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This month, Sikhs worldwide | 0:00:05 | 0:00:06 | |
celebrate the Holy Festival of Vaisakhi. | 0:00:06 | 0:00:10 | |
THEY CHANT | 0:00:12 | 0:00:18 | |
Vaisakhi is the most important celebrated festival for the Sikhs. | 0:00:18 | 0:00:21 | |
On Vaisakhi, we have a procession, Nagar Kirtan is what we call it. | 0:00:22 | 0:00:27 | |
Vaisakhi is a time for Sikhs to celebrate the birth | 0:00:28 | 0:00:31 | |
of the Sikh nation, and the establishment | 0:00:31 | 0:00:34 | |
of the Sikh code of conduct the Khalsa | 0:00:34 | 0:00:36 | |
by Guru Gobind Singh in 1699. | 0:00:36 | 0:00:40 | |
There's usually a big hall with the Guru Granth in it | 0:00:40 | 0:00:44 | |
and you can go and listen to Kirtan, | 0:00:44 | 0:00:46 | |
which is prayers and Paath, which is prayers too. | 0:00:46 | 0:00:50 | |
For Sikhs, Vaisakhi is a reminder of the importance | 0:00:50 | 0:00:52 | |
of holding on to identity and heritage. | 0:00:52 | 0:00:55 | |
And this is the little known story of a figure | 0:00:55 | 0:00:59 | |
central to Sikh history - the last Maharajah of the Sikh nation - | 0:00:59 | 0:01:03 | |
whose own faith and identity were tested to the limit. | 0:01:03 | 0:01:08 | |
His name - Maharajah Duleep Singh. | 0:01:09 | 0:01:12 | |
He symbolises the past but he also represents an iconic figure | 0:01:12 | 0:01:17 | |
within the community's history today. | 0:01:17 | 0:01:20 | |
Born a Royal Prince of the Punjab in the age of Queen Victoria | 0:01:20 | 0:01:24 | |
he lost the Empire he was destined to inherit | 0:01:24 | 0:01:27 | |
and was exiled to Britain as a teenager. | 0:01:27 | 0:01:31 | |
Duleep Singh really trod the ground for us in many ways | 0:01:31 | 0:01:36 | |
because he came here, he was very isolated, cut off from his family, | 0:01:36 | 0:01:41 | |
cut off from his culture and cut off from his religion. | 0:01:41 | 0:01:44 | |
Favoured by Queen Victoria, he converted to Christianity | 0:01:44 | 0:01:48 | |
and lived the life of an English gentleman. | 0:01:48 | 0:01:50 | |
He'd exchanged his turban now for a top hat and that, you know, that was his new life. | 0:01:52 | 0:01:57 | |
But, gradually, he rediscovered his Sikh heritage | 0:01:57 | 0:02:00 | |
and was baptised back into the Sikh faith. | 0:02:00 | 0:02:03 | |
He is, for many British Sikhs, celebrating Vaisakhi, | 0:02:05 | 0:02:08 | |
a key figure in Anglo-Sikh history and continues to hold | 0:02:08 | 0:02:12 | |
a fascination for those who've delved into his story. | 0:02:12 | 0:02:16 | |
Just the drama of the story really grabbed me | 0:02:16 | 0:02:19 | |
and I couldn't believe that not much has been written about it. | 0:02:19 | 0:02:24 | |
I spent a lot of time doing a lot of research, | 0:02:24 | 0:02:27 | |
and working on a screenplay, you know, about his life. | 0:02:27 | 0:02:31 | |
I began looking in old bookshops | 0:02:31 | 0:02:34 | |
and old antique fairs to find a piece of history, anything belonging | 0:02:34 | 0:02:39 | |
to the Duleep Singh family - something which I could keep myself. | 0:02:39 | 0:02:42 | |
I was lucky enough as a journalist to find the story of a lifetime, | 0:02:42 | 0:02:45 | |
which was his story. | 0:02:45 | 0:02:47 | |
Dressed in his turban and jewels, this shadowy image | 0:02:55 | 0:02:59 | |
is the young Maharajah Duleep Singh, the last ruler of the Sikh Empire. | 0:02:59 | 0:03:05 | |
He's just ten years old, captured by an amateur photographer | 0:03:05 | 0:03:09 | |
in Lahore in 1848. | 0:03:09 | 0:03:12 | |
Now part of Pakistan, Lahore was then the royal seat of power | 0:03:27 | 0:03:31 | |
in an independent Punjab. | 0:03:31 | 0:03:34 | |
Duleep's father was the charismatic Ranjit Singh, | 0:03:34 | 0:03:37 | |
known as the Lion of the Punjab. | 0:03:37 | 0:03:40 | |
And his mother, Rani Jindan, the last of Ranjit's many wives, | 0:03:40 | 0:03:44 | |
renowned for her ambition and beauty. | 0:03:44 | 0:03:48 | |
