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She's the most famous woman in the world. | 0:00:04 | 0:00:07 | |
As the figurehead of grand ceremonies | 0:00:07 | 0:00:10 | |
meeting world leaders and heads of state | 0:00:10 | 0:00:14 | |
or meeting her subjects, | 0:00:14 | 0:00:16 | |
the Queen has a public face that's instantly recognisable to billions. | 0:00:16 | 0:00:21 | |
But there's a private side, a side most of us hardly ever see. | 0:00:22 | 0:00:27 | |
It is possible to get a closer look at the woman | 0:00:28 | 0:00:31 | |
behind the dutiful monarch on parade. | 0:00:31 | 0:00:34 | |
And that's when she's indulging her lifelong love of horses. | 0:00:34 | 0:00:39 | |
Everyone knows that the Queen loves racing. | 0:00:39 | 0:00:42 | |
Before she does anything else in the morning | 0:00:42 | 0:00:44 | |
she will read her copy of the Racing Post, | 0:00:44 | 0:00:46 | |
but what most people don't realise is that | 0:00:46 | 0:00:48 | |
the Queen has an in-depth fascination for and great knowledge | 0:00:48 | 0:00:53 | |
of the creature that is at the centre of this sport. | 0:00:53 | 0:00:56 | |
For the Queen, horses are both an escape and an emotional outlet. | 0:00:58 | 0:01:02 | |
Far from the demands of royal duty, they reveal a different side. | 0:01:02 | 0:01:08 | |
We've been allowed inside that private world for a close-up look | 0:01:08 | 0:01:12 | |
at the Queen's horses, the people who look after them | 0:01:12 | 0:01:15 | |
and the pleasure she derives from it all. | 0:01:15 | 0:01:18 | |
-Oh, you silly fool! -Look at him. | 0:01:18 | 0:01:20 | |
LAUGHTER | 0:01:20 | 0:01:22 | |
At Balmoral, we meet a rare native pony breed | 0:01:22 | 0:01:25 | |
the Queen has helped save from obscurity. | 0:01:25 | 0:01:28 | |
The Queen just adores the fact they're so easy | 0:01:28 | 0:01:31 | |
and so uncomplicated. | 0:01:31 | 0:01:33 | |
All her life, the Queen has enjoyed the company of horses, | 0:01:33 | 0:01:38 | |
and it's a love she's passed down to the rest of her family. | 0:01:38 | 0:01:42 | |
Horses were everywhere, | 0:01:42 | 0:01:43 | |
and ponies were a natural extension to the pram, basically. | 0:01:43 | 0:01:47 | |
This is the Queen at her most relaxed. | 0:01:47 | 0:01:50 | |
That's mine. My horse! I've got one on sweep! | 0:01:50 | 0:01:54 | |
There's a very good magnetic field when the Queen is close | 0:01:54 | 0:01:57 | |
to horses and the people that are involved with the horses. | 0:01:57 | 0:02:00 | |
HORSE NEIGHS | 0:02:06 | 0:02:08 | |
Sandringham - the Queen's estate in Norfolk. | 0:02:09 | 0:02:12 | |
It's mid January, and three of the Queen's | 0:02:13 | 0:02:15 | |
35 active racehorses are having their morning exercise. | 0:02:15 | 0:02:19 | |
It's just a few weeks before their fitness regime ramps up | 0:02:21 | 0:02:25 | |
and they'll head to a training yard. | 0:02:25 | 0:02:27 | |
Winter is also the season for new life to begin. | 0:02:33 | 0:02:37 | |
The Queen's heavily pregnant mares have spent the day in the paddocks, | 0:02:37 | 0:02:41 | |
and it's time to bring them in. | 0:02:41 | 0:02:43 | |
Three generations of my family are amongst those | 0:02:45 | 0:02:47 | |
who have trained horses for the Queen, | 0:02:47 | 0:02:50 | |
and now I've come to see the crucial first stages | 0:02:50 | 0:02:53 | |
of producing a royal racehorse. | 0:02:53 | 0:02:55 | |
Horses usually foal at night, | 0:02:57 | 0:02:59 | |
safely hidden from the eyes of predators. | 0:02:59 | 0:03:01 | |
-Such a pretty yard. -It is lovely, isn't it? | 0:03:01 | 0:03:04 | |
The Queen has around 25 broodmares, | 0:03:08 | 0:03:11 | |
and in matching them with the right stallions, she's trying to create | 0:03:11 | 0:03:15 | |
an ever-improved racehorse - | 0:03:15 | 0:03:17 | |
faster, fitter, and happier. | 0:03:17 | 0:03:20 | |
So, this is one of the new additions to the stud, this is Memory. | 0:03:22 | 0:03:25 | |
And, as a racehorse in training, she was really talented, | 0:03:25 | 0:03:29 | |
but a couple of times on the racecourse she decided | 0:03:29 | 0:03:31 | |
she just didn't fancy it, she had ideas completely of her own, | 0:03:31 | 0:03:34 | |
the stalls opened and she just stood there. | 0:03:34 | 0:03:36 | |
But it's interesting that the Queen has decided | 0:03:36 | 0:03:39 | |
to take a chance with her, because she clearly has a lot of ability, | 0:03:39 | 0:03:42 | |
she's very well bred, so her offspring could be very good | 0:03:42 | 0:03:45 | |
as long as they can sort the mental side out. | 0:03:45 | 0:03:48 | |
Eh? | 0:03:48 | 0:03:49 | |
And she's ready to pop any minute now. | 0:03:49 | 0:03:52 | |
She's heavily in foal, she's actually overdue. | 0:03:52 | 0:03:54 | |
Yes, all right, I'm sorry. "Don't touch my tummy." | 0:03:54 | 0:03:57 | |
'One of the Queen's stud grooms is Anne-Lise Riis Jensen.' | 0:03:59 | 0:04:02 | |
Cor, magic door. | 0:04:02 | 0:04:03 | |
Yes, very good. | 0:04:03 | 0:04:05 | |
'Her job is to make sure every foal has a safe passage into the world.' | 0:04:05 | 0:04:09 | |
Talk me through Memory, the mare here, and how close she is. | 0:04:10 | 0:04:13 | |
She's overdue, she was due on the 15th January. | 0:04:13 | 0:04:16 | |
Their gestation is eleven months, so hopefully she'll foal very soon. | 0:04:16 | 0:04:21 | |
She's holding on a bit because of the weather - | 0:04:21 | 0:04:23 | |
we've had quite a cold snap here, so she's not quite ready yet. | 0:04:23 | 0:04:28 | |
But she's... | 0:04:28 | 0:04:29 | |
What I do is every day I check, make sure the udders | 0:04:29 | 0:04:32 | |
are coming the right way, so check underneath her and... | 0:04:32 | 0:04:35 | |
All right, sweetheart. | 0:04:35 | 0:04:37 | |
And she's starting to bag up, so hopefully... | 0:04:37 | 0:04:40 | |
When you say "She's starting to bag up"...? | 0:04:40 | 0:04:43 | |
She's getting milk in the udder. | 0:04:43 | 0:04:45 | |
-But not much yet. -No, but being a first foal | 0:04:45 | 0:04:47 | |
the bag might not be as big as an old, experienced mare. | 0:04:47 | 0:04:50 | |
And how many foals have you actually helped bring into the world? | 0:04:50 | 0:04:54 | |
Four...400, probably. | 0:04:55 | 0:04:57 | |
-400?! Really?! -Yes. | 0:04:57 | 0:04:59 | |
So, you are a horse midwife. | 0:04:59 | 0:05:01 | |
If there was a Call The Midwife for horses, you would be the star! | 0:05:01 | 0:05:05 | |
I would be one, yes. | 0:05:05 | 0:05:06 | |
The Queen funds her equestrian pursuits from her own private purse. | 0:05:08 | 0:05:13 | |
She has around 180 horses and ponies of different breeds | 0:05:13 | 0:05:16 | |
at stables in Norfolk and Hampshire, | 0:05:16 | 0:05:19 | |
and at Balmoral, Hampton Court and Windsor. | 0:05:19 | 0:05:22 | |
She still goes riding whenever she can. | 0:05:22 | 0:05:25 | |
She always looks happy on a horse. | 0:05:26 | 0:05:28 | |
She's totally at home with them. | 0:05:28 | 0:05:31 | |
I think because she's always ridden, | 0:05:31 | 0:05:33 | |
since she was knee high to a grasshopper, you know. | 0:05:33 | 0:05:36 | |
According to Margaret Rhodes, the Queen's cousin, | 0:05:36 | 0:05:39 | |
her fascination was obvious from the start in her choice of nursery toys. | 0:05:39 | 0:05:44 | |
I can remember, when I was quite small, | 0:05:44 | 0:05:47 | |
how the Queen had a stable of ponies that were in the nursery. | 0:05:47 | 0:05:53 | |
She organised them very tidily, | 0:05:53 | 0:05:56 | |
and they were always, you know... | 0:05:56 | 0:05:58 | |
She probably fed them and watered them, I don't know, | 0:05:58 | 0:06:00 | |
but they were always very much a part of nursery life, | 0:06:00 | 0:06:04 | |
and I mean they had to be put to bed at the right time | 0:06:04 | 0:06:07 | |
and put into stables and everything, you know. | 0:06:07 | 0:06:09 | |
We played horses a very great deal in a field near the house, | 0:06:09 | 0:06:13 | |
where we could be circus horses, or carriage horses, | 0:06:13 | 0:06:17 | |
or ponies riding - every kind of horse, | 0:06:17 | 0:06:19 | |
but we galloped, we trotted, we walked, | 0:06:19 | 0:06:22 | |
we did all that kind of thing for ever, | 0:06:22 | 0:06:25 | |
round and round in circles. | 0:06:25 | 0:06:27 | |
Which she enjoyed enormously, I found slightly boring. | 0:06:27 | 0:06:30 | |
SHE LAUGHS | 0:06:30 | 0:06:32 | |
The young Princess Elizabeth was given her first pony, called Peggy, | 0:06:33 | 0:06:37 | |
as a fourth birthday present from her grandfather, George V. | 0:06:37 | 0:06:42 | |
This is rarely seen private royal footage - | 0:06:47 | 0:06:50 | |
the six-year-old princess confidently riding Peggy. | 0:06:50 | 0:06:54 | |
And it wasn't just ponies. | 0:07:03 | 0:07:05 | |
Whenever she was near horses, | 0:07:05 | 0:07:07 | |
the princess wanted to reach out and touch them. | 0:07:07 | 0:07:10 | |
I think she has a wonderful feel for horses, | 0:07:11 | 0:07:14 | |
