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from our award-winning
documentary series Our World. | 0:00:00 | 0:00:00 | |
In this film Will Grant travelled
around Cuba to investigate | 0:00:00 | 0:00:03 | |
the legacy of the revolutionary
icon, Che Guevara - | 0:00:03 | 0:00:05 | |
50 years after his death. | 0:00:05 | 0:00:09 | |
His is probably the most
recognisable face in Latin America. | 0:00:09 | 0:00:12 | |
Perhaps one of the most iconic
images in the world. | 0:00:12 | 0:00:14 | |
Synonymous with youthful rebellion,
with socialism, with revolution. | 0:00:14 | 0:00:16 | |
But today, 50 years after the death
of Che Guevara, what does he mean | 0:00:17 | 0:00:20 | |
in a fast-changing Cuba? | 0:00:20 | 0:00:27 | |
As the communist-run island evolves,
some see his example as more | 0:00:27 | 0:00:30 | |
relevant than ever. | 0:00:30 | 0:00:31 | |
Others see a different future
ahead, one that breaks | 0:00:31 | 0:00:33 | |
with the indoctrination
and intolerance of the past. | 0:00:34 | 0:00:36 | |
I have spent the past few years
living on this fascinating island | 0:00:36 | 0:00:39 | |
at a period of great
upheaval and want to know | 0:00:39 | 0:00:42 | |
what El Che means today. | 0:00:42 | 0:00:43 | |
It's the start of another school
day in Cuba's capital, | 0:00:43 | 0:00:46 | |
Havana. | 0:00:46 | 0:00:57 | |
It's the start of another school
day in Cuba's capital, | 0:01:09 | 0:01:12 | |
Havana. | 0:01:12 | 0:01:20 | |
And the seconds are ticking down
to assembly at Nicolas Estevanez | 0:01:20 | 0:01:23 | |
primary school in the
city's Vedado district. | 0:01:23 | 0:01:25 | |
It's one of countless
schools across the island | 0:01:25 | 0:01:27 | |
in which the memories
and achievements of the country's | 0:01:27 | 0:01:30 | |
independence heroes are marked every
day by children in their distinctive | 0:01:30 | 0:01:33 | |
uniforms of the socialist pioneers. | 0:01:33 | 0:01:54 | |
But there's one revolutionary
who has a special place reserved | 0:01:54 | 0:01:56 | |
in the education of these Cuban
children, whose name is repeated | 0:01:56 | 0:01:59 | |
in unison every day,
and has been for decades. | 0:01:59 | 0:02:07 | |
That's not the first time I've seen
the morning assembly | 0:02:08 | 0:02:10 | |
in a Cuban school. | 0:02:10 | 0:02:13 | |
And it's funny because on one level,
it reminds to you of | 0:02:13 | 0:02:16 | |
when you were at school. | 0:02:16 | 0:02:17 | |
But, of course, there's
something here, something | 0:02:17 | 0:02:19 | |
about the declaration
towards undying commitment | 0:02:19 | 0:02:21 | |
to communism and saying that you're
going to be like Che Guevara | 0:02:21 | 0:02:24 | |
that is purely unique to Cuba. | 0:02:24 | 0:02:28 | |
50 years after his death,
Che's image still adorns | 0:02:28 | 0:02:31 | |
the corridors of the primary school,
as he does in schools | 0:02:31 | 0:02:34 | |
across the country. | 0:02:34 | 0:02:39 | |
For the headteacher here,
Waldir Ladron, who exactly was Che? | 0:02:39 | 0:02:42 | |
Camila Granado was a pupil at this
school herself before training | 0:03:00 | 0:03:03 | |
as a teacher and returning
three years ago. | 0:03:03 | 0:03:09 | |
Che looked down on her
as she studied in these same | 0:03:09 | 0:03:12 | |
classrooms, just as he still does
