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Hi, my name is Dennis Wilson, I make rock'n'roll records. | 0:00:03 | 0:00:09 | |
I've had a career of 15 years making hit records with the Beach Boys. | 0:00:09 | 0:00:13 | |
During that 15 years I have had some very exciting moments. | 0:00:13 | 0:00:18 | |
# If everybody had an ocean across the USA | 0:00:20 | 0:00:26 | |
# Then everybody'd be surfing... # | 0:00:26 | 0:00:27 | |
Dennis Wilson was the drummer in The Beach Boys, the teenagers who invented the sound of California, | 0:00:27 | 0:00:33 | |
and for 1960s America, defined a whole new way of living. | 0:00:33 | 0:00:37 | |
Sunshine, cars, girls, I Get Around, | 0:00:37 | 0:00:41 | |
Good Vibrations, Surfin' USA. | 0:00:41 | 0:00:44 | |
At the heart of the Beach Boys were the Wilson brothers, Dennis, Carl and Brian - the musical | 0:00:47 | 0:00:52 | |
genius who penned unforgettable hits, but at the height of the band's fame retired to bed. | 0:00:52 | 0:00:56 | |
But Brian didn't surf, he didn't race cars and he wasn't a teen idol. | 0:00:56 | 0:01:02 | |
It was another Wilson brother who was the genuine article. | 0:01:02 | 0:01:06 | |
The surfer, the hot-rodder, the DNA of the band. | 0:01:06 | 0:01:09 | |
Dennis Wilson gave The Beach Boys their rhythm, but he also gave them their identity and their cool. | 0:01:11 | 0:01:17 | |
When Brian lost his mind, it was Dennis who led the band through hard times. | 0:01:17 | 0:01:22 | |
And it was Dennis who was the first to go solo with a lost classic of an album. | 0:01:22 | 0:01:27 | |
He lived at the rock'n'roll lifestyle to the full, | 0:01:27 | 0:01:29 | |
was married five times, and died tragically before he reached 40. | 0:01:29 | 0:01:34 | |
This is the story of Dennis Wilson, the real Beach Boy. | 0:01:34 | 0:01:39 | |
Act One, Scene One. | 0:01:46 | 0:01:49 | |
An all-American neighbourhood in the golden age of the American Dream. | 0:01:49 | 0:01:53 | |
Hawthorne. A blue-collar suburb of south Los Angeles where, | 0:01:53 | 0:01:57 | |
on a very ordinary street in 1950s America, Dennis, | 0:01:57 | 0:02:02 | |
his brothers and their neighbour David Marks, came of age. | 0:02:02 | 0:02:06 | |
Here we are in Hawthorne, | 0:02:11 | 0:02:13 | |
where The Beach Boys' California state landmark is, | 0:02:13 | 0:02:17 | |
dedicated to the home of the Wilsons and myself. | 0:02:17 | 0:02:21 | |
If we walk over here we will see... | 0:02:23 | 0:02:27 | |
where their house actually was. | 0:02:27 | 0:02:30 | |
The Wilsons' house was right here under this pile of dirt. | 0:02:30 | 0:02:36 | |
And my house was right across the street, this was a corner house, the Wilsons'. | 0:02:36 | 0:02:42 | |
And my house was right here directly across the street, | 0:02:42 | 0:02:47 | |
under this pile of dirt. | 0:02:47 | 0:02:49 | |
Can't go home, nothing there, empty air, a pile of dirt. | 0:02:49 | 0:02:54 | |
The houses have changed here, but this house here looks almost exactly | 0:02:55 | 0:02:59 | |
how the Wilsons' house looked. | 0:02:59 | 0:03:02 | |
Where this garage is, the Wilsons turned theirs into a music room. | 0:03:02 | 0:03:07 | |
That's where Brian wrote a bunch of songs. | 0:03:07 | 0:03:10 | |
The window here, they had a similar window | 0:03:10 | 0:03:12 | |
and I used to sneak up on Brian and peek in there and watch him. | 0:03:12 | 0:03:18 | |
When I first met Dennis, he was 12. | 0:03:19 | 0:03:23 | |
He had a buzz cut, flat top. | 0:03:24 | 0:03:27 | |
We called him Dennis the Menace. He was always causing trouble. | 0:03:31 | 0:03:35 | |
He was considered kind of the neighbourhood bully in a way. | 0:03:35 | 0:03:39 | |
When the other kids saw him coming, they would go the other direction | 0:03:39 | 0:03:42 | |
because they didn't know if Dennis was going to punch them or not. | 0:03:42 | 0:03:45 | |
I had a chemistry set that I got for Christmas with a Bunsen burner, an alcohol burner. | 0:03:48 | 0:03:53 | |
Dennis didn't want to do chemistry, he said, "Let's go and burn the ditch down." | 0:03:53 | 0:03:56 | |
We went over and he threw the Bunsen burner down into the dry brush. | 0:03:56 | 0:04:01 | |
It was about quarter of a mile, it just went up in flames. | 0:04:01 | 0:04:06 | |
The fire department, the police, the National Guard - there was always | 0:04:06 | 0:04:10 | |
something happening with Dennis and the police. | 0:04:10 | 0:04:12 | |
He liked to have fun and he always recruited me to go with him to get in trouble. | 0:04:14 | 0:04:18 | |
Watching over the incendiary Dennis was his loving mother Audrey. | 0:04:18 | 0:04:23 | |
Audrey was very sweet. | 0:04:23 | 0:04:25 | |
She was a nice person. | 0:04:25 | 0:04:27 | |
I liked her very much. | 0:04:27 | 0:04:30 | |
But ruling the roost was Dad Murry. | 0:04:30 | 0:04:32 | |
Part-time composer and the Beach Boys' first manager. | 0:04:32 | 0:04:37 | |
Murry Wilson, to me, was an obnoxious man. | 0:04:37 | 0:04:41 | |
He had to have everything his own way. | 0:04:41 | 0:04:44 | |
Murry's favourite thing was to get one of us boys | 0:04:44 | 0:04:48 | |
and give us the Vulcan neck pinch until we went down on our knees. | 0:04:48 | 0:04:53 | |
I didn't know that. | 0:04:53 | 0:04:55 | |
-Or I would have done something. -You are going to smile next time on stage, aren't you? | 0:04:55 | 0:05:01 | |
-I would have done something about that. -Yeah, I didn't tell my parents about that. I wasn't a tattle. | 0:05:01 | 0:05:05 | |
Murry was a tough taskmaster with all three of his boys. | 0:05:05 | 0:05:10 | |
But while eldest son Brian's musical talent and youngest son Carl's | 0:05:10 | 0:05:13 | |
innocence placated Murry, middle son Dennis met his dad head-on. | 0:05:13 | 0:05:18 | |
I did see them in a fist fight in the garage. | 0:05:18 | 0:05:22 | |
I saw Dennis and his dad having it out in the garage. | 0:05:22 | 0:05:25 | |
They obviously had to deal with their problems. | 0:05:25 | 0:05:28 | |
David Marks's dad came from across the street | 0:05:28 | 0:05:31 | |
-and pulled them apart. -The Wilsons' garage was directly across the street from us, and they faced each other. | 0:05:31 | 0:05:37 | |
Open doors. And we heard a scuffle, we turned around and it was Dennis | 0:05:37 | 0:05:41 | |
and Murry in their garage pushing each other around. | 0:05:41 | 0:05:44 | |
And finally we saw Dennis trying to throw some blows at Murry. | 0:05:44 | 0:05:47 | |
My father was a very big, strong man, and he ran over there | 0:05:47 | 0:05:51 | |
and he tore them apart like dogs and broke the fight up. | 0:05:51 | 0:05:55 | |
Away from Murry, Dennis had one place within walking distance that was all his own - the local beach. | 0:05:57 | 0:06:03 | |
This is Manhattan Beach, 26th Street, | 0:06:08 | 0:06:11 | |
where Dennis Wilson used to come. | 0:06:11 | 0:06:14 | |
He loved this atmosphere, the salt air and the ocean. | 0:06:14 | 0:06:20 | |
This was Dennis's place, | 0:06:20 | 0:06:22 | |
the place where Dennis came for recreation, entertainment, | 0:06:22 | 0:06:26 | |
see the girls, hang with them, | 0:06:26 | 0:06:28 | |
be part of the whole beach scene as it rose in the early '60s. | 0:06:28 | 0:06:32 | |
The rest of the band didn't really surf. Dennis was the only one. | 0:06:37 | 0:06:40 | |
I tried it and didn't like it. | 0:06:41 | 0:06:43 | |
Carl never went in the water. Had an aversion to water. | 0:06:43 | 0:06:46 | |
But Dennis was one of the guys. | 0:06:46 | 0:06:48 | |
He was accepted by the surf cult. | 0:06:48 | 0:06:50 | |
It wasn't really a sport, it was a cult, and Dennis was accepted and he was one of them. | 0:06:50 | 0:06:56 | |
In 1961, a young Brian Wilson | 0:06:56 | 0:06:59 | |
had tunes, but only substandard lyrics for soppy love songs. | 0:06:59 | 0:07:03 | |
He was struggling to write about something that would make him and his band stand out. | 0:07:03 | 0:07:08 | |
It was Dennis's love of the beach that inspired the band's first song. | 0:07:08 | 0:07:13 | |
Dennis, being the avid surfer in the family, he said, "Brian, why don't you write a song about surfing?" | 0:07:13 | 0:07:19 | |
# Surfing's the only life The only way for me | 0:07:22 | 0:07:26 | |
# Now surf, surf with me | 0:07:26 | 0:07:30 | |
# I got up this morning Turned on my radio... # | 0:07:31 | 0:07:36 | |
I played the stand-up, Carl played his little chunka-chunka guitar thing. | 0:07:36 | 0:07:41 | |
