
Browse content similar to Sound It Out. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains some strong language. | 0:00:07 | 0:00:15 | |
Sound It Out is the only record shop in Teesside, | 0:00:55 | 0:00:59 | |
which is a massive area in the North East of England. | 0:00:59 | 0:01:01 | |
It's quite disturbing, to tell you the truth. | 0:01:01 | 0:01:06 | |
I mean, I remember loads of shops when I was growing up | 0:01:11 | 0:01:15 | |
and now there's none left at all. | 0:01:15 | 0:01:17 | |
You just go onto the internet, you go onto Google, | 0:01:21 | 0:01:24 | |
type in "Teesside record shops" and I'm the only one that spouts up. | 0:01:24 | 0:01:28 | |
You'll like this one, it's good. | 0:01:29 | 0:01:32 | |
There is an HMV, but we don't really count them as record shops. | 0:01:32 | 0:01:37 | |
Men like to collect, men like music, | 0:01:43 | 0:01:46 | |
men collect music, | 0:01:46 | 0:01:50 | |
men go touring country for music. | 0:01:50 | 0:01:53 | |
That's why I like working here, because it's... | 0:01:56 | 0:01:59 | |
It's not the ordinary people, it's the random people. | 0:02:02 | 0:02:06 | |
-Now it's called the Jacksons. -The Jacksons best of or...? | 0:02:17 | 0:02:20 | |
No, it's the English Jacksons not the American Jacksons. | 0:02:20 | 0:02:24 | |
They call him Mike Jackson... | 0:02:24 | 0:02:26 | |
Right. He wrote the song Blame It on the Boogie, didn't he? | 0:02:26 | 0:02:29 | |
That's the one! Have you got an LP of it? | 0:02:29 | 0:02:31 | |
It's going to be something I'm going to have to investigate. | 0:02:31 | 0:02:34 | |
I can't say offhand. | 0:02:34 | 0:02:35 | |
-I'll pop in next Saturday. -OK, mate, I can take your number. | 0:02:35 | 0:02:39 | |
-It's OK. See ya. -Cheers. | 0:02:39 | 0:02:41 | |
There's a canny few. | 0:02:44 | 0:02:46 | |
About 50,000 last count. | 0:02:46 | 0:02:49 | |
So if I came in and had a really, really specific record in mind | 0:02:49 | 0:02:52 | |
would you be able to find it? | 0:02:52 | 0:02:53 | |
Yup. I could probably find it straight away. | 0:02:53 | 0:02:57 | |
I know where everything is here. | 0:02:57 | 0:03:00 | |
-Everything? -99%. | 0:03:00 | 0:03:02 | |
Have you got a copy of... | 0:03:02 | 0:03:05 | |
Three Feet High And Rising? | 0:03:06 | 0:03:08 | |
-Nancy and Lee? -Erm, no. | 0:03:08 | 0:03:10 | |
I've got one Nancy Sinatra CD and it's a Sundazed reissue from '96. | 0:03:10 | 0:03:16 | |
And that is over here. On CD. | 0:03:16 | 0:03:18 | |
There you go. | 0:03:19 | 0:03:21 | |
Boots by Nancy. | 0:03:21 | 0:03:23 | |
I knew I had one somewhere. | 0:03:23 | 0:03:25 | |
I've been selling records in Stockton for 17 years. | 0:03:45 | 0:03:48 | |
Now that's frightening. | 0:03:48 | 0:03:50 | |
I am completely off the beaten track. | 0:03:54 | 0:03:57 | |
The only reason you come down here is the Job Centre's next to me. | 0:03:57 | 0:04:00 | |
So you get people walking to the Job Centre. | 0:04:00 | 0:04:02 | |
There's a cheap pub across the road. | 0:04:02 | 0:04:04 | |
In fact, there's lots of cheap pubs around me. | 0:04:04 | 0:04:07 | |
INDISTINCT CHAT | 0:04:12 | 0:04:14 | |
I am, yes. | 0:04:14 | 0:04:15 | |
I've just heard a record in the pub there. | 0:04:15 | 0:04:17 | |
Sultans of Swing. Dire Straits. | 0:04:17 | 0:04:21 | |
Have you got it in? Or can you order it? | 0:04:21 | 0:04:24 | |
I can order it, definitely. I'll just check if I've got it in. | 0:04:24 | 0:04:27 | |
-Sultans of Swing. Dire Straits? -On CD or vinyl? -CD. | 0:04:27 | 0:04:31 | |
There's no rush, mate, we've got all day. | 0:04:32 | 0:04:35 | |
I've got all day, rather. | 0:04:35 | 0:04:37 | |
-It's on here. Sultans of Swing. -Beautiful! | 0:04:37 | 0:04:40 | |
Money for Nothing album. | 0:04:40 | 0:04:42 | |
Say that again. | 0:04:42 | 0:04:43 | |
-It's the first track on that album. -Is it? -Yep. | 0:04:43 | 0:04:46 | |
There. Sultans Of Swing. | 0:04:46 | 0:04:48 | |
-Oh, I can't see that. -Well, it's on there, first track. | 0:04:48 | 0:04:51 | |
I'd need a magnifying glass to see that. | 0:04:51 | 0:04:54 | |
Oh, beautiful. | 0:04:54 | 0:04:55 | |
Twice you've came in now and I've sorted you straight away. | 0:04:55 | 0:04:58 | |
Sorted me out, yes. | 0:04:58 | 0:05:00 | |
-That's £5. -£5, there we are, Thank you very much. | 0:05:00 | 0:05:03 | |
-If I hear any more I'll pop in. -Yes, please do. | 0:05:03 | 0:05:05 | |
-Thank you very much. -No problem. Thank you. | 0:05:05 | 0:05:07 | |
-Good service. -Thank you. -Bye. -Bye-bye. | 0:05:07 | 0:05:10 | |
People come in and want to speak to Tom. | 0:05:14 | 0:05:17 | |
They've dealt with Tom for the last ten or 15 years. | 0:05:17 | 0:05:19 | |
He knows what they like and they know | 0:05:19 | 0:05:22 | |
that he will find something that they like. | 0:05:22 | 0:05:25 | |
Has he been on again? | 0:05:26 | 0:05:27 | |
-Who? -Tom. -No. I'm expecting him to pop in. | 0:05:27 | 0:05:31 | |
-As in today? -Yeah. | 0:05:33 | 0:05:36 | |
Right. | 0:05:36 | 0:05:37 | |
I like me music and without this, yes, there'd still be the live gigs | 0:05:37 | 0:05:44 | |
but I wouldn't be able to source the vinyl that I want. | 0:05:44 | 0:05:48 | |
And Tom can nine times out of ten help me with that | 0:05:48 | 0:05:52 | |
if it's a certain one I'm looking for. | 0:05:52 | 0:05:54 | |
It might be as exactly the same record as I've already got | 0:05:54 | 0:05:58 | |
but I am a person who will collect seven or eight versions | 0:05:58 | 0:06:02 | |
of that record because of mis-spellings on the label | 0:06:02 | 0:06:04 | |
or different coloured labels for that particular reason. | 0:06:04 | 0:06:08 | |
I mean, it's not fanatical. I don't think. | 0:06:08 | 0:06:11 | |
It's just something that I enjoy, y'know? | 0:06:11 | 0:06:14 | |
There's nothing like doing six solid nights, | 0:06:14 | 0:06:18 | |
one after the other, of Quo. | 0:06:18 | 0:06:21 | |
Literally, your ears are bleeding you're bouncing up and down, | 0:06:21 | 0:06:24 | |
and it takes you about a fortnight to come down from it. | 0:06:24 | 0:06:27 | |
It's great fun. | 0:06:27 | 0:06:29 | |
People say I'm mad but I don't smoke, I don't drink, | 0:06:29 | 0:06:32 | |
I don't have a woman so... What more do you want? | 0:06:32 | 0:06:35 | |
I mean, I've seen Quo, it'll be coming up...350,400 gigs. | 0:06:51 | 0:06:57 | |
That is literally like an addiction. | 0:06:57 | 0:07:00 | |
It's like going along to a drug dealer and going... | 0:07:00 | 0:07:03 | |
And you go to a Quo gig and you're like... | 0:07:03 | 0:07:05 | |
HE SNORTS | 0:07:05 | 0:07:06 | |
About the last week before a gig I will play continual Quo, | 0:07:07 | 0:07:12 | |
for a week solid. | 0:07:12 | 0:07:14 | |
