Browse content similar to Unstoppable. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
94 miles north of the Scottish mainland, | 0:00:04 | 0:00:06 | |
where the blustery Atlantic meets the North Sea, | 0:00:06 | 0:00:10 | |
lies Shetland, an archipelago of some 100 islands, | 0:00:10 | 0:00:14 | |
mostly uninhabited. | 0:00:14 | 0:00:15 | |
Until the late 15th century, they belonged to Scandinavia. | 0:00:16 | 0:00:20 | |
Being closer to Bergen than Edinburgh, | 0:00:20 | 0:00:23 | |
the islanders remain proud of their Norse heritage. | 0:00:23 | 0:00:26 | |
Recently, new riches have been discovered | 0:00:26 | 0:00:29 | |
supplementing the island's staple of farming and fishing. | 0:00:29 | 0:00:32 | |
The most northerly island is Unst, | 0:00:34 | 0:00:37 | |
where locals mix tradition with innovation | 0:00:37 | 0:00:40 | |
to survive in a fast-changing world. | 0:00:40 | 0:00:42 | |
It's summer here and the crofters Charlie and Bertie Priest | 0:00:44 | 0:00:48 | |
get acquainted with the bonxie, the most fearsome bird on the island. | 0:00:48 | 0:00:52 | |
And local entrepreneur Frank Strang has an idea to put | 0:01:00 | 0:01:03 | |
Unst on the world stage with a music festival. | 0:01:03 | 0:01:07 | |
We could fall flat on our faces. Nobody could turn up. | 0:01:07 | 0:01:10 | |
And will the big event prove too much | 0:01:10 | 0:01:12 | |
for some of the local performers? | 0:01:12 | 0:01:14 | |
I'm scared I'm going to mess it up. | 0:01:14 | 0:01:16 | |
Come on. You're just nervous. You'll be all right. | 0:01:17 | 0:01:20 | |
It's mid July and, in Britain's most northerly parish, | 0:01:54 | 0:01:57 | |
Barbara Priest calls the congregation | 0:01:57 | 0:02:00 | |
of St John's Church, Baltasound, to their regular Sunday service. | 0:02:00 | 0:02:03 | |
It will be taken by David Cooper, | 0:02:06 | 0:02:08 | |
minister to this parish for over seven years. | 0:02:08 | 0:02:11 | |
Today, his service is taking a musical theme. | 0:02:11 | 0:02:14 | |
Music in my life is huge. | 0:02:15 | 0:02:17 | |
It is, of course, very important to Shetland. | 0:02:19 | 0:02:22 | |
Take the fiddle down from the wall and give us a tune. | 0:02:22 | 0:02:25 | |
It's a way, not just of bringing the family together, | 0:02:25 | 0:02:29 | |
but the wider community as well. | 0:02:29 | 0:02:32 | |
Really, no event can take place without there being some music. | 0:02:32 | 0:02:37 | |
This morning, to mix things up, | 0:02:38 | 0:02:40 | |
David has chosen an unusual hymn to start the service. | 0:02:40 | 0:02:43 | |
Just for a moment, | 0:02:45 | 0:02:46 | |
you are not only congregation | 0:02:46 | 0:02:49 | |
gathered in the parish of Unst, | 0:02:49 | 0:02:52 | |
you are the D'Oyly Carte chorus on stage for all the world. | 0:02:52 | 0:02:58 | |
We'll be singing Courage, Do Not Stumble | 0:03:00 | 0:03:04 | |
and a stirring tune from Arthur Sullivan, | 0:03:04 | 0:03:07 | |
so a touch of Gilbert and Sullivan thrown in. | 0:03:07 | 0:03:10 | |
# Courage, brother, do not stumble... # | 0:03:11 | 0:03:15 | |
Over the last 100 years, | 0:03:15 | 0:03:18 | |
this church has traditionally been bolstered by military personnel, | 0:03:18 | 0:03:21 | |
who have been based on the island, | 0:03:21 | 0:03:23 | |
now long gone. | 0:03:23 | 0:03:25 | |
But a recent addition to the congregation is Mother Mary, | 0:03:25 | 0:03:29 | |
the island's very own Eastern Orthodox nun. | 0:03:29 | 0:03:32 | |
She came to Unst eight years ago, | 0:03:32 | 0:03:34 | |
