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Covering an area of just two square miles, | 0:00:02 | 0:00:05 | |
Sark is the smallest of the main Channel Islands. | 0:00:05 | 0:00:08 | |
This picturesque and tranquil place has a unique status. | 0:00:10 | 0:00:15 | |
Being a British dependent, it's part of the British Isles | 0:00:15 | 0:00:19 | |
but it has its own Parliament and laws. | 0:00:19 | 0:00:22 | |
The other unusual characteristic of this island is there are no cars, | 0:00:23 | 0:00:27 | |
so the bicycle, the tractor or horse-drawn carriage | 0:00:27 | 0:00:31 | |
are the only modes of transport. | 0:00:31 | 0:00:33 | |
Sark may be just 80 miles off the mainland, | 0:00:34 | 0:00:37 | |
but in many respects, it's a world away. | 0:00:37 | 0:00:40 | |
I think we're lucky to live on Sark. We're spoilt. | 0:00:40 | 0:00:44 | |
Over 50,000 tourists visit Sark in the summer, | 0:00:47 | 0:00:51 | |
but out of season, this close-knit community of only 600 people | 0:00:51 | 0:00:56 | |
must rely on each other to get through the winter. | 0:00:56 | 0:00:59 | |
And the two churches on the island, the Methodist Chapel | 0:00:59 | 0:01:03 | |
and the Anglican St Peter's, have an even more important role. | 0:01:03 | 0:01:07 | |
St Peter's has come to our rescue in the days of unemployment. | 0:01:07 | 0:01:13 | |
January's harsh weather will be a test for all Sark's inhabitants | 0:01:13 | 0:01:18 | |
and many will do a variety of jobs to get through the lean times. | 0:01:18 | 0:01:22 | |
But for those on Sark, the island is a lifestyle as much as a home. | 0:01:24 | 0:01:29 | |
People love the things they do. They love the diversity of what they do. | 0:01:29 | 0:01:33 | |
It's New Year's Day. | 0:02:08 | 0:02:10 | |
And at the island hall, | 0:02:11 | 0:02:13 | |
the scene is set for Sark's annual competition. | 0:02:13 | 0:02:16 | |
The theme this year is three-day eventing. | 0:02:18 | 0:02:21 | |
But this is Sark's unique take on the sport. | 0:02:21 | 0:02:25 | |
The Master Of Ceremonies is builder Dave Cockesedge. | 0:02:27 | 0:02:31 | |
Participants start on the car park here. | 0:02:31 | 0:02:34 | |
Over the first fence, into the water jump, | 0:02:34 | 0:02:37 | |
and then they come up onto what they call the hill | 0:02:37 | 0:02:40 | |
and if they're over time they're penalised. | 0:02:40 | 0:02:42 | |
Then they move on to the dressage | 0:02:42 | 0:02:44 | |
where they have to interpret the music | 0:02:44 | 0:02:46 | |
and they get points deducted and added for the best-looking one and what have you. | 0:02:46 | 0:02:51 | |
The next competitor to arrive is Puffin Taylor. | 0:02:53 | 0:02:56 | |
She's always prepared for a spot of horseplay. | 0:02:56 | 0:02:59 | |
I've got that hat and I'm going to put my puffin hat underneath it, | 0:02:59 | 0:03:04 | |
so it hides, and then I'm going to bring that up so it's like ears. | 0:03:04 | 0:03:08 | |
So that's going to be the horse's head. | 0:03:08 | 0:03:11 | |
-No-one's bribed us yet! -This is the bit that worries me. | 0:03:14 | 0:03:17 | |
-Are you making it up as you go along? -Yes, more or less. | 0:03:17 | 0:03:22 | |
Don't let everyone know! | 0:03:22 | 0:03:24 | |
TANNOY: On your marks, get set, go. | 0:03:25 | 0:03:28 | |
The first horse up is Ben and his friend Glenn Williams. | 0:03:30 | 0:03:35 | |
It's silly this, isn't it? Perhaps that comes of living on Sark. | 0:03:38 | 0:03:43 | |
If you're not like it when you arrive, you soon get into it. | 0:03:43 | 0:03:46 | |
