The Rolling Stones: Charlie is My Darling


The Rolling Stones: Charlie is My Darling

BBC Two presents the first TV broadcast of the never before officially released film, The Rolling Stones: Charlie is my Darling, which captures the band on tour in Ireland in 1965.


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Transcript


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MUSIC: "Playing With Fire (Orchestral Version)"

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One's brought up to think that pop music is a very ephemeral thing,

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and it lasts for nothing, so when we first made a record

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and it got in the charts we thought, well, it's good, we'll probably be around

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for a year, maybe a year-and-a-half, and then it's all going to be over.

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-I like the fella that plays the drums.

-Charlie?

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-Charlie.

-You like him?

-Yeah.

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I just took up the drums. I can't read.

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I'm not a musician of that calibre,

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maybe it's just standards I'm looking at.

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Maybe it's just an inferiority complex. Maybe I'm great after all.

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-Who do you like in any group, then?

-Brian Jones.

-Brian Jones.

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-For what reason?

-I just like him.

-He just plays it cool.

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Let's face it.

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The future, as a Rolling Stone, is very uncertain.

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My ultimate aim in life was never to be a pop star.

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I enjoy it.

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Er...with reservations.

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But I'm not really sort of satisfied either artistically or personally.

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-Does anybody like Bill Wyman?

-Yeah!

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I like his style.

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What do you like about Bill Wyman?

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I always wanted to be a musician.

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I always wanted to be in a band.

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I knew it was so impossible and so unlikely that I would be,

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that I just dismissed it.

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Then suddenly, last year I remembered,

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after all that time, I suddenly remembered I'd always wanted to be,

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and now I was, and it didn't mean a thing to me any more!

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Why are you coming to see the show? Who are you going to see?

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-Keith Richards.

-You don't think they're dirty, do you?

-No!

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No, you like them.

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-I just like him.

-Why do you like Mick?

-Because I just like him.

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-Everything.

-Well, what's everything? What's everything?

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His jeans!

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-I like his hair.

-Just his hair?

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I like all of him.

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I just like him. I don't know why. He's very nice.

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-His movement.

-His hair? Do you like his hair?

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-I love his hair.

-Do you think he's sexy?

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You're not the same person on stage as you are the rest of the time.

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-What sort of person do you think you are on stage?

-I don't really know.

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I don't really know what I am on stage.

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It's very different, because you have to treat everybody differently.

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You have to be very, very, very egotistical, because you're acting.

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You're doing an act. It's not really you.

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What do you set out to do in your act?

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Entertain people.

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MUSIC: "Heart of Stone"

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# There've been so many

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# Girls that I've known

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# I've made so many cry

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# And still I wonder why

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# Here comes a little girl

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# I see her walking down the street

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# She's all by herself

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# I try and knock her off her feet

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# But she'll never break, never break, never break, never break

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# This heart of stone

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# Oh, no, no This heart of stone

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# What's different about her

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# I don't really know

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# No matter how I try

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# I just can't make her cry

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# But she'll never break, never break, never break, never break

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# This heart of stone

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# Oh no, no, no This heart of stone

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MUSIC FADES

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Ray, close that door.

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-Step away.

-It's all right.

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That was great.

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MUSIC FADES BACK IN

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# This heart of stone

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# This heart of stone

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# This heart of stone. #

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-Do you play in a group?

-Yeah, The Creatures.

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-The?

-The Creatures.

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The Creatures. When did you first grow your hair long?

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-About 18 months ago.

-Why?

-Because I like long hair.

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Oh, I don't know anything about the groups at all.

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Of course, if I was about... What am I now?

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I was about 22 years younger

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I'd have a little group of my own, if I could.

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There's a bit of go in me still, even though I am 40!

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-Has your daughter got their records?

-No, not really. Only Off The Hook.

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-Well, you've heard it?

-Yes, and Little Red Rooster.

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-Are you going to see them tonight?

-No I can't.

-Why?

-I didn't get a ticket.

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-Did you try?

-Yes.

-What a shame.

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-Are you going to see the show tonight?

-No, I'm not.

-You're not?

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-Why not?

-There were just no tickets.

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Did you see them when they were in Ireland before?

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-You did, what did you think?

-I thought they were fantastic.

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-Is that why you're seeing them again tonight?

-Yes.

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MUSICIANS TUNE UP

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Not my day.

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We just sort of hold it back there.

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Going in this direction?

0:07:400:07:43

-Did it work?

-It didn't work.

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I used to work with David Bailey, you know?

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MUSIC: "Playing With Fire"

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# Well, you've got your diamonds

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# And you've got your pretty bows

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# And the chauffeur drives your cars

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# You let everybody know

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# But don't play with me

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# Cos you're playing with fire

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# Your mother, she's an heiress

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# Owns a block in St John's Wood

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# And your father'd be there with her

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# If he only could

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# But don't play with me

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# Cos you're playing with fire

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# So don't you play with me

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# Cos you're playing with fire. #

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-We want the Stones!

-We want the Stones!

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We want the Stones!

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Here they are, The Rolling Stones!

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CHEERING

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MUSIC: "The Last Time"

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# Well, I told you once and I told you twice

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# But you never listen to my advice

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# You don't try very hard to please me

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# With what you know it should be easy

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# Well, this could be the last time

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# This could be the last time

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# Maybe the last time, I don't know

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# Oh, no

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# Oh, no

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# Well, I'm sorry, girl but I can't stay

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# Feeling like I do today

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# It's too much pain and too much sorrow

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# I guess I'll feel the same tomorrow

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# Well, this could be the last time

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# This could be the last time

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# Maybe the last time, I don't know

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# Oh, no

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# Oh, no

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# Well, this could be the last time

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# This could be the last time

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# Maybe the last time, I don't know

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# Oh, no

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# Oh, no

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# Well, I told you once and I told you twice

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# Someone'll have to pay the price

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# And here's a chance to change your mind

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# Cos I'll be gone a long, long time

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# Well, this could be the last time

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# This could be the last time

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# Maybe the last time, I don't know

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# Oh, no

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# Oh, no

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# Last time, baby

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# I'll see you no more

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# Well, I can't no more Well, I can't no more

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# Well, I can't no more I gotta go

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# I gotta, oh no, I gotta go

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# Cos I don't know where to go

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# I don't know, well, I know

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# Cos I don't know

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# Oh, no! Oh, no! Oh, no!

