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Hello and welcome to best of
Children in Need 2017 from here at | 0:00:26 | 0:00:32 | |
the Folk and Transport Museum in
County Down. This was our venue for | 0:00:32 | 0:00:39 | |
Friday night - the music, the laughs
and everyone's favourite bear - | 0:00:39 | 0:00:44 | |
Pudsey! We have a packed programme.
Take a look at this. How you never | 0:00:44 | 0:00:50 | |
let us down - all the fun of the
fund-raising you have organised. We | 0:00:50 | 0:00:56 | |
will have you dancing to the latest
singing from the Carter family, | 0:00:56 | 0:01:03 | |
Jake. And you won't want to miss our
choir, 183 children from five | 0:01:03 | 0:01:10 | |
Northern Ireland schools who have
worked to sing you a classic song. | 0:01:10 | 0:01:15 | |
And everyone's hard work is for one
thing - Children in Need. We will be | 0:01:15 | 0:01:20 | |
inviting you into some of the local
projects your donations support. | 0:01:20 | 0:01:28 | |
Children in Need could not survive
without your generosity, so thank | 0:01:28 | 0:01:31 | |
you. What better way to kick off the
show than with some of our | 0:01:31 | 0:01:36 | |
fund-raisers. # She's on my mind! | 0:01:36 | 0:01:48 | |
# She's on my mind, she's on my mind
# I can't sleep at night if she | 0:02:17 | 0:02:31 | |
ain't by my side # I can't sleep at
night if she ain't by my side # My | 0:02:31 | 0:02:41 | |
friends say she's a keeper, but I
let her go. | 0:02:41 | 0:02:49 | |
Is a new Carter in town, he is Jake
and he joined us to perform his new | 0:04:07 | 0:04:14 | |
single. | 0:04:14 | 0:04:15 | |
# She's got my heartbeat # It'
Friday night and we're still talking | 0:04:27 | 0:04:35 | |
# I turn around and see her walking
# There is no one but us in this | 0:04:35 | 0:04:43 | |
crowded room # So come on, girl, put
your hand in mine # We can dance, we | 0:04:43 | 0:04:51 | |
could go all night! # Come a little
closer # I just want to hold you # # | 0:04:51 | 0:05:07 | |
Makes me want to kiss you # Put your
hands all over # The music's getting | 0:05:07 | 0:05:19 | |
slower # It's time # I just want to
kiss you. # It's getting late we | 0:05:19 | 0:05:28 | |
should take us back to my place #
You lead the way, we could skip | 0:05:28 | 0:05:36 | |
first base, that's what she said to
my favourite tune # So come on girl, | 0:05:36 | 0:05:42 | |
put your hand in mine # We could
dance, we could go all night # Come | 0:05:42 | 0:05:53 | |
on a little closer # I just want to
hold you # The smell of you # Makes | 0:05:53 | 0:06:05 | |
me want to kiss you # Put your hands
all over # The music's getting | 0:06:05 | 0:06:14 | |
stronger # It's time to make my move
# I just want to kiss you # We don't | 0:06:14 | 0:06:19 | |
have to take this slow # Oh # Let's
go some place no one knows # | 0:06:19 | 0:06:43 | |
# Come a little closer # I just want
to hold you # The smell of your | 0:06:48 | 0:06:59 | |
perfume, it makes me want to kiss
you # Put your hands all over # The | 0:06:59 | 0:07:08 | |
music's getting slower # It's time
to make me move # I just want to | 0:07:08 | 0:07:13 | |
kiss you! CHEERING AND APPLAUSE.
Thank you. We will have another song | 0:07:13 | 0:07:23 | |
from Jake later. Now someone who
knows how important your donations | 0:07:23 | 0:07:27 | |
are, the boss of Children in Need
charity and I grabbed a quick chat | 0:07:27 | 0:07:33 | |
with her on Friday. Great fun but
the money makes a real difference, | 0:07:33 | 0:07:38 | |
tell us about Children in Need
Northern Ireland? Children in Need | 0:07:38 | 0:07:42 | |
has a very simple vision - it wants
to enable children to reach their | 0:07:42 | 0:07:47 | |
potential. We have 200 projects
taking place across Northern | 0:07:47 | 0:07:53 | |
Ireland, reaching upwards of 55,000
young people and to a value of £10 | 0:07:53 | 0:07:56 | |
million. The work is very targeted.
It is incredible. It is | 0:07:56 | 0:08:02 | |
wide-reaching and does make a
difference in children's lives. Were | 0:08:02 | 0:08:06 | |
you bowled over by the efforts of
fund-raisers? Yes we had loads of | 0:08:06 | 0:08:14 | |
children come through Broadcasting
House, but to hear what children | 0:08:14 | 0:08:17 | |
from the age of three upwards are
doing for Children in Need bowls me | 0:08:17 | 0:08:22 | |
over. The people of Northern Ireland
have been incredible. We have had | 0:08:22 | 0:08:25 | |
hundreds of children head to school,
they have pajamas on, their spots | 0:08:25 | 0:08:32 | |
on, they have baked cakes. There has
been incredible fund-raising taking | 0:08:32 | 0:08:36 | |
place. Whatever it was, people did
their thing. Last year we got just | 0:08:36 | 0:08:42 | |
over £950,000. What do you hope for
this year? We are always blown away | 0:08:42 | 0:08:51 | |
by the generosity of people across
Northern Ireland, it would be great | 0:08:51 | 0:08:56 | |
to reach the £900,000 again. But we
are pleased whether it is £5 or 20%, | 0:08:56 | 0:09:01 | |
just do your thing and we will be
very grateful and put it to good | 0:09:01 | 0:09:05 | |
use. Fantastic. Thank you. Fingers
crossed. Yes thank you. Your | 0:09:05 | 0:09:13 | |
donations make a difference to
projects across Northern Ireland | 0:09:13 | 0:09:15 | |
like this one just outside Belfast. | 0:09:15 | 0:09:20 | |
We have been boxing here since 1983
and it has gone from strength to | 0:09:28 | 0:09:33 | |
strength. From 2012 we have become
something different, more than a | 0:09:33 | 0:09:38 | |
boxing club. We brought together a
marriage of sport and education to | 0:09:38 | 0:09:43 | |
tackle some of the issue that are
facing this community and | 0:09:43 | 0:09:47 | |
particularly young people in the
community. Young people involved | 0:09:47 | 0:09:50 | |
with a lot of Social Services with