For some competitors, last night's celebrations are taking their toll. | 0:03:49 | 0:03:54 | |
TANNOY: A fine. | 0:03:54 | 0:03:56 | |
Whilst others clear the jumps with aplomb... | 0:03:56 | 0:03:58 | |
Oh, yes! | 0:03:58 | 0:04:00 | |
..and display some New Year exuberance. | 0:04:00 | 0:04:04 | |
One, two, three. | 0:04:09 | 0:04:11 | |
Before long, it's the turn of Puffin and her friend and hind legs, Jane Sams. | 0:04:11 | 0:04:17 | |
Over the first fence. | 0:04:17 | 0:04:19 | |
All four legs are working in harmony through the cross-country section | 0:04:24 | 0:04:28 | |
but their greatest test is next. | 0:04:28 | 0:04:31 | |
Now onto the dressage. | 0:04:31 | 0:04:33 | |
GRAND ORCHESTRAL MUSIC | 0:04:33 | 0:04:35 | |
-Nice movement there. -Yes, nice bit of movement. | 0:04:41 | 0:04:45 | |
Chop-chop. | 0:04:47 | 0:04:48 | |
Well done. Excellent. | 0:04:51 | 0:04:53 | |
APPLAUSE | 0:04:53 | 0:04:55 | |
I tell you what, the dressage was taxing, wasn't it? | 0:04:58 | 0:05:00 | |
We got out of breath. | 0:05:00 | 0:05:03 | |
The back doesn't know what the front is doing, obviously. | 0:05:03 | 0:05:08 | |
And in gold medal position for that great effort, | 0:05:08 | 0:05:12 | |
Puffin and Jane! | 0:05:12 | 0:05:14 | |
THEY CHEER | 0:05:14 | 0:05:16 | |
Well done, Jane. Congratulations. Well done. | 0:05:19 | 0:05:23 | |
Perhaps they thought we were professional! | 0:05:23 | 0:05:25 | |
Come on, then. | 0:05:33 | 0:05:34 | |
Dave Scott moved to Sark as a child. | 0:05:34 | 0:05:37 | |
By his early 20s, he'd embarked on a shepherding career. | 0:05:38 | 0:05:42 | |
For the last 30 years, he's been building up his flock of ewes. | 0:05:43 | 0:05:47 | |
He now has almost 100. | 0:05:47 | 0:05:49 | |
Come on, girls. | 0:05:51 | 0:05:52 | |
They've got a big old area up here to roam round. | 0:05:54 | 0:05:57 | |
There's not a huge amount in the grass this time of year, | 0:05:57 | 0:06:00 | |
so there's more goodness in the hay because it was cut in the summer. | 0:06:00 | 0:06:06 | |
You know, you've got a belly full of hay to start their day with. | 0:06:06 | 0:06:11 | |
And then they go and top up around the place with all various vegetation that's on the go. | 0:06:12 | 0:06:18 | |
Dave's sheep might be fed and happy, | 0:06:20 | 0:06:22 | |
but there's no time to put his feet up. | 0:06:22 | 0:06:25 | |
Here you go, little one. | 0:06:25 | 0:06:27 | |
Back home, he and wife Estelle, a charity worker, | 0:06:27 | 0:06:30 | |
have one-year-old Robin to look after. | 0:06:30 | 0:06:32 | |
And during the winter, | 0:06:34 | 0:06:35 | |
Dave takes on other work to supplement his shepherd's income. | 0:06:35 | 0:06:39 | |
The wintertime's about my busiest time, really. | 0:06:39 | 0:06:42 | |
You know, you'll see me up a tree, delivering logs. We do all sorts. | 0:06:43 | 0:06:49 | |
Just got to check the chain. | 0:06:51 | 0:06:53 | |
Nothing worse than having a blunt chain saw, especially when you're up a tree. | 0:06:55 | 0:06:59 | |
With no tourists around, | 0:07:01 | 0:07:02 | |
it's the perfect time for some of the trees on Sark's main street, The Avenue, | 0:07:02 | 0:07:07 | |
to get some much-needed attention. | 0:07:07 | 0:07:10 | |
I take the lower limbs off, | 0:07:11 | 0:07:13 | |
so just trying to work out the best way to do it. | 0:07:13 | 0:07:16 | |
If you get snow on them, they'll come tumbling down. | 0:07:16 | 0:07:22 | |
It's the nature of being over here, | 0:07:34 | 0:07:37 | |
you need to be flexible what you do to earn a living. | 0:07:37 | 0:07:41 | |