and I think from a very early age | 0:07:14 | 0:07:16 | |
she was just completely absorbed by it. | 0:07:16 | 0:07:18 | |
And it happens, it happens to a lot of people, | 0:07:18 | 0:07:20 | |
but we're particularly lucky that the Queen was caught by the bug | 0:07:20 | 0:07:25 | |
and has become so interested and so devoted to her horses. | 0:07:25 | 0:07:30 | |
'Based here at Sandringham, Joe Grimwade has been managing | 0:07:30 | 0:07:33 | |
'the Queen's Thoroughbred breeding programme for the past 15 years.' | 0:07:33 | 0:07:37 | |
When it comes to breeding, when you're matching a stallion | 0:07:37 | 0:07:40 | |
with a mare and you're trying to create the ultimate racehorse, | 0:07:40 | 0:07:43 | |
is that luck, or is that science? | 0:07:43 | 0:07:46 | |
Both. The process involves... | 0:07:46 | 0:07:49 | |
an artistic approach and a scientific approach, | 0:07:49 | 0:07:53 | |
and there's a massive art to using all the available tools | 0:07:53 | 0:07:56 | |
to try and find a perfect mate. | 0:07:56 | 0:07:58 | |
And then, once you've done all of that, | 0:07:58 | 0:08:00 | |
then there's a whole element of luck that dictates whether | 0:08:00 | 0:08:03 | |
it's going to produce a great racehorse or a lesser horse. | 0:08:03 | 0:08:07 | |
A lot of it's luck. | 0:08:07 | 0:08:08 | |
Over the years, the Queen has built a reputation | 0:08:10 | 0:08:12 | |
as one of Britain's most successful Thoroughbred breeders. | 0:08:12 | 0:08:16 | |
'My philosophy about racing is simple. | 0:08:18 | 0:08:21 | |
'I enjoy breeding a horse that is faster than other people's. | 0:08:21 | 0:08:25 | |
'And, to me, that is a gamble from a long way back.' | 0:08:25 | 0:08:29 | |
'I enjoy going racing. | 0:08:30 | 0:08:32 | |
'But I suppose, basically, I love horses, | 0:08:32 | 0:08:34 | |
'and a Thoroughbred epitomises a really good horse to me.' | 0:08:34 | 0:08:38 | |
I wonder whether it does become even more addictive | 0:08:39 | 0:08:42 | |
the more you get involved, because of that combination | 0:08:42 | 0:08:44 | |
of the intellectual side of things, | 0:08:44 | 0:08:46 | |
of, "Right, let's try and make this work," | 0:08:46 | 0:08:48 | |
and then the emotional response, "Here's a horse I love." | 0:08:48 | 0:08:51 | |
Yes, and highs and lows. | 0:08:51 | 0:08:53 | |
It has to be said it's often the lows that make the highs so special, | 0:08:53 | 0:08:56 | |
and the Queen can take each with equal grace. | 0:08:56 | 0:08:59 | |
Foaling season is Joe's busiest time. | 0:09:01 | 0:09:04 | |
It's hard to predict when a foal will be born. | 0:09:04 | 0:09:07 | |
We waited a week at Sandringham with no luck. | 0:09:07 | 0:09:10 | |
So we've left some kit with Joe and his team | 0:09:10 | 0:09:12 | |
to capture those first moments on camera. | 0:09:12 | 0:09:15 | |
The next mare to foal was one called Daring Aim. | 0:09:16 | 0:09:19 | |
Her trust in Joe allowed him to get some extraordinary footage. | 0:09:19 | 0:09:24 | |
-Fairly gruesome start. -It is fairly gruesome. | 0:09:25 | 0:09:27 | |
You have to bear in mind, I don't watch Call The Midwife, | 0:09:27 | 0:09:30 | |
because I don't like the birth scenes! | 0:09:30 | 0:09:32 | |
Oh, well, sit tight! | 0:09:32 | 0:09:34 | |
So, the mare's been through the first stage, walking around. | 0:09:36 | 0:09:41 | |
I've picked it up as the foal's actually starting to be born. | 0:09:41 | 0:09:45 | |
Anne-Lise has established here it's the way round, | 0:09:45 | 0:09:48 | |
everything's going tickety-boo, | 0:09:48 | 0:09:50 | |
and the mare's lying down and straining quite hard. | 0:09:50 | 0:09:54 | |
Are you not constantly amazed, looking at that... | 0:09:56 | 0:09:59 | |
Constantly amazed. | 0:09:59 | 0:10:00 | |
..that that big shape can come through that little hole? | 0:10:00 | 0:10:04 | |
It's absolutely staggering. | 0:10:04 | 0:10:05 | |
As the foal comes out though, it doesn't look alive. | 0:10:06 | 0:10:09 | |
No, at the moment it's still getting all its nutrition | 0:10:09 | 0:10:12 | |
from the umbilical cord. | 0:10:12 | 0:10:14 | |
There's no need for it to breathe now. | 0:10:14 | 0:10:16 | |
It's happily working on the system that's been keeping it going | 0:10:16 | 0:10:18 | |
right through pregnancy. | 0:10:18 | 0:10:20 | |
Here it comes. | 0:10:22 | 0:10:24 | |
Oh, and you can see the foal blinking there. | 0:10:24 | 0:10:26 | |
Now the foal's starting to move. | 0:10:26 | 0:10:28 | |
-Oh, my word! -Now, I don't know if you see it, | 0:10:31 | 0:10:33 | |
but now the foal is breathing. | 0:10:33 | 0:10:35 | |
She's looking round, the mare, saying, "Hello, there you are." | 0:10:35 | 0:10:39 | |
Beautiful head already. | 0:10:40 | 0:10:43 | |
And the ears sort of strangely disengaged to start with. | 0:10:43 | 0:10:46 | |
Yeah. Take a little while for them to perk up. | 0:10:46 | 0:10:48 | |
HORSES WHICKER | 0:10:48 | 0:10:50 | |
Listen, they're just whickering at each other, oh. | 0:10:50 | 0:10:53 | |
Such a sweet sight. Shall we just move forward a little bit? | 0:10:53 | 0:10:56 | |
Yeah. | 0:10:56 | 0:10:57 | |
They are just extraordinary. | 0:11:00 | 0:11:01 | |
And that foal's going to stand up, try to. | 0:11:01 | 0:11:04 | |
Oh! Crossed legs, crossed legs! | 0:11:04 | 0:11:05 | |
It's amazing how quickly the instinct takes over, | 0:11:06 | 0:11:09 | |
I must stand up, I must be prepared | 0:11:09 | 0:11:12 | |
to flee if needs be, if you're in the wild. | 0:11:12 | 0:11:14 | |
Exactly. The lions are coming! | 0:11:14 | 0:11:17 | |
JOE LAUGHS | 0:11:17 | 0:11:19 | |
The boxes have forgiving walls, | 0:11:19 | 0:11:21 | |
so if the foal is bouncing off the walls | 0:11:21 | 0:11:23 | |
as it stands up for the first time, | 0:11:23 | 0:11:25 | |
that takes a lot of the concussion out | 0:11:25 | 0:11:27 | |
and really no chance of them hurting themselves. | 0:11:27 | 0:11:30 | |
The poor old mares, they get treated absolutely awfully by the foals. | 0:11:30 | 0:11:33 | |
They'll get a hoof in the face on a fairly regular basis. | 0:11:33 | 0:11:37 | |
-There's going to be a big push in a moment. -Yeah. | 0:11:39 | 0:11:42 | |
It seems so unlikely, doesn't it? | 0:11:42 | 0:11:44 | |
It seems impossible, it really does. | 0:11:44 | 0:11:46 | |
And...go! | 0:11:46 | 0:11:48 | |
-Oh, clever girl. -Brilliant. Brilliant. | 0:11:48 | 0:11:52 | |
And when she went for it, it was all in one movement. | 0:11:53 | 0:11:57 | |
That was very civilised. | 0:11:57 | 0:11:59 | |
You can have a fair bit more lurching around the box | 0:11:59 | 0:12:01 | |
before this actually happens, but, er... | 0:12:01 | 0:12:04 | |
And they're still very wobbly. | 0:12:04 | 0:12:05 | |
Yes. | 0:12:05 | 0:12:07 | |
It's like they're walking on stilts, isn't it? | 0:12:08 | 0:12:11 | |
It is, very much. On a ship. | 0:12:11 | 0:12:14 | |
Yeah, exactly! On very rough seas. | 0:12:14 | 0:12:17 | |
-Having had a few drinks. -Yeah, yeah. | 0:12:17 | 0:12:19 | |
And already, you can see this wonderful sort of athletic frame. | 0:12:21 | 0:12:26 | |
The shoulder and the hindquarter and the great limbs and... | 0:12:26 | 0:12:30 | |
So, we're dreaming already, you know, | 0:12:31 | 0:12:33 | |
we've got the Oaks in mind now. 2016. | 0:12:33 | 0:12:37 | |
And that's the wonderful thing about racing. | 0:12:39 | 0:12:42 | |
I think what draws so many people to it | 0:12:42 | 0:12:44 | |
-is that - dreams, they are limitless. -They are, yeah. | 0:12:44 | 0:12:49 | |
Because this filly has as much chance of winning the Oaks | 0:12:49 | 0:12:52 | |
-as any other filly born right now, this year. -Yeah. | 0:12:52 | 0:12:56 | |
And a huge element of uncertainty. | 0:12:56 | 0:12:58 | |
But we're hoping that, because the Queen gets the matings right | 0:12:58 | 0:13:02 | |
and hopefully we get all the rearing right | 0:13:02 | 0:13:04 | |
and we get the mental training right, | 0:13:04 | 0:13:06 | |
we're hoping to give ourselves that little bit of advantage later. | 0:13:06 | 0:13:10 | |
'When the Queen comes to Sandringham, | 0:13:22 | 0:13:24 | |
she'll try to see the new foals as soon as possible | 0:13:24 | 0:13:26 | |
'to assess them and get to know them.' | 0:13:26 | 0:13:29 | |
Morning, Your Majesty. | 0:13:29 | 0:13:30 | |
This year's cold temperatures | 0:13:35 | 0:13:37 | |
have produced some particularly furry foals. | 0:13:37 | 0:13:40 | |
It's got a thick coat on. | 0:13:40 | 0:13:42 | |
It's very woolly, isn't it? | 0:13:42 | 0:13:43 | |
Yes. Very sensible. | 0:13:43 | 0:13:45 | |
Now, this is a foal that was born just last night, | 0:13:45 | 0:13:47 | |
so the Queen's come down to have a first look. | 0:13:47 | 0:13:50 | |
THE QUEEN LAUGHS | 0:13:57 | 0:13:58 | |
The Queen is accompanied by her racing adviser, John Warren. | 0:13:58 | 0:14:01 | |
But she's not the sort of breeder | 0:14:01 | 0:14:03 | |
who just leaves others to run the business. | 0:14:03 | 0:14:06 | |
