The Rolling Stones: Charlie is My Darling


The Rolling Stones: Charlie is My Darling

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MUSIC: "Playing With Fire (Orchestral Version)"

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One's brought up to think that pop music is a very ephemeral thing,

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and it lasts for nothing, so when we first made a record

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and it got in the charts we thought, well, it's good, we'll probably be around

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for a year, maybe a year-and-a-half, and then it's all going to be over.

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-I like the fella that plays the drums.

-Charlie?

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-Charlie.

-You like him?

-Yeah.

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I just took up the drums. I can't read.

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I'm not a musician of that calibre,

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maybe it's just standards I'm looking at.

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Maybe it's just an inferiority complex. Maybe I'm great after all.

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-Who do you like in any group, then?

-Brian Jones.

-Brian Jones.

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-For what reason?

-I just like him.

-He just plays it cool.

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Let's face it.

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The future, as a Rolling Stone, is very uncertain.

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My ultimate aim in life was never to be a pop star.

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I enjoy it.

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Er...with reservations.

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But I'm not really sort of satisfied either artistically or personally.

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-Does anybody like Bill Wyman?

-Yeah!

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I like his style.

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What do you like about Bill Wyman?

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I always wanted to be a musician.

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I always wanted to be in a band.

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I knew it was so impossible and so unlikely that I would be,

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that I just dismissed it.

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Then suddenly, last year I remembered,

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after all that time, I suddenly remembered I'd always wanted to be,

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and now I was, and it didn't mean a thing to me any more!

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Why are you coming to see the show? Who are you going to see?

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-Keith Richards.

-You don't think they're dirty, do you?

-No!

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No, you like them.

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-I just like him.

-Why do you like Mick?

-Because I just like him.

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-Everything.

-Well, what's everything? What's everything?

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His jeans!

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-I like his hair.

-Just his hair?

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I like all of him.

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I just like him. I don't know why. He's very nice.

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-His movement.

-His hair? Do you like his hair?

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-I love his hair.

-Do you think he's sexy?

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You're not the same person on stage as you are the rest of the time.

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-What sort of person do you think you are on stage?

-I don't really know.

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I don't really know what I am on stage.

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It's very different, because you have to treat everybody differently.

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You have to be very, very, very egotistical, because you're acting.

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You're doing an act. It's not really you.

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What do you set out to do in your act?

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Entertain people.

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MUSIC: "Heart of Stone"

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# There've been so many

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# Girls that I've known

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# I've made so many cry

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# And still I wonder why

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# Here comes a little girl

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# I see her walking down the street

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# She's all by herself

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# I try and knock her off her feet

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# But she'll never break, never break, never break, never break

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# This heart of stone

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# Oh, no, no This heart of stone

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# What's different about her

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# I don't really know

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# No matter how I try

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# I just can't make her cry

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# But she'll never break, never break, never break, never break

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# This heart of stone

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# Oh no, no, no This heart of stone

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MUSIC FADES

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Ray, close that door.

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-Step away.

-It's all right.

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That was great.

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MUSIC FADES BACK IN

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# This heart of stone

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# This heart of stone

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# This heart of stone. #

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-Do you play in a group?

-Yeah, The Creatures.

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-The?

-The Creatures.

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The Creatures. When did you first grow your hair long?

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-About 18 months ago.

-Why?

-Because I like long hair.

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Oh, I don't know anything about the groups at all.

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Of course, if I was about... What am I now?

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I was about 22 years younger

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I'd have a little group of my own, if I could.

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There's a bit of go in me still, even though I am 40!

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-Has your daughter got their records?

-No, not really. Only Off The Hook.

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-Well, you've heard it?

-Yes, and Little Red Rooster.

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-Are you going to see them tonight?

-No I can't.

-Why?

-I didn't get a ticket.

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-Did you try?

-Yes.

-What a shame.

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-Are you going to see the show tonight?

-No, I'm not.

-You're not?

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-Why not?

-There were just no tickets.

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Did you see them when they were in Ireland before?

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-You did, what did you think?

-I thought they were fantastic.

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-Is that why you're seeing them again tonight?

-Yes.

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MUSICIANS TUNE UP

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Not my day.

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We just sort of hold it back there.

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Going in this direction?

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-Did it work?

-It didn't work.

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I used to work with David Bailey, you know?

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MUSIC: "Playing With Fire"

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# Well, you've got your diamonds

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# And you've got your pretty bows

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# And the chauffeur drives your cars

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# You let everybody know

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# But don't play with me

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# Cos you're playing with fire

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# Your mother, she's an heiress

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# Owns a block in St John's Wood

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# And your father'd be there with her

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# If he only could

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# But don't play with me

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# Cos you're playing with fire

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# So don't you play with me

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# Cos you're playing with fire. #

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-We want the Stones!

-We want the Stones!

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We want the Stones!

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Here they are, The Rolling Stones!