drawn by its isolation and rugged beauty. | 0:03:34 | 0:03:37 | |
One of her favourite meditative spots is the northernmost tip | 0:03:39 | 0:03:43 | |
of the island, where the Atlantic Ocean meets the North Sea. | 0:03:43 | 0:03:46 | |
I come here pretty regularly, really, to pray. | 0:03:48 | 0:03:53 | |
I feel that it's part of my vocation here. | 0:03:53 | 0:03:56 | |
This striking, blustery headland has also played a prominent role | 0:03:58 | 0:04:02 | |
in warning Unst of approaching invaders, | 0:04:02 | 0:04:05 | |
once Viking longboats, | 0:04:05 | 0:04:07 | |
later German battleships, | 0:04:07 | 0:04:09 | |
and, more recently, Russian submarines. | 0:04:09 | 0:04:12 | |
Unst, having the most northerly coast of Britain, | 0:04:12 | 0:04:15 | |
was very strategically important | 0:04:15 | 0:04:18 | |
to protect the North Passage between Russia and the Atlantic. | 0:04:18 | 0:04:23 | |
Over here, we have Skaw, | 0:04:23 | 0:04:25 | |
where there was a presence during the First World War | 0:04:25 | 0:04:28 | |
and the Second World War. | 0:04:28 | 0:04:31 | |
And, then, if we span round here, I can see Saxa Vord, | 0:04:31 | 0:04:35 | |
which was where the RAF were during the Cold War | 0:04:35 | 0:04:38 | |
and they helped look after the radar mast, | 0:04:38 | 0:04:41 | |
which is still working and still observing and protecting Britain. | 0:04:41 | 0:04:46 | |
The old base at Saxa Vord was once home to specialist radar personnel, | 0:04:49 | 0:04:55 | |
but, when the Cold War ended, the Ministry of Defence sold it off. | 0:04:55 | 0:04:59 | |
The domestic quarters have since been redeveloped into a hotel, | 0:04:59 | 0:05:03 | |
brewery and gin distillery. | 0:05:03 | 0:05:05 | |
The entrepreneur behind it all | 0:05:08 | 0:05:10 | |
is former flight lieutenant Frank Strang, | 0:05:10 | 0:05:13 | |
who today is holding a meeting to discuss a bold new idea | 0:05:13 | 0:05:16 | |
for the old Air Force base. | 0:05:16 | 0:05:18 | |
OK, Lisa, do you want to get into artists and the line-up? | 0:05:19 | 0:05:22 | |
-How many artists have we got? -It's about 30-something. | 0:05:22 | 0:05:24 | |
-And the Americans? -Yeah. -OK. | 0:05:24 | 0:05:26 | |
So, if every artist brings their family, we are quids in. | 0:05:26 | 0:05:30 | |
LAUGHING | 0:05:30 | 0:05:32 | |
Frank has come up with a plan to showcase | 0:05:32 | 0:05:34 | |
Unst's unique musical talents, | 0:05:34 | 0:05:37 | |
alongside a few big names from America. | 0:05:37 | 0:05:40 | |
Music and the arts really run through the whole DNA of Shetland | 0:05:40 | 0:05:43 | |
and especially Unst | 0:05:43 | 0:05:45 | |
and, in an effort to try and bring more people to Unst, | 0:05:45 | 0:05:50 | |
what we decided to do was to hold | 0:05:50 | 0:05:52 | |
Britain's most northern music festival. | 0:05:52 | 0:05:55 | |
Frank's vision is for several open-air stages | 0:05:55 | 0:05:59 | |
and on-site camping for visiting festivalgoers. | 0:05:59 | 0:06:02 | |
Up here, we are heading towards the Astroturf, | 0:06:02 | 0:06:04 | |
which has got the most magnificent view | 0:06:04 | 0:06:07 | |
and if God could come down and give me one wish, | 0:06:07 | 0:06:10 | |
somehow we'll make this the venue. | 0:06:10 | 0:06:13 | |
We have brought some power in here from the officers' mess site | 0:06:13 | 0:06:16 | |
and we've got a couple of portable stages. | 0:06:16 | 0:06:18 | |
What I'd would love to do is to turn this into a proper outdoor venue | 0:06:18 | 0:06:21 | |