The pleasure is in these moments - the personal contact, | 0:14:08 | 0:14:12 | |
the development of a relationship with another living, | 0:14:12 | 0:14:16 | |
albeit hairy, being. | 0:14:16 | 0:14:17 | |
Having greeted the newest arrival, | 0:14:19 | 0:14:21 | |
the Queen heads for the main stable yard | 0:14:21 | 0:14:24 | |
to see the rest of this season's batch of foals. | 0:14:24 | 0:14:26 | |
They'll be shown in age order, youngest first, | 0:14:28 | 0:14:31 | |
and asked to parade in front of the Queen and our cameras. | 0:14:31 | 0:14:34 | |
So, the Queen's now being shown the foals that were born | 0:14:42 | 0:14:45 | |
here at Sandringham this year. | 0:14:45 | 0:14:47 | |
And any time one is a bit skittish - and they are nervous at this age, | 0:14:47 | 0:14:51 | |
this is their first sort of public parade - | 0:14:51 | 0:14:53 | |
Anne-Lise will step in. | 0:14:53 | 0:14:54 | |
And bear in mind she foaled most of these, so the foals know her, | 0:14:54 | 0:14:57 | |
the mares know her, she just puts a calming hand round them. | 0:14:57 | 0:15:01 | |
Bit wobbly. | 0:15:03 | 0:15:05 | |
She's a monster. | 0:15:12 | 0:15:14 | |
The Queen is fascinated by every detail. | 0:15:15 | 0:15:18 | |
She's got the breeding on a piece of paper in front of her. | 0:15:18 | 0:15:21 | |
She wants to see the foals walk. She wants to know how they behave. | 0:15:21 | 0:15:24 | |
This foal was only born on the 29th of March, | 0:15:30 | 0:15:33 | |
so not even a month old | 0:15:33 | 0:15:34 | |
and he's quite immature still, you know. | 0:15:34 | 0:15:37 | |
He's all legs. | 0:15:38 | 0:15:39 | |
'Good stability is only a first step.' | 0:15:44 | 0:15:47 | |
Well, at least it's standing on its feet. | 0:15:47 | 0:15:50 | |
But it's so interesting. | 0:15:57 | 0:15:58 | |
You can start to see bits of their personality come out - | 0:15:58 | 0:16:01 | |
those that are naturally more confident, | 0:16:01 | 0:16:03 | |
those that are a bit more hesitant, like this one is. | 0:16:03 | 0:16:06 | |
'The Queen has seen enough generations of the same family | 0:16:06 | 0:16:09 | |
'to be able to make comparisons in terms of shape, size and attitude. | 0:16:09 | 0:16:14 | |
'But it's only when these babies start to gallop | 0:16:14 | 0:16:16 | |
'that anyone will know if they're any good.' | 0:16:16 | 0:16:20 | |
So interesting. | 0:16:20 | 0:16:21 | |
'Sandringham stud has just opened a brand-new yard, | 0:16:33 | 0:16:36 | |
'complete with a circular horse walker | 0:16:36 | 0:16:39 | |
'for exercising up to eight mares. | 0:16:39 | 0:16:41 | |
'We're with the Queen as she sees it for the first time.' | 0:16:41 | 0:16:44 | |
Lovely yard. | 0:16:44 | 0:16:45 | |
It's been such a joy, Clare, this new yard. | 0:16:45 | 0:16:48 | |
-It's fantastic. And is that...? Are we facing south? -Yeah. | 0:16:48 | 0:16:52 | |
It's lovely. | 0:16:52 | 0:16:53 | |
I must say, it does improve the horse walker by having some blossoms. | 0:16:53 | 0:16:58 | |
Brings it up a little bit. | 0:16:58 | 0:17:00 | |
'This mare, called Set To Music, has just been covered | 0:17:03 | 0:17:06 | |
'so she'll be foaling in about 11 months' time.' | 0:17:06 | 0:17:09 | |
'British kings and queens | 0:17:11 | 0:17:13 | |
'have been breeding racehorses for nearly 500 years. | 0:17:13 | 0:17:16 | |
'They've played a huge part in the creation and development | 0:17:18 | 0:17:21 | |
'of the Thoroughbred, the fastest equine breed on the planet. | 0:17:21 | 0:17:25 | |
'And the Queen has played a key role.' | 0:17:25 | 0:17:28 | |
Thank you very much. | 0:17:28 | 0:17:29 | |
She knows so much about horses | 0:17:29 | 0:17:31 | |
and how they behave and how they react | 0:17:31 | 0:17:34 | |
that I think she has done more than anybody in the royal family | 0:17:34 | 0:17:39 | |
in history to improve things and raise the standard all round. | 0:17:39 | 0:17:43 | |
By the time she was 18, | 0:17:45 | 0:17:47 | |
Princess Elizabeth was an accomplished rider, | 0:17:47 | 0:17:49 | |
often accompanied by her sister Margaret. | 0:17:49 | 0:17:52 | |
But the moment that would open a whole new world to her | 0:17:53 | 0:17:57 | |
was a visit to see her father's racehorses. | 0:17:57 | 0:17:59 | |
'I suppose I first became interested in racing during the war, when | 0:18:01 | 0:18:05 | |
'my father had leased Big Game and Sun Chariot from the National Stud. | 0:18:05 | 0:18:08 | |
'Well, my father took me down to Beckhampton to see them working, | 0:18:08 | 0:18:12 | |
'which I had never seen before, | 0:18:12 | 0:18:15 | |
'and I was able to pat them in the stable afterwards. | 0:18:15 | 0:18:18 | |
'I'd never felt the satiny softness of a Thoroughbred before. | 0:18:18 | 0:18:22 | |
'It's a wonderful feeling.' | 0:18:22 | 0:18:23 | |
She quickly became devoted to racing and, in partnership | 0:18:28 | 0:18:32 | |
with the Queen Mother, bought a jumper called Monaveen. | 0:18:32 | 0:18:36 | |
At Hurst Park in 1949, | 0:18:36 | 0:18:39 | |
she watched Monaveen triumph - the first horse to win in her name. | 0:18:39 | 0:18:44 | |
On to the final jump and, with a six-length lead, Monaveen heads | 0:18:44 | 0:18:47 | |
for the home stretch while royal excitement rises to fever pitch. | 0:18:47 | 0:18:50 | |
This newly found thrill in racing | 0:19:09 | 0:19:11 | |
would become a healthy counterbalance | 0:19:11 | 0:19:14 | |
to the demands of monarchy. | 0:19:14 | 0:19:16 | |
In those sort of moments she can let rip with real excitement, you know. | 0:19:16 | 0:19:21 | |
You see, I think that early on, when she became Queen, | 0:19:21 | 0:19:26 | |
I think that she had to sacrifice within herself, | 0:19:26 | 0:19:33 | |
an awful lot of emotions | 0:19:33 | 0:19:35 | |
and thoughts of the future and everything else. | 0:19:35 | 0:19:38 | |
But I think with horses, it's another world in that it reduces you | 0:19:38 | 0:19:44 | |
to just the person in relation to the animal, | 0:19:44 | 0:19:47 | |
and you're not a queen, you're just a human being. | 0:19:47 | 0:19:50 | |
Just four days after her coronation in 1953, | 0:19:52 | 0:19:55 | |
the young Queen had a well-fancied horse running in the Derby - | 0:19:55 | 0:19:59 | |
a colt bred at Sandringham called Aureole. | 0:19:59 | 0:20:02 | |
The nation was gripped. | 0:20:02 | 0:20:04 | |
Would this be the icing on the cake for the newly crowned Queen? | 0:20:04 | 0:20:07 | |
Or would it go to the legendary jockey Sir Gordon Richards, | 0:20:07 | 0:20:11 | |
riding Pinza, who had never won the Derby in 27 attempts? | 0:20:11 | 0:20:15 | |
Aureole takes up the challenge as befits a Queen's champion, | 0:20:15 | 0:20:18 | |
overtaking Shikanpur and gaining on Pinza. | 0:20:18 | 0:20:21 | |
But Pinza won't be denied, nor Gordon Richard, the 49-year-old | 0:20:23 | 0:20:27 | |
veteran of the saddle, recently knighted by the Queen. | 0:20:27 | 0:20:30 | |
He's won 4,670 races, but never the Derby. | 0:20:30 | 0:20:35 | |
And today his 28th Derby try is crowned with glory. | 0:20:35 | 0:20:38 | |
First of his profession to be knighted, | 0:20:38 | 0:20:40 | |
Sir Gordon beat the daylights out of his Queen's entry. | 0:20:40 | 0:20:43 | |
It was a great day for a knight. | 0:20:43 | 0:20:45 | |
'I think it was very exciting to have a horse, | 0:20:48 | 0:20:50 | |
'so soon as an owner, to run in the Derby. | 0:20:50 | 0:20:54 | |
'And one couldn't really be sad not to win, | 0:20:54 | 0:20:56 | |
'because Sir Gordon had at last won a Derby.' | 0:20:56 | 0:20:59 | |
The Queen has always been enterprising about the training | 0:21:03 | 0:21:07 | |
and treatment of her horses. | 0:21:07 | 0:21:09 | |
In the 1950s, she asked a Harley Street neurologist to help | 0:21:09 | 0:21:14 | |
calm the over-excitable Aureole - | 0:21:14 | 0:21:16 | |
the same colt who was second in the 1953 Derby. | 0:21:16 | 0:21:20 | |
The laying on of hands | 0:21:20 | 0:21:22 | |
was very definitely not standard practice at the time, | 0:21:22 | 0:21:25 | |
though it did seem to have a soothing effect, | 0:21:25 | 0:21:28 | |
and he went on to win major races at Epsom and Ascot. | 0:21:28 | 0:21:32 | |
It's amazing how open her mind is. | 0:21:34 | 0:21:37 | |
And the fact that when she saw something new, | 0:21:37 | 0:21:40 | |
she didn't go back to this traditional feeling of, "Oh!" | 0:21:40 | 0:21:44 | |
Because the racing world can be a bit like that... | 0:21:44 | 0:21:46 | |
It can be very much that way and it would be safer for her to do that. | 0:21:46 | 0:21:51 | |
But she didn't. | 0:21:51 | 0:21:53 | |
The Queen's interest seems to me to be not just winning races, | 0:21:53 | 0:21:57 | |
but, "Am I giving my horses a better life?" | 0:21:57 | 0:22:01 | |
'Monty Roberts is the man they call the real life horse whisperer.' | 0:22:02 | 0:22:06 | |
In 1989, the Queen heard about Monty's innovative | 0:22:06 | 0:22:10 | |
and instinctive approach to handling horses and invited him | 0:22:10 | 0:22:14 | |