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# Baby! Come on, baby! Come on! #

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CROWD CHEERS

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# Time is on my side

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# Oh, yes it is

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# I said, time is on my side

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# Oh, yes it is

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# Now, you always say

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# That you want to be free

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# But you come running back

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# You come running back

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# You come running back to me

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# Time is on my side

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# Oh, yes it is

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# I said, time is on my side

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# Oh, yes it is

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# You're searching for good times

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# Just wait and see

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# You'll come running back

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# You'll come running back

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# You'll come running back to me

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# Go ahead, babe, go ahead!

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# I said, go ahead and light up the town!

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# Baby, do anything your heart desires

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# Remember, I'll be around

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# I know, I know, like I told you so many times before

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# That you're gonna come back, baby

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# Yeah, you want to come back One of these days

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# Knocking, yeah Knocking right on my door

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# Yes, time is on my side

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# Oh, yes it is

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# I said, time is on my side,

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# Oh, yes it is

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# Cos I got the real love

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# The kind that you need

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# You'll come running back

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# You'll come running back

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# You'll come running back to me

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# Time, time, time

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# Is on my side, oh, yes it is

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# I said time, time, time

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# Is on my side, oh, yes it is

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# I said time, time, time is on my side. #

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CROWD CHEERS

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Thank you very much.

0:15:560:15:57

# I want to tell you something, baby

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# That you don't know

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# No, you don't know

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# Going to tell you

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# Baby, listen to me

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# Cos it's all right

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# Yeah, it's all right

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# It's all right

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# It's all right

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# It's all right

0:16:270:16:29

# It's all right

0:16:290:16:31

# It's all right

0:16:310:16:33

# It's all right

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# It's all right

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# It's all right, all night long

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# All night long

0:16:400:16:43

# All night long

0:16:430:16:44

# All night long

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# Yeah, it's all right

0:16:460:16:47

# It's all right

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# Oh, yeah

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# It's all right

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# All the time

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# I feel all right

0:16:560:16:58

# I feel all right

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# I feel all right

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# I feel all right. #

0:17:020:17:03

# Do you feel it?

0:17:050:17:07

Do you?

0:17:090:17:11

# Do you feel it?

0:17:110:17:13

# Do you? Do you, do you, do you?

0:17:130:17:16

# Do you feel it, baby? #

0:17:170:17:20

CROWD CHEERS

0:18:100:18:12

GUITAR FEEDBACK HOWLS

0:18:160:18:18

SHOUTING

0:18:270:18:29

CLATTERING AND FEEDBACK

0:18:450:18:48

MICROPHONE FEEDBACK WHINES

0:18:530:18:56

SHOUTING AND GUITAR FEEDBACK

0:18:590:19:02

DISTANT SCREAMS

0:19:120:19:14

Contact. That's why they try to get in cars, just physical contact.

0:19:320:19:36

Any sort of physical contact, touching you,

0:19:360:19:40

touching your coat, your hair or pulling you or kissing you

0:19:400:19:43

or whatever it is, just to say, "I touched so-and-so," you know.

0:19:430:19:47

A crowd always seems to make violence because if there's

0:19:470:19:51

a centre of a crowd, all the people

0:19:510:19:54

on the periphery of the crowd

0:19:540:19:57

are trying to get to the middle.

0:19:570:19:59

All the kids at the front row can't see a thing,

0:19:590:20:01

so they stand up on their seats,

0:20:010:20:03

so the row behind stand up and the row behind,

0:20:030:20:05

and in the end you've got everybody standing up and they still can't see

0:20:050:20:08

and they start falling backwards

0:20:080:20:09

and you know, the seats start getting broken and that,

0:20:090:20:12

and the officials keep pushing back all the time

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and the kids are not fighting the officials half the time,

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they're trying to see, you know.

0:20:160:20:18

They tend to do it at everybody's show.

0:20:180:20:20

I wouldn't say the Beatles were the symbol of authority, anti-authority,

0:20:200:20:27

but when the Beatles went to Germany, for instance,

0:20:270:20:30

the same thing happened.

0:20:300:20:31

-Where did she get 'em fractured? In the theatre?

-Yeah, in the theatre.

0:20:350:20:39

Well...

0:20:410:20:42

# Try and sit yourself a break

0:20:420:20:45

# I know it's hard, love To find someone to

0:20:460:20:51

# Give you what you don't get now... #

0:20:510:20:54

-I've got another, I had another title for this.

-Yeah.

0:20:540:20:58

The ones we duplicate, I had Sitting On A Fence for this.

0:20:580:21:01

SINGS: # Oh, yes I'm sitting on a fence. #

0:21:010:21:05

It's very hard to find a proper title...

0:21:050:21:07

# Da-la, na-na-na... #

0:21:070:21:08

That's leading it, that's good.

0:21:080:21:10

That's all right, but I just wanted to make it, like,

0:21:100:21:12

he was sitting on the fence and could not make up his mind

0:21:120:21:14

between one girl and the other,

0:21:140:21:16

and he couldn't stand sitting on the fence

0:21:160:21:18

cos it was getting very painful.

0:21:180:21:19

That's going to be the last line!

