. | 0:43:13 | 0:43:18 | |
OK, stop the tape. | 0:43:18 | 0:43:19 | |
We'll have to start it all again, the guys weren't ready, OK? Put the lights back on. | 0:43:19 | 0:43:24 | |
-OK, then, let's go. Come on. Here we go. -I'm nervous now. -Excuse me. | 0:43:24 | 0:43:29 | |
Excuse me, show time. | 0:43:29 | 0:43:31 | |
We've got another hour for the bus so we thought we'd kill some time. | 0:43:33 | 0:43:36 | |
-In the women's bathroom? -In the women's bathroom. | 0:43:38 | 0:43:41 | |
-I called Vivian. -Who's Vivian? -The tramp. The girl that was in bed. | 0:43:41 | 0:43:46 | |
-On camera. -On camera. | 0:43:46 | 0:43:48 | |
-The one you said goodbye to who was in bed with your boyfriend. -Right. | 0:43:48 | 0:43:52 | |
-Right! -That's her. -That's her. -You called her? -Yeah, we got the guy's name, too. | 0:43:52 | 0:43:58 | |
-Edward. -Edward. -But you knew he was Edward. -No, he didn't. | 0:43:58 | 0:44:02 | |
I'd just met him! | 0:44:02 | 0:44:03 | |
-Oh, you mean just that very moment? -Hi! | 0:44:05 | 0:44:08 | |
Oh, my God. I knew it would be a crazy trip. I've got terrible karma. | 0:44:10 | 0:44:16 | |
All right, it's time. | 0:44:20 | 0:44:21 | |
-Is it coming out? -Yeah. | 0:44:21 | 0:44:24 | |
-Right, turn your head, now. -OK. -To the side. To the side. -Wait, I can't see. | 0:44:24 | 0:44:29 | |
That looks cool! | 0:44:29 | 0:44:32 | |
-That looks cool. -Still dark at the top. | 0:44:33 | 0:44:36 | |
HE SCREAMS | 0:44:38 | 0:44:40 | |
ALL: This means nothing. This will get you nowhere. | 0:44:42 | 0:44:48 | |
This is not a backstage pass. | 0:44:48 | 0:44:51 | |
However, I hope you enjoy wearing it. | 0:44:51 | 0:44:56 | |
An optional comment is, it looks lovely with your outfit tonight. | 0:44:56 | 0:45:00 | |
So, next pass. Pink. Thank you, JD. It's a pink pass, it's triangular. | 0:45:00 | 0:45:06 | |
ALL: This means nothing. | 0:45:06 | 0:45:08 | |
LAUGHTER | 0:45:08 | 0:45:09 | |
No! This means SOMETHING. | 0:45:09 | 0:45:12 | |
-All right, now we're used to it. -I can't do this. -Nice, Fletch! | 0:45:12 | 0:45:17 | |
Unusual. | 0:45:17 | 0:45:20 | |
Exactly. | 0:45:20 | 0:45:22 | |
INDISTINCT CHAT | 0:45:22 | 0:45:28 | |
It's from a good shop, this is. | 0:45:33 | 0:45:35 | |
Decent crowd out there. | 0:45:36 | 0:45:37 | |
-OK. -All that make-up... | 0:45:39 | 0:45:42 | |
# London Bridge is falling down | 0:45:44 | 0:45:47 | |
# Falling down. Falling down. # | 0:45:47 | 0:45:52 | |
-Toilet? Anyone got to go toilet? -I've just been. -Wee-wees. | 0:45:56 | 0:46:00 | |
I might have to go after the show. Afterwards. | 0:46:00 | 0:46:03 | |
I think I'll play the pinball. I always do that before a gig. | 0:46:05 | 0:46:09 | |
OK, we've got ten seconds to go. | 0:46:09 | 0:46:12 | |
-Counting down. -OK, come on, then, boys. | 0:46:13 | 0:46:16 | |
Let's go! Come on, let's go! Fletch. | 0:46:16 | 0:46:21 | |
MUSIC: "Pimpf" by Depeche Mode | 0:46:21 | 0:46:24 | |
-Couldn't hit any high notes at all. -It sure is loud out on that stage. | 0:46:39 | 0:46:44 | |
It's probably just the two dates. | 0:46:44 | 0:46:46 | |
I had real problems with the sound at first, it was so hard, my vocal was so hard. | 0:46:46 | 0:46:50 | |
I think when it's like that, you tend to, I don't know why, | 0:46:50 | 0:46:53 | |
you sing out more because there's no actual beef. | 0:46:53 | 0:46:56 | |
If it's loud, you can't hear because it's so... | 0:46:56 | 0:46:59 | |
-I didn't realise how loud it was on the stage. -Yeah. | 0:46:59 | 0:47:02 | |
It was really loud tonight, yeah. Yeah, onstage. | 0:47:02 | 0:47:05 | |
But also we had a couple of days off, you know, I'm feeling really tired at the moment, | 0:47:05 | 0:47:10 | |
so that's probably a lot to do with it as well. | 0:47:10 | 0:47:12 | |
But it's nowhere near as bad as what it was in San Francisco. I couldn't even speak then. | 0:47:12 | 0:47:17 | |
But tonight I have to do my steroids and stuff, puffer, | 0:47:17 | 0:47:21 | |
I'm going to do that tonight again. | 0:47:21 | 0:47:23 | |
The stuff that the doctor gave me in San Francisco. It's like a puffer. | 0:47:23 | 0:47:26 | |
You know like what somebody who has asthma attacks uses? It's steroids. | 0:47:26 | 0:47:31 | |
-So it straight away hits your vocal chords and... -Peps them up? -Peps them up, yeah. | 0:47:31 | 0:47:36 | |
CHEERING | 0:47:38 | 0:47:40 | |
MUSIC: "Stripped" by Depeche Mode | 0:47:40 | 0:47:42 | |
# Come with me into the trees | 0:48:12 | 0:48:17 | |
# We'll lay on the grass and let the hours pass | 0:48:17 | 0:48:23 | |
# Take my hand Come back to the land | 0:48:23 | 0:48:28 | |
# Let's get away Just for one day | 0:48:28 | 0:48:33 | |
# Let me see you stripped down to the bone | 0:48:33 | 0:48:41 | |
# Let me see you stripped down to the bone... # | 0:48:44 | 0:48:53 | |
# Metropolis has nothing on this | 0:49:35 | 0:49:40 | |
# You're breathing in fumes I taste when we kiss | 0:49:40 | 0:49:44 | |
# Take my hand Come back to the land | 0:49:45 | 0:49:50 | |
# Where everything's ours for a few hours | 0:49:50 | 0:49:55 | |
# Let me see you stripped down to the bone | 0:49:56 | 0:50:04 | |
# Let me see you stripped down to the bone | 0:50:07 | 0:50:14 | |
# Yeah! | 0:50:14 | 0:50:16 | |
# Let me hear you make decisions | 0:50:18 | 0:50:24 | |
# Without your television | 0:50:24 | 0:50:29 | |
# Let me hear you speaking just for me | 0:50:29 | 0:50:35 | |
# Yeah, yeah | 0:50:35 | 0:50:38 | |
# Let me see you stripped down to the bone | 0:51:21 | 0:51:28 | |
# Let me hear you speaking just for me | 0:51:28 | 0:51:33 | |
# Let me see you stripped down to the bone | 0:51:33 | 0:51:38 | |
# Let me hear you crying just for me | 0:51:38 | 0:51:42 | |
# Let me see you stripped down to the bone | 0:51:42 | 0:51:50 | |
-# Let me hear you crying just for me. # -Go! | 0:51:50 | 0:51:54 | |
-You miss your family. -You can get drunk. | 0:52:32 | 0:52:35 | |
Yeah, you get drunk. | 0:52:35 | 0:52:37 | |
You stay away from home, you...lose a lot of friends | 0:52:39 | 0:52:43 | |
because you don't see your friends. | 0:52:43 | 0:52:45 | |
I've got maybe two friends in the world, real friends. | 0:52:45 | 0:52:49 | |
But there is a bonus, though you make a lot of money. | 0:52:49 | 0:52:52 | |
A lot more money than when I used to work in a supermarket. | 0:52:52 | 0:52:57 | |
-That was more fun though. -It was more fun in the supermarket? -Yeah. | 0:52:57 | 0:53:01 | |
A lot less pressure as well. | 0:53:01 | 0:53:03 | |
It doesn't make a difference, you make more money, | 0:53:03 | 0:53:05 | |
but the pressure gets big as well. | 0:53:05 | 0:53:07 | |
So at the end of the day they're the same. | 0:53:07 | 0:53:09 | |
At the end of the day, I was stacking shelves, but I was very happy. | 0:53:09 | 0:53:13 | |
He's ready. You get me? | 0:53:17 | 0:53:20 | |