Most people have got different hats to put on. | 0:07:43 | 0:07:47 | |
Or they put the same hat on but do different jobs, you know. | 0:07:47 | 0:07:50 | |
Look up there. It's Daddy. | 0:07:53 | 0:07:55 | |
We often find him up trees, don't we, darling? | 0:07:55 | 0:07:58 | |
He said he was busy off up trees today and then he left the house. | 0:08:00 | 0:08:04 | |
And that's where we found him. | 0:08:04 | 0:08:06 | |
Look at that. | 0:08:09 | 0:08:11 | |
Yeah, I don't like the sound of him and running chain saws up trees | 0:08:11 | 0:08:14 | |
so I just look the other way generally. | 0:08:14 | 0:08:18 | |
After the excitement of Christmas and New Year, | 0:08:30 | 0:08:34 | |
and without the tourists, business slows down on Sark. | 0:08:34 | 0:08:38 | |
The Post Office is run by Caroline. | 0:08:40 | 0:08:42 | |
And like many others on the island, | 0:08:44 | 0:08:46 | |
she must also show resilience in the lean times. | 0:08:46 | 0:08:50 | |
Obviously we don't get many visitors out of season | 0:08:51 | 0:08:54 | |
and, yes, you do struggle to make ends meet, | 0:08:54 | 0:08:57 | |
but you hope that your summer's good enough | 0:08:57 | 0:09:00 | |
so you can put a little bit by and it'll see you through the lean times. | 0:09:00 | 0:09:04 | |
You know, when you have a system where there's no NHS or benefits to call on, | 0:09:09 | 0:09:13 | |
you have to be willing to work. | 0:09:13 | 0:09:15 | |
It's no good coming to Sark thinking you're going to have an easy ride. | 0:09:15 | 0:09:18 | |
You do have to work and I think that's a good thing. | 0:09:18 | 0:09:21 | |
I've always thought that Sark is a very close-knit community | 0:09:22 | 0:09:27 | |
and I think on the whole we do try and help each other out as well. | 0:09:27 | 0:09:31 | |
You know, we allow people to put notices up here | 0:09:31 | 0:09:34 | |
and hopefully they will pick up jobs from that. | 0:09:34 | 0:09:37 | |
Dave and his friend Dick Adams, a fisherman in the summer months, | 0:09:52 | 0:09:57 | |
must turn their hands to most things to get through the winter. | 0:09:57 | 0:10:01 | |
Their job at the moment is for the Anglican Church. | 0:10:01 | 0:10:05 | |
Mm, deeper than you think. | 0:10:05 | 0:10:08 | |
Well, the project is to straighten up all the gravestones to tidy up the cemetery. | 0:10:10 | 0:10:16 | |
You know, a lot of these stones have been here for 100 years, | 0:10:18 | 0:10:22 | |
as if nothing had happened to them. They were in a sorry state, really. | 0:10:22 | 0:10:25 | |
Well, we sort of advertised that we were looking for a bit of work. | 0:10:27 | 0:10:32 | |
Yes, it was a project that they'd got. | 0:10:32 | 0:10:35 | |
BELL TOLLS | 0:10:37 | 0:10:40 | |
There, I think. | 0:10:40 | 0:10:42 | |
Just give it a little wobble. | 0:10:44 | 0:10:47 | |
Yes. | 0:10:47 | 0:10:48 | |
Get the technology right. | 0:10:50 | 0:10:53 | |
Yes, I think we'll get away with that. Yes. | 0:10:53 | 0:10:57 | |
Yes. | 0:10:57 | 0:10:59 | |
See, the whole thing of the island has changed. | 0:10:59 | 0:11:03 | |
The fishermen who used to fish during the summer months | 0:11:03 | 0:11:07 | |
through till, well, generally to the end of October, | 0:11:07 | 0:11:10 | |
and then they used to go on road repairs and that. | 0:11:10 | 0:11:13 | |
Just with the aid of a crusher and a roller, stuff like that. | 0:11:13 | 0:11:18 | |
It gave employment through. | 0:11:18 | 0:11:20 | |
But now that you bring in what we call the MERI crusher, | 0:11:20 | 0:11:23 | |
which is a big tractor, which crushes and lays the roads, | 0:11:23 | 0:11:27 | |
