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MUSIC: "Playing With Fire (Orchestral Version)" | 0:00:28 | 0:00:31 | |
One's brought up to think that pop music is a very ephemeral thing, | 0:01:03 | 0:01:07 | |
and it lasts for nothing, so when we first made a record | 0:01:07 | 0:01:10 | |
and it got in the charts we thought, well, it's good, we'll probably be around | 0:01:10 | 0:01:13 | |
for a year, maybe a year-and-a-half, and then it's all going to be over. | 0:01:13 | 0:01:17 | |
-I like the fella that plays the drums. -Charlie? | 0:01:17 | 0:01:20 | |
-Charlie. -You like him? -Yeah. | 0:01:20 | 0:01:23 | |
I just took up the drums. I can't read. | 0:01:23 | 0:01:26 | |
I'm not a musician of that calibre, | 0:01:26 | 0:01:28 | |
maybe it's just standards I'm looking at. | 0:01:28 | 0:01:31 | |
Maybe it's just an inferiority complex. Maybe I'm great after all. | 0:01:31 | 0:01:37 | |
-Who do you like in any group, then? -Brian Jones. -Brian Jones. | 0:01:37 | 0:01:39 | |
-For what reason? -I just like him. -He just plays it cool. | 0:01:39 | 0:01:44 | |
Let's face it. | 0:01:44 | 0:01:45 | |
The future, as a Rolling Stone, is very uncertain. | 0:01:45 | 0:01:48 | |
My ultimate aim in life was never to be a pop star. | 0:01:48 | 0:01:51 | |
I enjoy it. | 0:01:52 | 0:01:54 | |
Er...with reservations. | 0:01:54 | 0:01:57 | |
But I'm not really sort of satisfied either artistically or personally. | 0:01:57 | 0:02:02 | |
-Does anybody like Bill Wyman? -Yeah! | 0:02:02 | 0:02:05 | |
I like his style. | 0:02:05 | 0:02:08 | |
What do you like about Bill Wyman? | 0:02:08 | 0:02:11 | |
I always wanted to be a musician. | 0:02:11 | 0:02:13 | |
I always wanted to be in a band. | 0:02:13 | 0:02:15 | |
I knew it was so impossible and so unlikely that I would be, | 0:02:15 | 0:02:19 | |
that I just dismissed it. | 0:02:19 | 0:02:21 | |
Then suddenly, last year I remembered, | 0:02:21 | 0:02:25 | |
after all that time, I suddenly remembered I'd always wanted to be, | 0:02:25 | 0:02:28 | |
and now I was, and it didn't mean a thing to me any more! | 0:02:28 | 0:02:32 | |
Why are you coming to see the show? Who are you going to see? | 0:02:32 | 0:02:34 | |
-Keith Richards. -You don't think they're dirty, do you? -No! | 0:02:34 | 0:02:37 | |
No, you like them. | 0:02:37 | 0:02:39 | |
-I just like him. -Why do you like Mick? -Because I just like him. | 0:02:41 | 0:02:46 | |
-Everything. -Well, what's everything? What's everything? | 0:02:46 | 0:02:50 | |
His jeans! | 0:02:50 | 0:02:52 | |
-I like his hair. -Just his hair? | 0:02:52 | 0:02:54 | |
I like all of him. | 0:02:54 | 0:02:56 | |
I just like him. I don't know why. He's very nice. | 0:02:56 | 0:02:59 | |
-His movement. -His hair? Do you like his hair? | 0:02:59 | 0:03:02 | |
-I love his hair. -Do you think he's sexy? | 0:03:02 | 0:03:05 | |
You're not the same person on stage as you are the rest of the time. | 0:03:05 | 0:03:08 | |
-What sort of person do you think you are on stage? -I don't really know. | 0:03:08 | 0:03:12 | |
I don't really know what I am on stage. | 0:03:12 | 0:03:14 | |
It's very different, because you have to treat everybody differently. | 0:03:14 | 0:03:18 | |
You have to be very, very, very egotistical, because you're acting. | 0:03:18 | 0:03:22 | |
You're doing an act. It's not really you. | 0:03:22 | 0:03:27 | |
What do you set out to do in your act? | 0:03:28 | 0:03:32 | |
Entertain people. | 0:03:32 | 0:03:35 | |
MUSIC: "Heart of Stone" | 0:03:36 | 0:03:40 | |
# There've been so many | 0:03:42 | 0:03:44 | |
# Girls that I've known | 0:03:46 | 0:03:49 | |
# I've made so many cry | 0:03:52 | 0:03:55 | |
# And still I wonder why | 0:03:57 | 0:03:58 | |
# Here comes a little girl | 0:04:00 | 0:04:02 | |
# I see her walking down the street | 0:04:04 | 0:04:07 | |
# She's all by herself | 0:04:07 | 0:04:09 | |
# I try and knock her off her feet | 0:04:11 | 0:04:13 | |
# But she'll never break, never break, never break, never break | 0:04:14 | 0:04:20 | |
# This heart of stone | 0:04:20 | 0:04:23 | |
# Oh, no, no This heart of stone | 0:04:23 | 0:04:26 | |
# What's different about her | 0:04:28 | 0:04:32 | |
# I don't really know | 0:04:33 | 0:04:34 | |
# No matter how I try | 0:04:38 | 0:04:41 | |
# I just can't make her cry | 0:04:42 | 0:04:45 | |
# But she'll never break, never break, never break, never break | 0:04:59 | 0:05:05 | |
# This heart of stone | 0:05:07 | 0:05:08 | |
# Oh no, no, no This heart of stone | 0:05:09 | 0:05:13 | |
MUSIC FADES | 0:05:13 | 0:05:15 | |
Ray, close that door. | 0:05:15 | 0:05:17 | |
-Step away. -It's all right. | 0:05:20 | 0:05:22 | |
That was great. | 0:05:28 | 0:05:29 | |
MUSIC FADES BACK IN | 0:05:48 | 0:05:50 | |
# This heart of stone | 0:06:13 | 0:06:15 | |
# This heart of stone | 0:06:18 | 0:06:20 | |
# This heart of stone. # | 0:06:22 | 0:06:24 | |
-Do you play in a group? -Yeah, The Creatures. | 0:06:37 | 0:06:39 | |
-The? -The Creatures. | 0:06:39 | 0:06:41 | |
The Creatures. When did you first grow your hair long? | 0:06:41 | 0:06:44 | |
-About 18 months ago. -Why? -Because I like long hair. | 0:06:44 | 0:06:47 | |
Oh, I don't know anything about the groups at all. | 0:06:47 | 0:06:51 | |
Of course, if I was about... What am I now? | 0:06:51 | 0:06:54 | |
I was about 22 years younger | 0:06:54 | 0:06:56 | |
I'd have a little group of my own, if I could. | 0:06:56 | 0:06:58 | |
There's a bit of go in me still, even though I am 40! | 0:06:58 | 0:07:01 | |
-Has your daughter got their records? -No, not really. Only Off The Hook. | 0:07:01 | 0:07:05 | |
-Well, you've heard it? -Yes, and Little Red Rooster. | 0:07:05 | 0:07:08 | |
-Are you going to see them tonight? -No I can't. -Why? -I didn't get a ticket. | 0:07:08 | 0:07:13 | |
-Did you try? -Yes. -What a shame. | 0:07:13 | 0:07:15 | |
-Are you going to see the show tonight? -No, I'm not. -You're not? | 0:07:15 | 0:07:18 | |
-Why not? -There were just no tickets. | 0:07:18 | 0:07:20 | |
Did you see them when they were in Ireland before? | 0:07:20 | 0:07:23 | |
