Browse content similar to The Best Bits: Northern Ireland. Check below for episodes and series from the same categories and more!
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It's cold outside, but here's something that will cheer you up. | 0:00:02 | 0:00:04 | |
A warm front is moving in - a Pudsey warm front - | 0:00:04 | 0:00:07 | |
and a look back to a November night | 0:00:07 | 0:00:09 | |
and a Children In Need fundraising extravaganza. | 0:00:09 | 0:00:12 | |
# Everybody | 0:00:15 | 0:00:17 | |
# Move your feet and feel united | 0:00:17 | 0:00:20 | |
# Oh, oh-oh | 0:00:20 | 0:00:21 | |
# Ooh-ooh | 0:00:22 | 0:00:23 | |
# Everybody | 0:00:23 | 0:00:24 | |
# Move your feet and feel united | 0:00:24 | 0:00:28 | |
# Oh, oh-oh | 0:00:28 | 0:00:29 | |
# Yeah | 0:00:32 | 0:00:33 | |
# We're going downtown... # | 0:00:35 | 0:00:36 | |
Hello from Titanic Belfast | 0:00:36 | 0:00:38 | |
and welcome to Children In Need 2016 - The Best Bits. | 0:00:38 | 0:00:41 | |
We have got magic, we have got music and we have all the buzz from | 0:00:41 | 0:00:45 | |
Belfast and beyond. | 0:00:45 | 0:00:46 | |
We've got plenty of fun. | 0:00:46 | 0:00:48 | |
But, more importantly, we've got you, the fundraisers. | 0:00:48 | 0:00:51 | |
SCREEN THUDS | 0:00:51 | 0:00:52 | |
SKITTLES CLICK | 0:01:17 | 0:01:19 | |
SKITTLES CLICK | 0:01:24 | 0:01:25 | |
CHEERING | 0:01:25 | 0:01:26 | |
Welcome to the Big Belfast Children In Need Quiz. | 0:01:35 | 0:01:37 | |
Thanks very much for coming... | 0:01:37 | 0:01:39 | |
Singer, TV presenter, movie star, Emmy award winner - | 0:03:01 | 0:03:04 | |
all-round good guy. | 0:03:04 | 0:03:06 | |
Eamonn McCrystal is originally from Cookstown in County Tyrone | 0:03:06 | 0:03:09 | |
but he now lives in LA. | 0:03:09 | 0:03:11 | |
He's made the journey across the Atlantic to perform for us tonight | 0:03:11 | 0:03:14 | |
on Children In Need. | 0:03:14 | 0:03:16 | |
And, boy, are we glad! And you will be too. | 0:03:16 | 0:03:18 | |
Here he is performing, When We Were Young. | 0:03:18 | 0:03:21 | |
# Everybody loves the things you do | 0:03:37 | 0:03:42 | |
# From the way you talk | 0:03:42 | 0:03:44 | |
# To the way you move | 0:03:45 | 0:03:49 | |
# Everybody here is watching you | 0:03:51 | 0:03:55 | |
# Cos you feel like home | 0:03:56 | 0:03:58 | |
# You're like a dream come true | 0:03:59 | 0:04:01 | |
# But if by chance you're here alone | 0:04:04 | 0:04:08 | |
# Can I have a moment | 0:04:09 | 0:04:11 | |
# Before I go? | 0:04:13 | 0:04:15 | |
# Because I've been by myself all night long | 0:04:18 | 0:04:23 | |
# Hoping you were someone | 0:04:23 | 0:04:25 | |
# I used to know | 0:04:26 | 0:04:28 | |
# You look like a movie | 0:04:30 | 0:04:33 | |
# You sound like a song | 0:04:33 | 0:04:36 | |
# My God, this reminds me | 0:04:36 | 0:04:39 | |
# Of when we were young | 0:04:39 | 0:04:42 | |
# Let me photograph you in this light | 0:04:44 | 0:04:47 | |
# In case it is the last time | 0:04:47 | 0:04:50 | |
# That we might be exactly like we were | 0:04:50 | 0:04:55 | |
# Before we realised | 0:04:55 | 0:04:57 | |
# We were sad of getting old | 0:04:57 | 0:05:00 | |
# It made us restless | 0:05:00 | 0:05:03 | |
# It was just like a movie | 0:05:03 | 0:05:06 | |
# It was just like a song | 0:05:07 | 0:05:09 | |
# I was so scared to face my fears | 0:05:12 | 0:05:16 | |
# Cos nobody told me | 0:05:17 | 0:05:19 | |
# That you'd be here | 0:05:20 | 0:05:22 | |
# And I swear that you'd moved overseas | 0:05:25 | 0:05:29 | |
# Cos that's what you said | 0:05:30 | 0:05:34 | |
# When you left me | 0:05:34 | 0:05:36 | |
# You still look like a movie | 0:05:37 | 0:05:40 | |
# You still sound like a song | 0:05:40 | 0:05:44 | |
# My God, this reminds me | 0:05:44 | 0:05:47 | |
# Of when we were young | 0:05:47 | 0:05:51 | |
# Let me photograph you in this light | 0:05:51 | 0:05:55 | |
# In case it is the last time | 0:05:55 | 0:05:58 | |
# That we might be exactly like we were | 0:05:58 | 0:06:03 | |
# Before we realised | 0:06:03 | 0:06:05 | |
# We were sad of getting old | 0:06:05 | 0:06:07 | |
# It made us restless | 0:06:07 | 0:06:11 | |
# It was just like a movie | 0:06:11 | 0:06:14 | |
# It was just like a song | 0:06:14 | 0:06:17 | |
# When we were young | 0:06:19 | 0:06:22 | |
# When we were young | 0:06:22 | 0:06:24 | |
# When we were young | 0:06:25 | 0:06:28 | |
# When we were young | 0:06:28 | 0:06:32 | |
# It's hard to win me back | 0:06:32 | 0:06:35 | |
# Everything just takes me back | 0:06:35 | 0:06:38 | |
# To when you were there | 0:06:38 | 0:06:41 | |
# To when you were there | 0:06:42 | 0:06:44 | |
# And a part of me keeps holding on | 0:06:45 | 0:06:49 | |
# Just in case I was wrong | 0:06:49 | 0:06:52 | |
# I still care | 0:06:52 | 0:06:55 | |
# Do you still care? | 0:06:56 | 0:06:58 | |
# It was just like a movie | 0:06:58 | 0:07:00 | |
# It was just like a song | 0:07:00 | 0:07:05 | |
# My God, this reminds me | 0:07:05 | 0:07:08 | |
# Of when we were young | 0:07:08 | 0:07:15 | |
# When we were young | 0:07:15 | 0:07:18 | |
# When we were young | 0:07:18 | 0:07:22 | |
# When we were young | 0:07:22 | 0:07:24 | |
# Oh, let me photograph you in this light | 0:07:24 | 0:07:29 | |
# In case it is the last time | 0:07:29 | 0:07:32 | |
# That we might be exactly like we were | 0:07:32 | 0:07:37 | |
# Before we realised | 0:07:37 | 0:07:39 | |
# We were sad of getting old | 0:07:39 | 0:07:42 | |
# It made us restless | 0:07:42 | 0:07:46 | |
# Oh, I'm so mad I'm getting old | 0:07:46 | 0:07:49 | |
# It makes me reckless | 0:07:49 | 0:07:52 | |
# It was just like a movie | 0:07:52 | 0:07:55 | |
# It was just like a song | 0:07:56 | 0:07:59 | |
# When we were young. # | 0:07:59 | 0:08:03 | |
Thank you, Eamonn. | 0:08:07 | 0:08:08 | |
The Digital Makers In The Community project aims to develop | 0:08:08 | 0:08:11 | |
and encourage skills in film-making, animation and music. | 0:08:11 | 0:08:15 | |
It's organised by the Nerve Centre in Derry, | 0:08:15 | 0:08:17 | |
a well-known creative hub. | 0:08:17 | 0:08:20 | |
The scheme focuses on young people in rural areas of the north-west, | 0:08:20 | 0:08:23 | |
including Strabane, Limavady and Castlederg, | 0:08:23 | 0:08:26 | |
places young people may not have as much access to technology | 0:08:26 | 0:08:30 | |
or opportunities as those in the city. | 0:08:30 | 0:08:32 | |
Oh! | 0:08:46 | 0:08:47 | |
Think about your story. | 0:08:47 | 0:08:48 | |
I heard some of you talking about the story so that was really good. | 0:08:48 | 0:08:51 | |
Thanks to funding from Children In Need, | 0:08:54 | 0:08:56 | |
the Nerve Centre is delivering an exciting programme of digital skills | 0:08:56 | 0:09:00 | |
to some of the most disadvantaged areas in Northern Ireland. | 0:09:00 | 0:09:02 | |
The team from the Nerve Centre bring their technical expertise out | 0:09:03 | 0:09:07 | |
into the community. | 0:09:07 | 0:09:08 | |
Today it's film-making. | 0:09:08 | 0:09:10 | |
First up, an introduction to animation. | 0:09:10 | 0:09:13 | |
The project currently working in Castlederg is | 0:09:13 | 0:09:15 | |
a mini programme of bite-size activities for the junior age group, | 0:09:15 | 0:09:20 | |
giving them an intro into film-making, gaming, | 0:09:20 | 0:09:24 | |
digital fabrication | 0:09:24 | 0:09:26 | |
and music. | 0:09:26 | 0:09:27 | |
INDISTINCT CONVERSATIONS | 0:09:27 | 0:09:30 | |
It gives them a taste of each. | 0:09:30 | 0:09:32 | |
They can really spark off that interest and passion. | 0:09:32 | 0:09:34 | |
For our budding film-makers, it's a lot of fun. | 0:09:34 | 0:09:38 | |
We are making a short movie. We have wee characters. | 0:09:39 | 0:09:43 | |
We put them in and tech capture and they become part of the movie. | 0:09:43 | 0:09:47 | |
You have to take piles of wee photos. | 0:09:48 | 0:09:50 | |
PARP! | 0:09:50 | 0:09:52 | |
Who did that? | 0:09:52 | 0:09:53 | |
Oh, sorry, it was me! | 0:09:54 | 0:09:57 | |
Maybe in a couple of years I can be a director. | 0:09:57 | 0:10:00 | |
I'd be an actress. | 0:10:01 | 0:10:02 | |
In the Nerve Centre's headquarters in Derry, another group make | 0:10:03 | 0:10:06 | |