foster placements and face complex | 0:09:50 | 0:09:58 | |
drug and alcohol issues. The this
programme tries to engage parents | 0:09:58 | 0:10:02 | |
more in their child's education. So
we have a big emphasis on trying to | 0:10:02 | 0:10:08 | |
raise the bar in terms of
aspirations and put in projects to | 0:10:08 | 0:10:13 | |
help young people achieve their
potential at school. The breakfast | 0:10:13 | 0:10:21 | |
club is a saviour for parents who
struggle to provide a nutritious | 0:10:21 | 0:10:27 | |
breakfast each morning. We are able
to find this each morning. Some of | 0:10:27 | 0:10:32 | |
the young people never knew what it
was to have a good breakfast and | 0:10:32 | 0:10:36 | |
thousand they come in each morning,
which is really good. It has been a | 0:10:36 | 0:10:44 | |
real success story, he came from
Limerick, spoke with a different | 0:10:44 | 0:10:49 | |
accent, moved into a new community
and had no support networks, he came | 0:10:49 | 0:10:54 | |
to school and didn't engage the way
the teachers wanted him to. I | 0:10:54 | 0:11:01 | |
started school and got bullied, got
kicked out of class, hit stuff and | 0:11:01 | 0:11:07 | |
hit people. When I came to the club,
I was about six stone heavier, I | 0:11:07 | 0:11:14 | |
smoked, I did a lot of stuff I
shouldn't have. And just wasn't the | 0:11:14 | 0:11:20 | |
person that's sitting here today. I
was completely different. I was... | 0:11:20 | 0:11:25 | |
Angrier and more upset and more
violent. I calmed down and started | 0:11:25 | 0:11:33 | |
making friends and opened myself
more and started getting into boxing | 0:11:33 | 0:11:37 | |
and getting into the gym. I haven't
got into a fight in a year and a | 0:11:37 | 0:11:49 | |
half, I can control my anger and my
emotions. I got all the | 0:11:49 | 0:11:56 | |
qualifications to start to be a
Belfast Med for the boxing Academy. | 0:11:56 | 0:12:04 | |
They believed me, so I believed in
myself. Co-I could do it. Those | 0:12:04 | 0:12:09 | |
success stories make we want to get
up every day and come to this job. | 0:12:09 | 0:12:14 | |
We took a different approach, more a
youth work approach. We have smaller | 0:12:14 | 0:12:19 | |
class sizes. We see that benefits
them in terms of their learning. I | 0:12:19 | 0:12:25 | |
like coming, because you could come
in here and maybe drop off and go to | 0:12:25 | 0:12:32 | |
the gym. Three, four. You can come
half 1 and they help with your | 0:12:32 | 0:12:39 | |
homework and you can go to the gym
and do boxing and learn new things | 0:12:39 | 0:12:44 | |
for boxing and get fit. When I
started coming, I felt it was a safe | 0:12:44 | 0:12:49 | |
place for me, so I could come and
speak to Amy and Paul and the | 0:12:49 | 0:12:54 | |
leaders and it helped me build up my
confidence a lot. I think it is | 0:12:54 | 0:12:59 | |
important that Children in Need
keeps getting funded, because others | 0:12:59 | 0:13:05 | |
should be able to come and see the
impact it has on all the kids' | 0:13:05 | 0:13:09 | |
lives. This is not a job to me, this
is something I love doing, helping | 0:13:09 | 0:13:15 | |
young people achieve their potential
and through me and my staff and the | 0:13:15 | 0:13:20 | |
funding from Children in Need it has
made a massive impact on young | 0:13:20 | 0:13:24 | |
people's futures and hopefully that
can continue. | 0:13:24 | 0:13:36 | |
That's just one of the many groups
here in Northern Ireland where your | 0:13:38 | 0:13:43 | |
donations really make a difference.
So thank you. To keep them going, | 0:13:43 | 0:13:47 | |
why not do your thing for this
year's Children in Need? To find out | 0:13:47 | 0:13:51 | |
more and donate, go to BBC .co .uk
slash Pudsey. | 0:13:51 | 0:13:57 | |
We have another treat in store for
you from Friday night's | 0:14:01 | 0:14:05 | |
extravaganza. When the East End met
the West End in Albert Square. | 0:14:05 | 0:14:09 | |
Enjoy! | 0:14:09 | 0:14:14 | |
Member this is for Children in Need,
Pudsey is watching, give it some | 0:14:15 | 0:14:18 | |
welly, yeah? | 0:14:18 | 0:14:28 | |
Action! | 0:14:35 | 0:14:45 | |
Who will buy?
# Who will buy this wonderful | 0:14:51 | 0:15:02 | |
morning
# Such a sky you never did see. | 0:15:02 | 0:15:07 | |
# Who will tie it up in the ribbon
and put it in a box for me? | 0:15:07 | 0:15:20 | |
# Such a sky you never did see | 0:15:20 | 0:15:22 | |
# Who will tie it up with ribbon | 0:15:22 | 0:15:24 | |
# And put it in a box for me | 0:15:24 | 0:15:26 | |
# There'll never be a day so sunny | 0:15:26 | 0:15:28 | |
# It could not happen twice | 0:15:28 | 0:15:30 | |
# Where is the man
with all the money? | 0:15:30 | 0:15:32 | |
# It's cheap at half the price | 0:15:32 | 0:15:34 | |
# Who will buy
this wonderful feeling? | 0:15:34 | 0:15:35 | |
# I'm so high I swear I could fly | 0:15:35 | 0:15:38 | |
# Me, oh, my
I don't want to lose it | 0:15:38 | 0:15:40 | |
# There must be someone
who will buy! # | 0:15:40 | 0:15:42 | |
# I'm getting married in the morning | 0:15:42 | 0:15:44 | |
# Ding-dong, the bells
are gonna chime | 0:15:44 | 0:15:45 | |
# Pull out the stopper
Let's have a whopper | 0:15:45 | 0:15:48 | |
# But get me to the church on time | 0:15:48 | 0:15:54 | |
# He's getting married
in the morning | 0:15:54 | 0:15:57 | |
# Ding-dong, the bells
are gonna chime | 0:15:57 | 0:16:02 | |
# Pull out the stopper
Let's have a whopper | 0:16:02 | 0:16:06 | |
# But get me to the church
on time... # | 0:16:06 | 0:16:10 | |
# Get him to the church
Get him to the church | 0:16:10 | 0:16:28 | |
# For God's sake get him
to the church | 0:16:28 | 0:16:32 | |
