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to the children of Gaza. We were given exclusive access to film the | :00:00. | :00:00. | |
restoration of the piano and its first playing by some of | :00:00. | :00:14. | |
The astonishment was enormous when we came to this place | :00:15. | :00:16. | |
It's the only concert grand piano in Gaza, | :00:17. | :00:22. | |
somehow still standing in the shell of a bombed-out theatre. | :00:23. | :00:38. | |
In a place where some belief that music is forbidden by God... | :00:39. | :00:42. | |
We are teaching a new, whole generation music is something | :00:43. | :00:44. | |
Can a little piece of beauty be rescued from so much destruction? | :00:45. | :00:52. | |
Music might not build you a house or might not give you your loved | :00:53. | :00:56. | |
ones back, but it makes you feel better. | :00:57. | :01:18. | |
Through the squalor of Gaza, a young French piano restorer | :01:19. | :01:21. | |
This is what remains of one of Gaza's very few theatres, | :01:22. | :01:42. | |
half destroyed in last year's conflict with Israel. | :01:43. | :01:46. | |
But come inside, something even rarer has survived. | :01:47. | :01:55. | |
Claire is about to get a first look inside. | :01:56. | :02:18. | |
So it's not just a matter of the strings, it's a matter | :02:19. | :03:18. | |
of the dampers, it's a matter of the hammers, | :03:19. | :03:21. | |
So all this will have to be completely taken off. | :03:22. | :03:29. | |
So this is one of the worst you've seen? | :03:30. | :03:31. | |
The first task is to move the piano somewhere safe. | :03:32. | :04:13. | |
Now Claire, with two Palestinian apprentices, | :04:14. | :04:14. | |
must take it apart in this disused wedding hall and then rebuild it. | :04:15. | :04:22. | |
Claire was brought here by Music Fund, the Belgian charity | :04:23. | :04:50. | |
which helped discover the piano, in a project sponsored | :04:51. | :04:53. | |
The piano came here in the late 1990s from Japan. | :04:54. | :05:06. | |
But it ended up in the hands of hard-headed businessman Sa'ad | :05:07. | :05:11. | |
He bought it just over two years ago as part of the theatre and adjoining | :05:12. | :05:25. | |
leisure complex that he spent a fortune refurbishing. | :05:26. | :05:27. | |
And then the latest war with Israel struck. | :05:28. | :05:32. | |
500 here, and in the wedding hall, another 500. | :05:33. | :05:37. | |
His new restaurant block took a direct hit. | :05:38. | :05:47. | |
So this is the casing, the outer casing of the missile | :05:48. | :05:58. | |
itself with the number on it and everything. | :05:59. | :06:00. | |
This is actually part of the actual missile that hit this building? | :06:01. | :06:03. | |
Tell me, you'd spent more than $800,000 restoring the space? | :06:04. | :06:06. | |
Not about the money, this is my dream. | :06:07. | :06:39. | |
But despite all the damage, the piano survived unscathed. | :06:40. | :07:10. | |
Mr Herzallah's other business interest is food, | :07:11. | :07:11. | |
He didn't know the piano was unplayable when he bought it, | :07:12. | :07:20. | |
People have told me that they came to this theatre 15 or 20 years ago, | :07:21. | :07:54. | |
They say there was once music, comedy, even satire. | :07:55. | :08:04. | |
But in recent years there's been nothing like that. | :08:05. | :08:06. | |
The space, the public space for music, has gotten | :08:07. | :08:09. | |
Gazan society, always conservative, has become gradually more so. | :08:10. | :08:17. | |
Many here rejects music as haram, religiously prohibited. | :08:18. | :08:20. | |
And while there is no ban on music, since 2007, rule by the Islamist | :08:21. | :08:23. | |
militants Hamas has brought more cultural restrictions. | :08:24. | :08:36. | |
Of course that hasn't stopped big noisy weddings like this, | :08:37. | :08:38. | |
but people who love traditional celebrations don't always approve | :08:39. | :08:41. | |
So Gaza's only music school keeps a low profile | :08:42. | :08:50. | |
Behind the doors of the local branch of the Edward Said Conservatory, | :08:51. | :09:02. | |
they're patiently cultivating Gaza's top musical talent. | :09:03. | :09:11. | |
The administrator is Khamis Abu Shaban. | :09:12. | :09:21. | |
During an audit of the territory's dozen or so pianos by Music Fund, | :09:22. | :09:24. | |
Just one small difference between oud and guitar | :09:25. | :09:29. | |
This is something that you can't do on the guitar. | :09:30. | :09:45. | |
But his band, which he says was the first to play live in Gaza, | :09:46. | :09:50. | |
To perform on stage has been really difficult. | :09:51. | :09:59. | |
I don't speak about the people, normal people, I am speaking | :10:00. | :10:02. | |
We organised for a concert, we booked the place, | :10:03. | :10:10. | |
we printed the tickets, we started selling the tickets, | :10:11. | :10:12. | |
and two days before the concert they cancelled everything. | :10:13. | :10:21. | |
Obviously there's music, indeed, modern music, | :10:22. | :10:22. | |
in cafes, in restaurants, on car radio. | :10:23. | :10:32. | |
as you are performing it, it's different. | :10:33. | :10:37. | |
So they consider us extremists in what we do. | :10:38. | :10:39. | |
At our concert, girls and the guys, they stood up and they started, | :10:40. | :10:42. | |
I don't know, this was considered the strangest thing that | :10:43. | :10:49. | |
Like other musicians here, Khamis is doubly trapped. | :10:50. | :10:58. | |
Part of a besieged profession within a besieged territory. | :10:59. | :11:11. | |
It's a trap that Yelena Lidawi walked into from outside. | :11:12. | :11:20. | |