a spooky movie. | 0:10:06 | 0:10:08 | |
An old-fashioned technique given a modern twist. | 0:10:08 | 0:10:11 | |
We're using characters and backdrops cut out of card. | 0:10:11 | 0:10:14 | |
The kids go behind the screen and they come up with | 0:10:14 | 0:10:17 | |
a story and they make those characters move. | 0:10:17 | 0:10:19 | |
It's like a shadow puppet theatre. | 0:10:21 | 0:10:22 | |
Whoo! Pretty scary stuff. But it still needs a little something. | 0:10:22 | 0:10:27 | |
Dracula! | 0:10:27 | 0:10:29 | |
After they edit the footage together, | 0:10:29 | 0:10:31 | |
we have to add some sounds in. | 0:10:31 | 0:10:33 | |
Frankenstein. | 0:10:33 | 0:10:34 | |
DISTORTED: Frankenstein. | 0:10:34 | 0:10:35 | |
So they create sound effects using chains, | 0:10:35 | 0:10:38 | |
packets of crisps, things like that. | 0:10:38 | 0:10:40 | |
They bring it into their movie. | 0:10:40 | 0:10:42 | |
Digital programmes like this, I think, are essential. | 0:10:44 | 0:10:48 | |
These technologies really empower the children, | 0:10:48 | 0:10:52 | |
being able to create their own digital outputs | 0:10:52 | 0:10:56 | |
but also gaining new skills. | 0:10:56 | 0:10:58 | |
The skills we hope to bring out, really focus around creativity... | 0:10:59 | 0:11:03 | |
..innovation, self-awareness and self belief. | 0:11:04 | 0:11:07 | |
And really just a confidence in themselves. | 0:11:11 | 0:11:13 | |
And it's a chance to get a behind-the-scenes peek at the | 0:11:16 | 0:11:19 | |
magic of movie-making. | 0:11:19 | 0:11:20 | |
It's something I really enjoy doing, | 0:11:24 | 0:11:25 | |
getting out into communities and seeing the difference these | 0:11:25 | 0:11:29 | |
programmes make with the young kids. | 0:11:29 | 0:11:32 | |
It really makes my job enjoyable. | 0:11:32 | 0:11:34 | |
I would love to be able to expand it and deliver it further afield, | 0:11:34 | 0:11:39 | |
providing more opportunities for young people. | 0:11:39 | 0:11:42 | |
Great stuff. | 0:11:46 | 0:11:47 | |
All you budding young film-makers out there, and indeed all | 0:11:47 | 0:11:50 | |
our young viewers, settle back, get a load of this, | 0:11:50 | 0:11:53 | |
it's Eddie Redmayne as Newt Scamander, | 0:11:53 | 0:11:57 | |
with a very spellbinding tale. | 0:11:57 | 0:11:59 | |
ANIMALS SQUEAK | 0:12:05 | 0:12:09 | |
Cut! Break, Eddie. | 0:12:09 | 0:12:11 | |
BELL RINGS | 0:12:11 | 0:12:12 | |
Please get behind this year's Children In Need. Come on. | 0:12:22 | 0:12:25 | |
What are you waiting for? | 0:12:25 | 0:12:26 | |
-I love Children In Need. -Everybody gets involved. | 0:12:26 | 0:12:29 | |
I'm going to speak to Pudsey. | 0:12:29 | 0:12:31 | |
I'm going to call the BBC. | 0:12:31 | 0:12:32 | |
Is there a runner about? | 0:12:34 | 0:12:36 | |
You wanted me, Mr Redmayne? | 0:12:36 | 0:12:37 | |
No. Sorry, I didn't mean to bother a Paralympian hero. | 0:12:37 | 0:12:40 | |
I was just looking for my phone. | 0:12:40 | 0:12:42 | |
Ah, I'm on it. | 0:12:42 | 0:12:43 | |
There you are. | 0:12:45 | 0:12:46 | |
Thanks. | 0:12:48 | 0:12:49 | |
KEYPAD BEEPS | 0:12:49 | 0:12:50 | |
DIALLING TONE | 0:12:53 | 0:12:55 | |
Hello. BBC switchboard. | 0:12:55 | 0:12:57 | |
Hi there. It's Eddie Redmayne here. | 0:12:57 | 0:12:59 | |
SHE SIGHS | 0:12:59 | 0:13:02 | |
SHE MOUTHS | 0:13:02 | 0:13:04 | |
I'm just trying to get through to Pudsey Bear, please. | 0:13:04 | 0:13:06 | |
Any idea how we use this thing? | 0:13:06 | 0:13:08 | |
'When we went for the interview for this job,' | 0:13:08 | 0:13:11 | |
after we lost our last one, you said you knew how this all worked. | 0:13:11 | 0:13:14 | |
I lied. | 0:13:14 | 0:13:16 | |
Try this. | 0:13:16 | 0:13:17 | |
SWITCHBOARD BUZZES | 0:13:17 | 0:13:19 | |
PHONE RINGS | 0:13:19 | 0:13:21 | |
Shove off! I'm having a massage. | 0:13:22 | 0:13:24 | |
Er... | 0:13:26 | 0:13:27 | |
Did I tell you to stop? | 0:13:27 | 0:13:28 | |
Sorry, Bruno. A bit more lavender oil? | 0:13:28 | 0:13:31 | |
Oh, yes, thank you. | 0:13:31 | 0:13:33 | |
Tea, Mr Redmayne? | 0:13:34 | 0:13:35 | |
Oh, hi, Mary - yes, thank you. That would be lovely, thanks. | 0:13:37 | 0:13:39 | |
Pudsey, Pudsey... Let's try this one. | 0:13:41 | 0:13:44 | |
What do you mean, let's TRY this one? Couldn't we... | 0:13:44 | 0:13:47 | |
PHONE RINGS | 0:13:47 | 0:13:48 | |
Good evening. Nonnatus House. Sister Juliet speaking. | 0:13:50 | 0:13:54 | |
Um, I'm guessing that you're not, um, Pudsey. | 0:13:54 | 0:13:56 | |
-Who's Pudsey? -He's a big yellow bear. | 0:13:56 | 0:13:59 | |
Must have a fever, he's hallucinating, poor thing. | 0:14:00 | 0:14:03 | |
No, I'm absolutely fine. | 0:14:03 | 0:14:04 | |
Good day. | 0:14:04 | 0:14:06 | |
PHONE RINGS | 0:14:06 | 0:14:08 | |
-Hello? -Is Pudsey there? | 0:14:09 | 0:14:11 | |
Pudsey? Pudsey...? | 0:14:11 | 0:14:14 | |
Pudsey! Ah, yes. Green fellow, | 0:14:14 | 0:14:16 | |
five tentacles, constantly screaming. | 0:14:16 | 0:14:19 | |
No, that's not him. | 0:14:19 | 0:14:20 | |
Semi-invisible, beard, squirts ink out of his belly button? | 0:14:20 | 0:14:23 | |
-No, he's a large... -Shh-shh. | 0:14:23 | 0:14:25 | |
Let me guess, let me guess, let me guess. | 0:14:25 | 0:14:27 | |
Gelatinous! Large hat, loves custard. | 0:14:27 | 0:14:30 | |
Er...no. | 0:14:30 | 0:14:31 | |
Yellow, furry, spotty eye patch? | 0:14:33 | 0:14:36 | |
Yes! Yes, that's him - have you seen him? | 0:14:36 | 0:14:39 | |
Destroyed three galaxies with his mega-sonic death ray! | 0:14:39 | 0:14:42 | |
Right. Then...no. That's not him. | 0:14:42 | 0:14:45 | |
Well, I don't know who you're talking about. | 0:14:45 | 0:14:48 | |
Thank you very much for your call. Have a good life. | 0:14:48 | 0:14:51 | |
LINE GOES DEAD | 0:14:51 | 0:14:52 | |
What a strange man. | 0:14:52 | 0:14:55 | |
How on earth did we manage to patch him through to | 0:14:55 | 0:14:57 | |
-a trans-dimensional vessel such as the TARDIS? -What? | 0:14:57 | 0:14:59 | |
Might be because I spilt my banana milkshake on the console. | 0:14:59 | 0:15:01 | |
-That will do it. -Oh, God. | 0:15:01 | 0:15:03 | |
Orange and raspberry Victoria sponge sandwich cake. | 0:15:03 | 0:15:06 | |
Wowzer, Mary, thank you. Yes, please. That looks delicious. | 0:15:06 | 0:15:10 | |
Sorry, I didn't have it that time, but I think I've got it... | 0:15:10 | 0:15:14 | |
now. | 0:15:14 | 0:15:15 | |
The dispute over pay conditions has been formally settled... | 0:15:15 | 0:15:18 | |
PHONE RINGS | 0:15:18 | 0:15:21 | |
-Hello? -Hello, sorry, I'm... | 0:15:21 | 0:15:22 | |
-You'll have to be quick, I'm reading the news. -Oh, right, no, sorry... | 0:15:22 | 0:15:26 | |
I'm just... I can't seem... | 0:15:26 | 0:15:28 | |
We can't seem to find Pudsey Bear, have you seen him, by any chance? | 0:15:28 | 0:15:31 | |
What? I think you've got the wrong number. | 0:15:31 | 0:15:33 | |
-Oh. -LINE GOES DEAD | 0:15:33 | 0:15:35 | |
Breaking news. Pudsey Bear has gone missing. | 0:15:35 | 0:15:38 | |
Sorry, Eddie! Our mistake! | 0:15:39 | 0:15:42 | |
Coffee and walnut cake, Mr Redmayne. | 0:15:42 | 0:15:44 | |
Um, OK, thank you, Mary - that's, er... | 0:15:44 | 0:15:46 | |
I think that's great, but that's quite enough cake, thank you. | 0:15:46 | 0:15:48 | |
I'll just pop it down here, should you want it. | 0:15:48 | 0:15:52 | |
PHONE RINGS | 0:15:52 | 0:15:53 | |
-Simon Cowell. -'Simon, Simon.' | 0:15:53 | 0:15:55 | |
Hi, there - it's Eddie Redmayne here. | 0:15:55 | 0:15:57 | |
-Hello, Eddie. -I'm looking for Pudsey Bear - is he there, by any chance? | 0:15:57 | 0:16:01 | |
I like you, but I'm afraid it's a big fat no from me. | 0:16:01 | 0:16:05 | |
I wasn't actually asking whether | 0:16:05 | 0:16:06 | |
-it was a yes or a... -LINE GOES DEAD | 0:16:06 | 0:16:07 | |
Get off. Get off. | 0:16:07 | 0:16:10 | |
-Hello. -Hello... -Come on, make it quick, I'm busy. | 0:16:12 | 0:16:15 | |
I'm just trying to speak to Pudsey. | 0:16:15 | 0:16:17 | |
Well, it's obvious what's happened here. | 0:16:17 | 0:16:19 | |
You've clearly been put through to me | 0:16:19 | 0:16:21 | |
-by the twit twins at the BBC switchboard. -Obviously. | 0:16:21 | 0:16:24 | |
You've made fundamental errors and shown a total | 0:16:24 | 0:16:26 | |