on a generation even further removed | 0:03:12 | 0:03:15 | |
Ernesto Guevara was a guerrilla
commander, an experienced doctor, | 0:03:54 | 0:03:57 | |
a man of the people and right-hand
man to Fidel Castro as he seized | 0:03:57 | 0:04:01 | |
power in Cuba in 1959. | 0:04:01 | 0:04:05 | |
Crucially, unlike some of those
in the guerrilla army, | 0:04:05 | 0:04:08 | |
Che Guevara was a committed
Marxist from the very start | 0:04:08 | 0:04:10 | |
of the Cuban revolution. | 0:04:10 | 0:04:16 | |
And to this day, he remains
a colossus in his adopted country's | 0:04:16 | 0:04:19 | |
self image, as a bastion
against imperialism and injustice. | 0:04:19 | 0:04:22 | |
His last resting place a beacon
for tens of thousands of visitors | 0:04:23 | 0:04:26 | |
and pilgrims every year
from the world over, | 0:04:26 | 0:04:40 | |
fascinated by a life documented
by iconic photographs and projected | 0:04:40 | 0:04:43 | |
as the epitome of
romance and rebellion. | 0:04:43 | 0:04:45 | |
Ernesto Guevara was born
into a middle-class Buenos Aires | 0:04:45 | 0:04:47 | |
family and studied to be a doctor. | 0:04:47 | 0:04:49 | |
But an adventurous streak saw him
travel the continent. | 0:04:49 | 0:04:51 | |
Influenced by examples of US
intervention in the Americas, | 0:04:52 | 0:04:54 | |
he joined a group of exiled Cubans
led by Fidel Castro in their bid | 0:04:54 | 0:04:58 | |
to remove the military
regime in Havana. | 0:04:58 | 0:05:00 | |
The men under his command began
to call Guevara "Che", | 0:05:00 | 0:05:02 | |
the Argentine slang for friend. | 0:05:02 | 0:05:04 | |
Against the odds, after two years
of guerrilla warfare | 0:05:04 | 0:05:06 | |
in the Sierra Maestra
mountains and in the cities, | 0:05:06 | 0:05:09 | |
the bearded revolutionaries
were victorious and took | 0:05:09 | 0:05:10 | |
power in Cuba. | 0:05:11 | 0:05:15 | |
Che's supporters saw in him
the embodiment of the so-called | 0:05:15 | 0:05:17 | |
"new man in socialism",
the very driving force | 0:05:17 | 0:05:19 | |
of the revolution. | 0:05:19 | 0:05:20 | |
But to his opponents,
he was ruthless and brutal. | 0:05:20 | 0:05:23 | |
Che might have settled down. | 0:05:23 | 0:05:28 | |
But instead, he took
the revolutionary struggle abroad, | 0:05:28 | 0:05:30 | |
entering countries in disguise. | 0:05:30 | 0:05:32 | |
Who would have guessed that this
smart businessman is, | 0:05:32 | 0:05:34 | |
in fact, Che Guevara,
preparing to reach Congo to wage | 0:05:34 | 0:05:37 | |
a guerrilla campaign. | 0:05:37 | 0:05:40 | |
But Che's enemies finally caught up
with him, and in 1967, | 0:05:41 | 0:05:43 | |
the revolutionary icon was killed,
fomenting rebellion | 0:05:44 | 0:05:45 | |
against the US-backed
military junta in Bolivia. | 0:05:45 | 0:05:50 | |
Terrorist to some, the image
of Christ-like martyrdom to others. | 0:05:50 | 0:06:01 | |
Only five made it back from Bolivia,
and his fallen comrades are buried | 0:06:01 | 0:06:04 | |
alongside him in this tomb
in the town of Santa Clara. | 0:06:04 | 0:06:09 | |
Luis Monteagudo fought
with Che in Cuba and again | 0:06:09 | 0:06:12 | |
during the revolutionary
war in Congo. | 0:06:12 | 0:06:15 | |
Still today he is under
the spell of his comandante, | 0:06:15 | 0:06:17 | |
Che. | 0:06:17 | 0:06:20 | |
What do you feel when you
