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And I say also unto thee that thou art Peter, | 0:00:04 | 0:00:08 | |
and upon this rock I will build my church. | 0:00:08 | 0:00:11 | |
And the gates of hell shall not prevail against it. | 0:00:12 | 0:00:16 | |
The Vatican. | 0:00:21 | 0:00:23 | |
A tiny sovereign state in the middle of Rome. | 0:00:23 | 0:00:27 | |
The focus of the faith of a billion people. | 0:00:28 | 0:00:31 | |
Tourists flock to St Peter's Square, | 0:00:33 | 0:00:36 | |
but the Vatican's inner life has been shrouded in secrecy. | 0:00:36 | 0:00:40 | |
Until now. | 0:00:42 | 0:00:44 | |
For the first time, | 0:00:48 | 0:00:49 | |
the Vatican has allowed cameras | 0:00:49 | 0:00:51 | |
deep into a world few have ever seen, | 0:00:51 | 0:00:54 | |
filming a unique community of faith. | 0:00:54 | 0:00:58 | |
The men, | 0:00:58 | 0:00:59 | |
women and children who devote their lives to serving the Pope | 0:00:59 | 0:01:05 | |
and his guests. | 0:01:05 | 0:01:07 | |
The curators who tend its treasures. | 0:01:13 | 0:01:17 | |
The archivists who guard its secrets. | 0:01:21 | 0:01:25 | |
-TRANSLATION: -This is the interrogation of 12th April 1633, | 0:01:27 | 0:01:31 | |
the first time Galileo was summoned before the Inquisition. | 0:01:31 | 0:01:34 | |
From the bones of St Peter | 0:01:38 | 0:01:41 | |
to the marvels of the Sistine Chapel. | 0:01:41 | 0:01:44 | |
This is a journey into the hidden world of the Vatican. | 0:01:44 | 0:01:50 | |
And I will give unto thee the keys of the kingdom of heaven. | 0:01:51 | 0:01:56 | |
The capital city of the Catholic Church is a place of great beauty | 0:02:14 | 0:02:20 | |
and profound controversy. | 0:02:20 | 0:02:22 | |
NEWSREADERS: Pope Benedict XVI set off another political firestorm, | 0:02:22 | 0:02:25 | |
saying condoms could make the HIV/AIDS crisis worse. | 0:02:25 | 0:02:29 | |
The excommunications of four bishops, | 0:02:29 | 0:02:31 | |
including one who denied the Holocaust, | 0:02:31 | 0:02:33 | |
angered Jewish groups and perplexed the Vatican... | 0:02:33 | 0:02:36 | |
The crisis for the Roman Catholic Church over child sex abuse | 0:02:36 | 0:02:39 | |
has deepened tonight. | 0:02:39 | 0:02:40 | |
..launching an all-out defence of the Pope | 0:02:40 | 0:02:42 | |
as a priest abuse scandal rocks his native homeland... | 0:02:42 | 0:02:45 | |
Since he was elected here by the College Of Cardinals in 2005, | 0:02:48 | 0:02:52 | |
Pope Benedict XVI has faced doctrinal disputes, | 0:02:52 | 0:02:56 | |
intense criticism of his attitude to AIDS and contraception, | 0:02:56 | 0:03:00 | |
and the revelation of shocking abuse | 0:03:00 | 0:03:02 | |
in Catholic institutions throughout the world. | 0:03:02 | 0:03:05 | |
And it's a job he never even wanted. | 0:03:07 | 0:03:10 | |
CHEERING AND APPLAUSE | 0:03:12 | 0:03:15 | |
Five years before he became Pope, | 0:03:15 | 0:03:18 | |
Cardinal Joseph Ratzinger formally requested to retire to private life. | 0:03:18 | 0:03:22 | |
The answer was no. | 0:03:24 | 0:03:27 | |
TRANSLATION: 'The Pope carries a very great weight on his shoulders' | 0:03:33 | 0:03:38 | |
because the task of leadership is demanding. | 0:03:38 | 0:03:41 | |
A leader bears great responsibility and with that comes great strains. | 0:03:41 | 0:03:46 | |
Cardinal of the Curia, | 0:03:47 | 0:03:49 | |
Angelo Comastri is one of the most powerful men in the Vatican, | 0:03:49 | 0:03:53 | |
and one of Pope Benedict's few close friends. | 0:03:53 | 0:03:57 | |
TRANSLATION: I remember the words of Don Primo Mazzolari, | 0:04:01 | 0:04:04 | |
a wonderful priest of the Italian Church, who said a few decades ago, | 0:04:04 | 0:04:10 | |
"there will come a time | 0:04:10 | 0:04:12 | |
when leadership will almost resemble a crucifixion." | 0:04:12 | 0:04:17 | |
The Vatican exists because of a crucifixion, | 0:04:39 | 0:04:43 | |
but not that of Jesus Christ. | 0:04:43 | 0:04:46 | |
According to Christian tradition, | 0:04:46 | 0:04:48 | |
the Roman Emperor Nero had the apostle St Peter executed here. | 0:04:48 | 0:04:53 | |
Peter, the first Pope, asked to be crucified upside down, | 0:04:55 | 0:05:00 | |
because he did not feel worthy of the same death as his messiah. | 0:05:00 | 0:05:03 | |
When Christianity became Rome's state religion, | 0:05:05 | 0:05:09 | |
the world's largest church was erected over his tomb. | 0:05:09 | 0:05:14 | |
Two storeys beneath today's basilica, | 0:05:20 | 0:05:23 | |
the 2,000-year-old cemetery still survives. | 0:05:23 | 0:05:27 | |
The tombs were largely untouched | 0:05:30 | 0:05:32 | |
until archaeologists were allowed to dig in the 1950s and '60s. | 0:05:32 | 0:05:37 | |
They found human bones, confirmed by carbon dating | 0:05:39 | 0:05:44 | |
to be those of a man from the first century AD. | 0:05:44 | 0:05:47 | |
The cemetery is now sealed airtight | 0:05:54 | 0:05:56 | |
to maintain a constant temperature and humidity. | 0:05:56 | 0:05:59 | |
Few have unrestricted access here. | 0:06:02 | 0:06:06 | |
Cardinal Comastri is one of them. | 0:06:06 | 0:06:09 | |
TRANSLATION: When I step before the tomb of Peter The Apostle, | 0:06:14 | 0:06:17 | |
I feel as though I'm encountering a centuries-old procession. | 0:06:17 | 0:06:21 | |
A long procession of souls from the times of Emperor Nero up to today | 0:06:21 | 0:06:26 | |
is coming towards me and calling to me, | 0:06:26 | 0:06:29 | |
"Behold, 2,000 years have passed." | 0:06:29 | 0:06:32 | |
We are slowly approaching the most sacred part of St Peter's Basilica, | 0:06:42 | 0:06:46 | |
the place where everything was born. | 0:06:46 | 0:06:49 | |
This orange light indicates the site of St Peter's grave. | 0:06:53 | 0:06:57 | |
There was nothing here. | 0:07:05 | 0:07:07 | |
We would have stood under the open sky. | 0:07:07 | 0:07:09 | |
The Christians took Peter's dead body. | 0:07:09 | 0:07:12 | |
Just imagine - they came to this spot, dug a grave, | 0:07:12 | 0:07:15 | |
and with great emotion, great trepidation, | 0:07:15 | 0:07:18 | |
and I would add with tearful eyes, | 0:07:18 | 0:07:20 | |