lack of leadership and for that reason, you're fired. | 0:16:26 | 0:16:30 | |
-I'm fired? -(Fired!) -You're fired, all right? -I'm fired?! | 0:16:30 | 0:16:33 | |
-Not again! -Were you talking to me? | 0:16:33 | 0:16:35 | |
Was he talking about us, or Eddie? | 0:16:35 | 0:16:37 | |
-(I don't know.) -Was he talking to me? | 0:16:37 | 0:16:39 | |
Eddie, hello. We're struggling to put you through, but I'm going to put you on hold. | 0:16:39 | 0:16:43 | |
No, no, no. Don't put me on hold, please don't put me... | 0:16:43 | 0:16:45 | |
MUSIC: 7 Days by Craig David | 0:16:45 | 0:16:48 | |
# We were making love by Wednesday | 0:16:48 | 0:16:51 | |
# And on Thursday and Friday and Saturday | 0:16:51 | 0:16:53 | |
# Chilled on Sunday, breakfast out on Monday... # | 0:16:53 | 0:16:57 | |
God, I wish these guys would hurry up, man. # Tuesday... # | 0:16:57 | 0:17:01 | |
They're not picking up, I think we'll have to try another one. | 0:17:02 | 0:17:05 | |
MUSIC: Theme from 2001: A Space Odyssey | 0:17:05 | 0:17:07 | |
PHONE RINGS | 0:17:07 | 0:17:10 | |
Hello? You've reached Major Tim Peake. In space. Over. | 0:17:11 | 0:17:15 | |
Tim Peake? | 0:17:15 | 0:17:17 | |
Yep. Over. | 0:17:17 | 0:17:18 | |
Listen, I thought you were back on Earth, now? | 0:17:18 | 0:17:20 | |
Actually, I'm at home. | 0:17:20 | 0:17:22 | |
It's just... I really miss space. | 0:17:22 | 0:17:24 | |
Oh. | 0:17:24 | 0:17:25 | |
Well, don't let me disturb you. | 0:17:26 | 0:17:28 | |
-And I was saying... -PHONE RINGS | 0:17:28 | 0:17:30 | |
Hello, you're through to national treasure Graham Norton. | 0:17:30 | 0:17:34 | |
Graham, hi, there. Eddie Redmayne here. | 0:17:34 | 0:17:36 | |
Oh! Eddie! | 0:17:36 | 0:17:38 | |
The Redmayne, Red-mundo, Ready Eddie, Eddie Rec! | 0:17:38 | 0:17:42 | |
Ready Steady Eddie, ready... Yeah, I'm sort of done now. Thank you. | 0:17:42 | 0:17:46 | |
Good. Sorry, Graham, I didn't actually mean to call you, | 0:17:46 | 0:17:49 | |
Mel and Sue keep putting me through to the wrong people, but... | 0:17:49 | 0:17:52 | |
-Oh, I can help you with that. -Really? How? | 0:17:52 | 0:17:55 | |
Wah! | 0:17:56 | 0:17:57 | |
-Has that helped? -Enormously. Thank you. | 0:17:57 | 0:18:00 | |
Up you get, old girl. | 0:18:03 | 0:18:04 | |
Madeira cake with candied citrus peel. | 0:18:04 | 0:18:06 | |
No more cakes. I'm full. | 0:18:06 | 0:18:08 | |
I don't want anything more to eat, | 0:18:08 | 0:18:09 | |
-this table is full anyhow, thank you. -I understand, | 0:18:09 | 0:18:11 | |
no more cakes after this one. | 0:18:11 | 0:18:14 | |
Thank you. | 0:18:14 | 0:18:15 | |
Things are really hotting up in the Premier League. Today, | 0:18:16 | 0:18:18 | |
we bring you Watford versus... | 0:18:18 | 0:18:20 | |
-PHONE RINGS -That's my phone. Chuck it here. | 0:18:20 | 0:18:22 | |
'Ave it! | 0:18:24 | 0:18:26 | |
-What did you do that for? -Force of habit, Gary. | 0:18:26 | 0:18:28 | |
-Sorry, Eddie. Technical difficulties. -Yes. | 0:18:30 | 0:18:32 | |
Technically, we have no idea what we're doing. | 0:18:32 | 0:18:34 | |
Oh, you can say that again. | 0:18:34 | 0:18:36 | |
-This one? -Get off MY leads. MY leads! | 0:18:36 | 0:18:39 | |
MY leads. | 0:18:39 | 0:18:40 | |
PHONE RINGS | 0:18:40 | 0:18:42 | |
-Hello? -'I'm so sorry,' | 0:18:44 | 0:18:46 | |
I'm just trying to get hold of Pudsey Bear. | 0:18:46 | 0:18:50 | |
Oh, and you're saying that Jamie Dornan is some kind of superfan | 0:18:50 | 0:18:52 | |
who has his room covered in Pudsey teddies and Pudsey posters | 0:18:52 | 0:18:56 | |
and a shrine to Pudsey? | 0:18:56 | 0:18:57 | |
I'm really not saying that, I was... | 0:18:57 | 0:18:59 | |
Well, you know, you're wrong, OK? Bye. | 0:18:59 | 0:19:01 | |
# I put a spell on you... # | 0:19:02 | 0:19:05 | |
There's only two sockets left. | 0:19:06 | 0:19:08 | |
Well, there's a very high chance this next one is going to be Pudsey. | 0:19:08 | 0:19:11 | |
As it's Children In Need today, | 0:19:12 | 0:19:14 | |
we are taking requests all day long. | 0:19:14 | 0:19:16 | |
We have our first caller - what is your name and where are you from? | 0:19:16 | 0:19:20 | |
My name is Eddie and I'm from London. | 0:19:20 | 0:19:23 | |
-Eddie, what song can we play for you today? -Sorry? | 0:19:23 | 0:19:26 | |
Sorry, by Justin Bieber. Perfect choice, Eddie. | 0:19:26 | 0:19:29 | |
Here it is on Radio 1 - enjoy! | 0:19:29 | 0:19:31 | |
No, no, no... | 0:19:31 | 0:19:33 | |
Jaffa Cake. | 0:19:33 | 0:19:35 | |
Right, no - absolutely not. I do not want any more cakes. | 0:19:35 | 0:19:37 | |
It's more of a biscuit. | 0:19:37 | 0:19:39 | |
I'm done, thank you very much. | 0:19:39 | 0:19:40 | |
Of course, Eddie. | 0:19:40 | 0:19:42 | |
Sorry. I won't interrupt you again. | 0:19:42 | 0:19:44 | |
(Come on, help me.) | 0:19:45 | 0:19:47 | |
Mary thought you might like a slice of Battenberg cake. | 0:19:47 | 0:19:50 | |
-(Just leave it there.) -I'll just leave it here. | 0:19:50 | 0:19:52 | |
Er, sorry, Eddie. I think we've got it. | 0:19:54 | 0:19:58 | |
PHONE RINGS | 0:19:59 | 0:20:01 | |
Hello, Britney Spears speaking. | 0:20:01 | 0:20:04 | |
Britney, er... Hi, Britney. | 0:20:04 | 0:20:07 | |
Is Pudsey with you, by any chance? | 0:20:07 | 0:20:09 | |
-Who's Pudsey? -Oh, he's a...bear. | 0:20:09 | 0:20:13 | |
How did you get my number? | 0:20:13 | 0:20:15 | |
No, I didn't actually get your number, I was, um... | 0:20:15 | 0:20:17 | |
Then how are you speaking to me? | 0:20:17 | 0:20:19 | |
Oh, right, no, I get it. I see. | 0:20:19 | 0:20:21 | |
Basically, it's Mel and Sue's fault. | 0:20:21 | 0:20:24 | |
What's a melon su? | 0:20:24 | 0:20:25 | |
I get that... Er... | 0:20:25 | 0:20:28 | |
They are... | 0:20:28 | 0:20:30 | |
# Don't you know that you're toxic? # | 0:20:31 | 0:20:33 | |
Eddie? This is definitely Pudsey. | 0:20:33 | 0:20:35 | |
LINE GOES DEAD | 0:20:36 | 0:20:38 | |
KNOCKING AND GROWLING | 0:20:40 | 0:20:43 | |
There you are! | 0:20:53 | 0:20:55 | |
I love Children In Need because of Pudsey Bear. | 0:20:58 | 0:21:01 | |
Children In Need means to me helping children with less opportunities than I have. | 0:21:01 | 0:21:06 | |
I love Children In Need because we get to participate | 0:21:06 | 0:21:09 | |
and do lots of exciting things. | 0:21:09 | 0:21:10 | |
Sometimes charity isn't just about donating money, | 0:21:10 | 0:21:13 | |
it's about helping and getting involved and doing things | 0:21:13 | 0:21:16 | |
that you've never done before, just to help others. | 0:21:16 | 0:21:18 | |
Being part of Children In Need makes me feel proud that I get to make a difference for someone else's life. | 0:21:18 | 0:21:23 | |
Thank you so much for your generosity and here are some | 0:21:28 | 0:21:32 | |
of the ways you've been raising our much-needed donations. | 0:21:32 | 0:21:35 | |
NOTES PLAY | 0:21:39 | 0:21:42 | |
THEY CHEER | 0:21:43 | 0:21:44 | |
Yeah! | 0:21:53 | 0:21:54 | |
Thank you so much. | 0:21:57 | 0:21:58 | |
Big smile! | 0:22:02 | 0:22:04 | |
Thank you! | 0:22:05 | 0:22:07 | |
Thank you so much, thank you. | 0:22:37 | 0:22:39 | |
Well, one of the biggest fundraising events is of course the | 0:22:45 | 0:22:49 | |
Children In Need Choir | 0:22:49 | 0:22:50 | |
and last night, 1,500 children from England, | 0:22:50 | 0:22:54 | |
Scotland and Wales sang out across the land. | 0:22:54 | 0:22:57 | |
We were of course well represented, | 0:22:57 | 0:22:59 | |
so let's meet our choirs. | 0:22:59 | 0:23:01 | |
-This is Ballymoney... -In County Antrim. -Welcome to Dalriada School. | 0:23:02 | 0:23:07 | |
ALL: Welcome to Carrickfergus Grammar School! | 0:23:09 | 0:23:12 | |
We are St Patrick's Primary School in Drumgreenagh! | 0:23:14 | 0:23:17 | |
Welcome to Our Lady and St Patrick's College, Knock. | 0:23:19 | 0:23:22 | |
# Some times in our lives | 0:23:25 | 0:23:27 | |
# We all have pain | 0:23:27 | 0:23:30 | |
# We all have sorrow... # | 0:23:30 | 0:23:33 | |
St Patrick's may be a small school, | 0:23:34 | 0:23:37 | |
but they have big voices and are worthy winners of Radio Ulster's | 0:23:37 | 0:23:41 | |
Junior School Choir Of The Year 2016. | 0:23:41 | 0:23:45 | |