with a roof on it. | 0:06:21 | 0:06:23 | |
What's that movie? | 0:06:23 | 0:06:24 | |
Field Of Dreams. Build it and they will come. | 0:06:24 | 0:06:26 | |
HE LAUGHS | 0:06:26 | 0:06:28 | |
The former base is also home to Britain's most northerly charity shop. | 0:06:29 | 0:06:33 | |
Frank has given over the old supply building to the Barrack Stores, | 0:06:33 | 0:06:37 | |
which is run on behalf of Baltasound Kirk by Barbara Priest, | 0:06:37 | 0:06:41 | |
the church's bell-ringer. | 0:06:41 | 0:06:43 | |
You never know what's going to come in | 0:06:43 | 0:06:45 | |
and you never know what is going to sell. | 0:06:45 | 0:06:47 | |
We've had some pieces for months and you think, | 0:06:47 | 0:06:50 | |
"I wonder if that will ever sell," | 0:06:50 | 0:06:51 | |
and somebody comes in and says, | 0:06:51 | 0:06:53 | |
"That's exactly what I'm looking for." | 0:06:53 | 0:06:54 | |
That's half the fun of it. | 0:06:54 | 0:06:56 | |
Is there anything you have been stuck with for absolutely ages? | 0:06:56 | 0:07:00 | |
Hm. That would be telling. | 0:07:00 | 0:07:01 | |
SHE LAUGHS | 0:07:01 | 0:07:03 | |
The shop has already raised over £6,000 for Kirk refurbishments, | 0:07:05 | 0:07:10 | |
but the building is only on loan to the church. | 0:07:10 | 0:07:12 | |
The agreement is if they need to use this space, | 0:07:14 | 0:07:17 | |
then we vacate. | 0:07:17 | 0:07:19 | |
So we're hoping that doesn't happen. | 0:07:19 | 0:07:21 | |
Three miles further up the road from Saxa Vord | 0:07:23 | 0:07:26 | |
is the most northerly dwelling in the whole of the British Isles. | 0:07:26 | 0:07:30 | |
It belongs to 58-year-old twins, Charlie and Bertie Priest... | 0:07:32 | 0:07:36 | |
..islanders whose family have been on Unst for over ten generations | 0:07:39 | 0:07:43 | |
and who still work the family croft | 0:07:43 | 0:07:45 | |
where they graze their sheep. | 0:07:45 | 0:07:47 | |
But crofting alone won't pay the bills, | 0:07:47 | 0:07:50 | |
so they both have other jobs, too. | 0:07:50 | 0:07:52 | |
Charlie helps run the local shop, the Final Checkout, | 0:07:52 | 0:07:57 | |
and is the island bus driver, | 0:07:57 | 0:08:01 | |
while Bertie runs a garage. | 0:08:01 | 0:08:02 | |
The twins have lived on Unst all their lives | 0:08:04 | 0:08:07 | |
and, being crofters, have not only communal grazing rights | 0:08:07 | 0:08:10 | |
but peat rights on the moor below the old radar station. | 0:08:10 | 0:08:13 | |
Waiting to lend Charlie a hand is twin brother Bertie. | 0:08:20 | 0:08:23 | |
The brothers keep the essential tools for the job | 0:08:25 | 0:08:28 | |
in their specially instructed peat house... | 0:08:28 | 0:08:30 | |
..the ripper, the tushkar, and Shetland spade. | 0:08:31 | 0:08:35 | |
These types of tool have been used by crofters all over the islands | 0:08:40 | 0:08:43 | |
and West Coast for hundreds of years. | 0:08:43 | 0:08:45 | |
Peat is a fossil fuel made of decomposed organic matter | 0:08:53 | 0:08:57 | |
that has been compressed over a few thousand years. | 0:08:57 | 0:09:01 | |
When dried, it can be burned. | 0:09:01 | 0:09:03 | |
Crofters have traditionally used peat to heat their homes. | 0:09:03 | 0:09:06 | |
Whilst it might seem like a bargain to a crofter like Charlie, | 0:09:47 | 0:09:50 | |
apart from the hard graft of cutting the peat, | 0:09:50 | 0:09:53 | |
it then has to be stacked and left to dry | 0:09:53 | 0:09:56 | |
before it can be taken off the moor. | 0:09:56 | 0:09:58 | |
