A Concert for Bangladesh Revisited


A Concert for Bangladesh Revisited

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Transcript


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Mr Harrison, with all of the enormous problems in the world,

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how did you happen to choose this one to do something about?

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Because I was asked by a friend if I would help, that's all.

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CROWD CHEERS

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MUSIC: "Awaiting On You All" by George Harrison

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# You don't need no love in

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# You don't need no bed pan

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# You don't need a horoscope or a microscope

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# To see the mess that you're in

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# If you open up your heart You'll know what I mean

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# We've been polluted so long

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# Here's a way for you to get clean

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# By chanting the names of the Lord and you'll be free

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# The Lord is awaiting on you all to awake and see

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# Chanting the names of the Lord and you'll be free

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# The Lord is awaiting on you all to awake and see... #

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Few musical events in recent years have attracted as much attention as George Harrison's concert

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for the relief of the refugee children of the holocaust in East Pakistan.

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Scheduled for August 1st here at the Garden,

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and although tickets don't go on sale until Thursday,

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the lines have already started to form.

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-I asked some kids why they're here so early.

-To get a good seat.

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I'm really into this East Pakistan thing.

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Er...masochist.

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Ironically, probably the last time the fans were turned on like this was when

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the Beatles themselves played together as a group at Shea Stadium.

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From Madison Square Garden, this is Geraldo Rivera reporting for Channel 7 Eyewitness News.

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Really, it was Ravi Shankar's idea.

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He wanted to do something like this and he was...

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talking to me and telling me about his concern for the thing

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and asked me if I had any suggestions.

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Then, after half an hour, he talked me into being on the show.

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# Bangladesh

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# Bangladesh

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# Such a great disaster

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# I don't understand

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# But it sure looks like a mess

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# I've never known such distress

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# Please don't turn away

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# I want to hear you say

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# Relieve the people of Bangladesh... #

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Personally, I prefer to be a part of a band.

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But, um...

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But for this, you know, it was just something

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we had to do in order to get the money. We had to do it quick.

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War was going on between

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Pakistan and Eastern Pakistan, as it was then known,

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which was part of the original whole of Bengal -

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that's where I belong to.

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And all my distant relatives, along with many other refugees,

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they were coming by thousands to Calcutta.

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And all the women and children suffering,

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and all that made me feel very concerned.

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And George immediately said that he would help.

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'I had the benefit of fame with The Beatles.

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'John, you know, he was... he made me more aware

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'of that aspect of using The Beatles' power,

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'using recordings and videos and stuff to make more money.'

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George, in the concert on August 1st, you will be the number one star.

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-How do you feel about that?

-Er...nervous.

-LAUGHTER

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MUSIC: "Something"

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# Something in the way she moves

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# Attracts me like no other lover

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# Something in the way she woos me

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# I don't want to leave her now

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# You know I believe her now

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# Somewhere in the way she smiles

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# Tells me I need no other lover

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# Something in her style that shows me

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# Don't want to leave her now

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# You know I believe her now

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# Asking me will my love grow

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# I don't know

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# I don't know

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# You stick around now it may show

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# I don't know

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# I don't know... #

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'I think the most memorable thing, really,

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'was the fact that it came off and that it worked,

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'because there was very little time preceding the concert to organise it.

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'The concert happened to be on August the 1st,

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'because that was the only day Madison Square Garden was available.

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'So it was pure coincidence. And all the people that were assembled,

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'with very short notice, with very little rehearsals,

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'in some cases, there was no rehearsal.'

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My first impression when arriving outside Madison Square Garden was

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the level of energy outside.

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I mean, as I recall it, it was mobbed outside. There were so many people on the streets.

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It was intense. A block and a half away, you could feel it buzzing.

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The level was just high!

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When your tickets went on sale, they sold out within minutes almost.

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It seems as if the same kind of mania that was attached to the group now attaches to you.

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-How do you feel about that?

-I feel flattered, you know.

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I don't understand why it should and it's a great honour, you know.

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I was pretty chuffed to be there and it was the place to be that night.

