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This programme contains flashing images. | :00:00. | :00:07. | |
Welcome to Children In Need Rocks from Hammersmith Apollo in London. | :00:08. | :00:12. | |
For two nights, an amazing line-up of artists have come together to | :00:13. | :00:15. | |
help raise as much money as possible for disadvantaged children across | :00:16. | :00:20. | |
the UK. We will be bringing you exclusive performances from Robbie | :00:21. | :00:27. | |
Williams. Ellie Goulding. Bastille. Little Mix. Rizzle Kicks. Barry | :00:28. | :00:33. | |
Manilow. Dizzee Rascal. Sir Tom Jones. Passenger. The Wanted. Tom | :00:34. | :00:35. | |
Odell. Madness. Keane. Gareth Malone Odell. Madness. Keane. Gareth Malone | :00:36. | :00:43. | |
Voices. The Lumineers. And Mr Gary Barlow. Oh yes, as well as some very | :00:44. | :00:48. | |
special surprises. Here is the deal. All that we ask is if you are | :00:49. | :01:00. | |
enjoying yourself, please donate ?5 to BBC Children In Need. Text | :01:01. | :01:05. | |
"DONATE" to 70705. Text messages cost ?5 plus your standard network | :01:06. | :01:10. | |
charge and ?5 will go to BBC Children In Need. For full terms and | :01:11. | :01:18. | |
conditions, visit bbc.co.uk/pudsey. So, the gig of all gigs is about to | :01:19. | :01:24. | |
start. Who is going to kick-off Children In Need Rocks 2013? The | :01:25. | :01:29. | |
answer? Please give it up for the amazing Kings of Leon. | :01:30. | :01:56. | |
# Painted faces Fill the places I can't reach | :01:57. | :02:10. | |
# Countless lovers under cover of the street | :02:11. | :02:39. | |
# Off in the night, while you live it up, I'm off to sleep | :02:40. | :03:28. | |
# Waging wars to shape the poet and the beat | :03:29. | :03:34. | |
# Always looking down at all I see. # | :03:35. | :05:12. | |
Wasn't that incredible, the Kings of Leon? What a start to the show. They | :05:13. | :05:29. | |
will be back. There's been a lot of talk about this gig and what we may | :05:30. | :05:34. | |
or may not have in store. Fearne, cue the big tease. There is someone | :05:35. | :05:38. | |
here who will be performing who the rest of the artists cannot believe | :05:39. | :05:45. | |
has come out to play. Woah! She speaks the truth. Before that, who | :05:46. | :05:48. | |
is next? We have got four young ladies who burst on to our screens | :05:49. | :05:52. | |
two years ago and have been taking America by storm with some of their | :05:53. | :05:56. | |
biggest hits. Please welcome Little Mix. | :05:57. | :06:19. | |
# She captures her reflection then she throws the mirror to the floor | :06:20. | :06:27. | |
# Her image is distorted screaming is it worth it anymore? | :06:28. | :06:29. | |
# No # Are you scared of the things that | :06:30. | :06:33. | |
they might put you through? # Does it make you wanna hide the | :06:34. | :06:40. | |
inner you? # Oh no | :06:41. | :06:47. | |
# You're not the only one to let them criticise | :06:48. | :06:49. | |
# You're untouchable when you realise | :06:50. | :06:53. | |
# Oh, oh, oh # Change, change your life take it | :06:54. | :06:56. | |
all # We're gonna stick together | :06:57. | :07:04. | |
# Know we'll get through it all # Change, change your life take it | :07:05. | :07:08. | |
all # You gotta use it to become what | :07:09. | :07:16. | |
you've always known # Become what you've always known. # | :07:17. | :07:34. | |
# Does he tell you he loves you # When you least expect it? | :07:35. | :07:40. | |
# Does he flutter your heart # When he kisses your neck? | :07:41. | :07:44. | |
# No scientist # Or biology | :07:45. | :07:47. | |
# It's obvious # When he's holding me | :07:48. | :07:51. | |
# It's only natural that I'm so affected | :07:52. | :07:52. | |
# Oh # And my heart won't beat again | :07:53. | :08:02. | |
# If I can't feel him in my veins # No need to question | :08:03. | :08:04. | |
# I already know # It's in his DNA, D-D-D-DNA | :08:05. | :08:11. | |
# It's in his DNA # And he just takes my breath away | :08:12. | :08:16. | |
# B-b-b-breath away # I feel it every day | :08:17. | :08:24. | |
# And that's what makes a man # Not hard to understand | :08:25. | :08:26. | |
# Perfect in every way # I see it in his face | :08:27. | :08:30. | |
# Nothing more to say # It's in his D-D-D-DNA. # | :08:31. | :08:44. | |
# Mama told me not to waste my life # She said spread your swings my | :08:45. | :08:50. | |
little butterfly # Don't let what they say keep you | :08:51. | :08:53. | |
up at night # And if they give you | :08:54. | :08:58. | |
# Then they can walk on by # My feet, feet can't touch the | :08:59. | :09:00. | |
ground # And I can't hear a sound | :09:01. | :09:04. | |
# But you just keep on running up your mouth | :09:05. | :09:06. | |
# Yeah # Walk, walk on over there | :09:07. | :09:12. | |
# Cause I'm too fly to care, oh yeah # Your words don't mean a thing | :09:13. | :09:20. | |
# I'm not listening # Keep talking, all I know is, yeah | :09:21. | :09:26. | |
# Mama told me not to waste my life # She said spread your wings my | :09:27. | :09:28. | |
little butterfly # Don't let what they say keep you | :09:29. | :09:32. | |
up at night # And they can't detain you | :09:33. | :09:37. | |
# Cause wings are made to fly # And we don't let nobody bring us | :09:38. | :09:41. | |
down # No matter what you say it won't | :09:42. | :09:45. | |
hurt me # Don't matter if I fall from the | :09:46. | :09:48. | |
sky # These wings are made to fly. # | :09:49. | :10:05. | |
# We don't let nobody bring us down # No matter what you say it won't | :10:06. | :10:10. | |
hurt me # These wings are made to fly. # | :10:11. | :10:21. | |
Are you ready for more music? You ready? OK. Our next duo were snapped | :10:22. | :10:32. | |
up after their bedroom demos went viral. They are raring to go so we | :10:33. | :10:38. | |
better get ready. You ready? CROWD: Yes! Here comes Rizzle Kicks. | :10:39. | :10:49. | |
# Plus it's bright and brilliant Kinda how I like my women | :10:50. | :10:57. | |
# And that's the right opinion Although at night I'm slipping | :10:58. | :10:59. | |
# When I never ring her Now she thinks I'm a villain | :11:00. | :11:01. | |
# See, I'm not festive But I quite like presents | :11:02. | :11:03. | |
# Don't wanna die But I quite like heaven | :11:04. | :11:05. | |
# Wanna good place But I don't like waiting | :11:06. | :11:08. | |
# Wanna go crazy, but I'm not patient | :11:09. | :11:11. | |
# Wanna be smart But I don't like learning | :11:12. | :11:14. | |
# Wanna be rich But it takes time earning | :11:15. | :11:16. | |
# Wanna be fit But I don't like running | :11:17. | :11:19. | |
# Then I see you and I wish I done something | :11:20. | :11:21. | |
# I like your style Been watching you for a while | :11:22. | :11:24. | |
# I said, oh, yeah, let's dance And then | :11:25. | :11:27. | |
# So, been here two days long Still not stepped that stone | :11:28. | :11:52. | |
# Still not moving on, on Now let's go | :11:53. | :11:57. | |
# I will take control No more moving slow | :11:58. | :12:01. | |
# I like your style Been watching you for a while | :12:02. | :12:09. | |
# I said, oh, yeah, let's dance And then | :12:10. | :12:12. | |
# Let's skip Let's skip to the good bit | :12:13. | :12:48. | |
# We don't know what we're doing But it feels right | :12:49. | :12:57. | |
# Feeling alive is a good way to kill time | :12:58. | :13:00. | |
# We came here with nothing but love We stay easy | :13:01. | :13:05. | |
# You gotta stay till they pack up the club just to please me. | :13:06. | :13:10. | |
# I say Let's skip to the good bit | :13:11. | :13:14. | |
# Let's skip Let's skip to the good bit. # | :13:15. | :13:57. | |
a very good reason why Rizzle Kicks are doing this tonight, so let's | :13:58. | :14:14. | |