# On time. # | 0:16:32 | 0:16:39 | |
# On my own | 0:16:46 | 0:16:49 | |
# Pretending he's beside me | 0:16:49 | 0:16:55 | |
# All alone | 0:16:55 | 0:16:58 | |
# I walk with him till morning | 0:16:58 | 0:17:05 | |
# Without him | 0:17:05 | 0:17:07 | |
# I feel his arms around me | 0:17:07 | 0:17:12 | |
# And when I lose my way
I close my eyes | 0:17:12 | 0:17:17 | |
# And he has found me | 0:17:17 | 0:17:20 | |
# I love him | 0:17:20 | 0:17:22 | |
# But every day I'm learning | 0:17:22 | 0:17:27 | |
# All my life
I've only been pretending | 0:17:27 | 0:17:34 | |
# Without me
His world will go on turning | 0:17:34 | 0:17:40 | |
# A world that's full of happiness
that I have never known | 0:17:40 | 0:17:48 | |
# I love him | 0:17:48 | 0:17:50 | |
# But only on my own. # | 0:17:50 | 0:17:59 | |
# Over the rooftops | 0:17:59 | 0:18:03 | |
# Over the rooftops | 0:18:03 | 0:18:06 | |
# Over the rooftops step in time | 0:18:07 | 0:18:16 | |
# Over the rooftops
step in time... # Oi! | 0:18:16 | 0:18:21 | |
Turn it in! What's the matter
with you? | 0:18:21 | 0:18:23 | |
Liberty. | 0:18:23 | 0:18:26 | |
# Over the rooftops, step in time | 0:18:26 | 0:18:31 | |
# Kick your knees up, step in time
Kick your knees up, step in time | 0:18:31 | 0:18:34 | |
# Never need a reason
Never need a rhyme | 0:18:34 | 0:18:37 | |
# Kick your knees up, step in time | 0:18:37 | 0:18:43 | |
# Ohhhh | 0:18:43 | 0:18:44 | |
# Step in time, step in time | 0:18:44 | 0:18:45 | |
# Step, step, step | 0:18:45 | 0:18:46 | |
# Step in time, step in time | 0:18:46 | 0:18:48 | |
# Step, step, step | 0:18:48 | 0:18:49 | |
# Never need a reason
Never need a rhyme | 0:18:49 | 0:18:54 | |
# Step, step, step-step, step-step | 0:18:54 | 0:18:57 | |
# Step, step, step, step
Step-step step-step step-step | 0:18:57 | 0:19:01 | |
# Never need a reason
Step in time! # | 0:19:01 | 0:19:08 | |
# One day more | 0:19:08 | 0:19:11 | |
# Another day, another destiny | 0:19:11 | 0:19:14 | |
# This neverending road to Calvary | 0:19:14 | 0:19:18 | |
# These men who seem to know my
crime will surely come a second time | 0:19:18 | 0:19:22 | |
# One day more
Tomorrow you'll be worlds away | 0:19:22 | 0:19:28 | |
# And yet with you my
world has started | 0:19:28 | 0:19:37 | |
# One more day all on my own | 0:19:37 | 0:19:40 | |
# Will we ever meet again | 0:19:40 | 0:19:43 | |
# One more day with him not caring | 0:19:43 | 0:19:47 | |
# I was born to be with you | 0:19:47 | 0:19:50 | |
# What a life I might have known | 0:19:50 | 0:19:53 | |
# And I swear I will be true | 0:19:53 | 0:19:57 | |
# But he never saw me there | 0:19:57 | 0:20:06 | |
# Tomorrow we'll discover what
our God in heaven has in store | 0:20:06 | 0:20:12 | |
# One more dawn | 0:20:12 | 0:20:15 | |
# One more day | 0:20:15 | 0:20:18 | |
# One day more! # | 0:20:18 | 0:20:28 | |
APPLAUSE
CHEERING | 0:20:33 | 0:20:39 | |
Smashing stuff from the cast of
Eastenders. And from one talented | 0:20:39 | 0:20:43 | |
bunch to another. Our very own
superstars. It's the Children in | 0:20:43 | 0:20:48 | |
Need Northern Ireland choir. We
can't thank them enough for all | 0:20:48 | 0:20:50 | |
their hard work putting together
this year's special song. Earlier | 0:20:50 | 0:20:54 | |
this month we sent our cameras and
Pudsey out to see them all | 0:20:54 | 0:20:58 | |
rehearsing. Well, to Erne integrated
College, this is where we've been | 0:20:58 | 0:21:06 | |
rehearsing, come and have a listen.
# Somewhere Over The Rainbow way up | 0:21:06 | 0:21:13 | |
high
# Rehearsals are going well, there | 0:21:13 | 0:21:19 | |
are still bit of harmonies we have
to work on but so far they are | 0:21:19 | 0:21:22 | |
really good. Welcome to Ballyclare.
# Somewhere Over The Rainbow way up | 0:21:22 | 0:21:34 | |
high
# Dares overland that I heard of | 0:21:34 | 0:21:38 | |
ones in the lullaby -- there is a
land. APPLAUSE | 0:21:38 | 0:21:47 | |
It's really fun because we go to
different competitions and it | 0:21:47 | 0:21:53 | |
doesn't matter if you win or lose,
it's just really fun to do. The | 0:21:53 | 0:21:57 | |
thing I'm most looking forward to is
singing for the charity and people | 0:21:57 | 0:22:01 | |
in need, just to sing for all my
friends. Welcome to choir rehearsals | 0:22:01 | 0:22:08 | |
at Regent house School. And the
dreams that you dare to dream really | 0:22:08 | 0:22:15 | |
do come true. It's been a dream of
mine since I was in peaceniks, | 0:22:15 | 0:22:25 | |
because I watched every year since I
was small, I wondered however run | 0:22:25 | 0:22:28 | |
got in and what it was like to be
their live on TV. Just getting out | 0:22:28 | 0:22:31 | |
there and singing, I might see
Pudsey or anything... | 0:22:31 | 0:22:40 | |
# Dreams that you dare to dream
really do come true #. | 0:22:40 | 0:22:48 | |
Welcome to holy family primary in
Derry. Jedinak I watched Children in | 0:22:48 | 0:22:56 | |
Need every year and I'm finally
going to get my chance. Rehearsals | 0:22:56 | 0:22:59 | |
are going good. Welcome to killing
she primary | 0:22:59 | 0:23:08 | |
I'm really excited about getting to
go on TV and seeing all the other | 0:23:16 | 0:23:20 | |
choirs to see how good they are.
It's just fun to get together with | 0:23:20 | 0:23:30 | |
all my friends and just sing. There
is going to be lots of different | 0:23:30 | 0:23:40 | |
choirs, there's going to be, I
think, and I'm praying there's going | 0:23:40 | 0:23:44 | |
to be celebrities as well. Northern
Ireland will be better because we | 0:23:44 | 0:23:51 | |
are the best people. We'll be the
best because we practice so hard I | 0:23:51 | 0:23:55 | |
tried our best. The Children in Need
Northern Ireland choir are going to | 0:23:55 | 0:23:58 | |
be the best out of all the choirs,
we're going to smash it. Later on, | 0:23:58 | 0:24:05 | |
we'll bring you the fruits of their
labour with a stunning performance | 0:24:05 | 0:24:09 | |
of somewhere Over The Rainbow.