to demonstrate at Windsor Castle. | 0:22:14 | 0:22:16 | |
This Californian one-time rodeo star used the horse's own body language | 0:22:17 | 0:22:23 | |
to win their trust, which flew in the face of more | 0:22:23 | 0:22:26 | |
traditional methods of breaking in a horse through fear. | 0:22:26 | 0:22:29 | |
The Queen was so impressed, | 0:22:29 | 0:22:32 | |
she encouraged Monty to write about his methods and, to this day, | 0:22:32 | 0:22:36 | |
'she calls on him for help with her most difficult yearlings.' | 0:22:36 | 0:22:40 | |
So who's this, Rachel? | 0:22:40 | 0:22:41 | |
This is Sharp Lookout, a two-year-old colt bred by the Queen, | 0:22:41 | 0:22:45 | |
and owned by her as well. | 0:22:45 | 0:22:47 | |
And, Monty, what are the challenges that he has presented you? | 0:22:47 | 0:22:51 | |
Well, Clare, this is the most sensitive yearling | 0:22:51 | 0:22:54 | |
I've ever dealt with. | 0:22:54 | 0:22:56 | |
He is absolutely incredible. | 0:22:56 | 0:22:58 | |
In the early stages, he was just Mount Vesuvius. | 0:22:58 | 0:23:02 | |
Any time you went to touch him, everything exploded. | 0:23:02 | 0:23:05 | |
So we've had a challenge but things are coming around now really well | 0:23:05 | 0:23:09 | |
and he's had his first rider in this last week. | 0:23:09 | 0:23:12 | |
-Well, I'd love to see you work on him. -OK. | 0:23:12 | 0:23:14 | |
'The Thoroughbred is a naturally highly-strung animal | 0:23:16 | 0:23:20 | |
'and the early stages of training are often a challenge. | 0:23:20 | 0:23:23 | |
'As a foal, Sharp Lookout was so jumpy, | 0:23:23 | 0:23:26 | |
'he gave himself an eye injury, now on the mend.' | 0:23:26 | 0:23:30 | |
Let's go. | 0:23:30 | 0:23:31 | |
'For our benefit, Monty is going to demonstrate the process this | 0:23:33 | 0:23:36 | |
'difficult horse has gone through to prepare him for a rider.' | 0:23:36 | 0:23:40 | |
So you can get the personality traits of this horse pretty quickly | 0:23:40 | 0:23:46 | |
when you see all of this volatility and that head up | 0:23:46 | 0:23:49 | |
and tail up and all this flying around. | 0:23:49 | 0:23:53 | |
'If a Thoroughbred's skittish energy can be properly channelled, | 0:23:53 | 0:23:57 | |
'anything is possible.' | 0:23:57 | 0:23:58 | |
But watch as his ear comes to me on this side and he licks and chews. | 0:23:58 | 0:24:06 | |
The adrenaline is falling down. | 0:24:06 | 0:24:08 | |
And if the adrenaline gets down far enough, | 0:24:08 | 0:24:11 | |
you'll see him lower his head. | 0:24:11 | 0:24:13 | |
And when they do, the adrenaline really falls. | 0:24:13 | 0:24:18 | |
'Having driven Sharp Lookout to flight, | 0:24:18 | 0:24:20 | |
'Monty now turns his back on him.' | 0:24:20 | 0:24:22 | |
So let me just step over here and have him look at me | 0:24:22 | 0:24:28 | |
with my shoulders away from him and my eyes away from him | 0:24:28 | 0:24:32 | |
and just see if I can get him to want to come to me. | 0:24:32 | 0:24:37 | |
'Monty is mimicking the behaviour of a mare disciplining her foal.' | 0:24:37 | 0:24:41 | |
Just those little steps are so important | 0:24:41 | 0:24:47 | |
to get this whole thing started. | 0:24:47 | 0:24:49 | |
That's a good boy. | 0:24:49 | 0:24:51 | |
OK, I'll just take that plastic bag there now. | 0:24:53 | 0:24:58 | |
'Now trust is won, the next step is to reduce Sharp Lookout's | 0:24:58 | 0:25:03 | |
'alarm at random moving objects. | 0:25:03 | 0:25:06 | |
'Like plastic bags.' | 0:25:06 | 0:25:08 | |
So I want him to take these kind of things and stand here | 0:25:08 | 0:25:13 | |
and accept it wherever it goes. | 0:25:13 | 0:25:16 | |
Honestly, I'm just dumbfounded. | 0:25:16 | 0:25:19 | |
'And now this is a crucial moment - | 0:25:19 | 0:25:22 | |
'getting the horse to accept something on his back.' | 0:25:22 | 0:25:26 | |
It is incredible, this, | 0:25:26 | 0:25:28 | |
because the connection that Monty has with the horse is so strong | 0:25:28 | 0:25:31 | |
and this is a horse who's clearly wanting to do things for him. | 0:25:31 | 0:25:35 | |
And it's almost impossible to believe that this was | 0:25:35 | 0:25:38 | |
the most difficult, difficult animal in the place, | 0:25:38 | 0:25:41 | |
probably one of the most difficult they've ever had. | 0:25:41 | 0:25:43 | |
This is one that's just been invented... | 0:25:43 | 0:25:45 | |
'Monty's now introducing the horse to a training dummy | 0:25:45 | 0:25:48 | |
'that was recently invented by an Irish trainer.' | 0:25:48 | 0:25:50 | |
I love the fact that the mannequin's got the... | 0:25:50 | 0:25:53 | |
CLARE LAUGHS | 0:25:53 | 0:25:54 | |
..has got the jacket on. Has got the uniform, that's brilliant. | 0:25:54 | 0:25:57 | |
He's got the Queen's jacket on. | 0:25:57 | 0:26:00 | |
Now, this horse would absolutely freak out | 0:26:00 | 0:26:05 | |
and just blow completely apart when we first started with the mannequin. | 0:26:05 | 0:26:10 | |
So if the human being got up there, | 0:26:10 | 0:26:14 | |
human being is going to come down. | 0:26:14 | 0:26:16 | |
And when the rider comes down, | 0:26:16 | 0:26:20 | |
a habitual pattern of behaviour gets set up, so the horse finds | 0:26:20 | 0:26:26 | |
freedom from that rider and you've seen horses that are habitually | 0:26:26 | 0:26:30 | |
loose on the racecourses and get one rider after another down - | 0:26:30 | 0:26:35 | |
it's very bad. | 0:26:35 | 0:26:37 | |
Now we have our mannequin rider in place. | 0:26:39 | 0:26:43 | |
It does look very funny, I'm sorry. | 0:26:43 | 0:26:45 | |
Yep, but he rides well doesn't he? | 0:26:45 | 0:26:48 | |
Yeah, he does. | 0:26:48 | 0:26:49 | |
'The next step is to get a real live jockey on the horse. | 0:26:50 | 0:26:54 | |
'Even a mature racehorse can be quite tricky at this stage | 0:26:54 | 0:26:58 | |
'and the leg-up is often done on the move.' | 0:26:58 | 0:27:01 | |
This is only the second time | 0:27:01 | 0:27:02 | |
I've schooled him to this standing still. Here we go. | 0:27:02 | 0:27:05 | |
-How many racehorses will do that? -I know. | 0:27:15 | 0:27:18 | |
Ah, he's nice. | 0:27:20 | 0:27:22 | |
OK, you can give us a trot around. | 0:27:24 | 0:27:26 | |
'Adrian the jockey quickly has Sharp Lookout | 0:27:28 | 0:27:31 | |
'at an impeccable trot.' | 0:27:31 | 0:27:33 | |
You can give him a little canter now. | 0:27:33 | 0:27:35 | |
That is amazing. | 0:27:37 | 0:27:38 | |
Good. | 0:27:48 | 0:27:49 | |
Very nice. | 0:27:51 | 0:27:53 | |
You can stop now. | 0:27:53 | 0:27:54 | |
'After a few circuits, Sharp Lookout finishes... | 0:27:54 | 0:27:59 | |
And a step back. | 0:27:59 | 0:28:00 | |
..with a neat reverse. | 0:28:00 | 0:28:02 | |
Good. Very, very nice. | 0:28:02 | 0:28:05 | |
Hey, fella. | 0:28:07 | 0:28:09 | |
How about that? | 0:28:09 | 0:28:10 | |
Honestly, that is like watching a miracle in process, | 0:28:11 | 0:28:15 | |
because I know how... They told me how difficult you were. | 0:28:15 | 0:28:19 | |
You just want to do it now, don't you? | 0:28:19 | 0:28:21 | |
-So one day I might get to be talking about you... -Yeah. | 0:28:22 | 0:28:28 | |
..running at Royal Ascot or something. | 0:28:28 | 0:28:30 | |
Yeah, wouldn't that be something? | 0:28:30 | 0:28:32 | |
Polhampton is the Queen's private yard in Hampshire. | 0:28:35 | 0:28:38 | |
'This is where stud groom Rachel Murat teaches last year's | 0:28:40 | 0:28:44 | |
'batch of foals to be comfortable around humans. | 0:28:44 | 0:28:47 | |
'The Queen has come to see for herself how they're getting on. | 0:28:51 | 0:28:54 | |
'With the help of John Warren and Rachel, the Queen takes in | 0:28:57 | 0:29:01 | |
'the physical development of these young horses and watches them walk.' | 0:29:01 | 0:29:05 | |
-That just looks really quite small. -It is for a February birth. | 0:29:05 | 0:29:09 | |
It's a February foal? | 0:29:09 | 0:29:11 | |
'She assesses their natural athleticism | 0:29:11 | 0:29:13 | |
'and their conformation - how their bodies are put together.' | 0:29:13 | 0:29:17 | |
-Nice shape, isn't it? -Lovely shape. | 0:29:17 | 0:29:19 | |
Lovely head. Attractive horse. | 0:29:24 | 0:29:27 | |
Now this is such an interesting stage of a racehorse's | 0:29:27 | 0:29:29 | |
development because these are yearlings | 0:29:29 | 0:29:32 | |
and the Queen hasn't seen most of them since they were foals. | 0:29:32 | 0:29:36 | |
So, a bit like children getting ready to go to big school, | 0:29:36 | 0:29:39 | |
they'll go into training next year. | 0:29:39 | 0:29:41 | |
They still look overgrown and hairy. | 0:29:41 | 0:29:44 | |
Can't really believe that they're racehorses, but they will be. | 0:29:44 | 0:29:47 | |
'All of the yearlings have behaved beautifully, apart from two, | 0:29:49 | 0:29:53 | |
'who take fright - possibly at me | 0:29:53 | 0:29:55 | |
'standing at the side of the field - and they start to play up. | 0:29:55 | 0:29:58 | |
'Ollie and Jo, who are leading them, remain completely calm.' | 0:29:58 | 0:30:03 | |