take a look at a film about a remarkable little girl whose life | :14:15. | :14:18. | |
has been transformed. Thanks to your generosity. | :14:19. | :14:26. | |
Good girl. Daisy is amazing. She's sunshine. At four-years-old, this | :14:27. | :14:39. | |
little girl has faced more challenges than most of us would | :14:40. | :14:43. | |
experience in a lifetime. Daisy has Down's syndrome and was born with a | :14:44. | :14:48. | |
hole in her heart. She also has an unstable spine. This means she has | :14:49. | :14:52. | |
to wear a protective collar 24 hours a day. She is vulnerable being | :14:53. | :15:00. | |
knocked over, that could be very serious. She is very fragile. Even | :15:01. | :15:05. | |
with the collar on, we live in terror, really, of what could | :15:06. | :15:12. | |
happen. Added to this, Daisy's speech is limited. Her sister can | :15:13. | :15:16. | |
understand her, but other children find it difficult. With all these | :15:17. | :15:21. | |
problems, ordinary playgroups are out of the question. She desperately | :15:22. | :15:26. | |
wants to interact with everybody, but gets frustrated by the fact that | :15:27. | :15:30. | |
she can't always do it. She can't make herself understood. Thanks to | :15:31. | :15:36. | |
your help, she has somewhere to go where she is understood. Every week, | :15:37. | :15:45. | |
she comes here to Speech Sign and Song. A music group for children | :15:46. | :15:49. | |
with communication difficulties, supported by Children In Need. | :15:50. | :15:56. | |
Hello, Daisy. Good singing! And good signing. It is perfect for Daisy. It | :15:57. | :16:02. | |
is time for listening. A place where she feels safe and can learn at her | :16:03. | :16:07. | |
own pace. It is all very interactive. The children are | :16:08. | :16:11. | |
expected to do lots and they do purely because they think they are | :16:12. | :16:13. | |
there to have fun. They don't realise they are learning. She is | :16:14. | :16:17. | |
more confident. She is more outgoing. She loves it. It is just | :16:18. | :16:24. | |
helped her develop as a child in a way that she needs to to equip her | :16:25. | :16:28. | |
for school. She has changed massively. She's overcome such a lot | :16:29. | :16:33. | |
and she is learning to achieve such a lot against all the odds. Speech | :16:34. | :16:40. | |
Sign and Song has made such a difference to Daisy. With your | :16:41. | :16:44. | |
support, these groups can help many more children like her. We would | :16:45. | :16:54. | |
like to remind you the brilliant thing about BBC Children In Need is | :16:55. | :17:02. | |
every single pound you donate is spent on helping children like | :17:03. | :17:08. | |
Daisy. If you would like to help us, we can help more children. To donate | :17:09. | :17:14. | |
?5, text "DONATE" to 70705. Text messages will cost ?5. ?5 will go to | :17:15. | :17:20. | |
Children In Need. For full terms and conditions, go to bbc.co.uk/pudsey. | :17:21. | :17:29. | |
Now, a random fact from Fearne. Our next act once performed on The Great | :17:30. | :17:35. | |
Wall of China. There you go! With an incredible five number one albums, | :17:36. | :17:37. | |
here is Keane! # And I can see the pain in your | :17:38. | :18:02. | |
eyes # That I'm trying to make a move | :18:03. | :18:33. | |
just to stay in the game # I try to stay awake | :18:34. | :18:58. | |
and remember my name # That I'm trying to make a move | :18:59. | :19:04. | |
just to stay in the game # I try to stay awake | :19:05. | :19:59. | |
and remember my name # That I'm trying to make a move | :20:00. | :20:04. | |
just to stay in the game # I try to stay awake | :20:05. | :20:45. | |
and remember my name Still to come: Robbie Williams, more | :20:46. | :21:30. | |
superstar surprises, Dizzee Rascal, Bastille, The Wanted and the legend | :21:31. | :21:34. | |
that is Barry Manilow! CROWD: Barry Manilow! That is all | :21:35. | :21:38. | |
still to come. The party continues with a young man who simply oozes | :21:39. | :21:42. | |
talent, a British singer-songwriter who went from composing songs at 13, | :21:43. | :21:48. | |
to having a number one hit album by the time he was only 22. Please, | :21:49. | :21:54. | |
give it up for Tom Odell toed. -- Tom Odell. | :21:55. | :22:19. | |
I'd like to invite a very special friend of mine, ladies and | :22:20. | :25:37. | |
gentlemen, Nicole Scherzinger. # All I want to do | :25:38. | :26:18. | |
is wash your clothes # And I can tell by the way | :26:19. | :27:04. | |
you walk that walk # And I can hear by the way | :27:05. | :27:42. | |
you talk that talk # And I can know | :27:43. | :27:46. | |
by the way you treat your girl # That I could give you all | :27:47. | :27:52. | |
the loving in the whole wide world # All I want you to do | :27:53. | :27:57. | |
is to bake your bread # Just to make sure | :27:58. | :28:02. | |
that you're well fed # And I can tell | :28:03. | :28:06. | |
by the way you walk that walk # And I can hear | :28:07. | :28:39. | |
by the way you talk that talk # And I can know | :28:40. | :28:44. | |
by the way you treat your girl # That I could give you all | :28:45. | :28:49. | |
the loving in the whole wide world Tom Odell, everybody. Nicole | :28:50. | :29:20. | |
Scherzinger. Let's hear it for Tom Odell and | :29:21. | :30:03. | |
Nicole Scherzinger! CHEERING AND APPLAUSE | :30:04. | :30:13. | |
That was incredible! When you are organising a big charity rock | :30:14. | :30:17. | |
concert, you need to book some big acts. What would you do first? If | :30:18. | :30:21. | |
you are Gary Barlow, you rope in one of your mates and if one of your | :30:22. | :30:25. | |
mates happens to be Robbie Williams, all the better! Seriously, how would | :30:26. | :30:32. | |
you say no to Captain Barlow? Guy Chambers is on piano. Please big it | :30:33. | :30:35. | |
up, if you haven't already, for Robbie Williams. | :30:36. | :30:54. | |
# Another dawn, another day Another dollar to be made | :30:55. | :31:01. | |
# Where a little rock, a little roll assimilate | :31:02. | :31:09. | |
# And I don't care what you think you know | :31:10. | :31:13. | |
# I made it easy to be me So yeah, it's easy to be me | :31:14. | :31:22. | |
# Cos I make you so angry more and more each day | :31:23. | :31:32. | |
# The way you don't love me kind of makes you look ugly | :31:33. | :31:37. | |
# Come up and see me I kind of like the abuse | :31:38. | :31:47. | |
# Just bow your head and you can shine my shoes | :31:48. | :32:03. | |
# Get outta my lane, boy You're not in my league | :32:04. | :32:09. | |
# Some are born to thrive and some to underachieve | :32:10. | :32:17. | |
# Here's something that'll make you sick | :32:18. | :32:20. | |
# I've been amazed # I've been betrayed | :32:21. | :32:30. | |
# Cos I make you so angry more and more each day | :32:31. | :32:38. | |
# The way you don't love me kind of makes you look ugly | :32:39. | :32:43. | |
# just lend a hand and you can shine my shoes | :32:44. | :33:04. | |
# You make me so angry more and more each day | :33:05. | :33:22. | |
# The way you don't love me kind of makes you look ugly | :33:23. | :33:27. | |
# But while you're here Bow your head | :33:28. | :33:43. | |
Yes! # Barry Manilow. # Here's a song I | :33:44. | :34:28. | |