they buried the body of the first Pope, | 0:07:20 | 0:07:22 | |
who, like Jesus, had been crucified. | 0:07:22 | 0:07:25 | |
That's the wall where the inscription was found, | 0:07:36 | 0:07:41 | |
"Here lies Peter." | 0:07:41 | 0:07:43 | |
During the excavations, a blow from a pick axe opened that small crack. | 0:07:48 | 0:07:52 | |
Behind that, a room with marble panelled walls was discovered. | 0:07:52 | 0:07:56 | |
This indicated that something of great value was here. | 0:07:56 | 0:07:59 | |
We believe that the bones which were discovered here | 0:07:59 | 0:08:03 | |
belong to the body of St Peter, | 0:08:03 | 0:08:04 | |
that they are actually St Peter's bones. | 0:08:04 | 0:08:07 | |
When I pause in prayer before the tomb, I feel immensely safe. | 0:08:16 | 0:08:21 | |
It seems to me as if I can feel Jesus, the breath of Jesus, | 0:08:21 | 0:08:26 | |
the voice of Jesus, who speaks to me, | 0:08:26 | 0:08:28 | |
"Fear you not, I will build my church, | 0:08:28 | 0:08:32 | |
"and I guarantee to you that the gates of Hell | 0:08:32 | 0:08:35 | |
"will not prevail against it." | 0:08:35 | 0:08:37 | |
2,000 years after the time of St Peter, | 0:09:01 | 0:09:03 | |
the Vatican consists of a complex of buildings and gardens | 0:09:03 | 0:09:07 | |
built around the basilica that still bears his name. | 0:09:07 | 0:09:11 | |
Officers from the papal Swiss Guards and the Vatican City gendarme | 0:09:26 | 0:09:31 | |
tightly control access to the world's smallest state, | 0:09:31 | 0:09:35 | |
the size of just 40 football pitches. | 0:09:35 | 0:09:37 | |
350 CCTV cameras cover every corner of the city, | 0:09:39 | 0:09:44 | |
and staff at the control room work around the clock. | 0:09:44 | 0:09:48 | |
Their main challenge comes when the Pope | 0:10:00 | 0:10:03 | |
holds his weekly general audience in St Peter's Square. | 0:10:03 | 0:10:06 | |
Every Wednesday, | 0:10:13 | 0:10:15 | |
up to 30,000 visitors are screened | 0:10:15 | 0:10:17 | |
like passengers at an international airport. | 0:10:17 | 0:10:20 | |
It's always a tense moment for the Pope's head of security. | 0:10:20 | 0:10:24 | |
TRANSLATION: One must appreciate that the Pope is very special. | 0:10:26 | 0:10:31 | |
The Pope's persona is not that of a president or a pop star. | 0:10:31 | 0:10:35 | |
You're not trying to keep people away from him. | 0:10:35 | 0:10:37 | |
The Pope must be able to approach people, | 0:10:37 | 0:10:41 | |
and we have to give him that option while at the same time, | 0:10:41 | 0:10:44 | |
guaranteeing his safety with a minimum of fuss. | 0:10:44 | 0:10:47 | |
Also on duty today is Vatican head photographer Francesco Sforza. | 0:10:55 | 0:11:02 | |
He's been taking pictures of the Pope for 23 years. | 0:11:02 | 0:11:06 | |
TRANSLATION: I'm probably here because of my discretion, | 0:11:08 | 0:11:11 | |
the discretion that one has to show | 0:11:11 | 0:11:13 | |
when one is as close to the Holy Father as we are. | 0:11:13 | 0:11:16 | |
One must be as inconspicuous as possible. | 0:11:16 | 0:11:19 | |
We have to ensure that we don't cause the slightest upset. | 0:11:19 | 0:11:22 | |
You have to be... | 0:11:22 | 0:11:23 | |
Not a perfect person, but somebody who doesn't talk, | 0:11:23 | 0:11:26 | |
somebody who doesn't gossip. | 0:11:26 | 0:11:28 | |
EXCITED MURMURING | 0:11:40 | 0:11:43 | |
As thousands file through the security gates, | 0:11:43 | 0:11:46 | |
Pope Benedict prepares for his weekly encounter with the faithful | 0:11:46 | 0:11:50 | |
in the chapel | 0:11:50 | 0:11:51 | |
of his private apartment high above St Peter's Square. | 0:11:51 | 0:11:54 | |
A lifelong academic with a passion for the music of Bach and Mozart, | 0:12:02 | 0:12:08 | |
Pope Benedict does not appear to relish | 0:12:08 | 0:12:11 | |
the public aspects of his job, | 0:12:11 | 0:12:12 | |
unlike his gregarious predecessor, John Paul II. | 0:12:12 | 0:12:17 | |
CHEERING AND APPLAUSE | 0:12:30 | 0:12:34 | |
The Popemobile enters the square - | 0:12:42 | 0:12:45 | |
always a dramatic moment for security chief Davide Giulietti, | 0:12:45 | 0:12:51 | |
especially since Pope Benedict refuses to wear body armour. | 0:12:51 | 0:12:54 | |
TRANSLATION: When you're actually there, honestly, | 0:13:07 | 0:13:11 | |
you really don't see or hear anything else. | 0:13:11 | 0:13:15 | |
You're concentrating on anything that might be happening. | 0:13:15 | 0:13:18 | |
It's become a habit of mine to watch a person's eyes or else the hands. | 0:13:18 | 0:13:22 | |
It can be a quick way of assessing | 0:13:22 | 0:13:24 | |
what kind of person you have in front of you. | 0:13:24 | 0:13:27 | |
Of course, you can still be deceived. | 0:13:27 | 0:13:29 | |
GUNSHOTS AND SCREAMING | 0:13:32 | 0:13:36 | |
NEWSREADER: Suddenly, shots from the crowd. | 0:13:36 | 0:13:39 | |
According to eyewitnesses, the Pope froze in shock for a second | 0:13:39 | 0:13:42 | |
and then slumped to the seat of his jeep. | 0:13:42 | 0:13:46 | |
During a general audience in 1981, a gunman tried to kill John Paul II. | 0:13:46 | 0:13:51 | |
Shooting from the crowd, | 0:13:51 | 0:13:54 | |
he hit the Pope three times, inflicting near-fatal injuries. | 0:13:54 | 0:13:58 | |
That day radically changed the way the Vatican security forces worked. | 0:13:58 | 0:14:04 | |
TRANSLATION: In earlier times, | 0:14:04 | 0:14:06 | |
probably nobody imagined that somebody would shoot at the Pope. | 0:14:06 | 0:14:11 | |
Naturally, today, we have units and security detachments | 0:14:11 | 0:14:15 | |
that didn't exist before. | 0:14:15 | 0:14:16 | |
I definitely think that everyone is more on guard now. | 0:14:16 | 0:14:21 | |
In contrast with 20 years ago, today we assume that anything can happen. | 0:14:21 | 0:14:25 | |
Except for the bodyguards, | 0:14:34 | 0:14:36 | |
only one man is permitted to get close to the Pope | 0:14:36 | 0:14:39 | |
when he's exposed to the public like this - Francesco Sforza. | 0:14:39 | 0:14:43 | |
TRANSLATION: There is one Pope, one photographer. | 0:14:52 | 0:14:55 | |