the world we live in at the moment, you've got to be realistic. | 0:11:27 | 0:11:30 | |
Unemployment is worldwide, basically. | 0:11:30 | 0:11:33 | |
And it's crept into Sark, inevitable it would. | 0:11:33 | 0:11:35 | |
Yes, St Peter's has come to our rescue in the days of unemployment. | 0:11:35 | 0:11:42 | |
Okey-dokey, David. | 0:11:42 | 0:11:44 | |
With no airport, everyone and everything arrives on Sark by boat. | 0:11:50 | 0:11:55 | |
And through the winter, | 0:11:56 | 0:11:58 | |
the most important one is the Sark Viking, | 0:11:58 | 0:12:01 | |
the cargo boat that makes the ten-mile journey from Guernsey three times a week. | 0:12:01 | 0:12:06 | |
Every drop of diesel, every bag of cement, | 0:12:06 | 0:12:09 | |
every can of baked beans arrives here. | 0:12:09 | 0:12:13 | |
The ships that come to this island are very important. | 0:12:16 | 0:12:19 | |
The lifeblood of the island. | 0:12:19 | 0:12:20 | |
As one of the harbour masters, | 0:12:22 | 0:12:23 | |
it's Peter Burns's job to make sure the entire operation runs smoothly. | 0:12:23 | 0:12:28 | |
You get a different perspective on Sark being down here. | 0:12:28 | 0:12:31 | |
When you live up on the top, you've got the life that happens up there. | 0:12:33 | 0:12:36 | |
You're not really aware of what's needed to keep all that running up there. | 0:12:36 | 0:12:40 | |
But when you come down here, you immediately are. | 0:12:42 | 0:12:44 | |
Many on Sark have a couple of different jobs. | 0:12:48 | 0:12:51 | |
Jeremy, the crane driver, is also the island's magistrate, | 0:12:51 | 0:12:54 | |
and on a low tide like today, | 0:12:54 | 0:12:56 | |
he's unable to see the boat he's unloading from. | 0:12:56 | 0:13:00 | |
So he relies on Peter for direction. | 0:13:01 | 0:13:04 | |
It's a standard procedure using standard signals and things... | 0:13:06 | 0:13:10 | |
Like, that means take the weight. | 0:13:10 | 0:13:13 | |
That means go down. | 0:13:13 | 0:13:15 | |
That means go up. | 0:13:19 | 0:13:20 | |
It takes a while to realise how the crane works. | 0:13:22 | 0:13:25 | |
You have to think like a crane driver. | 0:13:25 | 0:13:28 | |
You've got to be in tune. You get the speed of the crane, | 0:13:29 | 0:13:32 | |
you know what's happening, so you're in a flow. | 0:13:32 | 0:13:35 | |
There's only one absolute rule. | 0:13:35 | 0:13:38 | |
If anybody goes, "Whoa!" or "Stop!" you stop. | 0:13:38 | 0:13:41 | |
For over 200 years there's been a Methodist chapel on Sark. | 0:13:53 | 0:13:59 | |
And for the last three of those years, | 0:14:00 | 0:14:02 | |
it's been run by lay preacher Karen Le Mouton. | 0:14:02 | 0:14:06 | |
Morning, Sally. | 0:14:06 | 0:14:08 | |
In the long, quiet winter months with no welfare state on the island, | 0:14:08 | 0:14:12 | |
her work is often away from the chapel amongst her parishioners. | 0:14:12 | 0:14:16 | |
In the winter, it's different. It's a different sort of ministry. | 0:14:18 | 0:14:22 | |
It's more engaging with people that are here all the time. | 0:14:22 | 0:14:25 | |
Just coming alongside people whenever they need you. | 0:14:25 | 0:14:28 | |
Karen's been a lay preacher for almost ten years now | 0:14:30 | 0:14:34 | |
but all that could be about to change. | 0:14:34 | 0:14:36 | |
It's funny how God takes you on little steps. | 0:14:38 | 0:14:41 | |
I think he's been leading me down this path | 0:14:41 | 0:14:44 | |
but I hadn't known what the end result would be. | 0:14:44 | 0:14:47 | |
I thought it was just going to be the lay worker on Sark, | 0:14:47 | 0:14:49 | |