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The whole idea of a superstar concert,

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which is a pretty bad phrase - superstar concert - but this was the first

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of seeing The Beatles or a Beatle. It was a completely rare thing.

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I think it was the first time any of The Beatles had been out, you know, since they broke up.

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# Got to pay your dues if you wanna sing the blues

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# And you know it don't come easy

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# You don't have to shout or leap about

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# You can even play them easy

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# Forget about the past and all your sorrows

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# The future won't last

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# It will soon be over tomorrow... #

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'It was a question of, um... phoning friends that I knew

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'and seeing who was available to turn up.

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'I spent one month -

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'I think the month of June into half of July -

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'just telephoning people.

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'And there was some people I could really rely on, who was, um...

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'you know, Ringo and Keltner - the drummers.'

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CROWD CHEERS

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'I was hanging out a lot of the time with Leon Russell, and Leon said he'd come

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'and we had Badfinger, just to be acoustic guitar players.'

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The beauty of the event came across, um...and, you know, the audience

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were so great, because they knew, at that time, they were witnesses.

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"Wow! Look at these people together!"

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Everybody wanted to help, you know. Everybody wanted to be a part of it.

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You just knew it was all gonna come together,

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because who's gonna say no to George?

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George gave me a call and kind of explained what it was about.

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And the charity of it. And I said, "Of course. I'd be happy to be a part of it."

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I'd like to continue with a... a song from a member of the band.

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An old friend of mine - Billy Preston.

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It was exciting. To be able to play with people that you normally don't get a chance to.

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So it was really exciting.

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MUSIC: "That's The Way God Planned It"

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# Why can't we be humble

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# Like the good Lord said?

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# He promised to exalt us

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# But low is the way

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# How man be so greedy

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# When there's so much left?

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# All things are God given

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# And they all have been blessed

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# That's the way God planned it

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# That's the way God wants it to be

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# To be!

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# That's the way God planned it

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# That's the way God wants it to be

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# To be!

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# Let not your heart be troubled

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# Let morning sobbing cease

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# Learn how to help one another

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# And live in perfect peace

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# If we'd all just be humbler

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# Like the good Lord said

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# He promised to exalt us! But low is the way... #

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We did two shows,

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and the first one was... was excellent.

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And, um... So by the time the second one came,

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we all kind of relaxed a little bit and fell into a flow.

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And on my number, man, I just...

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'I got happy! I just jumped up and ran across the stage!'

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HE LAUGHS 'And Phil Spector was in the trunk.

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'He said, "Where did he go?! Where did he go?!"

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'The band was jamming and it was pumping, the people were with us!

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'You know, I just had to rejoice.'

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# That's the way... Come on! ..God planned it!

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# That's the way God wants it to be

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BACKING SINGERS: # That's the way!

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MUSIC REACHES A CRESCENDO, THEN STOPS

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A couple of numbers from Leon.

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The thing I remember about it was I thought I would be real nervous.

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I got up there and it was so relaxing,

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cos all these huge stars were all there.

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And I was just sort of there. All the pressure wasn't on me.

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But I didn't do anything but show up and sing.

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# I was born in a cross-fire hurricane

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# And I howled at my mama in the driving rain!

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# But it's all right now

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# In fact, it's a gas!

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# But it's all right, yeah

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# I'm Jumpin' Jack Flash It's a gas, gas, gas!

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# Whoa-oh!

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# Whoa-oh!

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# Whoa-oh!

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# Whoa-oh!

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# Whoa-oh!

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# Yeah, but it's all right now

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# In fact, it's a gas!

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# It's all right, yeah!

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# I'm Jumpin' Jack Flash It's a gas, gas, gas, yeah... #

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It was just one high-level experience from beginning to end.

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The thing that I remember in rehearsal was...

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it was just a question of trying to pick up stuff that everyone knew.

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# But it's all right now

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# In fact, it's a gas!

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# But it's all right, yeah

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# I'm Jumpin' Jack Flash It's a gas, gas, gas!

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# Whoa-oh! #

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A lot of the very last-minute logistics

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happened in the last two weeks before the concert.

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We had booked rehearsal halls at Carnegie Hall.