She came here from Russia when she married a Palestinian 15 | :11:21. | :11:22. | |
years ago, long before this music school existed in a land then almost | :11:23. | :11:26. | |
on a special concert to mark its restoration. | :11:27. | :12:30. | |
All classical composters, they actually fought a lot and went | :12:31. | :12:32. | |
So if they did that, then we can do that too. | :12:33. | :12:49. | |
Meanwhile, Claire and her team are on day four of the rebuild. | :12:50. | :12:52. | |
They're changing not just the strings but also the hammers | :12:53. | :12:58. | |
Then after I'd just put it like I want, and it stays | :12:59. | :13:15. | |
Everything in the piano is like that. | :13:16. | :13:33. | |
LAUGHTER Do you think of it as something alive? | :13:34. | :13:36. | |
In just a few days' time, Sara and Yelena are going | :13:37. | :13:51. | |
I remember what it was before, and I also looked at strings. | :13:52. | :13:59. | |
Sara, what do you think, looking at this? | :14:00. | :14:08. | |
I'm kind of speechless and nervous at the same time. | :14:09. | :14:10. | |
I don't know what to say, to be honest. | :14:11. | :14:13. | |
For Yelena, it's an emotional moment. | :14:14. | :14:23. | |
She's the only person in Gaza with much experience | :14:24. | :14:26. | |
But in Gaza, where 100,000 homes were damaged in the last war, | :14:27. | :15:02. | |
when nearly half the people are unemployed, where most | :15:03. | :15:04. | |
of the water's undrinkable, isn't a grand piano abit a luxury? | :15:05. | :15:13. | |
Lucas from Music Fund doesn't think so. | :15:14. | :15:18. | |
For several years, his charity has been sending instruments to Gaza | :15:19. | :15:21. | |
What I'm confronted with is people being very keen on wanting | :15:22. | :15:33. | |
When you ask them why is it so important, some of them told me, | :15:34. | :15:38. | |
well, it mixes us human and makes us feel... | :15:39. | :15:40. | |
It is like a form of rebellion against being narrowly defined | :15:41. | :15:43. | |
as living beings who are only in survival. | :15:44. | :15:52. | |
And Lucas has found it's not just instruments that Gaza lacks. | :15:53. | :15:59. | |
I was astonished to find a grand piano in Gaza, | :16:00. | :16:02. | |
but I was also very astonished to never hear singing in classrooms. | :16:03. | :16:04. | |
Almost all the teachers, they were not able to sing. | :16:05. | :16:07. | |
I've never been confronted with this reality. | :16:08. | :16:15. | |
The rescue of the piano is part of a wider effort by Lucas's | :16:16. | :16:18. | |
organisation to bring music to Gaza, including getting schools to use | :16:19. | :16:20. | |
The piano is a symbol of that work, and its restoration has now reached | :16:21. | :16:27. | |
It is stabbing to kinds of aerate it? | :16:28. | :16:45. | |
And just show me one that hasn't been done yet. | :16:46. | :16:59. | |
And so you can hear, that's a much harder sound. | :17:00. | :17:02. | |
So, for you, what kind of character, through this process, | :17:03. | :17:04. | |
Are you taught to think about somebody? | :17:05. | :17:23. | |
Are you taking out your anger on somebody? | :17:24. | :17:32. | |
Mr Herzallah, the piano's owner, won't be here to see | :17:33. | :17:36. | |
He's going to China to buy a crisp frying machine | :17:37. | :17:39. | |
Still, he seems impressed by Claire's work. | :17:40. | :17:58. | |
Mr Herzallah has promised that music students will be able to use | :17:59. | :18:01. | |
the piano, but it has no permanent home. | :18:02. | :18:06. | |
He wants to put it here in the restaurant block, | :18:07. | :18:08. | |
but only when he's fixed the building up. | :18:09. | :18:10. | |
After the situation in Gaza has changed and there's no problems. | :18:11. | :18:25. | |
When will the situation here be stable? | :18:26. | :18:35. | |
In the meantime, Mr Herzallah has a lot of competing interests - | :18:36. | :18:46. | |
Is it strange to be thinking one moment about crisps, | :18:47. | :18:51. | |
about sweets, another moment to be thinking about a piano? | :18:52. | :19:17. | |
But it may be a long time before there are regular concerts here. | :19:18. | :19:21. | |
When you look around, the state of this place, | :19:22. | :19:23. | |
You really wonder how often, in practice, the piano | :19:24. | :19:30. | |
is going to be played, and how often the public | :19:31. | :19:32. | |
After ten days rebuilding, she's down to the final tuning. | :19:33. | :20:06. | |
About to be played for the first time in years. | :20:07. | :20:25. | |
Yelena and her pupils have all been preparing for this moment | :20:26. | :20:30. | |
But the star tonight is Sara, bringing, as she plays Beethoven, | :20:31. | :20:34. | |
some beauty that Gaza so badly needs. | :20:35. | :21:45. | |
At the music school we are teaching a new generation. | :21:46. | :21:47. | |
You have music on your body, in your heart. | :21:48. | :21:52. | |
It will spread the idea that music is not haram, | :21:53. | :21:55. | |
it is something that's really natural. | :21:56. | :22:07. | |
Over 2,000 people actually died during the last war. | :22:08. | :22:10. | |
I live at the seventh floor Of my building, | :22:11. | :22:14. | |
so I kind of see everything that is happening, and the bombs | :22:15. | :22:23. | |
so we just have to run for our lives. | :22:24. | :22:25. | |
Music might not build you a house or might not give you your loved | :22:26. | :22:34. | |
ones back, but it makes you feel better. | :22:35. | :23:20. | |
Overall the weather patterns remain pretty | :23:21. | :23:23. |