-You did, what did you think? -I thought they were fantastic. | 0:07:23 | 0:07:26 | |
-Is that why you're seeing them again tonight? -Yes. | 0:07:26 | 0:07:28 | |
MUSICIANS TUNE UP | 0:07:28 | 0:07:29 | |
Not my day. | 0:07:29 | 0:07:32 | |
We just sort of hold it back there. | 0:07:37 | 0:07:40 | |
Going in this direction? | 0:07:40 | 0:07:43 | |
-Did it work? -It didn't work. | 0:07:45 | 0:07:48 | |
I used to work with David Bailey, you know? | 0:07:48 | 0:07:51 | |
MUSIC: "Playing With Fire" | 0:08:06 | 0:08:10 | |
# Well, you've got your diamonds | 0:08:14 | 0:08:18 | |
# And you've got your pretty bows | 0:08:18 | 0:08:22 | |
# And the chauffeur drives your cars | 0:08:22 | 0:08:26 | |
# You let everybody know | 0:08:26 | 0:08:30 | |
# But don't play with me | 0:08:30 | 0:08:34 | |
# Cos you're playing with fire | 0:08:34 | 0:08:37 | |
# Your mother, she's an heiress | 0:08:40 | 0:08:43 | |
# Owns a block in St John's Wood | 0:08:43 | 0:08:48 | |
# And your father'd be there with her | 0:08:48 | 0:08:53 | |
# If he only could | 0:08:53 | 0:08:57 | |
# But don't play with me | 0:08:57 | 0:09:00 | |
# Cos you're playing with fire | 0:09:00 | 0:09:03 | |
# So don't you play with me | 0:09:06 | 0:09:09 | |
# Cos you're playing with fire. # | 0:09:09 | 0:09:12 | |
-We want the Stones! -We want the Stones! | 0:09:18 | 0:09:21 | |
We want the Stones! | 0:09:24 | 0:09:26 | |
Here they are, The Rolling Stones! | 0:09:43 | 0:09:45 | |
CHEERING | 0:09:45 | 0:09:48 | |
MUSIC: "The Last Time" | 0:09:48 | 0:09:52 | |
# Well, I told you once and I told you twice | 0:09:57 | 0:10:00 | |
# But you never listen to my advice | 0:10:02 | 0:10:06 | |
# You don't try very hard to please me | 0:10:07 | 0:10:12 | |
# With what you know it should be easy | 0:10:13 | 0:10:16 | |
# Well, this could be the last time | 0:10:19 | 0:10:21 | |
# This could be the last time | 0:10:21 | 0:10:24 | |
# Maybe the last time, I don't know | 0:10:24 | 0:10:30 | |
# Oh, no | 0:10:30 | 0:10:31 | |
# Oh, no | 0:10:33 | 0:10:34 | |
# Well, I'm sorry, girl but I can't stay | 0:10:35 | 0:10:39 | |
# Feeling like I do today | 0:10:41 | 0:10:44 | |
# It's too much pain and too much sorrow | 0:10:46 | 0:10:49 | |
# I guess I'll feel the same tomorrow | 0:10:51 | 0:10:54 | |
# Well, this could be the last time | 0:10:56 | 0:10:59 | |
# This could be the last time | 0:10:59 | 0:11:02 | |
# Maybe the last time, I don't know | 0:11:02 | 0:11:07 | |
# Oh, no | 0:11:07 | 0:11:09 | |
# Oh, no | 0:11:10 | 0:11:11 | |
# Well, this could be the last time | 0:11:34 | 0:11:37 | |
# This could be the last time | 0:11:37 | 0:11:39 | |
# Maybe the last time, I don't know | 0:11:39 | 0:11:45 | |
# Oh, no | 0:11:46 | 0:11:47 | |
# Oh, no | 0:11:48 | 0:11:50 | |
# Well, I told you once and I told you twice | 0:11:51 | 0:11:54 | |
# Someone'll have to pay the price | 0:11:56 | 0:11:59 | |
# And here's a chance to change your mind | 0:12:02 | 0:12:06 | |
# Cos I'll be gone a long, long time | 0:12:07 | 0:12:11 | |
# Well, this could be the last time | 0:12:12 | 0:12:14 | |
# This could be the last time | 0:12:14 | 0:12:17 | |
# Maybe the last time, I don't know | 0:12:17 | 0:12:23 | |
# Oh, no | 0:12:23 | 0:12:24 | |
# Oh, no | 0:12:25 | 0:12:27 | |
# Last time, baby | 0:12:28 | 0:12:31 | |
# I'll see you no more | 0:12:31 | 0:12:33 | |
# Well, I can't no more Well, I can't no more | 0:12:33 | 0:12:38 | |
# Well, I can't no more I gotta go | 0:12:38 | 0:12:41 | |
# I gotta, oh no, I gotta go | 0:12:41 | 0:12:43 | |
# Cos I don't know where to go | 0:12:43 | 0:12:46 | |
# I don't know, well, I know | 0:12:46 | 0:12:48 | |
# Cos I don't know | 0:12:48 | 0:12:50 | |
# Oh, no! Oh, no! Oh, no! | 0:12:50 | 0:12:55 | |
# Baby! Come on, baby! Come on! # | 0:12:55 | 0:12:58 | |
CROWD CHEERS | 0:13:00 | 0:13:02 | |
# Time is on my side | 0:13:05 | 0:13:11 | |
# Oh, yes it is | 0:13:11 | 0:13:13 | |
# I said, time is on my side | 0:13:13 | 0:13:18 | |
# Oh, yes it is | 0:13:18 | 0:13:20 | |
# Now, you always say | 0:13:21 | 0:13:25 | |
# That you want to be free | 0:13:25 | 0:13:28 | |
# But you come running back | 0:13:28 | 0:13:32 | |
# You come running back | 0:13:32 | 0:13:36 | |
# You come running back to me | 0:13:36 | 0:13:43 | |
# Time is on my side | 0:13:43 | 0:13:48 | |
# Oh, yes it is | 0:13:48 | 0:13:49 | |
# I said, time is on my side | 0:13:49 | 0:13:56 | |
# Oh, yes it is | 0:13:56 | 0:13:57 | |
# You're searching for good times | 0:13:58 | 0:14:02 | |
# Just wait and see | 0:14:02 | 0:14:05 | |
# You'll come running back | 0:14:05 | 0:14:09 | |
# You'll come running back | 0:14:09 | 0:14:13 | |
# You'll come running back to me | 0:14:13 | 0:14:20 | |
# Go ahead, babe, go ahead! | 0:14:20 | 0:14:22 | |
# I said, go ahead and light up the town! | 0:14:24 | 0:14:27 | |
# Baby, do anything your heart desires | 0:14:27 | 0:14:32 | |
# Remember, I'll be around | 0:14:32 | 0:14:35 | |
# I know, I know, like I told you so many times before | 0:14:35 | 0:14:39 | |
# That you're gonna come back, baby | 0:14:39 | 0:14:42 | |
# Yeah, you want to come back One of these days | 0:14:42 | 0:14:44 | |
# Knocking, yeah Knocking right on my door | 0:14:44 | 0:14:48 | |
# Yes, time is on my side | 0:14:48 | 0:14:53 | |
# Oh, yes it is | 0:14:53 | 0:14:55 | |
# I said, time is on my side, | 0:14:55 | 0:15:01 | |
# Oh, yes it is | 0:15:01 | 0:15:03 | |
# Cos I got the real love | 0:15:04 | 0:15:07 | |
# The kind that you need | 0:15:07 | 0:15:10 | |
# You'll come running back | 0:15:10 | 0:15:14 | |
# You'll come running back | 0:15:14 | 0:15:18 | |
# You'll come running back to me | 0:15:18 | 0:15:25 | |
# Time, time, time | 0:15:25 | 0:15:27 | |
# Is on my side, oh, yes it is | 0:15:27 | 0:15:31 | |
# I said time, time, time | 0:15:31 | 0:15:35 | |
# Is on my side, oh, yes it is | 0:15:35 | 0:15:38 | |
# I said time, time, time is on my side. # | 0:15:38 | 0:15:45 | |
CROWD CHEERS | 0:15:47 | 0:15:51 | |
Thank you very much. | 0:15:56 | 0:15:57 | |