First, more from our fundraisers. | 0:24:09 | 0:24:14 | |
In the arcade game Pac man what
colour to the ghosts have to be for | 0:24:42 | 0:24:46 | |
Pac man to be able to eat them? | 0:24:46 | 0:24:52 | |
Three, two, one... Go! | 0:24:59 | 0:25:05 | |
Thank you very much for braving the
elements and coming out, it's very | 0:25:24 | 0:25:29 | |
much appreciated, Pudsey especially
appreciate it. | 0:25:29 | 0:25:33 | |
Pudsey, Pudsey, Pudsey! | 0:26:17 | 0:26:19 | |
Let's take a look back at some
Friday's spectacular show. | 0:26:36 | 0:26:42 | |
# I choose me | 0:27:12 | 0:27:15 | |
# And I know
that's selfish, love | 0:27:15 | 0:27:17 | |
# You are a dream | 0:27:17 | 0:27:19 | |
# And I can't thank you enough | 0:27:19 | 0:27:23 | |
# But I give another
piece of me away | 0:27:23 | 0:27:27 | |
# Every waking day that I'm with you | 0:27:27 | 0:27:32 | |
# Am I a monster? | 0:27:32 | 0:27:35 | |
# What will your family think of me? | 0:27:35 | 0:27:37 | |
# They brought me in | 0:27:37 | 0:27:39 | |
# They helped me out with everything | 0:27:39 | 0:27:43 | |
# But I give a little
piece of me away | 0:27:43 | 0:27:46 | |
# Every single day | 0:27:46 | 0:27:52 | |
# So I pick up the pieces | 0:27:52 | 0:27:55 | |
# I get on the midnight
train | 0:27:55 | 0:27:57 | |
# I got my reasons | 0:27:57 | 0:28:00 | |
# But darling I can't explain | 0:28:00 | 0:28:03 | |
# I'll always love you | 0:28:03 | 0:28:07 | |
# But tonight's the night
I choose to walk away | 0:28:07 | 0:28:13 | |
# Ba-ba doo, ba-ba doo-oo | 0:28:13 | 0:28:17 | |
# Oh-oh | 0:28:17 | 0:28:17 | |
# Ba-ba doo, ba-ba doo-oo | 0:28:17 | 0:28:27 | |
# Love you so much | 0:28:32 | 0:28:34 | |
# That I have to let you go | 0:28:34 | 0:28:37 | |
# I'll miss your touch | 0:28:37 | 0:28:39 | |
# And the secrets we both know | 0:28:39 | 0:28:44 | |
# But it would be
wrong for me to stay | 0:28:44 | 0:28:47 | |
# And I'll just give you hope | 0:28:47 | 0:28:52 | |
# So I pick up the pieces | 0:28:52 | 0:28:54 | |
# I get on the midnight
train | 0:28:54 | 0:28:57 | |
# I got my reasons | 0:28:57 | 0:28:59 | |
# But darling I can't explain | 0:28:59 | 0:29:01 | |
# I'll always love you | 0:29:01 | 0:29:05 | |
# But tonight's the night
I choose to walk away | 0:29:05 | 0:29:11 | |
# I can't stop crying | 0:29:11 | 0:29:14 | |
# I hate that
I've caused you pain | 0:29:14 | 0:29:17 | |
# But I can't deny it | 0:29:17 | 0:29:18 | |
# I just don't feel the same | 0:29:18 | 0:29:21 | |
# I'll always love you | 0:29:21 | 0:29:24 | |
# But tonight's the night
I choose to walk away | 0:29:24 | 0:29:32 | |
# Ba-ba doo, ba-ba doo-oo | 0:29:32 | 0:29:36 | |
# Oh-ooh | 0:29:36 | 0:29:37 | |
# Ba-ba doo, ba-ba doo-oo | 0:29:37 | 0:29:47 | |
# And so I pick up the pieces | 0:29:52 | 0:29:56 | |
# I get on the midnight
train | 0:29:56 | 0:29:58 | |
# I got my reasons | 0:29:58 | 0:30:00 | |
# But darling I can't explain | 0:30:00 | 0:30:04 | |
# I'll always love you | 0:30:04 | 0:30:09 | |
# But tonight's the night
I choose to walk away.# | 0:30:09 | 0:30:18 | |
CHEERING AND APPLAUSE. | 0:30:22 | 0:30:27 | |
Your efforts, donations and kindness
do bring light into the darkness for | 0:30:30 | 0:30:35 | |
many children right across Northern
Ireland. Children like Noah and | 0:30:35 | 0:30:40 | |
Gracie. Doing well Noah. Looking at
him, you wouldn't have thought there | 0:30:40 | 0:30:49 | |
was anything wrong with him. He
maybe had an unsteady gait. But | 0:30:49 | 0:30:55 | |
apart from that he was perfectly
normal. Eight years ago Noah was | 0:30:55 | 0:31:05 | |
diagnosed with a rare form of a life
limited knew logical disease that | 0:31:05 | 0:31:20 | |
has affected every part of his life.
I think he would have been an | 0:31:20 | 0:31:26 | |
athletic young boy and sociable. I
could imagine him coming in, | 0:31:26 | 0:31:30 | |
throwing the football boots down and
those normal things that you just | 0:31:30 | 0:31:36 | |
really take for granted. | 0:31:36 | 0:31:47 | |
We watch Noah and he is starting to
lose his abilities. | 0:31:55 | 0:32:09 | |
Noah's sister, Gracie,
has witnessed her brother's decline. | 0:32:15 | 0:32:17 | |
As Noah's condition deteriorates
and he gets worse, it | 0:32:17 | 0:32:19 | |
affects our whole family. | 0:32:19 | 0:32:20 | |
Instead of moving towards life,
you're moving towards... | 0:32:20 | 0:32:22 | |
you know, this... | 0:32:22 | 0:32:25 | |
death. | 0:32:25 | 0:32:31 | |
A year after Noah was diagnosed,
our social worker said | 0:32:31 | 0:32:34 | |
to us about a hospice,
Horizon House. | 0:32:34 | 0:32:38 | |
I think initially we were like
petrified, weren't we? | 0:32:38 | 0:32:40 | |
It was just the word "hospice"
and what that meant. | 0:32:40 | 0:32:43 | |
We did go to Horizon House. | 0:32:43 | 0:32:46 | |
And it was just such
a fun place to be. | 0:32:46 | 0:32:51 | |
Horizon House is supported
by your donations and for the past | 0:32:51 | 0:32:53 | |
seven years, they have been
by Noah's side, giving him | 0:32:53 | 0:32:56 | |
and his family vital support,
a sense of normality and most | 0:32:56 | 0:33:00 | |
of all fun. | 0:33:00 | 0:33:06 | |
THEY LAUGH Noah! | 0:33:06 | 0:33:07 | |
Get her! | 0:33:07 | 0:33:08 | |
Get her! | 0:33:08 | 0:33:09 | |
Put it down. | 0:33:09 | 0:33:11 | |
The nurses are amazing. | 0:33:11 | 0:33:13 | |
And it's fun. | 0:33:13 | 0:33:15 | |
The children just do so much
together when they are there, | 0:33:15 | 0:33:18 | |
you know, they love it. | 0:33:18 | 0:33:23 | |
Gracie's been going for as long
as Noah's been going. | 0:33:23 | 0:33:30 | |
Leukodystrophy is
a genetic condition. | 0:33:30 | 0:33:35 | |
And a year after Noah's diagnosis,
the family discovered | 0:33:35 | 0:33:37 | |
that Gracie had it, too. | 0:33:37 | 0:33:44 | |
When we found out Gracie
had it, it was just | 0:33:44 | 0:33:46 | |
devastating all over again. | 0:33:46 | 0:33:49 | |
It's a very, very cruel disease. | 0:33:49 | 0:33:52 | |
She's watched Noah, so for her... | 0:33:52 | 0:33:58 | |
..to be watching that,
there's no words to describe | 0:33:58 | 0:34:00 | |
the heartache that you feel. | 0:34:00 | 0:34:06 | |
We had so many hopes and dreams
for what our family life | 0:34:06 | 0:34:09 | |
was going to be like before. | 0:34:09 | 0:34:11 | |
You know, you think about things
that people take for granted, | 0:34:11 | 0:34:14 | |
like your children going
to university, meeting a wee | 0:34:14 | 0:34:16 | |
girlfriend or boyfriend,
getting married and... | 0:34:16 | 0:34:23 | |
Yeah... | 0:34:23 | 0:34:27 | |
That's just...the kind of life that
you wanted for them. | 0:34:27 | 0:34:36 | |
Horizon House is one of many groups
in Northern Ireland, where your | 0:34:45 | 0:34:49 | |
donations do make a difference. So
thank you. To keep this great work | 0:34:49 | 0:34:54 | |
going, why not doing your thing for
Children in Need. To find out more | 0:34:54 | 0:34:59 | |
and to donate go to the web-site.