Ranjit Singh was one of the most glittering, exotic rulers | 0:03:48 | 0:03:53 | |
the Indian subcontinent has ever seen. | 0:03:53 | 0:03:56 | |
An extraordinary man, who proceeded to build, in the space of 20 years, | 0:03:56 | 0:03:59 | |
a great empire, which stretched from the Indian Ocean to the Himalayas. | 0:03:59 | 0:04:04 | |
Duleep Singh would have grown up in a very rich environment. | 0:04:04 | 0:04:07 | |
He would have been told the story of Vaisakhi, | 0:04:07 | 0:04:10 | |
of the creation of the brotherhood. | 0:04:10 | 0:04:14 | |
He and his family and the court were the direct descendants | 0:04:14 | 0:04:18 | |
to some extent of the proud tradition of the Sikh rule. | 0:04:18 | 0:04:24 | |
But Duleep Singh never got the chance to make his own mark | 0:04:24 | 0:04:27 | |
in history as a great Sikh ruler. | 0:04:27 | 0:04:29 | |
With his mother holding the reins of power as Regent, | 0:04:29 | 0:04:32 | |
after his father died, he stayed on the throne for just six years. | 0:04:32 | 0:04:36 | |
By the time he was 11, his kingdom had been absorbed | 0:04:38 | 0:04:41 | |
into British India. His future uncertain. | 0:04:41 | 0:04:45 | |
What place is there for a little prince of the overthrown kingdom? | 0:04:49 | 0:04:54 | |
He is a danger to the new rulers, as it were, | 0:04:54 | 0:04:59 | |
and yet they are not going to behave like say Richard III | 0:04:59 | 0:05:01 | |
and strangle him in the tower, they are going to do something subtle. | 0:05:01 | 0:05:05 | |
The deposed boy prince was separated from his mother, | 0:05:11 | 0:05:15 | |
and taken to Fatehgarh on the banks of the Ganges. | 0:05:15 | 0:05:18 | |
It was 140 miles from Lahore | 0:05:18 | 0:05:21 | |
and famous for its Christian missionary work. | 0:05:21 | 0:05:24 | |
He's taken away to a very European establishment | 0:05:24 | 0:05:27 | |
which was really made for the wives and children | 0:05:27 | 0:05:31 | |
of the British officers serving in India. | 0:05:31 | 0:05:33 | |
He's no countrymen around him - | 0:05:33 | 0:05:35 | |
nothing to do with his Sikh religion. | 0:05:35 | 0:05:37 | |
There's no Sikh priest, there's no Guru Granth with him. | 0:05:37 | 0:05:40 | |
He was placed in the care of a British couple, Dr John Login, | 0:05:43 | 0:05:48 | |
a surgeon in the Bengal Army, and his wife, Lady Lena Login. | 0:05:48 | 0:05:52 | |
We would recognise them as the kind of Margo and Jerry of British India - | 0:05:55 | 0:06:00 | |
suburban figures - who are kindly. | 0:06:00 | 0:06:02 | |
And he loves them really and I think he... | 0:06:02 | 0:06:05 | |
And they love him in return. But then they are political appointees. | 0:06:05 | 0:06:10 | |
And every step that's made with this child becoming a man | 0:06:10 | 0:06:14 | |
has to be referred to higher authority. | 0:06:14 | 0:06:19 | |
He's a teenager, he's young and open to manipulation | 0:06:19 | 0:06:25 | |
and influence and he's introduced to the Christian religion | 0:06:25 | 0:06:29 | |
and taught the Bible. | 0:06:29 | 0:06:32 | |
So, this is the original Bible, | 0:06:36 | 0:06:38 | |
which was placed in the hands of the Maharajah in 1850 | 0:06:38 | 0:06:42 | |
at Fatehgarh Park, and what's lovely about this particular copy | 0:06:42 | 0:06:48 | |
is it's highlighted and he's underlined | 0:06:48 | 0:06:50 | |
particular prayers which interest him. | 0:06:50 | 0:06:54 | |
On 8th March 1853, Duleep was baptised into the Christian faith, | 0:06:57 | 0:07:03 | |
the first Indian Prince to convert. | 0:07:03 | 0:07:06 | |
To emphasise his commitment, | 0:07:08 | 0:07:11 | |
Duleep broke one of the sacred vows of Sikhism. | 0:07:11 | 0:07:14 | |
His hair was cut and he presented it, braided, | 0:07:17 | 0:07:21 | |
to his British guardians. | 0:07:21 | 0:07:23 | |
In Sikh tradition, if you cut your hair you are seen more or less | 0:07:23 | 0:07:27 | |
as an outcast, and it's a very emotional act. | 0:07:27 | 0:07:31 | |
Uncut hair was one of the five articles of faith | 0:07:33 | 0:07:36 | |