This is the thing, the uniqueness that gives me most strength because, | 0:14:55 | 0:14:59 | |
well, you sometimes find yourself in difficulty, | 0:14:59 | 0:15:03 | |
emotionally, I mean, because | 0:15:03 | 0:15:05 | |
it's not easy when you're in front of hundreds of thousands of people. | 0:15:05 | 0:15:09 | |
When you stand before the Pope, he's a figure that... | 0:15:27 | 0:15:30 | |
Well, it's almost as if it were the first time. | 0:15:30 | 0:15:33 | |
When I happen to greet him, it's always very emotional, | 0:15:33 | 0:15:37 | |
even though I'm close to him a lot. | 0:15:37 | 0:15:40 | |
Sometimes, I think about it honestly and ask myself, "Is this for real? | 0:15:40 | 0:15:44 | |
"Is it really me?" | 0:15:44 | 0:15:47 | |
Or, "Am I really doing this on a regular basis, like, forever?" | 0:15:47 | 0:15:50 | |
I don't know, I still think that I'll wake up sooner or later. | 0:15:50 | 0:15:53 | |
The crowds have long departed, | 0:16:06 | 0:16:08 | |
and the rituals of another morning begin. | 0:16:08 | 0:16:11 | |
This is the future of the Vatican, | 0:16:11 | 0:16:14 | |
altar boys and trainee priests reporting for work at dawn. | 0:16:14 | 0:16:17 | |
The boys' first duty is to dress the priests. | 0:16:17 | 0:16:21 | |
TRANSLATION: On some mornings, there really are lots of them, | 0:16:24 | 0:16:27 | |
and we have to be prepared for them. As soon as one of them turns up, | 0:16:27 | 0:16:30 | |
we dress him immediately and then get out of the way, | 0:16:30 | 0:16:33 | |
otherwise, another altar boy may pass by and grab the altar, | 0:16:33 | 0:16:37 | |
the one that you and your priest go to every morning. | 0:16:37 | 0:16:40 | |
By 6am, altar boy Valentino Dumitrana | 0:16:47 | 0:16:50 | |
is already hard at work in the vaults beneath St Peter's Basilica. | 0:16:50 | 0:16:56 | |
Seven hours of formal schooling lie ahead, but before that, | 0:16:56 | 0:17:00 | |
he must prepare the 12 subterranean chapels for early Mass. | 0:17:00 | 0:17:04 | |
He's hoping one day soon to serve the Pope himself. | 0:17:04 | 0:17:09 | |
TRANSLATION: I said to myself, the good ones always go to the Pope's Mass. | 0:17:11 | 0:17:16 | |
They're all showing off saying, "I've seen him three times already." | 0:17:16 | 0:17:19 | |
I haven't even seen him once, so I'll work really hard during normal Masses in order to meet the Pope, | 0:17:19 | 0:17:25 | |
which isn't an easy thing to do. | 0:17:25 | 0:17:27 | |
The well-being of the Vatican altar boys | 0:17:35 | 0:17:38 | |
is another of Cardinal Angelo Comastri's many responsibilities. | 0:17:38 | 0:17:42 | |
TRANSLATION: Young people are the future of the Church. | 0:17:52 | 0:17:55 | |
This is obvious. | 0:17:55 | 0:17:56 | |
This is one group of boys who have been chosen to perform the liturgy in the Basilica. | 0:17:58 | 0:18:02 | |
What we try to offer them | 0:18:02 | 0:18:04 | |
is a beautiful and deep Christian path in life. | 0:18:04 | 0:18:08 | |
They are nurtured in loyalty, in generosity, in altruism, | 0:18:08 | 0:18:13 | |
and in sacrifice. | 0:18:13 | 0:18:15 | |
No calling or mission in life can be built without sacrifice. | 0:18:16 | 0:18:21 | |
A vocation may develop out of this education, out of this nurturing, | 0:18:21 | 0:18:26 | |
if it's God's will. | 0:18:26 | 0:18:28 | |
It's a hard life, with the hours of formal classes supplemented by homework every evening. | 0:18:39 | 0:18:45 | |
A real challenge for the not-very-academic Valentino. | 0:18:45 | 0:18:49 | |
TRANSLATION: Life here is really strict for me so I don't know what to do. | 0:18:54 | 0:18:59 | |
I can't keep up with all the schoolwork. | 0:18:59 | 0:19:03 | |
The others are already used to it and can easily keep up, but not me. | 0:19:03 | 0:19:08 | |
With the praying and the Masses, we're really tired all the time. | 0:19:08 | 0:19:12 | |
It would definitely improve things if there was more leisure time | 0:19:14 | 0:19:19 | |
because we're really exhausted. | 0:19:19 | 0:19:21 | |
On the northern side of the city stands the Vatican's secret archive. | 0:19:34 | 0:19:39 | |
Religious laws and diplomatic messages from over nine centuries | 0:19:43 | 0:19:48 | |
lie in every corridor, | 0:19:48 | 0:19:50 | |
along with thousands of restricted files. | 0:19:50 | 0:19:54 | |
Only bishop Sergio Pagano and his team are allowed to enter. | 0:19:54 | 0:19:58 | |
TRANSLATION: "Secret" immediately evokes an air of mystery. | 0:20:00 | 0:20:03 | |
Those who know their history, however, know that in the Renaissance | 0:20:03 | 0:20:07 | |
all sovereigns' archives and libraries were referred to as secret. | 0:20:07 | 0:20:10 | |
Everything belonging to a prince was secret, the library, the archive, | 0:20:10 | 0:20:14 | |
even the kitchen, so the Pope, who is the Prince of Princes after all, | 0:20:14 | 0:20:19 | |
also had his secret archive. | 0:20:19 | 0:20:21 | |
In the archive's laboratory, Bishop Pagano oversees the restoration | 0:20:24 | 0:20:29 | |
of important documents such as this, the actual transcript | 0:20:29 | 0:20:34 | |
of astronomer Galileo's interrogation by the Inquisition in 1633. | 0:20:34 | 0:20:39 | |
At the time, the Church taught that the Earth | 0:20:41 | 0:20:43 | |
was the centre of the universe. | 0:20:43 | 0:20:45 | |
Galileo incensed the papacy | 0:20:45 | 0:20:48 | |
by arguing that earth was just one of many planets orbiting the Sun. | 0:20:48 | 0:20:52 | |
When he published the mathematical evidence for his theories, | 0:20:52 | 0:20:56 | |
Galileo put his life on the line. | 0:20:56 | 0:20:59 | |
TRANSLATION: The further interrogation commenced, which was more arduous for Galileo, | 0:20:59 | 0:21:03 | |
because his dialogue, his positions, were questioned. | 0:21:03 | 0:21:06 | |
Also, at the end of this, he signed in his own hand, "I, Galileo Galilei, confirm the above." | 0:21:06 | 0:21:12 | |
He attested to everything, | 0:21:12 | 0:21:14 | |
thereby saying that his words were reflected completely and truly | 0:21:14 | 0:21:18 | |
in the record and did not differ, that it was the absolute truth. | 0:21:18 | 0:21:21 | |