# Do-do-do-do, I'm walking | 0:53:23 | 0:53:25 | |
# See how I'm talking | 0:53:25 | 0:53:27 | |
# Oh, feel the need | 0:53:31 | 0:53:34 | |
# Feel the need in me. # | 0:53:34 | 0:53:36 | |
-Have you ever heard of Grand Central Station? -Never heard of that. | 0:53:41 | 0:53:45 | |
Has Mr Banger arrived yet? | 0:53:48 | 0:53:50 | |
ON RADIO: 'I've had no indication, but we're all ready here, | 0:53:50 | 0:53:54 | |
'we'll stand by waiting for the little signal.' | 0:53:54 | 0:53:57 | |
HE MIMICS KNOCKING | 0:54:04 | 0:54:07 | |
Pretty good these fingers. | 0:54:07 | 0:54:09 | |
-What the hell is art to you? -What is art? | 0:54:13 | 0:54:15 | |
-Art is a feeling, it's gut feeling. -Yeah! | 0:54:15 | 0:54:18 | |
Well, fashion illustration is a gut feeling too. | 0:54:18 | 0:54:21 | |
What you get when you draw a woman's body and you add colour and shape. | 0:54:21 | 0:54:24 | |
-I can understand drawing a woman's body. -Or a man's body. | 0:54:24 | 0:54:28 | |
Putting trendy clothes on her is not my idea of... | 0:54:28 | 0:54:31 | |
-But you don't necessarily have to do trendy things. -No? -No. | 0:54:31 | 0:54:34 | |
I don't consider that art. | 0:54:34 | 0:54:36 | |
You don't consider the human body art? | 0:54:36 | 0:54:39 | |
No, the body, yes, absolutely, | 0:54:39 | 0:54:41 | |
the exaggeration of form is definitely art. | 0:54:41 | 0:54:44 | |
But the fashion end of it is a different story altogether. | 0:54:44 | 0:54:48 | |
-That's the whole point of it. -What's fashion to what...? | 0:54:48 | 0:54:51 | |
So it's a trend, it's people trying to look like something | 0:54:51 | 0:54:56 | |
they're not, they're just like. I mean... | 0:54:56 | 0:55:00 | |
-No, no! -It's an art, in a way it is. -It's an art form. | 0:55:00 | 0:55:03 | |
Let me see you draw an outfit, OK. | 0:55:03 | 0:55:06 | |
Design an outfit, cut it and sew it | 0:55:06 | 0:55:08 | |
and make it look just like the picture you drew. | 0:55:08 | 0:55:11 | |
That's not from within yourself, copying something. | 0:55:11 | 0:55:14 | |
You consider art something | 0:55:14 | 0:55:16 | |
that cannot be copied over and over again. | 0:55:16 | 0:55:18 | |
That's not true, look at Lichtenstein. | 0:55:18 | 0:55:20 | |
The way you're talking it sounds like something that's original. | 0:55:20 | 0:55:24 | |
When you design a jacket you have to make copies of it | 0:55:24 | 0:55:27 | |
so you can sell it. | 0:55:27 | 0:55:28 | |
Fashion design is an art form and a business. | 0:55:28 | 0:55:30 | |
When you like what you do, it's great. | 0:55:30 | 0:55:32 | |
But if you're not making money | 0:55:32 | 0:55:34 | |
how are you going to pay for everything, | 0:55:34 | 0:55:36 | |
-how will you get things in life? -That's whoring yourself. | 0:55:36 | 0:55:39 | |
But I'm saying going within yourself and taking out something | 0:55:39 | 0:55:42 | |
that is so beautiful, like a rose, like dew on a rose in the morning. | 0:55:42 | 0:55:46 | |
That's something that you've got to capture. Excuse me? | 0:55:46 | 0:55:49 | |
-What if it's not beautiful? -What's not beautiful? | 0:55:49 | 0:55:51 | |
What's inside yourself! | 0:55:51 | 0:55:53 | |
It doesn't matter, if you're expressing yourself, that's beauty within itself. | 0:55:53 | 0:55:56 | |
But it is within yourself cos you're using your creativity. | 0:55:56 | 0:56:00 | |
You're using it to make money, money's not important. | 0:56:00 | 0:56:02 | |
-What are you going to live on? Love? -It can't make you happy. | 0:56:02 | 0:56:06 | |
You can live on love, there's no doubt about it. | 0:56:06 | 0:56:09 | |
You're going to be a bum! | 0:56:09 | 0:56:10 | |
No, you're not going to be a bum, you just marry rich! | 0:56:10 | 0:56:14 | |
You just went against everything you just said! | 0:56:14 | 0:56:16 | |
I didn't, that has nothing to do with art, marrying a rich girl. | 0:56:16 | 0:56:19 | |
That's just a pleasant thing, you have to live somehow! | 0:56:19 | 0:56:22 | |
I don't want to become something like really trendy | 0:56:22 | 0:56:25 | |
disgusting, Seventh Avenue, you know, nothing like that. | 0:56:25 | 0:56:28 | |
-I don't wear anything fashionable. -What you wearing now, then? | 0:56:28 | 0:56:31 | |
What am I wearing? I been wearing cut-off jeans all my life. | 0:56:31 | 0:56:34 | |
-Yohji Yamamoto? -Yohji Yamamoto. -Very good. | 0:56:34 | 0:56:37 | |
-Those are fake names first of all. -What's fake? | 0:56:37 | 0:56:40 | |
They're pseudonyms, they have to hide themselves, | 0:56:40 | 0:56:42 | |
they have to hide their own... | 0:56:42 | 0:56:44 | |
He doesn't know about fashion, you can tell, right? | 0:56:44 | 0:56:47 | |
MUSIC: "Black Celebration" by Depeche Mode | 0:56:51 | 0:56:55 | |
# Let's have a black celebration | 0:57:20 | 0:57:24 | |
# Black celebration | 0:57:28 | 0:57:31 | |
# Tonight | 0:57:33 | 0:57:37 | |
# To celebrate the fact | 0:57:45 | 0:57:48 | |
# That we've seen the black | 0:57:48 | 0:57:52 | |
# Of another black day | 0:57:52 | 0:57:59 | |
# Ohh! | 0:58:05 | 0:58:06 | |
# I look to you | 0:58:11 | 0:58:13 | |
# How you carry on | 0:58:13 | 0:58:16 | |
# When all hope is gone | 0:58:16 | 0:58:19 | |
# Can't you see? | 0:58:19 | 0:58:23 | |
# Your optimistic eyes seem like paradise | 0:58:23 | 0:58:28 | |
# To someone like | 0:58:28 | 0:58:33 | |
# Me | 0:58:33 | 0:58:35 | |
# I want to take you in my arms | 0:58:35 | 0:58:38 | |
# Forgetting all I couldn't do today | 0:58:38 | 0:58:42 | |
# Black celebration. # | 0:58:42 | 0:58:45 | |
Sing it loud! | 0:58:45 | 0:58:47 | |
# Black celebration | 0:58:48 | 0:58:53 | |
# Tonight | 0:58:53 | 0:58:57 | |
# To celebrate the fact | 0:59:05 | 0:59:09 | |
# That we've seen the black | 0:59:09 | 0:59:12 | |
# Of another black day | 0:59:12 | 0:59:19 | |
# Ohh! | 0:59:24 | 0:59:25 | |
# Take me in your arms | 0:59:32 | 0:59:35 | |
# Forgetting all you couldn't do today | 0:59:35 | 0:59:38 | |
# Black celebration. # | 0:59:38 | 0:59:41 | |
Sing out loud! | 0:59:41 | 0:59:43 | |
# Black celebration... # | 0:59:45 | 0:59:49 | |
We've got our Lone Star beer. | 0:59:49 | 0:59:53 | |
We're all set for the next 15 minutes. | 0:59:53 | 0:59:56 | |
# ..Black celebration... # | 0:59:56 | 1:00:01 | |
I'll have an Elvis shot glass. | 1:00:02 | 1:00:04 | |
Could you pass me the Elvis one? | 1:00:04 | 1:00:06 | |
Like a surgical blunder. | 1:00:10 | 1:00:11 | |
Urgh! | 1:00:17 | 1:00:19 | |
-Cheers. -Mama. | 1:00:21 | 1:00:23 | |
That's looking... Get a shot on the white sneakers. | 1:00:37 | 1:00:40 | |
-Is that like the newest trend here? -This is New York. And Metallica stars. | 1:00:40 | 1:00:45 | |
Put your shoes together, this is a great picture. | 1:00:45 | 1:00:48 | |
-I like your shorts, dude, they're bad. -I like your shirt too, man. | 1:00:48 | 1:00:51 | |
I like the hat too. | 1:00:51 | 1:00:53 | |
I like drinking, I like Albuquerque and New Mexico. | 1:00:53 | 1:00:57 | |
-Oh yes. -Just like Texas. | 1:00:57 | 1:00:58 | |
-Hey, what's that pretty lady's name back there, she's nice. -I like her. | 1:00:58 | 1:01:02 | |