# Lean on me | 0:23:45 | 0:23:47 | |
# When you're not strong | 0:23:47 | 0:23:50 | |
# I'll be your friend | 0:23:50 | 0:23:53 | |
# I'll help you carry on... # | 0:23:53 | 0:23:56 | |
I like the song because it's about people saying I'll be your friend | 0:23:56 | 0:24:01 | |
and you can lean on me and it's uplifting. | 0:24:01 | 0:24:04 | |
# Somebody to lean on... # | 0:24:04 | 0:24:06 | |
And this choir's singing proved to be music to the judges' ears, too. | 0:24:06 | 0:24:10 | |
Dalriada were awarded Radio Ulster's Senior School Choir title. | 0:24:10 | 0:24:15 | |
# To lean on... # | 0:24:15 | 0:24:18 | |
Being part of Children In Need is absolutely amazing. | 0:24:18 | 0:24:22 | |
It makes you feel so proud that you're doing something you love | 0:24:22 | 0:24:25 | |
just to help others. | 0:24:25 | 0:24:27 | |
# To lean on. # | 0:24:27 | 0:24:29 | |
# Some times in our lives... # | 0:24:29 | 0:24:32 | |
It's been a few years since Carrickfergus Grammar School | 0:24:32 | 0:24:34 | |
choir were involved in Children In Need, so a big welcome back to them. | 0:24:34 | 0:24:38 | |
# But, if we are wise | 0:24:38 | 0:24:41 | |
# We know that there's | 0:24:41 | 0:24:43 | |
# Always tomorrow | 0:24:43 | 0:24:47 | |
# Lean on me when you're not strong | 0:24:47 | 0:24:52 | |
# I'll be your friend | 0:24:52 | 0:24:54 | |
# I'll help you carry on... # | 0:24:54 | 0:24:58 | |
I think a lot of us are really empowered by the song, | 0:24:58 | 0:25:01 | |
it's a very good song. | 0:25:01 | 0:25:02 | |
Just the tone of it is very uplifting, | 0:25:02 | 0:25:04 | |
it's very loud and energetic. | 0:25:04 | 0:25:06 | |
# Somebody to lean on... # | 0:25:06 | 0:25:09 | |
The best part of being involved in Children In Need is being able | 0:25:09 | 0:25:13 | |
to spread happiness and make a difference for children who | 0:25:13 | 0:25:16 | |
aren't as fortunate as ourselves. | 0:25:16 | 0:25:18 | |
# To lean on. # | 0:25:18 | 0:25:20 | |
One, two, three... And... | 0:25:20 | 0:25:22 | |
-# You just call -Call on me, brother... # | 0:25:22 | 0:25:24 | |
-And again. -And not letting first-time appearance nerves affect | 0:25:24 | 0:25:28 | |
their singing, Our Lady and St Patrick's College, Knock, | 0:25:28 | 0:25:31 | |
are in fine voice, too. | 0:25:31 | 0:25:32 | |
# We all need somebody to lean on | 0:25:32 | 0:25:36 | |
# I just might have a problem that you'll understand | 0:25:36 | 0:25:42 | |
# We all need somebody to lean on | 0:25:42 | 0:25:47 | |
# Lean on me | 0:25:47 | 0:25:49 | |
# When you're not strong | 0:25:49 | 0:25:52 | |
# I'll be your friend | 0:25:52 | 0:25:55 | |
# I'll help you carry on... # | 0:25:55 | 0:25:59 | |
It's a really nice song and it's got a really nice meaning, | 0:25:59 | 0:26:02 | |
so I think they'll like hearing it and maybe they'll take it | 0:26:02 | 0:26:06 | |
and they'll actually know that that's a really nice cause and | 0:26:06 | 0:26:10 | |
it's a nice song, so I think they'll really like it. | 0:26:10 | 0:26:13 | |
I think they'll be very shocked that children our age are able to be on | 0:26:13 | 0:26:18 | |
TV and do it for a good cause, | 0:26:18 | 0:26:21 | |
so they'd be quite proud that we are doing it for them. | 0:26:21 | 0:26:25 | |
And we are. Proud of you all! | 0:26:25 | 0:26:28 | |
# Need somebody to lean on | 0:26:28 | 0:26:32 | |
-# I just might -Might have a problem | 0:26:32 | 0:26:35 | |
# That you'll understand | 0:26:35 | 0:26:37 | |
# We all need... # | 0:26:37 | 0:26:39 | |
All that hard work in rehearsal paid off. | 0:26:39 | 0:26:41 | |
Young people raising their voices | 0:26:41 | 0:26:43 | |
and the roof with the song Lean On Me - | 0:26:43 | 0:26:46 | |
it's the BBC Children In Need Choir. | 0:26:46 | 0:26:49 | |
# Sometimes in our lives | 0:27:01 | 0:27:05 | |
# We all have pain | 0:27:05 | 0:27:08 | |
# We all have sorrow | 0:27:08 | 0:27:12 | |
# But if we are wise | 0:27:12 | 0:27:16 | |
# We know that there's always tomorrow | 0:27:16 | 0:27:22 | |
# Lean on me | 0:27:22 | 0:27:24 | |
# When you're not strong | 0:27:24 | 0:27:28 | |
# I'll be your friend | 0:27:28 | 0:27:30 | |
# I'll help you carry on | 0:27:30 | 0:27:34 | |
# For it won't be long | 0:27:34 | 0:27:38 | |
# Till I'm going to need | 0:27:38 | 0:27:41 | |
# Somebody to lean on | 0:27:41 | 0:27:45 | |
# Just call on me, brother | 0:27:45 | 0:27:49 | |
# When you need a hand | 0:27:49 | 0:27:51 | |
# We all need somebody to lean on | 0:27:51 | 0:27:56 | |
# I just might have a problem | 0:27:56 | 0:27:59 | |
# That you'll understand | 0:27:59 | 0:28:02 | |
# We all need somebody to lean on | 0:28:02 | 0:28:07 | |
# Lean on me | 0:28:07 | 0:28:09 | |
# When you're not strong | 0:28:09 | 0:28:12 | |
# I'll be your friend | 0:28:12 | 0:28:15 | |
# I'll help you carry on | 0:28:15 | 0:28:19 | |
# For it won't be long | 0:28:19 | 0:28:23 | |
# Till I'm going to need | 0:28:23 | 0:28:26 | |
# Somebody to lean on | 0:28:26 | 0:28:30 | |
# Just call on me, brother | 0:28:30 | 0:28:33 | |
# When you need a hand | 0:28:33 | 0:28:35 | |
# We all need somebody to lean on | 0:28:35 | 0:28:41 | |
# I just might have a problem | 0:28:41 | 0:28:44 | |
# That you'll understand | 0:28:44 | 0:28:46 | |
# We all need somebody to lean on | 0:28:46 | 0:28:53 | |
# Please swallow your pride | 0:28:53 | 0:28:57 | |
# If I have things you need to borrow | 0:28:57 | 0:29:04 | |
# For no-one can fill | 0:29:04 | 0:29:08 | |
# Those of your needs | 0:29:08 | 0:29:10 | |
# That you won't let show | 0:29:10 | 0:29:14 | |
# If there is a load | 0:29:49 | 0:29:53 | |
# You have to bear | 0:29:53 | 0:29:56 | |
# That you can't carry | 0:29:56 | 0:30:00 | |
# I'm right up the road | 0:30:00 | 0:30:04 | |
# I'll share your load | 0:30:04 | 0:30:07 | |
# If you just call me | 0:30:07 | 0:30:11 | |
# Call me | 0:30:11 | 0:30:14 | |
# Call me | 0:30:14 | 0:30:16 | |
# Call me | 0:30:16 | 0:30:19 | |
# Call me | 0:30:19 | 0:30:22 | |
# Call me | 0:30:22 | 0:30:25 | |
# Call me | 0:30:25 | 0:30:28 | |
# Call me | 0:30:28 | 0:30:30 | |
# Call me | 0:30:30 | 0:30:33 | |
# For it won't be long | 0:30:33 | 0:30:37 | |
# Till I'm going to need | 0:30:37 | 0:30:39 | |
# Somebody to lean on | 0:30:39 | 0:30:42 | |
# Lean on, lean on | 0:30:42 | 0:30:45 | |
# Lean on, lean on | 0:30:45 | 0:30:47 | |
# Lean on me | 0:30:47 | 0:30:50 | |
# Lean on, lean on | 0:30:50 | 0:30:52 | |
# Lean on me | 0:30:52 | 0:30:56 | |
# Lean on, lean on | 0:30:56 | 0:30:58 | |
# Lean on me | 0:30:58 | 0:31:00 | |
# I'm going to need | 0:31:00 | 0:31:02 | |
# Somebody to lean on | 0:31:02 | 0:31:06 | |
# I'm going to need | 0:31:06 | 0:31:07 | |
# Somebody to lean on | 0:31:07 | 0:31:15 | |
# We all need. # | 0:31:15 | 0:31:22 | |
I still can't believe that we are cos you've spent all that time | 0:31:24 | 0:31:29 | |
watching the TV show on the Friday night, sitting and watching it, | 0:31:29 | 0:31:33 | |
and then, now, we won't be able to watch it this time cos we're | 0:31:33 | 0:31:37 | |
on it and it makes me just feel privileged to be given the chance. | 0:31:37 | 0:31:42 | |
To be given the chance to get involved and have some fun. | 0:31:42 | 0:31:45 | |
Being part of Children In Need is absolutely amazing. | 0:31:46 | 0:31:50 | |
It makes you feel so proud that you're doing something you | 0:31:50 | 0:31:53 | |
love just to help others, and you're enjoying it at the same time, | 0:31:53 | 0:31:57 | |
so it's absolutely amazing. | 0:31:57 | 0:32:00 | |
Being part of Children In Need makes me feel very happy because I | 0:32:00 | 0:32:03 | |
know that I am making children's lives better across the UK. | 0:32:03 | 0:32:07 | |
Almost 200 projects are supported by BBC Children In Need here | 0:32:11 | 0:32:15 | |
in Northern Ireland, helping children who are dealing with | 0:32:15 | 0:32:18 | |
challenges in their lives to have a bit of fun, a good childhood. | 0:32:18 | 0:32:22 | |
Children who've been bereaved, children who have been abused, | 0:32:22 | 0:32:25 | |
neglected, or are living in poverty, or children who have disabilities. | 0:32:25 | 0:32:29 | |
All having a great time thanks to the wonderful fundraising from | 0:32:29 | 0:32:32 | |