There was no falsification committed either by the notary or the Inquisition. | 0:21:21 | 0:21:27 | |
To save his life, | 0:21:31 | 0:21:33 | |
Galileo was forced to abjure, curse and detest his heretical beliefs. | 0:21:33 | 0:21:39 | |
His books were banned and he spent the rest of his life | 0:21:40 | 0:21:44 | |
under house arrest. | 0:21:44 | 0:21:45 | |
Bishop Pagano and his team are trying to repair | 0:21:46 | 0:21:50 | |
over three centuries of damage to the Galileo manuscripts, | 0:21:50 | 0:21:53 | |
some of the most important documents in the history of both science and religion. | 0:21:53 | 0:21:58 | |
TRANSLATION: The Church could have been far more advanced than it was in the 17th and 18th centuries | 0:21:58 | 0:22:05 | |
had it listened to Galileo's scientific reasoning. | 0:22:05 | 0:22:08 | |
So, the deep regret that we clergymen feel over this makes us study this man, | 0:22:08 | 0:22:13 | |
makes us study his time and the mechanisms that led up to this trial, | 0:22:13 | 0:22:18 | |
because the repercussions of this trial are still affecting us today. | 0:22:18 | 0:22:23 | |
In 1992, the Vatican formally rehabilitated Galileo, | 0:22:25 | 0:22:30 | |
359 years after these manuscripts were written. | 0:22:30 | 0:22:35 | |
This is Castel Gandolfo, 18 miles south of Rome. | 0:22:38 | 0:22:42 | |
It's the Pope's home during the heat of the summer | 0:22:42 | 0:22:45 | |
and the site of the Vatican's very own observatory. | 0:22:45 | 0:22:49 | |
Here, the Vatican's astronomers, all Jesuit priests, | 0:22:53 | 0:22:58 | |
are using technology and exploring ideas that would have horrified the papacy in Galileo's time, | 0:22:58 | 0:23:03 | |
searching for evidence of life way beyond Planet Earth. | 0:23:03 | 0:23:07 | |
We've found hundreds of stars now that have planets. | 0:23:18 | 0:23:22 | |
Many of them might be systems that could have Earth-like planets. | 0:23:22 | 0:23:26 | |
It's a wonderful idea. | 0:23:26 | 0:23:28 | |
We'd love to find life, because we don't really understand life now | 0:23:28 | 0:23:33 | |
and to have more than one example of life, more than one example of a planet with life, | 0:23:33 | 0:23:38 | |
would allow us to understand better what is unique about life on Earth | 0:23:38 | 0:23:41 | |
and what is common to life everywhere in the universe. | 0:23:41 | 0:23:45 | |
Will there be intelligent life in the universe? | 0:23:45 | 0:23:48 | |
I'd be shocked if there wasn't. | 0:23:48 | 0:23:51 | |
Will it change the way that we view our understanding of God? | 0:23:51 | 0:23:54 | |
I hope so, because I know my understanding of God is woefully incomplete, | 0:23:54 | 0:23:59 | |
but I'm not going to speculate about how it's going to change it until I find the life. | 0:23:59 | 0:24:04 | |
Before he joined the Church, Consolmagno worked for NASA | 0:24:06 | 0:24:10 | |
and taught at prestigious universities such as Harvard and MIT. | 0:24:10 | 0:24:15 | |
Reconciling science and faith is his life's work. | 0:24:15 | 0:24:19 | |
It's funny, the people who think there's a contradiction between science and religion | 0:24:19 | 0:24:24 | |
generally don't really know what science is, or they don't know what religion is, or both. | 0:24:24 | 0:24:28 | |
Now, within the universe, there are laws, there are effects | 0:24:28 | 0:24:33 | |
on energy and matter and we can study how energy and matter interact, | 0:24:33 | 0:24:37 | |
but there are truths about life, about the universe, that science will never approach. | 0:24:37 | 0:24:43 | |
The truths of love, the truths of beauty. | 0:24:43 | 0:24:46 | |
We can describe, but we can never explain why | 0:24:46 | 0:24:49 | |
beauty exists, why love exists. | 0:24:49 | 0:24:53 | |
And yet life without love and beauty is clearly incomplete. | 0:24:53 | 0:24:57 | |
So, I think you need this wide range of understanding, this wide range of saying, | 0:24:57 | 0:25:04 | |
"My religion tells me that God made the universe, but my science can tell me the way it's done." | 0:25:04 | 0:25:11 | |
As Guy Consolmagno looks to the heavens for a new insight into creation, | 0:25:11 | 0:25:16 | |
Cardinal Comastri, the Vatican's chief renovator, | 0:25:16 | 0:25:20 | |
works to keep the Church's ancient wisdom intact. | 0:25:20 | 0:25:24 | |
TRANSLATION: My job is to make the stones talk. | 0:25:32 | 0:25:35 | |
They are full of history and messages | 0:25:35 | 0:25:38 | |
and one must listen to these messages. | 0:25:38 | 0:25:41 | |
A hundred feet above ground, | 0:25:48 | 0:25:50 | |
on scaffolding clinging to the side of St Peter's Basilica, | 0:25:50 | 0:25:53 | |
Comastri is checking up on the latest restoration project. | 0:25:53 | 0:25:57 | |
He's responsible for the maintenance of the entire city-state, | 0:26:00 | 0:26:05 | |
and many buildings are showing their age. | 0:26:05 | 0:26:07 | |
It took 120 years to build St Peter's. | 0:26:11 | 0:26:15 | |
Its dome is still the biggest self-supporting brick structure in the world. | 0:26:15 | 0:26:19 | |
But smog and pollution are taking their toll. | 0:26:22 | 0:26:25 | |
TRANSLATION: The Basilica is like a living body, and therefore | 0:26:45 | 0:26:49 | |
it shows signs of the passage of time, one could say the signs of age. | 0:26:49 | 0:26:52 | |
We are rejuvenating it, | 0:26:52 | 0:26:55 | |
but without concealing the wrinkles that time has inevitably created. | 0:26:55 | 0:26:59 | |
BELL TOLLS | 0:27:04 | 0:27:06 | |
Some of the Vatican's treasures need a different kind of care. | 0:27:22 | 0:27:27 | |
Deep below the museum is the ethnological and missionary department. | 0:27:27 | 0:27:32 | |
It's home to a unique collection of religious and cultural artefacts from all around the world. | 0:27:36 | 0:27:42 | |
Stefania Pandozy is head restorer, and she's facing a serious backlog of work. | 0:27:50 | 0:27:57 | |
TRANSLATION: Ten years ago, when we were entrusted with this project, | 0:28:02 | 0:28:05 | |
this collection was in a hideous state of decay. | 0:28:05 | 0:28:09 | |