But the twins are not alone on the moor. | 0:10:05 | 0:10:08 | |
They're soon joined by the infamous Shetland bonxie. | 0:10:08 | 0:10:12 | |
The bonxie is a big, aggressive bird. | 0:10:18 | 0:10:21 | |
Its real name is great skua and such is the fearsome reputation | 0:10:21 | 0:10:25 | |
of skuas that the Royal Navy named a dive-bombing aeroplane after them. | 0:10:25 | 0:10:30 | |
The bonxie is a migrant bird that loves to breed here | 0:10:41 | 0:10:45 | |
on the peat moors or Unst and with its audacious flying skills, | 0:10:45 | 0:10:49 | |
survives by stealing fish in the air from other birds. | 0:10:49 | 0:10:53 | |
Known also to dive-bomb humans when approached, | 0:10:56 | 0:10:59 | |
the twins handle these birds with great caution. | 0:10:59 | 0:11:02 | |
The brick-sized pieces of wet peat need to be left for about two weeks | 0:11:11 | 0:11:16 | |
to dry out and the twins will return in a fortnight | 0:11:16 | 0:11:19 | |
to check up on their stack. | 0:11:19 | 0:11:20 | |
At the Final Checkout, Charlie's workmates Pat and Lorraine are busy | 0:11:23 | 0:11:27 | |
stocking the shelves for the anticipated crowd of music festivalgoers. | 0:11:27 | 0:11:32 | |
Well, hopefully, if it all goes to plan, | 0:11:32 | 0:11:34 | |
then it'll be a yearly event. | 0:11:34 | 0:11:36 | |
-It's a very ambitious plan, but hopefully it'll all go good. -Yeah. | 0:11:36 | 0:11:41 | |
I hope it does. I hope that they all come back again. | 0:11:41 | 0:11:44 | |
You know, if you're attracting bands from America then hopefully they'll | 0:11:44 | 0:11:48 | |
go back and say, "You should go and play here," | 0:11:48 | 0:11:50 | |
and we might get a few more bands. | 0:11:50 | 0:11:52 | |
But Pat and Lorraine's role in the event goes far beyond being | 0:11:52 | 0:11:56 | |
just spectators. | 0:11:56 | 0:11:57 | |
Their own band has been billed to play on the main stage. | 0:11:57 | 0:12:02 | |
Very excited, yes. | 0:12:02 | 0:12:04 | |
We're just used to being on our own than playing in concerts. | 0:12:04 | 0:12:07 | |
Maybe the odd wedding we have played at, but with all these bands coming, | 0:12:07 | 0:12:11 | |
-it's... Yeah, we're glad to be part of it. -Mm-hm. | 0:12:11 | 0:12:14 | |
# ..And once it has begun | 0:12:14 | 0:12:16 | |
# Won't stop until it's done Sinking in... # | 0:12:16 | 0:12:20 | |
-INTERVIEWER: -Are you ready for the festival? -No. | 0:12:23 | 0:12:26 | |
Do we sound as if we're ready for the festival? | 0:12:26 | 0:12:29 | |
THEY LAUGH | 0:12:29 | 0:12:30 | |
At the Tea Rooms in Haroldswick, master baker Victoria Mouat is also | 0:12:35 | 0:12:40 | |
getting excited about the music festival. | 0:12:40 | 0:12:43 | |
Her daughter's school choir has been invited to take part. | 0:12:44 | 0:12:48 | |
Maisie loves singing. | 0:12:48 | 0:12:51 | |
She loves singing, she's always sung. | 0:12:51 | 0:12:54 | |
She sings around the house, sings in the shower. | 0:12:54 | 0:12:57 | |
When she first started singing, I didn't really | 0:12:57 | 0:12:59 | |
think very much of it, because she couldn't sing very well. | 0:12:59 | 0:13:03 | |
SHE LAUGHS | 0:13:03 | 0:13:04 | |
But then she just seemed to find her voice and now she sings quite well. | 0:13:04 | 0:13:09 | |
Her auntie, my eldest sister, she sings opera. | 0:13:09 | 0:13:11 | |
She's got a beautiful voice and I think she's probably taken | 0:13:11 | 0:13:15 | |
it from there, because I can't sing, so it's not from me, | 0:13:15 | 0:13:18 | |