see your friend here? | 0:06:20 | 0:06:23 | |
Che was not alone in giving his life
to international revolution. | 0:06:42 | 0:06:45 | |
More than 2,000 Cubans died fighting
in conflicts around the world. | 0:06:45 | 0:06:48 | |
And those who survived
still revere him. | 0:06:48 | 0:06:51 | |
What was Che like as
a leader and as a friend? | 0:06:51 | 0:06:55 | |
If a young person from Europe
or from the United States | 0:07:26 | 0:07:30 | |
or from Africa was to come
to you when they were visiting this | 0:07:30 | 0:07:34 | |
space and say, "Well,
what has the revolution achieved, | 0:07:34 | 0:07:37 | |
what did it do?" | 0:07:37 | 0:07:40 | |
What would you say to them? | 0:07:40 | 0:07:43 | |
But cutting dependency on the US
came with repercussions. | 0:08:05 | 0:08:07 | |
An economic embargo was imposed
which, together with a planned | 0:08:07 | 0:08:10 | |
socialist-style economy,
has left enduring scars. | 0:08:10 | 0:08:20 | |
In the country, empty
roads cut through swathes | 0:08:20 | 0:08:22 | |
of underdeveloped agriculture. | 0:08:22 | 0:08:23 | |
While in Havana, many
homes are crumbling | 0:08:23 | 0:08:25 | |
after years of underinvestment. | 0:08:25 | 0:08:32 | |
The classic 1950s and Soviet-era
cars aren't only iconic, | 0:08:32 | 0:08:35 | |
they're a symbol of an island
economically trapped in the past. | 0:08:35 | 0:08:38 | |
But today, Cuba is beginning
to change, not least | 0:08:38 | 0:08:40 | |
in its fractious relationship
with Washington. | 0:08:40 | 0:08:44 | |
I have come here to bury the last
remnant of the Cold War | 0:08:44 | 0:08:48 | |
in the Americas. | 0:08:48 | 0:08:48 | |
APPLAUSE | 0:08:48 | 0:08:50 | |
Recently, President Trump
has begun to roll back | 0:08:50 | 0:08:52 | |
on that policy. | 0:08:52 | 0:08:53 | |
However, the most obvious benefit
of the new relations, | 0:08:53 | 0:08:55 | |
a boost to tourism,
so far seems unaffected. | 0:08:55 | 0:08:58 | |
Ironically, much of the tourism
features the great Marxist | 0:08:58 | 0:09:01 | |
revolutionary himself,
central to the island's brand, | 0:09:01 | 0:09:03 | |
on every street corner,
on every T-shirt. | 0:09:03 | 0:09:15 | |
It's an irony that doesn't
worry some, though. | 0:09:15 | 0:09:17 | |
Among them, Che's son, who,
as well as his distinctive features, | 0:09:17 | 0:09:20 | |
also shares his father's
first name, Ernesto. | 0:09:20 | 0:09:22 | |
Along with an Argentinian investor,
the Ernesto Guevara runs a motorbike | 0:09:22 | 0:09:25 | |
tour company named after Che's
famous bike of the Motorcycle | 0:09:25 | 0:09:28 | |
Diaries, La Poderosa,
on which he toured South America | 0:09:28 | 0:09:30 | |
in the 1950s. | 0:09:30 | 0:09:43 | |
Does his son sense the irony
of building a capitalist enterprise | 0:09:45 | 0:09:48 | |
on the life story of a Marxist icon? | 0:09:48 | 0:09:54 | |
With so many new tourists
to the island, business is booming | 0:10:14 | 0:10:17 | |
for La Poderosa, and
Ernesto is a busy man. | 0:10:17 | 0:10:22 | |
Ernesto rarely talks to the media
but has invited me to ride with him | 0:10:27 | 0:10:31 | |
to experience Havana by motorbike. | 0:10:31 | 0:10:35 | |
In its three-year existence,
La Poderosa has taken advantage | 0:10:35 | 0:10:37 | |
of new laws allowing
private enterprise in Cuba. | 0:10:37 | 0:10:44 | |