The artefacts had been neglected for a long time | 0:28:10 | 0:28:13 | |
and their state of conservation was really bad. | 0:28:13 | 0:28:16 | |
Some of the priceless objects in these vaults have deteriorated almost beyond repair. | 0:28:20 | 0:28:26 | |
TRANSLATION: There's a nucleus of 70,000 works, but it's always expanding. | 0:28:38 | 0:28:44 | |
We've now counted 80,000 in all. | 0:28:44 | 0:28:47 | |
We still have no complete record of the entire scale of the material. | 0:28:47 | 0:28:51 | |
This 18th-century Indian goddess is riddled with woodworm. | 0:28:57 | 0:29:02 | |
Before Pandozy's team can restore her, | 0:29:02 | 0:29:05 | |
she needs some radical treatment. | 0:29:05 | 0:29:07 | |
The scientists wrap the statue in plastic, | 0:29:09 | 0:29:12 | |
seal it carefully and pump in nitrogen gas. | 0:29:12 | 0:29:16 | |
It takes a month for the gas to kill the worms | 0:29:19 | 0:29:22 | |
and, while they wait, they move on to the next challenge. | 0:29:22 | 0:29:26 | |
TRANSLATION: Our work is both prevention and conservation. | 0:29:31 | 0:29:35 | |
It's a bit like first aid, really. | 0:29:35 | 0:29:37 | |
We're like an emergency room where we treat some symptoms | 0:29:37 | 0:29:40 | |
and then send the patients on when they're a little better. | 0:29:40 | 0:29:43 | |
Amid the history and the high culture, there's an everyday side to life inside the Vatican. | 0:29:57 | 0:30:03 | |
The altar boys are allowed to play football in the Pope's private gardens, | 0:30:03 | 0:30:08 | |
but this does not bring Valentino Dumitrana any closer to the man he most wants to meet. | 0:30:08 | 0:30:14 | |
TRANSLATION: Everyone thinks that those who live near him see him every day, but it's not like that. | 0:30:19 | 0:30:24 | |
When the Pope takes a walk in the garden, all the streets and paths are blocked off | 0:30:24 | 0:30:29 | |
and nobody can pass, even in an emergency. | 0:30:29 | 0:30:32 | |
If we're playing football, | 0:30:34 | 0:30:35 | |
they make us move somewhere else, or they won't let us play at all. | 0:30:35 | 0:30:39 | |
It depends who's on watch. | 0:30:39 | 0:30:41 | |
Today, the man on watch is Davide Giulietti. | 0:30:50 | 0:30:54 | |
His task - to make sure that Pope Benedict can have absolute privacy | 0:30:54 | 0:30:58 | |
during his daily 30-minute walk in the garden. | 0:30:58 | 0:31:01 | |
There are dozens of CCTV cameras hidden in the trees and bushes, | 0:31:05 | 0:31:10 | |
but Giulietti likes to take a look for himself. | 0:31:10 | 0:31:13 | |
TRANSLATION: The Holy Father's daily walk is certainly a private moment, | 0:31:20 | 0:31:24 | |
so if the Holy Father manages to find half-an-hour during the whole day | 0:31:24 | 0:31:27 | |
it's our highest duty to ensure that he may be by himself, | 0:31:27 | 0:31:32 | |
that he doesn't meet anyone and that he doesn't even see the police, | 0:31:32 | 0:31:36 | |
because we hide ourselves in order to guarantee him | 0:31:36 | 0:31:39 | |
a certain amount of privacy and discretion. | 0:31:39 | 0:31:42 | |
The security chief, like most Vatican employees, | 0:31:56 | 0:32:00 | |
is a devout Catholic, | 0:32:00 | 0:32:02 | |
and for him a job protecting the Holy Father | 0:32:02 | 0:32:06 | |
is the fulfilment of a childhood dream. | 0:32:06 | 0:32:09 | |
TRANSLATION: My priest took us to an audience when I was 12, 13 years old | 0:32:14 | 0:32:18 | |
and I was fascinated by this world, and particularly by the people taking care of the Pope's security. | 0:32:18 | 0:32:24 | |
Those people made a great impression on me. | 0:32:24 | 0:32:27 | |
So, I guess, that's how this got started. | 0:32:31 | 0:32:33 | |
It was a kind of obsession to come and work here one day. | 0:32:33 | 0:32:36 | |
Working here, | 0:32:41 | 0:32:43 | |
if you don't have a minimum of faith, then who are you working for? | 0:32:43 | 0:32:46 | |
To be here, at the service of the Pope, means that in any case | 0:32:46 | 0:32:51 | |
you believe in him and in who he represents. | 0:32:51 | 0:32:54 | |
In my opinion, if you have no faith here, then you're in the wrong job. | 0:32:54 | 0:32:59 | |
Everything is ready for the Pope's walk in the garden. | 0:33:12 | 0:33:16 | |
Davide Giulietti takes over control of the operations room. | 0:33:17 | 0:33:20 | |
PHONE RINGS | 0:33:26 | 0:33:28 | |
The emphasis on secrecy is so intense that, once the Pope arrives, | 0:33:40 | 0:33:45 | |
even the CCTV cameras protecting him are switched off. | 0:33:45 | 0:33:48 | |
When he was elected in 2005, | 0:34:10 | 0:34:13 | |
Benedict XVI had to give up his private life almost completely. | 0:34:13 | 0:34:18 | |
Before his walk, he likes to pause at the Vatican's replica of the grotto at Lourdes. | 0:34:20 | 0:34:26 | |
It's one of the few quiet moments in his day. | 0:34:26 | 0:34:29 | |
His time in the garden is also a chance to discuss important Church business in total privacy. | 0:34:40 | 0:34:48 | |
And there's a lot to talk about. | 0:34:48 | 0:34:49 | |
Pope Benedict must combine being a spiritual leader | 0:34:49 | 0:34:53 | |
with running one of the largest institutions in the world. | 0:34:53 | 0:34:56 | |
The Vatican has many of the trappings of a nation state. | 0:35:02 | 0:35:06 | |
There's a post office, a daily newspaper, a world-famous library, | 0:35:06 | 0:35:10 | |
a chemist - where you can't buy contraceptives - and a radio station. | 0:35:10 | 0:35:15 | |
..the English programme of Vatican Radio. | 0:35:15 | 0:35:18 | |
Radio Vatican broadcasts around the world in 48 languages. | 0:35:19 | 0:35:24 | |
Gudrun Sailer has worked in the German department for seven years. | 0:35:24 | 0:35:29 | |
TRANSLATION: As a journalist at Vatican Radio, you have to obey certain rules. | 0:35:31 | 0:35:36 | |
You obviously cannot call and say, "Hey, Eminence, what about lunch | 0:35:36 | 0:35:40 | |
"and telling me what's really going on in there?" | 0:35:40 | 0:35:43 | |
No, you must always be respectful. | 0:35:43 | 0:35:46 | |
A hierarchical thinking is very much in place here, stronger than many would like to have it, | 0:35:46 | 0:35:52 | |