wrote about my daughter. This is called Go Gentle. | :34:29. | :34:44. | |
# Bitter disappointments Except for one or two | :34:45. | :34:59. | |
# Some of them are angry Some of them are mean | :35:00. | :35:07. | |
# Most of them are twisted Few of them are clean | :35:08. | :35:15. | |
# Now when you go dancing with young men down at the disco | :35:16. | :35:22. | |
# Just keep it simple You don't have to kiss, though | :35:23. | :35:30. | |
# Don't waste time with the idiots that think that they're heroes | :35:31. | :35:37. | |
# I'm gonna be there Yes, I will | :35:38. | :36:01. | |
# When you need me I'll be there for you | :36:02. | :36:32. | |
# Baby, be a giant Let the world be small | :36:33. | :36:47. | |
# Some of them are deadly Some don't let it show | :36:48. | :36:54. | |
# If they try and hurt you Just let your daddy know | :36:55. | :37:02. | |
# Now when you go giving your heart Make sure they deserve it | :37:03. | :37:09. | |
# If they haven't earned it Keep searching, it's worth it | :37:10. | :37:18. | |
# For all your days and nights I'm gonna be there | :37:19. | :37:27. | |
# I'm gonna be there Yes, I will | :37:28. | :37:33. | |
# When you need me I'll be there for you | :37:34. | :38:07. | |
# I'm gonna be there Yes, I will | :38:08. | :38:34. | |
# Say my name and I'll be there for you. # | :38:35. | :38:54. | |
Alright! The word on the street is that Robbie may well be back later | :38:55. | :39:24. | |
on in the show. But that could be one of the surprises we are not | :39:25. | :39:28. | |
supposed to know about. OK. Alright. Better move on. Let's. Our next | :39:29. | :39:33. | |
artist has wowed the White House and sung by royal appointment at | :39:34. | :39:38. | |
Buckingham Palace and she is here tonight for Children In Need Rocks. | :39:39. | :39:40. | |
It is Ellie Goulding. # We, we don't have to worry | :39:41. | :39:56. | |
'bout nothing # Cos we got the fire and we're | :39:57. | :40:01. | |
burning one hell of a something # They, they gonna see us | :40:02. | :40:07. | |
from outer space, outer space # Light it up like we're the stars | :40:08. | :40:12. | |
of the human race, human race # When the light's turning down | :40:13. | :40:18. | |
They don't know what they heard # Strike the match, play it loud | :40:19. | :40:23. | |
Giving love to the world # We'll be raising our hands | :40:24. | :40:28. | |
Shining up to the sky # And we gonna let it | :40:29. | :40:34. | |
burn, burn, burn, burn # We gonna let it | :40:35. | :40:42. | |
burn, burn, burn, burn # We just wanna be right now, | :40:43. | :40:53. | |
r-r-right now # And what we see is everybody's | :40:54. | :40:58. | |
on the floor acting crazy # Music's on, I'm waking up | :40:59. | :41:00. | |
We stop the vibe and we bump it up # And it's over now, we got the love | :41:01. | :41:08. | |
There's no secret now, no secret now # When the light's turning down | :41:09. | :41:14. | |
They don't know what they heard # Strike the match, play it loud | :41:15. | :41:18. | |
Giving love to the world # We'll be raising our hands | :41:19. | :41:24. | |
Shining up to the sky # And we gonna let it | :41:25. | :41:29. | |
burn, burn, burn, burn # We gonna let it | :41:30. | :41:38. | |
burn, burn, burn, burn # When the light's turning down | :41:39. | :41:48. | |
They don't know what they heard # Strike the match, play it loud | :41:49. | :41:51. | |
Giving love to the world # We gonna let it | :41:52. | :41:56. | |
burn, burn, burn, burn # We can light it up, up, up | :41:57. | :42:02. | |
So they can't put it out, out, out # When the light's turning down | :42:03. | :42:31. | |
They don't know what they heard # Strike the match, play it loud | :42:32. | :42:35. | |
Giving love to the world # We'll be raising our hands | :42:36. | :42:42. | |
Shining up to the sky # And we gonna let it | :42:43. | :42:46. | |
burn, burn, burn, burn # We gonna let it | :42:47. | :42:56. | |
burn, burn, burn, burn # When the light's turning down | :42:57. | :43:05. | |
They don't know what they heard # Strike the match, play it loud | :43:06. | :43:09. | |
Giving love to the world # We'll be raising our hands | :43:10. | :43:12. | |
Shining up to the sky The wonderful Ellie Goulding, who | :43:13. | :43:47. | |
will also be performing the official Children In Need single How Long | :43:48. | :43:49. | |
Will I Love You? On tomorrow's appeal show which starts on BBC One | :43:50. | :43:57. | |
at 7.30pm. Can you get me in? It is unlikely. Mr Gary Barlow has | :43:58. | :44:05. | |
arranged tonight, which is no mean feat. What he didn't realise, until | :44:06. | :44:10. | |
recently, is just how urgently your donations are needed. However, that | :44:11. | :44:14. | |
all changed two weeks' ago when he went to visit a children's hospice | :44:15. | :44:21. | |
in Coventry called Zoe's Place. Zoe's Place is one of 15 children's | :44:22. | :44:26. | |
hospices around the UK that is supported by Children In Need. They | :44:27. | :44:31. | |
care for very young children with life-limiting conditions. Good | :44:32. | :44:37. | |
morning, everyone. This is Jamie. Jamie. I like these shoes! I think | :44:38. | :44:42. | |
my little four-year-old would like these. Jamie comes here, she gets to | :44:43. | :44:47. | |
mix with all the other children. We know she is in excellent hands. You | :44:48. | :44:51. | |
can bring her here and not worry about her? Absolutely. It is a very | :44:52. | :45:00. | |
special place. This is Alex. Alex. Hey there. It is nice to be able to | :45:01. | :45:05. | |
come here and know that he is going to be safe and well looked after and | :45:06. | :45:10. | |
they care for him just as much as we do. What we would do without them, I | :45:11. | :45:13. | |
don't know. As you can see, he is a bit of a charmer, especially with | :45:14. | :45:18. | |
blond ladies. Is that right? Oh yes. Great. He says, "I'm Gary Barlow!" | :45:19. | :45:33. | |
No! You are Charlie. He was nine weeks old when he discovered he had | :45:34. | :45:37. | |
no immune system. They said he would live six to 12 months. He had to | :45:38. | :45:41. | |
live in hospital for nearly two years. For him having all those | :45:42. | :45:44. | |
years without meeting other children, to come here must be | :45:45. | :45:49. | |
amazing? Yeah. They are so loving and caring. He is so happy every | :45:50. | :45:53. | |
time he comes. It gives our family a chance to be a family. Can I do some | :45:54. | :45:57. | |
sign? It's an owl! How much does a place like this | :45:58. | :46:13. | |
need? The majority of it is purely through donations. Without that | :46:14. | :46:17. | |
funding, families would have nowhere to go. How often is it open? Four | :46:18. | :46:23. | |
days a week. That is getting a bit less and less. Is it? It is | :46:24. | :46:28. | |
diminishing already? Yes. The idea of somewhere like this closing | :46:29. | :46:31. | |