A hollow-body electric-acoustic, unplugged. | 0:07:41 | 0:07:45 | |
# ..have a good time Goin' surfing... # | 0:07:45 | 0:07:49 | |
Dennis didn't play. He just sang. | 0:07:49 | 0:07:51 | |
It was Brian hitting a snare drum with his index finger, | 0:07:51 | 0:07:55 | |
and it was background vocals, and that was about it for that song. | 0:07:55 | 0:08:01 | |
Primarily, it was more of an a cappella number than anything else. | 0:08:02 | 0:08:05 | |
# ..only way for me Now surf, surf with me. # | 0:08:05 | 0:08:12 | |
Surfin' was a local hit for the Beach Boys, but didn't make the national top 50. | 0:08:12 | 0:08:18 | |
The band didn't have a record deal and realised they needed a bigger sound if they were to step up. | 0:08:18 | 0:08:23 | |
They had the harmonies, but they needed a rhythm section. | 0:08:23 | 0:08:27 | |
Yeah, Dennis didn't have any drum lessons. | 0:08:27 | 0:08:30 | |
The drums just showed up in the music room one day, and "Dennis, you're the drummer," you know? | 0:08:30 | 0:08:35 | |
Because we already had the guitar players, Brian playing bass solo. | 0:08:35 | 0:08:39 | |
If they'd said, "Dennis, you're the bass player," | 0:08:39 | 0:08:42 | |
he would have picked up a bass and learned to play. | 0:08:42 | 0:08:44 | |
With Dennis on drums, Carl and David now toting electric guitars and Surfin' their calling card, | 0:08:44 | 0:08:50 | |
the band's demos of their next tune got them signed to Capitol Records | 0:08:50 | 0:08:54 | |
and saw the release of their first long player, Surfin' Safari. | 0:08:54 | 0:08:58 | |
# Let's go surfin' now Everybody's learnin' how | 0:08:58 | 0:09:02 | |
# Come on a safari with me... # | 0:09:02 | 0:09:06 | |
I just love the self-contained rock'n'roll sound. Listen to that. | 0:09:06 | 0:09:11 | |
It's tight, it's energetic, | 0:09:11 | 0:09:13 | |
it's bright, you can hear the little rhythm guitar riffs. | 0:09:13 | 0:09:18 | |
It's so cool. It's so garage. | 0:09:18 | 0:09:22 | |
I just love it. | 0:09:22 | 0:09:24 | |
And, man, I mean, the sound is just so fun. | 0:09:27 | 0:09:30 | |
I mean, you listen to that, it's rock'n'roll, but it's so California. | 0:09:30 | 0:09:34 | |
And Dennis doing just those great surf fills. | 0:09:34 | 0:09:38 | |
You can't call it anything other than surf. It was a surf beat. | 0:09:38 | 0:09:41 | |
And Dennis, self-taught, somehow just nailed it and defined that sound. | 0:09:41 | 0:09:46 | |
The sense of freedom, the sense of exuberance that you got | 0:09:50 | 0:09:53 | |
from hearing that, it really was like the starting pistol of the '60s. | 0:09:53 | 0:09:57 | |
"Dennis, the '60s are going to start." | 0:09:57 | 0:09:59 | |
"All right! Boom! Here we go!" | 0:09:59 | 0:10:01 | |
# Let's go surfin' now Everybody's learnin' how... # | 0:10:01 | 0:10:05 | |
And they were off, packing concert halls round the country | 0:10:05 | 0:10:08 | |
as Surfin' USA went to number three and I Get Around then topped the charts. | 0:10:08 | 0:10:12 | |
In 1964, they played one of the first ever pop music festivals, | 0:10:14 | 0:10:18 | |
the Teenage Awards Music International, | 0:10:18 | 0:10:20 | |
alongside acts such as James Brown, The Supremes and the Rolling Stones. | 0:10:20 | 0:10:25 | |
And out of all of that talent in that one room that night, | 0:10:25 | 0:10:30 | |
the Beach Boys were probably the top-billed act, | 0:10:30 | 0:10:32 | |
probably the most famous act out of them at that moment. | 0:10:32 | 0:10:36 | |
GIRLS SCREAM | 0:10:36 | 0:10:39 | |
-'Who'd you come to see? Louder!' -Also in the room on that night was Beach Boys' roadie Ron Swallow. | 0:10:39 | 0:10:46 | |
And to be in this hall again is just amazing, to look around here, and | 0:10:46 | 0:10:51 | |
I've got goose bumps already just reliving the feeling of being here with all those kids. | 0:10:51 | 0:10:56 | |
Are you ready for 'em? | 0:10:56 | 0:10:58 | |
Well, let 'em know you're welcoming 'em! Come on! | 0:10:58 | 0:11:02 | |
They can't hear you! | 0:11:02 | 0:11:04 | |
The stage was set up here, at this end of the hall, | 0:11:04 | 0:11:08 | |
and there were chairs all over the centre of the arena. | 0:11:08 | 0:11:12 | |
When it started, kids were sitting, | 0:11:12 | 0:11:13 | |
but within minutes it was just crazy and they were standing on | 0:11:13 | 0:11:17 | |
the chairs and everybody was running up. | 0:11:17 | 0:11:20 | |
-They were trying to get them back to the front. -'The fabulous Beach Boys!' | 0:11:20 | 0:11:26 | |
# Round, round, get around, I get around | 0:11:26 | 0:11:30 | |
# Yeah, get around, round, round I get around | 0:11:30 | 0:11:32 | |
# I get around | 0:11:32 | 0:11:34 | |
# Get around, round, round I get around | 0:11:34 | 0:11:38 | |
# Get around, round, round, I get around | 0:11:38 | 0:11:42 | |
# Get around, round, round I get around | 0:11:42 | 0:11:45 | |
# I'm getting bugged driving up and down the same old strip | 0:11:45 | 0:11:48 | |
# I gotta find a new place where the kids are hip... # | 0:11:48 | 0:11:53 | |
On that October night, the Beach Boys broke the hearts of 1,000 teenage girls. | 0:11:53 | 0:11:58 | |
But there was one Beach Boy who broke more than his fair share. | 0:11:58 | 0:12:03 | |
Oh, Dennis was the sex symbol. That rugged look... I mean, he was | 0:12:05 | 0:12:09 | |
animated, he was a little bit crazy, | 0:12:09 | 0:12:11 | |
and they just went crazy, especially when he started doing the hair thing. | 0:12:11 | 0:12:17 | |
Dennis, before the Beatles, just would shake his hair wildly. | 0:12:17 | 0:12:21 | |
He was just passionately all in, | 0:12:25 | 0:12:27 | |
physically just flailing away, | 0:12:27 | 0:12:29 | |
and that just drove the chicks nuts. | 0:12:29 | 0:12:33 | |
There was a hilarious moment where Dennis is whaling away as usual on his drums | 0:12:35 | 0:12:40 | |
and he just shatters a stick. | 0:12:40 | 0:12:43 | |
He kind of hesitates for a second and then tosses it | 0:12:44 | 0:12:47 | |
over his shoulder, grabs a new one and continues. | 0:12:47 | 0:12:50 | |
Now, to me, that was a quintessential rock'n'roll moment. | 0:12:50 | 0:12:55 | |
And there was a reason he broke sticks. | 0:12:55 | 0:12:58 | |
Dennis had his own unique way of playing the drums. | 0:12:58 | 0:13:01 | |
Normally, a right-handed drummer | 0:13:01 | 0:13:03 | |
plays the high-hat, the two cymbals that clack together, over here | 0:13:03 | 0:13:08 | |
with the right hand and the snare, the backbeat, as their left hand. | 0:13:08 | 0:13:11 | |
He, probably just by not knowing any better, played the high-hat | 0:13:13 | 0:13:17 | |
with his left hand and the snare with his right hand, which gave him a really heavy backbeat. | 0:13:17 | 0:13:22 | |
I mean, you could tell he was a strong dude, | 0:13:24 | 0:13:28 | |
and there was a fight in everything he did, you know? | 0:13:28 | 0:13:30 | |
Not only did Dennis have his own maverick drumming style, but also his own look and image | 0:13:30 | 0:13:36 | |
that from the days of the Beach Boys' first album had set him apart from his brothers and band mates. | 0:13:36 | 0:13:41 | |
I looked at the rest of these guys, | 0:13:41 | 0:13:45 | |
and there's David, then there's this kind of | 0:13:45 | 0:13:47 | |
chubby guy over here, and this guy over here has kind of a flat-top. | 0:13:47 | 0:13:50 | |
This guy's kinds getting bald, it looks like. | 0:13:50 | 0:13:53 | |
So Dennis really stood out in that crowd. | 0:13:53 | 0:13:56 | |
Definitely the coolest-looking one, if you ask me. | 0:13:56 | 0:13:59 | |
# Do you wanna dance under the moonlight? | 0:13:59 | 0:14:03 | |
# Kiss me, baby, all though the night | 0:14:03 | 0:14:06 | |
# Oh, baby | 0:14:06 | 0:14:08 | |
# Do you wanna dance? # | 0:14:08 | 0:14:11 | |
I can remember being in a hotel. I can't tell you exactly when or where. | 0:14:11 | 0:14:17 | |
But if his room was three or four rooms down from mine, | 0:14:17 | 0:14:22 | |
there would be ten or fifteen girls lined up | 0:14:22 | 0:14:25 | |
just to come in and say hi to him. | 0:14:25 | 0:14:27 | |
I can remember being pressed up, just happened to be standing next to Dennis after a gig, | 0:14:27 | 0:14:32 | |
and being smashed up against a chain-like fence | 0:14:32 | 0:14:35 | |
by 3,000 screaming girls. | 0:14:35 | 0:14:36 | |