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Above Carnegie Hall, we had a big rehearsal hall booked.

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I was basically the concert producer.

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I was the production manager of staging it.

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And so most of the musicians didn't gather until

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literally seven days before the concert.

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GEORGE GIVES ORDERS TO CREW, THE BAND TUNE UP

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The most obvious missing person was Eric Clapton.

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MUSIC: "While My Guitar Gently Weeps"

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'We had him booked on every flight out of London to New York for about seven days.

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'We were told, "He's on this flight!"

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'We'd go to the airport and he wasn't there.'

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By the third day, George was getting a little anxious that he wouldn't have a guitar player.

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And by the fourth day, word must've been getting out.

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Cos all of a sudden, a lot of guitar players started showing up in the lobby

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at the Park Lane Hotel in New York, where we were staying.

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And George figured, "I gotta get somebody."

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So he hired Jesse Ed Davis, who had been in Taj Mahal's band.

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'With Jesse E Davis being an optimist -

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'he's carrying his guitar and amplifier, hanging around.

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'So we said, "Right!"

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'And Klaus Voormann, who was playing the bass in the concert.

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'He volunteered just to run through all the tunes,

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'so we'd at least have another guitar player.'

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'We'd sent a telex to Apple in London -

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'in those days, you still were using a telex -

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to tell Eric he wasn't needed.

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And of course, Terry went out to tell him and he said, "I'm coming!"

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'And he played great - no rehearsal at all.

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'I mean, Eric is just a gem.'

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MUSIC SLOWLY STOPS, CROWD CHEERS

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I made it really hard for myself. That guitar is not the right guitar

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to play that kind of song on. I should've used the fender

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or a solid Gibson or something, not a semi-acoustic.

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I made it really difficult for myself.

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But that was because I was in another world. Not really there.

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And I had been in a period of retirement, shall we say,

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for quite a long time - maybe about 2½ years.

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And I think I went to a rehearsal the day before the gig

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and couldn't make it, I was in such bad shape.

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And I showed up, I think, for the sound check.

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# Yeah, the woman I love

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# Left with my best friend

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# But some joker got lucky

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# And stole her right back again.

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# I said you'd better come on in my kitchen

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# Cos it's gonna be raining outdoors... #

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For me to get on a plane to go to New York

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was a very difficult thing for me, especially with my circumstances...

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I saw myself as a bit of a squire amongst knights, you know.

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But I really made the extra effort,

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mainly because of all these people who showed up

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and we're gonna do this thing and it was outside of the normal line of duty, really.

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And I think, you know, the fact that George took a risk

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just assembling the whole thing and making it make sense.

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All for this cause - it was a bit move, yeah.

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To my mind, it took a lot of humility for George,

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at this stage in his life, you know, when, er...

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The Beatles had split up, he'd had a huge hit album with All Things Must Pass.

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He'd never fronted a big show like that before.

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This was the first time ever for him.

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'So it took a lot of humility on his part,

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'to be able to call around and get people to do him favours.

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'With the obvious risk, you know, of, er...being turned down.'

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# If not for you

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# Winter would hold no spring

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# Couldn't hear the robin sing

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# I just wouldn't have a clue

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# If not for you... #

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'My relationship with Bob was...

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'You know, I just always tried to be straight with him and, you know, he responded.'

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Bob would come in and rehearse with the band what songs he was gonna do,

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'and so, it was really a matter of working it out at the last minute.'

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# If not for you my sky would fall!

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# Rain would gather too

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# Without your love I'd be nowhere at all

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# I'd be lost if not for you

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# If not for you

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# Winter would hold no spring... #

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'Right up until the moment he stepped on the stage, it was not sure he was coming.

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'Cos the night before we went to Madison Square Garden,

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'he saw all these cameras and microphones and this huge place,

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'and he was saying, "Hey, man, this isn't my scene. I can't make this."

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'By that time, I'd had so much on my plate, trying to get it organised.

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'And I was saying, "It's not my scene either.

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' "I don't do this every day. In fact, this is the first time I've done anything on my own.

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' "You at least have been a solo artist for years."