-She's cute. -That's Mia. -Mia? | 1:01:02 | 1:01:04 | |
You look spunky, I like that. | 1:01:04 | 1:01:06 | |
She's nice. I've been noticing her all the time she's been here. | 1:01:06 | 1:01:11 | |
-My name's John. -I like them boots. | 1:01:11 | 1:01:13 | |
I like them.. Yeah, I like them boots. | 1:01:13 | 1:01:16 | |
-Boots that are made for walking. -I like them legs too. | 1:01:16 | 1:01:19 | |
-This is Mia, she's a very beautiful woman. -Yes, she is. | 1:01:19 | 1:01:21 | |
And respect her for that and introduce yourselves. | 1:01:21 | 1:01:24 | |
-My name's Larry. -Nice to meet you. | 1:01:24 | 1:01:28 | |
-My name's John. -Nice meeting you. | 1:01:28 | 1:01:30 | |
-Come on, a little snap. -Can we get her over here too? | 1:01:30 | 1:01:34 | |
Jay, you want to stand around. You, yo! | 1:01:34 | 1:01:39 | |
-Albuquerque is known for heavy metal. -Oh, what do they know? | 1:01:39 | 1:01:43 | |
They probably only hang out at heavy metal clubs. | 1:01:43 | 1:01:46 | |
They're driving a Chevrolet, what do they know? | 1:01:46 | 1:01:49 | |
I just don't like the music. | 1:01:49 | 1:01:51 | |
The people are sometimes OK, but the music's...really bad. | 1:01:51 | 1:01:55 | |
Guns 'n' Posers! | 1:01:55 | 1:01:56 | |
Even they were laughing and they were going to see them! | 1:01:58 | 1:02:01 | |
Guns 'n' Posers. | 1:02:01 | 1:02:03 | |
He's drunk, what do you want? | 1:02:04 | 1:02:06 | |
He's always drunk, always drunk. That's all they ever are. | 1:02:06 | 1:02:10 | |
-This is the Pasadena Depeche Mode drunk tour. -Yeah. | 1:02:12 | 1:02:15 | |
Ooh! | 1:02:18 | 1:02:19 | |
Ooh-ooh-ooh, come on! | 1:02:21 | 1:02:23 | |
What is this junk on my face now? What is that? | 1:02:23 | 1:02:26 | |
It's Noxzema, retard, it's good for your skin. | 1:02:26 | 1:02:28 | |
I don't want any Noxzema. | 1:02:28 | 1:02:31 | |
-What happened, where was he? -Where was who? -Chris. -Where was he? | 1:02:33 | 1:02:36 | |
-We didn't find him. -All right. | 1:02:36 | 1:02:37 | |
We've got to go back to the hotel and check. | 1:02:37 | 1:02:40 | |
He was drinking Tequila. | 1:02:40 | 1:02:44 | |
They chopped up the worm, they split the worm and they ate the worm. | 1:02:44 | 1:02:47 | |
They drank a lot of beer. Him and Andre. A lot of beer. | 1:02:47 | 1:02:53 | |
She doesn't care, she's got Andre, | 1:02:53 | 1:02:55 | |
he'll kick anybody's ass before they get within ten feet of her. | 1:02:55 | 1:02:58 | |
I've got Oliver, I have to protect him! | 1:02:58 | 1:03:01 | |
KNOCKING | 1:03:02 | 1:03:04 | |
-Is this his room? -Yes. | 1:03:07 | 1:03:09 | |
No, I don't, er... He hasn't been back in here. | 1:03:09 | 1:03:12 | |
He was going down to the town. | 1:03:12 | 1:03:13 | |
Chris! | 1:03:13 | 1:03:15 | |
-What's up, guys? -You had us all worried. | 1:03:17 | 1:03:19 | |
I didn't mean to worry you, but I'm just going to go hang out, | 1:03:19 | 1:03:22 | |
man, I'm going to go hang out. | 1:03:22 | 1:03:24 | |
-Where? With who? -I really wouldn't advise it. | 1:03:24 | 1:03:28 | |
This place is so weird and I want to go hang out. | 1:03:28 | 1:03:31 | |
Just get something to eat and you'll absorb the alcohol. | 1:03:31 | 1:03:34 | |
-Just come with us to eat. -Where did you go to? | 1:03:34 | 1:03:36 | |
CHEERING | 1:03:44 | 1:03:48 | |
MUSIC: "Nothing" by Depeche Mode | 1:03:48 | 1:03:51 | |
# Sitting target | 1:04:22 | 1:04:26 | |
# Sitting waiting | 1:04:26 | 1:04:30 | |
# Anticipating | 1:04:30 | 1:04:34 | |
# Nothing | 1:04:34 | 1:04:39 | |
# Nothing | 1:04:39 | 1:04:43 | |
# Life is full of surprises | 1:04:52 | 1:05:01 | |
# It advertises | 1:05:01 | 1:05:05 | |
# Nothing | 1:05:05 | 1:05:10 | |
# Nothing | 1:05:10 | 1:05:13 | |
# What am I trying to do What am I trying to say? | 1:05:16 | 1:05:20 | |
# I'm not trying to tell you anything you didn't know | 1:05:20 | 1:05:23 | |
# When you woke up today, yeah | 1:05:23 | 1:05:27 | |
# Ohh! | 1:05:27 | 1:05:29 | |
# Ohh! | 1:05:32 | 1:05:34 | |
# Sitting target | 1:05:51 | 1:05:55 | |
# Sitting pretty | 1:05:55 | 1:06:00 | |
# God is saying | 1:06:00 | 1:06:03 | |
# Nothing | 1:06:03 | 1:06:07 | |
# Nothing | 1:06:07 | 1:06:11 | |
# Always | 1:06:14 | 1:06:18 | |
# Knows the prospects | 1:06:18 | 1:06:21 | |
# Learn to expect | 1:06:21 | 1:06:25 | |
# Nothing | 1:06:25 | 1:06:29 | |
# Nothing | 1:06:29 | 1:06:34 | |
# What am I trying to do What am I trying to say? | 1:06:35 | 1:06:39 | |
# I'm not trying to tell you anything you didn't know | 1:06:39 | 1:06:43 | |
# When you woke up today, yeah | 1:06:43 | 1:06:48 | |
# Come on! | 1:06:48 | 1:06:49 | |
# You! | 1:06:53 | 1:06:55 | |
# Yo! | 1:07:32 | 1:07:33 | |
# Hey! | 1:07:33 | 1:07:35 | |
# Whoa! | 1:07:36 | 1:07:38 | |
# Nothing | 1:07:55 | 1:07:57 | |
# Oh no, nothing, oh no | 1:07:57 | 1:08:03 | |
# Nothing, oh no | 1:08:03 | 1:08:08 | |
# Nothing, oh no. # | 1:08:08 | 1:08:12 | |
CHEERING | 1:08:12 | 1:08:17 | |
Ow! Ow! Ow! Ow! Ow! | 1:08:25 | 1:08:28 | |
HE CONTINUES SHOUTING | 1:08:28 | 1:08:30 | |
Ah. Oh shit! Ow, ow, ow! | 1:08:33 | 1:08:35 | |
Ah. | 1:08:40 | 1:08:41 | |
-Just do me one favour, please. -Whee! | 1:08:44 | 1:08:46 | |
You're tired, aren't you? And ratty. | 1:09:13 | 1:09:16 | |
Do you think high heels or flats? | 1:09:22 | 1:09:25 | |
-And should I wear a hat or not? -A hat or not? -Yes. | 1:09:25 | 1:09:30 | |
Cos my hair is just like so "dude", you know? | 1:09:32 | 1:09:36 | |
Well? | 1:09:36 | 1:09:37 | |
-Mom! Stop looking at me like that. -I'm looking at Christopher. | 1:09:38 | 1:09:43 | |
-Too bad I'm not Christopher. -I mean, I'm sorry, Oliver. | 1:09:43 | 1:09:45 | |
No, the reason I say hat is because it makes the ends break off | 1:09:45 | 1:09:48 | |
the more she does it. | 1:09:48 | 1:09:50 | |
Oh, so you're standing behind my back | 1:09:50 | 1:09:52 | |
telling her what to say, aren't you? Little ... | 1:09:52 | 1:09:56 | |
Don't wear the hat cos you look ridiculous, | 1:09:58 | 1:10:00 | |
it will be too much, | 1:10:00 | 1:10:02 | |
it will be too overpowering for the outfit. | 1:10:02 | 1:10:04 | |
I'd personally do something with your hair, that's fine. | 1:10:04 | 1:10:07 | |
-I don't believe I'm wearing this, I really don't. -It's really cool. | 1:10:09 | 1:10:12 | |
-Look at the shoes. -They match the shorts. | 1:10:12 | 1:10:14 | |
They do match but I can't believe I'm wearing it. | 1:10:14 | 1:10:17 | |
-If my mom sees this, I'm in trouble! -Your mom, what about my mom! | 1:10:17 | 1:10:22 | |
-If my mom sees it, I'll be in trouble, too. -Why, because I'm wearing the shoes? | 1:10:22 | 1:10:27 | |
No, because she lent them to me! | 1:10:27 | 1:10:29 | |
-Congratulations, you have done it! -I think we've all done it. | 1:10:32 | 1:10:36 | |
Ready for the concert? | 1:10:36 | 1:10:37 | |
Whoa, check out Tamsin! | 1:10:37 | 1:10:39 | |
-ALL: Whoo! -Hot mama! | 1:10:39 | 1:10:42 | |