# I want to tell you something, baby | 0:16:04 | 0:16:07 | |
# That you don't know | 0:16:07 | 0:16:09 | |
# No, you don't know | 0:16:09 | 0:16:12 | |
# Going to tell you | 0:16:12 | 0:16:14 | |
# Baby, listen to me | 0:16:14 | 0:16:16 | |
# Cos it's all right | 0:16:16 | 0:16:17 | |
# Yeah, it's all right | 0:16:17 | 0:16:19 | |
# It's all right | 0:16:23 | 0:16:25 | |
# It's all right | 0:16:25 | 0:16:27 | |
# It's all right | 0:16:27 | 0:16:29 | |
# It's all right | 0:16:29 | 0:16:31 | |
# It's all right | 0:16:31 | 0:16:33 | |
# It's all right | 0:16:33 | 0:16:35 | |
# It's all right | 0:16:35 | 0:16:37 | |
# It's all right, all night long | 0:16:37 | 0:16:39 | |
# All night long | 0:16:40 | 0:16:43 | |
# All night long | 0:16:43 | 0:16:44 | |
# All night long | 0:16:44 | 0:16:46 | |
# Yeah, it's all right | 0:16:46 | 0:16:47 | |
# It's all right | 0:16:49 | 0:16:50 | |
# Oh, yeah | 0:16:50 | 0:16:52 | |
# It's all right | 0:16:52 | 0:16:54 | |
# All the time | 0:16:54 | 0:16:56 | |
# I feel all right | 0:16:56 | 0:16:58 | |
# I feel all right | 0:16:58 | 0:17:00 | |
# I feel all right | 0:17:00 | 0:17:02 | |
# I feel all right. # | 0:17:02 | 0:17:03 | |
# Do you feel it? | 0:17:05 | 0:17:07 | |
Do you? | 0:17:09 | 0:17:11 | |
# Do you feel it? | 0:17:11 | 0:17:13 | |
# Do you? Do you, do you, do you? | 0:17:13 | 0:17:16 | |
# Do you feel it, baby? # | 0:17:17 | 0:17:20 | |
CROWD CHEERS | 0:18:10 | 0:18:12 | |
GUITAR FEEDBACK HOWLS | 0:18:16 | 0:18:18 | |
SHOUTING | 0:18:27 | 0:18:29 | |
CLATTERING AND FEEDBACK | 0:18:45 | 0:18:48 | |
MICROPHONE FEEDBACK WHINES | 0:18:53 | 0:18:56 | |
SHOUTING AND GUITAR FEEDBACK | 0:18:59 | 0:19:02 | |
DISTANT SCREAMS | 0:19:12 | 0:19:14 | |
Contact. That's why they try to get in cars, just physical contact. | 0:19:32 | 0:19:36 | |
Any sort of physical contact, touching you, | 0:19:36 | 0:19:40 | |
touching your coat, your hair or pulling you or kissing you | 0:19:40 | 0:19:43 | |
or whatever it is, just to say, "I touched so-and-so," you know. | 0:19:43 | 0:19:47 | |
A crowd always seems to make violence because if there's | 0:19:47 | 0:19:51 | |
a centre of a crowd, all the people | 0:19:51 | 0:19:54 | |
on the periphery of the crowd | 0:19:54 | 0:19:57 | |
are trying to get to the middle. | 0:19:57 | 0:19:59 | |
All the kids at the front row can't see a thing, | 0:19:59 | 0:20:01 | |
so they stand up on their seats, | 0:20:01 | 0:20:03 | |
so the row behind stand up and the row behind, | 0:20:03 | 0:20:05 | |
and in the end you've got everybody standing up and they still can't see | 0:20:05 | 0:20:08 | |
and they start falling backwards | 0:20:08 | 0:20:09 | |
and you know, the seats start getting broken and that, | 0:20:09 | 0:20:12 | |
and the officials keep pushing back all the time | 0:20:12 | 0:20:14 | |
and the kids are not fighting the officials half the time, | 0:20:14 | 0:20:16 | |
they're trying to see, you know. | 0:20:16 | 0:20:18 | |
They tend to do it at everybody's show. | 0:20:18 | 0:20:20 | |
I wouldn't say the Beatles were the symbol of authority, anti-authority, | 0:20:20 | 0:20:27 | |
but when the Beatles went to Germany, for instance, | 0:20:27 | 0:20:30 | |
the same thing happened. | 0:20:30 | 0:20:31 | |
-Where did she get 'em fractured? In the theatre? -Yeah, in the theatre. | 0:20:35 | 0:20:39 | |
Well... | 0:20:41 | 0:20:42 | |
# Try and sit yourself a break | 0:20:42 | 0:20:45 | |
# I know it's hard, love To find someone to | 0:20:46 | 0:20:51 | |
# Give you what you don't get now... # | 0:20:51 | 0:20:54 | |
-I've got another, I had another title for this. -Yeah. | 0:20:54 | 0:20:58 | |
The ones we duplicate, I had Sitting On A Fence for this. | 0:20:58 | 0:21:01 | |
SINGS: # Oh, yes I'm sitting on a fence. # | 0:21:01 | 0:21:05 | |
It's very hard to find a proper title... | 0:21:05 | 0:21:07 | |
# Da-la, na-na-na... # | 0:21:07 | 0:21:08 | |
That's leading it, that's good. | 0:21:08 | 0:21:10 | |
That's all right, but I just wanted to make it, like, | 0:21:10 | 0:21:12 | |
he was sitting on the fence and could not make up his mind | 0:21:12 | 0:21:14 | |
between one girl and the other, | 0:21:14 | 0:21:16 | |
and he couldn't stand sitting on the fence | 0:21:16 | 0:21:18 | |
cos it was getting very painful. | 0:21:18 | 0:21:19 | |
That's going to be the last line! | 0:21:19 | 0:21:21 | |
# You know, it's pretty plain to see | 0:21:26 | 0:21:31 | |
# That you really haven't found | 0:21:31 | 0:21:33 | |
# Oh, yeah | 0:21:33 | 0:21:35 | |
# Though she... # | 0:21:35 | 0:21:38 | |
HE MUMBLES WORDS | 0:21:38 | 0:21:40 | |
# I'm sitting on a fence... # | 0:21:47 | 0:21:51 | |
HE SCAT SINGS OVER GUITAR | 0:21:55 | 0:21:58 | |
That's got to rhyme, actually. | 0:22:00 | 0:22:02 | |
That last line's got to rhyme with the first two, | 0:22:02 | 0:22:05 | |
worked that out in Clearwater, Florida. | 0:22:05 | 0:22:07 | |
But it doesn't there and it still sounds all right. | 0:22:07 | 0:22:09 | |
No, but it's better if it does cos I wrote, I wrote... | 0:22:09 | 0:22:12 | |
Like this. | 0:22:12 | 0:22:14 | |
# Well, you're sitting on a fence | 0:22:14 | 0:22:17 | |
# And I think I got no sense | 0:22:19 | 0:22:21 | |
# Baby, I've had to go | 0:22:23 | 0:22:25 | |
# Baby, I have to go | 0:22:25 | 0:22:28 | |
# Now I'm sitting on a fence. # | 0:22:28 | 0:22:30 | |
That just sort of rounds it off, because it doesn't sound wrong... | 0:22:30 | 0:22:34 | |
Yeah, actually it would put the title up there. | 0:22:34 | 0:22:36 | |
You know, it sort of, it sort of rounds it off. | 0:22:36 | 0:22:39 | |
Doesn't sound wrong if it doesn't rhyme. | 0:22:39 | 0:22:42 | |
-That was a quick one, Andrew. -Really? | 0:22:42 | 0:22:45 | |
# I-I-I... | 0:22:49 | 0:22:51 | |
# Want, I want you back again | 0:22:54 | 0:22:58 | |
# Ba-ba-ba | 0:22:58 | 0:23:00 | |
# I, buh-ba, buh-ba | 0:23:00 | 0:23:04 | |
# Want your love | 0:23:04 | 0:23:06 | |
-# Ba-ba-ba, ba-ba -Again | 0:23:06 | 0:23:08 | |
# I know you find it hard | 0:23:11 | 0:23:15 | |
# To reason with me | 0:23:15 | 0:23:19 | |
# But this time, it's different | 0:23:21 | 0:23:24 | |
# Darling, you'll see | 0:23:25 | 0:23:29 | |
# You gotta tell me you're comin' back to me | 0:23:29 | 0:23:33 | |
# You gotta... # | 0:23:33 | 0:23:36 | |
HE SQUAWKS | 0:23:36 | 0:23:37 | |
