Who Started It? Notting Hill Carnival


Who Started It?

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# Get up, get up, get up, stand up

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# Get up, get up

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# Stand up for your rights... #

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Notting Hill Carnival - Europe's largest street festival.

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It's a huge-scale cultural juggernaut,

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reflecting Caribbean tradition, shaped by black British culture.

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Over a million people from all over the world

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invade this small corner of west London at the end of the summer

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for a teeming two-day party

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on some of the most expensive streets in Britain.

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So, where did this event come from?

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Who started Carnival, and when?

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In this film, I'm on a mission to find out.

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My name is when Wyn Baptiste and I have a special interest,

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because I always thought my dad started Carnival.

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Carnival Development Committee...

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'My father was Selwyn Baptiste,

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'a steel pan player from Trinidad who came to Britain in 1960.

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'As a kid in the 1970s,

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'I remember him running Carnival from his front room.

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'And it was always my dad who was spokesperson

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'when Carnival was on TV.'

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And here, with the carnival committee's point of view,

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is Selwyn Baptiste.

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The Notting Hill Carnival began in the mid-'60s

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and arose out of adventure playgrounds

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in the Tavistock and Golborne areas.

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Its purpose is to bring a little bit of heaven

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to the desolate streets of North Kensington

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and to enable the West Indian community to feel at home

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in a country to which they are historically and spiritually tied.

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'Arguments over the origin of Carnival have been

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'rumbling in Notting Hill for some time.

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'I've heard about a woman called Claudia Jones,

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'a political activist and civil rights campaigner

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'who staged indoor carnivals elsewhere in London as early as 1959.

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'Then there was Rhaune Laslett, a community worker

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'in Notting Hill who had the vision of bringing people together

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'with a street festival in the mid-1960s.

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'And Russell Henderson, who is said to have led the first

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'procession in the streets with a steel pan hung around his neck.

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'So, where does my dad fit into all this?

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'Not only are there rival versions of who started Carnival,

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'no-one can even agree when it started.'

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- It was 1965. - 1966.

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Whether it's '65 or '66 is neither here nor there.

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'59 or '64 or '65,

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everybody needs to be recognised.

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- Claudia Jones. - Mr Russell Henderson.

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- Rhaune Laslett. - You see the man

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that woman just mentioned? Right?

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It was started by Selwyn Baptiste.

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This community has created Carnival,

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and rather than be like crabs in a barrel

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and pull each other down,

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it's about time the community starts working together,

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document its history, be proud of that history

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and let the world know what Notting Hill's taught the nation.

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Thank you very much indeed.

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Ishmahil Blagrove is a photographer, a researcher, a film-maker

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and has spent a long time looking into the origins of Carnival,

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and collecting the most amazing array of photographs

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charting its history, and I'm hoping that he'll be able to tell us

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a little bit about the characters and controversies of this story.

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I recognise one of the pictures over here.

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You should, it's your dad.

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- I recognise that man. - Yeah, yeah.

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I mean, Selwyn was a very, very important player.

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I mean, an instrumental player in the history of Carnival.

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I mean, in fact, he took over the carnival from Rhaune Laslett.

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He was also training a lot of kids in the area to play steel pan,

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and so he was he was working out of the Wornington Road Adventure Centre

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whilst Rhaune Laslett obviously had Shanty Town -

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two of the sort of key youth adventure playgrounds in the area.

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'So, my dad took over Carnival from Rhaune Laslett,

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'and they were both involved in playgrounds in the neighbourhood,

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'but what about the date?'

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There was no event in 1964. Nothing happened in '64.

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There is absolutely no documentary evidence whatsoever.

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However, Rhaune Laslett herself

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says that the carnival first started in 1965.

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You have others now who will corroborate that.

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It might be fair to say that, prior to the 1966 event,

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which was a larger, better-organised event, there was a precursor event.

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Have you got a sense of why history of Carnival

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has been so controversial, if you like,

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and has stirred up such kind of fervent passion amongst people?

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Claudia Jones is one of my heroes, without doubt.

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What she contributed to the black political struggles

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in this country is amazing.

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However, she did not start the Notting Hill Carnival.

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But then we have the situation of Rhaune Laslett, a white woman.

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What does she know about Carnival?

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The reality was that you had these people from Trinidad,

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who weren't just small-time carnivalists is from Trinidad,

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they were big players.

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They would have turned any little street jump-up into a carnival.

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So, that's why people try and push Rhaune Laslett out, by saying

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that, well, Rhaune staged the event but we were the ones that made it.