people across Northern Ireland. | 0:32:32 | 0:32:34 | |
This year, yet again, we are humbled. | 0:32:34 | 0:32:36 | |
Another record-breaking year. | 0:32:36 | 0:32:38 | |
Thank you so much, everybody, | 0:32:38 | 0:32:40 | |
for having fun and giving your money to such a good cause. | 0:32:40 | 0:32:43 | |
I love Children In Need because you know you're helping lots and | 0:32:46 | 0:32:50 | |
lots of children that don't have really good chances, | 0:32:50 | 0:32:54 | |
and also it's just really fun to be involved in. | 0:32:54 | 0:32:58 | |
It's like you look forward, | 0:32:59 | 0:33:01 | |
I look forward to Children In Need, I'm like, | 0:33:01 | 0:33:04 | |
"Oh, it's time for Children In Need," and you see | 0:33:04 | 0:33:07 | |
-Pudsey headbands and stuff in the shops and you're like, "Oh, it's time." -Yeah. | 0:33:07 | 0:33:11 | |
Let's raise lots! | 0:34:07 | 0:34:09 | |
Ladies and gentlemen, you're very welcome to the Elk, where we're | 0:34:11 | 0:34:14 | |
Keeping It Country for Children In Need. | 0:34:14 | 0:34:16 | |
One man who's efforts require a little bit more skill is Paul from | 0:35:03 | 0:35:07 | |
the Belfast Community Circus School. | 0:35:07 | 0:35:09 | |
-And, Paul, you've been balancing to raise some money. -That's right, yes. | 0:35:09 | 0:35:13 | |
I've been with the Circus School for approximately 30 years now, | 0:35:13 | 0:35:16 | |
teaching around about 500 young people on a weekly basis how to ride | 0:35:16 | 0:35:20 | |
unicycles, juggle and stilt walk. | 0:35:20 | 0:35:22 | |
And what have you been doing to raise money for Children In Need? | 0:35:22 | 0:35:24 | |
We've been running our weekly classes and some of our young | 0:35:24 | 0:35:27 | |
people have been bringing in buns and cakes and | 0:35:27 | 0:35:29 | |
doing sponsored walks and sponsored unicycle rides, | 0:35:29 | 0:35:32 | |
-just everything that you do to raise money. -Have you raised much so far? | 0:35:32 | 0:35:35 | |
We're still counting but it's going to be a substantial amount. | 0:35:35 | 0:35:38 | |
Tell us about the skills you're teaching kids. | 0:35:38 | 0:35:40 | |
Well, a range of circus skills. Most of them you'll have seen on TV. | 0:35:40 | 0:35:42 | |
So, most of them will be in our circus skill building, | 0:35:42 | 0:35:45 | |
others will be in outreach projects, community centres all across the north of Ireland. | 0:35:45 | 0:35:49 | |
Acrobatics, unicycling, stilt walking, trapeze, tightrope walking, | 0:35:49 | 0:35:52 | |
all those skills we're performing in our circus school and teaching. | 0:35:52 | 0:35:55 | |
-So it literally does affect lots of kids. -Absolutely. | 0:35:55 | 0:35:58 | |
There's a huge amount of benefits to learning circus. | 0:35:58 | 0:36:00 | |
They have a real sense of belonging, being part of our circus family and get an incredible amount of | 0:36:00 | 0:36:04 | |
social skills, and it's keeping them fit and healthy. | 0:36:04 | 0:36:07 | |
You know, when people come to this part of the world | 0:36:09 | 0:36:12 | |
they can't help but be charmed by our warm welcome, | 0:36:12 | 0:36:14 | |
the beauty of our countryside and, in this case, our generosity. | 0:36:14 | 0:36:19 | |
Our colleague, BBC Countryfile's John Craven, travelled | 0:36:19 | 0:36:22 | |
to the north coast recently to take part in a Children In Need ramble. | 0:36:22 | 0:36:25 | |
A great walk for a great cause. | 0:36:25 | 0:36:27 | |
Millions of years in the making, shaped by elemental forces. | 0:36:31 | 0:36:37 | |
Northern Ireland's Causeway Coast is a landscape of rare beauty. | 0:36:37 | 0:36:41 | |
It's also the destination for my Countryfile Ramble | 0:36:42 | 0:36:45 | |
-in aid of Children In Need. -Yeah! | 0:36:45 | 0:36:48 | |
Let's go! | 0:36:48 | 0:36:49 | |
Our ramble leads us along the edge of the Antrim Plateau, | 0:36:57 | 0:37:00 | |
with its unique basalt columns. | 0:37:00 | 0:37:03 | |
A route of nearly three miles, | 0:37:03 | 0:37:05 | |
ending at the world-famous Giant's Causeway. | 0:37:05 | 0:37:08 | |
-You a rambler? -No, I'm not. | 0:37:12 | 0:37:14 | |
So you have actually maybe started something for me. | 0:37:14 | 0:37:17 | |
Many of our ramblers travelled long distances to get here | 0:37:19 | 0:37:23 | |
and they're raising money to support charities close to their hearts. | 0:37:23 | 0:37:27 | |
-How's it going, Zara? -It's not too bad, so it's not. | 0:37:31 | 0:37:34 | |
-Are you enjoying it? -I am, yeah. It's lovely here. | 0:37:34 | 0:37:36 | |
-Because you suffer from quite severe arthritis, don't you? -Yeah. | 0:37:36 | 0:37:39 | |
Is this painful for you, doing a walk like this? | 0:37:39 | 0:37:42 | |
Not at the minute, but it'll probably hit in the morning. | 0:37:42 | 0:37:44 | |
Keep taking a little break and you should be all right. | 0:37:44 | 0:37:46 | |
Yeah, I'll be fine. | 0:37:46 | 0:37:48 | |
Around ten million people in the UK have arthritis | 0:37:48 | 0:37:52 | |
and 12,000 of them are children. | 0:37:52 | 0:37:54 | |
It affects all ages and Zara was just 11 years old | 0:37:54 | 0:37:58 | |
when she was first diagnosed. | 0:37:58 | 0:38:00 | |
Usually when you first tell people that you have arthritis, | 0:38:08 | 0:38:10 | |
their immediate response would be, "Oh, my granny has that." | 0:38:10 | 0:38:14 | |
I was first diagnosed with arthritis when I was 11. | 0:38:15 | 0:38:19 | |
It's recommended by the physiotherapist that I do | 0:38:19 | 0:38:21 | |
daily exercises to strengthen my joints and muscles. | 0:38:21 | 0:38:24 | |
I have arthritis in my two knees and my two wrists, | 0:38:26 | 0:38:29 | |
and it also affected the growth of my jaw. | 0:38:29 | 0:38:31 | |
When I start to walk after not walking for a while, | 0:38:34 | 0:38:37 | |
it feels like I'm walking on pebbles or stones, | 0:38:37 | 0:38:40 | |
which can make walking a bit more uncomfortable. | 0:38:40 | 0:38:43 | |
I sort of feel like I'm holding my friends back sometimes | 0:38:44 | 0:38:47 | |
when we're out, but they're very understanding, so they are. | 0:38:47 | 0:38:50 | |
But Zara isn't letting arthritis dominate her life. | 0:38:53 | 0:38:57 | |
She's taking control. | 0:38:57 | 0:38:58 | |
She's been helped by Arthritis Care, | 0:39:01 | 0:39:04 | |
a charity part funded by Children In Need, | 0:39:04 | 0:39:06 | |
that runs events for young people with arthritis | 0:39:06 | 0:39:09 | |
as well as offering online support. | 0:39:09 | 0:39:11 | |
Meeting other young people with arthritis was really beneficial | 0:39:13 | 0:39:16 | |
to me because I didn't really know anyone else who had arthritis. | 0:39:16 | 0:39:21 | |
We're able to share different coping methods and different | 0:39:21 | 0:39:24 | |
ways it affects people. | 0:39:24 | 0:39:26 | |
There is no cure for arthritis, unfortunately, | 0:39:26 | 0:39:29 | |
so what we're trying to do is help young people feel less | 0:39:29 | 0:39:33 | |
isolated and hopefully feel more confident about their future. | 0:39:33 | 0:39:36 | |
We try a bunch of different activities, | 0:39:40 | 0:39:42 | |
just completely different from what I'd normally do. | 0:39:42 | 0:39:45 | |
She has just grown and grown as a person. | 0:39:45 | 0:39:47 | |
You know, I'm delighted to see the young adult | 0:39:47 | 0:39:50 | |
that she's turned into today. | 0:39:50 | 0:39:52 | |
With Zara's determination and positive approach, | 0:39:54 | 0:39:57 | |
it's no wonder she's joined the first-ever | 0:39:57 | 0:40:00 | |
Children In Need youth panel. | 0:40:00 | 0:40:02 | |
And some of her friends from it joined us on the ramble. | 0:40:02 | 0:40:05 | |
Why did you want to be involved in the youth panel, Zara? | 0:40:05 | 0:40:08 | |
It's such a worthwhile opportunity that came about. | 0:40:08 | 0:40:10 | |
There's so many different organisations across | 0:40:10 | 0:40:13 | |
Northern Ireland that don't really get a say. | 0:40:13 | 0:40:15 | |
Children In Need have been a great help for Arthritis Care and I don't | 0:40:15 | 0:40:19 | |
know how far along the organisation would have been without it. | 0:40:19 | 0:40:22 | |
As we descend what's called the Shepherd's Steps to sea level, | 0:40:26 | 0:40:30 | |