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CHEERING

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MUSIC: "The Last Time"

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# Well, I told you once and I told you twice

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# But you never listen to my advice

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# You don't try very hard to please me

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# With what you know it should be easy

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# Well, this could be the last time

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# This could be the last time

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# Maybe the last time, I don't know

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# Oh, no

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# Oh, no

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# Well, I'm sorry, girl but I can't stay

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# Feeling like I do today

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# It's too much pain and too much sorrow

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# I guess I'll feel the same tomorrow

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# Well, this could be the last time

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# This could be the last time

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# Maybe the last time, I don't know

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# Oh, no

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# Oh, no

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# Well, this could be the last time

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# This could be the last time

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# Maybe the last time, I don't know

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# Oh, no

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# Oh, no

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# Well, I told you once and I told you twice

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# Someone'll have to pay the price

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# And here's a chance to change your mind

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# Cos I'll be gone a long, long time

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# Well, this could be the last time

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# This could be the last time

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# Maybe the last time, I don't know

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# Oh, no

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# Oh, no

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# Last time, baby

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# I'll see you no more

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# Well, I can't no more Well, I can't no more

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# Well, I can't no more I gotta go

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# I gotta, oh no, I gotta go

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# Cos I don't know where to go

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# I don't know, well, I know

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# Cos I don't know

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# Oh, no! Oh, no! Oh, no!

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# Baby! Come on, baby! Come on! #

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CROWD CHEERS

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# Time is on my side

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# Oh, yes it is

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# I said, time is on my side

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# Oh, yes it is

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# Now, you always say

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# That you want to be free

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# But you come running back

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# You come running back

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# You come running back to me

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# Time is on my side

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# Oh, yes it is

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# I said, time is on my side

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# Oh, yes it is

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# You're searching for good times

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# Just wait and see

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# You'll come running back

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# You'll come running back

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# You'll come running back to me

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# Go ahead, babe, go ahead!

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# I said, go ahead and light up the town!

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# Baby, do anything your heart desires

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# Remember, I'll be around

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# I know, I know, like I told you so many times before

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# That you're gonna come back, baby

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# Yeah, you want to come back One of these days

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# Knocking, yeah Knocking right on my door

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# Yes, time is on my side

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# Oh, yes it is

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# I said, time is on my side,

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# Oh, yes it is

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# Cos I got the real love

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# The kind that you need

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# You'll come running back

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# You'll come running back

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# You'll come running back to me

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# Time, time, time

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# Is on my side, oh, yes it is

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# I said time, time, time

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# Is on my side, oh, yes it is

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# I said time, time, time is on my side. #

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CROWD CHEERS

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Thank you very much.

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# I want to tell you something, baby

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# That you don't know

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# No, you don't know

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# Going to tell you

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# Baby, listen to me

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# Cos it's all right

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# Yeah, it's all right

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# It's all right

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# It's all right

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# It's all right

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# It's all right

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# It's all right

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# It's all right

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# It's all right

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# It's all right, all night long

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# All night long

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# All night long

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# All night long

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# Yeah, it's all right

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# It's all right

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# Oh, yeah

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# It's all right

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# All the time

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# I feel all right

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# I feel all right

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# I feel all right

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# I feel all right. #

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# Do you feel it?

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Do you?

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# Do you feel it?

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# Do you? Do you, do you, do you?

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# Do you feel it, baby? #

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CROWD CHEERS

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GUITAR FEEDBACK HOWLS

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SHOUTING

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CLATTERING AND FEEDBACK

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MICROPHONE FEEDBACK WHINES

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SHOUTING AND GUITAR FEEDBACK

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DISTANT SCREAMS

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Contact. That's why they try to get in cars, just physical contact.

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Any sort of physical contact, touching you,

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touching your coat, your hair or pulling you or kissing you

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or whatever it is, just to say, "I touched so-and-so," you know.

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A crowd always seems to make violence because if there's

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a centre of a crowd, all the people

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on the periphery of the crowd

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are trying to get to the middle.

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All the kids at the front row can't see a thing,

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so they stand up on their seats,

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so the row behind stand up and the row behind,

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and in the end you've got everybody standing up and they still can't see

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and they start falling backwards

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and you know, the seats start getting broken and that,

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and the officials keep pushing back all the time

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and the kids are not fighting the officials half the time,

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they're trying to see, you know.

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They tend to do it at everybody's show.

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I wouldn't say the Beatles were the symbol of authority, anti-authority,

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but when the Beatles went to Germany, for instance,

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the same thing happened.

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-Where did she get 'em fractured? In the theatre?

-Yeah, in the theatre.

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Well...

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# Try and sit yourself a break

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# I know it's hard, love To find someone to

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# Give you what you don't get now... #

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-I've got another, I had another title for this.

-Yeah.

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The ones we duplicate, I had Sitting On A Fence for this.

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SINGS: # Oh, yes I'm sitting on a fence. #

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It's very hard to find a proper title...

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# Da-la, na-na-na... #

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That's leading it, that's good.

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That's all right, but I just wanted to make it, like,

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he was sitting on the fence and could not make up his mind

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between one girl and the other,

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and he couldn't stand sitting on the fence

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cos it was getting very painful.

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That's going to be the last line!

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# You know, it's pretty plain to see

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# That you really haven't found

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# Oh, yeah

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# Though she... #

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HE MUMBLES WORDS

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# I'm sitting on a fence... #

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HE SCAT SINGS OVER GUITAR

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That's got to rhyme, actually.

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That last line's got to rhyme with the first two,

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worked that out in Clearwater, Florida.

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But it doesn't there and it still sounds all right.

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No, but it's better if it does cos I wrote, I wrote...

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Like this.

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# Well, you're sitting on a fence

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# And I think I got no sense

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# Baby, I've had to go

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# Baby, I have to go

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# Now I'm sitting on a fence. #

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That just sort of rounds it off, because it doesn't sound wrong...