0:21:190:21:21

# You know, it's pretty plain to see

0:21:260:21:31

# That you really haven't found

0:21:310:21:33

# Oh, yeah

0:21:330:21:35

# Though she... #

0:21:350:21:38

HE MUMBLES WORDS

0:21:380:21:40

# I'm sitting on a fence... #

0:21:470:21:51

HE SCAT SINGS OVER GUITAR

0:21:550:21:58

That's got to rhyme, actually.

0:22:000:22:02

That last line's got to rhyme with the first two,

0:22:020:22:05

worked that out in Clearwater, Florida.

0:22:050:22:07

But it doesn't there and it still sounds all right.

0:22:070:22:09

No, but it's better if it does cos I wrote, I wrote...

0:22:090:22:12

Like this.

0:22:120:22:14

# Well, you're sitting on a fence

0:22:140:22:17

# And I think I got no sense

0:22:190:22:21

# Baby, I've had to go

0:22:230:22:25

# Baby, I have to go

0:22:250:22:28

# Now I'm sitting on a fence. #

0:22:280:22:30

That just sort of rounds it off, because it doesn't sound wrong...

0:22:300:22:34

Yeah, actually it would put the title up there.

0:22:340:22:36

You know, it sort of, it sort of rounds it off.

0:22:360:22:39

Doesn't sound wrong if it doesn't rhyme.

0:22:390:22:42

-That was a quick one, Andrew.

-Really?

0:22:420:22:45

# I-I-I...

0:22:490:22:51

# Want, I want you back again

0:22:540:22:58

# Ba-ba-ba

0:22:580:23:00

# I, buh-ba, buh-ba

0:23:000:23:04

# Want your love

0:23:040:23:06

-# Ba-ba-ba, ba-ba

-Again

0:23:060:23:08

# I know you find it hard

0:23:110:23:15

# To reason with me

0:23:150:23:19

# But this time, it's different

0:23:210:23:24

# Darling, you'll see

0:23:250:23:29

# You gotta tell me you're comin' back to me

0:23:290:23:33

# You gotta... #

0:23:330:23:36

HE SQUAWKS

0:23:360:23:37

# Back to me, you gotta

0:23:370:23:39

# Tell me you're comin' back to me

0:23:390:23:43

# You gotta tell me you're comin' back to me, baby

0:23:430:23:48

# Yeah... #

0:23:480:23:49

HE SINGS WORDLESSLY

0:23:510:23:54

# You

0:23:570:23:59

# Walked out on me before

0:24:000:24:05

# I tried to tell you

0:24:080:24:11

# But you didn't want to know

0:24:110:24:16

# This time it's different

0:24:180:24:20

# You're, you're determined to go

0:24:200:24:25

# Here we go

0:24:250:24:26

# Tell me, you gotta tell me you're comin' back home, baby

0:24:260:24:30

# Tell me you're comin' back to me

0:24:310:24:34

# I got a hole in my heart, baby

0:24:340:24:37

# Ooh, yeah, yeah, yeah

0:24:370:24:41

# You've gotta tell me you're coming back home, yes sir

0:24:410:24:44

# All right

0:24:440:24:46

# Come home, come on, baby

0:24:460:24:49

# It's all right

0:24:490:24:52

# It's all right

0:24:520:24:53

# Bah-bah

0:24:530:24:55

# Wop-bop-mmm-bop-mmm

0:24:550:24:57

# Bah-buh-bah

0:24:570:24:58

# Doo-ahhh... #

0:24:580:25:01

# Da-da-da-da-da, da-da-da-da-da

0:25:020:25:09

# Ah-ah-ah-ah-ah

0:25:090:25:12

# Da-da-da, da-da-da-da-da-da

0:25:120:25:18

# Doo-doo-doo, no

0:25:180:25:21

# Oh, la-la-la-la

0:25:210:25:25

# Falling, ooh, I'm falling

0:25:250:25:29

# And I'm falling back again. #

0:25:290:25:33

A lot of the groups would be.

0:25:350:25:38

Honey-coated.

0:25:380:25:39

# Oh, I need your love

0:25:420:25:46

# Yes, you know it's true

0:25:460:25:49

# Oh, I need your love, babe

0:25:490:25:53

# Girl, you know it's true

0:25:530:25:55

# Ho-hold me, love me

0:25:550:26:00

# Hold me... #

0:26:000:26:02

Popular music wasn't a real thing at all.

0:26:020:26:05

It was very, very romantic. Not only romantic in so far as every song

0:26:050:26:10

was about boy-girl relationships, which is romantic in one sense...

0:26:100:26:14

but every song was just like...

0:26:140:26:19

..just like romantic lyrics,

0:26:200:26:22

just all about things that don't really happen

0:26:220:26:24

or don't really happen all the time.

0:26:240:26:26

If you listen to all the popular songs ten years ago,

0:26:260:26:30

there are very few of them that actually mean anything.

0:26:300:26:32

Or have any relation to what people are doing. They don't...

0:26:320:26:37

Songs didn't have any relation

0:26:370:26:38

to what people actually spend their lives doing,

0:26:380:26:40

like getting up, washing, going to work, coming back.

0:26:400:26:43

And feeling very screwed up about certain things.

0:26:430:26:46

They were just about being unhappy because your girl had left you

0:26:460:26:49

or being very happy because you've just met somebody.

0:26:490:26:52

That's all they were about.

0:26:520:26:54

The moon in June and the sky is blue and I love you.

0:26:540:26:57

MUSIC: "Blue Turns To Grey"

0:27:000:27:04

GIRLS CHATTER EXCITEDLY

0:27:210:27:22

# Then blue turns to grey

0:27:250:27:30

# And try as you may

0:27:300:27:34

# You just don't feel good... #

0:27:340:27:39

TRAIN WHISTLE

0:27:450:27:47

SCREAMING

0:28:200:28:23

CHATTER

0:28:240:28:28

Jeremy...

