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BBC Four Collections - specially chosen programmes | 0:00:02 | 0:00:05 | |
from the BBC archive. | 0:00:05 | 0:00:06 | |
For this collection, Sir David Attenborough | 0:00:06 | 0:00:09 | |
has chosen documentaries from the start of his career. | 0:00:09 | 0:00:13 | |
More programmes on this theme and other BBC Four Collections, | 0:00:13 | 0:00:15 | |
are available on BBC iPlayer. | 0:00:15 | 0:00:18 | |
BALINESE MUSIC | 0:00:20 | 0:00:23 | |
DAVID ATTENBOROUGH: Most musical instruments in Bali | 0:00:53 | 0:00:55 | |
are made of bronze - | 0:00:55 | 0:00:57 | |
gongs in racks | 0:00:57 | 0:00:59 | |
hanging gongs, cymbals, | 0:00:59 | 0:01:01 | |
and many different kinds of metallophones - | 0:01:01 | 0:01:04 | |
instruments like xylophones but with metal keys. | 0:01:04 | 0:01:07 | |
Together with drums and flutes, they form orchestras called gamelan gong, | 0:01:08 | 0:01:13 | |
which may have over 30 players | 0:01:13 | 0:01:14 | |
and are the biggest musical ensemble in the world, | 0:01:14 | 0:01:18 | |
except for the symphony orchestra of the West. | 0:01:18 | 0:01:21 | |
In the village of Pliatan, | 0:01:21 | 0:01:22 | |
the gamelan gong usually begins an evening of music and dancing | 0:01:22 | 0:01:26 | |
with an overture specially composed | 0:01:26 | 0:01:28 | |
to show off the orchestra's dazzling virtuosity. | 0:01:28 | 0:01:31 | |
This one is called Kebyar Susun. | 0:01:31 | 0:01:34 | |
MUSIC FADES | 0:06:56 | 0:06:58 | |
Many of the dances of Bali are traditional. | 0:07:02 | 0:07:04 | |
But like every other art in this island, | 0:07:04 | 0:07:06 | |
dancing is continually developing. | 0:07:06 | 0:07:09 | |
The dance that follows now was created as recently as 1951, | 0:07:09 | 0:07:13 | |
by Mario, one of Bali's greatest dancers. | 0:07:13 | 0:07:16 | |
Its story is simple - boy meets girl - | 0:07:17 | 0:07:19 | |
only here they play the part of bumblebees. | 0:07:19 | 0:07:22 | |
The girl is Gusti Ayu Raka, | 0:07:22 | 0:07:25 | |
who created the role under Mario 17 years ago. | 0:07:25 | 0:07:29 | |
The man, Anak Agung Banme, ends the dance | 0:07:29 | 0:07:32 | |
by playing a triumphant melody | 0:07:32 | 0:07:34 | |
on an ancient instrument called a terompong. | 0:07:34 | 0:07:37 | |
The dance is called Tumulilingan Mengisap Sari, | 0:07:37 | 0:07:41 | |
"The Bumblebee Sips Honey". | 0:07:41 | 0:07:43 | |
MUSIC PLAYING | 0:07:43 | 0:07:45 | |
MUSIC FADES | 0:19:21 | 0:19:23 | |
There are many different kinds of musical ensemble in Bali, | 0:19:27 | 0:19:30 | |
apart from the full-scale gamelan gong. | 0:19:30 | 0:19:33 | |
Here are four - one of bamboo xylophones, | 0:19:33 | 0:19:37 | |
another very ancient one of jaws harps, | 0:19:37 | 0:19:40 | |
a small group of metallophones with bamboo shakers, | 0:19:40 | 0:19:43 | |
and lastly, a quartet of metallophones, | 0:19:43 | 0:19:46 | |
which produce one of the most melodious forms of chamber music | 0:19:46 | 0:19:49 | |
to be found on the island | 0:19:49 | 0:19:50 | |
and used to accompany the shadow play. | 0:19:50 | 0:19:54 | |
MUSIC PLAYING | 0:19:54 | 0:19:56 | |
ROOSTER CROWS | 0:20:03 | 0:20:06 | |
CHILD SHOUTS | 0:20:06 | 0:20:08 | |
MUSIC FADES | 0:20:58 | 0:21:01 | |
JAWS HARPS AND FLUTES PLAY | 0:21:01 | 0:21:06 | |
Now a warrior dance called a "baris". | 0:23:26 | 0:23:30 | |
It's a dance of great nervous tension | 0:23:30 | 0:23:32 | |
in which the warrior first preens himself in preparation for battle, | 0:23:32 | 0:23:36 | |
and then seeks his enemy, looking for him in every direction | 0:23:36 | 0:23:39 | |
as he nerves himself for the assault. | 0:23:39 | 0:23:41 | |
MUSIC PLAYING | 0:23:41 | 0:23:43 | |
For the finale, a "kecak", or "monkey dance". | 0:26:58 | 0:27:02 | |
This has developed from the traditional choruses | 0:27:02 | 0:27:05 | |
that accompany trance rituals. | 0:27:05 | 0:27:07 | |
Indeed, singers in the kecak chorus | 0:27:07 | 0:27:09 | |
may often, during a performance, come close to | 0:27:09 | 0:27:12 | |
a state of trance themselves. | 0:27:12 | 0:27:14 | |
There are many variations in different villages, | 0:27:14 | 0:27:16 | |
but all are based on Hindu myths. | 0:27:16 | 0:27:19 | |
Here in the village of Pliatan | 0:27:19 | 0:27:21 | |
the story concerns the abduction of King Rama's wife Sita | 0:27:21 | 0:27:26 | |
by the giant demon Ravana. | 0:27:26 | 0:27:28 | |
Hanuman, prince of the monkeys, comes to her rescue | 0:27:28 | 0:27:32 | |
aided by his monkey horde - the chorus. | 0:27:32 | 0:27:35 | |
A CAPPELLA CHANTING | 0:27:35 | 0:27:40 | |
A CAPPELLA SOLOIST AND CHORUS | 0:27:40 | 0:27:44 | |
PERFORMANCE ENDS ABRUPTLY | 0:36:41 | 0:36:42 | |
GAMELAN GONG PLAYS | 0:36:45 | 0:36:48 |