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Yeah, actually it would put the title up there.

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You know, it sort of, it sort of rounds it off.

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Doesn't sound wrong if it doesn't rhyme.

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-That was a quick one, Andrew.

-Really?

0:22:420:22:45

# I-I-I...

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# Want, I want you back again

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# Ba-ba-ba

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# I, buh-ba, buh-ba

0:23:000:23:04

# Want your love

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-# Ba-ba-ba, ba-ba

-Again

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# I know you find it hard

0:23:110:23:15

# To reason with me

0:23:150:23:19

# But this time, it's different

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# Darling, you'll see

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# You gotta tell me you're comin' back to me

0:23:290:23:33

# You gotta... #

0:23:330:23:36

HE SQUAWKS

0:23:360:23:37

# Back to me, you gotta

0:23:370:23:39

# Tell me you're comin' back to me

0:23:390:23:43

# You gotta tell me you're comin' back to me, baby

0:23:430:23:48

# Yeah... #

0:23:480:23:49

HE SINGS WORDLESSLY

0:23:510:23:54

# You

0:23:570:23:59

# Walked out on me before

0:24:000:24:05

# I tried to tell you

0:24:080:24:11

# But you didn't want to know

0:24:110:24:16

# This time it's different

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# You're, you're determined to go

0:24:200:24:25

# Here we go

0:24:250:24:26

# Tell me, you gotta tell me you're comin' back home, baby

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# Tell me you're comin' back to me

0:24:310:24:34

# I got a hole in my heart, baby

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# Ooh, yeah, yeah, yeah

0:24:370:24:41

# You've gotta tell me you're coming back home, yes sir

0:24:410:24:44

# All right

0:24:440:24:46

# Come home, come on, baby

0:24:460:24:49

# It's all right

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# It's all right

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# Bah-bah

0:24:530:24:55

# Wop-bop-mmm-bop-mmm

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# Bah-buh-bah

0:24:570:24:58

# Doo-ahhh... #

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# Da-da-da-da-da, da-da-da-da-da

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# Ah-ah-ah-ah-ah

0:25:090:25:12

# Da-da-da, da-da-da-da-da-da

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# Doo-doo-doo, no

0:25:180:25:21

# Oh, la-la-la-la

0:25:210:25:25

# Falling, ooh, I'm falling

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# And I'm falling back again. #

0:25:290:25:33

A lot of the groups would be.

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Honey-coated.

0:25:380:25:39

# Oh, I need your love

0:25:420:25:46

# Yes, you know it's true

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# Oh, I need your love, babe

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# Girl, you know it's true

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# Ho-hold me, love me

0:25:550:26:00

# Hold me... #

0:26:000:26:02

Popular music wasn't a real thing at all.

0:26:020:26:05

It was very, very romantic. Not only romantic in so far as every song

0:26:050:26:10

was about boy-girl relationships, which is romantic in one sense...

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but every song was just like...

0:26:140:26:19

..just like romantic lyrics,

0:26:200:26:22

just all about things that don't really happen

0:26:220:26:24

or don't really happen all the time.

0:26:240:26:26

If you listen to all the popular songs ten years ago,

0:26:260:26:30

there are very few of them that actually mean anything.

0:26:300:26:32

Or have any relation to what people are doing. They don't...

0:26:320:26:37

Songs didn't have any relation

0:26:370:26:38

to what people actually spend their lives doing,

0:26:380:26:40

like getting up, washing, going to work, coming back.

0:26:400:26:43

And feeling very screwed up about certain things.

0:26:430:26:46

They were just about being unhappy because your girl had left you

0:26:460:26:49

or being very happy because you've just met somebody.

0:26:490:26:52

That's all they were about.

0:26:520:26:54

The moon in June and the sky is blue and I love you.

0:26:540:26:57

MUSIC: "Blue Turns To Grey"

0:27:000:27:04

GIRLS CHATTER EXCITEDLY

0:27:210:27:22

# Then blue turns to grey

0:27:250:27:30

# And try as you may

0:27:300:27:34

# You just don't feel good... #

0:27:340:27:39

TRAIN WHISTLE

0:27:450:27:47

SCREAMING

0:28:200:28:23

CHATTER

0:28:240:28:28

Jeremy...

0:28:280:28:29

get them off.

0:28:290:28:31

TRAIN WHISTLES

0:28:310:28:35

# ..On the baby's knee

0:28:350:28:37

# Where will the baby's dimple be?

0:28:370:28:39

# Da-da-da... #

0:28:390:28:40

-Is that Max Bygraves?

-No, Billy Cotton.

-Max Bygraves is...

0:28:400:28:44

# You need hands... #

0:28:440:28:46

# Oh, da-da-da-da

0:28:460:28:49

# By the se-e-e-ea... #

0:28:490:28:53

-Oh!

-What a bad tune.

0:28:530:28:54

Only last week, Ken Dodd...

0:28:540:28:57

"And here he is, our top-of-the-bill star,

0:28:570:28:59

"someone you've been waiting for, Ken Dodd!"

0:28:590:29:01

On what?

0:29:010:29:02

# She wore white feathers and a hula-hula skirt... #

0:29:020:29:08

Can I have a piece of...? Can I have another sugar, please?

0:29:210:29:24

You need some more tea.