-Maybe you can do it? -All right. | 1:10:51 | 1:10:55 | |
There. | 1:10:56 | 1:10:57 | |
-All right, thanks. -Rocking. -Brilliant! | 1:11:00 | 1:11:04 | |
As you can see, I'm not looking my best at the moment. | 1:11:04 | 1:11:07 | |
Something due to the fact that we've been on tour for nine months. | 1:11:07 | 1:11:10 | |
I'm usually... | 1:11:12 | 1:11:14 | |
You're going to see my routine that I've gone through now 100 times on this tour. | 1:11:14 | 1:11:19 | |
Who was it? | 1:11:24 | 1:11:25 | |
Alan Plankerton. | 1:11:25 | 1:11:27 | |
Bit tense tonight. A lot of problems on stage. All the keyboards... We're working with no back-up. | 1:11:32 | 1:11:38 | |
Usually we have back-up and now there's nothing | 1:11:38 | 1:11:42 | |
because the main ones, the main ones have gone out with the heat. | 1:11:42 | 1:11:45 | |
If anything else fails we can tell the audience to be quiet and get the two acoustics out, right?! | 1:11:45 | 1:11:50 | |
And someone is stuck with nothing to play, | 1:11:50 | 1:11:52 | |
-you've just got to whip one out. -All right. | 1:11:52 | 1:11:55 | |
Get out of here. Get out of here, move back, right now! | 1:11:55 | 1:11:59 | |
Where are we? | 1:12:05 | 1:12:07 | |
Lost. | 1:12:07 | 1:12:10 | |
THEY LAUGH | 1:12:10 | 1:12:11 | |
We'll get there for the last song. | 1:12:11 | 1:12:13 | |
-We're going to die, we are! -In Arizona! | 1:12:16 | 1:12:19 | |
-Watch that pedestrian, Dave! -Ooh, that was close! | 1:12:19 | 1:12:22 | |
'We've solved another one of the problems.' | 1:12:24 | 1:12:26 | |
OK. OK! | 1:12:26 | 1:12:27 | |
Did it work? | 1:12:27 | 1:12:29 | |
-We're going to do it. -Right-on, Daz. | 1:12:29 | 1:12:32 | |
-Rock and roll! -OK, start the tape. | 1:12:32 | 1:12:35 | |
SCREAMING AND CHEERING | 1:12:35 | 1:12:39 | |
Whoa! | 1:12:47 | 1:12:49 | |
-Hold on to your... -Whatevers! | 1:12:49 | 1:12:52 | |
Oh, my God! We're really lost. | 1:12:52 | 1:12:56 | |
Dave is really playing a good joke. | 1:12:56 | 1:12:58 | |
MUSIC: "Shake The Disease" by Depeche Mode | 1:13:06 | 1:13:09 | |
# I'm not going down on my knees | 1:13:23 | 1:13:27 | |
# Begging you to adore me | 1:13:27 | 1:13:30 | |
# Can't you see it's misery | 1:13:32 | 1:13:35 | |
# And torture for me | 1:13:35 | 1:13:39 | |
# When I'm misunderstood | 1:13:40 | 1:13:44 | |
# Try as hard as you can I've tried as hard as I could | 1:13:44 | 1:13:48 | |
# To make you see How important it is for me | 1:13:48 | 1:13:56 | |
-BAND: -# Here is a plea From my heart to you | 1:13:56 | 1:14:00 | |
# Nobody knows me As well as you do | 1:14:00 | 1:14:04 | |
# You know how hard it is for me To shake the disease | 1:14:04 | 1:14:09 | |
# That takes hold of my tongue In situations like these... # | 1:14:09 | 1:14:15 | |
Let's go! | 1:14:15 | 1:14:16 | |
CHEERING | 1:14:16 | 1:14:18 | |
# Understand me | 1:14:18 | 1:14:23 | |
# Understand me | 1:14:23 | 1:14:26 | |
# Understand me | 1:14:27 | 1:14:31 | |
# Understand me... # | 1:14:31 | 1:14:34 | |
-I don't think we're in Kansas any more! -Oh, my God, look at that! | 1:14:43 | 1:14:49 | |
Keep off the road! | 1:14:51 | 1:14:52 | |
LAUGHTER | 1:14:52 | 1:14:54 | |
Depeche Mode, the game! | 1:14:54 | 1:14:56 | |
# ..Lovers devoted To each other for ever | 1:14:57 | 1:15:02 | |
# Now I've got things to do | 1:15:04 | 1:15:09 | |
# And I've said before that I know you have too | 1:15:09 | 1:15:12 | |
# When I'm not there | 1:15:12 | 1:15:16 | |
# In spirit I'll be there | 1:15:16 | 1:15:20 | |
# Here is a plea From my heart to you | 1:15:20 | 1:15:24 | |
# Nobody knows me as well as you do | 1:15:24 | 1:15:29 | |
# You know how hard it is for me | 1:15:29 | 1:15:31 | |
# To shake the disease | 1:15:31 | 1:15:33 | |
# That takes hold of my tongue | 1:15:33 | 1:15:35 | |
# In situations like these | 1:15:35 | 1:15:38 | |
# Here is a plea From my heart to you | 1:15:38 | 1:15:40 | |
# Nobody knows me As well as you do | 1:15:40 | 1:15:45 | |
# You know how hard it is for me To shake the disease | 1:15:45 | 1:15:49 | |
# That takes hold of my tongue In situations like these. # | 1:15:49 | 1:15:55 | |
Again! | 1:15:55 | 1:15:57 | |
CHEERING | 1:15:57 | 1:16:00 | |
I'm glad we caught the last half of the show. | 1:16:00 | 1:16:03 | |
-I'm glad we caught the encore! -I think this is the encore! | 1:16:03 | 1:16:07 | |
MUSIC: "A Question Of Time" by Depeche Mode # It's just a question of time | 1:16:07 | 1:16:12 | |
# And it's running after you | 1:16:13 | 1:16:17 | |
# It won't be long until you'll do | 1:16:17 | 1:16:20 | |
# Exactly what they want you to... # | 1:16:20 | 1:16:24 | |
Yeah! CHEERING | 1:16:24 | 1:16:27 | |
-That's the desert. -That is. Wow. | 1:16:37 | 1:16:42 | |
There's green stuff, though. Is the... What desert is this? | 1:16:43 | 1:16:47 | |
-Sahara. -Sahara? | 1:16:49 | 1:16:50 | |
Get rid of the earring, you'll be all right. | 1:16:53 | 1:16:56 | |
Who wants to hear a joke? | 1:16:56 | 1:16:58 | |
LAUGHTER | 1:16:58 | 1:16:59 | |
No, I've seen it! | 1:16:59 | 1:17:02 | |
-What are you eating? -What is that? -That's shit on the shingles. | 1:17:02 | 1:17:06 | |
-Was your dad ever in the service? -My dad was a marine. | 1:17:06 | 1:17:11 | |
Ask your dad about shit on the shingles. | 1:17:11 | 1:17:14 | |
-And your dad let you go like that? -Oh, my gosh! -Do you make any money? | 1:17:14 | 1:17:19 | |
-We're making so much money. -I like his hair. I really do. | 1:17:19 | 1:17:23 | |
-What do y'all sing, punk? -No, punk is like out. | 1:17:23 | 1:17:27 | |
-Sing something. -Come on. They won't care here. Come on. | 1:17:27 | 1:17:31 | |
Route 66? | 1:17:31 | 1:17:33 | |
Route 66? All right, I'm down with that. | 1:17:33 | 1:17:36 | |
# Well, if you plan to motor west... # | 1:17:36 | 1:17:39 | |
-Come on! -He's a keyboard player. | 1:17:39 | 1:17:42 | |
MUSIC: "Route 66" by Depeche Mode | 1:17:42 | 1:17:46 | |
# Kingman, Barstow, San Bernardino | 1:18:16 | 1:18:19 | |
# If you get hip to this kind of tip | 1:18:19 | 1:18:24 | |
# Then go take that California trip | 1:18:26 | 1:18:31 | |
# Get your kicks on route 66 | 1:18:33 | 1:18:38 | |
# Get your kicks on route 66 | 1:18:41 | 1:18:46 | |
# Get your kicks... # | 1:18:48 | 1:18:50 | |
Hello, LA! God! | 1:18:50 | 1:18:54 | |
MUSIC: "Behind The Wheel" by Depeche Mode | 1:18:54 | 1:18:58 | |
# All your girls | 1:19:08 | 1:19:10 | |
# There are times when I feel | 1:19:11 | 1:19:14 | |
# I'd rather not be | 1:19:15 | 1:19:18 | |
# The one behind the wheel | 1:19:19 | 1:19:24 | |
# Come | 1:19:24 | 1:19:25 | |
# Pull my strings | 1:19:26 | 1:19:29 | |
# Watch me move | 1:19:31 | 1:19:33 | |
# I'd do anything | 1:19:35 | 1:19:38 | |
# Please... # ECHOES | 1:19:40 | 1:19:42 | |
Get off the stage and let them play with those two mics. | 1:19:47 | 1:19:52 | |
And then come back, I'm afraid. | 1:19:52 | 1:19:54 | |
Well, that sucks. | 1:19:56 | 1:19:59 | |
It sucks, but let's get to it. And get it right, yeah? | 1:19:59 | 1:20:02 | |