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'Rhaune Laslett worked tirelessly to improve social conditions

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'in an area which, back then, was severely deprived.

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'But did she actually create the first carnival?

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'Rhaune passed away in 2002,

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'so I've come to see her son Mike Laslett to ask him.'

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When your mother had a vision of bringing together this community,

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was there any feeling at that point that Caribbean culture

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- should be at the centre of this? - No. No.

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My mother's thing was, pretty much, she was going to be just here,

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spilling out of the house into the street, just like a party

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for the Queen's Jubilee, or something.

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What year was that?

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'65.

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The reason there is this controversy is that all historians

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rely on documentary evidence.

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They want something written down somewhere.

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When my mother did this thing, it wasn't...

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There was no sense of it being an historic moment,

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there was no sense of, "We've got to write this down,

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"we've got to record this," it just happened.

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Your mum's flat is just over here.

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Yeah.

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The mere fact that it's there

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must give you some form of satisfaction.

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It's good, yeah, only because that one's there. It's balanced.

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There should be one for your father up here somewhere, probably.

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'So, talking to Mike Laslett, you really got a sense'

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there was no real plan for making a huge event

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on that first little fete or fair, as it was,

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and Mike Laslett, son of Rhaune Laslett,

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thinks there might even be space for a blue plaque for my dad

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somewhere on the wall not far from his mum's blue plaque.

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That's quite nice.

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'A blue plaque on a wall in Notting Hill?

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'Maybe Dad would have liked that.'

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And then there's a section in this book, Pioneers In Great Britain,

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and at the beginning of the chapter,

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here's Sterling Betancourt and Russell Henderson,

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And then the next entry is Selwyn Baptiste.

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"His greatest contribution was that he played a major role

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'by the mid-'60s by actually teaching the steel pan

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"to deprived children, English and Caribbean,

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"from the Notting Hill adventure playground area.

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"In the process,

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"Baptiste literally turned many young lives away from violence and crime

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"to become a hard-working, upright citizens of Great Britain.

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"He was also the first chairman of the Notting Hill Carnival."

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And my dad used to carry this book around

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and he used it as a bit of a calling card.

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If he went to see someone official,

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like a doctor or somebody where he needed to prove his credentials,

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he'd often pull this book out and get them to read that entry,

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and there's something makes me feel a little bit sad about that,

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because I think part of my dad's story is that he felt he didn't have

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the standing or the recognition that his work had deserved.

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'The adventure playgrounds were really important in the mid-'60s

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'because Notting Hill was a community

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'still scarred by the race riots of 1958.

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'To understand how that relates to the beginning of Carnival,

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'I've come to meet Peter Joseph,

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'a man who experienced those riots first hand.'

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The teddy boys were a little bit, um...

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They kept away from us in the grove

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until they were wound up by Oswald Mosley.

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And it spilled over on September 1st.

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There was only about 60, 70 of us, but we held the grove.

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'Peter was on the front line in Notting Hill,

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'defending against racist attacks back in '58,

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'but what does he know of the start of Carnival?'

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My recollection...is quite simple.

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1965, I can't remember the month,

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but a friend of mine called me and said,

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"Pan on the road!" Russell and Sterling and them, "Pan on the road!"

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He just took the kids and all of that from around us.

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We are in a position where we have human archaeologists right here,

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men like Russell and Sterling,

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who can tell you exactly what has happened

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and make sure that the actual truth comes from that,

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because they did it. Nobody else.

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'The cry "pan on the road",

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'meaning that a steel band was on the move on the streets, is key.

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'That was the moment a street party became a procession.

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'Peter is clear that his fellow Trinidadian pan players,

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'Russell Henderson and Sterling Betancourt, were crucial characters,

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'but what about my dad's involvement in Carnival?'

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He was an aspiring pseudo-intellect...

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..whose self-delusion and...

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..ambitions, whatever...

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..put him to the front...

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..in order for him to...

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..to feed.

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Is it safe to say that you and my dad didn't really get on?

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Well, it's not safe.

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You can be sure.

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Because I didn't find him a nice man.

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'I knew my dad could be difficult,

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'but it was hard for me to hear what Peter had to say.

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'I've arranged to see my dad's old friend Darcus Howe,

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'to see how he reacts to the accusation

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'that my dad used Carnival for his own ends.'

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What?!

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He had a basement flat in Powis Square.

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What is he talking about?

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That is poison.

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He may have been -

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well, not to me - very harsh, and very vicious,

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because he was surrounded by a lot of hustlers,

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and that he was not.

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I knew him well.

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He was an intellectual.

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He was an artist.