and it's not always easy to get along here, especially when, as a journalist, | 0:35:52 | 0:35:57 | |
you ask questions and don't get answers because the doors are closed. | 0:35:57 | 0:36:02 | |
It's not an easy terrain. | 0:36:02 | 0:36:04 | |
In the Vatican, it's still unusual to see a woman. | 0:36:11 | 0:36:14 | |
TRANSLATION: The first...and I'm very sorry to say so, but the first were the toilet attendants | 0:36:18 | 0:36:25 | |
at the end of the '60s. | 0:36:25 | 0:36:27 | |
Those were the first jobs to be given to women, | 0:36:27 | 0:36:31 | |
and then there were secretaries, | 0:36:31 | 0:36:33 | |
and there were more of them. | 0:36:33 | 0:36:35 | |
I think it is quite important that there will be more women | 0:36:35 | 0:36:39 | |
at the Vatican, because they bring, well, a certain normality | 0:36:39 | 0:36:42 | |
into the state of priests. | 0:36:42 | 0:36:45 | |
Gudrun Sailer is visiting the personnel department | 0:36:47 | 0:36:50 | |
to research the history of women in the Vatican and the story of | 0:36:50 | 0:36:53 | |
the first woman ever employed here. | 0:36:53 | 0:36:56 | |
She was a German archaeologist called Erminia Speier, and she was Jewish. | 0:36:56 | 0:37:02 | |
-Erminia Speier. -Ah, si. -Bellissima. | 0:37:02 | 0:37:06 | |
TRANSLATION: Erminia Speier was also a pioneer and fascinated me | 0:37:09 | 0:37:12 | |
because as far as we know she was the first woman in the Vatican | 0:37:12 | 0:37:16 | |
and I thought, "Wow, a Jewish German woman in the '30s, that alone contradicts so many cliches." | 0:37:16 | 0:37:23 | |
TRANSLATION: This is interesting. | 0:37:35 | 0:37:38 | |
"..whether she was of Jewish faith." | 0:37:40 | 0:37:42 | |
The reply comes a week later, on 15th February, 1938, | 0:37:42 | 0:37:46 | |
from the Pontifical Gendarmerie, the Vatican's police forces. | 0:37:46 | 0:37:50 | |
"She is Jewish." | 0:37:54 | 0:37:55 | |
Someone obviously must have given the matter some thought and decided to go against their principles twice - | 0:37:56 | 0:38:03 | |
not only do we employ a woman, | 0:38:03 | 0:38:06 | |
but also a woman who's not even Catholic. | 0:38:06 | 0:38:09 | |
I, for example, had to produce my baptism certificate | 0:38:09 | 0:38:13 | |
and confirmation record when I signed a contract with Vatican Radio. | 0:38:13 | 0:38:16 | |
Erminia Speier was a very fortunate woman. | 0:38:17 | 0:38:21 | |
Millions of other European Jews faced Nazi persecution | 0:38:21 | 0:38:25 | |
and finally fell victim to the Holocaust. | 0:38:25 | 0:38:29 | |
Pope Pius XII was elected shortly before the outbreak of the Second World War. | 0:38:29 | 0:38:34 | |
His behaviour towards Nazi Germany and other fascist regimes | 0:38:34 | 0:38:39 | |
remains deeply controversial. | 0:38:39 | 0:38:41 | |
Many key Vatican papers from this era remain under lock and key. | 0:38:41 | 0:38:46 | |
But not all. | 0:38:46 | 0:38:48 | |
Gudrun has been given permission to see letters written by desperate Jews to the Vatican, | 0:38:48 | 0:38:55 | |
one of them from Edith Stein, a philosopher who converted to Catholicism in 1922. | 0:38:55 | 0:39:00 | |
TRANSLATION: "All of us being loyal children of the Catholic Church, | 0:39:03 | 0:39:07 | |
"following the events in Germany with open eyes, | 0:39:07 | 0:39:10 | |
"do fear the very worst for the Church's reputation if its silence persists." | 0:39:10 | 0:39:15 | |
She's imploring the Pope to raise his voice against the persecution of the Jews, | 0:39:15 | 0:39:21 | |
and he didn't. | 0:39:21 | 0:39:23 | |
The answer she got was a standard reply full of empty phrases such as, | 0:39:23 | 0:39:28 | |
that the letter had been duly presented to the Pope. | 0:39:28 | 0:39:32 | |
That was it. | 0:39:32 | 0:39:33 | |
The tragedy of the matter is that, 11 years after writing the letter, | 0:39:33 | 0:39:39 | |
Edith Stein died, being murdered in a gas chamber. | 0:39:39 | 0:39:43 | |
Here I see an analogy to Erminia Speier that... | 0:39:44 | 0:39:49 | |
that leaves me speechless. | 0:39:49 | 0:39:51 | |
They do have a similar biography. | 0:39:52 | 0:39:54 | |
They were both German Jews, who converted to Catholicism. | 0:39:54 | 0:39:59 | |
One is murdered while the other is saved, because she was fortunate enough to be in the right place | 0:39:59 | 0:40:05 | |
at the right time, namely, at the Vatican, under its protection. | 0:40:05 | 0:40:09 | |
The galleries in the Vatican Museum attract some 12,000 visitors a day. | 0:40:19 | 0:40:24 | |
But, once they leave, | 0:40:26 | 0:40:28 | |
Stefania Pandozy and her fellow curators have the place to themselves. | 0:40:28 | 0:40:33 | |
TRANSLATION: During the day, the rooms are bursting with people. | 0:40:37 | 0:40:41 | |
We, however, can experience the museum in another way, | 0:40:41 | 0:40:44 | |
once everything is closed, when we are ending our working day. | 0:40:44 | 0:40:49 | |
The lights are still on, some employers are still tidying up or checking that the windows are shut. | 0:40:49 | 0:40:55 | |
Then there's an extraordinary magical atmosphere. | 0:40:55 | 0:41:00 | |
It's as if the din of the world is fading and one hears is the music of the paintings | 0:41:00 | 0:41:05 | |
and the harmony of those compositions instead. | 0:41:05 | 0:41:07 | |
Perhaps the greatest perk of Stefania Pandozy's job | 0:41:29 | 0:41:33 | |
is the chance to enter the Sistine Chapel at night-time | 0:41:33 | 0:41:38 | |
for a private view of one of the greatest artistic achievements of all time - | 0:41:38 | 0:41:43 | |
Michelangelo's frescoes. | 0:41:43 | 0:41:46 | |
It took the artist four years to paint these vast religious images. | 0:41:48 | 0:41:53 | |
Many believe them to be the most sublime artistic expression of faith | 0:41:54 | 0:41:58 | |
ever created. | 0:41:58 | 0:42:00 | |
Michelangelo spent most of that time | 0:42:01 | 0:42:04 | |
on top of elaborate wooden scaffolding, | 0:42:04 | 0:42:07 | |
gradually conjuring scenes from the Old Testament and the Last Judgments | 0:42:07 | 0:42:12 | |