In 1963, we were playing a show in Santa Cruz, | 0:14:39 | 0:14:43 | |
and after the show, word got out of the hotel we were staying in. | 0:14:43 | 0:14:47 | |
And so a lot of the kids came over, and some of the girls were more | 0:14:47 | 0:14:52 | |
interested in the band, and their boyfriends got quite upset about it. | 0:14:52 | 0:14:56 | |
And so they were coming to cause the band some grief, | 0:14:56 | 0:14:58 | |
and when they got there they were coming up the stairs to get to our rooms. | 0:14:58 | 0:15:02 | |
And Dennis being Dennis, he decided to intervene and got | 0:15:02 | 0:15:07 | |
about halfway down the stairs and kicked one of the guys | 0:15:07 | 0:15:12 | |
between the legs, and it actually split his scrotum. | 0:15:12 | 0:15:15 | |
# Go! | 0:15:15 | 0:15:17 | |
# I'm gonna wake you up early, cos I'm gonna take a ride with you... # | 0:15:17 | 0:15:23 | |
The Beach Boys pulled the girls with their surf tunes and the spirit | 0:15:23 | 0:15:26 | |
of California, but they were shrewd, and knowing that a lot of their audience lived in the vast interior | 0:15:26 | 0:15:31 | |
of America, miles from the sea, they turned to a growing passion - young America's need for speed. | 0:15:31 | 0:15:37 | |
# First gear, it's all right | 0:15:37 | 0:15:40 | |
# Second gear... # | 0:15:40 | 0:15:42 | |
We had 45s that came out, and they would play both sides of our record. | 0:15:43 | 0:15:47 | |
# It's all right! # | 0:15:47 | 0:15:50 | |
Our theme was one side would be a surf song and the flip side would be a car song. | 0:15:50 | 0:15:54 | |
# It's more fun than a barrel of monkeys... # | 0:15:56 | 0:15:58 | |
Dennis's prize possession at the time | 0:15:58 | 0:16:01 | |
was a '63 split-window 327 cubic inch | 0:16:01 | 0:16:05 | |
Corvette with a four-speed. | 0:16:05 | 0:16:07 | |
Also, I might add, fuel-injected. | 0:16:07 | 0:16:09 | |
From a speed standpoint, you're probably looking at an easy 145 on the street at any point in time, | 0:16:09 | 0:16:14 | |
but obviously one of the sexiest machines ever built. | 0:16:14 | 0:16:17 | |
This album really did it for me, for two reasons. | 0:16:23 | 0:16:27 | |
It has Don't Worry Baby on it, | 0:16:27 | 0:16:30 | |
and it has a picture of Dennis's 1963 split-window Corvette Stingray. | 0:16:30 | 0:16:35 | |
Now, this car was one of my dream cars. | 0:16:35 | 0:16:38 | |
Look at that face, man. I mean, what attitude! | 0:16:38 | 0:16:42 | |
But I mean, not in a way that is threatening, in a way that just says, | 0:16:42 | 0:16:45 | |
"I'm cool. And by the way, that's my car." | 0:16:45 | 0:16:49 | |
Dennis was a serious car fanatic. | 0:16:49 | 0:16:52 | |
There was a period that Dennis kind of had a secret life going at the local drag strips, | 0:16:52 | 0:16:58 | |
and he was racing his cars under a different name and winning trophies, setting track records. | 0:16:58 | 0:17:04 | |
And this album, Shut Down Volume 2, | 0:17:04 | 0:17:07 | |
Dennis is right there, not only singing about it and posing on the cover with a cool car, | 0:17:07 | 0:17:13 | |
but he's actually going out on the weekends and racing the damn things. | 0:17:13 | 0:17:17 | |
# I'm picking up good vibrations... # | 0:17:17 | 0:17:20 | |
In 1966, with Good Vibrations topping the charts, | 0:17:20 | 0:17:23 | |
the Beach Boys had the world at their feet. | 0:17:23 | 0:17:26 | |
But backstage, things were changing. | 0:17:26 | 0:17:30 | |
Brian had retired from touring to concentrate on writing, but his new, | 0:17:30 | 0:17:34 | |
psychedelic album, Pet Sounds, which inspired Sgt Pepper's, was not well received by their record label. | 0:17:34 | 0:17:40 | |
The Beach Boys were victimised. | 0:17:40 | 0:17:43 | |
Brian delivers Pet Sounds. | 0:17:43 | 0:17:46 | |
They said, "What is this shit? | 0:17:46 | 0:17:47 | |
"Pet what? Where's the surfing music, you idiot?" | 0:17:47 | 0:17:51 | |
In these turbulent times, Dennis remained fiercely loyal to his elder brother. | 0:17:51 | 0:17:56 | |
Dennis adored Brian. You could not say anything bad about Brian. | 0:17:56 | 0:18:00 | |
Dennis would be all over you. | 0:18:00 | 0:18:01 | |
Dennis quite often would stick up for Brian. | 0:18:01 | 0:18:03 | |
In fact, Dennis never did not stick up for Brian, even when Brian | 0:18:03 | 0:18:08 | |
was going through some very rough, eccentric times. | 0:18:08 | 0:18:11 | |
Dennis would not go for that. "Are you kidding me? We wouldn't be here if it weren't for Brian." | 0:18:11 | 0:18:16 | |
The band appeared to be at a crossroads. | 0:18:16 | 0:18:20 | |
The strain was showing, and Brian began a slide | 0:18:20 | 0:18:22 | |
into drugs and mental illness, much to the agony of Dennis. | 0:18:22 | 0:18:26 | |
I would go to his house daily and beg, "What can I do to help you? | 0:18:26 | 0:18:30 | |
"Forget recording. | 0:18:30 | 0:18:32 | |
"Forget all of it." | 0:18:32 | 0:18:34 | |
It got to Brian's health. | 0:18:34 | 0:18:37 | |
And then, as the Beach Boys were slowly slipping away, | 0:18:37 | 0:18:40 | |
y'know, we're at home trying to take care of our brother. | 0:18:40 | 0:18:44 | |
Dennis took refuge from the storm, | 0:18:44 | 0:18:48 | |
partying hard and fully embracing the 1960s. | 0:18:48 | 0:18:53 | |
His new home at 14 400 Sunset Boulevard became an open house for young hippies. | 0:18:53 | 0:19:00 | |
Dennis and I met back in '68. | 0:19:00 | 0:19:03 | |
Quite honestly, he tossed me an apothecary jar of marijuana | 0:19:03 | 0:19:06 | |
first, then he said, "Roll 'em till you can't smoke any more." | 0:19:06 | 0:19:09 | |
And he picked up a guitar and he started playing me these songs. | 0:19:09 | 0:19:13 | |
He said, "Yeah, a friend of mine, Charlie, wrote these songs." | 0:19:13 | 0:19:16 | |
"Charlie" was, in fact, the infamous cult leader Charles Manson, who, | 0:19:16 | 0:19:21 | |
along with the so-called Manson Family, moved into 14400 Sunset Boulevard. | 0:19:21 | 0:19:26 | |
And Charlie, pictured here at the house, set out to impress Dennis with his home-grown songs. | 0:19:26 | 0:19:32 | |
That was Charlie's thrust. | 0:19:32 | 0:19:34 | |
He really wanted to be in the music business, he really wanted to be in entertainment. | 0:19:34 | 0:19:38 | |
That's why he came to LA. | 0:19:38 | 0:19:39 | |
And Charlie was an interesting study, in that he could sit down | 0:19:39 | 0:19:42 | |
with a guitar and plunk out a song, just chord out a song. | 0:19:42 | 0:19:46 | |
One of the songs that Charlie and Dennis worked on together was a song called Cease To Exist originally. | 0:19:46 | 0:19:53 | |
# Pretty girl | 0:19:55 | 0:19:58 | |
# Pretty, pretty girl... # | 0:19:58 | 0:20:00 | |
It was very raw. | 0:20:00 | 0:20:02 | |
Dennis took the song, polished it. | 0:20:02 | 0:20:05 | |
# Cease to exist | 0:20:05 | 0:20:09 | |
# Just come and say you love me. # | 0:20:09 | 0:20:13 | |
One of the lyrics in the Charlie version, Charlie had the line "cease to exist" in the lyric. | 0:20:13 | 0:20:20 | |
And Dennis changed it to "cease to resist" | 0:20:20 | 0:20:25 | |
and turned the song into Never Learn Not To Love. | 0:20:25 | 0:20:30 | |
# Cease to resist Come and say you love me | 0:20:30 | 0:20:35 | |
# Give up your world Come on and be with me... # | 0:20:37 | 0:20:41 | |
The reworked song was, in fact, recorded by the Beach Boys | 0:20:43 | 0:20:46 | |
and credited to Dennis. | 0:20:46 | 0:20:48 | |
Charlie wasn't happy. | 0:20:48 | 0:20:50 | |
Dennis by this time was looking to escape from his own house, which had been overrun by the Manson family. | 0:20:55 | 0:21:02 | |
Dennis would lots of times get away from the place and spent a night at my house up in Beverly Glen. | 0:21:05 | 0:21:11 | |
We never did figure this out - Charlie found out where that house was. | 0:21:11 | 0:21:15 | |
We were in this little room of his at Greg's, and the door flung open | 0:21:15 | 0:21:20 | |
and this crazy little man just came | 0:21:20 | 0:21:22 | |
flying into the room, and he looked exactly the way | 0:21:22 | 0:21:25 | |
he looked on the front of the newspaper months later, | 0:21:25 | 0:21:28 | |
when he was arrested. | 0:21:28 | 0:21:30 | |
And he jumped in and he said, "I just come from the moon!" | 0:21:30 | 0:21:34 | |
And Dennis said, "Come on, I want to talk to you," | 0:21:35 | 0:21:38 | |