You do make a difference to | 0:34:59 | 0:35:08 | |
children's lives so thank you. We at
the BBC can't can you to do your | 0:35:08 | 0:35:12 | |
thing without doing it ourselves.
Last week five BBC presenters | 0:35:12 | 0:35:17 | |
squared up in our own team and put
their eggs in one basket for a | 0:35:17 | 0:35:22 | |
cracking challenge. Welcome to the
omelette challenge and we have | 0:35:22 | 0:35:31 | |
thrown them the challenge of a
two-egg omelette. And Michael's | 0:35:31 | 0:35:36 | |
going to judge it and he will know
when enough's enough when tasting | 0:35:36 | 0:35:42 | |
these. A wee practice. You did not?
Karen said I had thrown down the | 0:35:42 | 0:35:50 | |
spatula. I think he is trying to
psyche us out. We had a shell. They | 0:35:50 | 0:36:01 | |
were excellent. You can use two
hands. Listen to that noise. Try not | 0:36:01 | 0:36:11 | |
to let any of it stick. She is going
to give us our time, Nicola is going | 0:36:11 | 0:36:22 | |
to tell us when you're finished. No.
Take a bit longer. There is about 10 | 0:36:22 | 0:36:32 | |
seconds difference between an
omelette and scrambled eggs. Done! | 0:36:32 | 0:36:41 | |
Spillage, Jenny, note the spillage.
Come on egg, cook clam! That will | 0:36:46 | 0:36:57 | |
do. Oh! In the pan. Knoll, in the
pan. I wouldn't advice. What does he | 0:36:57 | 0:37:09 | |
know? | 0:37:09 | 0:37:17 | |
A bit heavier on the seasoning than
even me. Oh, yeah. That is it. Go! | 0:37:22 | 0:37:37 | |
Oh! Look at us go! All right. It is
not Strictly, you know that. Not yet | 0:37:37 | 0:37:48 | |
it's not. You have got to go your
own. I'm all about taste not haste. | 0:37:48 | 0:37:56 | |
All about taste. This one's for you.
With all my love. This is the | 0:37:56 | 0:38:03 | |
stunning trophy for the winner of
the omelette challenge. I didn't | 0:38:03 | 0:38:07 | |
want to beat Noel, because I look up
to him. Very high in the seasoning. | 0:38:07 | 0:38:12 | |
That was one minute 26, that was the
slowest. One minute 23. Looks quite | 0:38:12 | 0:38:20 | |
a nice colour. One minute 21
seconds. It is quite well seasoned. | 0:38:20 | 0:38:28 | |
This one is one 18 and looks quite
nice. This is the best cooked. | 0:38:28 | 0:38:40 | |
I think it will have to go to one
17, because of the speed. | 0:38:44 | 0:38:58 | |
Congratulations. Well done. Well I'm
not sure I would have sampled any of | 0:38:58 | 0:39:09 | |
those, but thank you to everyone for
taking part. Now, the treats just | 0:39:09 | 0:39:15 | |
keep on coming. Don't they Barra?
Are you there? I'm here. A double | 0:39:15 | 0:39:22 | |
treat from Friday night with not one
but two sneaky peaks at up coming | 0:39:22 | 0:39:28 | |
Christmas specials. Enjoy Peter
Kay's Christmas Car Share and Doctor | 0:39:28 | 0:39:36 | |
Who. Let's get out, I lookry doibg
Lues. -- ridiculous. | 0:39:36 | 0:39:55 | |
Car Share is back,
but not as you know it. | 0:39:56 | 0:39:58 | |
# Ever fallen in love with... | 0:39:58 | 0:40:00 | |
# We decided to try
something special. | 0:40:00 | 0:40:01 | |
What would it be like if we filmed
a whole journey without a script, | 0:40:01 | 0:40:05 | |
just making it up and basically
seeing what happened. | 0:40:05 | 0:40:07 | |
# ..you shouldn't have
fallen in love with... | 0:40:07 | 0:40:09 | |
# I can do Heather Small. | 0:40:09 | 0:40:10 | |
Go on, then. | 0:40:10 | 0:40:11 | |
STARTS TO SING CROAKILY
That's Miss Piggy! | 0:40:11 | 0:40:13 | |
I can't do this any more. | 0:40:13 | 0:40:20 | |
You might be in for a sur... | 0:40:20 | 0:40:22 | |
My Tardis! | 0:40:22 | 0:40:23 | |
Look at my Tardis! | 0:40:23 | 0:40:24 | |
This is impossible. | 0:40:24 | 0:40:25 | |
Have I been burgled? | 0:40:25 | 0:40:26 | |
It's... But it's... | 0:40:26 | 0:40:27 | |
Hideous! | 0:40:27 | 0:40:28 | |
..bigger on the inside
than it is on the outside. | 0:40:28 | 0:40:31 | |
You know, I thought it probably was. | 0:40:31 | 0:40:33 | |
Glad it's not just me. | 0:40:33 | 0:40:34 | |
What is this place? This place is,
or ought to be, | 0:40:34 | 0:40:36 | |
my Tardis. | 0:40:36 | 0:40:41 | |
Technically, that is your Tardis. | 0:40:41 | 0:40:45 | |
It's about 70 feet that way. See? | 0:40:45 | 0:40:48 | |
Always remember where you parked.