We're supposed to reduce our sound check by an hour. | 1:20:03 | 1:20:06 | |
After everything else, we've had nothing but grief | 1:20:06 | 1:20:09 | |
in this whole place with the roof and everything has been late. | 1:20:09 | 1:20:12 | |
Everything that we've tried to do has been late. We've had problems with everything. | 1:20:12 | 1:20:16 | |
We've had keyboards blowing up, the lot. | 1:20:16 | 1:20:18 | |
And now as the final straw, we've been told we've got to finish everything an hour early. | 1:20:18 | 1:20:23 | |
It's a great problem and we're doing everything that we can. | 1:20:23 | 1:20:25 | |
We will limit our sound check, do everything that's within our grasp to finish it | 1:20:25 | 1:20:29 | |
and keep the noise to a minimum, but that's all I can do at the moment, I'm afraid. Hello. | 1:20:29 | 1:20:34 | |
You're doing fine! | 1:21:10 | 1:21:12 | |
SCREAMING AND CHEERING | 1:21:15 | 1:21:17 | |
-Two black or white? -I'd like two white shirts. | 1:21:35 | 1:21:38 | |
-These? 23 each, OK? -How much? -23. | 1:21:38 | 1:21:42 | |
-OK, 26. -Thank you. | 1:21:42 | 1:21:44 | |
-Can help you? -Just two posters. -Two posters? 20. | 1:21:44 | 1:21:48 | |
Thank you. | 1:21:48 | 1:21:50 | |
OK, who's next? | 1:21:50 | 1:21:51 | |
Ironic, isn't it? | 1:21:51 | 1:21:53 | |
Tell me this, what made you decide to do this? | 1:21:53 | 1:21:57 | |
I mean, when I first heard it, I mean, | 1:21:57 | 1:21:58 | |
a lot of people I'm sure went, "God that is a real risk for this band, | 1:21:58 | 1:22:02 | |
"I mean, can they draw 70,000 people?" | 1:22:02 | 1:22:04 | |
You go through phases of like, being really, really tired and really | 1:22:04 | 1:22:11 | |
fed up and wanting to go home and then you feel good for a month or so. | 1:22:11 | 1:22:14 | |
You're up and down, but we're feeling good at the moment, | 1:22:14 | 1:22:17 | |
even though it's the end and also a bit sad, you know. | 1:22:17 | 1:22:20 | |
Usually with people we like we can work with them closely. | 1:22:20 | 1:22:25 | |
And without being dictated to by a higher, you know, officials. So... | 1:22:25 | 1:22:30 | |
-You've got to have a seat. -I do have a seat. | 1:22:30 | 1:22:32 | |
You've got to go before the show starts. OK. | 1:22:32 | 1:22:36 | |
-Hello, Pasadena. -No, I don't think I should say Pasadena. | 1:22:40 | 1:22:43 | |
I've been thinking about this. It's been playing on my mind. | 1:22:43 | 1:22:46 | |
-I think I should say... -Dave, I wouldn't let it play on your mind! | 1:22:46 | 1:22:49 | |
I think I should say, "Good evening, everybody." | 1:22:49 | 1:22:52 | |
No, that sounds terrible, everybody. | 1:22:52 | 1:22:55 | |
-Hello. -Try it Newark, New Jersey, see what that. -Hello, people. | 1:22:55 | 1:22:59 | |
Why not say, good evening, welcome to a concert for the masses. | 1:22:59 | 1:23:02 | |
Who do you think I am, fucking Wordsworth? | 1:23:02 | 1:23:04 | |
I'll write it down for you. What was it again? | 1:23:04 | 1:23:06 | |
Concert, everyone, you evening masses. | 1:23:06 | 1:23:08 | |
Good evening, concert, masses, everybody, people, Pasadena! | 1:23:08 | 1:23:13 | |
-Fucked that right up, didn't I? -Write it on your shirt. I'll get Darren. | 1:23:13 | 1:23:17 | |
Get Paul down there. Get Paul. | 1:23:17 | 1:23:20 | |
We'll put on the back of Andre's shirt, OK, so he can come on | 1:23:20 | 1:23:23 | |
-and do it like that, you can have it, good evening, everybody. -Hello! | 1:23:23 | 1:23:26 | |
TALK OVER EACH OTHER | 1:23:26 | 1:23:28 | |
And what shall I say? I'm serious. | 1:23:28 | 1:23:30 | |
-What do you think I should say? -Pasadena. That's where we are. | 1:23:30 | 1:23:33 | |
-Or Rose Bowl. -Rose Bowl. | 1:23:33 | 1:23:35 | |
-That's where it is. It's at the Rose Bowl. -Good evening, Rose Bowl. | 1:23:35 | 1:23:39 | |
He wants to hear the band play! | 1:23:44 | 1:23:47 | |
I haven't even started counting. | 1:23:49 | 1:23:51 | |
I want to tell him the T-shirts sold out. In two seconds! | 1:23:51 | 1:23:55 | |
-This is ridiculous. -85,000 and 75. | 1:23:57 | 1:24:02 | |
This is hysterical. Ridiculous. | 1:24:03 | 1:24:06 | |
Imagine how much money they raked in tonight. That's the question. | 1:24:06 | 1:24:09 | |
How much money they made. You figure 23 shirts and 28... | 1:24:09 | 1:24:12 | |
-No, 32 sweatshirts, something like that. -32? | 1:24:12 | 1:24:14 | |
-And how much were the programmes? -I don't know. -5, 10 bucks or so? | 1:24:14 | 1:24:18 | |
Phew! I'd love to be their accountant. | 1:24:18 | 1:24:20 | |
1,000 for T-shirts. | 1:24:20 | 1:24:21 | |
Do you have any idea what that is? Does anyone know, besides me looking at the invoice? | 1:24:21 | 1:24:27 | |
-I have no idea. -No. | 1:24:27 | 1:24:29 | |
I don't know. We should ask Jose. We can ask him what it's for. | 1:24:30 | 1:24:34 | |
-Add it to their wardrobe tonight. I don't know. -Here it is. -What is it? | 1:24:34 | 1:24:39 | |
1,000. Jose enterprises! | 1:24:39 | 1:24:44 | |
LAUGHTER | 1:24:44 | 1:24:45 | |
It's for 96 pass t-shirts, silver T-shirts. | 1:24:45 | 1:24:50 | |
-Who's wearing silver T-shirts? -No idea. I didn't get one. | 1:24:50 | 1:24:54 | |
Let's ask, can we ask Jose Productions? | 1:24:54 | 1:24:57 | |
OK, can we start the tape, please? | 1:24:57 | 1:25:02 | |
SCREAMING AND CHEERING | 1:25:04 | 1:25:07 | |
-Oh, shit. -I mean, I'm not sure about this at all. | 1:25:17 | 1:25:21 | |
I dunno, what do you think? | 1:25:21 | 1:25:24 | |
-Oh, let's go. -Let's go back to the hotel. | 1:25:24 | 1:25:27 | |
I mean, they had a good time, | 1:25:29 | 1:25:31 | |
they've been played by Thomas Dolby. They won't mind. | 1:25:31 | 1:25:34 | |
-Here we go. -Come on! | 1:25:44 | 1:25:48 | |
-Rock'n'roll. -Darren. -What? | 1:25:48 | 1:25:50 | |
Hang on, Mark, Mark, Mark. | 1:25:52 | 1:25:59 | |
CHEERING | 1:26:27 | 1:26:31 | |
CHEERING | 1:26:41 | 1:26:45 | |
BANGS | 1:26:45 | 1:26:47 | |
MUSIC: "Behind The Wheel" by Depeche Mode | 1:26:47 | 1:26:50 | |
# My little girl | 1:27:16 | 1:27:19 | |
# Drive anywhere | 1:27:20 | 1:27:22 | |
# Do what you want | 1:27:24 | 1:27:26 | |
# I don't care | 1:27:29 | 1:27:31 | |
# Tonight | 1:27:32 | 1:27:33 | |
# I'm in the hands of fate | 1:27:35 | 1:27:37 | |
# I hand myself | 1:27:39 | 1:27:41 | |
# Over on a plate | 1:27:44 | 1:27:47 | |
# Now | 1:27:48 | 1:27:49 | |
# Oh, little girl | 1:28:02 | 1:28:04 | |
# There are times when I feel | 1:28:06 | 1:28:08 | |
# I'd rather not be | 1:28:09 | 1:28:12 | |
# The one behind the wheel | 1:28:14 | 1:28:17 | |
# Come | 1:28:19 | 1:28:20 | |
# Pull my strings | 1:28:21 | 1:28:24 | |
# Watch me move | 1:28:25 | 1:28:27 | |
# I'd do anything | 1:28:29 | 1:28:32 | |
# Please. # | 1:28:34 | 1:28:36 | |
CHEERING | 1:28:36 | 1:28:39 | |
Oh! | 1:28:47 | 1:28:50 | |
Yeah! | 1:29:04 | 1:29:05 | |