and he took Charlie outside. | 0:21:38 | 0:21:39 | |
And he came in and he was white as a ghost, and he said, | 0:21:39 | 0:21:42 | |
"I had to give him a guitar and all the money I had. | 0:21:42 | 0:21:45 | |
"He swore he was going to kidnap my son if I don't get him all of this money." | 0:21:45 | 0:21:50 | |
Because they had not put Charlie's name on this record | 0:21:50 | 0:21:53 | |
of the Beach Boys, | 0:21:53 | 0:21:55 | |
also because Dennis had changed some of the words to it. | 0:21:55 | 0:21:58 | |
And he said, "You mess with anything with me, but you don't mess with my words." | 0:21:58 | 0:22:02 | |
Six months later, Manson and his followers began a series | 0:22:02 | 0:22:07 | |
of brutal killings that would see them convicted and sentenced | 0:22:07 | 0:22:10 | |
in the most high-profile murder case of its time. | 0:22:10 | 0:22:13 | |
There were repercussions for Dennis, | 0:22:13 | 0:22:15 | |
as, inevitably, he was questioned about his relationship with Manson. | 0:22:15 | 0:22:19 | |
It was a low ebb for Dennis and a difficult time for the Beach Boys. | 0:22:19 | 0:22:24 | |
Brian had retreated to the exclusive suburb of Bel Air and the band had | 0:22:28 | 0:22:33 | |
installed a studio in his house, but their music wasn't selling. | 0:22:33 | 0:22:37 | |
Albums were charting well outside the top 50, | 0:22:37 | 0:22:40 | |
Sunflower as low as number 151, | 0:22:40 | 0:22:43 | |
and Brian, battling his own demons, | 0:22:43 | 0:22:47 | |
had retired to bed. | 0:22:47 | 0:22:49 | |
That was really what life was all about for me, staying in bed. | 0:22:49 | 0:22:53 | |
I was hiding away from everything and anything, | 0:22:53 | 0:22:55 | |
and it was just one big hideaway. | 0:22:55 | 0:22:57 | |
It's a problem. | 0:22:57 | 0:22:59 | |
Here's the guy that basically is the impetus of your songwriting, | 0:22:59 | 0:23:03 | |
and if he decided to take a break | 0:23:03 | 0:23:05 | |
or decided to go into some kind of self-imposed songwriting exile, | 0:23:05 | 0:23:11 | |
then there's not much you can do about it. | 0:23:11 | 0:23:13 | |
Well, in that period it was really Carl that, essentially, | 0:23:13 | 0:23:17 | |
took over the producing reins. | 0:23:17 | 0:23:19 | |
Carl comes up with something like | 0:23:19 | 0:23:20 | |
I Can Hear Music, which is a great single. | 0:23:20 | 0:23:23 | |
Brian's not even on that. | 0:23:23 | 0:23:24 | |
# Sweet, sweet music | 0:23:24 | 0:23:28 | |
# Whenever you touch me, baby | 0:23:29 | 0:23:32 | |
# Whenever you're near | 0:23:32 | 0:23:34 | |
# I hear the music all the time, yeah | 0:23:38 | 0:23:42 | |
# I hear the music all the time now, baby | 0:23:42 | 0:23:45 | |
# I hear the music all the time | 0:23:45 | 0:23:48 | |
# I hear the music I hear the music, baby... # | 0:23:48 | 0:23:53 | |
With Brian horizontal, Dennis, who'd only been seen by the band | 0:23:53 | 0:23:56 | |
as a drummer, and even then as something of a pounder, | 0:23:56 | 0:24:00 | |
stepped forward as a writer. | 0:24:00 | 0:24:01 | |
Dennis was starting to become a songwriter, | 0:24:01 | 0:24:04 | |
and he was starting to sit at the piano and play, | 0:24:04 | 0:24:07 | |
and he was learning more and more from his brother. | 0:24:07 | 0:24:10 | |
But I suppose a lot of that is just almost in their DNA. | 0:24:10 | 0:24:14 | |
Sunflower may not have sold, but Dennis took songwriting credits | 0:24:15 | 0:24:19 | |
on four tracks, including the stand out song, Forever, | 0:24:19 | 0:24:24 | |
which he co-wrote with Greg Jacobson. | 0:24:24 | 0:24:27 | |
I was so inspired that I called up Dennis in the middle of the night | 0:24:27 | 0:24:30 | |
and we almost wrote the whole song over the phone. | 0:24:30 | 0:24:32 | |
The melody line was there and most of the chorus and verses were there | 0:24:32 | 0:24:37 | |
within ten minutes on the phone. | 0:24:37 | 0:24:39 | |
# If every word I said | 0:24:39 | 0:24:42 | |
# Could make you laugh, I'd talk forever... # | 0:24:42 | 0:24:47 | |
He said, "Would you help me with this song, Forever?" I helped him arrange it. | 0:24:48 | 0:24:52 | |
# I ask the sky just what we have | 0:24:52 | 0:24:55 | |
# It's shown forever... # | 0:24:57 | 0:24:59 | |
Were you surprised that he had that ability? | 0:24:59 | 0:25:02 | |
Of course. I never thought my brother Dennis could do that. | 0:25:02 | 0:25:05 | |
But he did it anyway. | 0:25:05 | 0:25:07 | |
# To fill your heart with joy I'd sing forever... # | 0:25:07 | 0:25:13 | |
I really recognised him at that point as more than just a drummer. | 0:25:13 | 0:25:17 | |
# Forever, forever... # | 0:25:17 | 0:25:22 | |
Having a song like Forever is what's going to make you turn your head, | 0:25:22 | 0:25:28 | |
and I guess there's certain times where I wish I was older, | 0:25:28 | 0:25:32 | |
when all this stuff was happening, | 0:25:32 | 0:25:34 | |
so I would have been more aware of how wonderful this stuff was. | 0:25:34 | 0:25:38 | |
# Together, my love... # | 0:25:38 | 0:25:41 | |
Times were good for Dennis. | 0:25:41 | 0:25:42 | |
Manson now seemed firmly behind him | 0:25:42 | 0:25:45 | |
as his songs were praised by critics and fans. | 0:25:45 | 0:25:48 | |
Take it easy, man, you're going to kill us. | 0:25:48 | 0:25:51 | |
To cap it, in 1971 he was cast it in cult road movie Two-Lane Blacktop, | 0:25:51 | 0:25:56 | |
putting all that car knowledge to perfect use as the mechanic. | 0:25:56 | 0:26:01 | |
We ought to get some action. We'll need him to do a little work | 0:26:02 | 0:26:04 | |
on the carburettors and check out the rear end. | 0:26:04 | 0:26:07 | |
By the mid-'70s, the Beach Boys were a big draw as a live act | 0:26:09 | 0:26:13 | |
but in reality had become a show band who churned out the oldies, | 0:26:13 | 0:26:17 | |
the surfing and car songs, to huge crowds. | 0:26:17 | 0:26:20 | |
The band were creatively bankrupt | 0:26:20 | 0:26:22 | |
and hadn't released any new material for years. | 0:26:22 | 0:26:25 | |
This exasperated Carl and burgeoning songwriter Dennis, | 0:26:25 | 0:26:29 | |
and a division grew. | 0:26:29 | 0:26:30 | |
Between Dennis and Carl, they pretty much wanted to go in a direction | 0:26:32 | 0:26:36 | |
of continuing to push the edge, | 0:26:36 | 0:26:38 | |
whatever edge there was going to be with the Beach Boys, | 0:26:38 | 0:26:41 | |
continuing Brian's legacy. | 0:26:41 | 0:26:44 | |
Then you had Alan and Mike, who tended to more want to milk the cash cow. | 0:26:44 | 0:26:49 | |
It was just the typical things, as Mike wanted to care of business | 0:26:51 | 0:26:55 | |
with the band and Dennis just wanted to be Dennis. | 0:26:55 | 0:26:58 | |
And so they just had all grown apart creatively. | 0:26:58 | 0:27:00 | |
I don't know if they were ever on the same page. | 0:27:00 | 0:27:03 | |
Dennis would never come to a business meeting or board directors' meetings with the Beach Boys. | 0:27:03 | 0:27:07 | |
He would never do anything that would remotely benefit him financially. | 0:27:07 | 0:27:11 | |
He did everything in his power to derail financial things, | 0:27:13 | 0:27:16 | |
which drove Mike Love nuts! | 0:27:16 | 0:27:17 | |
Why are you sitting down? | 0:27:17 | 0:27:19 | |
Even on tour, Dennis began to relish taking the spotlight away from Mike | 0:27:19 | 0:27:24 | |
with a show stopper that not many people know | 0:27:24 | 0:27:27 | |
he had a hand in writing. | 0:27:27 | 0:27:28 | |
I dedicate this song | 0:27:28 | 0:27:31 | |
to the girls here tonight. | 0:27:31 | 0:27:34 | |
He had a real affinity with the crowd, | 0:27:34 | 0:27:36 | |
and he had a real power over the crowd. | 0:27:36 | 0:27:38 | |
All right! Do you mess around? | 0:27:39 | 0:27:42 | |
He was probably the most charismatic in the band. | 0:27:42 | 0:27:46 | |
When he'd come up to the front and sing, the crowd would go crazy. | 0:27:46 | 0:27:50 | |
He'd say, "I want to leave you with this song." | 0:27:52 | 0:27:54 | |
A piano player would come out and play You Are So Beautiful and Dennis would sing. | 0:27:54 | 0:27:58 | |
# You are so beautiful | 0:27:59 | 0:28:04 | |
# To me... # | 0:28:06 | 0:28:08 | |
Dennis really did write that with Billy Preston. | 0:28:08 | 0:28:10 | |
They were sitting and jamming, and it just kind of came out. | 0:28:10 | 0:28:13 | |
Dennis was plinking, and Billy Preston picked up on it, | 0:28:13 | 0:28:16 | |