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'So, on stage, I had a little list on my guitar

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'and I had the point where... where it said

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'after Here Comes The Sun, I've got "Bob" with a question mark.

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'And it got to that point, and I looked around,

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'to see if there was any indication that Bob was gonna come on or out.'

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The stage was dark and I looked around,

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and here's this guy in a jean jacket walking toward me, and I knew it was him.

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'He was there and was so nervous - his harmonica on, his guitar in his hand.

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'He was walking on stage, it was like, "Now or never!" And so, I just say...'

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I'd like to bring on a friend of us all - Mr Bob Dylan.

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HUGE CHEER FROM THE CROWD

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HE TUNES UP

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MUSIC: "Just Like A Woman"

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# Nobody

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# Feels any pain

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# Tonight

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# As I stand inside the rain

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# Everybody knows

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# That baby's got new clothes

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# But lately

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# I see her ribbons and her bows

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# Have fallen from her curls

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# She takes

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ALL: # Just like a woman

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# And she waits

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# Just like a woman

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# Then she breaks

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# Just like a woman

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# But she breaks just like a little girl

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# Queen Mary

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# She's my friend

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# Yes, I believe

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# I'll go see her again

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# Nobody has to guess

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# That baby can't be blessed

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# Now she sees finally

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# That she's like all the rest

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# With her fog

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# Amphetamine and her pearls

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# She takes

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# Just like a woman

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# And she breaks

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# Just like a woman

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# And she wakes

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# Just like a woman

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# But she breaks just like a little girl... #

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I was on tambourine and Bob did his couple of numbers.

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And...you know, we just sort of... It was a jammy sort of way,

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but we just sort of played, it was 4/4.

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HE HUMS THE TUNE

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Then we all went to the hotel, came back for the second show, and we came to Bob's set.

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And so we all get down, ready to do it.

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It was very weird, so I looked over at Leon...

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"Oh, it's... It's a waltz this time, boys! Let's go!"

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MUSIC: "A Hard Rain's A-Gonna Fall"

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# Oh, where have you been my blue-eyed son?

0:26:220:26:27

# Oh, where have you been my darling young one?

0:26:270:26:30

# I've stumbled on the side of 12 misty mountains

0:26:330:26:37

# I've walked and I've crawled on six crooked highways

0:26:390:26:43

# I've stepped in the middle of seven sad forests

0:26:440:26:48

# I've been out in front of a dozen dead oceans

0:26:500:26:54

# I've been ten thousand miles in the mouth of a graveyard

0:26:560:26:59

# It's a hard

0:26:590:27:01

# And it's a hard

0:27:010:27:03

# It's a hard

0:27:030:27:05

# And it's a hard

0:27:050:27:07

# It's a hard rain's a-gonna fall

0:27:070:27:10

# Oh, what did you see my blue-eyed son?

0:27:120:27:16

# And what did you see my darling young one?

0:27:170:27:21

# I saw a newborn baby with wild wolves all around it

0:27:230:27:27

# I saw a highway of diamonds with nobody on it

0:27:270:27:32

# I saw a black branch with blood that kept drippin'

0:27:320:27:36

# I saw a room full of men with their hammers a-bleedin'

0:27:360:27:41

# I saw a white ladder all covered with water

0:27:410:27:46

# I saw 10,000 talkers whose tongues were all broken

0:27:460:27:50

# It's a hard

0:27:500:27:52

# It's a hard

0:27:520:27:54

# It's a hard

0:27:540:27:55

# It's a hard

0:27:550:27:57

# It's a hard rain's a-gonna fall... #

0:27:570:28:01

The Concert For Bangladesh came along at a moment

0:28:010:28:04

at which the rock'n'roll scene had been dispirited.

0:28:040:28:08

A number of things that happened that made you think maybe the life was going out of it.

0:28:080:28:13

Or it was kind of drifting. I mean, there were the prominent deaths of Jimi Hendrix and Janis Joplin,

0:28:130:28:18

which suggested the drug scene was too heavy.

0:28:180:28:21

Altamont had happened only 18 months earlier, I think.

0:28:210:28:26

Er...Bob had not put out a record in a long time.