ordered by Guru Gobind Singh | 0:07:36 | 0:07:38 | |
when he created the Sikh brotherhood of the Khalsa. | 0:07:38 | 0:07:42 | |
For Sikhs, it's seen as a symbol of respect | 0:07:42 | 0:07:44 | |
for the perfection of God's creation. | 0:07:44 | 0:07:47 | |
I personally remember having my hair cut at the age of eight | 0:07:48 | 0:07:53 | |
and, at the time, I didn't think too much of it | 0:07:53 | 0:07:56 | |
because most migrant children were having their hair cut | 0:07:56 | 0:07:59 | |
as they were going to enter school. | 0:07:59 | 0:08:02 | |
But, later in life, you begin to think what happened to you. | 0:08:02 | 0:08:06 | |
You know, if you had a choice - a real choice - to exercise free will | 0:08:06 | 0:08:10 | |
and to be able to keep your hair, would you have done so? | 0:08:10 | 0:08:14 | |
I think, in retrospect, I probably would have. | 0:08:14 | 0:08:17 | |
Having moved away from his Sikh faith, Duleep, aged just 15, | 0:08:24 | 0:08:28 | |
left his Sikh homeland as an exile. | 0:08:28 | 0:08:32 | |
Just a few days after the celebration of Vaisakhi, | 0:08:32 | 0:08:35 | |
on 19th April 1854, he boarded a ship for Britain | 0:08:35 | 0:08:39 | |
and disembarked into an alien environment. | 0:08:39 | 0:08:43 | |
Duleep Singh really trod the ground for us in many ways | 0:08:43 | 0:08:48 | |
because, you know, he came here, he was very isolated - | 0:08:48 | 0:08:52 | |
cut off from his family - cut off from his culture - | 0:08:52 | 0:08:55 | |
cut off from his religion. | 0:08:55 | 0:08:57 | |
And so, to try and sort of work out who you are and what you are, | 0:08:57 | 0:09:00 | |
what your role is in life, what your place is in life, | 0:09:00 | 0:09:03 | |
when you're completely cut off like that, | 0:09:03 | 0:09:05 | |
I think is a very hard thing to do. | 0:09:05 | 0:09:08 | |
Probably, you know, the older generation | 0:09:10 | 0:09:12 | |
would just identify with this sense of displacement. | 0:09:12 | 0:09:15 | |
Everybody wasn't a Maharajah, obviously, nobody was. | 0:09:15 | 0:09:18 | |
But you could have come from a farm in Punjab | 0:09:18 | 0:09:21 | |
and then come here and worked in a factory | 0:09:21 | 0:09:23 | |
and the displacement that causes - the identity problems. | 0:09:23 | 0:09:27 | |
Today, Sikhs in Britain are established | 0:09:29 | 0:09:32 | |
and Vaisakhi is an opportunity to reaffirm their identity. | 0:09:32 | 0:09:36 | |
One of the reasons I like going to the Sikh temple | 0:09:36 | 0:09:39 | |
is because I like being among people like myself. | 0:09:39 | 0:09:43 | |
I like, culturally, what that does for me. | 0:09:43 | 0:09:46 | |
I like the way it reinforces who we are to my children. | 0:09:46 | 0:09:49 | |
Now if you were to say to me, I don't have any way | 0:09:49 | 0:09:53 | |
of listening to my Punjabi music any more or, you know, | 0:09:53 | 0:09:58 | |
watch Indian films or, you know, go to a Sikh temple. | 0:09:58 | 0:10:02 | |
If I was not allowed to do any of those things, you know, | 0:10:02 | 0:10:04 | |
I would begin to feel very, very isolated. | 0:10:04 | 0:10:07 | |
Duleep was a very isolated young man | 0:10:11 | 0:10:14 | |
trying to work out where he fitted in. | 0:10:14 | 0:10:17 | |
Treated as an exotic outsider, his royal status opened the doors | 0:10:17 | 0:10:21 | |
to high society. | 0:10:21 | 0:10:23 | |
Within weeks of his arrival he was introduced to Queen Victoria. | 0:10:23 | 0:10:27 | |
He really fits the bill. | 0:10:27 | 0:10:29 | |
He is turned a Christian, he is gentle, he is polite, | 0:10:29 | 0:10:33 | |
he is good looking and she takes to him immediately. | 0:10:33 | 0:10:37 | |
He is holidaying in Osborne with the family, | 0:10:37 | 0:10:39 | |
he is sitting next to Queen Victoria whenever there is a banquet. | 0:10:39 | 0:10:44 | |
This is wonderful. | 0:10:44 | 0:10:45 | |
Imagine the wealth and the excitement of being rich | 0:10:45 | 0:10:50 | |