# Sweet little girl | 1:29:19 | 1:29:21 | |
# I'd prefer | 1:29:23 | 1:29:25 | |
# You behind the wheel | 1:29:26 | 1:29:29 | |
# And me the passenger | 1:29:31 | 1:29:34 | |
# Drive | 1:29:36 | 1:29:37 | |
# I'm yours to be | 1:29:37 | 1:29:40 | |
# Do what you want | 1:29:42 | 1:29:44 | |
# I'm going cheap | 1:29:47 | 1:29:49 | |
# Tonight, tonight | 1:29:50 | 1:29:53 | |
# You're behind the wheel, tonight | 1:30:02 | 1:30:07 | |
# You're behind the wheel, tonight | 1:30:18 | 1:30:22 | |
# You're behind the wheel, tonight | 1:30:33 | 1:30:39 | |
# You're behind the wheel, tonight | 1:30:49 | 1:30:53 | |
# You're behind the wheel tonight... # | 1:31:04 | 1:31:09 | |
Yeah! | 1:31:09 | 1:31:10 | |
# You're behind the wheel, tonight. # | 1:31:20 | 1:31:25 | |
Thank you! | 1:31:25 | 1:31:27 | |
CHEERING Yeah. | 1:31:27 | 1:31:29 | |
Thank you very much! APPLAUSE | 1:31:29 | 1:31:34 | |
Good evening, Pasadena! | 1:31:34 | 1:31:36 | |
We have not bitched about one thing! | 1:31:43 | 1:31:45 | |
You know that? We have not bitched on a thing. | 1:31:45 | 1:31:49 | |
Everything we give it costs him money! | 1:31:49 | 1:31:51 | |
-I want to put something in. -Yeah. -For field. OK? | 1:31:51 | 1:31:55 | |
I mean, because in the contract, | 1:31:55 | 1:31:56 | |
we're responsible for re-sodding the field if there are any damages to it. | 1:31:56 | 1:32:01 | |
I want to put something in. | 1:32:01 | 1:32:03 | |
-What do you want to put in for damage? -I'd put in 5,000. | 1:32:03 | 1:32:07 | |
-Let's put half in. -No, I think we need to have it in. | 1:32:10 | 1:32:14 | |
This is one of the few places where you really get hit with this. | 1:32:14 | 1:32:18 | |
Jonathan, let's remember one thing. This building was not our choice. | 1:32:18 | 1:32:23 | |
This was Wayne's and the band's choice. | 1:32:23 | 1:32:25 | |
-This was the band's choice cos they told Wayne... -They wanted an event. | 1:32:25 | 1:32:29 | |
..they want to play where nobody's played and I said, | 1:32:29 | 1:32:32 | |
"Wayne, nobody's played the Rose Bowl since 1982 | 1:32:32 | 1:32:35 | |
"when Peace Sunday was here for Steve Wonder and Jackson Brown." | 1:32:35 | 1:32:39 | |
You know? | 1:32:39 | 1:32:41 | |
-We have a lot more costs. -It's the most expensive building in town. | 1:32:41 | 1:32:44 | |
-Buildings that we want to bill, the band said "We want to play there." -Five grand for damage?! | 1:32:44 | 1:32:49 | |
Look at... Read that contract. We're responsible. | 1:32:49 | 1:32:52 | |
-I read it, I was just looking at it. -Five grand. | 1:32:52 | 1:32:55 | |
CHEERING | 1:32:57 | 1:33:01 | |
MUSIC: "Strangelove" by Depeche Mode | 1:33:01 | 1:33:06 | |
# There'll be times | 1:33:19 | 1:33:21 | |
# When my crimes | 1:33:21 | 1:33:23 | |
# Will seem almost unforgivable | 1:33:23 | 1:33:27 | |
# I give in to sin | 1:33:27 | 1:33:31 | |
# Because you have to make this life liveable | 1:33:31 | 1:33:35 | |
# But when you think I've had enough | 1:33:35 | 1:33:37 | |
# From your sea of love | 1:33:37 | 1:33:39 | |
# I'll take more than another river full | 1:33:39 | 1:33:43 | |
# Yes and I'll make it all worthwhile | 1:33:43 | 1:33:50 | |
# I'll make your heart smile | 1:33:50 | 1:33:52 | |
# Strange love | 1:33:52 | 1:33:54 | |
# Strange highs and strange lows | 1:33:54 | 1:33:56 | |
# Strange love | 1:33:56 | 1:33:58 | |
# That's how my love goes | 1:33:58 | 1:34:00 | |
# Strange love | 1:34:00 | 1:34:02 | |
# Will you give it to me? | 1:34:02 | 1:34:05 | |
# Will you take the pain? | 1:34:05 | 1:34:07 | |
# I will give to you | 1:34:07 | 1:34:09 | |
# Again and again | 1:34:09 | 1:34:11 | |
# And will you return it? | 1:34:11 | 1:34:13 | |
Oooh... Come on, now! | 1:34:22 | 1:34:26 | |
-BAND: -# Pain will you return it? I'll say it again - pain | 1:34:27 | 1:34:33 | |
# Pain will you return it? I'll say it again - pain | 1:34:35 | 1:34:41 | |
# Pain will you return it? I'll say it again - pain | 1:34:43 | 1:34:49 | |
-# Pain will you return it? -I won't say it again | 1:34:52 | 1:34:56 | |
# Oh! # | 1:34:56 | 1:34:58 | |
Oh, oh! | 1:35:05 | 1:35:07 | |
Come on, now! I want to see those hands! | 1:35:08 | 1:35:12 | |
Up! | 1:35:15 | 1:35:16 | |
Oh, yeah! | 1:35:20 | 1:35:22 | |
-# I give in -I give in again and again | 1:35:23 | 1:35:27 | |
-# I give in. -I give in But will you give it to me? | 1:35:27 | 1:35:31 | |
-# I give in. -I give in I'll say it again | 1:35:31 | 1:35:35 | |
-# I give in. -I give in | 1:35:35 | 1:35:37 | |
-# I give in I give in -Again and again | 1:35:39 | 1:35:43 | |
-# I give in. -I give in Will you give it me? | 1:35:43 | 1:35:47 | |
-# I give in. -I give in I'll say it again | 1:35:47 | 1:35:51 | |
-# I give in. -I give in | 1:35:51 | 1:35:54 | |
# Strange love | 1:35:56 | 1:35:58 | |
# Strange love | 1:36:00 | 1:36:02 | |
-# Strange love... # -I can't hear you! | 1:36:04 | 1:36:07 | |
# ..Strange love... # | 1:36:07 | 1:36:10 | |
Yeah! | 1:36:10 | 1:36:12 | |
# ...Strange love | 1:36:12 | 1:36:14 | |
# Strange love | 1:36:15 | 1:36:18 | |
# Strange love | 1:36:20 | 1:36:23 | |
# Strange love | 1:36:24 | 1:36:26 | |
# That's how my love goes | 1:36:26 | 1:36:29 | |
# Strange love | 1:36:29 | 1:36:30 | |
# Will you give it me? | 1:36:30 | 1:36:32 | |
# Will you take the pain? | 1:36:32 | 1:36:35 | |
# I will give it to you Again and again | 1:36:35 | 1:36:40 | |
# And will you return it? # | 1:36:40 | 1:36:43 | |
Thank you. APPLAUSE | 1:36:43 | 1:36:47 | |
First of all, turnstile count, 65,314. | 1:36:51 | 1:36:55 | |
Thought it'd be higher. Do you guys have a total? | 1:36:55 | 1:36:58 | |
-Yeah, I want your total. -What's your total? | 1:36:58 | 1:37:01 | |
-Let me see it. Let me see our total. -I can't see your total. | 1:37:01 | 1:37:05 | |
What's your numbers? | 1:37:05 | 1:37:06 | |
-11 times... -21! | 1:37:06 | 1:37:08 | |
Put a plus on the front of that... That's right. Go back there. | 1:37:11 | 1:37:15 | |
Put a plus on the front of it and you're fine. | 1:37:15 | 1:37:17 | |
1,360,192.50. | 1:37:17 | 1:37:23 | |
And paid attendance was 60,453 people. | 1:37:23 | 1:37:26 | |
Tonight at the Rose Bowl in Pasadena. June 18th 1988. | 1:37:28 | 1:37:33 | |
We're getting a load of money! | 1:37:33 | 1:37:35 | |
A lot of money! A load of money! | 1:37:35 | 1:37:38 | |
Tonnes of money! | 1:37:38 | 1:37:40 | |
MUSIC: "Everything Counts" by Depeche Mode | 1:37:40 | 1:37:43 | |