It get's me in the mood, y'know? | 0:07:14 | 0:07:16 | |
And you go there and you literally come out of there | 0:07:16 | 0:07:19 | |
and you're soaking wet | 0:07:19 | 0:07:21 | |
because you've literally been pogoing for about two hours solid. | 0:07:21 | 0:07:24 | |
I mean, all you see when you go to a Glasgow Quo gig | 0:07:24 | 0:07:28 | |
is the front five rows are just solid head-banging. | 0:07:28 | 0:07:31 | |
That, is my...pride and joy. | 0:07:31 | 0:07:35 | |
That has never, ever, and I know this is going to | 0:07:35 | 0:07:39 | |
sound absolutely gross, but that has never been washed | 0:07:39 | 0:07:42 | |
since the day it was signed. | 0:07:42 | 0:07:44 | |
That is a certain advertisement for a Mr Tom. | 0:07:58 | 0:08:01 | |
Sound It Out Records. | 0:08:01 | 0:08:03 | |
He has departed me of my cash for most of this collection. | 0:08:03 | 0:08:06 | |
At the end of the day, you know, | 0:08:06 | 0:08:09 | |
Tom's one of very, very few people who is still an independent. | 0:08:09 | 0:08:14 | |
Like I say, you go to likes of... | 0:08:14 | 0:08:16 | |
-HE COUGHS -HMV. | 0:08:16 | 0:08:18 | |
They're so impersonal. | 0:08:18 | 0:08:21 | |
You know, it's like, it's the old battery farm. | 0:08:21 | 0:08:26 | |
Get them in, get the money off them, get them out. | 0:08:26 | 0:08:30 | |
Whereas, Tom is one of those who is passionate. | 0:08:30 | 0:08:35 | |
Every time I think of something or an artist to order, | 0:08:55 | 0:08:58 | |
I'll write it down. | 0:08:58 | 0:09:01 | |
But then it just gets piled and piled and piled up everywhere, | 0:09:01 | 0:09:03 | |
as you can see. | 0:09:03 | 0:09:05 | |
Is David the one that keeps everything tidy? | 0:09:21 | 0:09:24 | |
HE SIGHS | 0:09:24 | 0:09:26 | |
Yes, and no. He keeps the shop tidy. | 0:09:27 | 0:09:31 | |
I have an order here. | 0:09:31 | 0:09:33 | |
It looks mental as here but I know where everything is | 0:09:33 | 0:09:37 | |
and he comes in and tidies up and I lose track of everything. | 0:09:37 | 0:09:39 | |
So what about your hyper dub stuff or your dance stuff? | 0:09:39 | 0:09:42 | |
Do you not want that in the dance section? | 0:09:42 | 0:09:45 | |
It's dubstep, I don't want to ruin the dubstep. | 0:09:45 | 0:09:48 | |
I might have a purge of that cos... | 0:09:48 | 0:09:50 | |
So you could just purge the whole section. | 0:09:50 | 0:09:53 | |
Is it a big thing trying to organise the shop? | 0:09:57 | 0:10:00 | |
-HE SIGHS -Yeah. | 0:10:00 | 0:10:02 | |
Yeah. | 0:10:02 | 0:10:04 | |
Well, it's never ending. It's all for ever changing. | 0:10:04 | 0:10:08 | |
That's why it does help to brief Tom on where I've moved stuff to | 0:10:08 | 0:10:11 | |
because I just keep moving it. | 0:10:11 | 0:10:15 | |
And now I can't remember where half the things are. | 0:10:15 | 0:10:18 | |
Who's in charge? | 0:10:18 | 0:10:19 | |
Oh, that'll be him. | 0:10:19 | 0:10:22 | |
All this work is never ending, but it's good. | 0:10:22 | 0:10:26 | |
I wouldn't change it for the world. | 0:10:26 | 0:10:28 | |
I have to listen to everything that comes in. | 0:10:45 | 0:10:47 | |
Every single style of music, | 0:10:47 | 0:10:49 | |
so when someone comes in and asks for some free jazz | 0:10:49 | 0:10:52 | |
I know where it is, I know what I've got in stock. | 0:10:52 | 0:10:55 | |
All the many forms of dance music which is just... | 0:11:00 | 0:11:04 | |
And rock music as well. | 0:11:04 | 0:11:06 | |
There are so many different genres. | 0:11:06 | 0:11:08 | |
It's just an insane amount of genres. | 0:11:08 | 0:11:11 | |
In Stockton I do sell a lot of heavy metal because it's a hard area | 0:11:21 | 0:11:25 | |
so you get like people into heavy metal | 0:11:25 | 0:11:28 | |
and you get them into hard dance music. | 0:11:28 | 0:11:32 | |
HE SIGHS | 0:11:32 | 0:11:34 | |
Makina is a made-up genre around here. | 0:11:34 | 0:11:37 | |
It only exists from Newcastle to Middlesbrough. | 0:11:39 | 0:11:42 | |
It doesn't exist anywhere else in the country, as far as I'm aware. | 0:11:42 | 0:11:45 | |
Except for Spain where the majority of the records do come from. | 0:11:45 | 0:11:50 | |
It's like... | 0:11:50 | 0:11:51 | |
Oh, God. | 0:11:51 | 0:11:54 | |
Terrible nursery rhyme, cheesy trance. | 0:11:54 | 0:11:58 | |
Is this all on, Tom? | 0:11:58 | 0:12:00 | |
Yeah. | 0:12:00 | 0:12:02 | |
THUMPING DANCE MUSIC | 0:12:02 | 0:12:04 | |
HE RAPS | 0:12:10 | 0:12:13 | |
# Bounce with me, bounce with me | 0:12:17 | 0:12:19 | |
# Feel the energy | 0:12:19 | 0:12:20 | |
# Bounce with me, bounce with me | 0:12:20 | 0:12:22 | |
# Feel the energy. # | 0:12:22 | 0:12:23 | |
Think of a subject and then make a rhyme about it, really. | 0:12:30 | 0:12:33 | |
Most of them are about myself, about my life, | 0:12:33 | 0:12:35 | |
things I've done, stuff like that. | 0:12:35 | 0:12:37 | |
Catchy things what would stick in your head. | 0:12:37 | 0:12:40 | |
Bits of what you like about things and then put it into your rhymes. | 0:12:40 | 0:12:43 | |
People can relate to them, can't they? | 0:12:43 | 0:12:45 | |
And that like you said there, just like Mario, you know what I mean? | 0:12:45 | 0:12:48 | |
Super Mario. I'm super just like Mario. | 0:12:48 | 0:12:51 | |
There are loads of ones like that, aren't there? | 0:12:51 | 0:12:53 | |
HE CONTINUES TO RAP | 0:12:55 | 0:12:58 | |
I've DJd in a couple of places. | 0:13:17 | 0:13:19 | |
Most times is our mates' houses and that. | 0:13:19 | 0:13:22 | |
There are loads of us, about 20 of us one time there was. | 0:13:22 | 0:13:26 | |
All 20 all fighting for toilet space. | 0:13:26 | 0:13:28 | |
All crammed in a room like this. | 0:13:28 | 0:13:31 | |
All crammed in a room smaller than this. | 0:13:31 | 0:13:33 | |
I get goosebumps and that when my mix is going tight, | 0:13:33 | 0:13:37 | |
when my mix starts popping, | 0:13:37 | 0:13:39 | |
popping is when both beats hit perfectly | 0:13:39 | 0:13:41 | |
and it creates like a different sound. | 0:13:41 | 0:13:43 | |
When it starts popping you get a good buzz out of it, it's class. | 0:13:43 | 0:13:46 | |
Everyone's dancing because of you, | 0:13:46 | 0:13:48 | |
because he's playing the tunes and I'm MCing. | 0:13:48 | 0:13:50 | |
Proper class, you get a good buzz off it and that. | 0:13:50 | 0:13:52 | |
-Teamwork thing, isn't it? -Yeah. | 0:13:52 | 0:13:54 | |
# You gotta bounce b-b-bounce! | 0:13:54 | 0:13:58 | |
# We gotta bounce b-b-bounce! | 0:13:58 | 0:14:01 | |
# B-b-bounce b-b-b-bounce! # | 0:14:01 | 0:14:03 | |
Anyone can come in here and I'll talk to anyone, you know. | 0:14:21 | 0:14:25 | |
And I'll talk to them about music, even if I don't like it or whatever, | 0:14:25 | 0:14:30 | |
I'll talk to them because I get off on music so they can tell me | 0:14:30 | 0:14:35 | |