and leisured in Victorian England | 0:10:50 | 0:10:52 | |
where at the very top is a class who just have fun. | 0:10:52 | 0:10:56 | |
And fun is castles and hunting and shooting, and that's what he does. | 0:10:59 | 0:11:03 | |
And such were the attractions of this opulent lifestyle that | 0:11:05 | 0:11:09 | |
Duleep's memories of his Sikh upbringing faded. | 0:11:09 | 0:11:12 | |
Over the next eight years he rented properties in Scotland, | 0:11:15 | 0:11:18 | |
the Cotswolds and Whitby. | 0:11:18 | 0:11:21 | |
Whilst living in Whitby, | 0:11:21 | 0:11:23 | |
he left his mark on the local landscape. | 0:11:23 | 0:11:26 | |
Priya Kal Atwal is a volunteer with the Anglo Sikh Heritage Trail, | 0:11:28 | 0:11:32 | |
a charitable organisation which works to keep Duleep Singh's story alive | 0:11:32 | 0:11:36 | |
in celebration of a shared Anglo-Sikh history. | 0:11:36 | 0:11:39 | |
Right here is the road that Duleep Singh built to | 0:11:40 | 0:11:43 | |
travel down from his castle, Mulgrave, | 0:11:43 | 0:11:45 | |
the Mulgrave Estate, down to Whitby to make life easier for himself. | 0:11:45 | 0:11:49 | |
There's a toll house - that's also a cool thing. | 0:11:49 | 0:11:51 | |
Just that there's something left behind him, that was made by him, | 0:11:51 | 0:11:54 | |
and it's still here today. | 0:11:54 | 0:11:56 | |
There's a family living in there. | 0:11:56 | 0:11:58 | |
So, guys, do you have any idea who this is? | 0:12:00 | 0:12:02 | |
-No. -No. | 0:12:02 | 0:12:04 | |
Do you have any idea who built your house? | 0:12:04 | 0:12:07 | |
-No. -No. | 0:12:07 | 0:12:08 | |
-It was him. -Oh, was it? -Yeah. He was an Indian prince. | 0:12:08 | 0:12:12 | |
A Maharajah, and he lived in Mulgrave Castle | 0:12:12 | 0:12:14 | |
not far from here, for four years, | 0:12:14 | 0:12:16 | |
and he built this road to make it easier for him to get into Whitby. | 0:12:16 | 0:12:21 | |
And your house, he made, so that mostly people going along that road | 0:12:21 | 0:12:26 | |
would pay a little fine | 0:12:26 | 0:12:28 | |
that would be used to maintain the road | 0:12:28 | 0:12:30 | |
and keep it all in nice order. So that was why he made this house. | 0:12:30 | 0:12:34 | |
-Oh, cool. -Not bad, eh? -Yeah! | 0:12:34 | 0:12:37 | |
In private, Duleep had taken to his aristocratic lifestyle. | 0:12:40 | 0:12:44 | |
But in public, he was expected to present himself as an Indian prince. | 0:12:47 | 0:12:52 | |
The Maharajah becomes the ideal party accessory. | 0:12:52 | 0:12:55 | |
He is the exotic figure to lighten up every high society Victorian party. | 0:12:55 | 0:13:01 | |
Even guests and hosts go out of their way to make a curry | 0:13:02 | 0:13:06 | |
for the Maharajah to please him. | 0:13:06 | 0:13:07 | |
And he is seen as head of the Indian princes of India. | 0:13:07 | 0:13:12 | |
Caught between two identities - | 0:13:12 | 0:13:13 | |
gentleman-about-town and deposed Sikh Maharajah - | 0:13:13 | 0:13:17 | |
Duleep was happy to accept his lot. | 0:13:17 | 0:13:20 | |
And that might have been the end of the story | 0:13:20 | 0:13:22 | |
but for a meeting in 1861. | 0:13:22 | 0:13:25 | |
By the age of 22, | 0:13:29 | 0:13:31 | |
Duleep had been separated from his mother for 13 years. | 0:13:31 | 0:13:34 | |
During that time, Rani Jindan had been imprisoned by the British but | 0:13:35 | 0:13:40 | |
escaped and continued to plot for the return of her son's birthright. | 0:13:40 | 0:13:44 | |
Duleep now asked if he could meet her. | 0:13:46 | 0:13:48 | |
The British no longer considered the frail and nearly blind Jindan a threat. | 0:13:48 | 0:13:53 | |
And so, Duleep set sail for a reunion in a Calcutta hotel. | 0:13:53 | 0:13:59 | |
The story goes that when she touched his head, to give him blessings, | 0:13:59 | 0:14:03 | |
she felt his shorn hair and cried, that he had given up his identity. | 0:14:03 | 0:14:09 | |
She wanted him to get back to his Sikh faith and his Sikh roots. | 0:14:09 | 0:14:13 | |