and it's not from her dad, because he can't sing either. | 0:13:18 | 0:13:21 | |
# Seems like everybody's got a price... # | 0:13:21 | 0:13:24 | |
In a month's time, Maisie and her classmates will be the first | 0:13:24 | 0:13:28 | |
to take the stage, performing in front of a crowd of music lovers | 0:13:28 | 0:13:31 | |
as well as the big-name acts from America. | 0:13:31 | 0:13:35 | |
It's nerve-racking because they're really good singers and musicians | 0:13:35 | 0:13:41 | |
and stuff, and, like, we're just kind of, like, | 0:13:41 | 0:13:45 | |
little people in the background. | 0:13:45 | 0:13:47 | |
The Little Baltasound choir. So... | 0:13:47 | 0:13:52 | |
# ..It's not about the money Money, money... | 0:13:52 | 0:13:54 | |
# We don't need your Money, money, money | 0:13:54 | 0:13:57 | |
# We just wanna make the world dance... # | 0:13:57 | 0:13:59 | |
Although the sun is currently shining | 0:14:04 | 0:14:06 | |
over at the old Air Force base, festival organiser | 0:14:06 | 0:14:09 | |
Frank Strang has had to take a difficult decision. | 0:14:09 | 0:14:12 | |
Bad weather is forecast for the weekend of the festival | 0:14:12 | 0:14:15 | |
and he's had no choice but to requisition the former | 0:14:15 | 0:14:18 | |
military base's supply building that he loaned to the church. | 0:14:18 | 0:14:22 | |
This is the final clearance sale. | 0:14:22 | 0:14:25 | |
Unfortunately, because of the weather, we need to get everyone | 0:14:25 | 0:14:28 | |
inside and the only building that's of a size was the supply building, | 0:14:28 | 0:14:31 | |
so we had to serve notice to quit in a very nice way to Barbara | 0:14:31 | 0:14:36 | |
and the team. | 0:14:36 | 0:14:37 | |
With the festival's opening night just a few weeks away, | 0:14:39 | 0:14:42 | |
the conversion work has to start immediately. | 0:14:42 | 0:14:46 | |
I found a glass shade which I think matches | 0:14:46 | 0:14:48 | |
something in the house. For 50p we've got a good spare. | 0:14:48 | 0:14:53 | |
Thank you. Thank you. | 0:14:53 | 0:14:55 | |
But everyone is taking it in good spirits, | 0:14:55 | 0:14:59 | |
including David Cooper. | 0:14:59 | 0:15:01 | |
Now this enormous cavern is going to be full of music. | 0:15:01 | 0:15:05 | |
Converting a vast, empty supply room into a working music venue is | 0:15:06 | 0:15:11 | |
a mammoth task, so Frank's called in the big guns. | 0:15:11 | 0:15:15 | |
Most of my team are ex-military, | 0:15:15 | 0:15:17 | |
so we're planning this like a military campaign. | 0:15:17 | 0:15:20 | |
That's Sammy, man of all trades - mountain guide, | 0:15:21 | 0:15:25 | |
ex-international judo player, RAF PTI, carpenter, sculptor. | 0:15:25 | 0:15:32 | |
If you can get the door, I'll get this. If you get the door... | 0:15:32 | 0:15:35 | |
Retired Sergeant Mark "Sammy" Samuels is Frank's old Air Force pal | 0:15:35 | 0:15:40 | |
and he's going to head up the construction team. | 0:15:40 | 0:15:43 | |
Yeah, there's a fair bit to do, but we've got a cutting list | 0:15:43 | 0:15:46 | |
and a working out list. We just crack on and get them done. | 0:15:46 | 0:15:50 | |
The schedule's a bit tight, but even if we have to work 'til | 0:15:50 | 0:15:52 | |
late on in the evening, or very early in the morning, we can do it. | 0:15:52 | 0:15:57 | |
Many hands make light work. | 0:15:57 | 0:15:59 | |
Get the whip out. | 0:15:59 | 0:16:00 | |
In just a few short weeks, Sammy has got to create a bar... | 0:16:05 | 0:16:09 | |