0:28:260:28:30

So the kind of leading voices of rock'n'roll were still or quiet - it was a moment of drift.

0:28:300:28:36

And then to see something come along like this, which had such a purpose, a spirit,

0:28:360:28:41

and The Beatles had broken up and that was really depressing.

0:28:410:28:45

The collapse of the sixties philosophy

0:28:450:28:48

sort of seemed to be starting around that time.

0:28:480:28:52

It had a lot to do with... What I was going through was very indicative of that.

0:28:520:28:57

But it was only... From where I looked at it,

0:28:570:29:00

it was only towards the end of the sixties that hard drugs

0:29:000:29:04

got really involved in the music industry and the entertainment world.

0:29:040:29:08

So it seemed like that was killing the dream.

0:29:080:29:12

All sorts of things had been written about

0:29:120:29:15

what the music stands for at its best and its highest,

0:29:150:29:19

what the generation should stand for, you know - peace and love and all these things.

0:29:190:29:23

And here it was, in actual real truth and fact.

0:29:230:29:27

And, er...it couldn't have made you feel better

0:29:270:29:31

or more proud of...of music.

0:29:310:29:35

Friends...

0:29:350:29:37

We are trying to set the music to this special event,

0:29:370:29:41

this historical programme, which is just not a programme as usual,

0:29:410:29:46

but which has a message.

0:29:460:29:49

We are not trying to make any politics, we are artists,

0:29:490:29:55

but through our music, we would like you to feel the agony

0:29:550:30:01

and also the pain

0:30:010:30:03

and lot of sad happenings in Bangladesh

0:30:030:30:09

and also the refugees who have come to India.

0:30:090:30:13

Thank you very much.

0:30:130:30:16

The Indian instruments are very sensitive.

0:30:160:30:19

And with the strong lights, it does effect them.

0:30:190:30:25

'Sometimes, the strings were a little out of tune,

0:30:250:30:29

'so it took about a minute and a half or so to properly tune them.

0:30:290:30:35

'And after we finished tuning, we were silent,

0:30:350:30:39

-'and there was tremendous clapping.'

-CROWD CHEERS

0:30:390:30:42

Thank you. Since you appreciate the tuning so much,

0:30:460:30:48

I hope you enjoy the playing more. Thank you.

0:30:480:30:52

Many of them, who were new to our music,

0:30:550:30:57

I suppose they thought that was an item.

0:30:570:31:00

STRINGS AND PERCUSSION PLAY

0:31:000:31:03

MUSIC STOPS, CROWD CHEERS

0:32:380:32:41

'It was such a unique thing.

0:32:410:32:44

'Everybody was so moved.

0:32:440:32:47

'But it had a special meaning apart from this performance.'

0:32:470:32:52

Overnight, everybody knew the name of Bangladesh all over the world,

0:32:520:32:58

because it came out in all the newspapers everywhere,

0:32:580:33:02

so it had a tremendous value, didn't it?

0:33:020:33:05

I think the awareness is maybe even more important than the money,

0:33:050:33:09

because again, even if we make 5 million,

0:33:090:33:13

it's still small compared to the size of the problem,

0:33:130:33:17

so it's more important to bring the awareness to a mass of people.

0:33:170:33:22

HE PLAYS THE GUITAR INTO TO: "Here Comes The Sun"

0:33:270:33:30

CROWD CHEERS AND APPLAUDS

0:33:300:33:33

# Here comes the sun Doo-de Doo-doo

0:33:410:33:44

# Here comes the sun

0:33:440:33:46

# And I say it's all right

0:33:460:33:49

# Little darlin'

0:33:530:33:55

# It's been a long cold lonely winter

0:33:550:33:59

# Little darlin'

0:34:000:34:02

# It seems like years since it's been here

0:34:020:34:06

# Here comes the sun

0:34:070:34:09

# Here comes the sun

0:34:100:34:12

# And I say it's all right

0:34:120:34:15

# Little darlin'

0:34:220:34:24

# The smiles returning to their faces... #

0:34:240:34:28

'Well, they got the money from the concert.

0:34:300:34:32

'From the two shows, it was 250,000.