0:29:260:29:27

Another tea for four here. Thank you.

0:29:270:29:30

# We're riding this rock'n'roll train

0:29:300:29:32

# We're riding this rock'n'roll train... #

0:29:320:29:34

Whoo, whoo!

0:29:340:29:36

This is a commercial.

0:29:360:29:38

-Nice tea.

-Yes, it's Lipton.

0:29:380:29:40

Don't you think it's nice tea, Keith?

0:29:400:29:43

I think it's lovely tea. Where did you get it?

0:29:430:29:46

Super tea.

0:29:460:29:47

John Lennon says one shouldn't drink it.

0:29:470:29:50

# Maybe it's because I'm a Londoner

0:29:500:29:54

# That I love London Town

0:29:540:29:57

# Maybe it's because I'm a Londoner

0:29:590:30:03

# That I think of her wherever I go

0:30:030:30:08

# Ba-ba-ba

0:30:080:30:09

# Da-dada-da-dum inside of me

0:30:090:30:13

# Ba-ba-ba

0:30:130:30:14

# A-da-da-da-da-daa

0:30:140:30:18

# La-la-lala-la

0:30:180:30:19

# Maybe it's because I'm a Londoner

0:30:190:30:23

# That I love London Town. #

0:30:230:30:27

WHISTLE BLOWS

0:31:250:31:27

Our sort of success is a first-class ticket to a lot of...

0:31:310:31:35

a lot of things.

0:31:350:31:36

On the other hand, there's not much physical freedom.

0:31:380:31:41

We have to choose very carefully where we go

0:31:410:31:43

and where we socialise, where we go for holidays.

0:31:430:31:47

Because of our peculiar sort of success.

0:31:470:31:51

I can afford, shall we say, to do exactly what I want.

0:31:530:31:57

-Do you have much time to do the things you want to do?

-No.

0:31:570:31:59

No, not really.

0:31:590:32:01

But then again, I haven't got much time to do what I want.

0:32:010:32:05

That's what I just said.

0:32:070:32:08

Now, boys, let's go. Quick.

0:32:270:32:28

SCREAMING AND CHEERING

0:32:280:32:31

-Come on, then. We're late.

-OK.

0:32:480:32:51

Doesn't matter.

0:32:530:32:54

Don't show that thing at me,

0:32:590:33:01

that's Percy Thrower's birdwatching equipment.

0:33:010:33:03

And here is the lesser-spotted nighthawk.

0:33:030:33:05

SCREECHES

0:33:050:33:07

And here we are on Nether Wick.

0:33:070:33:10

And, as you can see,

0:33:100:33:12

there is a colony of lesser-spotted gredgewicks.

0:33:120:33:15

And I think they're in the mating season now. Let me have a look.

0:33:150:33:19

Oh, yes, here it comes, a lesser-spotted nedgewick.

0:33:190:33:22

And if you see, he's tottering up to the female lesser-spotted nedgewick

0:33:220:33:26

and, yes, and it looks like he's trying to mate.

0:33:260:33:29

Notice the fluttering of the wings here.

0:33:290:33:32

Yes, and my father once told me, when he was touring in the South Pole...

0:33:320:33:36

LAUGHTER

0:33:360:33:38

In the last two or three years, young people have been...

0:34:590:35:05

This especially applies to America.

0:35:050:35:08

Instead of just carrying on the way their parents told them to,

0:35:080:35:12

they've started a big thing where they're anti-war

0:35:120:35:15

and they love everybody and their sexual lives have become freer.

0:35:150:35:21

The kids are looking for something else, or some different moral value,

0:35:230:35:26

because they know they're going to get all of the things

0:35:260:35:29

that were thought impossible 50 years ago.

0:35:290:35:32

The whole sort of basis of society

0:35:320:35:34

and values which were accepted could be changed, but it's up to them

0:35:340:35:39

to carry on those ideals that they have instead of just

0:35:390:35:42

falling into the same old routine that their parents have fallen into.

0:35:420:35:48

So it's not until the people of 21 now reach the age of 75,

0:35:480:35:54

those kids actually have to be grandfathers

0:35:540:35:56

before the whole thing is changed.

0:35:560:35:58

MUSIC: "I Can't Get No Satisfaction"

0:36:000:36:04

EXCITED CHATTER

0:36:390:36:42

CHEERING

0:36:450:36:47

I mean, just because you work together...

0:37:040:37:06

you work together a lot, you see each other a lot of the time.

0:37:060:37:09

People expect, when you go out, Like we go shopping or something,

0:37:090:37:11

they expect to see five of you.

0:37:110:37:13

They always say, "Where are the others?"

0:37:130:37:15

LAUGHTER

0:37:150:37:16

-Last night was bad enough.

-Last night is a good example.

0:37:270:37:30

No, no, no.

0:37:330:37:34

But it was pretty bad, because we all got pulled down at one stage.

0:37:340:37:37

-I think probably...

-Long Beach.

-Long Beach, California.

0:37:390:37:42

There were about 5,000 people around the car.

0:37:420:37:44

The roof of the car was pushed in, there were police everywhere,

0:37:440:37:47

there were two policeman injured. And the car was wrecked.

0:37:470:37:51

And we had a helicopter waiting for us to take us to a TV show

0:37:510:37:55

and we just about got away in time. That was very dangerous.

0:37:550:37:58

We knocked a policeman off his bike and he broke his leg or something.