we're tantalisingly close to the main attraction... | 0:40:30 | 0:40:33 | |
..the awe-inspiring vista of the Giant's Causeway. | 0:40:36 | 0:40:39 | |
People come here from across the world | 0:40:42 | 0:40:44 | |
to marvel at this jewel of the Antrim coast. | 0:40:44 | 0:40:47 | |
These towering columns have inspired many legends, | 0:40:51 | 0:40:54 | |
like the one about a giant striding out across the sea, | 0:40:54 | 0:40:58 | |
leaving behind one of his huge boots. | 0:40:58 | 0:41:01 | |
-How many stones are there? -44,000 columns. | 0:41:02 | 0:41:04 | |
Wow! | 0:41:04 | 0:41:05 | |
Area ranger Dr Cliff Henry has the factual story | 0:41:05 | 0:41:09 | |
about how these unique rock formations came to exist. | 0:41:09 | 0:41:12 | |
They were formed by volcanic eruption. | 0:41:12 | 0:41:15 | |
By the laws of physics, under great strain, | 0:41:15 | 0:41:17 | |
rocks will always form in sort of hexagonal patterns. | 0:41:17 | 0:41:19 | |
How many people come here to see them? | 0:41:19 | 0:41:22 | |
It's probably getting towards a million people a year now. | 0:41:22 | 0:41:25 | |
-Plus our little team, as well. -Oh, yeah. | 0:41:25 | 0:41:27 | |
And so our exhilarating walk draws to an end. | 0:41:30 | 0:41:34 | |
And what finer place to celebrate our efforts | 0:41:34 | 0:41:36 | |
than here at one of the greatest natural wonders | 0:41:36 | 0:41:39 | |
of the British Isles. | 0:41:39 | 0:41:40 | |
Thank you all very much indeed, on behalf of Children In Need, | 0:41:43 | 0:41:46 | |
for taking part in our Giant's Causeway ramble. | 0:41:46 | 0:41:49 | |
Well done! Thank you! | 0:41:49 | 0:41:51 | |
Thank you so much for your generosity. | 0:41:58 | 0:42:00 | |
And here are some of the ways | 0:42:00 | 0:42:02 | |
you've been raising our much-needed donations. | 0:42:02 | 0:42:06 | |
OK, guys, we're going to make some more scones. | 0:42:13 | 0:42:16 | |
Do your thing! | 0:42:30 | 0:42:32 | |
Pudsey's here. | 0:42:34 | 0:42:36 | |
-ALL: -We love Pudsey! | 0:43:08 | 0:43:11 | |
-We have some little gingerbread men here. -Oh, gingerbread man! | 0:43:15 | 0:43:19 | |
It's all for Children In Need! | 0:43:37 | 0:43:39 | |
# The grand old Duke of York | 0:43:41 | 0:43:43 | |
# He had 10,000 men | 0:43:43 | 0:43:46 | |
# And he marched them up to the top of the hill | 0:43:46 | 0:43:48 | |
# And he marched them down again | 0:43:48 | 0:43:50 | |
# And when they were up, they were up | 0:43:50 | 0:43:52 | |
# And when they were down, they were down | 0:43:52 | 0:43:55 | |
# And when they were only halfway up | 0:43:55 | 0:43:57 | |
# They were neither up nor down. # | 0:43:57 | 0:43:59 | |
Let me see you all take a big bow! | 0:43:59 | 0:44:01 | |
Pudsey! Pudsey! Pudsey! Pudsey! | 0:44:04 | 0:44:07 | |
Pudsey! Pudsey! Pudsey! Pudsey! | 0:44:07 | 0:44:11 | |
Pudsey! Pudsey! Pudsey! Pudsey! | 0:44:11 | 0:44:13 | |
The best thing about Children In Need is helping people less | 0:44:17 | 0:44:19 | |
fortunate than us. | 0:44:19 | 0:44:21 | |
I think the best thing about Children In Need is helping | 0:44:21 | 0:44:24 | |
all the different children who live in the UK who don't have as | 0:44:24 | 0:44:27 | |
many opportunities as me. | 0:44:27 | 0:44:29 | |
Children In Need to me, | 0:44:29 | 0:44:30 | |
it means helping raise money for children who really need it, | 0:44:30 | 0:44:34 | |
and it just makes people happy when you're watching it or taking | 0:44:34 | 0:44:37 | |
part in it. It's just a good bit of fun, so it is. | 0:44:37 | 0:44:40 | |
Children In Need makes me feel grateful for what I have that | 0:44:40 | 0:44:44 | |
other children don't. | 0:44:44 | 0:44:45 | |
Mae Murray's granddaughter has cerebral palsy. | 0:44:49 | 0:44:53 | |
But Mae, she worked tirelessly to make sure that Talia | 0:44:53 | 0:44:56 | |
had a fun and positive quality of life. | 0:44:56 | 0:44:59 | |
When Mae died back in 2012, her daughter Alix, Talia's mother, | 0:44:59 | 0:45:04 | |
set up the Mae Murray Foundation in her honour | 0:45:04 | 0:45:07 | |
to make sure that Talia and other children | 0:45:07 | 0:45:10 | |
experienced fun things in life that many of us take for granted. | 0:45:10 | 0:45:14 | |
Like a day at the beach. | 0:45:14 | 0:45:16 | |
# Everywhere we go | 0:45:21 | 0:45:24 | |
# Everywhere we go | 0:45:24 | 0:45:26 | |
# People always ask us | 0:45:26 | 0:45:28 | |
# People always ask us | 0:45:28 | 0:45:30 | |
# Who we are | 0:45:30 | 0:45:32 | |
# Who we are | 0:45:32 | 0:45:34 | |
# And where do we come from? | 0:45:34 | 0:45:36 | |
# And where do we come from? | 0:45:36 | 0:45:38 | |
# And we always tell them | 0:45:38 | 0:45:40 | |
# And we always tell them | 0:45:40 | 0:45:42 | |
# We're the funky chickens | 0:45:42 | 0:45:44 | |
# We're the funky chickens | 0:45:44 | 0:45:46 | |
# And if they can't hear us | 0:45:46 | 0:45:48 | |
# And if they can't hear us... # | 0:45:48 | 0:45:51 | |
Today is part of our all-ability short break residential. | 0:45:51 | 0:45:55 | |
Over two weekends, | 0:45:55 | 0:45:57 | |
we have 30 young people, most of | 0:45:57 | 0:45:59 | |
whom have physical disabilities, | 0:45:59 | 0:46:02 | |
some of them quite complex. | 0:46:02 | 0:46:04 | |
And many of whom will never have been in outdoor situations | 0:46:04 | 0:46:07 | |
like here at Benone Beach, | 0:46:07 | 0:46:09 | |
either at all or maybe since they were quite young. | 0:46:09 | 0:46:12 | |
In the past, the beach has been very open | 0:46:13 | 0:46:16 | |
towards people who are able-bodied. | 0:46:16 | 0:46:18 | |
Even to bring a wheelchair down to the beach with the soft sand | 0:46:18 | 0:46:22 | |
is a huge difficulty and that would put families off straightaway. | 0:46:22 | 0:46:25 | |
And now that the beach wheelchairs are a lot more accessible, | 0:46:25 | 0:46:29 | |
it means you can come down, go for a walk on the beach | 0:46:29 | 0:46:31 | |
and be part of your family, just like anyone else would be. | 0:46:31 | 0:46:34 | |
Thanks to BBC Children In Need, | 0:46:35 | 0:46:37 | |
we were able to purchase a unique piece of equipment. | 0:46:37 | 0:46:40 | |
It's a first for Northern Ireland. It's a sit-down surfboard. | 0:46:40 | 0:46:43 | |
It was designed in Wales last year | 0:46:43 | 0:46:45 | |
and it's not yet commercially available, | 0:46:45 | 0:46:47 | |
but we've been able to get hold of one. | 0:46:47 | 0:46:50 | |
So it means people in wheelchairs can access the water, | 0:46:50 | 0:46:53 | |
access the sea. | 0:46:53 | 0:46:55 | |
And whilst we've a long way still to go, | 0:46:55 | 0:46:57 | |
in terms of improving beach access in Northern Ireland, | 0:46:57 | 0:47:00 | |
this is certainly a positive start. | 0:47:00 | 0:47:02 | |
We met Talia about a month ago | 0:47:03 | 0:47:05 | |
and she was quite shy the first day I met her. | 0:47:05 | 0:47:08 | |
But, like, she's the most brilliant girl I've ever met | 0:47:08 | 0:47:10 | |
and she's so kind of confident in herself now. | 0:47:10 | 0:47:13 | |
And she's wanting to go out there, catch bigger waves, | 0:47:13 | 0:47:16 | |
stay in for longer. | 0:47:16 | 0:47:17 | |
So you can see a progression, | 0:47:17 | 0:47:19 | |
even in the short period that we've been working with her. | 0:47:19 | 0:47:22 | |
In terms of trying to achieve our longer-term vision | 0:47:26 | 0:47:29 | |
for beach access and participation, | 0:47:29 | 0:47:32 | |
we would like to see a lot more beach chairs, | 0:47:32 | 0:47:34 | |
we would like to see more surfboards, | 0:47:34 | 0:47:36 | |
sit-down surfboards, | 0:47:36 | 0:47:38 | |
we would like to see walkways onto the beach, | 0:47:38 | 0:47:40 | |
accessible changing | 0:47:40 | 0:47:42 | |
and a whole host of extra resources | 0:47:42 | 0:47:44 | |
and support that people need. | 0:47:44 | 0:47:47 | |
If Children In Need weren't here, | 0:47:50 | 0:47:52 | |
we would not have had the money to purchase this board. | 0:47:52 | 0:47:55 | |
And if we couldn't have purchased this board, | 0:47:55 | 0:47:57 | |
we would never have been able to access this style of surfing. | 0:47:57 | 0:48:01 | |
If we can see someone kind of enjoy the ride of a wave, | 0:48:01 | 0:48:05 | |