Mother and son moved into Mulgrave Castle in Whitby | 0:14:13 | 0:14:16 | |
and Jindan began to open Duleep's mind to his heritage and to Sikh values. | 0:14:16 | 0:14:22 | |
She reminded him of his past, and his former identity, | 0:14:24 | 0:14:28 | |
not only the riches that he once had as the ruler of the Punjab, | 0:14:28 | 0:14:33 | |
but also his Sikh identity and spirit that went with it. | 0:14:33 | 0:14:38 | |
And Sikhs have this concept that is important to us, | 0:14:38 | 0:14:41 | |
it's the idea of Chardi Kala | 0:14:41 | 0:14:43 | |
that is like always having positive spirits, | 0:14:43 | 0:14:45 | |
always thinking the best that will happen, and never giving up. | 0:14:45 | 0:14:49 | |
And she kept that tenacity and spirit with her. | 0:14:49 | 0:14:52 | |
It was obvious that she deeply believed in that religious aspect of her life | 0:14:52 | 0:14:57 | |
and that for Vaisakhi is an important part | 0:14:57 | 0:15:00 | |
of what Sikhs have to remember. | 0:15:00 | 0:15:02 | |
Vaisakhi is about upholding of the Sikh identity. | 0:15:05 | 0:15:07 | |
That was the legacy that his mother gave back to him, | 0:15:07 | 0:15:09 | |
to restore him back to that faith, | 0:15:09 | 0:15:12 | |
and ignite that fire under him to get back what he had lost. | 0:15:12 | 0:15:16 | |
But in 1863, tragedy struck. | 0:15:19 | 0:15:23 | |
Just two years after their emotional reunion, Rani Jindan died. | 0:15:23 | 0:15:27 | |
Duleep was 24 years old. | 0:15:29 | 0:15:30 | |
Duleep continued his British lifestyle. | 0:15:36 | 0:15:39 | |
He also married Bamba Muller, | 0:15:39 | 0:15:41 | |
a Christian he had met in Cairo on his travels | 0:15:41 | 0:15:44 | |
and she joined him in his newly purchased sprawling estate | 0:15:44 | 0:15:48 | |
in Elveden, Suffolk. | 0:15:48 | 0:15:51 | |
Here, the seeds that his mother had sown began to show, | 0:15:51 | 0:15:54 | |
a reconnection with his long-neglected Sikh roots. | 0:15:54 | 0:15:58 | |
On the outside it looks like an English stately home, | 0:16:00 | 0:16:04 | |
but on the inside he had the whole thing made as an Indian, | 0:16:04 | 0:16:10 | |
princely, you know, palace, | 0:16:10 | 0:16:13 | |
and so there are the most gorgeous marble carvings and floors and walls and archways. | 0:16:13 | 0:16:19 | |
In these sumptuous new surroundings, reminiscent of his childhood, | 0:16:21 | 0:16:24 | |
he had time to reflect on his mother's version | 0:16:24 | 0:16:27 | |
of how he lost his Empire. | 0:16:27 | 0:16:29 | |
He spent hours in the British Library | 0:16:34 | 0:16:36 | |
poring over accounts of events he was too young to remember. | 0:16:36 | 0:16:40 | |
I had an interesting experience. | 0:16:40 | 0:16:42 | |
I got the book out of the British library - | 0:16:42 | 0:16:44 | |
History of the Punjab. | 0:16:44 | 0:16:46 | |
And there it was, published in 1846. | 0:16:46 | 0:16:50 | |
And it was full of marks in green ink. | 0:16:50 | 0:16:54 | |
Exclamation marks, and splutterings, | 0:16:54 | 0:16:56 | |
and, my goodness me. | 0:16:56 | 0:16:57 | |
So I gave it back to the librarian and said, "I didn't write this," | 0:16:57 | 0:17:00 | |
you know, "I didn't put this ink in. | 0:17:00 | 0:17:01 | |
"It must have been the previous borrower." | 0:17:01 | 0:17:04 | |
And it was his. It was him. | 0:17:04 | 0:17:05 | |
He had been writing in it. | 0:17:05 | 0:17:06 | |
Duleep meticulously collated his findings into bound volumes, | 0:17:08 | 0:17:12 | |
which he sent with personal notes to members of the government. | 0:17:12 | 0:17:16 | |
This particular copy | 0:17:17 | 0:17:19 | |
is actually the proof copy | 0:17:19 | 0:17:21 | |
which he's asking Lord Walsingham to look at, | 0:17:21 | 0:17:24 | |
and also to check for any mistakes, | 0:17:24 | 0:17:26 | |
and he says that, "I'm going to place this book before the Queen." | 0:17:26 | 0:17:29 | |
And it's signed, Duleep Singh. | 0:17:29 | 0:17:31 | |
Inspired by his mother, | 0:17:33 | 0:17:35 | |