what they think of things and... | 0:14:35 | 0:14:39 | |
-Don't Want To Be Free, David, did you say? -Pardon? | 0:14:50 | 0:14:54 | |
Don't Want To Be Free. | 0:14:54 | 0:14:55 | |
Is that the single that you're looking for, that one? | 0:14:55 | 0:14:57 | |
-Yeah. -It was there. | 0:14:57 | 0:14:59 | |
It just needs a new CD case on it. | 0:14:59 | 0:15:01 | |
She's in the back, she's in the back office on the computer. | 0:15:06 | 0:15:11 | |
He's just jealous because I'm employee of the month every month. | 0:15:11 | 0:15:15 | |
Yeah. | 0:15:15 | 0:15:16 | |
It's good because she'll come in | 0:15:16 | 0:15:18 | |
and for all her technical and computer stuff | 0:15:18 | 0:15:21 | |
she will kick Tom's backside and make stuff happen | 0:15:21 | 0:15:27 | |
and push Tom to do stuff. | 0:15:27 | 0:15:28 | |
What are you going to do about it? | 0:15:28 | 0:15:31 | |
I'm just going to put stuff on. I know but you've had it. | 0:15:31 | 0:15:35 | |
Kelly, I'm not giving excuses, right. It's really difficult. | 0:15:35 | 0:15:38 | |
I know it is. | 0:15:38 | 0:15:39 | |
That's why you stay back after work when it's quiet and do it. | 0:15:39 | 0:15:43 | |
It's definitely a male obsession, as it were. | 0:15:55 | 0:15:58 | |
Well, it is in here. | 0:15:58 | 0:16:01 | |
I'd say 99% boys and 1% girls come here and buy records. | 0:16:01 | 0:16:07 | |
Yeah, out of every 100, maybe one girl. | 0:16:08 | 0:16:11 | |
That's terrible. | 0:16:11 | 0:16:13 | |
I don't know what it is, it's the... | 0:16:13 | 0:16:15 | |
Blokes do like to collect things | 0:16:15 | 0:16:17 | |
and they like to keep hold of their youth, I suppose. | 0:16:17 | 0:16:20 | |
Never grow up. | 0:16:20 | 0:16:22 | |
Boys don't want to grow up. | 0:16:22 | 0:16:24 | |
I don't want to grow up, it's full of responsibilities. | 0:16:27 | 0:16:31 | |
There are lady collectors of vinyl | 0:16:31 | 0:16:33 | |
-but they are very few and far between. -Why is that? | 0:16:33 | 0:16:36 | |
I don't know, I think it's seen as a pursuit for a gentleman | 0:16:36 | 0:16:41 | |
and you just go out and go to the pub, down a few pints, | 0:16:41 | 0:16:45 | |
you go to a record shop, you buy a few. | 0:16:45 | 0:16:46 | |
Where I hear these records, I go in The Garrick. | 0:16:47 | 0:16:52 | |
Yes, well, they are always playing good stuff in there though. | 0:16:52 | 0:16:55 | |
Yes, yes, and you'll try your best with that other...? | 0:16:55 | 0:16:59 | |
-I've got it on my pin-board. -Pardon? | 0:16:59 | 0:17:02 | |
I've got it on my pin-board, don't worry. | 0:17:02 | 0:17:04 | |
Oh, have you? There we are. Thank you very much. | 0:17:04 | 0:17:06 | |
-Not a problem. -Lovely job. | 0:17:06 | 0:17:08 | |
Are you photographing me again, darling? | 0:17:08 | 0:17:11 | |
I am, yes. | 0:17:11 | 0:17:12 | |
Do you want any male models? Look at this. | 0:17:12 | 0:17:15 | |
-You're a fine specimen. -HE CHUCKLES | 0:17:15 | 0:17:18 | |
I like the 60s and some 50s. | 0:17:18 | 0:17:22 | |
60s, 70s and 80s. | 0:17:22 | 0:17:26 | |
I'm building up a collection of discs. | 0:17:26 | 0:17:32 | |
And do you collect vinyl? | 0:17:32 | 0:17:34 | |
No, no, no, I gave all my vinyl away. | 0:17:34 | 0:17:37 | |
I shouldn't have because my favourite songs were on them as well. | 0:17:37 | 0:17:42 | |
And are you from Stockton? | 0:17:42 | 0:17:44 | |
Yes, I'm from Stockton, yes. Hampton Road, Oxbridge. | 0:17:44 | 0:17:49 | |
So if there's any young girls out there, | 0:17:49 | 0:17:52 | |
must be over 18, I'm available. | 0:17:52 | 0:17:56 | |
HE LAUGHS | 0:17:56 | 0:17:58 | |
Do you think that will do you? | 0:17:58 | 0:17:59 | |
I think that's lovely. | 0:17:59 | 0:18:01 | |
Oh, well. I wish you the best of health. | 0:18:01 | 0:18:04 | |
He's got a credit account. | 0:18:35 | 0:18:36 | |
He comes in once a month and pays £100 in each month. | 0:18:36 | 0:18:39 | |
It's just easy if I know that it's only £100 a month. | 0:18:41 | 0:18:45 | |
It comes from working out a budget. | 0:18:45 | 0:18:47 | |
So you're a very loyal Sound It Out customer? | 0:18:48 | 0:18:51 | |
I've been buying records off Tom for what? | 0:18:51 | 0:18:54 | |
-Nearly 20 years. -Nearly 20 years. | 0:18:54 | 0:18:56 | |
-It kept you out of trouble. -It keeps me out of trouble, yeah. | 0:18:56 | 0:18:59 | |
What do you do for a living? | 0:18:59 | 0:19:01 | |
I'm an auditor. | 0:19:01 | 0:19:04 | |
Like an accountant? | 0:19:04 | 0:19:06 | |
I work in insurance. Insurance auditor. | 0:19:06 | 0:19:11 | |
I don't know, it's a collection of like the last 20 years | 0:19:30 | 0:19:35 | |
of my music listening life. | 0:19:35 | 0:19:37 | |
It's, you know, I can remember where I was when I bought the records. | 0:19:38 | 0:19:43 | |
The first time I listened to records. | 0:19:43 | 0:19:45 | |
There are like some records here that are just... | 0:19:45 | 0:19:48 | |
Really important. | 0:19:52 | 0:19:55 | |
Yeah. | 0:19:55 | 0:19:57 | |
Downstairs, I've got a CD player downstairs | 0:20:06 | 0:20:08 | |
so I listen to CDs downstairs but this is for listening to my records. | 0:20:08 | 0:20:11 | |
They get played and go straight back in their sleeves. | 0:20:13 | 0:20:16 | |
They don't stay on the turntable or anything like that. | 0:20:16 | 0:20:18 | |
It's very much, listen to then put them back into the bag. | 0:20:18 | 0:20:21 | |
How's your collection organised? | 0:20:21 | 0:20:24 | |
Alphabetically. | 0:20:24 | 0:20:27 | |
And all the artists are then ordered chronologically, | 0:20:27 | 0:20:32 | |
albums and singles. | 0:20:32 | 0:20:35 | |
The collection now is so big, | 0:20:35 | 0:20:36 | |
if I want to find a record, if it wasn't in an order, | 0:20:36 | 0:20:39 | |
you know, there's 2,000 records here, it'll take me a while to find them. | 0:20:39 | 0:20:42 | |
Whereas, if I wanted to listen to mid-period David Bowie | 0:20:42 | 0:20:44 | |
I know exactly where it is. | 0:20:44 | 0:20:47 | |
The Man Who Sold the World, | 0:20:47 | 0:20:49 | |
Hunky Dory, The World Of David Bowie. | 0:20:49 | 0:20:51 | |
The reissue of The World of David Bowie with a different cover. | 0:20:51 | 0:20:54 | |
I don't know why I've got the same songs twice. | 0:20:54 | 0:20:56 | |
Changes One, then Low, Heroes, Stage, Lodger, Scary Monsters, Changes Two. | 0:20:56 | 0:21:01 | |
Let's Dance with the £2 sticker on it. | 0:21:01 | 0:21:05 | |
I think I do like organising. | 0:21:07 | 0:21:11 | |
Record collections are never finished, | 0:21:12 | 0:21:15 | |
they will only be finished when they stop selling records | 0:21:15 | 0:21:18 | |
and I don't think that's going to happen, so it'll never be completed. | 0:21:18 | 0:21:21 | |