I tell you something, it's very impressive the way these | 0:30:03 | 0:30:06 | |
yearlings are handled because you can see how skittish they are - | 0:30:06 | 0:30:09 | |
how the slightest thing will spook them. | 0:30:09 | 0:30:11 | |
But they do so well just to keep a loose rein. | 0:30:12 | 0:30:15 | |
And they've calmed down again now. | 0:30:17 | 0:30:20 | |
'The Queen has seen flighty behaviour like this before | 0:30:20 | 0:30:23 | |
'and knows just how to deal with it.' | 0:30:23 | 0:30:26 | |
There's a certain amount of intuition, as you can see. | 0:30:26 | 0:30:30 | |
Just so gently and so sensibly and very slow in the movements. | 0:30:35 | 0:30:42 | |
Just, "Hello there." | 0:30:42 | 0:30:43 | |
I can't tell you how impressive that is. | 0:30:56 | 0:30:58 | |
I mean, they're the only two so far that have come in here | 0:30:58 | 0:31:03 | |
and behaved really badly. | 0:31:03 | 0:31:05 | |
But the Queen's made sure that, with both of them, she's gone up to them. | 0:31:05 | 0:31:09 | |
'Polhampton is also home to some older horses | 0:31:11 | 0:31:13 | |
'whose racing days are over.' | 0:31:13 | 0:31:15 | |
Now these are all retired horses, so Free Agent in front, | 0:31:17 | 0:31:20 | |
who won the Chesham at Royal Ascot in 2008. | 0:31:20 | 0:31:24 | |
'It's something that's particularly notable | 0:31:24 | 0:31:27 | |
'about the Queen as a breeder. | 0:31:27 | 0:31:29 | |
'She doesn't lose interest | 0:31:31 | 0:31:32 | |
'in her horses at the end of their racing careers.' | 0:31:32 | 0:31:36 | |
-He's aged. -He has. | 0:31:36 | 0:31:38 | |
She always will do all she can | 0:31:38 | 0:31:40 | |
to make sure the horse has a happy retirement. | 0:31:40 | 0:31:43 | |
And that's, you know, she always wants to know | 0:31:45 | 0:31:48 | |
what's happened to the horse when it's no longer able to race | 0:31:48 | 0:31:52 | |
and it's not perhaps good enough to go to stud, | 0:31:52 | 0:31:56 | |
but she'll always try and make sure it has a happy home. | 0:31:56 | 0:31:59 | |
However disappointing or moderate it may have been, | 0:31:59 | 0:32:03 | |
it has a happy life in retirement. | 0:32:03 | 0:32:06 | |
Oh, you silly fool! | 0:32:06 | 0:32:08 | |
He's saying, "Is that for me? Hello." | 0:32:10 | 0:32:12 | |
All those babies with coats and then you get the older ones. | 0:32:12 | 0:32:16 | |
'These Polhampton pensioners are being used to educate | 0:32:16 | 0:32:18 | |
'the younger ones. | 0:32:18 | 0:32:20 | |
'Their own racing careers have been ended by injury or old age | 0:32:20 | 0:32:24 | |
'and the idea now is that their mature, calming influence | 0:32:24 | 0:32:27 | |
'will teach the yearlings not to be frightened of their own shadows. | 0:32:27 | 0:32:31 | |
'They're nannies, if you like.' | 0:32:31 | 0:32:33 | |
Oh, dear. It's always sad, isn't it, | 0:32:33 | 0:32:35 | |
when you see the things with legs gone? | 0:32:35 | 0:32:37 | |
But they look happy. They look happy, Ma'am. They all look well. | 0:32:37 | 0:32:41 | |
Got a job, haven't they? | 0:32:41 | 0:32:43 | |
Yeah, that's the key. Giving them something. | 0:32:43 | 0:32:47 | |
Well, they're very useful if you can use them for leading yearlings. | 0:32:47 | 0:32:50 | |
Some of them are not. They're a bit spooky sometimes. | 0:32:50 | 0:32:53 | |
Over the past 60 years, horses bred by the Queen have scooped up | 0:32:56 | 0:33:00 | |
many of Britain's best races. | 0:33:00 | 0:33:03 | |
One of the most successful results of her meticulously planned | 0:33:03 | 0:33:06 | |
breeding programme was a filly called Highclere. | 0:33:06 | 0:33:10 | |
Highclere is going to get caught towards home. | 0:33:10 | 0:33:12 | |
Polygamy is finishing fastest. It's Highclere from Polygamy. | 0:33:12 | 0:33:15 | |
Polygamy from Highclere. Highclere and Polygamy in a photo finish. | 0:33:15 | 0:33:19 | |
Highclere's victory in the 1974 1,000 Guineas convinced | 0:33:19 | 0:33:23 | |
the Queen to take a trip across the Channel to the French Oaks. | 0:33:23 | 0:33:27 | |
Chantilly, Sunday the 16th of June 1974. The Prix de Diane. | 0:33:27 | 0:33:33 | |
'Well, I decided to send Highclere to run in the Prix de Diane | 0:33:34 | 0:33:38 | |
'instead of the English Oaks, after the Guineas, | 0:33:38 | 0:33:41 | |
'when it became apparent she was good enough to go to France. | 0:33:41 | 0:33:44 | |
'I'd never been racing in France when I had a horse running. | 0:33:44 | 0:33:49 | |
'Well, it was a lovely outing for me. | 0:33:49 | 0:33:51 | |
'The President was very kind and made it very easy for me | 0:33:51 | 0:33:55 | |
'to get to Chantilly.' | 0:33:55 | 0:33:57 | |
Highclere made the trip thoroughly worthwhile with a resounding win. | 0:34:01 | 0:34:06 | |
'The crowd was tremendously friendly. | 0:34:06 | 0:34:09 | |
'And even after the race, when Highclere had won, | 0:34:09 | 0:34:11 | |
'they seemed even more friendly, luckily.' | 0:34:11 | 0:34:14 | |
'Careful breeding is just one part of the equation. | 0:34:23 | 0:34:26 | |
'When her horses are old enough, the Queen tries to match each one | 0:34:26 | 0:34:30 | |
'with a suitable trainer, | 0:34:30 | 0:34:31 | |
'responsible for getting the best out of them. | 0:34:31 | 0:34:34 | |
'It's a Sunday morning in the West Country | 0:34:34 | 0:34:36 | |
'and the Queen is seeing her horses | 0:34:36 | 0:34:39 | |
'in the relaxed but focused atmosphere of a racing yard.' | 0:34:39 | 0:34:42 | |
Today is the Queen's 87th birthday, | 0:34:43 | 0:34:46 | |
but instead of having an official function or a state dinner, | 0:34:46 | 0:34:50 | |
she's here in Wiltshire at Richard Hannon's yard | 0:34:50 | 0:34:52 | |
to have a close-up look at five horses she has in training here. | 0:34:52 | 0:34:56 | |
'Richard Hannon is one of Britain's top trainers. | 0:35:02 | 0:35:05 | |
'He looks after more than 260 horses for 150 different owners. | 0:35:05 | 0:35:10 | |
'He's been champion trainer four times | 0:35:10 | 0:35:13 | |
'and is notoriously plain-speaking and free of airs and graces. | 0:35:13 | 0:35:17 | |
'He thinks owning racehorses should be fun | 0:35:17 | 0:35:20 | |
'and he makes sure that's the case for everyone, including the Queen.' | 0:35:20 | 0:35:25 | |
'Out on the gallops, | 0:35:32 | 0:35:34 | |
'the Queen has a chance to see her horses working | 0:35:34 | 0:35:37 | |
'and to discuss with the trainer | 0:35:37 | 0:35:39 | |
'what type of race might suit each one.' | 0:35:39 | 0:35:41 | |
'She also takes a keen interest in other good horses in the yard, | 0:35:43 | 0:35:47 | |
'whoever owns them. | 0:35:47 | 0:35:48 | |
'That feeling of being behind the scenes, in the know, | 0:35:51 | 0:35:55 | |
'adds to the pleasure of watching the early morning gallops.' | 0:35:55 | 0:35:58 | |
Richard, how much does it mean to you to train for the Queen? | 0:36:02 | 0:36:06 | |
Well, I mean, she's a wonderful woman to deal with, you know. | 0:36:06 | 0:36:09 | |
She's very easy to train for and she's very knowledgeable, | 0:36:09 | 0:36:13 | |
-you know, about the whole situation. She doesn't miss very much. -No. | 0:36:13 | 0:36:17 | |
What is the Queen looking for when she comes here to see | 0:36:17 | 0:36:20 | |
the horses at this time of year? What are you trying to show her? | 0:36:20 | 0:36:23 | |
Well, we want her to see, obviously, all the horses, | 0:36:23 | 0:36:26 | |
all the horses working and to see what stage of the game we're at. | 0:36:26 | 0:36:30 | |
They're nice horses. | 0:36:30 | 0:36:31 | |
You know, they're by Invincible Spirit, | 0:36:31 | 0:36:33 | |
and they're beautifully bred. You've got every chance. | 0:36:33 | 0:36:37 | |
Do you have to watch your language at all? | 0:36:37 | 0:36:39 | |
Certainly not. | 0:36:39 | 0:36:41 | |
Only when Her Majesty's here. | 0:36:41 | 0:36:44 | |
That's what I mean. So this morning? | 0:36:44 | 0:36:46 | |
No, everything's fine. Nothing went wrong. | 0:36:46 | 0:36:49 | |
Shouting and screaming - no, nothing. | 0:36:49 | 0:36:51 | |
Everything all right, wasn't it? All went well. | 0:36:51 | 0:36:53 | |
Race day at Newbury. | 0:37:03 | 0:37:05 | |
This isn't one of the top meetings in the racing calendar, | 0:37:05 | 0:37:08 | |
but it's attracted a wide range of people | 0:37:08 | 0:37:10 | |
who've come to enjoy a good day out. | 0:37:10 | 0:37:12 | |
It just so happens that one of them is the Queen, | 0:37:15 | 0:37:19 | |
mingling with the crowd. | 0:37:19 | 0:37:21 | |
When she's lucky enough to go racing, she can switch out of all | 0:37:21 | 0:37:24 | |
the everyday work and worries | 0:37:24 | 0:37:26 | |
to something which is totally different | 0:37:26 | 0:37:28 | |
and I think it's very good for her to be able to do that. | 0:37:28 | 0:37:32 | |
John Warren, the Queen's racing adviser, is once again by her side. | 0:37:32 | 0:37:36 | |
John, do you think there's an attraction with racing folk | 0:37:37 | 0:37:41 | |