0:34:320:34:35

'I mean, just on the gate for Madison Square Garden, it beat Ravi's 20,000.'

0:34:360:34:41

What the Concert For Bangladesh did was to provide an additional infusion

0:34:440:34:50

of resources, so that UNICEF would be using those resources

0:34:500:34:54

to buy the food supplements and other equipment that was needed.

0:34:540:34:58

It also helped with some of the real pioneering work in treating cholera...

0:34:580:35:05

and oral rehydration solution -

0:35:050:35:07

sugar and salt with a little bit of potassium put into water.

0:35:070:35:13

You give that to child, and it dramatically increases their absorptive capacity.

0:35:130:35:18

# Sun, sun, sun Here it comes... #

0:35:180:35:22

It was a great thing that can be done.

0:35:220:35:25

And it was the first of its kind which set an example.

0:35:250:35:30

# Little darlin'

0:35:300:35:32

# I see the ice is slowly meltin'

0:35:320:35:36

# Little darlin', it seems like years since it's been clear

0:35:370:35:43

# Here come the sun Doo-de, doo-doo

0:35:450:35:48

# Here comes the sun

0:35:480:35:50

# It's all right

0:35:520:35:53

# Here come the sun Doo-de, doo-doo

0:35:570:36:00

# Here comes the sun

0:36:000:36:02

# It's all right

0:36:040:36:05

# It's all right. #

0:36:090:36:10

MUSIC STOPS, CROWD CHEERS

0:36:160:36:19

Bangladesh was important, and it was the first...

0:36:190:36:23

..huge show for charity with a mass ensemble.

0:36:250:36:33

And it showed that musicians can make a difference if they work together.

0:36:330:36:38

And before that, it had always been everybody on their own.

0:36:380:36:42

Everybody would come out, do their set, then go off,

0:36:420:36:45

but to see guys working together really made a statement.

0:36:450:36:49

MUSIC: "My Sweet Lord"

0:36:490:36:52

CROWD CHEERS

0:36:520:36:55

Hare Krishna.

0:36:580:37:00

# My sweet Lord

0:37:180:37:19

# Hm, my Lord... #

0:37:210:37:24

Since then, there have been hundreds of special programmes

0:37:240:37:30

raising funds for different calamities happening in different places of the world.

0:37:300:37:37

All the musicians, they got an inspiration -

0:37:370:37:41

an idea from the Bangladesh concert.

0:37:410:37:45

It was an immense success artistically,

0:37:450:37:48

and I'll use the word spiritually,

0:37:480:37:50

because he decided

0:37:500:37:53

he would use this great ability he had for another reason.

0:37:530:37:58

# Really want to go with you

0:37:590:38:01

# Really want to show, you Lord

0:38:010:38:05

-# That it won't take long, my Lord

-(Hallelujah!)

0:38:050:38:09

-# My sweet Lord

-(Hallelujah!)

0:38:090:38:13

-# Hm, my Lord

-(Hallelujah!)

0:38:130:38:17

-# My sweet Lord

-(Hallelujah!)

0:38:170:38:21

# I really want to see you... #

0:38:210:38:23

'The musicians were great.

0:38:230:38:26

'I mean, they completely put down their own egos to play together

0:38:260:38:31

'and to do something, because the whole vibe of that concert

0:38:310:38:34

'was that it was something bigger than the lot of us.'

0:38:340:38:38

Individuals look at problems in the world

0:38:380:38:42

and find them to be of such a scale and so far away, um...

0:38:420:38:47

as to really... It ends up making them feel there's nothing they can do about it.

0:38:470:38:54

And I think every generation has to be reminded that that simply is not the case.

0:38:540:39:00

'There was a lot of kids and just general public,

0:39:000:39:03

'who - having had the inspiration to go and do something -

0:39:030:39:08

'all started collecting money and donating things.

0:39:080:39:11

'There was a lot of people who gave a lot of money

0:39:110:39:13

'and collected on the streets and were banging on UNICEF doors, saying, "What can we do to help?"

0:39:130:39:19

When you have the kind of assemblage of popular people,

0:39:190:39:25

like George and the others that were with him,

0:39:250:39:28

and that concert goes around the world, and the album is selling and selling.