I don't know what I'm going to do when that box is full. | 0:21:21 | 0:21:25 | |
I need to find more space because there's no more room for records in here. | 0:21:25 | 0:21:28 | |
There's two boxes at the top of the stairs | 0:21:28 | 0:21:30 | |
and they'll be in my room next. | 0:21:30 | 0:21:32 | |
My addiction with records is I'm addicted to music. | 0:21:50 | 0:21:55 | |
I like to hear everything at least once. | 0:21:55 | 0:22:00 | |
That sounds mad. | 0:22:00 | 0:22:02 | |
What is it about records? | 0:22:02 | 0:22:06 | |
Just having like for example having the original release of something. | 0:22:06 | 0:22:11 | |
Half the guys that buy these records probably don't play them | 0:22:13 | 0:22:17 | |
but they have got them in their hands | 0:22:17 | 0:22:19 | |
and they're in their shelf and they're in their label and you know. | 0:22:19 | 0:22:23 | |
With records it's never ending. | 0:22:24 | 0:22:27 | |
You can go on and on and on and on. | 0:22:29 | 0:22:34 | |
I've just had a sort out and have a few records. | 0:22:59 | 0:23:02 | |
-Probably about seven. -Fine, fine. | 0:23:03 | 0:23:06 | |
13, 14, 15 there. | 0:23:06 | 0:23:10 | |
That's five and ten. | 0:23:13 | 0:23:15 | |
-Cheers, Graham. -I'll be back. -OK, see you later. -See you later. | 0:23:15 | 0:23:19 | |
It's like 80s pop stuff. | 0:23:20 | 0:23:22 | |
I can't do anything with them, I'm afraid. The box is nice. | 0:23:22 | 0:23:25 | |
The box is worth more than the records. | 0:23:28 | 0:23:30 | |
HE LAUGHS Fair enough. | 0:23:30 | 0:23:32 | |
-Cheers. -Cheers. Thank you. | 0:23:32 | 0:23:33 | |
Unfortunately, the Beatles ones are too scratched for me. | 0:23:36 | 0:23:40 | |
-Yeah. -But it was nice to see them. | 0:23:40 | 0:23:42 | |
It's just like they have been well loved, | 0:23:42 | 0:23:45 | |
they have been well played, you know. | 0:23:45 | 0:23:47 | |
So I can't sell them so... | 0:23:47 | 0:23:51 | |
Do you get a lot of people in selling? | 0:23:55 | 0:23:59 | |
Yes, not as much as I used to but it's just how it goes with, | 0:23:59 | 0:24:05 | |
you know, like peoples' jobs | 0:24:05 | 0:24:08 | |
and people don't have a record player any more. | 0:24:08 | 0:24:11 | |
That's how I get most of my second hand stock. | 0:24:11 | 0:24:15 | |
Off sort of people like himself. | 0:24:15 | 0:24:17 | |
It's always quite heart breaking | 0:24:17 | 0:24:19 | |
sometimes when I have to go, "No, thank you", | 0:24:19 | 0:24:23 | |
even though it's a great album, | 0:24:23 | 0:24:26 | |
but it's been well, well played. | 0:24:26 | 0:24:30 | |
I'll try to do it without taking the whole KLF and my collection of cobwebs down as well. | 0:24:36 | 0:24:40 | |
There you go. | 0:24:40 | 0:24:42 | |
-Thank you. -Not a problem. | 0:24:42 | 0:24:45 | |
What have you got? | 0:25:17 | 0:25:18 | |
It's a very obscure thrash album from 1989, I think. | 0:25:18 | 0:25:22 | |
Do you come in here much, in the shop? | 0:25:24 | 0:25:27 | |
-Quite a lot, yeah. -What does the shop mean to you? | 0:25:27 | 0:25:30 | |
Quite a bit. | 0:25:30 | 0:25:33 | |
It's one of the only places I can pick my relentlessly obscure music. | 0:25:33 | 0:25:37 | |
What sort of music do you like? What are you a fan of? | 0:25:38 | 0:25:41 | |
Anything that's suffixed by the word metal. Essentially. | 0:25:41 | 0:25:44 | |
Once you've been in it for a few years, you tend to start one of these | 0:25:59 | 0:26:05 | |
and that's called a battle jacket. | 0:26:05 | 0:26:08 | |
Well, the idea behind it is you make one because you can get more | 0:26:08 | 0:26:12 | |
bands on it than just the one on your t-shirt. | 0:26:12 | 0:26:16 | |
-And eventually... -It'll look like this and smell like this. | 0:26:17 | 0:26:21 | |
It'll look like this and start smelling a little bit ripe. | 0:26:21 | 0:26:24 | |
-Mine smells a lot worse. -Yours smells like cheese. | 0:26:24 | 0:26:28 | |
On here I've got like Sodom, Razor, At The Gates, Forbidden, Death Angel, | 0:26:28 | 0:26:33 | |
-DSI, Carcass all sorts of choice cuts from the... -Morbid shaped. | 0:26:33 | 0:26:39 | |
Morbid and intensely strange world of heavy metal. | 0:26:39 | 0:26:47 | |
And you never take it off. | 0:26:47 | 0:26:48 | |
I know. It's becoming an extension of my torso. | 0:26:48 | 0:26:52 | |
The more time you put into one, | 0:26:52 | 0:26:56 | |
the more sort of respect you get, really. | 0:26:56 | 0:26:59 | |
-From the community. -Yeah. | 0:26:59 | 0:27:02 | |
You've put a fair amount of love into it | 0:27:02 | 0:27:05 | |
and it's love that you get from the love of the music. | 0:27:05 | 0:27:10 | |
This back patch took me three hours to stencil and paint | 0:27:10 | 0:27:13 | |
and I've had a lot of comments about how well sorted it is. | 0:27:13 | 0:27:19 | |
It takes a lot of work and love to do it | 0:27:19 | 0:27:21 | |
and it's the love that counts, really. | 0:27:21 | 0:27:24 | |
What is Pisschrist? | 0:27:24 | 0:27:26 | |
An Australian D-Beat crust band. | 0:27:26 | 0:27:28 | |
-D-Beat? -Yeah, it's D-Beat. | 0:27:28 | 0:27:31 | |
Have you not made that up? | 0:27:31 | 0:27:32 | |
No, that is a genre, actually. That's what Wolfsbane are. | 0:27:32 | 0:27:36 | |
HEAVY METAL MUSIC PLAYS | 0:27:36 | 0:27:39 | |
THEY SING ALONG | 0:27:46 | 0:27:50 | |
Every second in the day that I can fill with music | 0:28:00 | 0:28:03 | |
I will fill with music. | 0:28:03 | 0:28:04 | |
Even if it's ten seconds, I'll put something on | 0:28:04 | 0:28:07 | |
because it's everything. | 0:28:07 | 0:28:10 | |
If it wasn't for the music I listen to, I wouldn't be who I am now. | 0:28:10 | 0:28:15 | |
-We wouldn't look and act the way we do now. -Yeah. | 0:28:15 | 0:28:19 | |
But who are you then? | 0:28:19 | 0:28:20 | |
I don't know, who are you? What are you doing in my house? | 0:28:20 | 0:28:24 | |
We are general delinquents, really. | 0:28:24 | 0:28:27 | |
Well, thank you for that one, yeah. | 0:28:27 | 0:28:29 | |
It's quite a hard town, | 0:28:53 | 0:28:54 | |
it's quite a poor town, but there is such a lot of characters, | 0:28:54 | 0:29:00 | |
that's why I like it so much. | 0:29:00 | 0:29:02 | |
But if you go and have a look on the high street | 0:29:08 | 0:29:10 | |
you will just see many, many charity shops | 0:29:10 | 0:29:13 | |
and many, many pound shops, | 0:29:13 | 0:29:15 | |
which is very sad because it used to be, it's still the widest | 0:29:15 | 0:29:19 | |
high street in Europe, but they don't play on that any more. | 0:29:19 | 0:29:23 | |
Terrible really, nothing to do at all. No jobs. | 0:29:29 | 0:29:33 | |
I'd do any job because like, I needed the money | 0:29:33 | 0:29:35 | |
because I had a son and that. So I'd do anything for a job now. | 0:29:35 | 0:29:38 | |