0:28:280:28:29

get them off.

0:28:290:28:31

TRAIN WHISTLES

0:28:310:28:35

# ..On the baby's knee

0:28:350:28:37

# Where will the baby's dimple be?

0:28:370:28:39

# Da-da-da... #

0:28:390:28:40

-Is that Max Bygraves?

-No, Billy Cotton.

-Max Bygraves is...

0:28:400:28:44

# You need hands... #

0:28:440:28:46

# Oh, da-da-da-da

0:28:460:28:49

# By the se-e-e-ea... #

0:28:490:28:53

-Oh!

-What a bad tune.

0:28:530:28:54

Only last week, Ken Dodd...

0:28:540:28:57

"And here he is, our top-of-the-bill star,

0:28:570:28:59

"someone you've been waiting for, Ken Dodd!"

0:28:590:29:01

On what?

0:29:010:29:02

# She wore white feathers and a hula-hula skirt... #

0:29:020:29:08

Can I have a piece of...? Can I have another sugar, please?

0:29:210:29:24

You need some more tea.

0:29:260:29:27

Another tea for four here. Thank you.

0:29:270:29:30

# We're riding this rock'n'roll train

0:29:300:29:32

# We're riding this rock'n'roll train... #

0:29:320:29:34

Whoo, whoo!

0:29:340:29:36

This is a commercial.

0:29:360:29:38

-Nice tea.

-Yes, it's Lipton.

0:29:380:29:40

Don't you think it's nice tea, Keith?

0:29:400:29:43

I think it's lovely tea. Where did you get it?

0:29:430:29:46

Super tea.

0:29:460:29:47

John Lennon says one shouldn't drink it.

0:29:470:29:50

# Maybe it's because I'm a Londoner

0:29:500:29:54

# That I love London Town

0:29:540:29:57

# Maybe it's because I'm a Londoner

0:29:590:30:03

# That I think of her wherever I go

0:30:030:30:08

# Ba-ba-ba

0:30:080:30:09

# Da-dada-da-dum inside of me

0:30:090:30:13

# Ba-ba-ba

0:30:130:30:14

# A-da-da-da-da-daa

0:30:140:30:18

# La-la-lala-la

0:30:180:30:19

# Maybe it's because I'm a Londoner

0:30:190:30:23

# That I love London Town. #

0:30:230:30:27

WHISTLE BLOWS

0:31:250:31:27

Our sort of success is a first-class ticket to a lot of...

0:31:310:31:35

a lot of things.

0:31:350:31:36

On the other hand, there's not much physical freedom.

0:31:380:31:41

We have to choose very carefully where we go

0:31:410:31:43

and where we socialise, where we go for holidays.

0:31:430:31:47

Because of our peculiar sort of success.

0:31:470:31:51

I can afford, shall we say, to do exactly what I want.

0:31:530:31:57

-Do you have much time to do the things you want to do?

-No.

0:31:570:31:59

No, not really.

0:31:590:32:01

But then again, I haven't got much time to do what I want.

0:32:010:32:05

That's what I just said.

0:32:070:32:08

Now, boys, let's go. Quick.

0:32:270:32:28

SCREAMING AND CHEERING

0:32:280:32:31

-Come on, then. We're late.

-OK.

0:32:480:32:51

Doesn't matter.

0:32:530:32:54

Don't show that thing at me,

0:32:590:33:01

that's Percy Thrower's birdwatching equipment.

0:33:010:33:03

And here is the lesser-spotted nighthawk.

0:33:030:33:05

SCREECHES

0:33:050:33:07

And here we are on Nether Wick.

0:33:070:33:10

And, as you can see,

0:33:100:33:12

there is a colony of lesser-spotted gredgewicks.

0:33:120:33:15

And I think they're in the mating season now. Let me have a look.

0:33:150:33:19

Oh, yes, here it comes, a lesser-spotted nedgewick.

0:33:190:33:22

And if you see, he's tottering up to the female lesser-spotted nedgewick

0:33:220:33:26

and, yes, and it looks like he's trying to mate.

0:33:260:33:29

Notice the fluttering of the wings here.

0:33:290:33:32

Yes, and my father once told me, when he was touring in the South Pole...

0:33:320:33:36

LAUGHTER

0:33:360:33:38

In the last two or three years, young people have been...

0:34:590:35:05

This especially applies to America.

0:35:050:35:08

Instead of just carrying on the way their parents told them to,

0:35:080:35:12

they've started a big thing where they're anti-war

0:35:120:35:15

and they love everybody and their sexual lives have become freer.

0:35:150:35:21

The kids are looking for something else, or some different moral value,

0:35:230:35:26

because they know they're going to get all of the things

0:35:260:35:29

that were thought impossible 50 years ago.

0:35:290:35:32

The whole sort of basis of society

0:35:320:35:34

and values which were accepted could be changed, but it's up to them

0:35:340:35:39

to carry on those ideals that they have instead of just

0:35:390:35:42

falling into the same old routine that their parents have fallen into.

0:35:420:35:48

So it's not until the people of 21 now reach the age of 75,

0:35:480:35:54

those kids actually have to be grandfathers

0:35:540:35:56

before the whole thing is changed.

0:35:560:35:58

MUSIC: "I Can't Get No Satisfaction"

0:36:000:36:04

EXCITED CHATTER

0:36:390:36:42

CHEERING

0:36:450:36:47

I mean, just because you work together...

0:37:040:37:06

you work together a lot, you see each other a lot of the time.

0:37:060:37:09

People expect, when you go out, Like we go shopping or something,

0:37:090:37:11

they expect to see five of you.

0:37:110:37:13

They always say, "Where are the others?"

0:37:130:37:15

LAUGHTER

0:37:150:37:16

-Last night was bad enough.