It's going to come up a lot. | 0:40:48 | 0:40:51 | |
Is this madness? | 0:40:51 | 0:40:52 | |
Am I going mad? | 0:40:52 | 0:40:54 | |
Madness? | 0:40:54 | 0:40:57 | |
Well, you're an officer from
World War I at the South Pole | 0:40:57 | 0:41:00 | |
being pursued by an alien
through frozen time. | 0:41:00 | 0:41:01 | |
Mmm. | 0:41:01 | 0:41:03 | |
Madness was never this good. | 0:41:03 | 0:41:04 | |
World War One. | 0:41:04 | 0:41:07 | |
Judging by the uniform, yes. | 0:41:07 | 0:41:09 | |
Yes, but... | 0:41:09 | 0:41:11 | |
What do you mean, one? | 0:41:11 | 0:41:16 | |
Oh, sorry. Spoilers. | 0:41:16 | 0:41:18 | |
Enough of this! | 0:41:18 | 0:41:19 | |
Who are you? | 0:41:19 | 0:41:22 | |
Er...you know who I am. | 0:41:22 | 0:41:24 | |
You knew the moment you saw me. | 0:41:24 | 0:41:26 | |
I'd say stop being an idiot,
but I kind of know what's coming. | 0:41:26 | 0:41:29 | |
I assure you, I do not have
the faintest idea who you are. | 0:41:29 | 0:41:33 | |
Well...I know who you are. | 0:41:33 | 0:41:37 | |
Is anyone going to explain
what's going on? | 0:41:37 | 0:41:40 | |
Snap. | 0:41:40 | 0:41:45 | |
You are me? | 0:41:46 | 0:41:48 | |
No. | 0:41:48 | 0:41:49 | |
No! Yes. | 0:41:49 | 0:41:51 | |
Yes. I'm very much afraid so. | 0:41:51 | 0:41:54 | |
Do I become...you? | 0:41:54 | 0:41:58 | |
Well, there's a few false starts,
but you get there in the end. | 0:41:58 | 0:42:01 | |
But I thought... | 0:42:01 | 0:42:05 | |
What? Well, I assumed
that I'd get... | 0:42:05 | 0:42:09 | |
..younger. | 0:42:09 | 0:42:10 | |
I am younger! | 0:42:10 | 0:42:16 | |
CHEERING AND APPLAUSE. Of course you
will have to wait until Christmas | 0:42:18 | 0:42:27 | |
for those treats, but you don't have
to wait for another sing from Jake | 0:42:27 | 0:42:31 | |
Carter. He was having a party with
us on Friday night. | 0:42:31 | 0:42:36 | |
# From over here | 0:42:45 | 0:42:50 | |
# Can I get a guitar sound? Let's
sing it up loud # Tonight we're | 0:43:02 | 0:43:12 | |
having a party, yeah # Come on girl,
swing your body, yeah # Think about | 0:43:12 | 0:43:19 | |
this, think about that, take one
step forward and two steps back # | 0:43:19 | 0:43:25 | |
Tonight we're having a party #
Listen now # # What's that you're | 0:43:25 | 0:43:37 | |
drinking, can I buy you another one?
I can't help myself # Those lips are | 0:43:37 | 0:43:44 | |
mine your hand holding me tight # We
are going to dance all night # So | 0:43:44 | 0:43:52 | |
I'm going to lay it down # Can I get
a guitar sound? Get it down # Sing | 0:43:52 | 0:44:00 | |
it up # Tonight we're having a
party, yeah # Come on girl, swing | 0:44:00 | 0:44:08 | |
your body, yeah, think about this,
think about that, take one step | 0:44:08 | 0:44:12 | |
forward and two steps back # Tonight
we are having a party, yeah # So go | 0:44:12 | 0:44:31 | |
and grab your coat and go some place
nobody knows, it is just you and me | 0:44:31 | 0:44:38 | |
# No one else can see under these
stars tonight # Oh! | 0:44:38 | 0:45:02 | |
# Tonight we're having a party, yeah
# Come on girl, swing your body | 0:45:02 | 0:45:10 | |
# Move it like this, move it like
that, taking one step forward and | 0:45:10 | 0:45:14 | |
two steps back
# Tonight we're having a party | 0:45:14 | 0:45:24 | |
# In this town
# #. | 0:45:24 | 0:45:37 | |
Thank you. Jake's new album is out
now. Next, we're off to Mid Ulster | 0:45:37 | 0:45:49 | |
to a project funded by your
donations. A project with its own | 0:45:49 | 0:45:54 | |
celebrity friend. | 0:45:54 | 0:45:57 | |
This is a programme funded by
Children in Need. The project | 0:46:05 | 0:46:09 | |
operates with up to 20 young people
with ten children with a disability | 0:46:09 | 0:46:14 | |
and ten children without a
disability. To develop their | 0:46:14 | 0:46:18 | |
artistic skills. And develop their
communication skills through the | 0:46:18 | 0:46:21 | |
arts. To remove that stigma that
surrounds disability, and to | 0:46:21 | 0:46:27 | |
increase understanding for those
children without a disability, what | 0:46:27 | 0:46:31 | |
is it like to have a disability.
I've been doing this for three | 0:46:31 | 0:46:36 | |
years. Everybody comes and get
involved. They communicate with | 0:46:36 | 0:46:43 | |
everybody else and come out of their
shell. Somewhere they can be | 0:46:43 | 0:46:48 | |
themselves and express themselves
and with all the creativity and | 0:46:48 | 0:46:52 | |
communication and confidence, that's
all they need. I love all the dance. | 0:46:52 | 0:46:58 | |
My favourite part, I get to dance.
We work with them through drama and | 0:46:58 | 0:47:08 | |
dance. Music. There's nothing like
it, nothing like it in the Mid | 0:47:08 | 0:47:12 | |
Ulster area. We are extremely proud
to have been given the fund, to | 0:47:12 | 0:47:17 | |
deliver a project that does make
such a difference to young people. I | 0:47:17 | 0:47:21 | |
like to spend time with my friends,
they make me smile. They do their | 0:47:21 | 0:47:27 | |
own drama performances and create
their own pieces, which they then | 0:47:27 | 0:47:30 | |
perform on stage to family and
friends at the end of the programme. | 0:47:30 | 0:47:33 | |
Yes! John has been a good friend of
our organisation for about eight | 0:47:33 | 0:47:41 | |
years. And we're... That
relationship has grown over the | 0:47:41 | 0:47:46 | |
years. He's been a huge support. He
really gets everything that we do, | 0:47:46 | 0:47:53 | |
we try to make a difference, he gets
that. He has great empathy with | 0:47:53 | 0:47:59 | |
children and young people. I came
down to work with the kids to give | 0:47:59 | 0:48:02 | |
them some workshops, musical theatre
workshops, | 0:48:02 | 0:48:04 | |
them some workshops, musical theatre
workshops, to help develop their | 0:48:04 | 0:48:06 | |
performance goals. | 0:48:06 | 0:48:07 | |
workshops, to help develop their
performance goals. And their social | 0:48:07 | 0:48:09 | |
skills in a way. It is more
inspiring for me to come here than | 0:48:09 | 0:48:14 | |
it is for them. What they do here is
really unique. Really if everybody | 0:48:14 | 0:48:24 | |
could come here and spend just one
day, just one day, you would realise | 0:48:24 | 0:48:30 | |
how important Children in Need and
the funding and the money that is | 0:48:30 | 0:48:34 | |
given is. A tiny donation goes a
long way in changing a young | 0:48:34 | 0:48:42 | |
person's life. So please continue to
give. Please. The difference is that | 0:48:42 | 0:48:48 | |
we see in the children is massive,
it's not just about a ten or 12 week | 0:48:48 | 0:48:54 | |
project, it's about the legacy those
children are going to carry on with | 0:48:54 | 0:48:57 | |
them for the rest of their lives,
which is huge. And for that we're | 0:48:57 | 0:49:02 | |
so, so to Children in Need. -- so
grateful to Children in Need. | 0:49:02 | 0:49:10 | |
Now you've met some of the wonderful
young people here. Some of these | 0:49:10 | 0:49:15 | |
kids may be disabled but they are
very much willing and able to learn, | 0:49:15 | 0:49:20 | |
to develop, and to grow. So do your
thing for Children in Need. If you | 0:49:20 | 0:49:26 | |
are willing and able, please pick up
the phone and donate. For more | 0:49:26 | 0:49:33 | |
information on how to donate, go to
the website. Do your thing. | 0:49:33 | 0:49:40 | |
Now every year BBC Countryfile
mobilises thousands of ramblers | 0:49:43 | 0:49:49 | |
across the UK, all walking for
Children in Need. This year John | 0:49:49 | 0:49:53 | |
Craven met up with our local
Ramblers at one of Northern | 0:49:53 | 0:49:57 | |
Ireland's most scenic walking
sports. Let's go... | 0:49:57 | 0:50:03 | |
My ramble took me to the foot of
Northern Ireland's Mourne Mountains, | 0:50:04 | 0:50:10 | |
to the Castlewellan Forest Park.