Mechanics or something really, or painting and decorating, | 0:29:38 | 0:29:42 | |
but like no jobs at all round here. | 0:29:42 | 0:29:44 | |
I've been trying and trying, but can't get a job nowhere. | 0:29:44 | 0:29:47 | |
Boredom all the time really, | 0:29:55 | 0:29:57 | |
nowhere to go, there is nothing to do, | 0:29:57 | 0:29:59 | |
just like all the youths getting in trouble and that. | 0:29:59 | 0:30:02 | |
There should be like a youth club or something, you know what I mean, | 0:30:02 | 0:30:05 | |
for people to keep out of trouble, but there's not. | 0:30:05 | 0:30:07 | |
Never been since I was a kid and there still isn't now, ten year on. | 0:30:07 | 0:30:10 | |
Like, everyone around here, they all drink, nearly every day, | 0:30:10 | 0:30:14 | |
like smoke, nearly every day, and like... | 0:30:14 | 0:30:16 | |
It is hard to stay out of trouble, like, | 0:30:16 | 0:30:18 | |
you've just got to change, your friends really, | 0:30:18 | 0:30:20 | |
like I used to get in trouble all the time, | 0:30:20 | 0:30:22 | |
and like now I've changed my friends and now I don't get in trouble. | 0:30:22 | 0:30:25 | |
So that's why me and Frankey DJ and MC, | 0:30:25 | 0:30:26 | |
it's like something to do, it keeps out of trouble. | 0:30:26 | 0:30:29 | |
It's dreadful! | 0:30:36 | 0:30:37 | |
It's home really, it's awful but it's just, | 0:30:39 | 0:30:42 | |
-it's where we're from so we can't really hate it that much. -I can. | 0:30:42 | 0:30:47 | |
See it's everyone like you and Jess are going, | 0:30:47 | 0:30:50 | |
"oh, I want to move away to London..." | 0:30:50 | 0:30:52 | |
I love it here, I love the North East. | 0:30:52 | 0:30:54 | |
I'm sorry, there is nothing to do up here. | 0:30:54 | 0:30:57 | |
I know the North East better than I know anywhere, | 0:30:57 | 0:31:00 | |
and it's just sort of safe for me, I feel safe here. | 0:31:00 | 0:31:04 | |
# My life flashed before me | 0:31:05 | 0:31:10 | |
# Is this so different? | 0:31:15 | 0:31:20 | |
# Is this all you can do? | 0:31:20 | 0:31:25 | |
# When faced with the difference of me. # | 0:31:25 | 0:31:31 | |
Is that kettle on, Tom? | 0:31:34 | 0:31:35 | |
-The kettle can be on, Bob. -Oh, right, excellent. | 0:31:35 | 0:31:38 | |
Can't you hear it? I can hear it. | 0:31:38 | 0:31:41 | |
We have got an artist on playing live, Saint Saviour. | 0:31:41 | 0:31:45 | |
She turns out, she's from Stockton, so that's quite good really, | 0:31:45 | 0:31:50 | |
she wanted to play in the shop, which is bizarre, but exciting. | 0:31:50 | 0:31:55 | |
Compared to say somewhere like Brixton Academy, which is like, | 0:31:55 | 0:31:58 | |
where she's apparently played and nearly sold out, | 0:31:58 | 0:32:01 | |
it's quite daunting really, but it will be fun, I think. | 0:32:01 | 0:32:05 | |
Is it scary coming back with the idea | 0:32:08 | 0:32:10 | |
that you might see people from school? | 0:32:10 | 0:32:13 | |
Yeah, that's the most scary thing. | 0:32:13 | 0:32:16 | |
When I was growing up in Stockton, I was the shyest kid, | 0:32:16 | 0:32:20 | |
and I was quite an awkward, skinny, ginger, freckly girl, | 0:32:20 | 0:32:26 | |
and I hated school, I hated growing up, | 0:32:26 | 0:32:29 | |
and then I moved to London and just reinvented myself. | 0:32:29 | 0:32:35 | |
So, yeah, when you come back, people know you, | 0:32:35 | 0:32:38 | |
people actually know who you really are. | 0:32:38 | 0:32:42 | |
Hello everybody My name is Becky, | 0:32:43 | 0:32:48 | |
AKA Saint Saviour. | 0:32:48 | 0:32:51 | |
I'm a Stockton girl and I've come back for the weekend to sing for you. | 0:32:51 | 0:32:57 | |
-Thank you. -Thank you for having me. | 0:32:58 | 0:33:00 | |
So I'm going to play a few tunes, | 0:33:00 | 0:33:03 | |
I usually have a big band with me but I couldn't fit them in the shop, | 0:33:03 | 0:33:07 | |
and also they just wouldn't come up here, | 0:33:07 | 0:33:09 | |
so I came up on my own! | 0:33:09 | 0:33:12 | |
This is a song called When You Smile. | 0:33:13 | 0:33:15 | |
# From the start | 0:33:36 | 0:33:39 | |
# I wished for a brave old heart | 0:33:39 | 0:33:43 | |
# But all the while | 0:33:43 | 0:33:46 | |
# I was such a shy child | 0:33:46 | 0:33:51 | |
# And there again | 0:33:51 | 0:33:53 | |
# I'm lost in the dragon's den | 0:33:56 | 0:33:59 | |
# Here comes my knight | 0:33:59 | 0:34:02 | |
# And saved by modern life | 0:34:03 | 0:34:07 | |
# Cos I don't need | 0:34:07 | 0:34:09 | |
# No suit of armour | 0:34:11 | 0:34:14 | |
# Cos my instincts | 0:34:14 | 0:34:17 | |
# Are scared of you | 0:34:17 | 0:34:21 | |
# When you smile | 0:34:22 | 0:34:30 | |
# When you smile | 0:34:30 | 0:34:34 | |
# Ooh | 0:34:34 | 0:34:37 | |
# Cos I don't need no sword and shield | 0:34:39 | 0:34:47 | |
# Cos my instincts | 0:34:48 | 0:34:50 | |
# Are scared of you. # | 0:34:52 | 0:34:55 | |
Sorry, all my songs have really sudden endings, | 0:34:57 | 0:34:59 | |
it's because I haven't worked them out. | 0:34:59 | 0:35:02 | |
So... | 0:35:04 | 0:35:06 | |
-What's the name? -Shane. | 0:35:14 | 0:35:17 | |
-Cool. -Thank you very much. -Cheers, nice to meet you. | 0:35:19 | 0:35:22 | |
Thank you, as well. Thanks a lot. Bye. | 0:35:22 | 0:35:24 | |
I was rummaging around my music corner and I come across this. | 0:35:34 | 0:35:42 | |
All the songs are on there, and it's a double one. | 0:35:45 | 0:35:50 | |
-It's an old one, isn't it? -There's a barcode on that, | 0:35:50 | 0:35:52 | |
-and I don't know whether it will tell you what title it is. -Yep. | 0:35:52 | 0:35:56 | |
-Well, it's basically called More Rock 'N' Roll Love Songs. -Oh. | 0:35:56 | 0:35:59 | |
Is it something you want another copy..? | 0:35:59 | 0:36:02 | |
I've lost the discs, I don't know where the discs are. | 0:36:02 | 0:36:05 | |
I want to re-order it if possible. | 0:36:05 | 0:36:07 | |
Now, being an old one, it could be out of circulation, | 0:36:07 | 0:36:10 | |
so what I'll do, I'll have a look on the computer, see what I can find. | 0:36:10 | 0:36:13 | |
-OK. -I'll be a minute, OK. -Oh, that's fine. | 0:36:13 | 0:36:16 | |
We'll have a look at a couple of discs, Janet, for you. | 0:36:16 | 0:36:20 | |
Now then, where's rock? | 0:36:23 | 0:36:27 | |
-Oh, there's Blondie. -I don't want Blondie. | 0:36:27 | 0:36:29 | |
-You don't want Blondie? -No. | 0:36:29 | 0:36:32 | |
Adam and the Ants, you have a look at that. | 0:36:32 | 0:36:36 | |
There's Bon Jovi, who's them? | 0:36:41 | 0:36:44 | |
I'd rather keep my comments to myself, | 0:36:44 | 0:36:46 | |
I had a girlfriend every night before I met this one. | 0:36:46 | 0:36:49 | |
It's more of a fun marriage then was it? | 0:36:49 | 0:36:52 | |
-Married? Oh, I'm not married. I'm still single. -Still single? | 0:36:52 | 0:36:55 | |