..build a stage... | 0:16:11 | 0:16:13 | |
construct a lighting rig, and put in a sound mixing desk. | 0:16:13 | 0:16:17 | |
Handling logistics is Frank's wife, Debbie. | 0:16:20 | 0:16:23 | |
Nobody can find it at the moment, so let him know | 0:16:23 | 0:16:25 | |
and just say, you know, get on his way to Aberdeen, | 0:16:25 | 0:16:28 | |
because that's far more important, that him and the toilets arrive. | 0:16:28 | 0:16:31 | |
-DEBBIE LAUGHS -Thanks. Bye. | 0:16:31 | 0:16:33 | |
We can manage without a tent. | 0:16:33 | 0:16:35 | |
We can't manage without 20 toilets, can we? So, that'll be fine. | 0:16:35 | 0:16:40 | |
It just goes on and on, but it's great. It is all coming together. | 0:16:40 | 0:16:44 | |
But Frank dreams of entertaining more people than just | 0:16:44 | 0:16:48 | |
the local crowd who turn up at the festival. | 0:16:48 | 0:16:50 | |
There we go. Easy-peasy, lemon-squeezy. | 0:16:50 | 0:16:54 | |
He's going to broadcast the Unst music festival around the world live | 0:16:54 | 0:16:58 | |
-over the internet. -What we're trying to do is to put Unst on the map. | 0:16:58 | 0:17:02 | |
If we can pull the numbers in and create the excitement | 0:17:02 | 0:17:04 | |
and stream the concert out, people will know where we are. | 0:17:04 | 0:17:08 | |
I don't know how many people are going to come. | 0:17:08 | 0:17:10 | |
It could be that we have a party with 100 of my new best friends, | 0:17:10 | 0:17:13 | |
or we have six, seven, 800 people here over the weekend. | 0:17:13 | 0:17:17 | |
I really don't know, | 0:17:17 | 0:17:18 | |
but the logistics have been put in place to support | 0:17:18 | 0:17:20 | |
six, seven, 800 people. | 0:17:20 | 0:17:22 | |
On the hillside above the old Air Force base, | 0:17:44 | 0:17:47 | |
the twins are back to see how their peat stacks are faring. | 0:17:47 | 0:17:51 | |
The last few days have seen heavy rain | 0:17:52 | 0:17:54 | |
and the old peat road has become impassable even for their 4x4. | 0:17:54 | 0:17:59 | |
So they have to continue the journey on foot, which is | 0:17:59 | 0:18:03 | |
bad news for Charlie - he's left his wellies at home. | 0:18:03 | 0:18:07 | |
The boys are anticipating that with all the recent rain, their peats | 0:18:14 | 0:18:18 | |
will have had little chance to dry out. | 0:18:18 | 0:18:20 | |
So, with the peats sufficiently dry, Charlie and Bertie | 0:18:35 | 0:18:39 | |
can now proceed to phase two of the process, | 0:18:39 | 0:18:41 | |
known here in the islands as raising the peat, | 0:18:41 | 0:18:44 | |
which involves placing the blocks in intricate patterns. | 0:18:44 | 0:18:47 | |
In less enlightened times, whole families were involved in peat | 0:18:58 | 0:19:02 | |
cutting and this backbreaking work was given over to the women. | 0:19:02 | 0:19:05 | |
The men would cut, but the hardy womenfolk would raise. | 0:19:12 | 0:19:16 | |
After all their hard work, | 0:20:15 | 0:20:17 | |
the twins are off to their own peat house for a little refreshment. | 0:20:17 | 0:20:21 | |
Charlie and Bertie built this home from home on the hill 20 years ago, | 0:20:24 | 0:20:28 | |
although there's been a peat house on this spot for over 100 years. | 0:20:28 | 0:20:32 | |
And in the twins' peat house, the tradition is every visitor, | 0:20:44 | 0:20:48 | |
wherever they're from, is invited to sign the guestbook. | 0:20:48 | 0:20:51 | |
The majority of Charlie and Bertie's childhood friends from this, | 0:21:38 | 0:21:42 | |