but obviously there's more steps that he wants me to consider. | 0:14:49 | 0:14:53 | |
It's Karen's hope to become ordained as a fully fledged Methodist minister. | 0:14:54 | 0:14:59 | |
Well, the first step would be offering myself as a candidate for pre-ordination training. | 0:15:01 | 0:15:06 | |
And that would be a process, then, of discerning whether | 0:15:06 | 0:15:09 | |
God's call is right for me and for the church. | 0:15:09 | 0:15:12 | |
Karen's journey begins on Sark, as she takes the shuttle service, | 0:15:15 | 0:15:19 | |
known to all as the Toast Rack, down to the harbour. | 0:15:19 | 0:15:22 | |
She's off to catch the ferry to the neighbouring island of Jersey. | 0:15:25 | 0:15:29 | |
I think my tummy's jumping about as much as the Toast Rack is, actually! | 0:15:29 | 0:15:34 | |
Karen will face the local Methodist committee today. | 0:15:38 | 0:15:41 | |
It'll be their job to decide if she can progress to the next stage. | 0:15:42 | 0:15:46 | |
There's a panel of 16. | 0:15:48 | 0:15:50 | |
So...we'll see! | 0:15:51 | 0:15:54 | |
'It's not a job, it's a vocation, | 0:15:58 | 0:16:02 | |
'and if I am ordained, | 0:16:02 | 0:16:05 | |
'then that would be for life.' | 0:16:05 | 0:16:07 | |
The other church on Sark is the Anglican St Peter's. | 0:16:23 | 0:16:26 | |
And the church committee, including Puffin and Sheila, | 0:16:28 | 0:16:32 | |
are busy with a spot of upkeep. | 0:16:32 | 0:16:34 | |
There is no permanent vicar at St Peter's at the moment. | 0:16:37 | 0:16:40 | |
The post is unpaid | 0:16:40 | 0:16:42 | |
so finding someone who can afford to take the job is a challenge. | 0:16:42 | 0:16:45 | |
Until they do, they're relying on locum vicars to work a month at a time. | 0:16:45 | 0:16:50 | |
Despite the uncertainty for the parishioners, there is an upside. | 0:16:50 | 0:16:55 | |
I think it is quite good because I think it's helping the church | 0:16:55 | 0:16:58 | |
and the congregation can decide what we would like. | 0:16:58 | 0:17:00 | |
You know, we're an ageing congregation, really, | 0:17:01 | 0:17:03 | |
so they'll bring in ideas | 0:17:03 | 0:17:06 | |
and that's good to see because we've got to bring the church alive again. | 0:17:06 | 0:17:09 | |
So, today's service will be the first taken by Neville Jacob, | 0:17:10 | 0:17:15 | |
Sark's temporary Anglican vicar for January. | 0:17:15 | 0:17:18 | |
Hymns - that's what I need to work out. | 0:17:18 | 0:17:20 | |
Have we got the hymn numbers, John? | 0:17:20 | 0:17:22 | |
'Well, I'm an unemployed vicar, in fact.' | 0:17:22 | 0:17:24 | |
So, I thought having been unemployed for about 18 months, I thought | 0:17:24 | 0:17:29 | |
it would be a good way of just keeping in touch with a bit of vicaring. | 0:17:29 | 0:17:32 | |
It's the calm exterior, you see. It smoothes over everything else. | 0:17:32 | 0:17:37 | |
Like a lot of people today, that's the way it goes, you know. | 0:17:38 | 0:17:41 | |
It's the same for people in the Church as elsewhere, really. | 0:17:41 | 0:17:46 | |
'It's like a very traditional style of Church here. | 0:17:51 | 0:17:55 | |
'It's something that I can see means a lot to people here | 0:17:55 | 0:17:59 | |
'and they get a lot of benefit from it. | 0:17:59 | 0:18:01 | |
'It's good for me to join in and just do it the way they do it, really.' | 0:18:03 | 0:18:07 | |
And that way, I'll sort of learn once more, you know, | 0:18:07 | 0:18:10 | |
what the island's about, really. | 0:18:10 | 0:18:12 | |
Beloved, we are come together in the presence of Almighty God | 0:18:12 | 0:18:16 | |