cannot happen. I can't, no. It can't. I have to be honest, I wasn't | :46:32. | :46:38. | |
looking forward to today that much. It's a hospice, I think it just | :46:39. | :46:43. | |
conjures up these ideas of it being a place with no hope and I have | :46:44. | :46:48. | |
experienced a total opposite. I think the children that we have met | :46:49. | :46:53. | |
are inspirational. The parents are fighters. They are people who are | :46:54. | :46:57. | |
getting on with life. They genuinely lean on this place. I look at | :46:58. | :47:02. | |
somewhere like this and I'm shocked in a way to find out how heavily | :47:03. | :47:07. | |
they rely on donations and so it is up to us, it is up to you out there | :47:08. | :47:12. | |
to just be as generous as you can, you know, when you see these faces, | :47:13. | :47:18. | |
it makes it real, it really does. We can help. Gary couldn't have put it | :47:19. | :47:25. | |
better. We will say it again. Your help is urgently needed. You have | :47:26. | :47:29. | |
been so brilliant before. If you can be again, give any amount online, or | :47:30. | :47:35. | |
via PayPal. All the details are at bbc.co.uk/pudsey. Or if you can | :47:36. | :47:41. | |
donate ?5, text "DONATE" to 70705. Text messages will cost ?5 plus your | :47:42. | :47:47. | |
standard network charge and ?5 will go to Children In Need. For full | :47:48. | :47:50. | |
terms and conditions, go to bbc.co.uk/pudsey. Right, time to | :47:51. | :47:58. | |
give you some value for your money - that is our part of the deal. This | :47:59. | :48:03. | |
superstar has chosen a song especially for the occasion with | :48:04. | :48:10. | |
What Good Am I? - please welcome the one and only Sir Tom Jones. | :48:11. | :48:35. | |
# If I shut myself off so I can't hear you cry | :48:36. | :49:02. | |
# What good am I then to the others and me? | :49:03. | :50:48. | |
# And I laugh in the face of what sorrow brings | :50:49. | :51:34. | |
Sir Tom Jones! Wow! OK, I've just been backstage and met one of my | :51:35. | :52:37. | |
idols. He hasn't performed in the UK for over 30 years. Gary's worked his | :52:38. | :52:43. | |
magic because he's as much of a fan as ELO as I am. Chris, you have | :52:44. | :52:49. | |
basically said out loud one of our massive secrets. Jeff Lynne will be | :52:50. | :52:53. | |
on stage later. In that case, I might as well say he is going to be | :52:54. | :52:58. | |
performing Mr Blue Sky as well. Right here on BBC One. Now, a band | :52:59. | :53:03. | |
who are about to make a lot of noise, it is a beefed-up Bastille. | :53:04. | :53:15. | |
# Eh-eh-oh-eh-oh # Eh-eh-oh-eh-oh | :53:16. | :53:28. | |
# Many days fell away with nothing to show | :53:29. | :53:38. | |
# But if you close your eyes Does it almost feel like | :53:39. | :53:59. | |
# And if you close your eyes Does it almost feel like | :54:00. | :54:07. | |
# How am I gonna be an optimist about this? | :54:08. | :54:18. | |
# We were caught up and lost in all of our vices | :54:19. | :54:26. | |
# In your pose as the dust settled around us | :54:27. | :54:33. | |
# But if you close your eyes Does it almost feel like | :54:34. | :54:53. | |
# And if you close your eyes Does it almost feel like | :54:54. | :55:01. | |
# How am I gonna be an optimist about this? | :55:02. | :55:12. | |
# But if you close your eyes Does it almost feel like | :55:13. | :55:56. | |
# And if you close your eyes Does it almost feel like | :55:57. | :56:03. | |
# How am I gonna be an optimist about this? | :56:04. | :56:17. | |
# Does it almost feel like nothing changed at all? | :56:18. | :56:22. | |
We have so many more incredible moments for you, including this from | :56:23. | :56:59. | |
our next star. He is a chart-topping, award-winning, | :57:00. | :57:04. | |
songwriting record-producing rapper. Please shout for Dizzee Rascal. | :57:05. | :57:35. | |
# I go hard in the city of London I get a lot of love | :57:36. | :57:38. | |
# All smiles when I step in the function | :57:39. | :57:41. | |
# I'm a local boy I'm from the eastside | :57:42. | :57:44. | |
# Nah, I'm jet settin', I'm reppin' I'll do it worldwide | :57:45. | :57:45. | |
# When I was a kid There was a rough ride | :57:46. | :57:46. | |
# Barely had the money for a bus ride | :57:47. | :57:47. | |
# Having a ball with all the riders I grew up with | :57:48. | :57:50. | |
# A couple of women I'm in the clock with | :57:51. | :57:52. | |
# Bottle the bubbly, feeling lovely Are hugging me | :57:53. | :57:53. | |
# Nobody could tell me nothing and nobody can never talk with me | :57:54. | :57:55. | |
# It's so good Girl pushin' them vibes | :57:56. | :57:57. | |
# For the most part, everybody's just tryna live their lives | :57:58. | :57:59. | |
# We're not afraid to die Only the strong survive | :58:00. | :58:00. | |
# You don't know if you don't try The stakes are high | :58:01. | :58:03. | |
# And it's the city where I earned my crown | :58:04. | :58:11. | |
# The city lights are extra bright They shine for us tonight | :58:12. | :58:16. | |
# The streets are so alive right now I love this town | :58:17. | :58:28. | |
# Every creep, colour and race We got the luck | :58:29. | :58:54. | |
# And the love to shop It's not a brand-new coffee cup | :58:55. | :58:57. | |
# No more than a couple of stops Where should I begin? | :58:58. | :58:59. | |
# My semi in the westside getting it in | :59:00. | :59:01. | |
# My semi on the northside getting the trim | :59:02. | :59:03. | |
# And I'm never gonna lose with the city to guide me | :59:04. | :59:10. | |
# Got the fire, but the city inside me and the streets are lively | :59:11. | :59:12. | |
# Got a whole lot of love for connect | :59:13. | :59:14. | |
# It's seven million people behind me, don't try me | :59:15. | :59:15. | |
# Cos right now we're gonna rave you up | :59:16. | :59:16. | |
# Set the roof on fire and blaze it up | :59:17. | :59:17. | |
# And we're in it to win it There's no limit | :59:18. | :59:21. | |
# So we raise it up We're gonna torch this whole place up | :59:22. | :59:23. | |
# The city lights are extra bright They shine for us tonight | :59:24. | :59:25. | |
# The streets are so alive right now I love this town | :59:26. | :59:36. | |
# Just me by you, I'm not going round | :59:37. | :59:39. | |
# The streets are so alive right now I love this town | :59:40. | :59:48. | |
Children In Need Rocks 2013. One more time for Dizzee Rascal! | :59:49. | :00:22. | |
Alright. Get ready for a superstar. He's sold over 80 million records | :00:23. | :00:28. | |
worldwide and has 29 platinum albums to date, alongside a string of | :00:29. | :00:33. | |
number one hits! Rolling Stone magazine called him a giant among | :00:34. | :00:37. | |
entertainers, the showman of our generation, which his fanilows will | :00:38. | :00:44. | |
agree with. Ladies and gentlemen, boys and girls, it is the one, the | :00:45. | :00:47. | |
only, Mr Barry Manilow! # Her name was Lola | :00:48. | :01:20. | |
She was a showgirl # With yellow feathers in her hair | :01:21. | :01:25. | |
and a dress cut down to there # She would merengue | :01:26. | :01:29. | |
and do the cha-cha # And while she tried to be a star | :01:30. | :01:32. | |
Tony always tended bar # Across the crowded floor | :01:33. | :01:36. | |
They worked from eight till four # They were young | :01:37. | :01:40. | |