Previously, most private
businesses were banned. | 0:10:44 | 0:10:46 | |
Today, La Poderosa
is gathering pace. | 0:10:46 | 0:10:47 | |
It's close to paying back
the initial foreign investment | 0:10:48 | 0:10:52 | |
and operates a small fleet
of the few Harley-Davidsons | 0:10:52 | 0:10:55 | |
available on the island. | 0:10:55 | 0:10:56 | |
On our tour, we'd arrived at a place
of particular relevance to the story | 0:10:56 | 0:11:00 | |
of El Che - La Cabana fortress. | 0:11:00 | 0:11:08 | |
But La Cabana is synonymous
with another part of Che's history. | 0:11:34 | 0:11:37 | |
Over his six months in charge here,
dozens of men and women received | 0:11:37 | 0:11:41 | |
summary trials and were sent
to the firing squad. | 0:11:41 | 0:11:43 | |
The decades have come and gone. | 0:11:43 | 0:11:55 | |
The decades have come and gone. | 0:12:31 | 0:12:33 | |
So have the US presidents. | 0:12:33 | 0:12:37 | |
But 50 years after Che's death,
his portrait still assumes place | 0:12:37 | 0:12:40 | |
of honour at the nation's
annual demonstrations. | 0:12:40 | 0:12:46 | |
The late Fidel Castro stood at this
podium for countless marches | 0:12:46 | 0:12:49 | |
in his signature
fatigues and peaked cap. | 0:12:49 | 0:12:53 | |
Today, his younger brother, Raul,
presides over proceedings. | 0:12:53 | 0:12:56 | |
But with Raul announcing
he will step down early next year, | 0:12:56 | 0:12:59 | |
it is perhaps as important as ever
to demonstrate stability will reign | 0:12:59 | 0:13:07 | |
on after the Castros in Cuba. | 0:13:07 | 0:13:09 | |
This is the image that the Cuban
government want to project of Cuban | 0:13:09 | 0:13:12 | |
youth - loyal,
dedicated and faithful. | 0:13:13 | 0:13:15 | |
Young people turning out to pay
homage to the socialist project. | 0:13:15 | 0:13:23 | |
This man has been participating
in the event since he was a small | 0:13:23 | 0:13:26 | |
boy, and he's clearly
a committed revolutionary. | 0:13:26 | 0:13:27 | |
In Santa Clara, beneath
the mausoleum of Che Guevara itself | 0:13:41 | 0:13:44 | |
lies a poor neighbourhood
known simply as the Hole. | 0:13:44 | 0:13:46 | |
The residents never had permission
to build their wooden shacks | 0:13:47 | 0:13:49 | |
and breeze block homes so aren't
legally recognised by the state. | 0:13:49 | 0:14:05 | |
Gladys was born in this
neighbourhood and has lived | 0:14:27 | 0:14:29 | |
in it her entire life. | 0:14:29 | 0:14:30 | |
But despite their proximity to one
of the revolution's heroes, | 0:14:30 | 0:14:33 | |
she says they've been ignored
by the government for decades. | 0:14:33 | 0:14:38 | |
MUSIC PLAYS | 0:15:19 | 0:15:20 | |
The well-worn strains of the song
that immortalises Che Guevara, | 0:15:20 | 0:15:23 | |
sung by the Cuban bard
Silvio Rodriguez, | 0:15:23 | 0:15:25 | |
considered one of the revolution's
most emblematic voices. | 0:15:25 | 0:15:33 | |
The song is known off by heart
by millions of Cubans | 0:15:33 | 0:15:36 | |
and encapsulates how the Cuban state
would like people to remember | 0:15:36 | 0:15:39 | |
el comandante Che. | 0:15:39 | 0:15:50 | |
But that vision isn't shared
by the singer's son, | 0:15:50 | 0:15:53 | |
Silvito El Libre. | 0:15:53 | 0:15:54 | |
His reality is very different. | 0:15:54 | 0:16:00 | |
Silvito's The Cuba You Don't Know