because he's really a piano player, and You Are So Beautiful. | 0:28:16 | 0:28:19 | |
The song isn't much more than that. | 0:28:19 | 0:28:22 | |
# Can't you see? Oh-h-h-h... # | 0:28:22 | 0:28:27 | |
It wasn't until much later that it even became a song and Dennis | 0:28:28 | 0:28:33 | |
realised, "Hey, I remember that, that's my lyric." | 0:28:33 | 0:28:36 | |
# You're everything I need... # | 0:28:36 | 0:28:41 | |
California. | 0:28:42 | 0:28:43 | |
# You are so beautiful | 0:28:45 | 0:28:50 | |
# To me. # | 0:28:52 | 0:28:54 | |
Thank you very much. | 0:28:59 | 0:29:00 | |
That song is so distinctively a Dennis song, because first of all... | 0:29:03 | 0:29:08 | |
# You are so beautiful... # | 0:29:08 | 0:29:10 | |
that's a melody of his, and that is a lyric that he would write, | 0:29:10 | 0:29:15 | |
because it's simple and it's straight directly from here to here. | 0:29:15 | 0:29:21 | |
From the early days, Dennis had been the Beach Boy | 0:29:23 | 0:29:26 | |
to catch the eyes of their female fans. | 0:29:26 | 0:29:28 | |
And for a sex bomb pop star in the '60s and '70s, | 0:29:28 | 0:29:32 | |
it's perhaps no surprise that he married more than once. | 0:29:32 | 0:29:35 | |
He was first hitched in 1965 to Carole Freedman. | 0:29:35 | 0:29:40 | |
She's seen with him on the cover of The Beach Boys Party Album. | 0:29:40 | 0:29:43 | |
In '69, he fell for Barbara Charren. | 0:29:43 | 0:29:46 | |
She inspired him to write the songs Cuddle Up and Forever. | 0:29:46 | 0:29:51 | |
But their marriage didn't last forever. | 0:29:51 | 0:29:53 | |
They split in '74. | 0:29:53 | 0:29:56 | |
Dennis wasn't done with marriage. | 0:29:56 | 0:29:58 | |
In 1976, he tied the knot with Karen Lamm, | 0:29:58 | 0:30:01 | |
a headstrong model and actress 12 years his junior | 0:30:01 | 0:30:05 | |
who'd had a picture of Dennis on her bedroom wall growing up in Indiana. | 0:30:05 | 0:30:09 | |
She would become the fiery muse through Dennis's most | 0:30:09 | 0:30:13 | |
creative and turbulent years. | 0:30:13 | 0:30:14 | |
During his marriage to Karen, | 0:30:18 | 0:30:19 | |
Dennis brought another lady into his life, | 0:30:19 | 0:30:22 | |
an ocean-going yacht, the Harmony. | 0:30:22 | 0:30:25 | |
When he found it, it was at the bottom of the ocean. | 0:30:26 | 0:30:29 | |
It was built by hand in Japan years and years ago. | 0:30:29 | 0:30:32 | |
I mean, there was so many woods on it. There was teak and mahogany. | 0:30:32 | 0:30:35 | |
He bought it for, I think, 125,000. | 0:30:35 | 0:30:38 | |
In those days, that was like three quarters of a million, | 0:30:38 | 0:30:42 | |
probably, now, and spent that much having it restored | 0:30:42 | 0:30:45 | |
and never let me see it | 0:30:45 | 0:30:47 | |
until it got dropped in the water here at the marina. | 0:30:47 | 0:30:51 | |
It was just an amazing feat to watch, the way he was like this. | 0:30:51 | 0:30:54 | |
I mean, it was like all his energy tied in with yanking the sails | 0:30:54 | 0:30:58 | |
and going about and everything! | 0:30:58 | 0:31:00 | |
I mean, he was a master. | 0:31:00 | 0:31:02 | |
I was on the boat with my dad and Brian, and I think I got seasick, | 0:31:04 | 0:31:10 | |
and I threw up all over Brian. I remember that. | 0:31:10 | 0:31:13 | |
That was where he got a lot of his inspiration. | 0:31:15 | 0:31:19 | |
We'd be floating out in the ocean at two o'clock in the morning, and he'd get an idea for something. | 0:31:19 | 0:31:23 | |
He'd jump to a little keyboard, | 0:31:23 | 0:31:26 | |
and way before cell phones he'd have me go ship-to-shore to call | 0:31:26 | 0:31:30 | |
to get an engineer into the studio, | 0:31:30 | 0:31:32 | |
and John Hanlon or Tom Murphy would come racing in in the middle | 0:31:32 | 0:31:35 | |
of the night, and he'd go in and he'd lay down this crazy little part. | 0:31:35 | 0:31:38 | |
Dennis would just grab me, because he'd be creative late at night. | 0:31:38 | 0:31:42 | |
Karen would piss him off or something would happen, | 0:31:42 | 0:31:45 | |
and he just wanted to record. | 0:31:45 | 0:31:47 | |
He wasn't going to let anything stand in his way. | 0:31:47 | 0:31:51 | |
And he was very engaging. He was very positive and he took chances. | 0:31:51 | 0:31:55 | |
If Dennis wasn't on the Harmony, he was two miles up the road | 0:31:55 | 0:31:59 | |
from the marina in the Beach Boys' own recording studio. | 0:31:59 | 0:32:03 | |
He was in the zone. I mean, he was extremely focused when he was in the room. | 0:32:03 | 0:32:08 | |
He'd spend weekends, Friday and Saturday nights, working late. | 0:32:08 | 0:32:11 | |
There was no place he'd rather be. | 0:32:11 | 0:32:13 | |
I never saw him agonise over it. | 0:32:13 | 0:32:16 | |
It never looked like work. | 0:32:16 | 0:32:18 | |
There were four songs that were first played for me on my first week. | 0:32:20 | 0:32:23 | |
Gregg Jakobson always had what they call the rough-mix reel. | 0:32:23 | 0:32:28 | |
It was a quarter-inch reel of tape that he'd catalogue the day's work. | 0:32:28 | 0:32:32 | |
I'll never forget, the first week | 0:32:32 | 0:32:34 | |
was River Song, Pacific Ocean Blue, Rainbows and Holy Man. | 0:32:34 | 0:32:37 | |
-These tracks were the nucleus of the very first solo album recorded by a Beach Boy. -Hi. | 0:32:37 | 0:32:44 | |
My name is Dennis Wilson. | 0:32:44 | 0:32:46 | |
I make rock'n'roll records. | 0:32:46 | 0:32:48 | |
Uh, I've had a career of 15 years | 0:32:48 | 0:32:51 | |
making hit records with the Beach Boys. | 0:32:51 | 0:32:53 | |
During that 15 years, I have had some very exciting moments, | 0:32:55 | 0:32:59 | |
but I've never been as excited as I am now. | 0:32:59 | 0:33:05 | |
As a matter of fact, I'm very proud to announce | 0:33:05 | 0:33:08 | |
that I'll be making albums with James William Guercio, | 0:33:08 | 0:33:12 | |
on Caribou Records. | 0:33:12 | 0:33:14 | |
Pacific Ocean Blue was released in August 1977. | 0:33:17 | 0:33:20 | |
Well, this here's me. That's Carl. | 0:33:24 | 0:33:27 | |
It's a far-back memory, you know? | 0:33:27 | 0:33:30 | |
This has got to be over 30 years ago now, so... | 0:33:30 | 0:33:34 | |
# And live on the edge of a body of water | 0:33:34 | 0:33:40 | |
# Warmed by the blood of cold-hearted slaughter | 0:33:40 | 0:33:46 | |
# Of the otter... # | 0:33:46 | 0:33:48 | |
Hearing just him in the studio | 0:33:48 | 0:33:51 | |
and hearing his voice and just | 0:33:51 | 0:33:55 | |
him do exactly what he wanted to do, | 0:33:55 | 0:33:57 | |
you know, and you start hearing how soulful it was too. | 0:33:57 | 0:34:01 | |
And so much of the original Beach Boys | 0:34:01 | 0:34:05 | |
was just good, but so square. | 0:34:05 | 0:34:07 | |
And there was so much soul involved. | 0:34:07 | 0:34:10 | |
Very soulful. Very emotive. | 0:34:14 | 0:34:17 | |
You're listening to that voice, the lyrics that he's singing, | 0:34:18 | 0:34:22 | |
and you're believing it. | 0:34:22 | 0:34:23 | |
# Wait a minute Can't you see you got an enemy? # | 0:34:23 | 0:34:28 | |
Most people have only heard the other boys, Wilson boys, | 0:34:28 | 0:34:33 | |
so to speak, the other two. | 0:34:33 | 0:34:34 | |
But they didn't... | 0:34:34 | 0:34:37 | |
Hopefully, they were surprised in a nice way, just like I was, to hear | 0:34:37 | 0:34:42 | |
all this beautiful stuff coming out, and that's what made me emotional. | 0:34:42 | 0:34:47 | |
It just made me teary-eyed, because he was a soulful guy. | 0:34:47 | 0:34:51 | |
# Pacific Ocean blue... # | 0:34:55 | 0:34:57 | |
He was just different. I don't know how to describe it. | 0:34:58 | 0:35:01 | |
He sounded different than anybody else I'd ever heard. | 0:35:01 | 0:35:04 | |
Pacific Ocean Blue album opens with the River Song. | 0:35:14 | 0:35:17 | |
# Walking round by the river... # | 0:35:19 | 0:35:24 | |
It's the epic nature of the production. | 0:35:24 | 0:35:26 | |
You've got white-boy rock'n'roll, | 0:35:28 | 0:35:30 | |
and he brings in the Double Rock Baptist choir | 0:35:30 | 0:35:32 | |
and they're singing gospel-oriented backgrounds on this track. It was amazing. | 0:35:32 | 0:35:37 | |
They took off with it. | 0:35:38 | 0:35:40 | |
It was so much more than he had thought about. | 0:35:40 | 0:35:44 | |
It took on a life of its own, you know, and it just blossomed. | 0:35:44 | 0:35:47 | |