0:39:280:39:33

That also moves other leaders to say, "What are we doing?

0:39:330:39:37

"Are we on the right side on this Bangladesh issue?"

0:39:370:39:41

That sense of one world, a better world,

0:39:410:39:45

providing the basis for a better world through music.

0:39:450:39:48

All of that may sound wild and woolly today, but it wasn't.

0:39:480:39:52

If you were living in the mid-sixties and you understood the way the world was going,

0:39:520:39:56

everything seemed better, it all felt better.

0:39:560:39:59

We would actually have a better world.

0:39:590:40:02

We would deal with Africa, we would deal with poverty.

0:40:020:40:05

George never gave up hoping, never, ever, ever - even the very last time I saw him -

0:40:050:40:10

never gave up hoping that the dreams of the sixties could be realised.

0:40:100:40:13

'For people who had that talent,'

0:40:130:40:16

to be able to use it to reach out,

0:40:160:40:18

to the public and to their fans, and to raise awareness.

0:40:180:40:22

It was a groundbreaking event.

0:40:220:40:24

And since then, of course, it's become very common.

0:40:240:40:28

But in those days, it was quite unique and quite daring.

0:40:280:40:33

And, um...they were pioneers.

0:40:330:40:36

MUSIC STOPS, CROWD CHEERS

0:40:420:40:45

These things will always be remembered as...

0:40:450:40:49

times that we could be proud of, being musicians.

0:40:490:40:52

We actually weren't just thinking of ourselves for five minutes.

0:40:520:40:56

We were doing something for a bigger issue.

0:40:560:40:58

-CROWD CHEERS

-Thank you very much.

0:40:580:41:00

And we need that, you know.

0:41:000:41:02

CROWD: More! More!

0:41:020:41:05

'When you look at the words of the song...'

0:41:050:41:08

"My friend came to me with sadness in his eyes,

0:41:080:41:12

"and said, 'Help me before my country dies.' "

0:41:120:41:16

'It also portrays the man behind the music.'

0:41:160:41:19

# My friend came to me

0:41:190:41:23

# With sadness in his eyes

0:41:230:41:26

# He told me that he wanted help

0:41:270:41:30

# Before his country dies

0:41:300:41:33

# Although I couldn't feel the pain

0:41:360:41:39

# I knew I had to try

0:41:390:41:42

# Now I'm asking all of you

0:41:430:41:46

# To help us save some lives

0:41:460:41:50

# Bangladesh

0:41:560:41:59

# Bangladesh

0:41:590:42:02

# Where so many people

0:42:030:42:05

# Are dying fast and it sure looks like a mess

0:42:050:42:10

# I've never seen such distress

0:42:120:42:16

# Now won't you lend your hand and try to understand?

0:42:170:42:22

# We've got to relieve Bangladesh

0:42:220:42:26

# Bangladesh

0:42:280:42:30

# Bangladesh

0:42:300:42:32

# Such a great disaster

0:42:340:42:36

# I don't understand But it sure looks like a mess

0:42:360:42:41

# I've never known such distress

0:42:430:42:46

# Please don't turn away I want to hear you say

0:42:480:42:52

# Relieve the people of Bangladesh

0:42:520:42:56

# We got to relieve Bangladesh

0:43:200:43:25

# Bangladesh

0:43:260:43:28

# Bangladesh

0:43:280:43:31

# Now it may seem so far from where we all are

0:43:320:43:37

# It's something we can't neglect

0:43:370:43:39

# It's something I can't neglect

0:43:410:43:44

# Now won't you give some bread to get the starving fed?

0:43:460:43:51

# We've got to relieve Bangladesh

0:43:510:43:55

# Relieve the people of Bangladesh

0:44:000:44:04

# We've got to relieve Bangladesh

0:44:090:44:14

# Relieve the people of Bangladesh. #

0:44:370:44:42

CROWD CHEERS

0:44:500:44:52

Subtitles by Red Bee Media 2005

0:45:040:45:06

E-mail [email protected]

0:45:060:45:09

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