the methods Duleep used in pursuit of justice | 0:17:35 | 0:17:38 | |
echoed the teaching of the 10th Guru, Gobind Singh, | 0:17:38 | 0:17:41 | |
who had taught the importance of an exhaustive approach of appeal. | 0:17:41 | 0:17:45 | |
If we look at the experience of the Sikh community in Britain since 1945 | 0:17:50 | 0:17:56 | |
it's very instructive. | 0:17:56 | 0:18:00 | |
The campaigns, for example, over the right to wear the turban, | 0:18:00 | 0:18:05 | |
to wear daggers, and to be represented - | 0:18:05 | 0:18:09 | |
they are all very systematic, methodical, persistent. | 0:18:09 | 0:18:15 | |
They represent the Sikh way of campaigning. | 0:18:17 | 0:18:21 | |
Duleep Singh was a very sophisticated campaigner. | 0:18:21 | 0:18:25 | |
He systematically approached media outlets, political representatives, | 0:18:25 | 0:18:30 | |
to advance his case. | 0:18:30 | 0:18:32 | |
And by modern standards he was very much into political campaigning | 0:18:32 | 0:18:37 | |
and knew which levers to pull. | 0:18:37 | 0:18:38 | |
Up to this point, Duleep had campaigned alone | 0:18:40 | 0:18:43 | |
but now he enlisted the help of his Sikh family and supporters in India. | 0:18:43 | 0:18:48 | |
It set alarm bells ringing in government circles. | 0:18:48 | 0:18:51 | |
The idea of them travelling by train from Liverpool Street station | 0:18:51 | 0:18:55 | |
followed by Metropolitan Police Special Branch | 0:18:55 | 0:18:58 | |
who are noting down their movements - | 0:18:58 | 0:19:00 | |
"Sinister men in turbans seen at Thetford station" - | 0:19:00 | 0:19:02 | |
and all this information is flowing, as the Maharajah, if you like, | 0:19:02 | 0:19:07 | |
is shaking the bars of his gilded cage, | 0:19:07 | 0:19:10 | |
the idea of being locked up in Elveden. | 0:19:10 | 0:19:12 | |
It's a parody of what he once had, you know. | 0:19:12 | 0:19:14 | |
"It's a parody, I want my kingdom, I don't want this." | 0:19:14 | 0:19:17 | |
Alongside his political campaigning, Duleep showed a growing interest | 0:19:22 | 0:19:26 | |
in being reinitiated into the Sikh faith. | 0:19:26 | 0:19:29 | |
The Maharajah is visited by his cousin Thakur Singh Sandhandwalia. | 0:19:33 | 0:19:36 | |
With him comes Pratap Singh, a high priest of the golden temple | 0:19:38 | 0:19:44 | |
of Amritsar, who had written one of the copies of the Guru Granth Sahib | 0:19:44 | 0:19:48 | |
at the Golden Temple | 0:19:48 | 0:19:50 | |
and every day Pratap begins to read the Guru Granth Sahib to the Maharajah. | 0:19:50 | 0:19:56 | |
He beings to teach him Punjabi | 0:19:56 | 0:19:59 | |
and starts showing him the way to pray, according to the Sikh religion. | 0:19:59 | 0:20:05 | |
So this is the Punjabi learning manual designed by | 0:20:05 | 0:20:08 | |
and handwritten by Sirdar Gani Pratap Singh. | 0:20:08 | 0:20:12 | |
As we can see it shows you the different sounds of each letter | 0:20:12 | 0:20:16 | |
and over here we see a Sikh prayer, | 0:20:16 | 0:20:19 | |
which is written by Gani Pratap Singh | 0:20:19 | 0:20:21 | |
and he's translated it in English for Maharajah Duleep Singh. | 0:20:21 | 0:20:25 | |
RECITES PUNJABI | 0:20:29 | 0:20:30 | |
Duleep was beginning to mould his Sikh identity. | 0:20:35 | 0:20:38 | |
But he also had an eye on the future, on the next generation. | 0:20:40 | 0:20:43 | |
The 1881 census lists Duleep's growing family - | 0:20:44 | 0:20:49 | |
three daughters and three sons. | 0:20:49 | 0:20:51 | |
When you look at the photographs of his children, | 0:20:53 | 0:20:57 | |
when they are young they have unshorn hair, | 0:20:57 | 0:21:00 | |
which is often braided, so in that sense one sees that there is a desire | 0:21:00 | 0:21:07 | |
to maintain some element of the heritage. | 0:21:07 | 0:21:11 | |
I think that is a very important marker of identity, | 0:21:11 | 0:21:15 | |
of the need to continue with the tradition. | 0:21:15 | 0:21:18 | |
Duleep's growing religious and political convictions | 0:21:18 | 0:21:21 | |