into life. | 0:42:12 | 0:42:14 | |
Here, Christ judges the resurrected, sending them to heaven or hell. | 0:42:14 | 0:42:19 | |
TRANSLATION: Before the Last Judgment, we are lost for words. | 0:42:24 | 0:42:28 | |
It's beyond architectural design. | 0:42:28 | 0:42:30 | |
There's nothing here but man. | 0:42:30 | 0:42:32 | |
Man in all his suffering and his humanity. | 0:42:33 | 0:42:36 | |
When I linger here, I'm enthralled, but I'm also scared. | 0:42:38 | 0:42:42 | |
It really is a new experience every time you enter the Sistine Chapel, | 0:42:42 | 0:42:46 | |
a new search for meanings and symbols. | 0:42:46 | 0:42:50 | |
And for me, in my smallness, I always find myself saying, | 0:42:51 | 0:42:56 | |
"Lord, Thy will be done," | 0:42:56 | 0:42:58 | |
because there are too many questions we could ask ourselves, | 0:42:58 | 0:43:01 | |
and Michelangelo asked himself those questions | 0:43:01 | 0:43:04 | |
through every character he painted | 0:43:04 | 0:43:06 | |
and in some ways I think he found answers. | 0:43:06 | 0:43:09 | |
It's Sunday morning and altar boy Valentino Dumitrana | 0:43:29 | 0:43:34 | |
attends the Pope's weekly Angelus prayer in St Peter's Square. | 0:43:34 | 0:43:39 | |
TRANSLATION: At the Angelus prayer, you see all these people | 0:43:50 | 0:43:53 | |
and then you realise that they come from all over the world. | 0:43:53 | 0:43:56 | |
The ones you notice the most are the Chinese. | 0:43:56 | 0:44:00 | |
It's nice to listen to the sound of a language that you don't understand at all | 0:44:00 | 0:44:04 | |
and it's beautiful to realise that there are so many people around the globe sharing the same faith. | 0:44:04 | 0:44:10 | |
Every year, 1.5 million people take part in the Angelus prayer. | 0:44:14 | 0:44:20 | |
From the window of his offices in the Apostolic Palace, | 0:44:20 | 0:44:23 | |
Pope Benedict XVI gives his blessing to the faithful. | 0:44:23 | 0:44:27 | |
THEY CHANT | 0:44:45 | 0:44:48 | |
TRANSLATION: To see him from far away is a good experience, | 0:45:01 | 0:45:04 | |
but my biggest wish would be to meet him personally. | 0:45:04 | 0:45:09 | |
The idea I have of the Pope is... | 0:45:10 | 0:45:12 | |
I don't how to say it, that he's a person above all others | 0:45:12 | 0:45:17 | |
and that, of course, he's the kindest person in the world. | 0:45:17 | 0:45:20 | |
I think the Pope is the crossover, he's the bridge between heaven and Earth. | 0:45:24 | 0:45:30 | |
..Pater, et Filius, et Spiritus Sanctus. | 0:45:35 | 0:45:43 | |
Amen. | 0:45:43 | 0:45:46 | |
-MAN: -Viva Papa! -CHEERING | 0:45:46 | 0:45:50 | |
The Pope receives many important visitors, | 0:46:22 | 0:46:26 | |
all photographed by Francesco Sforza. | 0:46:26 | 0:46:29 | |
Today, it's President Barack Obama, welcomed with full state honours. | 0:46:32 | 0:46:37 | |
Chamberlains and Swiss Guards lead the President through the Apostolic Palace | 0:46:41 | 0:46:46 | |
to his first meeting with Pope Benedict. | 0:46:46 | 0:46:49 | |
TRANSLATION: When there are such highly important events, like a president, like President Obama, | 0:46:50 | 0:46:56 | |
there's a moment for me of quiet composure, almost like a football player going out on a pitch, | 0:46:56 | 0:47:01 | |
and then I always say, "May God be with me and there's truly hope I can do a good job." | 0:47:01 | 0:47:08 | |
Thank you so much. It's a great honour for me. | 0:47:31 | 0:47:34 | |
There's a general photo call for the press, but Francesco Sforza has special access. | 0:47:34 | 0:47:40 | |
TRANSLATION: You're making history, that's the main thing. | 0:47:43 | 0:47:47 | |
You succeed in bringing to others, to the world, things they cannot see, | 0:47:47 | 0:47:51 | |
some angles of the Palace that nobody else gets access to, | 0:47:51 | 0:47:54 | |
so we feel like we're the window of the outside world. | 0:47:54 | 0:47:58 | |
The official photo is taken and everyone looks at the camera. | 0:48:08 | 0:48:11 | |
What I look for, though, is that little bit extra, something more natural, maybe as they walk away, | 0:48:11 | 0:48:17 | |
shortly before the goodbyes, they both look each other in the eye, | 0:48:17 | 0:48:22 | |
and in those last moments sometimes you get the most relaxed smiles, | 0:48:22 | 0:48:27 | |
as if they were both at home. | 0:48:27 | 0:48:29 | |
As someone who makes headlines every week, some flattering, some not, | 0:48:44 | 0:48:49 | |
Pope Benedict is also a keen consumer of news and makes time to watch it every day. | 0:48:49 | 0:48:55 | |
Valentino Dumitrana, who came to the Vatican when he was just 14, | 0:49:15 | 0:49:20 | |
will soon have to face the most important question of his life. | 0:49:20 | 0:49:24 | |
TRANSLATION: Maybe I will be a priest, I don't know. | 0:49:27 | 0:49:30 | |
A priest's life is very strict and difficult. | 0:49:30 | 0:49:32 | |
It requires a lot of patience, which I don't have. | 0:49:34 | 0:49:37 | |
I really don't know what my future will be. | 0:49:39 | 0:49:43 | |
Cardinal Comastri, in overall charge of Valentino's curriculum, | 0:49:43 | 0:49:47 | |
experienced no such confusion of feeling when he was young. | 0:49:47 | 0:49:51 | |
TRANSLATION: I served as an altar boy when I was young | 0:49:54 | 0:49:57 | |
as my family was very religious. | 0:49:57 | 0:49:59 | |
This was a really important experience for me, | 0:49:59 | 0:50:02 | |
since I was so close to the priest | 0:50:02 | 0:50:04 | |
that I came to understand a little about his mission. | 0:50:04 | 0:50:07 | |
I then met priests who were very enthusiastic about their vocation | 0:50:07 | 0:50:11 | |
and, of course, their joy affected me and became my own joy | 0:50:11 | 0:50:15 | |
and slowly turned into my own vocation. | 0:50:15 | 0:50:18 | |
There are still moments in the Vatican | 0:50:27 | 0:50:29 | |
that feel closer to Cardinal Comastri's childhood than to Valentino's. | 0:50:29 | 0:50:34 | |
One of them is the Feast of Corpus Christi. | 0:50:34 | 0:50:36 | |
For 700 years, Rome's Catholics have paraded to celebrate this day. | 0:50:36 | 0:50:42 | |