that there's huge respect, but it's a very relaxed atmosphere | 0:37:41 | 0:37:45 | |
because you have to be calm around horses | 0:37:45 | 0:37:47 | |
and you can't be constantly, you know, curtseying or bowing | 0:37:47 | 0:37:51 | |
and, you know, shuffling around - | 0:37:51 | 0:37:53 | |
actually everybody's got to be on an equal level? | 0:37:53 | 0:37:56 | |
I feel the Queen is extremely comfortable around animals. | 0:37:56 | 0:38:01 | |
And that seems to transfer itself. | 0:38:01 | 0:38:05 | |
People that work with animals are generally calm as well | 0:38:05 | 0:38:09 | |
and therefore there's a very good magnetic field when the Queen | 0:38:09 | 0:38:13 | |
is close to horses and the people that are involved with the horses. | 0:38:13 | 0:38:16 | |
So people feel comfortable around her and vice versa, I think. | 0:38:16 | 0:38:21 | |
-Yeah, so less fuss in a way. -Far less fuss. | 0:38:21 | 0:38:23 | |
How impressed are you with the Queen's depth of knowledge? | 0:38:23 | 0:38:27 | |
Well, she has such a tremendous memory. | 0:38:27 | 0:38:31 | |
She can remember the bloodlines going back five or six generations. | 0:38:31 | 0:38:36 | |
And I think that has allowed her to have so much knowledge | 0:38:36 | 0:38:41 | |
that's accumulated over the years that it's... | 0:38:41 | 0:38:44 | |
I think she would have made a wonderful racehorse trainer. | 0:38:44 | 0:38:48 | |
'Today the Queen has a promising contender in the 4:15. | 0:38:48 | 0:38:52 | |
'Sign Manual is a four-year-old gelding | 0:38:52 | 0:38:55 | |
'she bred from the top class Derby-winning stallion Motivator | 0:38:55 | 0:38:59 | |
'and one of her broodmares called New Assembly.' | 0:38:59 | 0:39:01 | |
It's interesting. He looks quite a tricky horse. | 0:39:03 | 0:39:05 | |
You know, he's pulling for his head, he's sweating up just a little bit. | 0:39:05 | 0:39:08 | |
He's clearly not straightforward. | 0:39:08 | 0:39:11 | |
And the attraction for the Queen is to see whether this horse | 0:39:13 | 0:39:17 | |
can fulfil his potential - whether actually the breeding | 0:39:17 | 0:39:21 | |
of a great stallion, Motivator, with a mare that the Queen knows well, | 0:39:21 | 0:39:25 | |
is going to produce something that is better than either of them. | 0:39:25 | 0:39:29 | |
Be quite hard to be better than Motivator. | 0:39:29 | 0:39:32 | |
You just see - watch him come round. He just is a little bit difficult. | 0:39:32 | 0:39:36 | |
He's seeing everything. He's noticing everything. | 0:39:36 | 0:39:39 | |
-He looks a bit of a handful. -Oh, no. -Is he? No? | 0:39:39 | 0:39:42 | |
Maybe he just knows it's race day, you know? | 0:39:44 | 0:39:47 | |
He says, "Everybody's looking at me." | 0:39:47 | 0:39:49 | |
'In the saddle will be Hayley Turner, | 0:39:51 | 0:39:54 | |
'who rides many horses for Sign Manual's trainer Michael Bell. | 0:39:54 | 0:39:58 | |
'She's ridden winners for the Queen before | 0:39:58 | 0:40:01 | |
'and is rated as one of the most capable jockeys in the country.' | 0:40:01 | 0:40:05 | |
Do you always feel a bit different if you're coming to the races | 0:40:05 | 0:40:08 | |
and thinking, "Oh I'm riding for the Queen?" | 0:40:08 | 0:40:10 | |
Yeah, I always get a little bit nervous just going into the paddock. | 0:40:10 | 0:40:13 | |
When I get on the horse and I'm out on the track I'm fine, | 0:40:13 | 0:40:16 | |
but it's just the, you know, left leg behind the right | 0:40:16 | 0:40:18 | |
and ma'am not marm, or the other way round, isn't it? | 0:40:18 | 0:40:21 | |
-Get it right. -It is, it's ma'am. -Ma'am, yeah. | 0:40:21 | 0:40:24 | |
And... But, yeah, it's obviously a huge privilege to ride for her | 0:40:24 | 0:40:28 | |
and I think racing's very lucky to have her involved in the sport. | 0:40:28 | 0:40:31 | |
Definitely. | 0:40:31 | 0:40:32 | |
And when you have that conversation in the paddock, | 0:40:32 | 0:40:34 | |
what input do you...? I mean, what do you say about the horse | 0:40:34 | 0:40:37 | |
to the Queen or is there a discussion about riding tactics? | 0:40:37 | 0:40:40 | |
Yeah, obviously Michael Bell who trains the horses will be there, | 0:40:40 | 0:40:45 | |
so he'll sort of give me his ideas about what he thinks | 0:40:45 | 0:40:49 | |
and Her Majesty always has a keen interest on the horses' characters | 0:40:49 | 0:40:53 | |
and she knows quite a lot so you have to be really on the ball. | 0:40:53 | 0:40:56 | |
-Well, good luck. -Yeah, thank you, cheers. | 0:40:56 | 0:40:58 | |
It'll be very exciting to see you ride a winner today, I think. | 0:40:58 | 0:41:01 | |
Yeah, fingers crossed. Thank you. | 0:41:01 | 0:41:04 | |
-COMMENTATOR: -And off. | 0:41:04 | 0:41:06 | |
Two miles is the trip in the Dreweatts 1759 Handicap. | 0:41:06 | 0:41:10 | |
And early on, Knox Overstreet it is, who sets off with purpose. | 0:41:10 | 0:41:13 | |
This is the weirdest race. It's a two-mile race, | 0:41:13 | 0:41:16 | |
and there's one horse that's gone absolutely miles clear | 0:41:16 | 0:41:19 | |
called Knox Overstreet. | 0:41:19 | 0:41:20 | |
The Queen's horse is now third last, | 0:41:20 | 0:41:24 | |
not travelling that comfortably, I would say. | 0:41:24 | 0:41:26 | |
He got very warm beforehand. He was a little bit geed up | 0:41:26 | 0:41:30 | |
when Hayley got the leg up in the paddock. | 0:41:30 | 0:41:33 | |
But the main bunch have got this amazing distance | 0:41:33 | 0:41:35 | |
to make up on the leader. | 0:41:35 | 0:41:36 | |
So it's a case of whether that jockey, Daniel Cremin, has got | 0:41:36 | 0:41:39 | |
this absolutely right and slips the rest of the field, | 0:41:39 | 0:41:42 | |
or whether he's mucked up and the rest of them could reel him in. | 0:41:42 | 0:41:45 | |
Sign Manual's just travelling a little bit better now, | 0:41:45 | 0:41:47 | |
just overtaking a couple of horses. It's a real stamina test. | 0:41:47 | 0:41:51 | |
I mean, it's a long, long way. | 0:41:51 | 0:41:52 | |
But Hayley's pushing now. | 0:41:52 | 0:41:54 | |
They're catching the leader. It's quite exciting. | 0:41:56 | 0:42:00 | |
Come on, Hayley, get through. | 0:42:00 | 0:42:02 | |
Go on, Hayley. Sign Manual's moved into fifth. | 0:42:02 | 0:42:06 | |
And a wall of horses in front of him. | 0:42:06 | 0:42:08 | |
Now he's switched to the outside. Go on, Hayley. | 0:42:08 | 0:42:12 | |
Making up ground, moving into third. | 0:42:12 | 0:42:15 | |
Go on, Hayley. Furlong to go. | 0:42:15 | 0:42:18 | |
Moving into second. | 0:42:18 | 0:42:20 | |
Go on, Hayley. | 0:42:20 | 0:42:22 | |
Catching with every stride. | 0:42:22 | 0:42:24 | |
Go on, Hayley. Go on, Hayley. | 0:42:24 | 0:42:27 | |
Just! Just! He's won! | 0:42:28 | 0:42:31 | |
By that much! That was really exciting. | 0:42:31 | 0:42:34 | |
How fantastic. Let's go to the winners' enclosure. | 0:42:35 | 0:42:39 | |
APPLAUSE ANNOUNCEMENTS OVER TANNOY | 0:42:39 | 0:42:42 | |
'You may think owners get blase about winning, | 0:42:46 | 0:42:49 | |
'but every victory is a thrill, | 0:42:49 | 0:42:51 | |
'especially when the Queen can be there to enjoy it in person. | 0:42:51 | 0:42:55 | |
'And there's always room for another vase.' | 0:42:55 | 0:42:57 | |
Very unexpected. | 0:42:57 | 0:43:01 | |
How lovely. Very useful. | 0:43:01 | 0:43:03 | |
'Not for the first time, | 0:43:03 | 0:43:04 | |
'Hayley takes to the winner's podium with the Queen.' | 0:43:04 | 0:43:08 | |
Thank you. | 0:43:08 | 0:43:10 | |
Yes, she's done this before, you realise, on another Motivator. | 0:43:10 | 0:43:13 | |
You should claim you're a trainer. | 0:43:13 | 0:43:15 | |
I suppose I should. Probably, yes. | 0:43:15 | 0:43:17 | |
Away from the racecourse, | 0:43:23 | 0:43:25 | |
the Queen has never lost her childhood love of ponies. | 0:43:25 | 0:43:28 | |
In fact, she's been instrumental in helping to boost the profile - | 0:43:28 | 0:43:32 | |
and the numbers - of several native British breeds. | 0:43:32 | 0:43:35 | |
At Balmoral, stud manager Sylvia Ormiston | 0:43:37 | 0:43:40 | |
breeds Highland ponies for the Queen. | 0:43:40 | 0:43:42 | |
And she has an unusual way of rounding them up. | 0:43:42 | 0:43:46 | |
SHE SHOUTS AND WHISTLES COMMANDS | 0:43:46 | 0:43:48 | |
-Hello. Whoa, whoa, whoa. -Good girl. | 0:44:02 | 0:44:06 | |
-Whoa, baby. -All right. -Whoa, baby. Well done. Lie down, Glen. | 0:44:06 | 0:44:11 | |
Lie down. Good girl. | 0:44:11 | 0:44:14 | |
I've seen dogs, you know, herding sheep and herding cattle - | 0:44:14 | 0:44:16 | |
I've never seen them herd ponies before. | 0:44:16 | 0:44:19 | |
The dogs are brilliant. They're just fantastic. | 0:44:19 | 0:44:21 | |
They bring the ponies. Great for the ponies to respect the dogs too. | 0:44:21 | 0:44:24 | |
-And these are all home bred here on the stud? -Yes. | 0:44:24 | 0:44:27 | |
Bred specifically to carry deer off the side of the hill | 0:44:27 | 0:44:30 | |
-or to carry, you know, big panniers either side of them. -Yes. | 0:44:30 | 0:44:33 | |