and we've provided that, then that's all that really matters. | 0:48:05 | 0:48:08 | |
Through the funding provided by BBC Children In Need, | 0:48:08 | 0:48:12 | |
we're not only able to help these young people here today | 0:48:12 | 0:48:15 | |
and on our other weekend break, | 0:48:15 | 0:48:18 | |
we're going to be able to help | 0:48:18 | 0:48:20 | |
people of restricted ability right through. | 0:48:20 | 0:48:22 | |
And this board will be used for many years to come. | 0:48:22 | 0:48:25 | |
Thank you, Children In Need! | 0:48:25 | 0:48:28 | |
Hands up for the beach! | 0:48:28 | 0:48:30 | |
And as you can see, your money really does make a difference. | 0:48:37 | 0:48:41 | |
Raising a smile and raising donations. | 0:48:41 | 0:48:44 | |
And this is how you did it. | 0:48:44 | 0:48:46 | |
Thank you. | 0:48:46 | 0:48:47 | |
-ALL: -We love Children In Need! | 0:50:17 | 0:50:20 | |
Being part of Children In Need makes me feel amazing. | 0:50:23 | 0:50:27 | |
Being able to make others happy makes me happy. | 0:50:27 | 0:50:29 | |
Children In Need means a lot to me because I'm doing | 0:50:29 | 0:50:33 | |
a good deed for children who aren't as well off as us. | 0:50:33 | 0:50:36 | |
I love Children In Need because Pudsey comes around and just | 0:50:36 | 0:50:41 | |
brightens people's days and it makes people feel happy. | 0:50:41 | 0:50:45 | |
Being part of Children In Need makes | 0:50:45 | 0:50:47 | |
me feel honoured and happy that I can help others around the UK. | 0:50:47 | 0:50:50 | |
Now, when Eamonn McCrystal flew in today from America, he wasn't alone. | 0:50:54 | 0:50:59 | |
Also on that plane was the beautiful and talented Chloe Agnew. | 0:50:59 | 0:51:03 | |
So here they are together singing We've Got Tonight. | 0:51:03 | 0:51:05 | |
Chloe Agnew and Eamonn McCrystal. | 0:51:05 | 0:51:07 | |
Enjoy! | 0:51:07 | 0:51:09 | |
# I know it's late | 0:51:23 | 0:51:26 | |
# I know you're weary | 0:51:27 | 0:51:30 | |
# I know your plans | 0:51:31 | 0:51:33 | |
# Don't include me | 0:51:34 | 0:51:36 | |
# Still, here we are | 0:51:39 | 0:51:41 | |
# Both of us lonely | 0:51:43 | 0:51:45 | |
# Longing for shelter | 0:51:47 | 0:51:50 | |
# From all that we see | 0:51:50 | 0:51:53 | |
# Why should we worry? | 0:51:54 | 0:51:56 | |
# No-one will care, girl | 0:51:58 | 0:52:00 | |
# Look at the stars now | 0:52:02 | 0:52:05 | |
# So far away | 0:52:05 | 0:52:08 | |
# We've got tonight | 0:52:10 | 0:52:12 | |
# Who needs tomorrow? | 0:52:13 | 0:52:16 | |
# We've got tonight, babe | 0:52:17 | 0:52:21 | |
# Why don't you stay? | 0:52:21 | 0:52:23 | |
# Deep in my soul | 0:52:25 | 0:52:28 | |
# I've been so lonely | 0:52:28 | 0:52:33 | |
# All of my hopes fading away | 0:52:33 | 0:52:39 | |
# And I've longed for love | 0:52:40 | 0:52:44 | |
# Oh, like everyone else does | 0:52:44 | 0:52:48 | |
# I know I'll keep searching after today | 0:52:48 | 0:52:54 | |
# So there it is, girl | 0:52:56 | 0:52:59 | |
# We've got it all now | 0:53:00 | 0:53:02 | |
# And here we are, babe | 0:53:04 | 0:53:06 | |
# What do you say? | 0:53:08 | 0:53:10 | |
-TOGETHER: -# We've got tonight | 0:53:11 | 0:53:13 | |
# Who needs tomorrow? | 0:53:15 | 0:53:18 | |
# We've got tonight, babe | 0:53:19 | 0:53:22 | |
# Why don't you stay? | 0:53:23 | 0:53:26 | |
# I know it's late | 0:53:29 | 0:53:30 | |
# And I know you're weary | 0:53:30 | 0:53:34 | |
# I know your plans don't include me | 0:53:36 | 0:53:41 | |
# Still, here we are | 0:53:41 | 0:53:46 | |
-TOGETHER: -# Both of us lonely | 0:53:46 | 0:53:49 | |
# Both of us lonely | 0:53:51 | 0:53:53 | |
# We've got tonight | 0:53:58 | 0:54:00 | |
# Who needs tomorrow? | 0:54:01 | 0:54:06 | |
# Let's make it last | 0:54:06 | 0:54:08 | |
# Let's find a way | 0:54:09 | 0:54:12 | |
# Turn out the lights | 0:54:13 | 0:54:16 | |
# Oh, come, take my hand now | 0:54:17 | 0:54:21 | |
-TOGETHER: -# We've got tonight, babe | 0:54:21 | 0:54:24 | |
# Why don't you stay? | 0:54:25 | 0:54:27 | |
# We've got tonight, babe | 0:54:29 | 0:54:32 | |
# Why don't you stay? # | 0:54:33 | 0:54:39 | |
I'd like you to meet a fantastic little girl called Elodie | 0:54:50 | 0:54:53 | |
and her big brother Finn. | 0:54:53 | 0:54:54 | |
And they want to tell you how your donations have helped | 0:54:54 | 0:54:57 | |
put a smile on their faces. | 0:54:57 | 0:54:59 | |
-Finn. -Right. | 0:55:01 | 0:55:02 | |
What is a motorcycle? | 0:55:02 | 0:55:04 | |
My name is Finn and my little sister, Ellie, | 0:55:04 | 0:55:08 | |
she's blind, but she can still do | 0:55:08 | 0:55:10 | |
lots and lots and lots of stuff. | 0:55:10 | 0:55:13 | |
I try to help her. | 0:55:13 | 0:55:14 | |
Finn, what are you doing? | 0:55:14 | 0:55:16 | |
This is you and me riding a motorcycle. | 0:55:16 | 0:55:19 | |
You have a blue one and I have a red one. | 0:55:19 | 0:55:21 | |
You can barely reach the handles. | 0:55:21 | 0:55:23 | |
What age were you when you did that? | 0:55:23 | 0:55:25 | |
I would say I was about seven. I was about seven. | 0:55:25 | 0:55:28 | |
You were four. | 0:55:28 | 0:55:29 | |
You're the wee best sister I could ever have. | 0:55:29 | 0:55:31 | |
Thank you. | 0:55:31 | 0:55:33 | |
When Elodie was born, her eyes were small and unfinished. | 0:55:33 | 0:55:37 | |
And when she was a few months old, | 0:55:37 | 0:55:39 | |
one of her retinas detached, | 0:55:39 | 0:55:41 | |
followed a few months later by the other one. | 0:55:41 | 0:55:44 | |
This is me pulling a chariot. | 0:55:44 | 0:55:47 | |
We were told that there's going to be a gradual deterioration | 0:55:47 | 0:55:50 | |
of her sight and she will lose all her vision eventually. | 0:55:50 | 0:55:54 | |
I wish I could see like Finn, because... | 0:55:54 | 0:55:58 | |
-You could do lots more stuff. -Yeah. | 0:55:58 | 0:56:00 | |
And I could do more fun stuff, | 0:56:00 | 0:56:02 | |
see more amazing things. | 0:56:02 | 0:56:04 | |
Yeah. | 0:56:04 | 0:56:06 | |
I want a trombone of my own. | 0:56:06 | 0:56:09 | |
For Elodie, being blind is not just about a loss of vision. | 0:56:09 | 0:56:13 | |
It's about the loss of all the learning opportunities, | 0:56:13 | 0:56:16 | |
so it's so important that we find special ways | 0:56:16 | 0:56:18 | |
of helping Elodie to achieve independence. | 0:56:18 | 0:56:21 | |
One, two, three, four! | 0:56:21 | 0:56:23 | |
And that's why music entered Elodie's life. | 0:56:23 | 0:56:26 | |
She now visits Open Arts In Tune workshops in Belfast, | 0:56:26 | 0:56:30 | |
a project that is supported by your donations. | 0:56:30 | 0:56:33 | |
What we're trying to do is to give them the confidence | 0:56:35 | 0:56:37 | |
to be more independent. | 0:56:37 | 0:56:39 | |
It's not just about playing instruments. | 0:56:39 | 0:56:41 | |
There's a lot going on under the surface. | 0:56:41 | 0:56:44 | |
They're feeling new things, they're hearing new things. | 0:56:44 | 0:56:46 | |
'They're hearing new instructions.' | 0:56:46 | 0:56:48 | |
When you push those little buttons... | 0:56:48 | 0:56:51 | |
'It's about essential skills like listening and turn-taking, | 0:56:51 | 0:56:54 | |
'coordination that are used | 0:56:54 | 0:56:58 | |
'in all aspects of life.' | 0:56:58 | 0:57:00 | |
FLUTE PLAYS | 0:57:00 | 0:57:01 | |
But it's also so much fun. | 0:57:03 | 0:57:06 | |
And the fun continues at home. | 0:57:08 | 0:57:10 | |
Elodie is just the happiest girl in the world. | 0:57:11 | 0:57:14 | |
She's finding out new things about music every day. | 0:57:14 | 0:57:17 | |
She discovered what she really, really, really enjoys. | 0:57:17 | 0:57:21 | |
The workshops helped Elodie develop a love of music. | 0:57:22 | 0:57:25 | |
We've noticed her confidence really growing in the last year. | 0:57:25 | 0:57:29 | |
When I can see her laughing and enjoying herself, | 0:57:32 | 0:57:35 | |
it just makes me think, "We can do this. Her future is bright." | 0:57:35 | 0:57:38 | |
Your donations will mean that more children like Elodie | 0:57:41 | 0:57:44 | |
can enjoy the benefits that music can bring. | 0:57:44 | 0:57:47 | |
I'm sure you've noticed the nights are getting much colder, | 0:57:56 | 0:57:59 | |