0:37:580:38:01

Yeah, he was very cool on his bike. Until we ran into him.

0:38:010:38:06

Guns flying everywhere!

0:38:060:38:09

About...50 odd.

0:38:110:38:13

"Acting"?

0:38:240:38:26

Well, I suppose, all of it's acting, you know.

0:38:260:38:29

I mean, there is a difference between acting...

0:38:290:38:31

A GIRL SCREAMS >

0:38:310:38:34

How do you sort of define acting?

0:38:340:38:36

You could say that people in a club dancing

0:38:360:38:38

or people in the dance hall dancing, it's the same answer.

0:38:380:38:41

You could ask, "Are they acting?" Cos they are.

0:38:410:38:43

There is a difference between acting and not enjoying it

0:38:430:38:46

and acting and doing what you want to do.

0:38:460:38:48

It's like getting into a part.

0:38:480:38:49

You know, say you're doing a play, and you just act it.

0:38:490:38:52

Or, really, you get inside it.

0:38:520:38:53

The most successful entertainers have always been the most

0:38:530:38:57

egotistical ones on stage.

0:38:570:39:00

They might not be as egotistical as that offstage,

0:39:000:39:03

but all that ego is got rid of on stage.

0:39:030:39:06

What sort of person do you think you are off the stage?

0:39:060:39:10

About half as egotistical.

0:39:100:39:12

-What's that tune?

-HE PLAYS A CHORD

0:39:200:39:23

-No, er...

-HE PLAYS A DIFFERENT CHORD

0:39:230:39:25

And it comes around about there, the airline pilot.

0:39:330:39:35

HE PLAYS "SALTY DOG"

0:39:350:39:37

A French fighter pilot, eh?

0:39:450:39:48

# I want to be your salty dog

0:39:510:39:53

# I don't want to be your man at all

0:39:530:39:55

# I just want to be your salty dog

0:39:550:39:58

# I want to be your salty dog

0:39:590:40:01

# I don't want to be your man at all

0:40:010:40:03

# I just want to be your salty dog

0:40:030:40:05

# Hunt me down and lead me on...

0:40:070:40:09

# Ba-ba-bada

0:40:090:40:10

# I don't want to be your man at all

0:40:140:40:17

# I want to be your salty dog

0:40:170:40:19

# Da-da-da-dee

0:40:340:40:38

# Da-dee-ee

0:40:380:40:40

# Da-da-da-dee

0:40:400:40:42

# Da-da-da-dee-ee

0:40:420:40:45

# Ai-ee-ee-um. #

0:40:470:40:49

No, don't... Go on.

0:40:540:40:56

HE PLAYS "NEEDLE OF DEATH" BY BERT JANSCH

0:40:560:41:01

£2.10, please.

0:41:400:41:41

INAUDIBLE SPEECH

0:41:480:41:50

Come on, Bill.

0:41:590:42:00

CHEERING

0:42:040:42:08

-CHANTING:

-We want Mick! We want Mick! We want Mick! We want Mick!

0:42:080:42:13

Give it up for the Rolling Stones!

0:42:130:42:16

MUSIC: "Everybody Needs Somebody To Love"