# By the river, I would love to be like you | 0:35:48 | 0:35:53 | |
# Ooh, lonely river has not got time to say... # | 0:35:55 | 0:36:00 | |
It has the bliss of a Brian Wilson production, | 0:36:01 | 0:36:04 | |
but it's mature, it's rocking. | 0:36:04 | 0:36:07 | |
# I was born into the city life | 0:36:07 | 0:36:10 | |
-# It's all that I've ever known -Ooh-ooh-ooh | 0:36:11 | 0:36:15 | |
# It's rough getting money to spend | 0:36:15 | 0:36:17 | |
# So hard that I can hardly breathe... # | 0:36:17 | 0:36:21 | |
If River Song had the credit "Produced by Brian Wilson" on it, | 0:36:21 | 0:36:25 | |
people would have died. | 0:36:25 | 0:36:27 | |
I mean...their teeth would have fallen out | 0:36:27 | 0:36:31 | |
they would have been so happy, because that's kind of... | 0:36:31 | 0:36:36 | |
where people were hoping Brian would go. | 0:36:36 | 0:36:40 | |
Pacific Ocean Blue didn't just display a maturity, | 0:36:48 | 0:36:51 | |
it revealed a side to Dennis that people hadn't seen before. | 0:36:51 | 0:36:55 | |
It almost seems like his music really shows you what he was feeling. | 0:36:55 | 0:37:00 | |
It's very emotional. | 0:37:00 | 0:37:02 | |
And I was almost surprised at | 0:37:02 | 0:37:04 | |
how dark it seemed and felt at first, | 0:37:04 | 0:37:08 | |
very painful music, but so good! | 0:37:08 | 0:37:11 | |
The pain in Dennis life came from his stormy relationship with Karen, | 0:37:12 | 0:37:16 | |
who he would marry and divorce twice by 1978. | 0:37:16 | 0:37:21 | |
If you like Pacific Ocean Blue, | 0:37:21 | 0:37:23 | |
there's no way you can listen to that album | 0:37:23 | 0:37:25 | |
and not feel the influence that she had on Dennis. | 0:37:25 | 0:37:29 | |
It's right there, it's in the grooves. Thoughts Of You? | 0:37:29 | 0:37:33 | |
That's about Dennis and Karen. | 0:37:33 | 0:37:34 | |
She's not a beloved figure amongst Dennis's friends. | 0:37:48 | 0:37:53 | |
To this day, you speak Karen Lamm and an awful lot of people will say | 0:37:53 | 0:37:58 | |
that she was poison. | 0:37:58 | 0:38:00 | |
# Look at love | 0:38:00 | 0:38:02 | |
# Look at love | 0:38:05 | 0:38:07 | |
# Look what they've done! # | 0:38:10 | 0:38:14 | |
It's love hate. It's that emotion. | 0:38:15 | 0:38:17 | |
He always brought it into the studio. | 0:38:17 | 0:38:21 | |
As soon as he'd be in a beef, he'd come right into the studio. | 0:38:21 | 0:38:23 | |
That was his outlet. | 0:38:23 | 0:38:25 | |
It was just that's where he could bleed safely. | 0:38:25 | 0:38:30 | |
Both Dennis and Karen had a taste for drugs and alcohol. | 0:38:33 | 0:38:36 | |
As their second marriage veered out of control, | 0:38:36 | 0:38:40 | |
Dennis began to rely heavily on both. | 0:38:40 | 0:38:43 | |
That was when his substances became totally detrimental | 0:38:43 | 0:38:49 | |
and not conducive to his working. | 0:38:49 | 0:38:51 | |
It was insane, the nights that I would have to go to get him out of jail | 0:38:52 | 0:38:56 | |
because she fired guns at his car and then called the police, | 0:38:56 | 0:39:01 | |
telling them he was racing down the Coast Highway in a 200,000 Ferrari | 0:39:01 | 0:39:06 | |
that had bullet holes in it | 0:39:06 | 0:39:08 | |
that she had put in and had him arrested with a gun. | 0:39:08 | 0:39:12 | |
It was just crazed, the things that the two of them went through. | 0:39:12 | 0:39:15 | |
And that has a lot to do, I think, with the exceptional | 0:39:15 | 0:39:19 | |
emotionalness that you hear in Bamboo. | 0:39:19 | 0:39:22 | |
# It's not too late... # | 0:39:24 | 0:39:26 | |
Bamboo was intended as the follow up album to Pacific Ocean Blue. | 0:39:26 | 0:39:30 | |
Dennis had made a start on it, | 0:39:30 | 0:39:32 | |
but the drugs and alcohol were taking their toll, | 0:39:32 | 0:39:34 | |
and aged only 34, he began to lose some basic musical skills. | 0:39:34 | 0:39:40 | |
Dennis's voice had deteriorated to the point where he was recording | 0:39:41 | 0:39:45 | |
songs that the melody required places where his voice wouldn't go. | 0:39:45 | 0:39:51 | |
And so he began bringing Carl in to assist him, to sing with him. | 0:39:51 | 0:39:57 | |
Carl was really supportive. | 0:39:57 | 0:40:00 | |
Always loved Dennis's music. | 0:40:00 | 0:40:02 | |
And so you have examples of Dennis taking | 0:40:02 | 0:40:06 | |
part of a song and then Carl | 0:40:06 | 0:40:07 | |
kind of coming in and filling in the rest. | 0:40:07 | 0:40:10 | |
# Ooh, words of love | 0:40:10 | 0:40:13 | |
# Deep words inside of me Ooh... | 0:40:13 | 0:40:19 | |
-# I cry for warmth -Cry, cry for warmth... # | 0:40:19 | 0:40:25 | |
It's like the two brothers that were used to singing with Brian... | 0:40:26 | 0:40:32 | |
..on early records, where they were in a supporting role | 0:40:34 | 0:40:37 | |
and doing background vocals, and now they're doing leads. | 0:40:37 | 0:40:40 | |
It's the two of them. They've stepped to the forefront, | 0:40:40 | 0:40:43 | |
and Brian's not here. | 0:40:43 | 0:40:46 | |
It's like, "We're picking it up." | 0:40:46 | 0:40:48 | |
That's just what I get. | 0:40:48 | 0:40:50 | |
But unfortunately, Bamboo suffered along with Dennis. | 0:40:56 | 0:41:01 | |
As Dennis deteriorated personally, | 0:41:01 | 0:41:05 | |
the Bamboo sessions deteriorated. | 0:41:05 | 0:41:08 | |
These were dark days for Dennis. | 0:41:09 | 0:41:11 | |
His second marriage to Karen had failed, the Bamboo sessions were | 0:41:11 | 0:41:15 | |
faltering, and worst of all, Brother Studio, | 0:41:15 | 0:41:18 | |
his recording base, was in financial trouble. | 0:41:18 | 0:41:21 | |
The Beach Boys, who owned the studio, put it up for sale. | 0:41:21 | 0:41:25 | |
We were trying to sell it to Fleetwood Mac at this point. | 0:41:27 | 0:41:29 | |
There was a lot of interest from Lindsey Buckingham, | 0:41:29 | 0:41:33 | |
a big Beach Boy fan. | 0:41:33 | 0:41:34 | |
So Lindsey would come by with Mick Fleetwood and look at the studio | 0:41:34 | 0:41:37 | |
with John McVie, and they were very interested in taking it over. | 0:41:37 | 0:41:41 | |
So we started to all become sort of friends, and Dennis initially was trying to hit on Stevie Nicks. | 0:41:41 | 0:41:46 | |
And in the process, Stevie didn't show much interest in Dennis, | 0:41:46 | 0:41:50 | |
but Christine McVie became quite enamoured with him. | 0:41:50 | 0:41:53 | |
I think he was just in awe of her musical talent | 0:41:53 | 0:41:56 | |
and it was something that bonded between them that first night | 0:41:56 | 0:41:59 | |
that materialised within 24 hours. | 0:41:59 | 0:42:02 | |
And they were great for each other for a time. | 0:42:02 | 0:42:06 | |
What this ended up doing for Dennis was that it increased his access to a lot of things. | 0:42:06 | 0:42:12 | |
I mean, the Beach Boys were big, | 0:42:12 | 0:42:15 | |
but Fleetwood Mac at that time, coming off of Rumours, | 0:42:15 | 0:42:18 | |
they were really, literally, the biggest band in the world. | 0:42:18 | 0:42:22 | |
He was enamoured with the fact that Christine was selling more records than the Beach Boys ever did, | 0:42:22 | 0:42:26 | |
and Christine had unlimited funds for drugs and what-have-you. | 0:42:26 | 0:42:30 | |
And so all that was very intoxicating to him. | 0:42:30 | 0:42:33 | |
He became enamoured by the things around Christine | 0:42:33 | 0:42:36 | |
as opposed to maybe Christine's beauty, if that makes sense. | 0:42:36 | 0:42:40 | |
That summer, Dennis and Christine divided their time between the Harmony and Christine's house. | 0:42:40 | 0:42:47 | |
There was a party at Christine McVie's up in the Holmby Hills, | 0:42:47 | 0:42:51 | |
near Beverly Hills area, lovely home, | 0:42:51 | 0:42:53 | |
big white house on the hill, big lawn that goes down to the pool, | 0:42:53 | 0:42:56 | |
and then there's a pool house. | 0:42:56 | 0:42:58 | |
It was a comfortable Beverly Hills home, | 0:42:58 | 0:43:00 | |
and there was a nice little shack | 0:43:00 | 0:43:02 | |
at the far end of the property that was a pool house, | 0:43:02 | 0:43:05 | |
and Dennis adopted it as his own. | 0:43:05 | 0:43:07 | |
And the night that the disaster happened, | 0:43:07 | 0:43:10 | |
I happened to be up in the bedroom, in Christine's bedroom, | 0:43:10 | 0:43:14 | |
and she looked out the window at one point and said, | 0:43:14 | 0:43:17 | |
"My God, what are those flames?" | 0:43:17 | 0:43:18 | |