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He was spiritual.

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And he was brave.

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'And in the mid-'70s, both my dad and Darcus needed to be brave.

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'Attendance numbers at Carnival were pushing a quarter of a million.

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Between 1973 and '75, a man called Leslie Palmer was in charge,

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'and he recruited more steel bands, introduced other live acts,

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'and, crucially, attracted sound systems to the event.

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'The Caribbean influence now went beyond Trinidadian tradition.

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'But as more people came, police numbers rocketed.

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'Tensions that were simmering between black youth

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'and the police all year round

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'boiled over at Carnival in 1976.

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'By then, Darcus and Dad were running an event

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'facing widespread calls to close it down,

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'and they had to stand firm.

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'They had a clear message for the police and carnival-goers.'

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There were too many policemen around the bands yesterday

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and it created a certain amount of nervousness.

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We say to the young blacks,

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"If you steal in Carnival, it's like stealing

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"from the purses of the guests who attended your big brother's wedding."

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'But looking back now,

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'what's Darcus's take on who started Carnival?'

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So, can you put the start of Carnival down to one individual,

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or is it a movement thing? What's...

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It's a movement thing.

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There is no one individual, nothing.

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It has to come from your own...

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in England.

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You know, the only person who had that historical perspective on it?

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A fellow called Selwyn Baptiste.

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For some reason,

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he knew that this thing is going to explode

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as a huge cultural statement.

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'But it didn't become a huge cultural statement overnight.

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'It's time to rewind to where it all started for my dad.

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'He's no longer here to tell me

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'about the Notting Hill Adventure Playground,

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'but I do have recording he made a few years before his death.'

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These guys used to fight a lot,

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the black and white kids in the playground.

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I came in with pans, taught them, it was beneficial,

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it was unifying, it was all embracing,

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and the boys had a better understanding of one another.

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'I've managed to track down some of the original

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'members of my dad's band, the Adventurers,

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'and they've agreed to meet me at the playground

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'where it all began for them

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'when they were teenagers in the mid-'60s.'

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Do you know, this place has completely changed

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to what I remember of it.

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Very little now, you know, compares.

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- But it brings back memories? - It do, it do.

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Every child around come here.

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The adventure playground at the time was famous.

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Was it here that you guys were introduced to pan?

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ALL: Yes, yes, yes.

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Right here.

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Selwyn knew my family back to front.

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So, did it go beyond making and teaching pan?

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- Was it more than that? - Of course it was.

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We in the band used to call Selwyn Pharaoh,

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because he was like the leader.

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- He was the leader. - Yeah.

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So, when the Adventurers' first took to the streets in Carnival,

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would you be able to put a year to that?

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- We were the kids' band. - Around '66, we would say.

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The only thing is, I think

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Selwyn in his lifetime, he deserved a bit more recognition.

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He did not get the recognition he rightfully deserved.

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When the carnival was in proper problem,

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Selwyn was the one who took the mantra.

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That's when the thing moved to his house.

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Because that's after the police problem with the riots.

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The whole thing, he couldn't get away from it.

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He had sleep deprivation

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because of the fact his house is the office 24 hours a day.

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What I always remember about Selwyn,

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he's on television and when you look at him,

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he looked like a black leader, a militant leader, with his Afro.

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We were his boys then. We were Selwyn's boys.

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The Adventurers steel band became the Metronomes,

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who are still going strong today.

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CHATTER

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All right! One, two, three, four...

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'They practise all year round

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'for the annual steel band competition, Panorama.

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'Founder member Irvin Corridan is still involved.

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'They still use my dad's pan in the band.

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'They say it brought them that last year.

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'That luck, combined with skill and hard work, meant they came second,

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'pipped to the first place by the Real Steel Orchestra,

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'a band from Plymouth.

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'Still, it's their best placing in 20 years.

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'Dad would be pleased seeing the celebrations

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'going on long into the night.

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'My dad's band did remember being there in 1966,

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'but can anyone put them, and my dad, at the first one?

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'One man who should know is Sterling Betancourt.

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'A legendary steel pan player, Sterling left Trinidad to come

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'and perform at the Festival of Britain way back in 1951,

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'and visiting him feels like I'm getting close to the source.'

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1951, TASPO.

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So, this is the band you came over with to the Festival of Britain?

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Yeah, that's right.

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And only three of us are alive now.

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Wow. Are you in that photograph?

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Yeah, look me here.

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They said that we must take a band to Britain for them to see

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the Trinidad culture, because this was something new.

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No-one knew about the steel drum in those days.

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They said, "Well, that is black magic."