0:42:180:42:21

# Everybody needs somebody

0:42:280:42:30

# Everybody loves somebody

0:42:300:42:33

# Everybody needs somebody

0:42:330:42:36

# Everybody loves somebody

0:42:360:42:38

# Yes

0:42:380:42:40

# And I need you, you, you

0:42:400:42:43

# I need you, you, you

0:42:430:42:46

# I need you, you, you

0:42:460:42:49

# I need you, you, you

0:42:490:42:52

# Pain in my heart

0:42:560:42:59

# Treatin' me poor

0:43:000:43:02

# Where can my baby be?

0:43:040:43:09

# Lord, no-one knows

0:43:090:43:11

# Pain in my heart

0:43:130:43:15

# Won't let me sleep

0:43:160:43:18

# Oh-oh-oh-oh

0:43:180:43:20

# I wake up restless nights

0:43:200:43:23

# But I guess you're gone

0:43:230:43:26

# Lord, one day

0:43:290:43:30

# My days are gettin' tough

0:43:320:43:34

# Oh, won't you come back, come back, come back, baby?

0:43:340:43:40

# Well, sometime

0:43:410:43:44

# Pain in my heart

0:43:450:43:46

# Won't let me be

0:43:480:43:50

# Oh-oh-oh-oh

0:43:500:43:52

# I wake up restless nights

0:43:520:43:55

# In misery, Lord

0:43:550:43:58

# Won't somebody stop this pain?

0:44:060:44:07

# And then one day

0:44:160:44:18

# My days are pretty rough

0:44:190:44:22

# Won't you love me, love me, love me

0:44:220:44:25

# Baby

0:44:250:44:27

# Love me

0:44:290:44:32

# Pain in my heart

0:44:320:44:34

# Somebody stop this

0:44:350:44:37

# This pain in my heart

0:44:370:44:39

# Oh-oh-oh-oh

0:44:390:44:41

# Pain in my heart

0:44:410:44:43

# Oh-oh-oh-oh

0:44:430:44:45

# Oh, my, my, my, my, my, my, my. #

0:44:450:44:48

SCREAMING AND CHEERING

0:44:550:44:58

# Say the joint was rocked

0:45:000:45:02

# Going round and round

0:45:020:45:04

# Yeah, reelin' and rockin'

0:45:040:45:07

# What a crazy sound

0:45:070:45:09

# But they never stopped rockin'

0:45:090:45:12

# Till the moon went down

0:45:120:45:15

# Well, it sound so sweet

0:45:150:45:17

# I had to take me a chance

0:45:170:45:20

# I rose out of my seat

0:45:200:45:23

# Just had to dance

0:45:230:45:25

# Started movin' my feet

0:45:250:45:27

# Whoa, and clappin' my hands

0:45:270:45:30

# The joint was rockin'

0:45:300:45:33

# Going round and round

0:45:330:45:36

# Yeah, reelin' and rockin'

0:45:360:45:38

# What a crazy sound

0:45:380:45:40

# And we never stopped rockin'

0:45:400:45:43

# Till the moon went down

0:45:430:45:45

SCREAMING

0:45:510:45:55

# Well, at 12 o'clock

0:46:140:46:16

# Yeah, the place was packed

0:46:160:46:18

# Front doors were locked

0:46:180:46:20

# Yeah, the place was packed

0:46:200:46:23

# When the police knocked

0:46:240:46:26

# No doors flew back

0:46:260:46:27

# We kept on rockin'

0:46:280:46:31

# Goin' round and round

0:46:310:46:33

# Yeah, reelin' and rockin'

0:46:330:46:35

# What a crazy sound

0:46:350:46:38

# And they never stopped rockin'

0:46:380:46:40

# Till the moon went down

0:46:400:46:42

# Yeah, the joint was rockin'

0:46:420:46:45

# Goin' round and round

0:46:450:46:47

# Yeah, reelin' and rockin'

0:46:470:46:50

# What a crazy sound

0:46:500:46:51

# And it never stopped rockin'

0:46:510:46:55

# Till the moon went down

0:46:550:46:56

SCREAMING

0:47:030:47:05

SCREAMING AND CHEERING

0:47:130:47:17

SONG: "(I Can't Get No) Satisfaction"

0:47:230:47:27

SCREAMING AND CHEERING

0:47:270:47:30

# I can't get no

0:47:350:47:37

# Satisfaction

0:47:370:47:42

# I can't get no

0:47:420:47:44

# Satisfaction

0:47:440:47:46

# And I try

0:47:460:47:48

# And I try

0:47:480:47:50

# And I try

0:47:500:47:51

# And I try

0:47:510:47:52

# I can't get no

0:47:520:47:54

# I can't get no

0:47:560:47:57

# When I'm drivin' in my car

0:47:580:48:02

# And a man comes on the radio

0:48:020:48:05

# Tellin' me more and more

0:48:050:48:08

# About some useless information

0:48:080:48:10

# Supposed to buy my imagination

0:48:100:48:14

# I can't get no

0:48:140:48:17

# No, no, no

0:48:170:48:19

# Hey, hey, hey

0:48:200:48:21

# What I said

0:48:230:48:24

# All right

0:48:240:48:27

# I can't get no

0:48:270:48:30

# Satisfaction

0:48:300:48:33

I can't get no

0:48:330:48:36

# Satisfaction

0:48:360:48:38

# And I try

0:48:380:48:40

# And I try

0:48:400:48:42

# And I try And I try

0:48:420:48:44

# I can't get no

0:48:440:48:46

# But I can't get no

0:48:470:48:50

# When I'm watchin' my TV

0:48:500:48:54

# And a man comes on to tell me

0:48:540:48:57

# How white my shirts can be

0:48:570:49:00

# But he can't be a man Cos he doesn't smoke

0:49:000:49:03

# The same cigarettes as me

0:49:030:49:06

# I can't get no

0:49:060:49:08

# No, no

0:49:080:49:10

# No

0:49:100:49:11

# Hey, hey, hey

0:49:110:49:13

# What I say

0:49:150:49:17

# All right

0:49:170:49:19

# I can't get no

0:49:190:49:23

# Satisfaction

0:49:230:49:25

# I can't get no

0:49:250:49:29

# Satisfaction

0:49:290:49:31

# And I try

0:49:310:49:33

# And I try

0:49:330:49:34

# And I try

0:49:340:49:35

# And try

0:49:350:49:37

# I can't get no

0:49:370:49:38

# I can't get no

0:49:400:49:41

# When I'm runnin' around the world

0:49:430:49:46

# And then I'm doin' this And I'm a-signin' that

0:49:460:49:50

# And I'm tryin' to make some girl Tell me

0:49:500:49:53

# Baby, better come back Maybe next week

0:49:530:49:56

# But you see I'm on a losing streak

0:49:560:49:59

# I can't get no

0:49:590:50:00

# No, no, no, no

0:50:000:50:03

SCREAMING

0:50:030:50:06

# I can't get no satisfaction

0:50:110:50:14

# I can't get no satisfaction

0:50:140:50:17

-# Satisfaction

-Satisfaction

0:50:170:50:20

-# Satisfaction

-Satisfaction

0:50:200:50:23

-# Satisfaction

-Early in the mornin'

0:50:230:50:27

# Satisfaction

0:50:270:50:29

-# Satisfaction

-I can't get no

0:50:290:50:33

# Satisfaction. #

0:50:330:50:35

SCREAMING AND CHEERING

0:50:440:50:47

Did you enjoy it?