Such a close connection to the rituals of the past | 0:50:42 | 0:50:45 | |
nourishes the cardinal's faith, | 0:50:45 | 0:50:47 | |
but he worries about the future. | 0:50:47 | 0:50:49 | |
TRANSLATION: Nowadays, the vocation to become a priest is certainly much more difficult, | 0:50:55 | 0:51:00 | |
as we live in a frivolous world, a noisy world, | 0:51:00 | 0:51:03 | |
a world full of distractions, | 0:51:03 | 0:51:05 | |
and that's why today it's become much more difficult to hear the voice of Christ and to respond to it, | 0:51:05 | 0:51:10 | |
because you need greater courage, greater coherence, greater strength | 0:51:10 | 0:51:15 | |
to break from a culture that is often completely opposed to the Gospel. | 0:51:15 | 0:51:19 | |
After months of studying and serving, | 0:51:51 | 0:51:54 | |
Valentino's wish finally came true. | 0:51:54 | 0:51:57 | |
TRANSLATION: I thought it would be a normal Mass, but the master of ceremonies asked, | 0:52:07 | 0:52:12 | |
"Which of you has never served the Pope at Mass?" | 0:52:12 | 0:52:15 | |
Everyone had, even two or three times, so I said, "I haven't yet. | 0:52:15 | 0:52:19 | |
"I have only received communion." | 0:52:19 | 0:52:21 | |
Then he said, "OK, you and you." | 0:52:21 | 0:52:24 | |
And so we went over there. "What do we have to do?" | 0:52:24 | 0:52:27 | |
"You take care of the microphone and you do the book." | 0:52:27 | 0:52:30 | |
And it struck me immediately, the mic has to be very close to him. | 0:52:32 | 0:52:36 | |
Then he explained a couple of things, two or three times, because we just couldn't get it into our heads. | 0:52:37 | 0:52:43 | |
Then we joined the procession and I started immediately with the mic | 0:52:43 | 0:52:47 | |
and went up there, and was about to make a mistake, | 0:52:47 | 0:52:50 | |
but the master of ceremonies, who stood close to the Pope, immediately corrected me. | 0:52:50 | 0:52:55 | |
I stayed there, and my hands were trembling so much that the mic kept moving. | 0:53:05 | 0:53:10 | |
Photographer Francesco Sforza was close at hand to record Valentino's big moment. | 0:53:12 | 0:53:18 | |
I was paralysed. I couldn't leave while I was standing in front of the Pope. | 0:53:31 | 0:53:35 | |
He must have wondered why I wasn't talking. | 0:53:35 | 0:53:38 | |
"What's wrong with him, that he's not talking?" | 0:53:38 | 0:53:40 | |
But he wasn't strict. He was a normal person, calm, happy, he was smiling. | 0:53:40 | 0:53:46 | |
Maybe he understood that this was the first time I'd seen him, | 0:53:46 | 0:53:50 | |
so it was normal to behave like that. | 0:53:50 | 0:53:52 | |
Usually, when I'm feeling emotional, my eyes start burning and they fill with tears. | 0:54:04 | 0:54:09 | |
I almost had to shut my eyes, | 0:54:09 | 0:54:12 | |
but then I rushed, bowed and I left with tears in my eyes. | 0:54:12 | 0:54:16 | |
I don't do that on purpose, it just happens. | 0:54:16 | 0:54:19 | |
I was standing there thinking, "Oh, no, not now," | 0:54:19 | 0:54:24 | |
and my eyes began to water, but I couldn't stop. | 0:54:24 | 0:54:27 | |
My eyes were burning so bad. | 0:54:27 | 0:54:29 | |
With Christmas approaching, the altar boys are looking forward to | 0:54:41 | 0:54:45 | |
returning home to their families for the holidays. | 0:54:45 | 0:54:48 | |
Some of them come from remote regions | 0:54:48 | 0:54:50 | |
and seldom see their relatives. | 0:54:50 | 0:54:53 | |
Their secluded life in the Vatican has forged firm friendships. | 0:54:53 | 0:54:58 | |
But Valentino is going home with mixed feelings. | 0:54:58 | 0:55:02 | |
TRANSLATION: After being here for two years now, I feel that I won't become a priest. | 0:55:07 | 0:55:11 | |
I don't feel the calling the way the others do. | 0:55:11 | 0:55:14 | |
I think I'll choose to be a person like everyone else. | 0:55:14 | 0:55:17 | |
I'll have a family, but I'll be the only one... Well, maybe not the only one. | 0:55:17 | 0:55:21 | |
There will be others whose faith is as strong as mine, | 0:55:21 | 0:55:24 | |
but not many of them will have had the experiences that I've had in here. | 0:55:24 | 0:55:29 | |
The Pope is due to lead a procession through the centre of the Eternal City. | 0:55:53 | 0:56:00 | |
Whenever he appears in public, huge crowds throng the streets | 0:56:01 | 0:56:04 | |
to proclaim their faith. | 0:56:04 | 0:56:06 | |
Francesco Sforza and his assistant move to their position | 0:56:11 | 0:56:15 | |
on the balustrade of Santa Maria Maggiore Church. | 0:56:15 | 0:56:19 | |
They expect Pope Benedict shortly. | 0:56:19 | 0:56:21 | |
On a night like this, Pope Benedict, who is also the Bishop of Rome, | 0:56:42 | 0:56:47 | |
could almost be mistaken for the true ruler of the city. | 0:56:47 | 0:56:51 | |
TRANSLATION: When you see these crowds, you have proof that the people of Rome love the Pope. | 0:56:57 | 0:57:02 | |
I feel like I'd like to get onto my knees and pray with them. | 0:57:02 | 0:57:06 | |
But then, you're there to take pictures, | 0:57:06 | 0:57:09 | |
so these are moments, in a way, that don't always go together very well. | 0:57:09 | 0:57:13 | |
Benedict XVI is the 265th Pope. | 0:57:21 | 0:57:25 | |
He compared waiting for the conclave's decision to walking towards a guillotine | 0:57:27 | 0:57:32 | |
and the moment of his election to the blade dropping towards his neck. | 0:57:32 | 0:57:36 | |
But a Pope's popularity is not only determined by how well or how willingly he does his job. | 0:57:36 | 0:57:42 | |
Much of it, perhaps most of it, stems from the weight and authority of the institution he leads | 0:57:43 | 0:57:51 | |
and the belief of millions in what he represents on Earth. | 0:57:51 | 0:57:55 | |
TRANSLATION: Whoever serves the Lord must allow him to appear, | 0:57:58 | 0:58:02 | |
must be as translucent as glass, so that one doesn't see HIS light, | 0:58:02 | 0:58:06 | |
but the light of Jesus Christ, who is standing behind him. | 0:58:06 | 0:58:10 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:50 | |
E-mail [email protected] | 0:58:50 | 0:58:52 |