-Last night is a good example.

0:37:270:37:30

No, no, no.

0:37:330:37:34

But it was pretty bad, because we all got pulled down at one stage.

0:37:340:37:37

-I think probably...

-Long Beach.

-Long Beach, California.

0:37:390:37:42

There were about 5,000 people around the car.

0:37:420:37:44

The roof of the car was pushed in, there were police everywhere,

0:37:440:37:47

there were two policeman injured. And the car was wrecked.

0:37:470:37:51

And we had a helicopter waiting for us to take us to a TV show

0:37:510:37:55

and we just about got away in time. That was very dangerous.

0:37:550:37:58

We knocked a policeman off his bike and he broke his leg or something.

0:37:580:38:01

Yeah, he was very cool on his bike. Until we ran into him.

0:38:010:38:06

Guns flying everywhere!

0:38:060:38:09

About...50 odd.

0:38:110:38:13

"Acting"?

0:38:240:38:26

Well, I suppose, all of it's acting, you know.

0:38:260:38:29

I mean, there is a difference between acting...

0:38:290:38:31

A GIRL SCREAMS >

0:38:310:38:34

How do you sort of define acting?

0:38:340:38:36

You could say that people in a club dancing

0:38:360:38:38

or people in the dance hall dancing, it's the same answer.

0:38:380:38:41

You could ask, "Are they acting?" Cos they are.

0:38:410:38:43

There is a difference between acting and not enjoying it

0:38:430:38:46

and acting and doing what you want to do.

0:38:460:38:48

It's like getting into a part.

0:38:480:38:49

You know, say you're doing a play, and you just act it.

0:38:490:38:52

Or, really, you get inside it.

0:38:520:38:53

The most successful entertainers have always been the most

0:38:530:38:57

egotistical ones on stage.

0:38:570:39:00

They might not be as egotistical as that offstage,

0:39:000:39:03

but all that ego is got rid of on stage.

0:39:030:39:06

What sort of person do you think you are off the stage?

0:39:060:39:10

About half as egotistical.

0:39:100:39:12

-What's that tune?

-HE PLAYS A CHORD

0:39:200:39:23

-No, er...

-HE PLAYS A DIFFERENT CHORD

0:39:230:39:25

And it comes around about there, the airline pilot.

0:39:330:39:35

HE PLAYS "SALTY DOG"

0:39:350:39:37

A French fighter pilot, eh?

0:39:450:39:48

# I want to be your salty dog

0:39:510:39:53

# I don't want to be your man at all

0:39:530:39:55

# I just want to be your salty dog

0:39:550:39:58

# I want to be your salty dog

0:39:590:40:01

# I don't want to be your man at all

0:40:010:40:03

# I just want to be your salty dog

0:40:030:40:05

# Hunt me down and lead me on...

0:40:070:40:09

# Ba-ba-bada

0:40:090:40:10

# I don't want to be your man at all

0:40:140:40:17

# I want to be your salty dog

0:40:170:40:19

# Da-da-da-dee

0:40:340:40:38

# Da-dee-ee

0:40:380:40:40

# Da-da-da-dee

0:40:400:40:42

# Da-da-da-dee-ee

0:40:420:40:45

# Ai-ee-ee-um. #

0:40:470:40:49

No, don't... Go on.

0:40:540:40:56

HE PLAYS "NEEDLE OF DEATH" BY BERT JANSCH

0:40:560:41:01

£2.10, please.

0:41:400:41:41

INAUDIBLE SPEECH

0:41:480:41:50

Come on, Bill.

0:41:590:42:00

CHEERING

0:42:040:42:08

-CHANTING:

-We want Mick! We want Mick! We want Mick! We want Mick!

0:42:080:42:13

Give it up for the Rolling Stones!

0:42:130:42:16

MUSIC: "Everybody Needs Somebody To Love"