0:51:140:51:16

No, I think the screaming was a little bit much.

0:51:160:51:18

The screaming was too much.

0:51:180:51:19

On the next house we'll turn the screaming down.

0:51:190:51:22

But did you enjoy the overall effect of it?

0:51:220:51:24

On the whole, quite a good effect.

0:51:240:51:25

It's the people themselves, I think, cause any immoral effect.

0:51:250:51:28

It's nothing to do with the Stones themselves, as far as I'm concerned.

0:51:280:51:31

But the Stones themselves, I think, are good artists.

0:51:310:51:34

It's better that they got all their high spirits out in the cinema watching that?

0:51:340:51:38

As long as they don't damage the cinema. Or the Stones.

0:51:380:51:40

Right. I'll second that.

0:51:400:51:42

On stage, I suppose, there is a sexual thing

0:51:420:51:45

between the audience and the group.

0:51:450:51:48

As far as lyrics go,

0:51:500:51:52

sex doesn't play as important a part as... As is generally believed.

0:51:520:51:59

If you hadn't been a music maker, what would you like to be?

0:52:010:52:03

Designer.

0:52:040:52:06

-Design what?

-A designer. Cos I was one.

0:52:060:52:10

I don't know, just do graphic design.

0:52:100:52:12

Well, I'm very interested in making a film.

0:52:120:52:15

I'm not doing it for any commercial gain at all,

0:52:150:52:20

I'm just doing it because I feel it's something I want to do.

0:52:200:52:23

What's your ambition now?

0:52:230:52:25

To be a musician.

0:52:250:52:26

I'm... I'm not a musician, I just play in a band, you know.

0:52:280:52:32

I used to think, well, I have to go back to college then.

0:52:320:52:34

That was what I thought, but it hasn't worked out like that.

0:52:340:52:38

And it hasn't worked like that for lots and lots of people.

0:52:380:52:41

All those groups,

0:52:410:52:43

and people that started off when we were starting off,

0:52:430:52:46

are all still going,

0:52:460:52:47

all still working.

0:52:470:52:48

KEITH PLAYS PIANO

0:52:480:52:51

Mmm, I feel like Robert Browning.

0:53:010:53:03

Robert Browning!

0:53:090:53:11

That sort of early Jewish poet.

0:53:110:53:14

Who do you like - Keats?

0:53:150:53:18

-Keats. Keats, baby.

-INTERVIEWER: Do you like Keats?

0:53:180:53:22

Actually, I was thinking of Shelley.

0:53:220:53:24

I wandered lonely as a cloud.

0:53:240:53:26

-That was Wordsworth.

-I wandered lonely as a cloud.

0:53:260:53:29

Don't call me a berk!

0:53:290:53:31

# Santa, bring my baby back to me

0:53:480:53:53

# Santa, bring my baby back to me

0:53:550:53:58

# Wa-wee, wa-hello-wa

0:54:000:54:03

# Yeah, you ask me to

0:54:030:54:06

# Where I roll home

0:54:060:54:09

# Oh, Santa, hear my plea

0:54:090:54:13

# Santa, bring my baby back to me

0:54:130:54:16

-# Santa, bring my baby back to me

-# Do-wa!

0:54:160:54:19

# Santa, bring my baby back to me, yeah... #

0:54:190:54:22

Ha-ha-ha! >

0:54:220:54:23

-# To still, oh, yeah

-# Ba-da-dup

0:54:230:54:25

# On Blueberry Hill

0:54:270:54:30

# Ba ba-da-dup

0:54:300:54:32

# On Blueberry Hill

0:54:320:54:35

# Ba ba-ba-da-dup

0:54:350:54:37

# Where I, baby

0:54:370:54:40

-# Ba-ba-ba ba-ba-ba... #

-Bit late.

0:54:400:54:43

-# The way it...

-Nah, you're going to get it.

0:54:430:54:45

# The will

0:54:450:54:49

# The sweet melody

0:54:490:54:54

Ow! # With all those vows we made

0:54:550:55:01

# Were never to be! #

0:55:010:55:04

-Thank you.

-Great, I am.

-Thank you.

0:55:040:55:07

-This number has been like...

-A number that has been broken!

0:55:090:55:11

This number has been to me

0:55:110:55:13

like maybe your father or mother were to you.

0:55:130:55:16

As you know, my mother and father died in my early years, and...

0:55:160:55:20

When I was a little boy of five years old...

0:55:230:55:26

My musical arranger and director...

0:55:300:55:32

Thank you.

0:55:440:55:45

Yeah, well...

0:55:450:55:47

-You know...

-You know...

-Sometimes a man...

0:55:470:55:51

What's that do?

0:55:530:55:54

-# If you

-# If you

0:55:540:55:57

# Find your sweetheart in the arms of... #

0:55:570:56:02

No, what's that one? # Are you...lonesome tonight?

0:56:030:56:09

# Are you lonesome tonight? #

0:56:110:56:14

Who do you think you are? Mick Jagger.

0:56:140:56:18

Yes, and here he is, er, entertaining the sick children's hospital in Northern Ireland.

0:56:180:56:23

And, er, we think he could really be something, so...