had begun with the powerful voice of his mother 20 years before. | 0:21:21 | 0:21:25 | |
Everything since then had been about getting to this pivotal | 0:21:26 | 0:21:30 | |
moment in his life. | 0:21:30 | 0:21:31 | |
He is middle-aged, mid-life. He decides to go to India. | 0:21:32 | 0:21:36 | |
He will go to India. He will go back to the Punjab. | 0:21:36 | 0:21:39 | |
Duleep wrote to Queen Victoria. | 0:21:40 | 0:21:43 | |
"I did not wish that you, My Sovereign, | 0:21:43 | 0:21:45 | |
"should hear from any other source but myself of the possibility | 0:21:45 | 0:21:49 | |
"of my re-embracing the faith of my ancestors." | 0:21:49 | 0:21:52 | |
Duleep abandoned Elveden Hall, sold its contents, | 0:21:52 | 0:21:56 | |
and at the end of March 1886 set sail for India | 0:21:56 | 0:22:00 | |
to reclaim his sovereignty and to be baptised back into the Sikh faith. | 0:22:00 | 0:22:05 | |
Duleep Singh's journey had two goals. One political and one personal. | 0:22:11 | 0:22:15 | |
Politically, he had turned his back on Britain | 0:22:16 | 0:22:19 | |
in search of support for his claim on the Punjab. | 0:22:19 | 0:22:22 | |
Whilst personally, he planned on arrival in India | 0:22:22 | 0:22:25 | |
to be baptised back into the Sikh religion of his birth. | 0:22:25 | 0:22:29 | |
The British government did not want him to get to India, at all. | 0:22:30 | 0:22:34 | |
And when the ship docked at Aden, which was the halfway point, | 0:22:34 | 0:22:37 | |
the Maharajah was arrested by the British Resident at Aden | 0:22:37 | 0:22:41 | |
and told he could not proceed to India | 0:22:41 | 0:22:43 | |
and if he did very harsh steps would be taken against him. | 0:22:43 | 0:22:47 | |
And he is put under house arrest. | 0:22:47 | 0:22:49 | |
He's not told it's house arrest, but he's not allowed to go out. | 0:22:49 | 0:22:52 | |
He's put in this villa in Aden. | 0:22:52 | 0:22:54 | |
And it's...boiling hot, | 0:22:54 | 0:22:57 | |
and nothing is happening and this is like...cruel and unusual punishment. | 0:22:57 | 0:23:02 | |
And he paces up and down, like a bird in a cage. | 0:23:02 | 0:23:06 | |
It was while under house arrest that Duleep became a Sikh, | 0:23:07 | 0:23:11 | |
in a baptism ceremony performed on the morning of 25th May, 1886. | 0:23:11 | 0:23:17 | |
Many Sikhs choose to take Amrit during the Vaisakhi Festival | 0:23:27 | 0:23:31 | |
as a commitment to worship one God, | 0:23:31 | 0:23:33 | |
to read the Guru Granth Sahib | 0:23:33 | 0:23:35 | |
and to serve others. | 0:23:35 | 0:23:36 | |
Duleep Singh's reconversion to Sikhism in Aden | 0:23:38 | 0:23:42 | |
is not just simply a strategic act, | 0:23:42 | 0:23:45 | |
it is signifying that I have come back into the fold | 0:23:45 | 0:23:49 | |
and this is my tradition and this is where I belong. | 0:23:49 | 0:23:53 | |
And that would have represented a very emotional and poignant moment for him. | 0:23:53 | 0:23:58 | |
It was very easy to place the Bible in a young child's hand | 0:24:00 | 0:24:03 | |
and get him to adopt a foreign religion. | 0:24:03 | 0:24:06 | |
And the fact he did a full circle and came back to Sikhism - | 0:24:06 | 0:24:09 | |
especially in his circumstances, | 0:24:09 | 0:24:11 | |
living in a foreign land - it needs praise. | 0:24:11 | 0:24:14 | |
Because he did re-adopt the Sikh religion. | 0:24:14 | 0:24:19 | |
Whilst his personal journey of rediscovery had been fulfilled, | 0:24:19 | 0:24:22 | |
Duleep's political ambitions remained elusive. | 0:24:22 | 0:24:25 | |
Prevented from travelling to the Punjab by the British authorities, | 0:24:26 | 0:24:30 | |
he travelled instead to Europe to plan his future. | 0:24:30 | 0:24:33 | |
Two months after his Amrit ceremony, | 0:24:35 | 0:24:38 | |
he wrote a letter to a boyhood friend - | 0:24:38 | 0:24:40 | |
its light-hearted tone at odds with its darker message. | 0:24:40 | 0:24:43 | |
"I style myself Lawful Monarch of the Sikh Nation. | 0:24:46 | 0:24:49 | |
"Doesn't that sound grand, my boy? | 0:24:49 | 0:24:52 | |