# Back to me, you gotta | 0:23:37 | 0:23:39 | |
# Tell me you're comin' back to me | 0:23:39 | 0:23:43 | |
# You gotta tell me you're comin' back to me, baby | 0:23:43 | 0:23:48 | |
# Yeah... # | 0:23:48 | 0:23:49 | |
HE SINGS WORDLESSLY | 0:23:51 | 0:23:54 | |
# You | 0:23:57 | 0:23:59 | |
# Walked out on me before | 0:24:00 | 0:24:05 | |
# I tried to tell you | 0:24:08 | 0:24:11 | |
# But you didn't want to know | 0:24:11 | 0:24:16 | |
# This time it's different | 0:24:18 | 0:24:20 | |
# You're, you're determined to go | 0:24:20 | 0:24:25 | |
# Here we go | 0:24:25 | 0:24:26 | |
# Tell me, you gotta tell me you're comin' back home, baby | 0:24:26 | 0:24:30 | |
# Tell me you're comin' back to me | 0:24:31 | 0:24:34 | |
# I got a hole in my heart, baby | 0:24:34 | 0:24:37 | |
# Ooh, yeah, yeah, yeah | 0:24:37 | 0:24:41 | |
# You've gotta tell me you're coming back home, yes sir | 0:24:41 | 0:24:44 | |
# All right | 0:24:44 | 0:24:46 | |
# Come home, come on, baby | 0:24:46 | 0:24:49 | |
# It's all right | 0:24:49 | 0:24:52 | |
# It's all right | 0:24:52 | 0:24:53 | |
# Bah-bah | 0:24:53 | 0:24:55 | |
# Wop-bop-mmm-bop-mmm | 0:24:55 | 0:24:57 | |
# Bah-buh-bah | 0:24:57 | 0:24:58 | |
# Doo-ahhh... # | 0:24:58 | 0:25:01 | |
# Da-da-da-da-da, da-da-da-da-da | 0:25:02 | 0:25:09 | |
# Ah-ah-ah-ah-ah | 0:25:09 | 0:25:12 | |
# Da-da-da, da-da-da-da-da-da | 0:25:12 | 0:25:18 | |
# Doo-doo-doo, no | 0:25:18 | 0:25:21 | |
# Oh, la-la-la-la | 0:25:21 | 0:25:25 | |
# Falling, ooh, I'm falling | 0:25:25 | 0:25:29 | |
# And I'm falling back again. # | 0:25:29 | 0:25:33 | |
A lot of the groups would be. | 0:25:35 | 0:25:38 | |
Honey-coated. | 0:25:38 | 0:25:39 | |
# Oh, I need your love | 0:25:42 | 0:25:46 | |
# Yes, you know it's true | 0:25:46 | 0:25:49 | |
# Oh, I need your love, babe | 0:25:49 | 0:25:53 | |
# Girl, you know it's true | 0:25:53 | 0:25:55 | |
# Ho-hold me, love me | 0:25:55 | 0:26:00 | |
# Hold me... # | 0:26:00 | 0:26:02 | |
Popular music wasn't a real thing at all. | 0:26:02 | 0:26:05 | |
It was very, very romantic. Not only romantic in so far as every song | 0:26:05 | 0:26:10 | |
was about boy-girl relationships, which is romantic in one sense... | 0:26:10 | 0:26:14 | |
but every song was just like... | 0:26:14 | 0:26:19 | |
..just like romantic lyrics, | 0:26:20 | 0:26:22 | |
just all about things that don't really happen | 0:26:22 | 0:26:24 | |
or don't really happen all the time. | 0:26:24 | 0:26:26 | |
If you listen to all the popular songs ten years ago, | 0:26:26 | 0:26:30 | |
there are very few of them that actually mean anything. | 0:26:30 | 0:26:32 | |
Or have any relation to what people are doing. They don't... | 0:26:32 | 0:26:37 | |
Songs didn't have any relation | 0:26:37 | 0:26:38 | |
to what people actually spend their lives doing, | 0:26:38 | 0:26:40 | |
like getting up, washing, going to work, coming back. | 0:26:40 | 0:26:43 | |
And feeling very screwed up about certain things. | 0:26:43 | 0:26:46 | |
They were just about being unhappy because your girl had left you | 0:26:46 | 0:26:49 | |
or being very happy because you've just met somebody. | 0:26:49 | 0:26:52 | |
That's all they were about. | 0:26:52 | 0:26:54 | |
The moon in June and the sky is blue and I love you. | 0:26:54 | 0:26:57 | |
MUSIC: "Blue Turns To Grey" | 0:27:00 | 0:27:04 | |
GIRLS CHATTER EXCITEDLY | 0:27:21 | 0:27:22 | |
# Then blue turns to grey | 0:27:25 | 0:27:30 | |
# And try as you may | 0:27:30 | 0:27:34 | |
# You just don't feel good... # | 0:27:34 | 0:27:39 | |
TRAIN WHISTLE | 0:27:45 | 0:27:47 | |
SCREAMING | 0:28:20 | 0:28:23 | |
CHATTER | 0:28:24 | 0:28:28 | |
Jeremy... | 0:28:28 | 0:28:29 | |
get them off. | 0:28:29 | 0:28:31 | |
TRAIN WHISTLES | 0:28:31 | 0:28:35 | |
# ..On the baby's knee | 0:28:35 | 0:28:37 | |
# Where will the baby's dimple be? | 0:28:37 | 0:28:39 | |
# Da-da-da... # | 0:28:39 | 0:28:40 | |
-Is that Max Bygraves? -No, Billy Cotton. -Max Bygraves is... | 0:28:40 | 0:28:44 | |
# You need hands... # | 0:28:44 | 0:28:46 | |
# Oh, da-da-da-da | 0:28:46 | 0:28:49 | |
# By the se-e-e-ea... # | 0:28:49 | 0:28:53 | |
-Oh! -What a bad tune. | 0:28:53 | 0:28:54 | |
Only last week, Ken Dodd... | 0:28:54 | 0:28:57 | |
"And here he is, our top-of-the-bill star, | 0:28:57 | 0:28:59 | |
"someone you've been waiting for, Ken Dodd!" | 0:28:59 | 0:29:01 | |
On what? | 0:29:01 | 0:29:02 | |
# She wore white feathers and a hula-hula skirt... # | 0:29:02 | 0:29:08 | |
Can I have a piece of...? Can I have another sugar, please? | 0:29:21 | 0:29:24 | |
You need some more tea. | 0:29:26 | 0:29:27 | |
Another tea for four here. Thank you. | 0:29:27 | 0:29:30 | |
# We're riding this rock'n'roll train | 0:29:30 | 0:29:32 | |
# We're riding this rock'n'roll train... # | 0:29:32 | 0:29:34 | |
Whoo, whoo! | 0:29:34 | 0:29:36 | |
This is a commercial. | 0:29:36 | 0:29:38 | |
-Nice tea. -Yes, it's Lipton. | 0:29:38 | 0:29:40 | |
Don't you think it's nice tea, Keith? | 0:29:40 | 0:29:43 | |
I think it's lovely tea. Where did you get it? | 0:29:43 | 0:29:46 | |
Super tea. | 0:29:46 | 0:29:47 | |
John Lennon says one shouldn't drink it. | 0:29:47 | 0:29:50 | |
# Maybe it's because I'm a Londoner | 0:29:50 | 0:29:54 | |
# That I love London Town | 0:29:54 | 0:29:57 | |
# Maybe it's because I'm a Londoner | 0:29:59 | 0:30:03 | |
# That I think of her wherever I go | 0:30:03 | 0:30:08 | |
# Ba-ba-ba | 0:30:08 | 0:30:09 | |
# Da-dada-da-dum inside of me | 0:30:09 | 0:30:13 | |
# Ba-ba-ba | 0:30:13 | 0:30:14 | |
# A-da-da-da-da-daa | 0:30:14 | 0:30:18 | |
# La-la-lala-la | 0:30:18 | 0:30:19 | |
# Maybe it's because I'm a Londoner | 0:30:19 | 0:30:23 | |
# That I love London Town. # | 0:30:23 | 0:30:27 | |
WHISTLE BLOWS | 0:31:25 | 0:31:27 | |
Our sort of success is a first-class ticket to a lot of... | 0:31:31 | 0:31:35 | |
a lot of things. | 0:31:35 | 0:31:36 | |
On the other hand, there's not much physical freedom. | 0:31:38 | 0:31:41 | |