Oh, yes, I'm still looking for a millionairess. | 0:36:55 | 0:36:58 | |
Ooh, that's good. | 0:36:58 | 0:37:00 | |
Is it 46 year, we've been with each other? | 0:37:02 | 0:37:05 | |
There abouts. | 0:37:05 | 0:37:06 | |
I could've done a life sentence and been free. | 0:37:06 | 0:37:09 | |
You could of. | 0:37:09 | 0:37:10 | |
I'm going to buy a grave, a grave plot, | 0:37:10 | 0:37:17 | |
I'm getting ready for the endless sleep. See you later. | 0:37:17 | 0:37:20 | |
Tada, darling. Love you, Baby. | 0:37:20 | 0:37:24 | |
HE LAUGHS | 0:37:32 | 0:37:35 | |
# Later when you came back | 0:37:41 | 0:37:46 | |
# And I had no energy left | 0:37:46 | 0:37:50 | |
# So we just walked round town... # | 0:37:52 | 0:37:59 | |
I think when I first started collecting records properly, | 0:37:59 | 0:38:03 | |
it was when you could still buy vinyl in record shops, | 0:38:03 | 0:38:06 | |
and you could just go in, and you know, there was there must have been, | 0:38:06 | 0:38:10 | |
what, one, two, at least three in Stockton, | 0:38:10 | 0:38:12 | |
maybe, oh, there was four. There was Record Marks. | 0:38:12 | 0:38:15 | |
There were four shops, five, no, there were five, | 0:38:15 | 0:38:17 | |
then there was the flea market, so there were six places | 0:38:17 | 0:38:20 | |
you could buy records, when I first started collecting. | 0:38:20 | 0:38:22 | |
Maybe even seven, if I think about Smiths as well. | 0:38:22 | 0:38:25 | |
My first record player was my parents' | 0:38:29 | 0:38:32 | |
old home entertainment thing, with the arm, | 0:38:32 | 0:38:35 | |
and you could stack seven inches up and pull the handle down, | 0:38:35 | 0:38:38 | |
and we didn't have a CD player for a long time, | 0:38:38 | 0:38:41 | |
and you get used to the sound, I don't mind CDs, | 0:38:41 | 0:38:45 | |
it's just I prefer the sound of the vinyl. | 0:38:45 | 0:38:48 | |
# Fortune reign | 0:38:49 | 0:38:52 | |
# And I know where you'll be... # | 0:38:53 | 0:39:01 | |
Tom's shop, the only shop in the North East, | 0:39:03 | 0:39:05 | |
once or twice a month he sees me, | 0:39:05 | 0:39:09 | |
because I'm more selective with what I buy, | 0:39:09 | 0:39:11 | |
I won't just go in and buy something you know, | 0:39:11 | 0:39:13 | |
I'm more selective. | 0:39:13 | 0:39:14 | |
It's because you want the power tunes, the ones no-one else has got. | 0:39:14 | 0:39:17 | |
Yeah, yeah, I like the power tunes. | 0:39:17 | 0:39:19 | |
When you go to Tom's and find the tune you've wanted for ages, | 0:39:19 | 0:39:21 | |
it's like a little buzz and relief, like you finally found it, | 0:39:21 | 0:39:26 | |
"yes, I've finally got it after all this looking, | 0:39:26 | 0:39:29 | |
"like it's my tune now." | 0:39:29 | 0:39:30 | |
I'm going to take these, | 0:39:32 | 0:39:34 | |
because otherwise he'll have me spending more money that I've got. | 0:39:34 | 0:39:37 | |
What this man doesn't know about music isn't worth knowing. | 0:39:37 | 0:39:40 | |
I don't know, I just like going there because, you know, | 0:39:42 | 0:39:45 | |
you can always talk to him, | 0:39:45 | 0:39:46 | |
talk to David as well, it's just, you know, | 0:39:46 | 0:39:48 | |
you never know what's going to be in there, | 0:39:48 | 0:39:50 | |
he sends me texts, "I've got these records." | 0:39:50 | 0:39:55 | |
Sound It Out has everything, | 0:39:57 | 0:40:00 | |
but with Tom, in a way he is a feeder, | 0:40:00 | 0:40:03 | |
Tom feeds people with what they need. | 0:40:03 | 0:40:07 | |
God, that sounds really bad, doesn't it? | 0:40:07 | 0:40:09 | |
No, but he is their feeder he is basically their dealer. | 0:40:09 | 0:40:15 | |
You know, he is their dealer. | 0:40:15 | 0:40:18 | |
Well, I've got a Will Oldham album up there. | 0:40:19 | 0:40:22 | |
-Nah, stop it, stop now. -That'll do for the time being. | 0:40:22 | 0:40:25 | |
I definitely want that one. | 0:40:25 | 0:40:27 | |
Yeah, it was my first record I ever bought, I got it from Sound It Out. | 0:40:30 | 0:40:35 | |
I don't know, it was just brilliant | 0:40:35 | 0:40:37 | |
when I found out that he had one in Stockton, | 0:40:37 | 0:40:39 | |
because I could go there instead of paying about eight quid | 0:40:39 | 0:40:43 | |
to go to Newcastle. | 0:40:43 | 0:40:45 | |
-To not come back with anything. -To not come back with anything. | 0:40:45 | 0:40:48 | |
It's a safe home for everyone really. | 0:40:48 | 0:40:50 | |
It's just everyone swallows their differences once they get inside. | 0:40:50 | 0:40:53 | |
-It's like the last bastion of sensibleness... -..in the world? | 0:40:53 | 0:40:58 | |
No, in Stockton, certainly. | 0:40:58 | 0:41:00 | |
Imagine the horrible scenario that... | 0:41:11 | 0:41:13 | |
Don't even go there. I know what you're going to say, aren't you? | 0:41:13 | 0:41:18 | |
If he had to go? If he disappeared? | 0:41:18 | 0:41:20 | |
I would literally, physically cry. | 0:41:22 | 0:41:25 | |
Stockton's a very cheap place, well, the high street | 0:41:28 | 0:41:32 | |
is very expensive, but where I am, it's very cheap. | 0:41:32 | 0:41:37 | |
It's the cheapest rent in town where I am, | 0:41:37 | 0:41:38 | |
and that's why I've probably been here as long as I have. | 0:41:38 | 0:41:42 | |
About a year and a half ago the landlord of this block, | 0:41:47 | 0:41:49 | |
and the landlord of the next block were on about redeveloping | 0:41:49 | 0:41:52 | |
the whole block of shops, | 0:41:52 | 0:41:54 | |
and so for the whole year I was, | 0:41:54 | 0:41:56 | |
I didn't know what was going on, I was just going, | 0:41:56 | 0:41:58 | |
"right, I'm going to have to..." | 0:41:58 | 0:42:00 | |
Because it was going month by month, if I had to close the shop, | 0:42:00 | 0:42:03 | |
I'd know within a month of clearing the shop, | 0:42:03 | 0:42:06 | |
and so I just contemplated just closing completely, | 0:42:08 | 0:42:11 | |
and selling online for a while, | 0:42:11 | 0:42:13 | |
then going to do something completely different, | 0:42:13 | 0:42:17 | |
but luckily I'm still here, I'm still selling records. | 0:42:17 | 0:42:20 | |
Do you worry about the future of the shop? | 0:42:36 | 0:42:41 | |
Yeah, I worry about everything, | 0:42:41 | 0:42:43 | |
because I had this whole complacent attitude to, like... | 0:42:43 | 0:42:47 | |
Just over a year ago, thinking, "oh, the recession, | 0:42:47 | 0:42:50 | |
"I don't think that will ever affect me." | 0:42:50 | 0:42:53 | |
I worked for Zavvi for ten years. | 0:42:54 | 0:42:57 | |
And then Woolworths went down, | 0:42:59 | 0:43:01 | |
and their supplier of all their media stock was our supplier, | 0:43:01 | 0:43:07 | |
which because it was technically the same company, | 0:43:07 | 0:43:11 | |
it went under with Woolworths, | 0:43:11 | 0:43:12 | |