"The only thing I have settled on doing, as I am a Sikh now, | 0:24:52 | 0:24:56 | |
"is to fight the administration of India to the last | 0:24:56 | 0:24:59 | |
"and create all the mischief I can in India. | 0:24:59 | 0:25:02 | |
"Fancy our meeting on the battlefield! | 0:25:02 | 0:25:04 | |
"But I promise you, should it ever come to pass, the first shot..." | 0:25:04 | 0:25:08 | |
But the first shot was never fired. | 0:25:08 | 0:25:11 | |
And Duleep's life was coming to a close. | 0:25:11 | 0:25:14 | |
He spent the final seven years of his life talking with dissident, | 0:25:22 | 0:25:26 | |
anti-British groups from Russia and Ireland. | 0:25:26 | 0:25:29 | |
But his involvement in complex intrigues and plots | 0:25:31 | 0:25:34 | |
ultimately came to nothing. | 0:25:34 | 0:25:36 | |
At 52, his obsessive quest had cost him his marriage and his health. | 0:25:40 | 0:25:44 | |
He was such a broken man. A lonely figure. | 0:25:47 | 0:25:50 | |
A man who was born to rule the Punjab, the Maharajah of the Punjab, | 0:25:50 | 0:25:54 | |
and here he is, a destitute figure. | 0:25:54 | 0:25:57 | |
He died in a Paris hotel room of a stroke with a childhood toy - | 0:26:00 | 0:26:05 | |
a hawk's bell which he had round the neck of one of his birds of prey as a child, | 0:26:05 | 0:26:11 | |
he used to have it on his wrist as a kind of memento of what had gone - | 0:26:11 | 0:26:14 | |
in his hand. | 0:26:14 | 0:26:15 | |
He is playing with it, and that's the end of it. | 0:26:15 | 0:26:18 | |
He is now a Sikh and, by his religious rights, | 0:26:22 | 0:26:25 | |
he must be burned. | 0:26:25 | 0:26:27 | |
Cremated. | 0:26:27 | 0:26:28 | |
But the British ambassador in Paris smuggles his body out of the city, | 0:26:30 | 0:26:34 | |
and he's buried as a Christian in Elveden Church. | 0:26:34 | 0:26:38 | |
He could not even in death be allowed to be a Sikh. | 0:26:38 | 0:26:42 | |
In 1999, the Prince of Wales unveiled a bronze statue of the Maharajah | 0:26:56 | 0:27:02 | |
close to Elveden Hall, Duleep's old home. | 0:27:02 | 0:27:05 | |
It's a mark of his importance in Anglo-Sikh history | 0:27:05 | 0:27:09 | |
as the Punjab's last Maharajah, | 0:27:09 | 0:27:11 | |
and Britain's first Sikh settler. | 0:27:11 | 0:27:14 | |
And for young Sikhs, celebrating Vaisakhi, | 0:27:15 | 0:27:17 | |
who may never have been to the Punjab, | 0:27:17 | 0:27:20 | |
his story is a way of understanding and celebrating their Sikh heritage. | 0:27:20 | 0:27:24 | |
It would be quite strange, because I'm 11 years old | 0:27:25 | 0:27:29 | |
and he was only one year older than me, | 0:27:29 | 0:27:31 | |
and that would be quite terrifying being deported from your home country. | 0:27:31 | 0:27:35 | |
He might have felt out of place, | 0:27:37 | 0:27:38 | |
because he was with lots of other people but none were like him. | 0:27:38 | 0:27:44 | |
One of the victories, shall we say, | 0:27:46 | 0:27:49 | |
of the otherwise tragic life of Maharajah Duleep Singh | 0:27:49 | 0:27:52 | |
is the fact that we are sitting here talking about him now, | 0:27:52 | 0:27:55 | |
the fact that he means something to us. | 0:27:55 | 0:27:58 | |
The fact that we are not forgetting him, forgetting his struggles. | 0:27:58 | 0:28:03 | |
And the fact that we acknowledge what he did, | 0:28:03 | 0:28:07 | |
in terms of laying a kind of foundation for us as British Asians. | 0:28:07 | 0:28:12 | |
But at the same time, I think it's a good warning | 0:28:12 | 0:28:15 | |
of what can happen if you deny who you are | 0:28:15 | 0:28:18 | |
or if you are not able to enjoy those different sides of yourselves. | 0:28:18 | 0:28:23 | |
So the fact that Duleep Singh is revered today | 0:28:23 | 0:28:26 | |
and remembered by people all over the world but particularly in Britain, | 0:28:26 | 0:28:31 | |
at this time of Vaisakhi, I think that's something worth celebrating. | 0:28:31 | 0:28:34 | |
Subtitles by Red Bee Media Ltd | 0:28:49 | 0:28:51 |