We have to choose very carefully where we go | 0:31:41 | 0:31:43 | |
and where we socialise, where we go for holidays. | 0:31:43 | 0:31:47 | |
Because of our peculiar sort of success. | 0:31:47 | 0:31:51 | |
I can afford, shall we say, to do exactly what I want. | 0:31:53 | 0:31:57 | |
-Do you have much time to do the things you want to do? -No. | 0:31:57 | 0:31:59 | |
No, not really. | 0:31:59 | 0:32:01 | |
But then again, I haven't got much time to do what I want. | 0:32:01 | 0:32:05 | |
That's what I just said. | 0:32:07 | 0:32:08 | |
Now, boys, let's go. Quick. | 0:32:27 | 0:32:28 | |
SCREAMING AND CHEERING | 0:32:28 | 0:32:31 | |
-Come on, then. We're late. -OK. | 0:32:48 | 0:32:51 | |
Doesn't matter. | 0:32:53 | 0:32:54 | |
Don't show that thing at me, | 0:32:59 | 0:33:01 | |
that's Percy Thrower's birdwatching equipment. | 0:33:01 | 0:33:03 | |
And here is the lesser-spotted nighthawk. | 0:33:03 | 0:33:05 | |
SCREECHES | 0:33:05 | 0:33:07 | |
And here we are on Nether Wick. | 0:33:07 | 0:33:10 | |
And, as you can see, | 0:33:10 | 0:33:12 | |
there is a colony of lesser-spotted gredgewicks. | 0:33:12 | 0:33:15 | |
And I think they're in the mating season now. Let me have a look. | 0:33:15 | 0:33:19 | |
Oh, yes, here it comes, a lesser-spotted nedgewick. | 0:33:19 | 0:33:22 | |
And if you see, he's tottering up to the female lesser-spotted nedgewick | 0:33:22 | 0:33:26 | |
and, yes, and it looks like he's trying to mate. | 0:33:26 | 0:33:29 | |
Notice the fluttering of the wings here. | 0:33:29 | 0:33:32 | |
Yes, and my father once told me, when he was touring in the South Pole... | 0:33:32 | 0:33:36 | |
LAUGHTER | 0:33:36 | 0:33:38 | |
In the last two or three years, young people have been... | 0:34:59 | 0:35:05 | |
This especially applies to America. | 0:35:05 | 0:35:08 | |
Instead of just carrying on the way their parents told them to, | 0:35:08 | 0:35:12 | |
they've started a big thing where they're anti-war | 0:35:12 | 0:35:15 | |
and they love everybody and their sexual lives have become freer. | 0:35:15 | 0:35:21 | |
The kids are looking for something else, or some different moral value, | 0:35:23 | 0:35:26 | |
because they know they're going to get all of the things | 0:35:26 | 0:35:29 | |
that were thought impossible 50 years ago. | 0:35:29 | 0:35:32 | |
The whole sort of basis of society | 0:35:32 | 0:35:34 | |
and values which were accepted could be changed, but it's up to them | 0:35:34 | 0:35:39 | |
to carry on those ideals that they have instead of just | 0:35:39 | 0:35:42 | |
falling into the same old routine that their parents have fallen into. | 0:35:42 | 0:35:48 | |
So it's not until the people of 21 now reach the age of 75, | 0:35:48 | 0:35:54 | |
those kids actually have to be grandfathers | 0:35:54 | 0:35:56 | |
before the whole thing is changed. | 0:35:56 | 0:35:58 | |
MUSIC: "I Can't Get No Satisfaction" | 0:36:00 | 0:36:04 | |
EXCITED CHATTER | 0:36:39 | 0:36:42 | |
CHEERING | 0:36:45 | 0:36:47 | |
I mean, just because you work together... | 0:37:04 | 0:37:06 | |
you work together a lot, you see each other a lot of the time. | 0:37:06 | 0:37:09 | |
People expect, when you go out, Like we go shopping or something, | 0:37:09 | 0:37:11 | |
they expect to see five of you. | 0:37:11 | 0:37:13 | |
They always say, "Where are the others?" | 0:37:13 | 0:37:15 | |
LAUGHTER | 0:37:15 | 0:37:16 | |
-Last night was bad enough. -Last night is a good example. | 0:37:27 | 0:37:30 | |
No, no, no. | 0:37:33 | 0:37:34 | |
But it was pretty bad, because we all got pulled down at one stage. | 0:37:34 | 0:37:37 | |
-I think probably... -Long Beach. -Long Beach, California. | 0:37:39 | 0:37:42 | |
There were about 5,000 people around the car. | 0:37:42 | 0:37:44 | |
The roof of the car was pushed in, there were police everywhere, | 0:37:44 | 0:37:47 | |
there were two policeman injured. And the car was wrecked. | 0:37:47 | 0:37:51 | |
And we had a helicopter waiting for us to take us to a TV show | 0:37:51 | 0:37:55 | |
and we just about got away in time. That was very dangerous. | 0:37:55 | 0:37:58 | |
We knocked a policeman off his bike and he broke his leg or something. | 0:37:58 | 0:38:01 | |
Yeah, he was very cool on his bike. Until we ran into him. | 0:38:01 | 0:38:06 | |
Guns flying everywhere! | 0:38:06 | 0:38:09 | |
About...50 odd. | 0:38:11 | 0:38:13 | |
"Acting"? | 0:38:24 | 0:38:26 | |
Well, I suppose, all of it's acting, you know. | 0:38:26 | 0:38:29 | |
I mean, there is a difference between acting... | 0:38:29 | 0:38:31 | |
A GIRL SCREAMS > | 0:38:31 | 0:38:34 | |
How do you sort of define acting? | 0:38:34 | 0:38:36 | |
You could say that people in a club dancing | 0:38:36 | 0:38:38 | |
or people in the dance hall dancing, it's the same answer. | 0:38:38 | 0:38:41 | |
You could ask, "Are they acting?" Cos they are. | 0:38:41 | 0:38:43 | |
There is a difference between acting and not enjoying it | 0:38:43 | 0:38:46 | |
and acting and doing what you want to do. | 0:38:46 | 0:38:48 | |
It's like getting into a part. | 0:38:48 | 0:38:49 | |
You know, say you're doing a play, and you just act it. | 0:38:49 | 0:38:52 | |
Or, really, you get inside it. | 0:38:52 | 0:38:53 | |
The most successful entertainers have always been the most | 0:38:53 | 0:38:57 | |
egotistical ones on stage. | 0:38:57 | 0:39:00 | |
They might not be as egotistical as that offstage, | 0:39:00 | 0:39:03 | |
but all that ego is got rid of on stage. | 0:39:03 | 0:39:06 | |
What sort of person do you think you are off the stage? | 0:39:06 | 0:39:10 | |
About half as egotistical. | 0:39:10 | 0:39:12 | |
-What's that tune? -HE PLAYS A CHORD | 0:39:20 | 0:39:23 | |
-No, er... -HE PLAYS A DIFFERENT CHORD | 0:39:23 | 0:39:25 | |
And it comes around about there, the airline pilot. | 0:39:33 | 0:39:35 | |
HE PLAYS "SALTY DOG" | 0:39:35 | 0:39:37 | |
A French fighter pilot, eh? | 0:39:45 | 0:39:48 | |