0:56:230:56:27

# Why must I be-e-e a teenager in love?

0:56:270:56:35

# A-a-a-a-a-h U-u-u-u-u-u-u-h

0:56:360:56:39

# U-u-u-u-u-u-u-h U-u-u-u-u-h

0:56:390:56:42

# O-o-o-h a-ooh-da

0:56:420:56:46

# Uh-da do-da # Oo-ba-doo! #

0:56:460:56:49

Yeah.

0:56:580:56:59

# Dee-e-e-e-e-e

0:57:010:57:04

# Ow-w-w-w-w-w

0:57:040:57:06

# Ooo-eh

0:57:060:57:08

# Di-diddle, dee-nee-nee!

0:57:080:57:10

# Bing-bang dee-nay ni-na-ni! #

0:57:100:57:12

HE IMITATES GUITAR RIFF FROM BEATLES: "I Feel Fine"

0:57:120:57:15

Yow!

0:57:210:57:23

Now!

0:57:230:57:25

-IMITATES ELVIS: Uh huh-huh-huh.

-Haw-haw-haw?

-Uh-huh-huh.

0:57:260:57:29

Wish this was all on film, man. Could be great.

0:57:300:57:33

# I'll go see my doll and want to make sweet-sweet love

0:57:330:57:36

# A-sweet-sweet love

0:57:360:57:40

# A-sweet-sweet a-sweet love to you, baby

0:57:400:57:43

# But in the middle of the night

0:57:430:57:47

# Early in the morning

0:57:470:57:49

# Early in the morning

0:57:500:57:54

# Early in the morning

0:57:540:57:58

# Early in the morning

0:57:580:58:01

# Ooh, the midnight hour

0:58:010:58:04

# She make me feel so good

0:58:080:58:10

# She'll make me feel all right

0:58:110:58:14

# She make me feel so good... #

0:58:140:58:17

Ow!

0:58:170:58:19

# So good! #

0:58:190:58:21

It makes you wonder whether...

0:58:210:58:23

there's an easier way of earning a living, you know.

0:58:230:58:25

But, er... Cos we don't do it for earning a living.

0:58:250:58:28

# That's all I'd like to say

0:58:290:58:32

# Cos I'm a-going to pack my bags

0:58:320:58:36

# Mm-hm... #

0:58:360:58:38

Yes, I've never thought very far ahead at all.

0:58:380:58:40

I've always been a little, er, apprehensive about the future.

0:58:410:58:47

# Your pretty smile

0:58:470:58:48

# Your pretty smile

0:58:480:58:51

# Your pretty smile

0:58:510:58:52

# Your pretty smile, pretty clothes

0:58:520:58:56

# Uh! #

0:59:040:59:06

'When I try and make a judgement

0:59:100:59:12

'as to what's going to happen in the next year,

0:59:120:59:15

'I'm always wrong. I always think,'

0:59:150:59:17

"Oh, well, this time next year we won't be able to do that

0:59:170:59:20

"cos we'll have to do something else."

0:59:200:59:21

'And we do do something different,

0:59:210:59:23

'but it's never as different as I think.

0:59:230:59:25

'What I mean is, things don't move as fast as you think they are.'

0:59:250:59:29

# Now, come on!

0:59:290:59:31

# Come on!

0:59:310:59:33

# A-come on!

0:59:330:59:35

# I see my baby! I'm going home!

0:59:350:59:38

# I'm going home! I've come home!

0:59:380:59:42

# I've got to get out! I'm getting out... #

0:59:420:59:45

'You see, this is where maybe I differ from the rest,

0:59:450:59:48

'in the fact that...'

0:59:480:59:50

That when I'm at home, I can pick a book up and play a record.

0:59:500:59:53

You know... And, er...

0:59:530:59:55

..I have a wife and that makes you a bit...sort of...

0:59:560:59:59

..cosy, in a way, I suppose, but...I like it.

1:00:021:00:06

I'm happier at home. I'm happiest at home.

1:00:061:00:09

# When the gang

1:00:201:00:22

# Got all dressed up to kill

1:00:221:00:25

# Yes, I'd much rather be with the boys

1:00:261:00:31

# Than be with you

1:00:311:00:35

# La la la la la la

1:00:371:00:40

-# When I walk down the street

-Ba-ba-ba!

1:00:401:00:46

# I hold my head up high

1:00:461:00:50

# And stand on my two feet

1:00:501:00:54

# Now I'm a man without a... #

1:00:561:00:59

THEY ALL SING DIFFERENT LYRICS

1:00:591:01:03

# And now that I know that

1:01:031:01:07

# I don't need you any more

1:01:071:01:11

# Don't put me on

1:01:111:01:15

# It's over

1:01:151:01:17

# And you've had all you're getting from me

1:01:171:01:22

# Cos I'd much rather be with the boys

1:01:221:01:26

# Cos I'd much rather be with the boys

1:01:261:01:31

# Cos I'd much rather be with the boys

1:01:311:01:34

# And the boys, they would much rather be with the boys

1:01:341:01:39

# Than with girls like you

1:01:391:01:44

# Girls like you

1:01:441:01:47

# Girls like you!

1:01:491:01:51

# Woo-oo-oo!

1:01:511:01:53

# Girls like you

1:01:531:01:56

# Woo oo-oo! #

1:01:571:01:59

Will we remember the words?

1:01:591:02:01

Subtitles by Red Bee Media Ltd

1:02:011:02:04

What do you think the secret of your success is, then?

1:02:041:02:06

There isn't any SECRET. It's all very obvious.

1:02:061:02:10

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