and the whole company of heaven, to offer unto Him | 0:18:16 | 0:18:19 | |
through our Lord, Jesus Christ, our worship and praise and thanksgiving, | 0:18:19 | 0:18:24 | |
that we may know more truly the greatness of God's love | 0:18:24 | 0:18:28 | |
through Jesus Christ, our Lord. Amen. | 0:18:28 | 0:18:32 | |
I can see just having been here a week that people in the parish | 0:18:34 | 0:18:39 | |
work so hard to keep things going. | 0:18:39 | 0:18:41 | |
I can see it's a very strong, vibrant community of people. | 0:18:43 | 0:18:46 | |
And slowly I've begun to learn people's names. | 0:18:48 | 0:18:50 | |
It can be a struggle, but I feel that I'm getting there. | 0:18:50 | 0:18:53 | |
The great loneliness in British society today | 0:18:54 | 0:18:57 | |
is largely due to the fact that people don't know each other. | 0:18:57 | 0:19:01 | |
Neville's first service in a year-and-a-half seems to have gone down well. | 0:19:05 | 0:19:10 | |
Especially with leader of the choir, Baz Adams. | 0:19:10 | 0:19:14 | |
I think it was great. | 0:19:14 | 0:19:16 | |
He would be the ideal person for Sark, really. | 0:19:16 | 0:19:18 | |
He's got a nice way with people. | 0:19:18 | 0:19:21 | |
Everybody doesn't suit the job. | 0:19:21 | 0:19:24 | |
And he's just one of these things who just fitted like a glove, you know. | 0:19:24 | 0:19:28 | |
Yeah, Wednesday, that sounds good. | 0:19:28 | 0:19:30 | |
'To be honest, I' thought with an 18-month gap,' | 0:19:30 | 0:19:33 | |
your memory would sort of fail a little bit on how you did things. | 0:19:33 | 0:19:37 | |
'So, the art is to try and make your way through' | 0:19:39 | 0:19:43 | |
whilst making it look as if you know what you're doing, really! | 0:19:43 | 0:19:47 | |
In the winter, Peter's job as harbour master is only part-time. | 0:19:58 | 0:20:03 | |
Which leaves him free to concentrate on his passion - music. | 0:20:03 | 0:20:07 | |
Peter's got dreams of turning his hobby into a profession. | 0:20:09 | 0:20:13 | |
So he's building a studio in the back garden. | 0:20:13 | 0:20:16 | |
I have wires running under the ground into the house, | 0:20:19 | 0:20:22 | |
where I can connect microphones in various places around the house, | 0:20:22 | 0:20:26 | |
and then feed it back out here into the recording desk. | 0:20:26 | 0:20:31 | |
And then we'll come here to edit and mix things. | 0:20:31 | 0:20:35 | |
Peter came to Sark ten years ago. | 0:20:35 | 0:20:38 | |
In fact, over three quarters of the island's population | 0:20:38 | 0:20:41 | |
are outsiders or blow-ins, | 0:20:41 | 0:20:43 | |
drawn to Sark's peace and tranquillity. | 0:20:43 | 0:20:47 | |
It sounds really... | 0:20:47 | 0:20:49 | |
you know, cheesy, but I'd written a song when I was a kid | 0:20:49 | 0:20:52 | |
and it was, you know, "I want to live by the ocean, | 0:20:52 | 0:20:54 | |
"I want to live by the sea, where a man can learn to understand | 0:20:54 | 0:20:58 | |
"and let his soul run free." | 0:20:58 | 0:20:59 | |
I remember those lyrics perfectly well and Sark, I suppose, is that. | 0:20:59 | 0:21:05 | |
# Take my hand | 0:21:05 | 0:21:08 | |
# Lead me to a gentle land... # | 0:21:09 | 0:21:12 | |
Somebody told me that Sark chooses you. You don't... You know. | 0:21:14 | 0:21:17 | |
And it'd be nice to think that Sark chose me. | 0:21:17 | 0:21:21 | |
I just love it here. It's such a lovely, peaceful place. | 0:21:21 | 0:21:25 | |
The people on Sark are really... You know, they've got great ingenuity, | 0:21:29 | 0:21:33 | |