# I want to be your salty dog | 0:39:51 | 0:39:53 | |
# I don't want to be your man at all | 0:39:53 | 0:39:55 | |
# I just want to be your salty dog | 0:39:55 | 0:39:58 | |
# I want to be your salty dog | 0:39:59 | 0:40:01 | |
# I don't want to be your man at all | 0:40:01 | 0:40:03 | |
# I just want to be your salty dog | 0:40:03 | 0:40:05 | |
# Hunt me down and lead me on... | 0:40:07 | 0:40:09 | |
# Ba-ba-bada | 0:40:09 | 0:40:10 | |
# I don't want to be your man at all | 0:40:14 | 0:40:17 | |
# I want to be your salty dog | 0:40:17 | 0:40:19 | |
# Da-da-da-dee | 0:40:34 | 0:40:38 | |
# Da-dee-ee | 0:40:38 | 0:40:40 | |
# Da-da-da-dee | 0:40:40 | 0:40:42 | |
# Da-da-da-dee-ee | 0:40:42 | 0:40:45 | |
# Ai-ee-ee-um. # | 0:40:47 | 0:40:49 | |
No, don't... Go on. | 0:40:54 | 0:40:56 | |
HE PLAYS "NEEDLE OF DEATH" BY BERT JANSCH | 0:40:56 | 0:41:01 | |
£2.10, please. | 0:41:40 | 0:41:41 | |
INAUDIBLE SPEECH | 0:41:48 | 0:41:50 | |
Come on, Bill. | 0:41:59 | 0:42:00 | |
CHEERING | 0:42:04 | 0:42:08 | |
-CHANTING: -We want Mick! We want Mick! We want Mick! We want Mick! | 0:42:08 | 0:42:13 | |
Give it up for the Rolling Stones! | 0:42:13 | 0:42:16 | |
MUSIC: "Everybody Needs Somebody To Love" | 0:42:18 | 0:42:21 | |
# Everybody needs somebody | 0:42:28 | 0:42:30 | |
# Everybody loves somebody | 0:42:30 | 0:42:33 | |
# Everybody needs somebody | 0:42:33 | 0:42:36 | |
# Everybody loves somebody | 0:42:36 | 0:42:38 | |
# Yes | 0:42:38 | 0:42:40 | |
# And I need you, you, you | 0:42:40 | 0:42:43 | |
# I need you, you, you | 0:42:43 | 0:42:46 | |
# I need you, you, you | 0:42:46 | 0:42:49 | |
# I need you, you, you | 0:42:49 | 0:42:52 | |
# Pain in my heart | 0:42:56 | 0:42:59 | |
# Treatin' me poor | 0:43:00 | 0:43:02 | |
# Where can my baby be? | 0:43:04 | 0:43:09 | |
# Lord, no-one knows | 0:43:09 | 0:43:11 | |
# Pain in my heart | 0:43:13 | 0:43:15 | |
# Won't let me sleep | 0:43:16 | 0:43:18 | |
# Oh-oh-oh-oh | 0:43:18 | 0:43:20 | |
# I wake up restless nights | 0:43:20 | 0:43:23 | |
# But I guess you're gone | 0:43:23 | 0:43:26 | |
# Lord, one day | 0:43:29 | 0:43:30 | |
# My days are gettin' tough | 0:43:32 | 0:43:34 | |
# Oh, won't you come back, come back, come back, baby? | 0:43:34 | 0:43:40 | |
# Well, sometime | 0:43:41 | 0:43:44 | |
# Pain in my heart | 0:43:45 | 0:43:46 | |
# Won't let me be | 0:43:48 | 0:43:50 | |
# Oh-oh-oh-oh | 0:43:50 | 0:43:52 | |
# I wake up restless nights | 0:43:52 | 0:43:55 | |
# In misery, Lord | 0:43:55 | 0:43:58 | |
# Won't somebody stop this pain? | 0:44:06 | 0:44:07 | |
# And then one day | 0:44:16 | 0:44:18 | |
# My days are pretty rough | 0:44:19 | 0:44:22 | |
# Won't you love me, love me, love me | 0:44:22 | 0:44:25 | |
# Baby | 0:44:25 | 0:44:27 | |
# Love me | 0:44:29 | 0:44:32 | |
# Pain in my heart | 0:44:32 | 0:44:34 | |
# Somebody stop this | 0:44:35 | 0:44:37 | |
# This pain in my heart | 0:44:37 | 0:44:39 | |
# Oh-oh-oh-oh | 0:44:39 | 0:44:41 | |
# Pain in my heart | 0:44:41 | 0:44:43 | |
# Oh-oh-oh-oh | 0:44:43 | 0:44:45 | |
# Oh, my, my, my, my, my, my, my. # | 0:44:45 | 0:44:48 | |
SCREAMING AND CHEERING | 0:44:55 | 0:44:58 | |
# Say the joint was rocked | 0:45:00 | 0:45:02 | |
# Going round and round | 0:45:02 | 0:45:04 | |
# Yeah, reelin' and rockin' | 0:45:04 | 0:45:07 | |
# What a crazy sound | 0:45:07 | 0:45:09 | |
# But they never stopped rockin' | 0:45:09 | 0:45:12 | |
# Till the moon went down | 0:45:12 | 0:45:15 | |
# Well, it sound so sweet | 0:45:15 | 0:45:17 | |
# I had to take me a chance | 0:45:17 | 0:45:20 | |
# I rose out of my seat | 0:45:20 | 0:45:23 | |
# Just had to dance | 0:45:23 | 0:45:25 | |
# Started movin' my feet | 0:45:25 | 0:45:27 | |
# Whoa, and clappin' my hands | 0:45:27 | 0:45:30 | |
# The joint was rockin' | 0:45:30 | 0:45:33 | |
# Going round and round | 0:45:33 | 0:45:36 | |
# Yeah, reelin' and rockin' | 0:45:36 | 0:45:38 | |
# What a crazy sound | 0:45:38 | 0:45:40 | |
# And we never stopped rockin' | 0:45:40 | 0:45:43 | |
# Till the moon went down | 0:45:43 | 0:45:45 | |
SCREAMING | 0:45:51 | 0:45:55 | |
# Well, at 12 o'clock | 0:46:14 | 0:46:16 | |
# Yeah, the place was packed | 0:46:16 | 0:46:18 | |
# Front doors were locked | 0:46:18 | 0:46:20 | |
# Yeah, the place was packed | 0:46:20 | 0:46:23 | |
# When the police knocked | 0:46:24 | 0:46:26 | |
# No doors flew back | 0:46:26 | 0:46:27 | |
# We kept on rockin' | 0:46:28 | 0:46:31 | |
# Goin' round and round | 0:46:31 | 0:46:33 | |
# Yeah, reelin' and rockin' | 0:46:33 | 0:46:35 | |
# What a crazy sound | 0:46:35 | 0:46:38 | |
# And they never stopped rockin' | 0:46:38 | 0:46:40 | |
# Till the moon went down | 0:46:40 | 0:46:42 | |
# Yeah, the joint was rockin' | 0:46:42 | 0:46:45 | |
# Goin' round and round | 0:46:45 | 0:46:47 | |
# Yeah, reelin' and rockin' | 0:46:47 | 0:46:50 | |
# What a crazy sound | 0:46:50 | 0:46:51 | |
# And it never stopped rockin' | 0:46:51 | 0:46:55 | |
# Till the moon went down | 0:46:55 | 0:46:56 | |
SCREAMING | 0:47:03 | 0:47:05 | |
SCREAMING AND CHEERING | 0:47:13 | 0:47:17 | |
SONG: "(I Can't Get No) Satisfaction" | 0:47:23 | 0:47:27 | |
SCREAMING AND CHEERING | 0:47:27 | 0:47:30 | |
# I can't get no | 0:47:35 | 0:47:37 | |
# Satisfaction | 0:47:37 | 0:47:42 | |
# I can't get no | 0:47:42 | 0:47:44 | |
# Satisfaction | 0:47:44 | 0:47:46 | |
# And I try | 0:47:46 | 0:47:48 | |
# And I try | 0:47:48 | 0:47:50 | |
# And I try | 0:47:50 | 0:47:51 | |
# And I try | 0:47:51 | 0:47:52 | |
# I can't get no | 0:47:52 | 0:47:54 | |
# I can't get no | 0:47:56 | 0:47:57 | |
# When I'm drivin' in my car | 0:47:58 | 0:48:02 | |
# And a man comes on the radio | 0:48:02 | 0:48:05 | |
# Tellin' me more and more | 0:48:05 | 0:48:08 | |
# About some useless information | 0:48:08 | 0:48:10 | |
# Supposed to buy my imagination | 0:48:10 | 0:48:14 | |
# I can't get no | 0:48:14 | 0:48:17 | |
# No, no, no | 0:48:17 | 0:48:19 | |
# Hey, hey, hey | 0:48:20 | 0:48:21 | |
# What I said | 0:48:23 | 0:48:24 | |
# All right | 0:48:24 | 0:48:27 | |
# I can't get no | 0:48:27 | 0:48:30 | |
# Satisfaction | 0:48:30 | 0:48:33 | |
I can't get no | 0:48:33 | 0:48:36 | |