More than 1000 acres of glorious | 0:50:10 | 0:50:14 | |
landscape, perfect for observing
nature. In the shadow of this | 0:50:14 | 0:50:20 | |
magnificent castle there is a very
special outdoor event taking place. | 0:50:20 | 0:50:26 | |
Isn't there? Yes! The Countryfile
ramble for Children in Need in | 0:50:26 | 0:50:31 | |
Northern Ireland. Is everybody ready
to ramble? Let's go! | 0:50:31 | 0:50:35 | |
My ramble is designed to be
accessible to everyone. Starting and | 0:50:37 | 0:50:42 | |
ending beside the castle, we'll
follow a circular trailer almost two | 0:50:42 | 0:50:47 | |
and a half miles long around the
estate's rust natural lake. Today's | 0:50:47 | 0:50:52 | |
Ramblers have joined us from across
Northern Ireland, all walking to | 0:50:52 | 0:50:56 | |
raise money for charities close to
their hearts. Pity it has been | 0:50:56 | 0:51:01 | |
drizzling a bit today. Where
Northern Irish, this is our | 0:51:01 | 0:51:05 | |
sunshine, we quite like it. He's
doing it the easy way, isn't it? For | 0:51:05 | 0:51:13 | |
some of our Ramblers, this event is
even more personal. People like | 0:51:13 | 0:51:20 | |
Ashley Robinson. Children in Need is
helping her through a project 25 | 0:51:20 | 0:51:24 | |
miles away. Hello. Why have you come
on the ramble today? I felt like I | 0:51:24 | 0:51:32 | |
needed to be on the ramble. I feel
that it's important for me to do the | 0:51:32 | 0:51:38 | |
ramble even though I've got special
needs and stuff. Walking does make | 0:51:38 | 0:51:42 | |
it quite hard, but I'm going fine
and if I need to stop I'll stop. | 0:51:42 | 0:51:48 | |
Stop if you feel you have too. She
is affected by Williams syndrome, a | 0:51:48 | 0:51:53 | |
genetic condition which can lead to
medical problems including | 0:51:53 | 0:51:56 | |
cardiovascular disease and it can
also cause learning difficulties. | 0:51:56 | 0:52:01 | |
She is helped by the yes programme
won by the YMCA. She and her friends | 0:52:01 | 0:52:07 | |
from the group have all come along
to join in the ramble. | 0:52:07 | 0:52:11 | |
The programme is funded by Children
in Need, it gives young people with | 0:52:16 | 0:52:20 | |
special needs and learning
difficulties the chance to take part | 0:52:20 | 0:52:24 | |
in activities they wouldn't normally
have access to. With Williams | 0:52:24 | 0:52:29 | |
syndrome, something like canoeing
would be impossible for Ashley | 0:52:29 | 0:52:32 | |
without their support. Being on the
canoes today was very fun. It was | 0:52:32 | 0:52:43 | |
unreal. As you could probably see,
my strength with the canoe was not | 0:52:43 | 0:52:49 | |
good. The paddling was difficult.
People with Williams syndrome have | 0:52:49 | 0:52:56 | |
to deal with their tiredness. The
programme not only get them | 0:52:56 | 0:53:01 | |
outdoors, it also provides life
skills and promotes independence. | 0:53:01 | 0:53:06 | |
Youth worker Johnny Hill sees
first-hand how it transforms lives. | 0:53:06 | 0:53:10 | |
It offers respite for the family but
aside from that it's a great place | 0:53:10 | 0:53:14 | |
for the young people to learn and do
new things, to try new activities, | 0:53:14 | 0:53:19 | |
do stuff they don't always get the
opportunity to do. Ashley's | 0:53:19 | 0:53:24 | |
condition isn't just physical, it
also affects her social | 0:53:24 | 0:53:27 | |
interactions, leaving her unable to
go out alone. A safe space to mix | 0:53:27 | 0:53:31 | |
with others of her own age is
critical. Big smiles! The changes | 0:53:31 | 0:53:36 | |
I've seen in her, she's getting more
involved in different things. She's | 0:53:36 | 0:53:41 | |
so social, she's one of the people
who travels around the centre and is | 0:53:41 | 0:53:46 | |
friends with everybody. Above all,
the Yes programme offers young | 0:53:46 | 0:53:52 | |
people like Aisling a lifeline
against lowliness. It's good to feel | 0:53:52 | 0:53:55 | |
good about yourself and not let
comments get you down. On the way | 0:53:55 | 0:54:06 | |
you affected by Williams syndrome.