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I met your dad in the early days when we started the Notting Hill Carnival.

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He was very involved with Mrs Laslett as well,

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and the kids in the adventure playground.

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And he was there, but he didn't actually come on the road with us

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when we first started, but he was there.

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This was not a Trindidad/West Indian thing.

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It get like that after.

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What year do you think...

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what year would you say that first carnival was?

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1964.

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Sterling, what was my dad like as a man? As a guy?

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As a friend of yours? How would you describe him?

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Selwyn Baptiste was a very passionate person, you know.

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And he used to get very upset

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if people tried to do things that he did not agree with.

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He was a nice person, I must say. He was a very nice person.

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- Am I too old to learn? - No.

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Can you teach an old dog new tricks?

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Yes. You want to have a go?

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- OK, then. Why not? - OK.

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Dad started teaching me when I was a kid at school,

0:18:170:18:21

and I was too interested in playing football.

0:18:210:18:24

'Sterling clearly had fond memories of my dad,

0:18:240:18:26

'but according to him, it was the band HE was in,

0:18:260:18:29

'the Russell Henderson Trio, who took to the streets first.

0:18:290:18:33

'My dad's band came later.'

0:18:330:18:36

- Just one hand or two? - Two here.

0:18:360:18:39

And two here.

0:18:390:18:40

'In trying to find out who started Carnival,

0:18:420:18:44

'and when, I've been looking for definitive answers,

0:18:440:18:47

'and all roads have led to this man.'

0:18:470:18:50

"Russell Henderson, musician and pioneering pan artist,

0:18:500:18:55

"led the first ever Carnival parade

0:18:550:18:57

"on the streets of Notting Hill in 1965."

0:18:570:19:01

They put '65, but it's '64.

0:19:010:19:03

'Russell Henderson is now 90,

0:19:030:19:06

'but he remembers how that first mobile procession -

0:19:060:19:09

'spontaneous, unplanned, momentous -

0:19:090:19:12

'created an immediate buzz as it set off through the streets.'

0:19:120:19:16

So, there was no intention for this event to move?

0:19:160:19:18

- You just came to play at this spot? - No, it was to play at that spot.

0:19:180:19:22

Do you remember which direction you went in?

0:19:220:19:25

- Towards Porchester Road. - That way?

0:19:250:19:27

Let's go.

0:19:270:19:28

Within few hundred yards, people were coming

0:19:280:19:31

and following, but it was so impressive, that first one,

0:19:310:19:35

that following, it caused it to continue,

0:19:350:19:39

and the same way that built up that day,

0:19:390:19:41

the carnival built up every year.

0:19:410:19:43

And your father came to me and said, "Russ,

0:19:430:19:45

"you realise this carnival is getting bigger and getting out of hand.

0:19:450:19:49

"I think we should have a committee." I said, "I agree with you."

0:19:490:19:53

And your father, Selwyn, formed the first committee

0:19:530:19:58

and called it CDC - the Carnival Development Committee.

0:19:580:20:03

'So, according to Russell, that's when things got serious.

0:20:030:20:07

'My dad's no longer here to give his version of events,

0:20:070:20:11

'but Sterling, Russell and some of the other old steel pan warriors are.

0:20:110:20:17

'And they still get together to jam and reminisce about how they,

0:20:170:20:20

'and others like them, changed the face of Britain.

0:20:200:20:25

'When was the first carnival? Well, that one will run and run.

0:20:280:20:32

'When you ask who started it,

0:20:340:20:36

'the answer is that Carnival has many authors.

0:20:360:20:39

'At the forefront, a dynamic white woman working to bring

0:20:390:20:43

'an impoverished community together, and a group of pioneering

0:20:430:20:47

'West Indian musicians who answered her call,

0:20:470:20:49

'a set of conditions including deprivation, immigration

0:20:490:20:53

'and racial tension set the stage.

0:20:530:20:55

'Hundreds of people have helped develop Carnival,

0:20:550:20:58

'and millions have danced to its tune over the years.

0:20:580:21:01

'I've learnt a lot about my dad and his Carnival story,

0:21:010:21:04

'and over the August bank holiday, I'm sure he'll be here in spirit.'

0:21:040:21:08

This is designed for people of the world.

0:21:080:21:11

You participate, it's a street theatre, you can be anything

0:21:110:21:15

on that day. It's free. It's a freedom thing.

0:21:150:21:19

And the carnival is the most dynamic thing that England has ever

0:21:190:21:23

seen in its history.

0:21:230:21:25

Selwyn Baptiste!

0:21:290:21:30

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