their Sunday school photograph, still live and croft on Unst. | 0:21:42 | 0:21:46 | |
The weekend of the music festival has finally arrived | 0:21:58 | 0:22:02 | |
and so have the Americans, bringing with them some welcome good weather. | 0:22:02 | 0:22:06 | |
They've gathered in the Methodist church to stretch their vocal cords. | 0:22:06 | 0:22:11 | |
Amongst them are the two big names that Frank has recruited. | 0:22:11 | 0:22:15 | |
Jim Salestrom is a well-known lead guitarist who plays with | 0:22:15 | 0:22:19 | |
Dolly Parton. | 0:22:19 | 0:22:20 | |
I think if you would ask anybody in Nashville about bluegrass, | 0:22:21 | 0:22:25 | |
they would say, "Oh, yeah, | 0:22:25 | 0:22:26 | |
"it started over here in Scotland in the Shetland Islands," | 0:22:26 | 0:22:29 | |
and that's where, you know, our heritage comes from, is from here. | 0:22:29 | 0:22:34 | |
Jim will be headlining the event with Livingston Taylor, the brother | 0:22:34 | 0:22:38 | |
of singer-songwriter James Taylor and himself a bestselling artist. | 0:22:38 | 0:22:44 | |
This is a magical corner of the world. | 0:22:44 | 0:22:47 | |
Congratulations to God on getting it really right, right here. | 0:22:47 | 0:22:52 | |
But, as the day of the concert arrives, | 0:23:08 | 0:23:10 | |
Frank's weather predictions turn out to be spot on, | 0:23:10 | 0:23:14 | |
which is good news for the Tea Rooms who are fully booked with | 0:23:14 | 0:23:18 | |
festivalgoers seeking a warming meal out of the rain. | 0:23:18 | 0:23:22 | |
In less than an hour, Victoria's daughter Maisie will be taking | 0:23:23 | 0:23:27 | |
the stage and her nerves are starting to get the better of her. | 0:23:27 | 0:23:31 | |
You'll be all right, you've got time, Nana will go back and get the purse with you. | 0:23:31 | 0:23:34 | |
Come on, you're just getting upset. You're just nervous. | 0:23:34 | 0:23:37 | |
You'll be all right. | 0:23:37 | 0:23:39 | |
She is very excited, yeah. | 0:23:39 | 0:23:41 | |
She's very nervous as well, there was lots of tears yesterday, | 0:23:41 | 0:23:44 | |
and we've made sure that she's got her words, | 0:23:44 | 0:23:46 | |
because she's scared that she's going to forget all her words. | 0:23:46 | 0:23:49 | |
I think she'll be fine, but she is very nervous, but it's all good. | 0:23:49 | 0:23:54 | |
Keep smiling. | 0:23:54 | 0:23:55 | |
At the festival, Maisie is not only going to be singing with her | 0:23:56 | 0:24:00 | |
school choir, she also has a solo number to perform. | 0:24:00 | 0:24:03 | |
It's a very big thing. I'm scared I'm going to mess it up. | 0:24:05 | 0:24:09 | |
Out on the Astroturf field, | 0:24:11 | 0:24:13 | |
some hardy music lovers have already pitched their tents. | 0:24:13 | 0:24:17 | |
No-one knows how many will turn up, but there's a supportive home crowd | 0:24:17 | 0:24:21 | |
ready to welcome the Baltasound School Choir on stage. | 0:24:21 | 0:24:25 | |
Good afternoon, ladies and gentlemen, boys and girls. | 0:24:25 | 0:24:28 | |
My name is Jim Salestrom and I have the joy | 0:24:28 | 0:24:32 | |
of getting to introduce our first act. | 0:24:32 | 0:24:35 | |
The Baltasound Junior High students. | 0:24:35 | 0:24:39 | |
They're going to make some beautiful music for you. | 0:24:39 | 0:24:41 | |
Put your hands together, please. Welcome. | 0:24:41 | 0:24:44 | |
# It seems like everybody's got a price | 0:24:46 | 0:24:49 | |
# I wonder how they sleep at night... # | 0:24:49 | 0:24:52 | |
Back at the Tea Rooms, Victoria has got her hands full. | 0:24:52 | 0:24:56 | |