and they had each other # At the Copa, Copacabana | :01:41. | :01:42. | |
# The hottest spot north of Havana # Music and passion | :01:43. | :01:51. | |
were always in fashion # His name was Rico | :01:52. | :02:00. | |
he wore a diamond # He was escorted to his chair | :02:01. | :02:16. | |
He saw Lola dancing there # And when she finished | :02:17. | :02:20. | |
He called her over # But Rico went a bit too far | :02:21. | :02:22. | |
# Tony sailed across the bar # And then the punches flew | :02:23. | :02:26. | |
And chairs were smashed in two # There was blood | :02:27. | :02:28. | |
and a single gunshot # At the Copa, Copacabana | :02:29. | :02:30. | |
# The hottest spot north of Havana # Music and passion | :02:31. | :02:40. | |
were always in fashion # Her name was Lola | :02:41. | :02:47. | |
She was a showgirl # But that was many years ago | :02:48. | :03:04. | |
When they used to have a show # Still in dress she used to wear | :03:05. | :03:08. | |
Faded feathers in her hair # She sits there so refined | :03:09. | :03:15. | |
and drinks herself half-blind # She lost her youth, her Tony | :03:16. | :03:21. | |
# Now she's lost her mind # Music and passion | :03:22. | :03:24. | |
were always in fashion Thanks. Thanks so much, everyone. | :03:25. | :03:30. | |
Thanks a lot for that. # Spirit move me | :03:31. | :04:38. | |
every time I'm near you # Sweet Melissa | :04:39. | :04:43. | |
Angel of my lifetime # Let me know the wonder | :04:44. | :05:00. | |
of all of you # High up | :05:01. | :05:22. | |
where the stallion meets the sun # I could love you | :05:23. | :06:15. | |
Build my world around you # Never leave you | :06:16. | :06:21. | |
till my life is done # Let me know | :06:22. | :06:28. | |
the wonder of all of you # Oh, let me know | :06:29. | :06:43. | |
the wonder of all of you # Oh, but baby, I want you, now, | :06:44. | :07:20. | |
Oh my goodness! Never in my life did I think I would see Robbie Williams, | :07:21. | :08:16. | |
Gary Barlow and Barry Manilow on stage together. How about that for a | :08:17. | :08:23. | |
moment of pure genius? That was unbelievable. There is more Manilow | :08:24. | :08:27. | |
magic waiting for you along with more exclusive encore tracks if you | :08:28. | :08:31. | |
press the red button after the show. Remember, red button equals encore | :08:32. | :08:36. | |
after the show. It's been such a great night so far. Of course, we | :08:37. | :08:41. | |
are all here for a purpose, to raise money for Children In Need across | :08:42. | :08:45. | |
the UK. It is time to meet a little lad called Ajwad. He has had a tough | :08:46. | :08:52. | |
time in his young life so far. This is Ajwad. He's six-years-old. | :08:53. | :08:59. | |
His kidneys don't work properly. Three times every week for four | :09:00. | :09:03. | |
hours at a time he comes to Birmingham Children's Hospital, sits | :09:04. | :09:07. | |
in a chair and is hooked up to a machine. I have done the red one. | :09:08. | :09:12. | |
Which one next? Ajwad is on the waiting list for a transplant. But | :09:13. | :09:18. | |
for now, this is his life. Ajwad was two when he first started with us, | :09:19. | :09:22. | |
so he's not sort of known anything else, really. What are we going to | :09:23. | :09:31. | |
do? OK. Go to sleep. He sits in the same place on a machine that looks | :09:32. | :09:35. | |
very scary. It is a very alien environment. For Ajwad, there is a | :09:36. | :09:39. | |
time each week when he can forget he is a patient and be a child again. | :09:40. | :09:45. | |
Friday is his favourite day of the week. It is a special time of the | :09:46. | :09:50. | |
week for all the children. That is the day they know they will have a | :09:51. | :09:55. | |
great time. Singing Medicine is a project supported by Children In | :09:56. | :09:59. | |
Need, where trained tutors help children in hospital through music | :10:00. | :10:07. | |
and song. He is always the first one to start with. He will start singing | :10:08. | :10:12. | |
the songs before they are ready. # The horn on the bus... # | :10:13. | :10:18. | |
Singing helps in other ways, too. We can do some movement-based things | :10:19. | :10:22. | |
with them which is helpful in terms of their breathing, it can calm them | :10:23. | :10:28. | |
down. In a hospital environment, the children have a lot of decisions | :10:29. | :10:32. | |
made for them. In our songs, we do encourage them to make their own | :10:33. | :10:36. | |
decisions so they feel they have got control. Which part of his body is | :10:37. | :10:41. | |
he going to move? His head. It is more treatment, really. It is a | :10:42. | :10:45. | |
therapy. It gives them a chance to express themselves. We think it is a | :10:46. | :10:49. | |
fantastic resource. While Ajwad waits for his new kidney, projects | :10:50. | :10:53. | |
like this make such a difference to his time in hospital and it is your | :10:54. | :11:00. | |
donations that make this happen. The smile on his face. Brilliant. I love | :11:01. | :11:06. | |
that project. You see how small things can make a huge difference. | :11:07. | :11:09. | |
Children In Need is absolutely committed to helping more little | :11:10. | :11:13. | |
heroes like Ajwad get through tough times in their young lives. It can | :11:14. | :11:18. | |
be done but we need your help. If you are able to give ?5, please text | :11:19. | :11:25. | |
"DONATE" to 70705. Text messages will cost ?5 plus your standard | :11:26. | :11:29. | |
network charge and ?5 will go to Children In Need. For full terms and | :11:30. | :11:37. | |
conditions, go to bbc.co.uk/pudsey. Now, back to the music, with a band | :11:38. | :11:46. | |
from Colorado, Grammy nominated. They started playing covers under | :11:47. | :11:51. | |
the name of Free Beer. Focus, Chris! Sorry, you are right. I should. It | :11:52. | :11:54. | |
is The Lumineers. # Ho! | :11:55. | :12:01. | |
I've been trying to do it right # Hey! | :12:02. | :12:12. | |
I've been living a lonely life # Ho! | :12:13. | :12:15. | |
I've been sleeping here instead # Hey! | :12:16. | :12:19. | |
I've been sleeping in my bed # Ho! | :12:20. | :12:22. | |
Sleeping in my bed # Hey! | :12:23. | :12:25. | |
So show me family # Ho! | :12:26. | :12:35. | |
All the blood that I would bleed # Hey! | :12:36. | :12:37. | |
I don't know where I belong # Ho! | :12:38. | :12:39. | |
I don't know where I went wrong # Hey! | :12:40. | :12:42. | |
But I can write a song # I belong with you, you belong | :12:43. | :12:44. | |
with me, you're my sweetheart # I belong with you, you belong | :12:45. | :12:54. | |
with me, you're my sweet # Ho! | :12:55. | :12:57. | |
I don't think you're right for him # Hey! Look at what | :12:58. | :13:11. | |
it might have been if you # Ho! | :13:12. | :13:14. | |
Took a bus to Chinatown # Hey! | :13:15. | :13:17. | |
I'd be standing on Canal # Ho! | :13:18. | :13:20. | |
And she'd be standing next to me # I belong with you, you belong | :13:21. | :13:31. | |
with me, you're my sweetheart # I belong with you, you belong | :13:32. | :13:44. | |
with me, you're my sweetheart # I belong with you, you belong | :13:45. | :14:06. | |
with me, you're my sweet Madness! Fantastic. Let's get ready | :14:07. | :14:36. | |
for a band who have been entertaining us for over 30 years. | :14:37. | :14:40. | |