# The handshake | 1:37:56 | 1:37:58 | |
# Seals a contract | 1:37:58 | 1:38:00 | |
# From the contract | 1:38:00 | 1:38:02 | |
# There's no turning back | 1:38:02 | 1:38:04 | |
# The turning point | 1:38:04 | 1:38:06 | |
# Of a career | 1:38:06 | 1:38:08 | |
# In Korea, being sincere | 1:38:08 | 1:38:12 | |
# The holiday | 1:38:15 | 1:38:17 | |
# Was fun-packed | 1:38:17 | 1:38:19 | |
# The contract | 1:38:19 | 1:38:21 | |
# Still intact | 1:38:21 | 1:38:24 | |
# The grabbing hands | 1:38:24 | 1:38:26 | |
# Grab all they can | 1:38:26 | 1:38:28 | |
# All for themselves after all | 1:38:28 | 1:38:31 | |
# The grabbing hands | 1:38:31 | 1:38:34 | |
# Grab all they can | 1:38:34 | 1:38:36 | |
# All for themselves after all | 1:38:36 | 1:38:40 | |
# It's a competitive world | 1:38:40 | 1:38:43 | |
# Everything counts in large amounts | 1:38:45 | 1:38:48 | |
# The graph (the graph) | 1:39:06 | 1:39:08 | |
# On the wall (the graph) | 1:39:08 | 1:39:10 | |
# Tells a story (the graph) | 1:39:10 | 1:39:11 | |
# Of it all (the graph) | 1:39:11 | 1:39:14 | |
# Picture it now (the graph) | 1:39:14 | 1:39:16 | |
# See just how (the graph) | 1:39:16 | 1:39:18 | |
# The lies and deceit (the graph) | 1:39:18 | 1:39:20 | |
# Gained a little more power (the graph) | 1:39:20 | 1:39:23 | |
# On the wall | 1:39:23 | 1:39:24 | |
# Confidence (the graph) Taken in (the graph) | 1:39:24 | 1:39:29 | |
# By a sun tan (the graph) | 1:39:29 | 1:39:32 | |
# And a grin (the handshake) | 1:39:32 | 1:39:34 | |
# The grabbing hands | 1:39:34 | 1:39:35 | |
# Grab all they can | 1:39:35 | 1:39:37 | |
# All for themselves after all | 1:39:37 | 1:39:42 | |
# The grabbing hands | 1:39:42 | 1:39:44 | |
# Grab all they can | 1:39:44 | 1:39:46 | |
# All for themselves after all | 1:39:46 | 1:39:49 | |
# It's a competitive world... # | 1:39:49 | 1:39:52 | |
Sing it! | 1:39:52 | 1:39:54 | |
# Everything counts in large amounts | 1:39:59 | 1:40:03 | |
# Everything counts in large amounts... # | 1:40:07 | 1:40:12 | |
Go! | 1:40:15 | 1:40:18 | |
# The grabbing hands | 1:40:20 | 1:40:22 | |
# Grab all they can | 1:40:22 | 1:40:24 | |
# Everything counts in large amounts | 1:40:24 | 1:40:28 | |
# The grabbing hands | 1:40:28 | 1:40:30 | |
# Grab all they can | 1:40:30 | 1:40:33 | |
# Everything counts in large amounts | 1:40:33 | 1:40:36 | |
# Everything everything | 1:40:48 | 1:40:50 | |
# Everything everything | 1:40:52 | 1:40:53 | |
# The grabbing hands | 1:40:53 | 1:40:56 | |
# Grab all they can | 1:40:56 | 1:40:58 | |
# Everything counts in large amounts... # | 1:40:58 | 1:41:02 | |
Thank you very much! | 1:41:08 | 1:41:11 | |
Come on! Le's hear you sing it! | 1:41:14 | 1:41:18 | |
-ALL: -# The grabbing hands | 1:41:19 | 1:41:21 | |
# Grab all they can | 1:41:21 | 1:41:23 | |
# Everything counts in large amounts | 1:41:23 | 1:41:28 | |
# The grabbing hands | 1:41:28 | 1:41:30 | |
# Grab all they can | 1:41:30 | 1:41:32 | |
# Everything counts in large amounts | 1:41:32 | 1:41:36 | |
-AUDIENCE: -# The grabbing hands | 1:41:36 | 1:41:39 | |
# Grab all they can | 1:41:39 | 1:41:41 | |
# Everything counts in large amounts | 1:41:41 | 1:41:45 | |
# The grabbing hands | 1:41:45 | 1:41:48 | |
# Grab all they can | 1:41:48 | 1:41:50 | |
# Everything counts in large amounts | 1:41:50 | 1:41:54 | |
# The grabbing hands | 1:41:54 | 1:41:57 | |
# Grab all they can | 1:41:57 | 1:41:59 | |
# Everything counts in large amounts | 1:41:59 | 1:42:03 | |
# The grabbing hands | 1:42:03 | 1:42:05 | |
# Grab all they can | 1:42:05 | 1:42:08 | |
# Everything counts in large amounts | 1:42:08 | 1:42:12 | |
# The grabbing hands | 1:42:12 | 1:42:15 | |
# Grab all they can | 1:42:15 | 1:42:17 | |
# Everything counts in large amounts | 1:42:17 | 1:42:20 | |
# The grabbing hands Grab all they can... # | 1:42:20 | 1:42:24 | |
SINGING FADES, APPLAUSE AND CHEERING | 1:42:24 | 1:42:29 | |
Thank you! | 1:42:33 | 1:42:35 | |
Yeah, right, that's typical. | 1:42:38 | 1:42:42 | |
Jodie, what's the verdict? | 1:42:42 | 1:42:45 | |
Well, it's very hard work. | 1:42:45 | 1:42:48 | |
-Very what? -Very hard work. -Hard work? | 1:42:48 | 1:42:50 | |
-Hard work. -Did you find it... | 1:42:50 | 1:42:52 | |
-The vocals were hard. -The vocals were... Everything else was horrendous. | 1:42:52 | 1:42:55 | |
Did they sound... What did they sound like out front? | 1:42:55 | 1:42:59 | |
They were... How can you describe them? | 1:42:59 | 1:43:02 | |
I hope you puts lots of reverb on. | 1:43:02 | 1:43:04 | |
Yeah, you do, but the thing is, in that sort of place, | 1:43:04 | 1:43:09 | |
the vocals always come over extra dry. | 1:43:09 | 1:43:12 | |
You can wet them and wet them, they still sound clear. | 1:43:12 | 1:43:16 | |
Did you notice that, at all? | 1:43:16 | 1:43:17 | |
They sound a little too clear sometimes. | 1:43:17 | 1:43:20 | |
Come on, let's get back out there. | 1:43:22 | 1:43:24 | |
CHEERING | 1:43:24 | 1:43:27 | |
MUSIC: "Just Can't Get Enough" by Depeche Mode | 1:43:50 | 1:43:54 | |
CHEERING | 1:43:54 | 1:43:58 | |
# When I'm with you, baby I go out of my head | 1:44:13 | 1:44:18 | |
-BAND: -# I just can't get enough I just can't get enough | 1:44:18 | 1:44:21 | |
# All the things you do to me And everything you said | 1:44:21 | 1:44:25 | |
# I just can't get enough I just can't get enough | 1:44:25 | 1:44:28 | |
# We slip and slide And we fall in love | 1:44:28 | 1:44:32 | |
# And I just can't seem to get enough of... # | 1:44:32 | 1:44:36 | |
CHEERING | 1:44:36 | 1:44:38 | |
# ..We walk together We're walking down the street | 1:44:52 | 1:44:55 | |
# I just can't get enough I just can't get enough | 1:44:55 | 1:44:58 | |
# Every time I think of you I know we have to meet | 1:44:58 | 1:45:02 | |
# I just can't get enough I just can't get enough | 1:45:02 | 1:45:06 | |
# It's getting hotter It's a burning love | 1:45:06 | 1:45:10 | |
# And I just can't seem to get enough of... # | 1:45:10 | 1:45:14 | |
INDISTINCT | 1:45:17 | 1:45:19 | |
Want to hear you. Come on now! | 1:45:24 | 1:45:27 | |
Want you all singing. Everybody. | 1:45:29 | 1:45:32 | |
CHEERING | 1:45:37 | 1:45:39 | |
-AUDIENCE: -# Just can't get enough I just can't get enough | 1:45:39 | 1:45:43 | |
# I just can't get enough I just can't get enough | 1:45:43 | 1:45:47 | |
# I just can't get enough I just can't get enough | 1:45:47 | 1:45:51 | |
-BAND: -# I just can't get enough I just can't get enough | 1:45:51 | 1:45:55 | |
# I just can't get enough I just can't get enough | 1:45:55 | 1:45:58 | |
# I just can't get enough I just can't get enough | 1:45:58 | 1:46:02 | |
# I just can't get enough I just can't get enough. | 1:46:02 | 1:46:07 | |
# And when it rains You're shining down for me | 1:46:07 | 1:46:09 | |
# I just can't get enough I just can't get enough | 1:46:09 | 1:46:13 | |
# Just like a rainbow You know you set me free | 1:46:13 | 1:46:17 | |
# I just can't get enough I just can't get enough | 1:46:17 | 1:46:21 | |
# You're just like an angel And you give me love | 1:46:21 | 1:46:25 | |
# And I just can't seem to get enough of | 1:46:25 | 1:46:29 | |
# Oh no... # | 1:46:32 | 1:46:34 | |
Go! | 1:46:48 | 1:46:50 | |
-# Oooh ooh ooh-ooh-ooh. # -Here we go. | 1:46:51 | 1:46:57 | |
I can't see you! | 1:46:57 | 1:46:59 | |
-# Oooh ooh ooh. -Oooh! # | 1:46:59 | 1:47:03 | |
Here we go! | 1:47:03 | 1:47:07 | |
# Ooooh oooh ooh. # | 1:47:07 | 1:47:12 | |
Louder! | 1:47:13 | 1:47:14 | |
# Ooooh oooh oooh | 1:47:14 | 1:47:19 | |
# Ooooh ooooh oooh! # | 1:47:21 | 1:47:27 | |
And again! | 1:47:28 | 1:47:30 | |