Really good example here of the thickness of the coat. | 0:44:33 | 0:44:36 | |
If I take my glove off, you sort of get right in there. | 0:44:36 | 0:44:40 | |
I mean, that is a really, really warm, thick coat, isn't it? | 0:44:40 | 0:44:44 | |
Good girl. | 0:44:44 | 0:44:45 | |
What's the attraction for the Queen? | 0:44:45 | 0:44:47 | |
What does she like about Highland ponies? | 0:44:47 | 0:44:50 | |
I think, who wouldn't like them? | 0:44:50 | 0:44:52 | |
Really, honestly, who wouldn't like them? | 0:44:52 | 0:44:54 | |
I think the Queen just adores the fact they're so easy | 0:44:54 | 0:44:58 | |
and so uncomplicated to do what they have to do here. | 0:44:58 | 0:45:02 | |
It suits the Balmoral lifestyle. | 0:45:02 | 0:45:04 | |
It suits the Highlands of Scotland lifestyle. This is what they do. | 0:45:04 | 0:45:07 | |
When you go out the hill with a pony and be part of that team, | 0:45:07 | 0:45:11 | |
you and it, doing its job and working as one together, | 0:45:11 | 0:45:16 | |
it's extremely rewarding. | 0:45:16 | 0:45:18 | |
Highland ponies have been used in this region for centuries. | 0:45:20 | 0:45:24 | |
Ever since Queen Victoria bought Balmoral in 1852, | 0:45:24 | 0:45:28 | |
the estate has kept an unbroken line of these hardy little animals. | 0:45:28 | 0:45:33 | |
The Queen has continued to champion them, and other breeds. | 0:45:35 | 0:45:40 | |
Today, when the Queen's out riding, it's on a Fell pony called Emma. | 0:45:40 | 0:45:44 | |
Her stud groom Terry Pendry is alongside her | 0:45:44 | 0:45:47 | |
on a Highland pony bred at Balmoral. | 0:45:47 | 0:45:50 | |
Good girl. | 0:45:52 | 0:45:54 | |
Just have a look at how different this is from a Thoroughbred. | 0:45:54 | 0:45:57 | |
-Little ears. -Small ears, yeah. -Why? | 0:45:57 | 0:46:00 | |
Reduce heat loss in the winter time. | 0:46:00 | 0:46:02 | |
Plenty of hair keeping everything cosy and warm. | 0:46:02 | 0:46:06 | |
So the mane acts as a sort of protective shield, does it? | 0:46:06 | 0:46:09 | |
-Absolutely. -Now this is really distinctive, isn't it? | 0:46:09 | 0:46:12 | |
And only certain breeds of pony have this - | 0:46:12 | 0:46:14 | |
-the big stripe going down the back. -Yes. -What's that called? | 0:46:14 | 0:46:18 | |
That's the eel stripe. Most Highland ponies have it. | 0:46:18 | 0:46:21 | |
Most colours have it, but not all colours have it. | 0:46:21 | 0:46:24 | |
And a lot of the grey ponies will actually lose it as they get older. | 0:46:24 | 0:46:28 | |
-So prehistoric. -Absolutely. | 0:46:28 | 0:46:30 | |
So how much weight can she carry? | 0:46:30 | 0:46:33 | |
Well, this size of pony would happily carry a 16 stone stag. | 0:46:33 | 0:46:36 | |
You know, it's a big weight, | 0:46:36 | 0:46:39 | |
but they do it over a long period of time rather than over speed. | 0:46:39 | 0:46:43 | |
Obviously, your Thoroughbreds do the speed for short bursts - | 0:46:43 | 0:46:47 | |
this pony will do that all day. | 0:46:47 | 0:46:49 | |
She seems very calm and laid back and, you know... | 0:46:49 | 0:46:53 | |
It's essential for the breed, absolutely essential. | 0:46:53 | 0:46:55 | |
To be able to do what we do, they've got to be calm. | 0:46:55 | 0:46:58 | |
Come round here and just look at her bum. | 0:47:00 | 0:47:01 | |
Now that... Good girl. | 0:47:01 | 0:47:04 | |
-That is a good-looking backside, isn't it? -Built for strength. | 0:47:04 | 0:47:08 | |
She's just such a little ball of muscle, aren't you? | 0:47:10 | 0:47:16 | |
-And a bit of fat to keep you warm. -Definitely. | 0:47:16 | 0:47:18 | |
'It's perhaps no surprise that the Queen's dedication to horses | 0:47:22 | 0:47:26 | |
'has rubbed off on those around her.' | 0:47:26 | 0:47:29 | |
Whether it's carriage driving, | 0:47:31 | 0:47:34 | |
playing polo | 0:47:34 | 0:47:37 | |
or three-day eventing, | 0:47:37 | 0:47:39 | |
horses have always been an important unifying bond for the royal family. | 0:47:39 | 0:47:44 | |
How much of an effect do you think horses have had through your life | 0:47:45 | 0:47:49 | |
and through the Queen's life as well and that shared interest? | 0:47:49 | 0:47:52 | |
Well, I think because we grew up, you know, horses were everywhere, | 0:47:52 | 0:47:56 | |
and ponies were a natural extension to the pram basically. | 0:47:56 | 0:48:00 | |
It never seemed that we were introduced, they were always there. | 0:48:02 | 0:48:06 | |
That's what you did. | 0:48:06 | 0:48:07 | |
Like their mother, the royal children grew up essentially | 0:48:10 | 0:48:14 | |
children of the countryside. | 0:48:14 | 0:48:16 | |
For Prince Charles and Princess Anne, | 0:48:16 | 0:48:18 | |
the enjoyment of riding was taken into separate competitive spheres. | 0:48:18 | 0:48:23 | |
My brother and I had different ways of riding | 0:48:25 | 0:48:28 | |
and he went off down the polo scene slightly more seriously | 0:48:28 | 0:48:33 | |
and I was instructed into the eventing world. | 0:48:33 | 0:48:36 | |
So you go off in your own different directions, | 0:48:36 | 0:48:38 | |
but it's still a very common bond in terms of the fact | 0:48:38 | 0:48:41 | |
they were always there and that's a great thing for a family to have. | 0:48:41 | 0:48:45 | |
By the time she was 21, Princess Anne had already won gold | 0:48:47 | 0:48:50 | |
at the European Eventing Championships. | 0:48:50 | 0:48:53 | |
Five years and two silver medals later, | 0:48:53 | 0:48:56 | |
she'd be heading for the Olympic Games. | 0:48:56 | 0:48:59 | |
Talking of the Olympics, when you were young, | 0:48:59 | 0:49:01 | |
was that an ambition that you had or something that just happened? | 0:49:01 | 0:49:05 | |
Oddly enough, as a youngster, it was never an ambition I had. | 0:49:05 | 0:49:08 | |
-Really? -No, I mean, I just didn't think like that. | 0:49:08 | 0:49:11 | |
And I suppose, when I first started, of course, | 0:49:11 | 0:49:13 | |
I'd spent most of my young life watching polo, don't forget. | 0:49:13 | 0:49:15 | |
I thought I was going to be a polo player. | 0:49:15 | 0:49:18 | |
But nothing to do with eventing, that came much later. | 0:49:18 | 0:49:21 | |
-Don't do that! -Don't bite my face. | 0:49:21 | 0:49:23 | |
That would be a bad idea. Her face is her fortune. | 0:49:23 | 0:49:26 | |
-SHE LAUGHS -It's definitely not. | 0:49:26 | 0:49:29 | |
Montreal 1976. | 0:49:31 | 0:49:33 | |
Princess Anne became the first member of the royal family | 0:49:33 | 0:49:36 | |
to represent Great Britain at the Olympic Games. | 0:49:36 | 0:49:40 | |
On the cross-country course, at the 19th fence... | 0:49:40 | 0:49:43 | |
..the Princess took a dramatic fall. | 0:49:44 | 0:49:47 | |
It was a sobering reminder that when it comes to horses, | 0:49:47 | 0:49:50 | |
skill is no guarantee that things won't go wrong. | 0:49:50 | 0:49:54 | |
I've no idea what happened, | 0:49:54 | 0:49:56 | |
till about half an hour after I'd finished. | 0:49:56 | 0:49:58 | |
And then I was having a conversation in the stables. | 0:49:58 | 0:50:03 | |
And at the time I thought it was... | 0:50:03 | 0:50:07 | |
I'm sure other people who've had concussion have had this, | 0:50:07 | 0:50:10 | |
but I appeared to be sitting up there somewhere, | 0:50:10 | 0:50:12 | |
listening to myself having a conversation in the dark. | 0:50:12 | 0:50:14 | |
And then I suddenly reappeared in the stables, thinking, | 0:50:14 | 0:50:17 | |
"Where have I been?" | 0:50:17 | 0:50:21 | |
But I suspect concussion is like that for lots of people, you know. | 0:50:21 | 0:50:24 | |
Do you think, having competed yourself, | 0:50:24 | 0:50:26 | |
and being aware of the dangers as you are, | 0:50:26 | 0:50:28 | |
does that make you better at watching Zara do it? | 0:50:28 | 0:50:32 | |
Or can it be, you know, a case of knowing too much? | 0:50:32 | 0:50:36 | |
Oh, well, I think in my case, | 0:50:36 | 0:50:39 | |
and this I would put down to both parents, | 0:50:39 | 0:50:42 | |
was their ability to say, | 0:50:42 | 0:50:43 | |
"All right, you carry on, and just get on with it." | 0:50:43 | 0:50:46 | |
And nobody ever said anything about, | 0:50:46 | 0:50:48 | |
"Are you sure this is the right thing to do?" | 0:50:48 | 0:50:50 | |
They grew up watching me. They trusted me | 0:50:50 | 0:50:53 | |
and my judgment and it was a learning experience | 0:50:53 | 0:50:55 | |
and if I was good enough and got it right, that was absolutely fine. | 0:50:55 | 0:50:59 | |
So it'd be extremely cheeky of me to turn around and say no. | 0:50:59 | 0:51:03 | |
'Following in her mother's footsteps, | 0:51:03 | 0:51:05 | |
'Zara Phillips has won several medals in three-day eventing, | 0:51:05 | 0:51:08 | |
'including gold at both the European and World Championships.' | 0:51:08 | 0:51:13 | |
What's the attraction for you, and indeed for your mother | 0:51:13 | 0:51:17 | |
and for the Queen, of being around horses? | 0:51:17 | 0:51:20 | |