and then no-one would give, like Virgin or Zavvi, | 0:43:12 | 0:43:17 | |
good dealer rights, and basically that sucked us with it. | 0:43:17 | 0:43:23 | |
We found out we were losing our jobs on Christmas Eve. | 0:43:23 | 0:43:26 | |
Then Tom was like, "you know, why don't you come and work for me?" | 0:43:29 | 0:43:33 | |
I said, "well, do you want us?" He goes, | 0:43:33 | 0:43:34 | |
"well, you can come and do it." So, yeah... | 0:43:34 | 0:43:37 | |
..very grateful. | 0:43:38 | 0:43:40 | |
God forbid if this ever went, it'd leave a huge void. | 0:43:45 | 0:43:50 | |
# Routine bites hard | 0:43:57 | 0:44:00 | |
# And ambitions are low | 0:44:00 | 0:44:03 | |
# And resentment rides high | 0:44:04 | 0:44:08 | |
# But emotions won't grow... # | 0:44:08 | 0:44:11 | |
'It's all about emotions, records. Emotions and memories.' | 0:44:11 | 0:44:14 | |
'I can tell you exactly what I was doing when I play a record.' | 0:44:16 | 0:44:20 | |
Where I was, who I was going out with, it's all about memories. | 0:44:20 | 0:44:24 | |
Records hold memories. | 0:44:25 | 0:44:28 | |
# Love will tear us apart again. # | 0:44:29 | 0:44:34 | |
I'm going through this bag of records now, | 0:44:34 | 0:44:37 | |
and I can hear every single tune in my head, what it sounds like. | 0:44:37 | 0:44:43 | |
But it's never-ending. That's the curse of record shops. | 0:44:43 | 0:44:48 | |
You might think you have everything you've ever wanted, | 0:44:48 | 0:44:51 | |
and then you go, "Oh, what's that"? | 0:44:51 | 0:44:54 | |
# Turned away on your side | 0:44:54 | 0:44:57 | |
# Is my timing that flawed? | 0:44:58 | 0:45:00 | |
# Our respect run so dry? | 0:45:02 | 0:45:05 | |
# Yet there's still this appeal | 0:45:06 | 0:45:08 | |
# That we've kept through our lives | 0:45:10 | 0:45:13 | |
# Love, love will tear us apart, Again | 0:45:15 | 0:45:20 | |
# Love, love will tear us apart. # | 0:45:22 | 0:45:28 | |
Music just helps me get along, because without music | 0:45:28 | 0:45:31 | |
I don't honestly think I'd still be here, really. | 0:45:31 | 0:45:34 | |
I'd be six feet under by now if I didn't have any sort of song | 0:45:34 | 0:45:38 | |
blasting in my ears every second I can. | 0:45:38 | 0:45:41 | |
I'm not proud to admit, | 0:45:41 | 0:45:42 | |
but I have made a few attempts at, like, ending my life, | 0:45:42 | 0:45:47 | |
but if it wasn't for him and a lot of the stuff that I have on my iPod | 0:45:47 | 0:45:51 | |
at the moment, I wouldn't be here. | 0:45:51 | 0:45:54 | |
# Turn that system down. # | 0:45:54 | 0:45:58 | |
'I can safely say that if it wasn't for Skindred, I wouldn't be here.' | 0:45:58 | 0:46:02 | |
'I don't know why, just their enthusiasm.' | 0:46:02 | 0:46:06 | |
'It's a life-line, really.' | 0:46:06 | 0:46:08 | |
# Cannot take the music killa sound | 0:46:08 | 0:46:10 | |
# Yeah we'll turn it up But never down | 0:46:10 | 0:46:17 | |
# Stress it just drives Them underground | 0:46:17 | 0:46:20 | |
# Cannot take the music killa sound | 0:46:20 | 0:46:24 | |
# Yeah we'll turn it up But never down | 0:46:24 | 0:46:28 | |
# Stress it just drives Them underground | 0:46:28 | 0:46:32 | |
# Cannot take the music killa sound | 0:46:32 | 0:46:35 | |
# Yeah we'll turn it up But never down | 0:46:35 | 0:46:39 | |
# Pressure | 0:46:42 | 0:46:43 | |
# Pressure. # | 0:46:45 | 0:46:46 | |
Unfortunately, due to medical grounds, | 0:46:49 | 0:46:52 | |
I couldn't go to a normal school, | 0:46:52 | 0:46:54 | |
so I got put to what they called a "spastic school" at the time, | 0:46:54 | 0:46:58 | |
which I hate the term, | 0:46:58 | 0:46:59 | |
because I was called it for about fourteen years | 0:46:59 | 0:47:01 | |
and I think that was part of the reason why | 0:47:01 | 0:47:04 | |
I became sort of a bit reclusive and started this, you know. | 0:47:04 | 0:47:08 | |
That's one of the reasons, I look back on life, | 0:47:08 | 0:47:11 | |
you don't do it at the time, but you look back at it | 0:47:11 | 0:47:14 | |
and think maybe that was sort of a catalyst. | 0:47:14 | 0:47:17 | |
Then you think, "Well, it's you, your records, you're on your own." | 0:47:17 | 0:47:21 | |
Why did you end up going to a special school? | 0:47:21 | 0:47:24 | |
Basically, I was diagnosed with cerebral palsy, | 0:47:24 | 0:47:27 | |
epilepsy and hydrocephalus, which is fluid on the brain. | 0:47:27 | 0:47:32 | |
All of which is, touch wood, under control, | 0:47:33 | 0:47:38 | |
you know, with medication, | 0:47:38 | 0:47:41 | |
but it does limit you in what you can do and what you can't do. | 0:47:41 | 0:47:45 | |
I mean, for instance, I can't drive, | 0:47:45 | 0:47:47 | |
never will be able to, one of those things, | 0:47:47 | 0:47:49 | |
and I ended up on the dole for nearly six years | 0:47:49 | 0:47:53 | |
because at that time nobody wanted to employ a "spacka", | 0:47:53 | 0:47:56 | |
as they called them. | 0:47:56 | 0:47:57 | |
Now they can't get away with it, of calling you that, | 0:47:57 | 0:48:01 | |
but there is still prejudice out there. | 0:48:01 | 0:48:03 | |
What's your job? | 0:48:03 | 0:48:04 | |
I work permanent nights for B&Q. | 0:48:04 | 0:48:08 | |
Basically, pure and simple terms, a shelf stacker. | 0:48:08 | 0:48:13 | |
Empty the wagons, fill the shelves, make it all look pretty | 0:48:13 | 0:48:16 | |
for you people to come and spend your money and pay my wages. | 0:48:16 | 0:48:19 | |
That's the way I look at it, anyway. | 0:48:19 | 0:48:22 | |
What I think about when I'm working is, go in, clock on, | 0:48:23 | 0:48:28 | |
do the job, clock off, go home. | 0:48:28 | 0:48:31 | |
This is my release. | 0:48:31 | 0:48:33 | |
# If you want to turn me onto | 0:48:33 | 0:48:35 | |
# Anything you really want to | 0:48:35 | 0:48:38 | |
# Turn me onto your love | 0:48:38 | 0:48:41 | |
# Sweet love | 0:48:41 | 0:48:42 | |
# Come on, sweet Caroline | 0:48:46 | 0:48:48 | |
# You're my sweet Caroline | 0:48:48 | 0:48:51 | |
# You know I want to take you | 0:48:51 | 0:48:52 | |
# I've really got to make you | 0:48:52 | 0:48:54 | |
# Come on, sweet Caroline | 0:48:54 | 0:48:57 | |
# Take my hand | 0:48:57 | 0:48:59 | |
# Together we can rock'n'roll. # | 0:48:59 | 0:49:02 | |
When is your record collection going to be complete? | 0:49:03 | 0:49:06 | |
Never, never. | 0:49:06 | 0:49:09 | |
It will... I mean, I have already said, | 0:49:09 | 0:49:13 | |
I have been doing research into this, this sounds morbid I know, | 0:49:13 | 0:49:17 | |
but one of the things I've looked into is, actually, | 0:49:17 | 0:49:22 | |
I would begrudge selling this on to somebody, | 0:49:22 | 0:49:26 | |
because I don't know they would actually look after it. | 0:49:26 | 0:49:28 | |