0:42:180:42:21

# Everybody needs somebody

0:42:280:42:30

# Everybody loves somebody

0:42:300:42:33

# Everybody needs somebody

0:42:330:42:36

# Everybody loves somebody

0:42:360:42:38

# Yes

0:42:380:42:40

# And I need you, you, you

0:42:400:42:43

# I need you, you, you

0:42:430:42:46

# I need you, you, you

0:42:460:42:49

# I need you, you, you

0:42:490:42:52

# Pain in my heart

0:42:560:42:59

# Treatin' me poor

0:43:000:43:02

# Where can my baby be?

0:43:040:43:09

# Lord, no-one knows

0:43:090:43:11

# Pain in my heart

0:43:130:43:15

# Won't let me sleep

0:43:160:43:18

# Oh-oh-oh-oh

0:43:180:43:20

# I wake up restless nights

0:43:200:43:23

# But I guess you're gone

0:43:230:43:26

# Lord, one day

0:43:290:43:30

# My days are gettin' tough

0:43:320:43:34

# Oh, won't you come back, come back, come back, baby?

0:43:340:43:40

# Well, sometime

0:43:410:43:44

# Pain in my heart

0:43:450:43:46

# Won't let me be

0:43:480:43:50

# Oh-oh-oh-oh

0:43:500:43:52

# I wake up restless nights

0:43:520:43:55

# In misery, Lord

0:43:550:43:58

# Won't somebody stop this pain?

0:44:060:44:07

# And then one day

0:44:160:44:18

# My days are pretty rough

0:44:190:44:22

# Won't you love me, love me, love me

0:44:220:44:25

# Baby

0:44:250:44:27

# Love me

0:44:290:44:32

# Pain in my heart

0:44:320:44:34

# Somebody stop this

0:44:350:44:37

# This pain in my heart

0:44:370:44:39

# Oh-oh-oh-oh

0:44:390:44:41

# Pain in my heart

0:44:410:44:43

# Oh-oh-oh-oh

0:44:430:44:45

# Oh, my, my, my, my, my, my, my. #

0:44:450:44:48

SCREAMING AND CHEERING

0:44:550:44:58

# Say the joint was rocked

0:45:000:45:02

# Going round and round

0:45:020:45:04

# Yeah, reelin' and rockin'

0:45:040:45:07

# What a crazy sound

0:45:070:45:09

# But they never stopped rockin'

0:45:090:45:12

# Till the moon went down

0:45:120:45:15

# Well, it sound so sweet

0:45:150:45:17

# I had to take me a chance

0:45:170:45:20

# I rose out of my seat

0:45:200:45:23

# Just had to dance

0:45:230:45:25

# Started movin' my feet

0:45:250:45:27

# Whoa, and clappin' my hands

0:45:270:45:30

# The joint was rockin'

0:45:300:45:33

# Going round and round

0:45:330:45:36

# Yeah, reelin' and rockin'

0:45:360:45:38

# What a crazy sound

0:45:380:45:40

# And we never stopped rockin'

0:45:400:45:43

# Till the moon went down

0:45:430:45:45

SCREAMING

0:45:510:45:55

# Well, at 12 o'clock

0:46:140:46:16

# Yeah, the place was packed

0:46:160:46:18

# Front doors were locked

0:46:180:46:20

# Yeah, the place was packed

0:46:200:46:23

# When the police knocked

0:46:240:46:26

# No doors flew back

0:46:260:46:27

# We kept on rockin'

0:46:280:46:31

# Goin' round and round

0:46:310:46:33

# Yeah, reelin' and rockin'

0:46:330:46:35

# What a crazy sound

0:46:350:46:38

# And they never stopped rockin'

0:46:380:46:40

# Till the moon went down

0:46:400:46:42

# Yeah, the joint was rockin'

0:46:420:46:45

# Goin' round and round

0:46:450:46:47

# Yeah, reelin' and rockin'

0:46:470:46:50

# What a crazy sound

0:46:500:46:51

# And it never stopped rockin'

0:46:510:46:55

# Till the moon went down

0:46:550:46:56

SCREAMING

0:47:030:47:05

SCREAMING AND CHEERING

0:47:130:47:17

SONG: "(I Can't Get No) Satisfaction"

0:47:230:47:27

SCREAMING AND CHEERING

0:47:270:47:30

# I can't get no

0:47:350:47:37

# Satisfaction

0:47:370:47:42

# I can't get no

0:47:420:47:44

# Satisfaction

0:47:440:47:46

# And I try

0:47:460:47:48

# And I try

0:47:480:47:50

# And I try

0:47:500:47:51

# And I try

0:47:510:47:52

# I can't get no

0:47:520:47:54

# I can't get no

0:47:560:47:57

# When I'm drivin' in my car

0:47:580:48:02

# And a man comes on the radio

0:48:020:48:05

# Tellin' me more and more

0:48:050:48:08

# About some useless information

0:48:080:48:10

# Supposed to buy my imagination

0:48:100:48:14

# I can't get no

0:48:140:48:17

# No, no, no

0:48:170:48:19

# Hey, hey, hey

0:48:200:48:21

# What I said

0:48:230:48:24

# All right

0:48:240:48:27

# I can't get no

0:48:270:48:30

# Satisfaction

0:48:300:48:33

I can't get no

0:48:330:48:36

# Satisfaction

0:48:360:48:38

# And I try

0:48:380:48:40

# And I try

0:48:400:48:42

# And I try And I try

0:48:420:48:44

# I can't get no

0:48:440:48:46

# But I can't get no

0:48:470:48:50

# When I'm watchin' my TV

0:48:500:48:54

# And a man comes on to tell me

0:48:540:48:57

# How white my shirts can be

0:48:570:49:00

# But he can't be a man Cos he doesn't smoke

0:49:000:49:03

# The same cigarettes as me

0:49:030:49:06

# I can't get no

0:49:060:49:08

# No, no

0:49:080:49:10

# No

0:49:100:49:11

# Hey, hey, hey

0:49:110:49:13

# What I say

0:49:150:49:17

# All right

0:49:170:49:19

# I can't get no

0:49:190:49:23

# Satisfaction

0:49:230:49:25

# I can't get no

0:49:250:49:29

# Satisfaction

0:49:290:49:31

# And I try

0:49:310:49:33

# And I try

0:49:330:49:34

# And I try

0:49:340:49:35

# And try

0:49:350:49:37

# I can't get no

0:49:370:49:38

# I can't get no

0:49:400:49:41

# When I'm runnin' around the world

0:49:430:49:46

# And then I'm doin' this And I'm a-signin' that

0:49:460:49:50

# And I'm tryin' to make some girl Tell me

0:49:500:49:53

# Baby, better come back Maybe next week

0:49:530:49:56

# But you see I'm on a losing streak

0:49:560:49:59

# I can't get no

0:49:590:50:00

# No, no, no, no

0:50:000:50:03

SCREAMING

0:50:030:50:06

# I can't get no satisfaction

0:50:110:50:14

# I can't get no satisfaction

0:50:140:50:17

-# Satisfaction

-Satisfaction

0:50:170:50:20

-# Satisfaction

-Satisfaction

0:50:200:50:23

-# Satisfaction

-Early in the mornin'

0:50:230:50:27

# Satisfaction

0:50:270:50:29

-# Satisfaction

-I can't get no

0:50:290:50:33

# Satisfaction. #

0:50:330:50:35

SCREAMING AND CHEERING

0:50:440:50:47

Did you enjoy it?

0:51:140:51:16

No, I think the screaming was a little bit much.

0:51:160:51:18

The screaming was too much.

0:51:180:51:19

On the next house we'll turn the screaming down.

0:51:190:51:22

But did you enjoy the overall effect of it?