Dennis had burned down the pool house. | 0:43:18 | 0:43:21 | |
He was fooling around down there with candles to make it romantic. | 0:43:21 | 0:43:24 | |
And Christine is coming down the stairs, | 0:43:24 | 0:43:26 | |
and that's when Christine delivered her great line of, | 0:43:26 | 0:43:29 | |
"Bit excessive, your friend, Dennis." | 0:43:29 | 0:43:31 | |
He had the gardener plant this very large heart in the lawn | 0:43:31 | 0:43:36 | |
with all different-coloured flowers, | 0:43:36 | 0:43:39 | |
and of course it went on Christine's gardener bill, which was fun. But that's Dennis for you. | 0:43:39 | 0:43:43 | |
In 1979, Dennis was facing a far greater loss which couldn't be remedied with hearts and flowers, | 0:43:45 | 0:43:52 | |
as the Beach Boys finally sold Brother Studio. | 0:43:52 | 0:43:55 | |
Dennis was creatively homeless. | 0:43:55 | 0:43:57 | |
This is totally decentring Dennis. | 0:43:57 | 0:44:00 | |
He's totally losing his base as a production, his security, | 0:44:00 | 0:44:03 | |
his playpen, his house, whatever you want to call it. | 0:44:03 | 0:44:06 | |
Dennis was literally carrying around his master reels, | 0:44:06 | 0:44:10 | |
booking time at the odd studio, looking for the odd | 0:44:10 | 0:44:13 | |
engineer or person to help him pull his project together. | 0:44:13 | 0:44:17 | |
I took a couple of shots at it with Dennis, working in the studio, | 0:44:17 | 0:44:20 | |
but it was so erratic, it was so difficult. | 0:44:20 | 0:44:22 | |
I couldn't do it, and I told Dennis, "I'm sorry, I couldn't do it." | 0:44:22 | 0:44:26 | |
I had to bow out. | 0:44:27 | 0:44:29 | |
It was too hard to see what was happening, you know? | 0:44:30 | 0:44:34 | |
The music was always the outlet, | 0:44:34 | 0:44:36 | |
and when he lost the studio, that started the whole process. | 0:44:36 | 0:44:40 | |
In addition to losing the studio, Dennis failed to keep up loan | 0:44:41 | 0:44:45 | |
payments and had his beloved boat, the Harmony, repossessed. | 0:44:45 | 0:44:49 | |
The combination of Dennis losing the studio and losing the boat... | 0:44:50 | 0:44:53 | |
those were two anchors that Dennis would hold on to. | 0:44:53 | 0:44:55 | |
Without that there wasn't much for Dennis to... | 0:44:55 | 0:44:59 | |
hang that hat on, that joy. | 0:44:59 | 0:45:02 | |
The alcohol really numbed the pain for him, | 0:45:02 | 0:45:06 | |
and he got to the point where he'd carry a jug. | 0:45:06 | 0:45:10 | |
It was two different things that he drank. | 0:45:10 | 0:45:13 | |
He either drank rum and orange juice | 0:45:13 | 0:45:16 | |
or vodka and grapefruit juice, | 0:45:16 | 0:45:19 | |
and he got to the point where he'd pour half of it out on the kerb of the liquor store | 0:45:19 | 0:45:23 | |
and fill the other half of the juice bottle up and just carry this thing | 0:45:23 | 0:45:26 | |
around with him all day, constantly numb from alcohol. | 0:45:26 | 0:45:30 | |
It was sad. It was sad to see him in that much pain. | 0:45:30 | 0:45:34 | |
Dennis, maybe you'd like to start us off. | 0:45:34 | 0:45:36 | |
Why do you think that you've had such continued popularity? | 0:45:36 | 0:45:40 | |
Dennis? Good morning, Dennis. I know it's early there. | 0:45:43 | 0:45:47 | |
Dennis has been out for days on end partying, | 0:45:47 | 0:45:50 | |
and he can't hold himself up on the couch. | 0:45:50 | 0:45:54 | |
Dennis, how are you doing out there? | 0:45:54 | 0:45:56 | |
Are we keeping you awake? | 0:45:56 | 0:45:58 | |
I'm borrowing my brother Carl's microphone. | 0:45:58 | 0:46:00 | |
I think that... Is this ABC? | 0:46:00 | 0:46:03 | |
-Yeah. -You need a new microphone. | 0:46:03 | 0:46:06 | |
He's falling into Carl's lap, and he's smoking. | 0:46:06 | 0:46:10 | |
The smoke from his cigarette is wafting across the table | 0:46:11 | 0:46:16 | |
and right up under Mike Love's face. | 0:46:16 | 0:46:19 | |
When they pan over to Mike, you can just see him seething. | 0:46:19 | 0:46:24 | |
Dennis's antics on the couch extended to the stage. | 0:46:24 | 0:46:27 | |
He started missing shows, and a drunken face-off with Mike Love | 0:46:27 | 0:46:32 | |
in front of fans led to the Beach Boys doing the unthinkable - | 0:46:32 | 0:46:36 | |
sacking a Wilson brother. | 0:46:36 | 0:46:38 | |
I can relate to Dennis. | 0:46:38 | 0:46:40 | |
He had an affliction, an illness | 0:46:40 | 0:46:42 | |
that I shared with Dennis, | 0:46:42 | 0:46:44 | |
and it was substance abuse. | 0:46:44 | 0:46:46 | |
He was out in the early 80s, just, "Blaaah! Where am I? | 0:46:47 | 0:46:51 | |
"What am I doing? What happened?" | 0:46:51 | 0:46:53 | |
Much as the same way that I was feeling, I had the same thing. | 0:46:53 | 0:46:58 | |
I anaesthetised myself for 30 years to get over the heartbreak | 0:46:58 | 0:47:02 | |
of separating from my brothers that I got famous with. | 0:47:02 | 0:47:07 | |
That was happening to Dennis also. | 0:47:07 | 0:47:10 | |
The same thing. He was alienated from the band and his family. | 0:47:10 | 0:47:14 | |
Dennis's relationship with Christine McVie was another casualty of his lifestyle. | 0:47:14 | 0:47:19 | |
After they split, she described him as half-little boy and half-insane. | 0:47:19 | 0:47:26 | |
Months later, Dennis met an attractive teenage blonde. | 0:47:26 | 0:47:29 | |
She went by the name of Shaun Love, and although Mike denied it, | 0:47:29 | 0:47:33 | |
claimed to be Mike Love's illegitimate daughter. | 0:47:33 | 0:47:36 | |
I think there's some controversy regarding who accepts that as fact | 0:47:36 | 0:47:40 | |
and who doesn't, but in the Wilson camp, | 0:47:40 | 0:47:43 | |
pretty much everybody will tell you that Shaun was Mike's daughter. | 0:47:43 | 0:47:48 | |
By 1983, a year shy of 40, Dennis's world had changed. | 0:47:49 | 0:47:54 | |
He had made Shaun his fifth wife and had a baby son, Gage. | 0:47:54 | 0:47:59 | |
But they were adrift. Money was short and Dennis lacked direction. | 0:47:59 | 0:48:03 | |
They had made a home of sorts in a beachside Santa Monica hotel, | 0:48:03 | 0:48:07 | |
only yards from the concert hall | 0:48:07 | 0:48:09 | |
where he'd stolen the Tammy Show in 1964. | 0:48:09 | 0:48:13 | |
So at this point, through various circumstances, | 0:48:13 | 0:48:16 | |
we'd all moved across the street there. | 0:48:16 | 0:48:19 | |
This was an old-time motel there called the Santa Monica Bay Inn, and | 0:48:19 | 0:48:24 | |
Dennis and Shaun were living there, my ex-wife and kid and I were living | 0:48:24 | 0:48:28 | |
in the room next door, and we were all able to see our bar stools | 0:48:28 | 0:48:31 | |
over here at JJ's, and that had a lot to do with why he spent | 0:48:31 | 0:48:35 | |
pretty much the last at least six months of his life | 0:48:35 | 0:48:39 | |
either in JJ's or in that motel. | 0:48:39 | 0:48:41 | |
The Beach Boys did let Dennis back in the band, | 0:48:43 | 0:48:46 | |
and on Independence Day, 1983, Dennis serenaded the crowd. | 0:48:46 | 0:48:51 | |
(HOARSELY) Folks, if you knew what it felt like... | 0:48:51 | 0:48:56 | |
..to be up here singing and playing, you know... | 0:48:57 | 0:49:02 | |
in front of you... | 0:49:02 | 0:49:05 | |
the joy it brings to us... | 0:49:05 | 0:49:07 | |
thank you so much. | 0:49:07 | 0:49:09 | |
You sense a deterioration happening to him. | 0:49:09 | 0:49:13 | |
That song, I remember that was probably | 0:49:13 | 0:49:15 | |
around the first time I saw him in a way that was hard to see him, | 0:49:15 | 0:49:21 | |
singing with the voice, having a hard time singing. | 0:49:21 | 0:49:24 | |
# You are so beautiful | 0:49:25 | 0:49:30 | |
# To me. # | 0:49:32 | 0:49:36 | |
God bless you. | 0:49:36 | 0:49:37 | |
The Beach Boys. | 0:49:40 | 0:49:41 | |
This was the last Fourth of July | 0:49:42 | 0:49:44 | |
that Dennis would spend with the Beach Boys. | 0:49:44 | 0:49:47 | |
He drifted around the beach areas. | 0:49:58 | 0:50:01 | |
Lots of people saw him walking barefoot, shirtless during that time. | 0:50:01 | 0:50:07 | |
He'd come down and watch surfers, right here at Manhattan Beach, | 0:50:10 | 0:50:14 | |
above the pier, where maybe he'd surfed in the younger days. | 0:50:14 | 0:50:17 | |
He spiralled. I don't know what else to say. | 0:50:20 | 0:50:23 | |
I just think he got hit with the demons, and you know, he spiralled. | 0:50:26 | 0:50:32 | |