takes a hard look at the island, | 0:16:01 | 0:16:04 | |
raising the kind of issues
that the authorities prefer to keep | 0:16:04 | 0:16:07 | |
under wraps - violence,
social decay and police control. | 0:16:07 | 0:16:09 | |
Despite his uncompromising lyrics,
Silvito insists he is no | 0:16:09 | 0:16:12 | |
opponent of Cuba. | 0:16:12 | 0:16:18 | |
But Silvito's candour has
brought him problems. | 0:16:48 | 0:16:52 | |
He says he's been detained
and his friends have been | 0:16:52 | 0:17:02 | |
intimidated by the authorities. | 0:17:02 | 0:17:03 | |
It's led him to move away
from the island to Tampa, | 0:17:03 | 0:17:06 | |
Florida, where he is free
to follow his career as a rapper. | 0:17:06 | 0:17:10 | |
Do you think that fear is one
of the legacies of the generation | 0:17:10 | 0:17:13 | |
of El Che and Fidel
Castro and Raul Castro? | 0:17:13 | 0:17:15 | |
Few know that better
than the island's dissidents. | 0:18:03 | 0:18:05 | |
Among those calling
for a new political system in Cuba | 0:18:05 | 0:18:08 | |
are the ladies in white. | 0:18:08 | 0:18:15 | |
Originally formed by the wives
of political prisoners, | 0:18:15 | 0:18:17 | |
their weekly protests to call
for free elections are often broken | 0:18:17 | 0:18:20 | |
up by the police and state security,
the organisers arbitrarily detained. | 0:18:20 | 0:18:29 | |
Libertad, libertad! | 0:18:29 | 0:18:30 | |
They say they're calling for greater
human rights on the island. | 0:18:31 | 0:18:33 | |
The Cuban government accused them
of being mercenaries funded | 0:18:34 | 0:18:36 | |
by right-wing anti-Castro groups out
of Miami and Washington. | 0:18:36 | 0:18:38 | |
Certainly the Cuban government
allows them no room to operate. | 0:18:39 | 0:18:41 | |
This was their protest on the eve
of a visit by President Obama | 0:18:41 | 0:18:45 | |
in front of the world's
watching media. | 0:18:45 | 0:18:47 | |
When our cameraman tried to film
a weekly protest outside the lady's | 0:18:47 | 0:18:50 | |
house, the police intervened. | 0:18:50 | 0:18:56 | |
He was told he couldn't film there. | 0:18:56 | 0:18:57 | |
And the police removed the camera
from the scene as the mood began | 0:18:57 | 0:19:01 | |
to heat up. | 0:19:01 | 0:19:02 | |
What happened next was
predictable and swift. | 0:19:02 | 0:19:04 | |
A number of women
were detained that day. | 0:19:04 | 0:19:10 | |
It's a side of Cuba that jars
with a new hip image of the island | 0:19:10 | 0:19:15 | |
in the eyes of the rest
of the world. | 0:19:15 | 0:19:23 | |
In some cases, even
the image of Che Guevara no | 0:19:23 | 0:19:26 | |
longer appears sacred. | 0:19:26 | 0:19:27 | |
His revolutionary beret
and olive-green fatigues drained | 0:19:27 | 0:19:28 | |
of ideology and deployed
for striking effect on Chanel models | 0:19:29 | 0:19:31 | |
at their recent fashion
show in Havana. | 0:19:31 | 0:19:39 | |
Critics thought the show
was condescending to ordinary | 0:19:39 | 0:19:41 | |
Cubans, flaunting the worst
of capitalism's excesses | 0:19:41 | 0:19:49 | |
in front of them. | 0:19:49 | 0:19:51 | |
But others thought it refreshingly
reframed Cuba as a global cultural | 0:19:51 | 0:19:54 | |
icon for the 21st century. | 0:19:54 | 0:19:55 | |
That's exactly what people
like Gabriela Domenech | 0:19:55 | 0:19:57 | |
would like to see. | 0:19:57 | 0:20:03 | |