and they have to because you can't just do one thing. You can't survive. | 0:21:33 | 0:21:37 | |
And that's the way it is here. People love the things they do, | 0:21:37 | 0:21:39 | |
they love the diversity of what they do, and it makes for a much more interesting life. | 0:21:39 | 0:21:45 | |
Sark attracts individuals for that reason. | 0:21:46 | 0:21:49 | |
You know, Sark is full of individuals | 0:21:49 | 0:21:51 | |
and what the individuals love is that nobody's telling them how to be. | 0:21:51 | 0:21:56 | |
You can be yourself on Sark. | 0:21:56 | 0:21:59 | |
The thing I noticed when I came here especially was that | 0:22:06 | 0:22:08 | |
when you go to work, it's like being part of your life. | 0:22:08 | 0:22:12 | |
It's not like in the city where it feels you go to work | 0:22:12 | 0:22:15 | |
and then you're free at the weekend and then you can be yourself. | 0:22:15 | 0:22:18 | |
Here, it's like when you get there it's part of you. | 0:22:18 | 0:22:21 | |
The whole thing, the whole work ethic was just... Seemed so natural. | 0:22:21 | 0:22:26 | |
It's mid-January and Sark wakes up to a blanket of snow. | 0:22:38 | 0:22:42 | |
I think the children wanted to not go to school | 0:22:46 | 0:22:48 | |
but they all managed to get there, or most of them did! | 0:22:48 | 0:22:51 | |
As there's no transport system here to grind to a halt, | 0:22:54 | 0:22:57 | |
things carry on as normal. | 0:22:57 | 0:22:59 | |
People cope because they're used to walking. | 0:23:01 | 0:23:03 | |
It's a small island so we just see if your neighbour's in, see if they need anything. | 0:23:03 | 0:23:08 | |
The island pulls together, which is great. | 0:23:09 | 0:23:12 | |
Neville, St Peter's locum vicar, | 0:23:14 | 0:23:17 | |
might only be here for a few weeks, but today's a perfect opportunity | 0:23:17 | 0:23:21 | |
to see the islanders' hardy constitution first-hand. | 0:23:21 | 0:23:25 | |
-OK, take care in the... -Yeah. -..ice. | 0:23:25 | 0:23:28 | |
I think people get on and do what they have to do. | 0:23:31 | 0:23:34 | |
Still going out doing their shopping and those tractors just pass by. | 0:23:36 | 0:23:40 | |
People are going to school and things like that. | 0:23:41 | 0:23:44 | |
I didn't bring any gloves with me either. | 0:23:44 | 0:23:46 | |
My fingers are absolutely freezing, but, erm... | 0:23:46 | 0:23:49 | |
I'm not letting on about that! | 0:23:49 | 0:23:50 | |
Whatever the weather, shepherd Dave Scott must | 0:23:57 | 0:24:01 | |
feed his flock of 90 pregnant ewes out on the headland every day. | 0:24:01 | 0:24:05 | |
Come on! Come on! | 0:24:07 | 0:24:10 | |
Today, he's got a treat for them. | 0:24:10 | 0:24:12 | |
A bonus from his tree surgery work | 0:24:12 | 0:24:14 | |
and a much sought-after delicacy in the sheep world. | 0:24:14 | 0:24:17 | |
Ivy. | 0:24:17 | 0:24:19 | |
There won't be a scrap of it left by the time I come back tomorrow! | 0:24:20 | 0:24:24 | |
Just be a few sticks. | 0:24:24 | 0:24:26 | |
Come on, girlies. | 0:24:28 | 0:24:30 | |
Dave's ewes are only a month away from giving birth now, | 0:24:31 | 0:24:34 | |
and with 75% of his income reliant on successful lambing, | 0:24:34 | 0:24:39 | |
keeping his girls healthy is key. | 0:24:39 | 0:24:41 | |
This is known as a gorse hayrack. | 0:24:45 | 0:24:47 | |
Come on! | 0:24:51 | 0:24:52 | |
You've got to check them once a day, | 0:24:58 | 0:25:00 | |
so you give them enough for a day and then they don't waste any then. | 0:25:00 | 0:25:04 | |
Lay preacher Karen is back from her interview on Jersey. | 0:25:25 | 0:25:30 | |