I don't have any children myself, I don't have a partner, | 0:49:28 | 0:49:31 | |
and I thought, "Well, what's the one way I'd like to be with my records?" | 0:49:32 | 0:49:39 | |
I thought, "Well, how about being buried with them?" | 0:49:39 | 0:49:42 | |
and I was actually talking to a friend of mine | 0:49:42 | 0:49:44 | |
who is actually an undertaker, and he said, | 0:49:44 | 0:49:47 | |
"You know, there is actually two or three companies | 0:49:47 | 0:49:50 | |
"that can melt your vinyl down," he said, "And make it into a coffin." | 0:49:50 | 0:49:53 | |
So that's one of my things on my will, to have my vinyl melted down | 0:49:54 | 0:49:59 | |
and be buried with my vinyl. | 0:49:59 | 0:50:01 | |
In a vinyl coffin. | 0:50:01 | 0:50:04 | |
It's my idea of taking it with me, | 0:50:04 | 0:50:06 | |
you know, because to me, it means so much to me. | 0:50:06 | 0:50:10 | |
You know? | 0:50:10 | 0:50:11 | |
Oh, let's have a look at these, Janet. | 0:50:43 | 0:50:46 | |
Oh, let's have a look at these. | 0:50:46 | 0:50:48 | |
Is this what you like? | 0:50:51 | 0:50:53 | |
Meat Loaf, yeah. | 0:50:53 | 0:50:54 | |
Oh, that looks nice. | 0:50:54 | 0:50:55 | |
Meat Loaf, that one there. | 0:50:55 | 0:50:57 | |
Meat Loaf, again. | 0:50:58 | 0:51:00 | |
-Have you got it? -Yeah. | 0:51:02 | 0:51:04 | |
And Meat Loaf again. | 0:51:04 | 0:51:06 | |
I think I can afford the three for you, Janet. | 0:51:07 | 0:51:10 | |
-We'll get the three of these. -OK. | 0:51:10 | 0:51:12 | |
Yes, lovely, smashing. | 0:51:12 | 0:51:14 | |
Yes, good shop, this. Good shop. | 0:51:14 | 0:51:18 | |
So, are you the Meat Loaf fan? | 0:51:18 | 0:51:20 | |
Yeah. | 0:51:20 | 0:51:21 | |
She's got her own Jukebox. She's got her own Jukebox. | 0:51:21 | 0:51:24 | |
I've got my own Jukebox, yeah. | 0:51:24 | 0:51:25 | |
What is it about Meat Loaf, then? | 0:51:25 | 0:51:28 | |
I just like the way he sings, he sings nice. | 0:51:28 | 0:51:31 | |
I'm going to build a little collection up for her. | 0:51:31 | 0:51:33 | |
A collection of vinyls, I mean. | 0:51:33 | 0:51:36 | |
I'm glad that record player works for you, as well. | 0:51:36 | 0:51:38 | |
Oh, it's great. | 0:51:38 | 0:51:39 | |
-The best fiver you've spent for a long time, I should imagine. -Yeah. | 0:51:39 | 0:51:42 | |
You've got to keep getting up, like. | 0:51:42 | 0:51:43 | |
Oh, well, that's the half the fun of records, keeps you fit. | 0:51:43 | 0:51:46 | |
Yeah, well, she's got to keep getting up. | 0:51:46 | 0:51:49 | |
Ah. | 0:51:49 | 0:51:50 | |
What have you got planned for the rest of the day? | 0:51:50 | 0:51:52 | |
Well, I'm going to have three bottles of brown ale, | 0:51:52 | 0:51:56 | |
then we're going on the market, shopping. | 0:51:56 | 0:51:59 | |
We've got the music first. | 0:51:59 | 0:52:01 | |
We always come here, yes, good service. | 0:52:01 | 0:52:06 | |
Anything you want, you can get it in here. | 0:52:07 | 0:52:10 | |
That's excluding loose women from Taiwan. | 0:52:11 | 0:52:17 | |
See you later, gentlemen! | 0:52:20 | 0:52:22 | |
Bye. | 0:52:22 | 0:52:23 | |
Bye-bye, pet. | 0:52:23 | 0:52:25 | |
Bye. | 0:52:25 | 0:52:26 | |
Goodbye. | 0:52:26 | 0:52:27 | |
He's lovely. | 0:52:32 | 0:52:34 | |
It's record shop day. | 0:52:38 | 0:52:40 | |
Store day. | 0:52:40 | 0:52:41 | |
Record store day, yeah. | 0:52:41 | 0:52:43 | |
It started three years ago... | 0:52:43 | 0:52:45 | |
-In the states. -..in the states, | 0:52:45 | 0:52:47 | |
and it was to celebrate all these indie shops in the states. | 0:52:47 | 0:52:50 | |
There's actually about as many independent record shops | 0:52:50 | 0:52:53 | |
in the states now as there is in the UK, | 0:52:53 | 0:52:56 | |
because the numbers have reduced that many. | 0:52:56 | 0:52:59 | |
You know, when you think about how big America is | 0:52:59 | 0:53:02 | |
and there is the same number of indie shops there. | 0:53:02 | 0:53:04 | |
It's ridiculous. | 0:53:04 | 0:53:06 | |
So far, already, it's been busy, like busier than normal for a Saturday, | 0:53:13 | 0:53:18 | |
and today we've got a few bands playing | 0:53:18 | 0:53:21 | |
like Russell and the Wolves, who are just nuts. | 0:53:21 | 0:53:24 | |
They're like The Cramps but louder. | 0:53:24 | 0:53:26 | |
It's going to be busy with customers, | 0:53:26 | 0:53:28 | |
but also going to be busy with people coming to see the band as well, | 0:53:28 | 0:53:31 | |
and so it's going to be very interesting. | 0:53:31 | 0:53:35 | |
SINGS INDISTINCTLY | 0:53:42 | 0:53:46 | |
I love it when it's busy like that. | 0:55:20 | 0:55:23 | |
If that was like that all the time I'd be quite happy. | 0:55:23 | 0:55:27 | |
When I'm just on my feet and serving four people at once, that's great. | 0:55:27 | 0:55:31 | |
I love that. When it's quiet and it's just like... | 0:55:31 | 0:55:34 | |
You get a bit lethargic, but that, I'm, like, totally on a high now. | 0:55:34 | 0:55:38 | |
I'm knackered, but I'm totally on a high. | 0:55:38 | 0:55:41 | |
It's probably the busiest day of this year, I think. | 0:55:42 | 0:55:44 | |
Busier than Christmas. | 0:55:44 | 0:55:46 | |
Busiest day ever, ever. | 0:55:46 | 0:55:47 | |
It probably is the busiest day. | 0:55:47 | 0:55:49 | |
In my books for the year, | 0:55:49 | 0:55:50 | |
there will be a spike on this day, going up. | 0:55:50 | 0:55:52 | |
'I think the shop is an escape for a lot of people.' | 0:56:02 | 0:56:06 | |
'It's somewhere for them to go and escape their lives for an hour.' | 0:56:06 | 0:56:11 | |
'And that's important.' | 0:56:13 | 0:56:14 | |
'You put a record on and you're totally taken away | 0:56:15 | 0:56:18 | |
'for however long the record lasts.' | 0:56:18 | 0:56:21 | |
'and I think there's always going to be a market for that.' | 0:56:21 | 0:56:24 | |
# Supper in black | 0:56:24 | 0:56:26 | |
# Smoking jacket still intact | 0:56:26 | 0:56:27 | |
# And I believe | 0:56:27 | 0:56:30 | |
# You're anything but sad | 0:56:30 | 0:56:32 | |
# Suffer alone | 0:56:43 | 0:56:45 | |
# Some home | 0:56:48 | 0:56:51 | |
# Suffer alone | 0:56:53 | 0:56:55 | |
# Some home | 0:57:00 | 0:57:04 | |
# Suffer alone | 0:57:07 | 0:57:10 | |
# Some home | 0:57:13 | 0:57:16 | |
# Suffer alone | 0:57:17 | 0:57:19 | |
# Some home | 0:57:23 | 0:57:28 | |
# Suffer alone | 0:57:28 | 0:57:31 | |
# Some home | 0:57:32 | 0:57:37 | |
# Suffer alone | 0:57:38 | 0:57:41 | |
# Some home. # | 0:57:43 | 0:57:48 | |
# This isn't the time, This isn't the place | 0:57:58 | 0:58:02 | |
# You're out of line, I'm a disgrace | 0:58:04 | 0:58:08 | |
# You'll never be the best | 0:58:09 | 0:58:12 | |
# I've ever seen | 0:58:12 | 0:58:13 | |
# You'll always see | 0:58:15 | 0:58:16 | |
# The worst I've ever been. # | 0:58:16 | 0:58:19 |