Her fashion magazine,
Garbos, is only available | 0:20:03 | 0:20:05 | |
through a revolutionary
idea called El Paquete. | 0:20:05 | 0:20:07 | |
With very little internet
permitted on the island, | 0:20:07 | 0:20:09 | |
it distributes global but not
overtly political popular control | 0:20:09 | 0:20:12 | |
via a semilegal system
of downloading using hard drives. | 0:20:12 | 0:20:14 | |
She is optimistic about
the magazine's impact. | 0:20:14 | 0:20:17 | |
In spite of all the difficulties
we are facing in Cuba, | 0:20:17 | 0:20:23 | |
I think that young people,
entrepreneurs, are very optimistic. | 0:20:23 | 0:20:26 | |
All these kinds of people
want to find their own way | 0:20:26 | 0:20:40 | |
here in Cuba. | 0:20:40 | 0:20:41 | |
They are trying to find a way
to make a different country | 0:20:41 | 0:20:44 | |
with new ideas, new projects. | 0:20:44 | 0:20:46 | |
There is a lot of optimism
in Cuba at the moment. | 0:20:46 | 0:20:49 | |
But I can't help but wonder,
50 years after his death, | 0:20:49 | 0:20:52 | |
how Che would feel if he
viewed the island today. | 0:20:52 | 0:20:59 | |
As the conversation turned
back to Che Guevara, | 0:20:59 | 0:21:02 | |
Gabriela had an extraordinary
revelation about her family for me. | 0:21:02 | 0:21:04 | |
My grandfather died
with Che Guevara - in Bolivia. | 0:21:04 | 0:21:07 | |
And he died struggling
for the revolution, | 0:21:07 | 0:21:09 | |
for the freedom of Cuba. | 0:21:09 | 0:21:10 | |
So I grew up with this
feeling in my family, | 0:21:10 | 0:21:13 | |
and this is what the
young people have now. | 0:21:13 | 0:21:15 | |
This legacy and this force
for struggling to get what we want. | 0:21:15 | 0:21:18 | |
Gabriela's grandfather, she told me,
was Orlando Pantoja, | 0:21:18 | 0:21:32 | |
a guerrilla who fought alongside Che
in Bolivia exactly 50 years ago. | 0:21:32 | 0:21:35 | |
He died in the battle
in which Che was captured. | 0:21:35 | 0:21:38 | |
I was interested how
Gabriela's family connection | 0:21:38 | 0:21:39 | |
to the world-famous revolutionary
influenced her life | 0:21:40 | 0:21:41 | |
as an entrepreneur in
today's emerging Cuba. | 0:21:41 | 0:21:43 | |
Do you feel like you are inspired
by the sacrifices of your | 0:21:43 | 0:21:47 | |
grandfather and his generation,
or are you growing away | 0:21:47 | 0:21:49 | |
from what they built? | 0:21:49 | 0:22:03 | |
In spite of I belong
to another generation, | 0:22:03 | 0:22:07 | |
of course, I feel
inspired by this legacy. | 0:22:07 | 0:22:09 | |
He was struggling by what he wanted,
and I'm doing the same right now. | 0:22:09 | 0:22:13 | |
Having died so young,
today Che Guevara is all things | 0:22:13 | 0:22:15 | |
to all people, adored and reviled
in equal measure around the world | 0:22:16 | 0:22:19 | |
for his socialist legacy. | 0:22:19 | 0:22:20 | |
But inside Cuba his image has
assumed almost spiritual | 0:22:20 | 0:22:22 | |
significance, ever present in
people's daily lives and struggles. | 0:22:22 | 0:22:39 | |
As the island redraws its future,
the uncertainty is tangible. | 0:22:40 | 0:22:42 | |
Amid the transition,
Che Guevara is a source | 0:22:42 | 0:22:44 | |
of continuity, even as today's Cuba
becomes further removed from the one | 0:22:44 | 0:22:48 | |
he helped to create. | 0:22:48 | 0:23:13 |