# Oooh oooh oooh. # | 1:47:30 | 1:47:35 | |
MUSIC ENDS | 1:47:37 | 1:47:38 | |
Oh! CHEERING | 1:47:38 | 1:47:41 | |
-Chart to Ben. -Darling. -Thank you, Sarah. | 1:47:41 | 1:47:43 | |
-You got it, big guy? -Thank you. | 1:47:43 | 1:47:46 | |
-A fair amount of money? -Just for the one show. -Yup. -We make it out to the right guy? -Yup. | 1:47:46 | 1:47:50 | |
-You're covered. -Thank you. -Does it mean I can go home now? | 1:47:50 | 1:47:53 | |
You don't have to go home but you can't stay here. | 1:47:53 | 1:47:56 | |
LAUGHTER | 1:47:56 | 1:47:58 | |
Hey, yeah! | 1:47:58 | 1:48:00 | |
MUSIC: "Never Let Me Down Again" | 1:48:00 | 1:48:02 | |
Can you hear me? | 1:48:02 | 1:48:05 | |
CHEERING | 1:48:05 | 1:48:07 | |
# I'm taking a ride With my best friend | 1:48:26 | 1:48:31 | |
# I hope he never lets me down again | 1:48:35 | 1:48:40 | |
# He knows where he's taking me | 1:48:44 | 1:48:49 | |
# Taking me where I want to be | 1:48:49 | 1:48:52 | |
-BAND: -# I'm taking a ride With my best friend... # | 1:48:52 | 1:48:58 | |
Oooh! Come on now. I want to hear you singing. | 1:49:03 | 1:49:07 | |
-BAND: -# ..We're flying high | 1:49:12 | 1:49:14 | |
# We're watching the world pass us by | 1:49:14 | 1:49:19 | |
# Never want to come down | 1:49:21 | 1:49:23 | |
# Never want to put my feet Back down on the ground | 1:49:23 | 1:49:28 | |
# I'm taking a ride With my best friend | 1:49:38 | 1:49:44 | |
# I hope he never lets me down again | 1:49:48 | 1:49:52 | |
# Promises me I'm as safe as houses | 1:49:57 | 1:50:01 | |
# As long as I remember Who's wearing the trousers | 1:50:01 | 1:50:06 | |
# I hope he never lets me down again... # | 1:50:06 | 1:50:11 | |
Here we go. | 1:50:13 | 1:50:14 | |
Right. Come on, everybody sing it! Here we go! | 1:50:14 | 1:50:20 | |
CHEERING | 1:50:20 | 1:50:23 | |
# ..We're flying high We're watching the world pass us by | 1:50:23 | 1:50:31 | |
# Never want to come down | 1:50:33 | 1:50:36 | |
# Never want to put my feet | 1:50:36 | 1:50:38 | |
# Back down on the ground... # | 1:50:38 | 1:50:40 | |
-No! -# ..We're flying high | 1:50:40 | 1:50:45 | |
# We're watching the world pass us by | 1:50:45 | 1:50:49 | |
# Never want to come down | 1:50:51 | 1:50:54 | |
# Never want to out my feet back down on the ground. # | 1:50:54 | 1:50:58 | |
Oh... | 1:50:58 | 1:51:01 | |
CHEERING | 1:51:01 | 1:51:07 | |
Let's go! | 1:51:18 | 1:51:19 | |
Oh...! | 1:51:36 | 1:51:38 | |
Oh oh...! | 1:51:41 | 1:51:42 | |
Hey! Hey! | 1:51:48 | 1:51:50 | |
Oh...! | 1:51:53 | 1:51:55 | |
Oh... Yeah. | 1:51:55 | 1:51:57 | |
OK! | 1:52:19 | 1:52:20 | |
# Never let me down | 1:52:58 | 1:53:03 | |
# Never let me down | 1:53:03 | 1:53:08 | |
# Never let me down | 1:53:08 | 1:53:12 | |
# Never let me down. # | 1:53:12 | 1:53:16 | |
CHEERING | 1:53:19 | 1:53:24 | |
MUSIC ENDS, CHEERING Thank you! | 1:53:35 | 1:53:38 | |
Thank you very much. Good night. Thank you. | 1:53:38 | 1:53:41 | |
COMMENT DROWNED BY CHEERING | 1:53:41 | 1:53:44 | |
OK, good gig. We get off on their energy, you know. | 1:53:47 | 1:53:50 | |
The fans were screaming for them, they couldn't play any more. | 1:53:50 | 1:53:53 | |
-That was the best. -That was the best. -No, you guys should have fun. | 1:53:53 | 1:53:56 | |
Me and Sandra went right into the middle. | 1:53:56 | 1:53:58 | |
-See when those lights came up, everyone around us was... -No. | 1:53:58 | 1:54:01 | |
-I know. So much ene... Oh... -That was the best. -Incredible. | 1:54:01 | 1:54:05 | |
-That was incredible. -That was. | 1:54:05 | 1:54:08 | |
HUM OF CONVERSATIONS | 1:54:08 | 1:54:11 | |
A jolly good tour. Can't complain. | 1:54:11 | 1:54:14 | |
THEY CHUCKLE | 1:54:20 | 1:54:22 | |
Mwah! | 1:54:22 | 1:54:24 | |
Think you'd better hold me like for during the gig. | 1:54:27 | 1:54:30 | |
I was thinking about everyone and I couldn't stop crying, you know. | 1:54:30 | 1:54:33 | |
WOMAN LAUGHS | 1:54:33 | 1:54:35 | |
I'll get there. | 1:54:35 | 1:54:37 | |
CHEERING | 1:54:37 | 1:54:42 | |
INDISTINCT COMMENT | 1:54:48 | 1:54:50 | |
Jesus! A few too many spikes for him, don't you think? | 1:54:53 | 1:54:59 | |
-See you. -I'm going to call. Good luck on your test, Sandra. -Yes, good luck. -Yeah, good luck. | 1:54:59 | 1:55:03 | |
-Take an egg. -Take an egg. | 1:55:03 | 1:55:06 | |
-Goodbye. -Goodbye. | 1:55:06 | 1:55:07 | |
THEY TALK OVER EACH OTHER | 1:55:07 | 1:55:11 | |
WOMAN CHUCKLES | 1:55:11 | 1:55:13 | |
Good night, Sandra. Goodbye, girls! | 1:55:13 | 1:55:16 | |
You've been sent back. | 1:55:16 | 1:55:19 | |
Hi. | 1:55:21 | 1:55:22 | |
-BEEPING -Just visiting? | 1:55:23 | 1:55:24 | |
-Making a movie. -No way! A movie for what? -Depeche Mode. -Oh, really? You're joking. | 1:55:24 | 1:55:31 | |
-No, I'm not joking. Watch the movie. -You're on the step first. -He's joking. -See you guys. | 1:55:31 | 1:55:38 | |
He's in Depeche Mode? | 1:55:38 | 1:55:41 | |
-Next! -Depeche Mode. | 1:55:42 | 1:55:46 | |
CHEERING IN BACKGROUND | 1:55:46 | 1:55:50 | |
MUSIC: "Route 66" by Depeche Mode. | 1:55:50 | 1:55:54 | |
# Kingman, Barstow, San Bernardino If you ever plan to motor west | 1:56:37 | 1:56:45 | |
# Travel my way Take the highway that's the best | 1:56:47 | 1:56:53 | |
# And get your kick on Route 66 | 1:56:54 | 1:56:59 | |
# Well it winds from Chicago to LA | 1:57:02 | 1:57:07 | |
# More than 2,000 miles all the way | 1:57:09 | 1:57:14 | |
# Get your kick on Route 66 | 1:57:16 | 1:57:21 | |
# Well it goes to St Louis Down to Missouri | 1:57:23 | 1:57:28 | |
# Oklahoma City looks oh so pretty | 1:57:28 | 1:57:31 | |
# You'll see Amarillo | 1:57:31 | 1:57:35 | |
# Gallup, New Mexico | 1:57:35 | 1:57:38 | |
# Flagstaff, Arizona Don't forget Winona | 1:57:38 | 1:57:42 | |
# Kingman, Barstow, San Bernardino | 1:57:42 | 1:57:46 | |
# If you get hip to this kind of tip | 1:57:46 | 1:57:50 | |
# And go take that California trip | 1:57:52 | 1:57:57 | |
# And get your kick on Route 66 | 1:58:00 | 1:58:05 | |
# Well it goes to St Louis Down to Missouri | 1:58:36 | 1:58:40 | |
# Oklahoma City looks oh so pretty | 1:58:40 | 1:58:44 | |
# You'll see Amarillo | 1:58:44 | 1:58:47 | |
# Gallup, New Mexico | 1:58:47 | 1:58:50 | |
# Flagstaff, Arizona | 1:58:50 | 1:58:53 | |
# Don't forget Winona | 1:58:53 | 1:58:55 | |
# Kingman, Barstow, San Bernardino | 1:58:55 | 1:58:58 | |
# If you get hip to this kind of tip | 1:58:58 | 1:59:02 | |
# And go take that California trip | 1:59:05 | 1:59:09 | |
# And get your kick on Route 66 | 1:59:12 | 1:59:17 | |
# And get your kick on Route 66 | 1:59:19 | 1:59:24 | |
# And get your kick on Route 66 | 1:59:26 | 1:59:31 | |
# And get your kick on Route 66 | 1:59:33 | 1:59:39 | |
# And get your kick on Route 66 | 1:59:41 | 1:59:46 | |
# And get your kick on Route 66 | 1:59:48 | 1:59:53 | |
# And get your kick on Route 66. # | 1:59:56 | 2:00:00 | |
Subtitles by Red Bee Media Ltd. | 2:00:00 | 2:00:03 |