# Satisfaction | 0:48:36 | 0:48:38 | |
# And I try | 0:48:38 | 0:48:40 | |
# And I try | 0:48:40 | 0:48:42 | |
# And I try And I try | 0:48:42 | 0:48:44 | |
# I can't get no | 0:48:44 | 0:48:46 | |
# But I can't get no | 0:48:47 | 0:48:50 | |
# When I'm watchin' my TV | 0:48:50 | 0:48:54 | |
# And a man comes on to tell me | 0:48:54 | 0:48:57 | |
# How white my shirts can be | 0:48:57 | 0:49:00 | |
# But he can't be a man Cos he doesn't smoke | 0:49:00 | 0:49:03 | |
# The same cigarettes as me | 0:49:03 | 0:49:06 | |
# I can't get no | 0:49:06 | 0:49:08 | |
# No, no | 0:49:08 | 0:49:10 | |
# No | 0:49:10 | 0:49:11 | |
# Hey, hey, hey | 0:49:11 | 0:49:13 | |
# What I say | 0:49:15 | 0:49:17 | |
# All right | 0:49:17 | 0:49:19 | |
# I can't get no | 0:49:19 | 0:49:23 | |
# Satisfaction | 0:49:23 | 0:49:25 | |
# I can't get no | 0:49:25 | 0:49:29 | |
# Satisfaction | 0:49:29 | 0:49:31 | |
# And I try | 0:49:31 | 0:49:33 | |
# And I try | 0:49:33 | 0:49:34 | |
# And I try | 0:49:34 | 0:49:35 | |
# And try | 0:49:35 | 0:49:37 | |
# I can't get no | 0:49:37 | 0:49:38 | |
# I can't get no | 0:49:40 | 0:49:41 | |
# When I'm runnin' around the world | 0:49:43 | 0:49:46 | |
# And then I'm doin' this And I'm a-signin' that | 0:49:46 | 0:49:50 | |
# And I'm tryin' to make some girl Tell me | 0:49:50 | 0:49:53 | |
# Baby, better come back Maybe next week | 0:49:53 | 0:49:56 | |
# But you see I'm on a losing streak | 0:49:56 | 0:49:59 | |
# I can't get no | 0:49:59 | 0:50:00 | |
# No, no, no, no | 0:50:00 | 0:50:03 | |
SCREAMING | 0:50:03 | 0:50:06 | |
# I can't get no satisfaction | 0:50:11 | 0:50:14 | |
# I can't get no satisfaction | 0:50:14 | 0:50:17 | |
-# Satisfaction -Satisfaction | 0:50:17 | 0:50:20 | |
-# Satisfaction -Satisfaction | 0:50:20 | 0:50:23 | |
-# Satisfaction -Early in the mornin' | 0:50:23 | 0:50:27 | |
# Satisfaction | 0:50:27 | 0:50:29 | |
-# Satisfaction -I can't get no | 0:50:29 | 0:50:33 | |
# Satisfaction. # | 0:50:33 | 0:50:35 | |
SCREAMING AND CHEERING | 0:50:44 | 0:50:47 | |
Did you enjoy it? | 0:51:14 | 0:51:16 | |
No, I think the screaming was a little bit much. | 0:51:16 | 0:51:18 | |
The screaming was too much. | 0:51:18 | 0:51:19 | |
On the next house we'll turn the screaming down. | 0:51:19 | 0:51:22 | |
But did you enjoy the overall effect of it? | 0:51:22 | 0:51:24 | |
On the whole, quite a good effect. | 0:51:24 | 0:51:25 | |
It's the people themselves, I think, cause any immoral effect. | 0:51:25 | 0:51:28 | |
It's nothing to do with the Stones themselves, as far as I'm concerned. | 0:51:28 | 0:51:31 | |
But the Stones themselves, I think, are good artists. | 0:51:31 | 0:51:34 | |
It's better that they got all their high spirits out in the cinema watching that? | 0:51:34 | 0:51:38 | |
As long as they don't damage the cinema. Or the Stones. | 0:51:38 | 0:51:40 | |
Right. I'll second that. | 0:51:40 | 0:51:42 | |
On stage, I suppose, there is a sexual thing | 0:51:42 | 0:51:45 | |
between the audience and the group. | 0:51:45 | 0:51:48 | |
As far as lyrics go, | 0:51:50 | 0:51:52 | |
sex doesn't play as important a part as... As is generally believed. | 0:51:52 | 0:51:59 | |
If you hadn't been a music maker, what would you like to be? | 0:52:01 | 0:52:03 | |
Designer. | 0:52:04 | 0:52:06 | |
-Design what? -A designer. Cos I was one. | 0:52:06 | 0:52:10 | |
I don't know, just do graphic design. | 0:52:10 | 0:52:12 | |
Well, I'm very interested in making a film. | 0:52:12 | 0:52:15 | |
I'm not doing it for any commercial gain at all, | 0:52:15 | 0:52:20 | |
I'm just doing it because I feel it's something I want to do. | 0:52:20 | 0:52:23 | |
What's your ambition now? | 0:52:23 | 0:52:25 | |
To be a musician. | 0:52:25 | 0:52:26 | |
I'm... I'm not a musician, I just play in a band, you know. | 0:52:28 | 0:52:32 | |
I used to think, well, I have to go back to college then. | 0:52:32 | 0:52:34 | |
That was what I thought, but it hasn't worked out like that. | 0:52:34 | 0:52:38 | |
And it hasn't worked like that for lots and lots of people. | 0:52:38 | 0:52:41 | |
All those groups, | 0:52:41 | 0:52:43 | |
and people that started off when we were starting off, | 0:52:43 | 0:52:46 | |
are all still going, | 0:52:46 | 0:52:47 | |
all still working. | 0:52:47 | 0:52:48 | |
KEITH PLAYS PIANO | 0:52:48 | 0:52:51 | |
Mmm, I feel like Robert Browning. | 0:53:01 | 0:53:03 | |
Robert Browning! | 0:53:09 | 0:53:11 | |
That sort of early Jewish poet. | 0:53:11 | 0:53:14 | |
Who do you like - Keats? | 0:53:15 | 0:53:18 | |
-Keats. Keats, baby. -INTERVIEWER: Do you like Keats? | 0:53:18 | 0:53:22 | |
Actually, I was thinking of Shelley. | 0:53:22 | 0:53:24 | |
I wandered lonely as a cloud. | 0:53:24 | 0:53:26 | |
-That was Wordsworth. -I wandered lonely as a cloud. | 0:53:26 | 0:53:29 | |
Don't call me a berk! | 0:53:29 | 0:53:31 | |
# Santa, bring my baby back to me | 0:53:48 | 0:53:53 | |
# Santa, bring my baby back to me | 0:53:55 | 0:53:58 | |
# Wa-wee, wa-hello-wa | 0:54:00 | 0:54:03 | |
# Yeah, you ask me to | 0:54:03 | 0:54:06 | |
# Where I roll home | 0:54:06 | 0:54:09 | |
# Oh, Santa, hear my plea | 0:54:09 | 0:54:13 | |
# Santa, bring my baby back to me | 0:54:13 | 0:54:16 | |
-# Santa, bring my baby back to me -# Do-wa! | 0:54:16 | 0:54:19 | |
# Santa, bring my baby back to me, yeah... # | 0:54:19 | 0:54:22 | |
Ha-ha-ha! > | 0:54:22 | 0:54:23 | |
-# To still, oh, yeah -# Ba-da-dup | 0:54:23 | 0:54:25 | |
# On Blueberry Hill | 0:54:27 | 0:54:30 | |
# Ba ba-da-dup | 0:54:30 | 0:54:32 | |
# On Blueberry Hill | 0:54:32 | 0:54:35 | |
# Ba ba-ba-da-dup | 0:54:35 | 0:54:37 | |
# Where I, baby | 0:54:37 | 0:54:40 | |
-# Ba-ba-ba ba-ba-ba... # -Bit late. | 0:54:40 | 0:54:43 | |
-# The way it... -Nah, you're going to get it. | 0:54:43 | 0:54:45 | |
# The will | 0:54:45 | 0:54:49 | |
# The sweet melody | 0:54:49 | 0:54:54 | |
Ow! # With all those vows we made | 0:54:55 | 0:55:01 | |
# Were never to be! # | 0:55:01 | 0:55:04 | |
-Thank you. -Great, I am. -Thank you. | 0:55:04 | 0:55:07 | |
-This number has been like... -A number that has been broken! | 0:55:09 | 0:55:11 | |
This number has been to me | 0:55:11 | 0:55:13 | |