They tend to steal the show wherever they go, they certainly did last | :14:41. | :14:43. | |
year during the Jubilee celebrations and they are about to do it again | :14:44. | :14:48. | |
tonight. Watch out for the twist - it is Madness! | :14:49. | :15:35. | |
# My girl don't read books # I'm a man doing all I can | :15:36. | :15:44. | |
# Because my girl # She's sure the best | :15:45. | :15:48. | |
# Oh my # Girls and boys | :15:49. | :15:49. | |
# Have a look at the legs, girls. # # She's cool, she's so fi | :15:50. | :16:21. | |
# She's al al ala # All of mine | :16:22. | :16:23. | |
# I'm so glad # She wants to be with me | :16:24. | :16:27. | |
# She got looks and personality # I want her, all of the time | :16:28. | :16:32. | |
# To be mine and all of her time # To be free | :16:33. | :16:35. | |
# Standing right by me # And to see | :16:36. | :16:40. | |
# That it has to be # Oui oui, si si, ja ja, da da | :16:41. | :16:53. | |
# My girl, likes to drive at night # My girl is so out of sight | :16:54. | :16:57. | |
# My girl, heads above the rest # My girl, she sure the best | :16:58. | :17:02. | |
# She's so cool and there's no doubt # She's so fine, I'm so glad, she | :17:03. | :17:07. | |
wanna be with me # She got looks and personality | :17:08. | :17:11. | |
# Cause my girl # My girl, she's my girl | :17:12. | :17:17. | |
# She's my girl # My girl | :17:18. | :17:18. | |
# And I'm her man. # Thank you very much. This is a song | :17:19. | :17:33. | |
we wrote on the way here in the van. It is called Baggy Trousers. | :17:34. | :17:40. | |
# Naughty boys in nasty schools Headmasters breaking all the rules | :17:41. | :17:45. | |
# Having fun and playing fools Smashing up the woodwork tools | :17:46. | :17:49. | |
# All the teachers in the pub Passing round the ready-rub | :17:50. | :17:51. | |
# Trying not to think of when The lunch-time bell will ring again | :17:52. | :17:53. | |
# Oh, what fun we had! But did it really turn out bad? | :17:54. | :17:58. | |
# All I learnt at school Was how to bend, not break the rules | :17:59. | :18:01. | |
# Oh, what fun we had! But at the time it seemed so bad | :18:02. | :18:03. | |
# Trying different ways To make a difference to the... | :18:04. | :18:23. | |
# Oh, what fun we had! But did it really turn out bad? | :18:24. | :18:27. | |
# All I learnt at school Was how to bend, not break the rules | :18:28. | :18:30. | |
# Oh, what fun we had! But at the time it seemed so bad | :18:31. | :18:34. | |
# Trying different ways To make a difference to the days # | :18:35. | :18:50. | |
# Lots of girls and lots of boys Lots of smells and lots of noise | :18:51. | :18:55. | |
# Playing football in the park Kicking pushbikes after dark | :18:56. | :18:57. | |
# Baggy trousers, dirty shirt Pulling hair and eating dirt | :18:58. | :19:02. | |
# Teacher comes to break it up Back of the 'ead with a plastic cup | :19:03. | :19:04. | |
# Oh, what fun we had! But did it really turn out bad? | :19:05. | :19:07. | |
# All I learnt at school Was how to bend, not break the rules | :19:08. | :19:11. | |
# Oh, what fun we had! But at the time it seemed so bad | :19:12. | :19:13. | |
# Trying different ways To make a difference to the days # | :19:14. | :19:35. | |
# Baggy trousers # Baggy trousers | :19:36. | :19:55. | |
Ladies and gentlemen, Rizzle Kicks. What an honour. Thank you. Good | :19:56. | :20:05. | |
night. Madness and Rizzle Kicks! Oh, the | :20:06. | :20:22. | |
nutty boys, don't you love them? Now, for one of our most successful | :20:23. | :20:27. | |
British boybands. Not only have they had a string of top ten hits, their | :20:28. | :20:32. | |
reality TV show has been providing more than an eyeful. Please put your | :20:33. | :20:36. | |
hands together for The Wanted. # She moves us where the room around | :20:37. | :20:46. | |
the lights up like the sky # I wanna put my hands on her hands | :20:47. | :20:55. | |
# Feel the heat from her skin # I'm moving to the beat | :20:56. | :21:00. | |
of her heart # Tonight I found you | :21:01. | :21:04. | |
In the darkest hour # I found you | :21:05. | :21:13. | |
in a pouring rain # Found you in a river | :21:14. | :21:17. | |
of pure emotions # I found you, with the music | :21:18. | :21:28. | |
playing # I was lost 'til I found you, you, | :21:29. | :21:42. | |
# But sometimes we can't see it # We're all blinded by light | :21:43. | :22:04. | |
# Just when I've given up # Looking for some kind inside | :22:05. | :22:17. | |
# Though I'll never say it too much | :22:18. | :22:43. | |
# All the bright lights in the universe | :22:44. | :23:15. | |
# I could have reached the highest heights | :23:16. | :23:18. | |
# A different place, a different life | :23:19. | :23:21. | |
# Remember that night underneath the stars | :23:22. | :23:23. | |
# For a minute I thought the world was ours | :23:24. | :23:27. | |
# All the bright lights in the universe | :23:28. | :23:52. | |
# I could have reached the highest heights | :23:53. | :23:55. | |
# A different place, a different life | :23:56. | :23:58. | |
# Remember that night underneath the stars | :23:59. | :24:00. | |
# For a minute I thought the world was ours | :24:01. | :24:06. | |
# All you had to do was show me love. # | :24:07. | :24:18. | |
# May we sing and dance till we lose our minds | :24:19. | :24:21. | |
# We are only young if we seize the night | :24:22. | :24:25. | |
# La la la la la # La la la la la | :24:26. | :24:46. | |
# When my time is over, lying in my grave | :24:47. | :24:52. | |
# Written on my tombstone I want it to say | :24:53. | :24:56. | |
# This man was a legend, a legend of his time | :24:57. | :25:00. | |
# When he was at a party, the party never died | :25:01. | :25:05. | |
# May our hearts be full like our drinks tonight | :25:06. | :25:19. | |
# May we sing and dance till we lose our minds | :25:20. | :25:23. | |
# We are only young if we seize the night | :25:24. | :25:28. | |
# And let us wake up in studded strangers' beds | :25:29. | :25:43. | |
# Let the drinks come in until nothing's left | :25:44. | :25:45. | |
# And this night my friends we will not forget | :25:46. | :25:49. | |
There is also going to be a bonus track by The Wanted on the red | :25:50. | :26:20. | |
button after tonight's show. Time to say good evening and thank you to | :26:21. | :26:27. | |
the driving force behind Children In Need Rocks, please welcome Mr Gary | :26:28. | :26:38. | |
Barlow. Having a great time. It is Captain Gary Barlow! | :26:39. | :26:42. | |
CHEERING Gary, what a phenomenal show it has | :26:43. | :26:47. | |
been? Amazing. How did you get Barry Manilow involved tonight? I mean, | :26:48. | :26:51. | |
listen, he's been a pleasure. The great thing about this concert is | :26:52. | :26:55. | |
when you mention Children In Need to anybody, no matter which country | :26:56. | :26:58. | |
they are in, they always say "yes". It is the power of Children In Need. | :26:59. | :27:04. | |
It is. Time for superstar number two this evening. Tell us about the next | :27:05. | :27:10. | |
surprise you have lined up for us? I have another duet with another | :27:11. | :27:15. | |
legendary artist. This young lady's not been on stage for over 25 years. | :27:16. | :27:24. | |
It is part of one of pop history's biggest bands ever. I can't believe | :27:25. | :27:28. | |