0:51:220:51:24

On the whole, quite a good effect.

0:51:240:51:25

It's the people themselves, I think, cause any immoral effect.

0:51:250:51:28

It's nothing to do with the Stones themselves, as far as I'm concerned.

0:51:280:51:31

But the Stones themselves, I think, are good artists.

0:51:310:51:34

It's better that they got all their high spirits out in the cinema watching that?

0:51:340:51:38

As long as they don't damage the cinema. Or the Stones.

0:51:380:51:40

Right. I'll second that.

0:51:400:51:42

On stage, I suppose, there is a sexual thing

0:51:420:51:45

between the audience and the group.

0:51:450:51:48

As far as lyrics go,

0:51:500:51:52

sex doesn't play as important a part as... As is generally believed.

0:51:520:51:59

If you hadn't been a music maker, what would you like to be?

0:52:010:52:03

Designer.

0:52:040:52:06

-Design what?

-A designer. Cos I was one.

0:52:060:52:10

I don't know, just do graphic design.

0:52:100:52:12

Well, I'm very interested in making a film.

0:52:120:52:15

I'm not doing it for any commercial gain at all,

0:52:150:52:20

I'm just doing it because I feel it's something I want to do.

0:52:200:52:23

What's your ambition now?

0:52:230:52:25

To be a musician.

0:52:250:52:26

I'm... I'm not a musician, I just play in a band, you know.

0:52:280:52:32

I used to think, well, I have to go back to college then.

0:52:320:52:34

That was what I thought, but it hasn't worked out like that.

0:52:340:52:38

And it hasn't worked like that for lots and lots of people.

0:52:380:52:41

All those groups,

0:52:410:52:43

and people that started off when we were starting off,

0:52:430:52:46

are all still going,

0:52:460:52:47

all still working.

0:52:470:52:48

KEITH PLAYS PIANO

0:52:480:52:51

Mmm, I feel like Robert Browning.

0:53:010:53:03

Robert Browning!

0:53:090:53:11

That sort of early Jewish poet.

0:53:110:53:14

Who do you like - Keats?

0:53:150:53:18

-Keats. Keats, baby.

-INTERVIEWER: Do you like Keats?

0:53:180:53:22

Actually, I was thinking of Shelley.

0:53:220:53:24

I wandered lonely as a cloud.

0:53:240:53:26

-That was Wordsworth.

-I wandered lonely as a cloud.

0:53:260:53:29

Don't call me a berk!

0:53:290:53:31

# Santa, bring my baby back to me

0:53:480:53:53

# Santa, bring my baby back to me

0:53:550:53:58

# Wa-wee, wa-hello-wa

0:54:000:54:03

# Yeah, you ask me to

0:54:030:54:06

# Where I roll home

0:54:060:54:09

# Oh, Santa, hear my plea

0:54:090:54:13

# Santa, bring my baby back to me

0:54:130:54:16

-# Santa, bring my baby back to me

-# Do-wa!

0:54:160:54:19

# Santa, bring my baby back to me, yeah... #

0:54:190:54:22

Ha-ha-ha! >

0:54:220:54:23

-# To still, oh, yeah

-# Ba-da-dup

0:54:230:54:25

# On Blueberry Hill

0:54:270:54:30

# Ba ba-da-dup

0:54:300:54:32

# On Blueberry Hill

0:54:320:54:35

# Ba ba-ba-da-dup

0:54:350:54:37

# Where I, baby

0:54:370:54:40

-# Ba-ba-ba ba-ba-ba... #

-Bit late.

0:54:400:54:43

-# The way it...

-Nah, you're going to get it.

0:54:430:54:45

# The will

0:54:450:54:49

# The sweet melody

0:54:490:54:54

Ow! # With all those vows we made

0:54:550:55:01

# Were never to be! #

0:55:010:55:04

-Thank you.

-Great, I am.

-Thank you.

0:55:040:55:07

-This number has been like...

-A number that has been broken!

0:55:090:55:11

This number has been to me

0:55:110:55:13

like maybe your father or mother were to you.

0:55:130:55:16

As you know, my mother and father died in my early years, and...

0:55:160:55:20

When I was a little boy of five years old...

0:55:230:55:26

My musical arranger and director...

0:55:300:55:32

Thank you.

0:55:440:55:45

Yeah, well...

0:55:450:55:47

-You know...

-You know...

-Sometimes a man...

0:55:470:55:51

What's that do?

0:55:530:55:54

-# If you

-# If you

0:55:540:55:57

# Find your sweetheart in the arms of... #

0:55:570:56:02

No, what's that one? # Are you...lonesome tonight?

0:56:030:56:09

# Are you lonesome tonight? #

0:56:110:56:14

Who do you think you are? Mick Jagger.

0:56:140:56:18

Yes, and here he is, er, entertaining the sick children's hospital in Northern Ireland.

0:56:180:56:23

And, er, we think he could really be something, so...

0:56:230:56:27

# Why must I be-e-e a teenager in love?

0:56:270:56:35

# A-a-a-a-a-h U-u-u-u-u-u-u-h

0:56:360:56:39

# U-u-u-u-u-u-u-h U-u-u-u-u-h

0:56:390:56:42

# O-o-o-h a-ooh-da

0:56:420:56:46

# Uh-da do-da # Oo-ba-doo! #

0:56:460:56:49

Yeah.

0:56:580:56:59

# Dee-e-e-e-e-e

0:57:010:57:04

# Ow-w-w-w-w-w

0:57:040:57:06

# Ooo-eh

0:57:060:57:08

# Di-diddle, dee-nee-nee!

0:57:080:57:10

# Bing-bang dee-nay ni-na-ni! #

0:57:100:57:12

HE IMITATES GUITAR RIFF FROM BEATLES: "I Feel Fine"

0:57:120:57:15

Yow!