like maybe your father or mother were to you. | 0:55:13 | 0:55:16 | |
As you know, my mother and father died in my early years, and... | 0:55:16 | 0:55:20 | |
When I was a little boy of five years old... | 0:55:23 | 0:55:26 | |
My musical arranger and director... | 0:55:30 | 0:55:32 | |
Thank you. | 0:55:44 | 0:55:45 | |
Yeah, well... | 0:55:45 | 0:55:47 | |
-You know... -You know... -Sometimes a man... | 0:55:47 | 0:55:51 | |
What's that do? | 0:55:53 | 0:55:54 | |
-# If you -# If you | 0:55:54 | 0:55:57 | |
# Find your sweetheart in the arms of... # | 0:55:57 | 0:56:02 | |
No, what's that one? # Are you...lonesome tonight? | 0:56:03 | 0:56:09 | |
# Are you lonesome tonight? # | 0:56:11 | 0:56:14 | |
Who do you think you are? Mick Jagger. | 0:56:14 | 0:56:18 | |
Yes, and here he is, er, entertaining the sick children's hospital in Northern Ireland. | 0:56:18 | 0:56:23 | |
And, er, we think he could really be something, so... | 0:56:23 | 0:56:27 | |
# Why must I be-e-e a teenager in love? | 0:56:27 | 0:56:35 | |
# A-a-a-a-a-h U-u-u-u-u-u-u-h | 0:56:36 | 0:56:39 | |
# U-u-u-u-u-u-u-h U-u-u-u-u-h | 0:56:39 | 0:56:42 | |
# O-o-o-h a-ooh-da | 0:56:42 | 0:56:46 | |
# Uh-da do-da # Oo-ba-doo! # | 0:56:46 | 0:56:49 | |
Yeah. | 0:56:58 | 0:56:59 | |
# Dee-e-e-e-e-e | 0:57:01 | 0:57:04 | |
# Ow-w-w-w-w-w | 0:57:04 | 0:57:06 | |
# Ooo-eh | 0:57:06 | 0:57:08 | |
# Di-diddle, dee-nee-nee! | 0:57:08 | 0:57:10 | |
# Bing-bang dee-nay ni-na-ni! # | 0:57:10 | 0:57:12 | |
HE IMITATES GUITAR RIFF FROM BEATLES: "I Feel Fine" | 0:57:12 | 0:57:15 | |
Yow! | 0:57:21 | 0:57:23 | |
Now! | 0:57:23 | 0:57:25 | |
-IMITATES ELVIS: Uh huh-huh-huh. -Haw-haw-haw? -Uh-huh-huh. | 0:57:26 | 0:57:29 | |
Wish this was all on film, man. Could be great. | 0:57:30 | 0:57:33 | |
# I'll go see my doll and want to make sweet-sweet love | 0:57:33 | 0:57:36 | |
# A-sweet-sweet love | 0:57:36 | 0:57:40 | |
# A-sweet-sweet a-sweet love to you, baby | 0:57:40 | 0:57:43 | |
# But in the middle of the night | 0:57:43 | 0:57:47 | |
# Early in the morning | 0:57:47 | 0:57:49 | |
# Early in the morning | 0:57:50 | 0:57:54 | |
# Early in the morning | 0:57:54 | 0:57:58 | |
# Early in the morning | 0:57:58 | 0:58:01 | |
# Ooh, the midnight hour | 0:58:01 | 0:58:04 | |
# She make me feel so good | 0:58:08 | 0:58:10 | |
# She'll make me feel all right | 0:58:11 | 0:58:14 | |
# She make me feel so good... # | 0:58:14 | 0:58:17 | |
Ow! | 0:58:17 | 0:58:19 | |
# So good! # | 0:58:19 | 0:58:21 | |
It makes you wonder whether... | 0:58:21 | 0:58:23 | |
there's an easier way of earning a living, you know. | 0:58:23 | 0:58:25 | |
But, er... Cos we don't do it for earning a living. | 0:58:25 | 0:58:28 | |
# That's all I'd like to say | 0:58:29 | 0:58:32 | |
# Cos I'm a-going to pack my bags | 0:58:32 | 0:58:36 | |
# Mm-hm... # | 0:58:36 | 0:58:38 | |
Yes, I've never thought very far ahead at all. | 0:58:38 | 0:58:40 | |
I've always been a little, er, apprehensive about the future. | 0:58:41 | 0:58:47 | |
# Your pretty smile | 0:58:47 | 0:58:48 | |
# Your pretty smile | 0:58:48 | 0:58:51 | |
# Your pretty smile | 0:58:51 | 0:58:52 | |
# Your pretty smile, pretty clothes | 0:58:52 | 0:58:56 | |
# Uh! # | 0:59:04 | 0:59:06 | |
'When I try and make a judgement | 0:59:10 | 0:59:12 | |
'as to what's going to happen in the next year, | 0:59:12 | 0:59:15 | |
'I'm always wrong. I always think,' | 0:59:15 | 0:59:17 | |
"Oh, well, this time next year we won't be able to do that | 0:59:17 | 0:59:20 | |
"cos we'll have to do something else." | 0:59:20 | 0:59:21 | |
'And we do do something different, | 0:59:21 | 0:59:23 | |
'but it's never as different as I think. | 0:59:23 | 0:59:25 | |
'What I mean is, things don't move as fast as you think they are.' | 0:59:25 | 0:59:29 | |
# Now, come on! | 0:59:29 | 0:59:31 | |
# Come on! | 0:59:31 | 0:59:33 | |
# A-come on! | 0:59:33 | 0:59:35 | |
# I see my baby! I'm going home! | 0:59:35 | 0:59:38 | |
# I'm going home! I've come home! | 0:59:38 | 0:59:42 | |
# I've got to get out! I'm getting out... # | 0:59:42 | 0:59:45 | |
'You see, this is where maybe I differ from the rest, | 0:59:45 | 0:59:48 | |
'in the fact that...' | 0:59:48 | 0:59:50 | |
That when I'm at home, I can pick a book up and play a record. | 0:59:50 | 0:59:53 | |
You know... And, er... | 0:59:53 | 0:59:55 | |
..I have a wife and that makes you a bit...sort of... | 0:59:56 | 0:59:59 | |
..cosy, in a way, I suppose, but...I like it. | 1:00:02 | 1:00:06 | |
I'm happier at home. I'm happiest at home. | 1:00:06 | 1:00:09 | |
# When the gang | 1:00:20 | 1:00:22 | |
# Got all dressed up to kill | 1:00:22 | 1:00:25 | |
# Yes, I'd much rather be with the boys | 1:00:26 | 1:00:31 | |
# Than be with you | 1:00:31 | 1:00:35 | |
# La la la la la la | 1:00:37 | 1:00:40 | |
-# When I walk down the street -Ba-ba-ba! | 1:00:40 | 1:00:46 | |
# I hold my head up high | 1:00:46 | 1:00:50 | |
# And stand on my two feet | 1:00:50 | 1:00:54 | |
# Now I'm a man without a... # | 1:00:56 | 1:00:59 | |
THEY ALL SING DIFFERENT LYRICS | 1:00:59 | 1:01:03 | |
# And now that I know that | 1:01:03 | 1:01:07 | |
# I don't need you any more | 1:01:07 | 1:01:11 | |
# Don't put me on | 1:01:11 | 1:01:15 | |
# It's over | 1:01:15 | 1:01:17 | |
# And you've had all you're getting from me | 1:01:17 | 1:01:22 | |
# Cos I'd much rather be with the boys | 1:01:22 | 1:01:26 | |
# Cos I'd much rather be with the boys | 1:01:26 | 1:01:31 | |
# Cos I'd much rather be with the boys | 1:01:31 | 1:01:34 | |
# And the boys, they would much rather be with the boys | 1:01:34 | 1:01:39 | |
# Than with girls like you | 1:01:39 | 1:01:44 | |
# Girls like you | 1:01:44 | 1:01:47 | |
# Girls like you! | 1:01:49 | 1:01:51 | |
# Woo-oo-oo! | 1:01:51 | 1:01:53 | |
# Girls like you | 1:01:53 | 1:01:56 | |
# Woo oo-oo! # | 1:01:57 | 1:01:59 | |
Will we remember the words? | 1:01:59 | 1:02:01 | |
Subtitles by Red Bee Media Ltd | 1:02:01 | 1:02:04 | |
What do you think the secret of your success is, then? | 1:02:04 | 1:02:06 | |
There isn't any SECRET. It's all very obvious. | 1:02:06 | 1:02:10 |