Trying to get everything organised | 0:24:56 | 0:24:57 | |
so that I can leave to be able to go and watch Maisie | 0:24:57 | 0:25:02 | |
sing her first solo. | 0:25:02 | 0:25:05 | |
# ..Can you feel that, yeah? We're paying with love tonight. # | 0:25:05 | 0:25:10 | |
CHEERING AND APPLAUSE | 0:25:11 | 0:25:14 | |
# Jolene, Jolene, Jolene, Jolene | 0:25:19 | 0:25:24 | |
# I'm begging of you Please don't take my man... # | 0:25:24 | 0:25:28 | |
It's Maisie's big moment and, true to her word, | 0:25:28 | 0:25:31 | |
her mum is there to enjoy it. | 0:25:31 | 0:25:34 | |
# ..Jolene, please don't take him even though you can... # | 0:25:34 | 0:25:39 | |
As is Jim, who knows how a Dolly Parton number should be sung. | 0:25:39 | 0:25:44 | |
CHEERING AND APPLAUSE | 0:25:44 | 0:25:47 | |
ALL CHEER | 0:25:53 | 0:25:54 | |
You made Mummy cry. You made Mummy cry. | 0:25:54 | 0:25:57 | |
She did really well. See, she made me cry. | 0:25:57 | 0:26:00 | |
She did really well. I'm so proud of her. She did brilliantly. | 0:26:00 | 0:26:04 | |
Next up, it's Pat and Lorraine. | 0:26:05 | 0:26:07 | |
They've played gigs before, but never in front of | 0:26:07 | 0:26:10 | |
so many fellow musicians. | 0:26:10 | 0:26:12 | |
It's been great so far, so, yeah, we're looking forward to it. | 0:26:12 | 0:26:16 | |
Main stage. | 0:26:19 | 0:26:21 | |
Please make welcome True North. | 0:26:21 | 0:26:25 | |
# Dream on in | 0:26:30 | 0:26:35 | |
# And once it has begun | 0:26:35 | 0:26:37 | |
# Won't stop until it's done Sneaking in... # | 0:26:37 | 0:26:41 | |
I love the music that I'm hearing. | 0:26:46 | 0:26:49 | |
Wow. Livingston Taylor - yay! | 0:26:49 | 0:26:54 | |
Altogether, 30 local bands play at the festival | 0:26:57 | 0:27:00 | |
and go down a storm with the crowd | 0:27:00 | 0:27:02 | |
and the thousands worldwide over the live internet stream. | 0:27:02 | 0:27:06 | |
Frank's dream has become a reality as Britain's most northerly | 0:27:09 | 0:27:12 | |
music festival draws to an end. | 0:27:12 | 0:27:14 | |
I'm very blessed that I have some dear friends in America | 0:27:14 | 0:27:18 | |
who are very accomplished musicians. They've come all the way to Unst. | 0:27:18 | 0:27:22 | |
They've come because this is a very special place. | 0:27:22 | 0:27:24 | |
So what I want you guys to do is to enjoy yourselves, have fun, | 0:27:24 | 0:27:29 | |
and let's go out on a high. | 0:27:29 | 0:27:31 | |
Time for the two Americans to take to the stage. | 0:27:31 | 0:27:34 | |
# In my mind I'm going to Carolina | 0:27:34 | 0:27:41 | |
# Can't you see the sunshine? | 0:27:41 | 0:27:44 | |
# Can't you just feel the moonshine? | 0:27:44 | 0:27:47 | |
# Ain't it just like a friend of mine to hit me from behind? | 0:27:47 | 0:27:53 | |
# And I'm going to Carolina in my mind... # | 0:27:53 | 0:27:58 | |
Wasn't that great? Wasn't that absolutely fantastic? | 0:27:58 | 0:28:02 | |
And I'm exhausted. Wonderful. I think we'll do it again. | 0:28:02 | 0:28:05 | |
-In the days to come... -Hear us as we pray for those who work at sea. | 0:28:10 | 0:28:15 | |
..David Cooper joins Episcopal minister Neil Bryce | 0:28:15 | 0:28:19 | |
in a unique island remembrance. | 0:28:19 | 0:28:21 | |
It's very much a community event. | 0:28:21 | 0:28:24 | |
Community and the sea just run deep. | 0:28:24 | 0:28:27 | |
And Unst anglers take to the water... | 0:28:27 | 0:28:30 | |
-18lb. -..to contest for local bragging rights. | 0:28:30 | 0:28:34 |