0:57:210:57:23

Now!

0:57:230:57:25

-IMITATES ELVIS: Uh huh-huh-huh.

-Haw-haw-haw?

-Uh-huh-huh.

0:57:260:57:29

Wish this was all on film, man. Could be great.

0:57:300:57:33

# I'll go see my doll and want to make sweet-sweet love

0:57:330:57:36

# A-sweet-sweet love

0:57:360:57:40

# A-sweet-sweet a-sweet love to you, baby

0:57:400:57:43

# But in the middle of the night

0:57:430:57:47

# Early in the morning

0:57:470:57:49

# Early in the morning

0:57:500:57:54

# Early in the morning

0:57:540:57:58

# Early in the morning

0:57:580:58:01

# Ooh, the midnight hour

0:58:010:58:04

# She make me feel so good

0:58:080:58:10

# She'll make me feel all right

0:58:110:58:14

# She make me feel so good... #

0:58:140:58:17

Ow!

0:58:170:58:19

# So good! #

0:58:190:58:21

It makes you wonder whether...

0:58:210:58:23

there's an easier way of earning a living, you know.

0:58:230:58:25

But, er... Cos we don't do it for earning a living.

0:58:250:58:28

# That's all I'd like to say

0:58:290:58:32

# Cos I'm a-going to pack my bags

0:58:320:58:36

# Mm-hm... #

0:58:360:58:38

Yes, I've never thought very far ahead at all.

0:58:380:58:40

I've always been a little, er, apprehensive about the future.

0:58:410:58:47

# Your pretty smile

0:58:470:58:48

# Your pretty smile

0:58:480:58:51

# Your pretty smile

0:58:510:58:52

# Your pretty smile, pretty clothes

0:58:520:58:56

# Uh! #

0:59:040:59:06

'When I try and make a judgement

0:59:100:59:12

'as to what's going to happen in the next year,

0:59:120:59:15

'I'm always wrong. I always think,'

0:59:150:59:17

"Oh, well, this time next year we won't be able to do that

0:59:170:59:20

"cos we'll have to do something else."

0:59:200:59:21

'And we do do something different,

0:59:210:59:23

'but it's never as different as I think.

0:59:230:59:25

'What I mean is, things don't move as fast as you think they are.'

0:59:250:59:29

# Now, come on!

0:59:290:59:31

# Come on!

0:59:310:59:33

# A-come on!

0:59:330:59:35

# I see my baby! I'm going home!

0:59:350:59:38

# I'm going home! I've come home!

0:59:380:59:42

# I've got to get out! I'm getting out... #

0:59:420:59:45

'You see, this is where maybe I differ from the rest,

0:59:450:59:48

'in the fact that...'

0:59:480:59:50

That when I'm at home, I can pick a book up and play a record.

0:59:500:59:53

You know... And, er...

0:59:530:59:55

..I have a wife and that makes you a bit...sort of...

0:59:560:59:59

..cosy, in a way, I suppose, but...I like it.

1:00:021:00:06

I'm happier at home. I'm happiest at home.

1:00:061:00:09

# When the gang

1:00:201:00:22

# Got all dressed up to kill

1:00:221:00:25

# Yes, I'd much rather be with the boys

1:00:261:00:31

# Than be with you

1:00:311:00:35

# La la la la la la

1:00:371:00:40

-# When I walk down the street

-Ba-ba-ba!

1:00:401:00:46

# I hold my head up high

1:00:461:00:50

# And stand on my two feet

1:00:501:00:54

# Now I'm a man without a... #

1:00:561:00:59

THEY ALL SING DIFFERENT LYRICS

1:00:591:01:03

# And now that I know that

1:01:031:01:07

# I don't need you any more

1:01:071:01:11

# Don't put me on

1:01:111:01:15

# It's over

1:01:151:01:17

# And you've had all you're getting from me

1:01:171:01:22

# Cos I'd much rather be with the boys

1:01:221:01:26

# Cos I'd much rather be with the boys

1:01:261:01:31

# Cos I'd much rather be with the boys

1:01:311:01:34

# And the boys, they would much rather be with the boys

1:01:341:01:39

# Than with girls like you

1:01:391:01:44

# Girls like you

1:01:441:01:47

# Girls like you!

1:01:491:01:51

# Woo-oo-oo!

1:01:511:01:53

# Girls like you

1:01:531:01:56

# Woo oo-oo! #

1:01:571:01:59

Will we remember the words?

1:01:591:02:01

Subtitles by Red Bee Media Ltd

1:02:011:02:04

What do you think the secret of your success is, then?

1:02:041:02:06

There isn't any SECRET. It's all very obvious.

1:02:061:02:10

As part of the celebration of the Rolling Stones' 50th Anniversary, BBC Two presents the first TV broadcast of this legendary but never before officially released film, The Rolling Stones: Charlie is my Darling.

The film marked the cinematic debut of the band, following them on a quick weekend tour of Ireland in 1965 just weeks after '(I Can't Get No) Satisfaction' topped the charts and became the international anthem for an entire generation. Charlie is my Darling is an intimate, behind-the-scenes diary of life on the road with the young Rolling Stones, featuring the first professionally filmed concert performances of the band's long and storied touring career, documenting the early frenzy of their fans and the riots their live performances incited. The film also captures the band's formative period, capturing early song-writing sessions and featuring candid, off-the-cuff interviews with Mick Jagger, Keith Richards, Charlie Watts, Brian Jones and Bill Wyman.

This new 65 minute version was developed by producer Robin Klein and director Mick Gochanaur after researching and locating additional film footage shot by Whitehead and uncovering a source of first generation audio recordings of the band's concert performances. Painstaking work was done on restoring the footage to come up with the new film that offers a coherent narrative and gives the viewer unprecedented access to the Rolling Stones' original line-up.


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