I was doing a show at the Roxy | 0:50:32 | 0:50:35 | |
and some guy came running up to the stage and grabbed my ankle, | 0:50:35 | 0:50:41 | |
just a bunch of hair and a beard and everything. | 0:50:41 | 0:50:44 | |
My first reaction was, | 0:50:44 | 0:50:46 | |
"who the hell is this?" Dennis. "It's me." | 0:50:46 | 0:50:51 | |
I was driving and I saw him, and I didn't recognise at first. | 0:50:52 | 0:50:56 | |
First I just thought it was a bum and then I thought, "It's Dennis." | 0:50:56 | 0:50:59 | |
And he just looked awful. His stability, he was hunched over a little bit, really heavy beard, | 0:50:59 | 0:51:04 | |
and I think he even had a sore on his face. | 0:51:04 | 0:51:06 | |
It was just awful... | 0:51:06 | 0:51:08 | |
and it just damn tore my heart out, to be honest. I didn't stop. | 0:51:08 | 0:51:11 | |
I wasn't able to help him when I was with him more intimately, I didn't think I could help him then. | 0:51:11 | 0:51:16 | |
It was really painful for me. | 0:51:16 | 0:51:18 | |
It was painful just to see your friend in such dire straits. | 0:51:18 | 0:51:23 | |
Not something that you can easily do. | 0:51:23 | 0:51:25 | |
It broke my heart. What can I say? | 0:51:25 | 0:51:28 | |
To this day...you know. | 0:51:29 | 0:51:32 | |
Excuse me. | 0:51:32 | 0:51:34 | |
I get very emotional. | 0:51:37 | 0:51:39 | |
The last days were kind of rough. Kind of rough. | 0:52:00 | 0:52:04 | |
He came in on a particular day, morning, | 0:52:05 | 0:52:09 | |
he came in and he'd talk to Alice. | 0:52:09 | 0:52:13 | |
Alice and I would talk and I would say... | 0:52:13 | 0:52:17 | |
"Dennis, you've got to take it easy." | 0:52:17 | 0:52:21 | |
That was it, the last time I saw him. Then he went down to the marina. | 0:52:21 | 0:52:24 | |
'Dennis Wilson no longer owned a boat at the marina, | 0:52:24 | 0:52:27 | |
'but he still spent a lot of time here visiting friends. | 0:52:27 | 0:52:31 | |
'It was during an afternoon get-together aboard this boat | 0:52:31 | 0:52:33 | |
'that Wilson decided to go swimming and diving off the dock. | 0:52:33 | 0:52:37 | |
'For 15 minutes, friends desperately searched the waters for Wilson. | 0:52:37 | 0:52:40 | |
'Divers in the harbour patrol were finally called in.' | 0:52:40 | 0:52:43 | |
They conducted a search with two divers. They brought in two additional divers, | 0:52:43 | 0:52:47 | |
and it took them that length of time, | 0:52:47 | 0:52:49 | |
over an hour, to find the body. | 0:52:49 | 0:52:50 | |
That last day of his life was just... | 0:52:50 | 0:52:53 | |
He'd called me several times, | 0:52:53 | 0:52:55 | |
he was here and he was drinking a little | 0:52:55 | 0:52:57 | |
and he was having a good time, and then I got a call | 0:52:57 | 0:53:01 | |
that he'd started diving, | 0:53:01 | 0:53:02 | |
picking things up that he'd thrown off the Harmony. | 0:53:02 | 0:53:05 | |
He loved that boat so much... | 0:53:05 | 0:53:08 | |
..and he was diving in the empty slip | 0:53:11 | 0:53:13 | |
for things he'd thrown overboard when he was, you know, | 0:53:13 | 0:53:17 | |
he shouldn't have been in the water that day | 0:53:17 | 0:53:20 | |
because he was drinking a lot and I guess he came up very fast | 0:53:20 | 0:53:23 | |
and smashed his head on the piling. | 0:53:23 | 0:53:25 | |
It knocked him out and he drowned. | 0:53:25 | 0:53:29 | |
He curled up in 13ft of water down there. | 0:53:31 | 0:53:33 | |
He'd curled up in a foetal position. | 0:53:33 | 0:53:35 | |
They found him... People don't drown in the foetal position. | 0:53:35 | 0:53:39 | |
People drown in the most horrific ways, you know. | 0:53:39 | 0:53:42 | |
People don't just curl up in the foetal position. | 0:53:42 | 0:53:45 | |
That's what the coastguard guys told me, they said when they found him, | 0:53:45 | 0:53:48 | |
they said he was just laying, curled up, all peaceful. | 0:53:48 | 0:53:51 | |
I'd spoken to him about an hour before it happened, | 0:53:53 | 0:53:56 | |
and didn't want to come down here. | 0:53:56 | 0:53:57 | |
He had been urging me since the night before | 0:53:57 | 0:54:00 | |
to come down here, and I just, I... | 0:54:00 | 0:54:04 | |
I got tired of saving him. | 0:54:04 | 0:54:05 | |
I didn't get tired of saving him, but I just stopped thinking | 0:54:05 | 0:54:10 | |
it was possible to save him. It was, obviously, it was. | 0:54:10 | 0:54:14 | |
On January 4th, 1984, | 0:54:42 | 0:54:43 | |
Dennis was afforded an honour normally reserved for the military | 0:54:43 | 0:54:48 | |
and became one of the select few civilians to be granted a burial at sea. | 0:54:48 | 0:54:54 | |
He left behind some unfinished business. | 0:54:54 | 0:54:56 | |
I waited from 1976 to... | 0:54:59 | 0:55:05 | |
2008 to hear this. | 0:55:05 | 0:55:07 | |
It's amazing. | 0:55:09 | 0:55:12 | |
2007. 31 years I waited to hear this. | 0:55:12 | 0:55:16 | |
I heard this melody in my head for 31 frigging years. | 0:55:16 | 0:55:20 | |
Holy Man was one of the first four tracks that Dennis recorded | 0:55:23 | 0:55:26 | |
for Pacific Ocean Blue, but it was never released. | 0:55:26 | 0:55:31 | |
It was the song that Dennis couldn't finish. | 0:55:31 | 0:55:33 | |
He never completed the lyric. | 0:55:33 | 0:55:35 | |
He never laid down a vocal track. | 0:55:35 | 0:55:38 | |
Three decades later, | 0:55:38 | 0:55:39 | |
those closest to him set out to finish what he'd started. | 0:55:39 | 0:55:42 | |
I was always on a search for that song, | 0:55:44 | 0:55:47 | |
and the only way I was ever going to find it was to get into the vault. | 0:55:47 | 0:55:50 | |
I knew that reel existed, and I was determined to see if I could find it. | 0:55:50 | 0:55:55 | |
I finally found Holy Man, the writing, | 0:55:59 | 0:56:01 | |
because I never forgot what it looked like. | 0:56:01 | 0:56:03 | |
I still, to that day, remember what it said on the outside of the box. | 0:56:03 | 0:56:08 | |
We brought it into the studio, killer track, | 0:56:08 | 0:56:10 | |
and I always thought that Taylor Hawkins, who was a friend, | 0:56:10 | 0:56:13 | |
and he's the drummer in the Foo Fighters, | 0:56:13 | 0:56:15 | |
sounded and belongs to that same drummer society. | 0:56:15 | 0:56:19 | |
He's got a gravelly, whisky voice like Dennis. | 0:56:19 | 0:56:22 | |
Greg wrote some lyrics, Taylor reworked a bunch of them, and Taylor sang lead vocal. | 0:56:22 | 0:56:28 | |
# With the ego of a lamb, the holy man... # | 0:56:29 | 0:56:35 | |
Finding a vocal, I just sang how I sing, and it wasn't really trying to sound like Dennis. | 0:56:35 | 0:56:41 | |
I think he had Dennis's attitude. He climbed into the part. | 0:56:41 | 0:56:45 | |
When I play that song for people, they don't believe it's anybody else other than Dennis. | 0:56:46 | 0:56:50 | |
# The holy man will meet you there... # | 0:56:51 | 0:56:55 | |
I was a little nervous, like, "I don't know, man, I don't really want to piss on somebody's Picasso." | 0:56:55 | 0:57:00 | |
# The one you love is everywhere | 0:57:01 | 0:57:05 | |
# He's everywhere | 0:57:07 | 0:57:10 | |
# And you can follow... # | 0:57:10 | 0:57:15 | |
In 2008, 31 years after its original release, Pacific Ocean Blue was | 0:57:17 | 0:57:23 | |
re-mastered and reissued along with Dennis's lost album, Bamboo. | 0:57:23 | 0:57:27 | |
The flat-top, hard-nosed kid from Hawthorne who rode the waves | 0:57:30 | 0:57:34 | |
and charmed the girls in the shadow of his genius brother | 0:57:34 | 0:57:37 | |
was back in the headlines for musical reasons, | 0:57:37 | 0:57:40 | |
earning five-star reviews and voted number one re-issue of the year | 0:57:40 | 0:57:45 | |
in a host of newspapers and magazines. | 0:57:45 | 0:57:47 | |
He's always been recognised. The people that really loved him | 0:57:53 | 0:57:57 | |
and the people that really knew him have always... | 0:57:57 | 0:58:00 | |
said how talented and how big of a heart and just... He was golden. | 0:58:00 | 0:58:04 | |
When I listen to his music, it's weird. | 0:58:05 | 0:58:08 | |
It's just this real deep, intense, like... | 0:58:08 | 0:58:12 | |
I almost want to say like trying to find a lost love or something. | 0:58:12 | 0:58:16 | |
It's a real intense feeling and you can't figure it out, but it's there. | 0:58:16 | 0:58:21 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:58 | |
E-mail [email protected] | 0:58:58 | 0:59:01 |