that I'm going to perform tonight with one of ABBA. You hear that? | :27:29. | :27:37. | |
ABBA in the house! ABBA with Gary. Get yourself ready. Thank you. | :27:38. | :27:41. | |
Enjoy. We are more than thrilled and excited about this. So, please, | :27:42. | :27:46. | |
everybody, get ready to give the biggest welcome ever to Gary Barlow | :27:47. | :27:52. | |
and Agnetha Falkskog. # You still look | :27:53. | :28:25. | |
the way you used to # Won't you tell me | :28:26. | :28:40. | |
what you've been through? # The way we moved | :28:41. | :28:54. | |
so close in the darkness # All the music, the magic, | :28:55. | :29:17. | |
the thrill # I must have been so lost | :29:18. | :29:21. | |
in the moment # I missed the chance | :29:22. | :29:23. | |
to make you my own # You never left me | :29:24. | :29:27. | |
since that one night # Some things stay with you | :29:28. | :30:18. | |
# Dancefloor dust # Never quite settles | :30:19. | :30:26. | |
# The way we moved so close in the darkness | :30:27. | :30:33. | |
# All the music, the magic, the thrill | :30:34. | :30:37. | |
# I must have been so lost in the moment | :30:38. | :30:40. | |
# I missed the chance to make you my own | :30:41. | :30:44. | |
# Dancefloor dust # Never quite settles | :30:45. | :31:20. | |
# The way we moved so close in the darkness | :31:21. | :31:28. | |
# All the music, the magic, the thrill | :31:29. | :31:32. | |
# I must have been so lost in the moment | :31:33. | :31:36. | |
# I missed the chance to make you my own | :31:37. | :31:39. | |
# Ooh, followed you home. # | :31:40. | :32:19. | |
I'm so glad to be here tonight. Thank you, Gary. Thank you, | :32:20. | :32:42. | |
everyone. OK, ladies and gentlemen, it gives | :32:43. | :32:53. | |
me great pleasure to introduce on stage right now The Godfather of | :32:54. | :32:59. | |
BBC's Children In Need, please welcome Sir Terry Wogan. | :33:00. | :33:04. | |
Ladies and gentlemen, friends of Pudsey, thank you, thank you for | :33:05. | :33:33. | |
your wonderful support this evening, for Children In Need. I must thank | :33:34. | :33:44. | |
the artists. It's been absolutely spectacular show. It's been | :33:45. | :33:50. | |
wonderful. Thank you to everyone who has donated, or who is about to. | :33:51. | :33:56. | |
Your support will help change the lives of many of Britain's | :33:57. | :34:01. | |
disadvantaged and sick children, so thank you for that. In the film we | :34:02. | :34:11. | |
are about to show you, you will meet a remarkable family who have been | :34:12. | :34:15. | |
brave enough to tell us about a terrible time in their lives. Funded | :34:16. | :34:21. | |
by your money, they have managed to carry on. This is the book that | :34:22. | :34:28. | |
Molly wrote when she was poorly. It is called The Adventures of Ella | :34:29. | :34:36. | |
Rose. She dedicated it to me. Molly was beautiful. She was a wonderful, | :34:37. | :34:41. | |
wonderful little girl. With Molly, it was all about books. She loved | :34:42. | :34:47. | |
reading and writing. So she encouraged Isabella by reading to | :34:48. | :34:51. | |
her and that was their biggest thing, the connection that they had. | :34:52. | :34:56. | |
She would say to me, "In the morning, if you wake up early, | :34:57. | :35:00. | |
instead of going into mummy and daddy's room, wake me up and I will | :35:01. | :35:05. | |
read you some stories." She read me loads and loads of books. Thousands | :35:06. | :35:13. | |
and thousands. In March 2010, Molly was diagnosed | :35:14. | :35:18. | |
with a brain tumour. It was inoperable and incurable. The | :35:19. | :35:25. | |
hardest thing is knowing that every day is just so precious. We could | :35:26. | :35:31. | |
have lost her in a day, or two years. We didn't know. Just six | :35:32. | :35:39. | |
months after her diagnosis, Molly died. She was eight years old. In | :35:40. | :35:51. | |
their darkest hour, Molly's family were looked after by Haven House, a | :35:52. | :35:56. | |
children's hospice supported by Children In Need. As well as caring | :35:57. | :36:01. | |
for children with life-limiting illnesses, the hospice offers a | :36:02. | :36:05. | |
place for families in the days after their child has passed away. Molly | :36:06. | :36:09. | |
was laid to rest in the bereavement suite and her family were able to | :36:10. | :36:13. | |
stay with her for as long as they needed. Even now, when I think about | :36:14. | :36:20. | |
that week, it's the most invaluable time we could have had, just to be | :36:21. | :36:28. | |
with her and say goodbye to her. I remember going up to Haven House and | :36:29. | :36:36. | |
then mummy and daddy told me that Molly had died. And after, I thought | :36:37. | :36:41. | |
wow, she's going to wake up in a minute. But then mummy and daddy | :36:42. | :36:45. | |
said she is not going to wake up. It is a very, very special place. It | :36:46. | :36:52. | |
helped Isabella for definite. With all the pictures, when I look at | :36:53. | :36:57. | |
them, it gives me loads of memories. She was a lovely sister. Yeah. I | :36:58. | :37:03. | |
have got very close to everyone at Haven House. They know my new little | :37:04. | :37:08. | |
boy, Toby. They are part of our family. They always will be. That is | :37:09. | :37:14. | |
why my mum takes me to the local library. Children In Need supports | :37:15. | :37:17. | |
15 hospices, but would like to support more. Please, help us to do | :37:18. | :37:26. | |
that. That is the difference your donations can make. There are many | :37:27. | :37:30. | |
more families who are in similar situations and need your help. To | :37:31. | :37:35. | |
give ?5, text "DONATE" to 70705. Text messages will cost ?5 plus your | :37:36. | :37:40. | |
standard network charge and ?5 will go towards Children In Need. For | :37:41. | :37:44. | |
full terms and conditions, or to give any amount online, visit | :37:45. | :37:51. | |
bbc.co.uk/pudsey. Here with a very special acoustic version of one of | :37:52. | :37:56. | |
this year's stand-out hits, please welcome Passenger. | :37:57. | :38:11. | |
# Well, you only need the light when it's burning low | :38:12. | :38:16. | |
# Only miss the sun when it starts to snow | :38:17. | :38:19. | |
# Only know you love her when you let her go | :38:20. | :38:25. | |
# Only know you've been high when you're feeling low | :38:26. | :38:29. | |
# Only hate the road when you're missin' home | :38:30. | :38:31. | |
# Only know you love her when you let her go | :38:32. | :38:37. | |
# Staring at the bottom of your glass | :38:38. | :38:55. | |
# Hoping one day you'll make a dream last | :38:56. | :38:58. | |
# But dreams come slow and they go so fast | :38:59. | :39:04. | |
# You see her when you close your eyes | :39:05. | :39:08. | |
# Maybe one day you'll understand why | :39:09. | :39:11. | |
# But you only need the light when it's burning low | :39:12. | :39:22. | |
# Only miss the sun when it starts to snow | :39:23. | :39:25. | |
# Only know you love her when you let her go | :39:26. | :39:30. | |
# Only know you've been high when you're feeling low | :39:31. | :39:35. | |
# Only hate the road when you're missin' home | :39:36. | :39:38. | |
# Only know you love her when you let her go | :39:39. | :39:45. | |
# Same old empty feeling in your heart | :39:46. | :39:52. | |
# Cos love comes slow and it goes so fast | :39:53. | :39:57. | |
# Well, you see her when you fall asleep | :39:58. | :40:01. | |
# But never to touch and never to keep | :40:02. | :40:04. | |
# Well, you only need the light when it's burning low | :40:05. | :40:14. | |
# Only miss the sun when it starts to snow | :40:15. | :40:17. | |
# Only know you love her when you let her go | :40:18. | :40:23. | |
# Only know you've been high when you're feeling low | :40:24. | :40:28. | |
# Only hate the road when you're missin' home | :40:29. | :40:31. | |
# Only know you love her when you let her go | :40:32. | :40:35. | |
# Cos you only need the light when it's burning low | :40:36. | :41:06. | |
# Only miss the sun when it starts to snow | :41:07. | :41:10. | |
# Only know you love her when you let her go | :41:11. | :41:16. | |
# Only know you've been high when you're feeling low | :41:17. | :41:20. | |
# Only hate the road when you're missin' home | :41:21. | :41:24. | |
# Only know you love her when you let her go | :41:25. | :41:32. | |
# Cos you only need the light when it's burning low | :41:33. | :41:38. | |
# Only miss the sun when it starts to snow | :41:39. | :41:41. | |
# Only know you love her when you let her go | :41:42. | :41:45. | |
# Only know you've been high when you're feeling low | :41:46. | :41:49. | |
# Only hate the road when you're missin' home | :41:50. | :41:52. | |
# Only know you love her when you let her go | :41:53. | :41:58. | |
Thank you so much. Let's hear it for Passenger. How | :41:59. | :42:17. | |
beautiful was that? Thank you so much. What a beautiful performance | :42:18. | :42:24. | |
by Mike Rosenberg, better known as Passenger. Stand by for one | :42:25. | :42:28. | |
incredible finale. Before that, they are about to set the stage on fire | :42:29. | :42:33. | |
once again. Please welcome back the sensational Kings of Leon. | :42:34. | :43:02. | |
# Down in the delta I'm ringing bells | :43:03. | :43:23. | |
# Cos I'm a supersoaker red, white and blew 'em all away | :43:24. | :43:48. | |
# With the kisses unclean as the words that you say | :43:49. | :43:53. | |
# I don't mind sentimental girls at times | :43:54. | :43:57. | |
# The flags are flying across the plains | :43:58. | :44:07. | |
# I've got a secret picking at my brain | :44:08. | :44:11. | |
# Don't know my home I don't know my place | :44:12. | :44:25. | |
# Cos I'm a supersoaker red, white and blew 'em all away | :44:26. | :44:36. | |
# With the kisses unclean as the words that you say | :44:37. | :44:41. | |
# I don't mind sentimental girls at times | :44:42. | :44:46. | |
# I don't mind sentimental girls at times | :44:47. | :45:00. | |
# I don't mind sentimental girls at times | :45:01. | :45:27. | |
# I just lay it on the line On the line | :45:28. | :45:47. | |
# I don't mind sentimental girls at times | :45:48. | :45:54. | |
# I don't mind sentimental girls at times | :45:55. | :46:07. | |
Thank you all very much. How you doing out there? | :46:08. | :46:33. | |
CHEERING I'd like to give a special thank you | :46:34. | :46:36. | |
to Children In Need for inviting us to be part of this wonderful event. | :46:37. | :46:44. | |
It truly is an honour and a pleasure to be here. And hopefully we will | :46:45. | :46:48. | |
see all you again real soon. God bless you. Thank you very much from | :46:49. | :46:54. | |
the Kings of Leon. As Sir Terry said, tomorrow night is the big BBC | :46:55. | :46:58. | |
Children In Need show on BBC One and it is shaping up to be the biggest | :46:59. | :47:02. | |
and best line-up in years. Yes, we have Harry Hill, EastEnders, | :47:03. | :47:08. | |
Matilda, JLS, Doctor Who, Gary Barlow. CHEERING Frank Skinner, Call | :47:09. | :47:15. | |
The Midwife, gol gol, -- Ellie Goulding, Tinie Tempah, Catherine | :47:16. | :47:21. | |
Tate and One Direction. Plus, we have Torvill versus Dean in a | :47:22. | :47:26. | |
Strictly Come Dancing special. We grabbed a sneak preview, so take a | :47:27. | :47:34. | |
look. It's Children In Need and we have an audience full of children. | :47:35. | :47:39. | |
For one night only, we have Olympic royalty on the ballroom floor. Jayne | :47:40. | :47:51. | |
Torvill and Christopher Dean. Is our stick stick ballroom daunting? Very. | :47:52. | :47:57. | |
-- Strictly ballroom daunting? Very. This is not as slippery as it should | :47:58. | :48:05. | |
be. No, it is not. You were nice on ice, but you are good on wood! Back | :48:06. | :48:15. | |
here at Children In Need Rocks, it is finale time. If you are hungry | :48:16. | :48:20. | |
for more, the red button on your remote means encore at the end. Yes, | :48:21. | :48:23. | |
please press it immediately after the show for exclusive performances | :48:24. | :48:27. | |
from some of tonight's artists. Before we go, how about a huge hand | :48:28. | :48:32. | |
for our brilliant band led by Mike Stevens this evening? | :48:33. | :48:37. | |
CHEERING AND APPLAUSE Thank you to you for watching and if you have | :48:38. | :48:40. | |
donated. If you haven't and you still want to, please donate what | :48:41. | :48:44. | |
you can, if you can. Alright. Our last guest is a music icon. A | :48:45. | :48:51. | |
legend. And my music hero. His band is the first band I ever saw when I | :48:52. | :48:55. | |
was 14. I won't go on about it but I may be about to faint - I'll shut | :48:56. | :48:59. | |
up! Please don't faint. I will look after you. This will be very | :49:00. | :49:08. | |
special, indeed, performing to g -- two ELO classics, please welcome to | :49:09. | :49:09. | |
the stage, Jeff Lynne. # Sailin' away | :49:10. | :49:35. | |
on the crest of a wave # Oh, rollin' and ridin' | :49:36. | :49:38. | |
Slippin' and slidin' # You took me | :49:39. | :49:46. | |
Ohhh, higher and higher, baby # Making believe | :49:47. | :50:07. | |
this is what you've conceived # Oh, moving in line | :50:08. | :50:46. | |
when you look back in time # You took me | :50:47. | :50:52. | |
Ohh, higher and higher, baby # Takin' a dive | :50:53. | :51:13. | |
Cos you can't halt the slide # Ah, so let her go | :51:14. | :51:47. | |
Don't start spoiling the show # You took me | :51:48. | :51:56. | |
Ohh, higher and higher, baby Thank you. It is a great honour to | :51:57. | :53:15. | |
play for such a great charity as Children In Need. Richard Tandy and | :53:16. | :53:19. | |
I have been playing together for 40 years in ELO. | :53:20. | :53:35. | |
# Sun is shinin' in the sky # There ain't a cloud in sight | :53:36. | :53:41. | |
# It's stopped rainin' # Everybody's in a play | :53:42. | :53:46. | |
# And don't you know It's a beautiful new day | :53:47. | :53:51. | |
# Runnin' down the avenue # See how the sun shines brightly | :53:52. | :53:59. | |
# Mr Blue Sky Please tell us why | :54:00. | :54:11. | |
# Mr Blue Sky Please tell us why | :54:12. | :54:24. | |
# A celebration # Mr Blue Sky's up there waitin' | :54:25. | :55:01. | |
# And today is the day we've waited for | :55:02. | :55:08. | |
# Mr Blue Sky Please tell us why | :55:09. | :55:11. | |
# Hey there, Mr Blue We're so pleased to be with you | :55:12. | :55:22. | |
# But soon comes Mr Night Creepin' over | :55:23. | :55:55. | |
# Never mind I'll remember you this way. # | :55:56. | :56:08. | |
# Mr Blue Sky Please tell us why | :56:09. | :56:11. | |
# Hey there, Mr Blue We're so pleased to be with you | :56:12. | :56:20. |