And she's had news from her Methodist elders | 0:25:30 | 0:25:32 | |
on her bid to become ordained. | 0:25:32 | 0:25:35 | |
-So, tell me, how did it go? -It was a unanimous vote that, yes, | 0:25:35 | 0:25:40 | |
that they're affirming my calling to go to the next stage. | 0:25:40 | 0:25:45 | |
I think by the end, I expected to be sort of shouting | 0:25:45 | 0:25:48 | |
from the rooftops with joy, but actually, I was very subdued | 0:25:48 | 0:25:53 | |
and very quiet, but I think it was just the exhaustion, really. | 0:25:53 | 0:25:56 | |
The emotional exhaustion. | 0:25:56 | 0:25:58 | |
The next and final hurdle facing Karen and her dream | 0:25:58 | 0:26:02 | |
of becoming ordained will be a trip to Hertfordshire, | 0:26:02 | 0:26:06 | |
to meet the Methodist Church hierarchy in a month's time. | 0:26:06 | 0:26:10 | |
The entire enterprise will rest on this. | 0:26:10 | 0:26:13 | |
'I hope that even if I wasn't successful, | 0:26:13 | 0:26:16 | |
'I would still grow in my faith and develop.' | 0:26:16 | 0:26:20 | |
You don't know what God's got planned, really. | 0:26:20 | 0:26:22 | |
So, Karen is back, | 0:26:25 | 0:26:27 | |
but for Neville Jacobs, the temporary Anglican vicar, | 0:26:27 | 0:26:30 | |
it's almost time to return to his home on the mainland. | 0:26:30 | 0:26:33 | |
On his last day, | 0:26:34 | 0:26:36 | |
there's just time to visit one of Sark's most famous landmarks. | 0:26:36 | 0:26:40 | |
There's the window in the rock. Sheer drop. | 0:26:41 | 0:26:44 | |
This is where you have to just sort of stop. | 0:26:46 | 0:26:48 | |
How are you feeling about your time on Sark? | 0:26:54 | 0:26:56 | |
I feel rejuvenated, yeah. | 0:26:57 | 0:26:59 | |
What people don't know is I haven't been to a church for two years, | 0:27:00 | 0:27:04 | |
really, since, and that was really just because | 0:27:04 | 0:27:10 | |
when you lose your job, even if the reasons are quite... | 0:27:10 | 0:27:14 | |
understandable, you still feel a bit lost, | 0:27:14 | 0:27:16 | |
and perhaps I was feeling a bit lost. | 0:27:16 | 0:27:19 | |
You know, I hadn't had a parish, really, for 18 months or two years, | 0:27:21 | 0:27:24 | |
and I wanted to sort of see if I could manage that role, really. | 0:27:24 | 0:27:27 | |
Feeling a bit emotional now. | 0:27:30 | 0:27:31 | |
Yeah... | 0:27:33 | 0:27:35 | |
I think it would be a good post. | 0:27:38 | 0:27:40 | |
Do you have too much back on the mainland to consider taking the job full-time yourself? | 0:27:40 | 0:27:44 | |
Well, I need to earn some money! HE LAUGHS | 0:27:44 | 0:27:47 | |
-Bracken! Bracken! -In the days to come... | 0:27:48 | 0:27:52 | |
Somewhere down there in the misty murks, | 0:27:52 | 0:27:55 | |
there'll be ormers to be had. | 0:27:55 | 0:27:58 | |
..spring tides on Sark provide the islanders with some unique opportunities. | 0:27:58 | 0:28:03 | |
They'll take some bashing! | 0:28:03 | 0:28:05 | |
A talent competition brings some of Sark's private performers... | 0:28:05 | 0:28:10 | |
into the public domain. | 0:28:10 | 0:28:12 | |
My hands just froze. I kept thinking, "All these people are watching me!" | 0:28:12 | 0:28:16 | |
And as Karen's journey to become ordained reaches its final hurdle, | 0:28:16 | 0:28:21 | |
she faces a difficult decision. | 0:28:21 | 0:28:23 | |
You're kind of torn, feeling you want to be there | 0:28:23 | 0:28:26 | |
but you know you've only got this one chance. | 0:28:26 | 0:28:29 | |
I'm just praying that everything will work out at the right time. | 0:28:29 | 0:28:33 |