but that hasn't stopped you from getting out and about | 0:57:59 | 0:58:01 | |
on your fundraising activities. | 0:58:01 | 0:58:04 | |
Brilliant, thank you. | 0:58:42 | 0:58:43 | |
Good luck! | 0:58:43 | 0:58:44 | |
It's Children In Need day and I need your help today. | 0:58:47 | 0:58:50 | |
I want you get in here and give me as much as you possibly can. | 0:58:50 | 0:58:52 | |
Mr Auctioneer, you do your worst. | 0:58:52 | 0:58:55 | |
This, that or the other. | 0:58:55 | 0:58:56 | |
We don't really want that. | 0:58:56 | 0:58:57 | |
We want more if you can get it, | 0:58:57 | 0:58:59 | |
but we'll take less if we don't get it. | 0:58:59 | 0:59:01 | |
40 quid. | 0:59:04 | 0:59:05 | |
40 quid! | 0:59:05 | 0:59:06 | |
And you see, this is what it's all about. | 0:59:10 | 0:59:12 | |
It's for Children In Need. Get in there and give us a bit. | 0:59:12 | 0:59:14 | |
You know, the money you donate, it really does make a huge difference. | 0:59:29 | 0:59:32 | |
It's life-changing for many children. | 0:59:32 | 0:59:35 | |
Children like Leo Donaghy. | 0:59:35 | 0:59:38 | |
When Leo and his mum found themselves homeless, | 0:59:38 | 0:59:40 | |
the Depaul charity kicked in | 0:59:40 | 0:59:42 | |
and offered a safe and secure environment | 0:59:42 | 0:59:45 | |
for Leo and his mum in the Cloverhill hostel in West Belfast. | 0:59:45 | 0:59:49 | |
My house was overcrowded and I lived at my mummy's | 1:00:03 | 1:00:08 | |
and so when I came in here, it was a fresh start. | 1:00:08 | 1:00:10 | |
Whenever people come in through the door, | 1:00:16 | 1:00:19 | |
obviously it's a very traumatic time for them. | 1:00:19 | 1:00:21 | |
More than likely, they're coming from a crisis. | 1:00:21 | 1:00:24 | |
Ready? One, two, three, go! | 1:00:27 | 1:00:28 | |
Roisian would be very typical of the young people that we help. | 1:00:28 | 1:00:31 | |
Young mums who are starting out for the first time in life. | 1:00:31 | 1:00:35 | |
Fiona is a child support worker in Cloverhill hostel and she is | 1:00:39 | 1:00:42 | |
funded by Children In Need. | 1:00:42 | 1:00:44 | |
-What does the duck say? -Quack. | 1:00:44 | 1:00:47 | |
SHE LAUGHS | 1:00:47 | 1:00:48 | |
She would help people with their problems because this is | 1:00:48 | 1:00:52 | |
a family support hostel. | 1:00:52 | 1:00:54 | |
She would help kids reading, writing, their behaviour, | 1:00:54 | 1:00:56 | |
if you have family problems. She's brilliant. | 1:00:56 | 1:00:59 | |
She does a load of stuff. | 1:00:59 | 1:01:00 | |
He's doing absolutely fantastic. | 1:01:00 | 1:01:02 | |
Aren't you, wee son? He's an absolute credit to you. | 1:01:02 | 1:01:06 | |
He has come on leaps and bounds and it's your hard work and all, too. | 1:01:06 | 1:01:10 | |
It's good that you're not alone. | 1:01:10 | 1:01:12 | |
All right, Leo. | 1:01:12 | 1:01:14 | |
-L. -L. | 1:01:14 | 1:01:16 | |
For seven years, Children In Need has funded Depaul | 1:01:16 | 1:01:20 | |
with a child support worker. | 1:01:20 | 1:01:22 | |
The impact that that has made has been phenomenal. | 1:01:23 | 1:01:26 | |
Say "Leo". I was worried about Leo's speech because | 1:01:26 | 1:01:30 | |
he was talking, but he wasn't saying many words. | 1:01:30 | 1:01:32 | |
It was the same words now and again. | 1:01:32 | 1:01:34 | |
Draw a wee doggie. | 1:01:34 | 1:01:35 | |
It changed him completely and his speech is just brilliant now. | 1:01:35 | 1:01:39 | |
He loves books and he will read a book to me! He will! | 1:01:39 | 1:01:43 | |
He's brilliant. | 1:01:43 | 1:01:45 | |
It's easier for me to have a conversation with him and | 1:01:45 | 1:01:48 | |
for him to have a conversation with other kids. | 1:01:48 | 1:01:50 | |
When I moved in here, I had to do everything myself. | 1:01:52 | 1:01:55 | |
We had a cookery class and it was like a healthy cookery class. | 1:01:55 | 1:01:59 | |
He used to be a terrible eater. | 1:01:59 | 1:02:01 | |
When he was a baby and we used to do spoon feeds and all, no go. | 1:02:01 | 1:02:05 | |
When he helps me, he can't wait to eat it. | 1:02:05 | 1:02:08 | |
Do you know what I mean? Because he's prepared it with me. | 1:02:08 | 1:02:11 | |
It's really important when somebody comes in to | 1:02:11 | 1:02:14 | |
a big building like this, where there are 18 other families, | 1:02:14 | 1:02:17 | |
for...to have someone that you can talk to who doesn't judge you. | 1:02:17 | 1:02:20 | |
We want to see people going out through the door. | 1:02:20 | 1:02:23 | |
We want to see them going out | 1:02:23 | 1:02:25 | |
being confident in their own ability, | 1:02:25 | 1:02:28 | |
not only as parents, but as members of the community that they | 1:02:28 | 1:02:32 | |
choose to live in. | 1:02:32 | 1:02:34 | |
My ambition for the future would be me being | 1:02:34 | 1:02:36 | |
a better mummy and him settled in the school. | 1:02:36 | 1:02:39 | |
We've spent a year and a half with Leo and hopefully he will | 1:02:39 | 1:02:42 | |
have a new home sometime soon. | 1:02:42 | 1:02:44 | |
Say "one". | 1:02:44 | 1:02:46 | |
We try and give them a window into the opportunities that there | 1:02:46 | 1:02:49 | |
are out there. | 1:02:49 | 1:02:51 | |
In later life, it will help him in school and it'll help him in college | 1:02:51 | 1:02:54 | |
and where he works and if he wants to push himself, it'll help them. | 1:02:54 | 1:02:58 | |
We never cease to be amazed or humbled at how you embrace | 1:03:03 | 1:03:07 | |
the challenge of fundraising with enthusiasm and a real sense of fun. | 1:03:07 | 1:03:11 | |
We are also in awe of those who carry out life-changing work. | 1:03:11 | 1:03:15 | |
Indeed. It's so uplifting to work on Children In Need, but now, | 1:03:15 | 1:03:18 | |
we've got something just for you. | 1:03:18 | 1:03:21 | |
Just for a moment, please sit back and enjoy the wonderful | 1:03:21 | 1:03:25 | |
Chloe Agnew singing What A Wonderful World. | 1:03:25 | 1:03:28 | |
# I see trees of green | 1:03:39 | 1:03:45 | |
# Red roses too | 1:03:45 | 1:03:48 | |
# I see them bloom, for me and you | 1:03:49 | 1:03:57 | |
# And I think to myself | 1:03:57 | 1:04:00 | |
# What a wonderful world | 1:04:03 | 1:04:08 | |
# I see skies of blue | 1:04:12 | 1:04:16 | |
# And clouds of white | 1:04:16 | 1:04:19 | |
# The bright, blessed day | 1:04:20 | 1:04:23 | |
# And the dark, sacred night | 1:04:23 | 1:04:26 | |
# And I think to myself, oh-oh | 1:04:26 | 1:04:32 | |
# What a wonderful world | 1:04:32 | 1:04:37 | |
# The colours of the rainbow so pretty in the sky | 1:04:41 | 1:04:48 | |
# Are also on the faces of people passing by | 1:04:48 | 1:04:54 | |
# I see friends shaking hands saying, "How do you do?" | 1:04:54 | 1:05:01 | |
# What they're really saying is "I love you" | 1:05:02 | 1:05:08 | |
# And I hear babies cry | 1:05:10 | 1:05:14 | |
# I watch them grow | 1:05:16 | 1:05:18 | |
# They'll learn much more | 1:05:19 | 1:05:22 | |
# Than I'll ever know | 1:05:22 | 1:05:25 | |
# And I think to myself | 1:05:25 | 1:05:30 | |
# Oh-oh, what a wonderful world | 1:05:30 | 1:05:34 | |
# Oh-oh | 1:05:36 | 1:05:39 | |
# I see trees of green red roses too | 1:05:39 | 1:05:47 | |
# I see them bloom, for me and you | 1:05:47 | 1:05:54 | |
# And I think to myself, oh-oh | 1:05:54 | 1:05:59 | |
# What a wonderful world | 1:05:59 | 1:06:03 | |
# Oh-oh | 1:06:03 | 1:06:05 | |
# I think to myself | 1:06:07 | 1:06:11 | |
# What a wonderful world. # | 1:06:13 | 1:06:21 | |
Oh, wasn't that beautiful? I've got goose bumps. | 1:06:28 | 1:06:30 | |
Thank you, Chloe. | 1:06:30 | 1:06:32 | |
And thank you to all of those who shared their heart-warming | 1:06:32 | 1:06:34 | |
stories with us tonight. | 1:06:34 | 1:06:36 | |
At the start of the show, I told you we had music and magic. | 1:06:36 | 1:06:39 | |
Eamonn, Chloe and the choir provided the music, | 1:06:39 | 1:06:42 | |
YOU provided the magic. | 1:06:42 | 1:06:44 | |
Your money has transformed lives and made big changes, | 1:06:44 | 1:06:46 | |
changes for the better, for children in need. | 1:06:46 | 1:06:49 | |
-And we've had fun too, haven't we? -Absolutely. | 1:06:49 | 1:06:51 | |
-Goodnight. -Goodnight. | 1:06:51 | 1:06:53 | |
MUSIC: Kids by MGMT | 1:06:53 | 1:06:55 |