I don't know, I think it's... It is a passion. | 0:51:20 | 0:51:24 | |
They're very special animals and I think it's a connection, isn't it? | 0:51:24 | 0:51:27 | |
You get friendships from them | 0:51:27 | 0:51:29 | |
and, you know, they're characters as well | 0:51:29 | 0:51:32 | |
and, you know, you don't have to get abuse back, do you? | 0:51:32 | 0:51:37 | |
It's definitely a love that's been passed down anyway, that's for sure. | 0:51:38 | 0:51:42 | |
Toytown, the horse that put Zara on the eventing map, is now retired. | 0:51:44 | 0:51:48 | |
But he's a treasured friend and still lives at her yard. | 0:51:48 | 0:51:52 | |
Toytown, four of us bought right at the beginning - | 0:51:52 | 0:51:55 | |
my mum, my dad, me and my grandmother. | 0:51:55 | 0:51:59 | |
So we all had shares in him. | 0:51:59 | 0:52:01 | |
And then I've probably ridden four of her horses that she's bred. | 0:52:01 | 0:52:05 | |
And this is him, this is Toytown, the horse that gave you | 0:52:05 | 0:52:09 | |
-so many great moments. -I know. | 0:52:09 | 0:52:12 | |
You do get all emotional inside when you start thinking about it. | 0:52:12 | 0:52:15 | |
He's been a legend and I can't thank him enough. | 0:52:15 | 0:52:19 | |
He loves it though. He's just... You know, you get those horses | 0:52:19 | 0:52:22 | |
that just love being out, love performing, and he's one of those. | 0:52:22 | 0:52:28 | |
He's a bit of a show off. | 0:52:28 | 0:52:29 | |
More than once, Zara has received medals from her mother, | 0:52:33 | 0:52:36 | |
including team silver at the London 2012 Olympics. | 0:52:36 | 0:52:40 | |
And straight after every competition, | 0:52:40 | 0:52:42 | |
she's been on the phone to the Queen. | 0:52:42 | 0:52:45 | |
The first person I've always spoken to is my grandmother. | 0:52:45 | 0:52:48 | |
She's been watching on the TV. | 0:52:48 | 0:52:51 | |
And is that the one person you want to share it with as well? | 0:52:51 | 0:52:54 | |
Yeah, because I think, as far as I'm concerned, | 0:52:54 | 0:52:57 | |
the interest came from my grandmother | 0:52:57 | 0:53:00 | |
and, because of her love and passion for horses, | 0:53:00 | 0:53:03 | |
we've all grown up, you know, sitting on a horse. | 0:53:03 | 0:53:07 | |
She's so supportive in a way that she can never be there, | 0:53:07 | 0:53:10 | |
but she totally understands as well, you know, | 0:53:10 | 0:53:13 | |
she's always massively proud, so... | 0:53:13 | 0:53:15 | |
It's always good making your grandmother proud anyway. | 0:53:15 | 0:53:19 | |
It's what we try. | 0:53:19 | 0:53:21 | |
During the course of her reign, | 0:53:23 | 0:53:25 | |
the Queen has bred the winners of over 1,600 races, | 0:53:25 | 0:53:30 | |
including most of the sport's prestigious prizes. | 0:53:30 | 0:53:33 | |
But there is a Holy Grail that remains elusive. | 0:53:33 | 0:53:37 | |
The Queen has bred and owned the winners of every Classic race | 0:53:37 | 0:53:41 | |
except the Derby, and some of them several... You know, more than once. | 0:53:41 | 0:53:44 | |
But, you know, that's the one really important race, | 0:53:44 | 0:53:48 | |
which has eluded her so far. | 0:53:48 | 0:53:50 | |
As recently as 2011, it seemed the Queen had a real chance in the Derby | 0:53:52 | 0:53:57 | |
with an impressive colt called Carlton House, | 0:53:57 | 0:54:00 | |
originally a gift from the ruler of Dubai, Sheikh Mohammed. | 0:54:00 | 0:54:05 | |
The papers were full of hopeful stories. | 0:54:05 | 0:54:08 | |
On the day, the Queen's family turned out in force | 0:54:08 | 0:54:11 | |
to show their support. | 0:54:11 | 0:54:12 | |
-COMMENTATOR: -Here's Carlton House, called on for the final run... | 0:54:12 | 0:54:16 | |
And he came there with a burst of speed that looked, | 0:54:16 | 0:54:19 | |
for a stride or two, as if it might be decisive. | 0:54:19 | 0:54:22 | |
Pour Moi is swimming. Treasure Beach just holding on. | 0:54:22 | 0:54:25 | |
Grabbed by Pour Moi. Pour Moi is the winner. | 0:54:25 | 0:54:28 | |
In a close finish, Carlton House was third. | 0:54:29 | 0:54:32 | |
For the Queen, the Derby remains the unfulfilled dream. | 0:54:35 | 0:54:39 | |
But the thrill of racing | 0:54:41 | 0:54:43 | |
is only one part of her love for horses | 0:54:43 | 0:54:46 | |
of every shape and size. | 0:54:46 | 0:54:48 | |
Every year, the Queen hosts one of Britain's most famous horse events | 0:54:51 | 0:54:55 | |
in what is effectively her back garden. | 0:54:55 | 0:54:58 | |
The Royal Windsor Horse Show | 0:55:00 | 0:55:02 | |
is a celebration of all things equestrian, | 0:55:02 | 0:55:05 | |
from pony club games | 0:55:05 | 0:55:08 | |
to exotic breeds | 0:55:08 | 0:55:11 | |
to glittering displays by the Queen's Household Cavalry. | 0:55:11 | 0:55:15 | |
The thing about the horse world is it's not always glamorous - | 0:55:16 | 0:55:19 | |
you've got to muck in, come out whatever the weather. | 0:55:19 | 0:55:21 | |
And the Queen has come today to the Royal Windsor Horse Show | 0:55:21 | 0:55:24 | |
to watch Fell ponies and Highland ponies that she's bred being judged. | 0:55:24 | 0:55:29 | |
The Queen has two Fell ponies in the first event, | 0:55:29 | 0:55:32 | |
bred at her Hampton Court stables. | 0:55:32 | 0:55:34 | |
The judges are looking for the best conformation - | 0:55:34 | 0:55:37 | |
the shape, the size, the gait - | 0:55:37 | 0:55:40 | |
ultimately promoting a healthier, better breed. | 0:55:40 | 0:55:44 | |
You can see the real knowledge, | 0:55:44 | 0:55:46 | |
the pride as these ponies go round the show ring. | 0:55:46 | 0:55:50 | |
Just one of hundreds of people trying to win a prize, | 0:55:50 | 0:55:54 | |
trying to judge her breed against others | 0:55:54 | 0:55:56 | |
to find if these are better than anybody else's. | 0:55:56 | 0:56:00 | |
In this class, the Queen manages only fifth place. | 0:56:05 | 0:56:09 | |
But the next event is the one to watch out for. | 0:56:09 | 0:56:13 | |
Sylvia Ormiston has come down from Balmoral | 0:56:13 | 0:56:16 | |
to watch a very promising home-bred Highland pony - | 0:56:16 | 0:56:19 | |
a two-year-old filly called Balmoral Harmony. | 0:56:19 | 0:56:23 | |
Well, the Duchess of Cornwall has arrived to join the Queen. | 0:56:26 | 0:56:29 | |
They're watching the judging for the Highland ponies. | 0:56:29 | 0:56:34 | |
This would be a massive boost to Sylvia and the team at Balmoral | 0:56:34 | 0:56:38 | |
if she's successful in front of the eyes of the judge. | 0:56:38 | 0:56:42 | |
The first two places go to other breeders. | 0:56:43 | 0:56:47 | |
-ANNOUNCER: -In third place, it goes to number 503 - Balmoral Harmony, | 0:56:47 | 0:56:51 | |
owned by Her Majesty the Queen. | 0:56:51 | 0:56:54 | |
But a respectable third isn't bad. | 0:56:54 | 0:56:57 | |
Well done. So how's third place? Is that all right? | 0:56:57 | 0:57:00 | |
Oh, delighted, absolutely delighted. | 0:57:00 | 0:57:02 | |
She's a two-year-old filly shown on a rope halter, | 0:57:02 | 0:57:05 | |
as a two-year-old filly should be shown. | 0:57:05 | 0:57:07 | |
And a top place filly, cos she was only beaten by two colts. | 0:57:07 | 0:57:11 | |
So very, very pleased. Strong class. And good job, Lizzie, well done. | 0:57:11 | 0:57:14 | |
-Yeah, Lizzie you did the leading up there. -Yes. | 0:57:14 | 0:57:17 | |
And she behaved pretty well, didn't she? | 0:57:17 | 0:57:19 | |
A few of them didn't, but she did. | 0:57:19 | 0:57:20 | |
She has got the most incredible temperament and she's so easy | 0:57:20 | 0:57:23 | |
to work with, because no matter how beautiful they are, | 0:57:23 | 0:57:26 | |
they have got to have the temperament to show | 0:57:26 | 0:57:28 | |
and she's fabulous. | 0:57:28 | 0:57:30 | |
You're a superstar, Harmony. Well done. | 0:57:30 | 0:57:33 | |
Good girl. Very good girl. Very pleased with her. | 0:57:33 | 0:57:35 | |
From the first contact with a newborn foal | 0:57:39 | 0:57:42 | |
to the calm, gentle bonding with yearlings | 0:57:42 | 0:57:47 | |
to the uncertainties and thrills of the racecourse, | 0:57:47 | 0:57:53 | |
the horse world has shown us a more intimate side to the Queen. | 0:57:53 | 0:57:57 | |
It's been so interesting watching the Queen up close with horses. | 0:57:59 | 0:58:03 | |
And you can really appreciate her understanding of them, | 0:58:03 | 0:58:06 | |
her connection with them as well. | 0:58:06 | 0:58:08 | |
And I think that horses reflect the best in human nature. | 0:58:08 | 0:58:11 | |
If you're kind with them, if you're consistent, if you're disciplined | 0:58:11 | 0:58:15 | |
and if you show affection, they will show it back to you. | 0:58:15 | 0:58:18 | |
You can't always win with horses - the Queen knows that. | 0:58:18 | 0:58:22 | |
And, in some ways, that's not the point, | 0:58:22 | 0:58:24 | |
because this animal, whether it be Thoroughbred or Highland pony, | 0:58:24 | 0:58:29 | |
this is her passion. | 0:58:29 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:39 |