They don't judge us whatsoever. With | 0:54:06 | 0:54:11 | |
her Williams syndrome, the distance
is taking its toll on Aisling. My | 0:54:11 | 0:54:16 | |
back was starting to hurt so I had
to let her sit down. Get a chocolate | 0:54:16 | 0:54:21 | |
bar into me. That's why I was a bit
behind. A chopper bar has done a bit | 0:54:21 | 0:54:28 | |
of wonder has it? Yeah. Lets try and
catch up with the others shall we? | 0:54:28 | 0:54:35 | |
She's fiercely determined but a
short while later she is exhausted | 0:54:35 | 0:54:39 | |
and decides to hitch a lift in the
support vehicle. Even though she is | 0:54:39 | 0:54:44 | |
too tired to continue, Aisling is
determined to be there for her | 0:54:44 | 0:54:49 | |
friends from Yes at the finish line. | 0:54:49 | 0:54:53 | |
CHEERING | 0:54:57 | 0:55:07 | |
How are you now? Are you all | 0:55:07 | 0:55:10 | |
Well done yes. Here's to Children in
Need! | 0:55:13 | 0:55:18 | |
To donate £10, text the word
donates... | 0:55:21 | 0:55:24 | |
Well, as well as our Ramblers many
more of you do your thing for | 0:55:38 | 0:55:43 | |
Children in Need each and every
year. Come on, what's wrong with | 0:55:43 | 0:55:47 | |
you? Come on... | 0:55:47 | 0:55:50 | |
We're on our way. I've got my gavel
here. A meet and greet the 24th of | 0:57:27 | 0:57:35 | |
March with 100 quid. The best six
bids we get we'll take them. | 0:57:35 | 0:57:45 | |
More music from Friday night. This
year's official Children in Need | 0:58:17 | 0:58:24 | |
single, sung by Katie Melua. It is
Fields of Gold. | 0:58:24 | 0:58:29 | |
# Ooh | 0:58:38 | 0:58:48 | |
# You'll remember me
when the west wind moves | 0:58:49 | 0:58:54 | |
# Among the fields of barley | 0:58:54 | 0:59:03 | |
# You can tell the sun
in his jealous sky | 0:59:03 | 0:59:08 | |
# When we walked in fields of gold | 0:59:08 | 0:59:15 | |
# So she took her love
for to gaze awhile | 0:59:15 | 0:59:21 | |
# Among the fields of barley | 0:59:21 | 0:59:26 | |
# In his arms she fell
as her hair came down | 0:59:26 | 0:59:34 | |
# Among the fields of gold | 0:59:34 | 0:59:40 | |
# Will you stay with me?
Will you be my love | 0:59:40 | 0:59:46 | |
# Among the fields of barley? | 0:59:46 | 0:59:51 | |
# You can tell the sun
in his jealous sky | 0:59:51 | 0:59:58 | |
# When we walked in fields of gold | 0:59:58 | 1:00:06 | |
# I never made promises lightly | 1:00:06 | 1:00:13 | |
# And there have been some
that I've broken | 1:00:13 | 1:00:19 | |
# But I swear in the days still left | 1:00:19 | 1:00:25 | |
# We'll walk in fields of gold | 1:00:25 | 1:00:29 | |
# We'll walk in fields of gold | 1:00:29 | 1:00:37 | |
# Ooh | 1:00:37 | 1:00:46 | |
# Many years have passed
since those summer days | 1:00:48 | 1:00:56 | |
# Among the fields of barley | 1:00:56 | 1:01:01 | |
# See the children run
as the sun goes down | 1:01:01 | 1:01:08 | |
# As you lie in fields of gold | 1:01:08 | 1:01:15 | |
# You'll remember me
when the west wind moves | 1:01:15 | 1:01:22 | |
# Among the fields of barley | 1:01:22 | 1:01:27 | |
# You can tell the sun
in his jealous sky | 1:01:27 | 1:01:33 | |
# When we walked in fields of gold | 1:01:33 | 1:01:38 | |
# When we walked in fields of gold | 1:01:40 | 1:01:46 | |
# When we walked
in fields of gold. # | 1:01:46 | 1:01:56 | |
CHEERING AND APPLAUSE. | 1:02:01 | 1:02:03 | |
Oh, what a beautiful song, with all
the proceeds of course going to | 1:02:06 | 1:02:10 | |
Children in Need. Together with your
donations we can make a difference | 1:02:10 | 1:02:14 | |
to the lives of children and young
people right across Northern | 1:02:14 | 1:02:18 | |
Ireland. Your generosity has helped
young people like Se. | 1:02:18 | 1:02:26 | |
I'm 17 and I identify as non-binary.
Non-binary means a lot of different | 1:02:43 | 1:02:51 | |
things to different people and in my
case it means I don't fit in with | 1:02:51 | 1:02:56 | |
bag boy or a girl. Although I was
born male gendered. When I went to a | 1:02:56 | 1:03:06 | |
rural school, it was all people who
aren't always open-minded and that | 1:03:06 | 1:03:10 | |
was rough in high school. I was
bullied all the way up to my final | 1:03:10 | 1:03:16 | |
year and it's not fun. Especially
when everything they target multiple | 1:03:16 | 1:03:22 | |
things like being gay, being
alternative and being overweight. | 1:03:22 | 1:03:30 | |
It is an organisation for gay and
transgender young people and we work | 1:03:40 | 1:03:44 | |
all over Northern Ireland. First how
we help people is connect them to | 1:03:44 | 1:03:50 | |
other young people in a safe space
where they can come and be | 1:03:50 | 1:03:53 | |
themselves. They know the people who
work here are LGBT, but they're | 1:03:53 | 1:03:59 | |
supportive of the young people who
come in. We do a lot of youth work | 1:03:59 | 1:04:03 | |
with the young people in terms of
improving mental health and | 1:04:03 | 1:04:08 | |
resilience and also tackling that
social isolation which is one of | 1:04:08 | 1:04:13 | |
biggest contributors to their mental
health issues. We are working with | 1:04:13 | 1:04:16 | |
young people who are quite
vulnerable and in some instances who | 1:04:16 | 1:04:21 | |
are very vulnerable and quite
regularly we may have a young person | 1:04:21 | 1:04:25 | |
who comes in who has just attempted
to take their own life and that is | 1:04:25 | 1:04:31 | |
all too regular. The mental health
issues cannot be overstated. It is | 1:04:31 | 1:04:36 | |
incredibly important to receive that
funding from Children in Need, | 1:04:36 | 1:04:40 | |
without it we would be massively
under-resourced and when an | 1:04:40 | 1:04:45 | |
organisation like Car Friend is
under-resourced you have some | 1:04:45 | 1:04:49 | |
vulnerable people being left out and
some people will say they could go | 1:04:49 | 1:04:53 | |
to any youth club. But the reality
is that experience isn't all good. | 1:04:53 | 1:05:01 | |
We deal with the people who don't
have a good experience. It is | 1:05:01 | 1:05:07 | |
important that we are there for
those young people. It is important | 1:05:07 | 1:05:11 | |
for Shay to tell their story,
because there is a lot of empowered | 1:05:11 | 1:05:16 | |
in sharing your own personal
experience. And also it is important | 1:05:16 | 1:05:22 | |
for Shay to share that experience so
other people might find some | 1:05:22 | 1:05:29 | |
strength in it and other people will
know that there is light at the end | 1:05:29 | 1:05:33 | |
of the tunnel if they don't feel
great about who they are and there | 1:05:33 | 1:05:38 | |
is always an another option. From my
lowest point, Car Friend has nothing | 1:05:38 | 1:05:45 | |
but support and it was never
judgmental, it was, I know what | 1:05:45 | 1:05:50 | |
you're going through, I have been
there myself and here is whey want | 1:05:50 | 1:05:54 | |
to help you. The Shay that walked
into Car Friend didn't speak to | 1:05:54 | 1:06:01 | |
anyone. The first time I went in I
walked in and hid in the corner. But | 1:06:01 | 1:06:06 | |
the Shay I am now is... Mature and
grown nearly an adult. And I just | 1:06:06 | 1:06:14 | |
feel like a better human and a
better person for... Unleashing | 1:06:14 | 1:06:20 | |
what's inside. It is not just the
LGBT community who benefits, it is | 1:06:20 | 1:06:28 | |
society in general. We are working
to improve the lived experiences of | 1:06:28 | 1:06:35 | |
LGBT across Northern Ireland and
that makes society in Northern | 1:06:35 | 1:06:40 | |
Ireland a better place. | 1:06:40 | 1:06:44 | |
That is one of many groups in
Northern Ireland where your | 1:06:49 | 1:06:53 | |
donations make a difference. So
thank you. To help them keep on | 1:06:53 | 1:06:57 | |
going, why not do your thing for
this year's Children in Need. To | 1:06:57 | 1:07:00 | |
find out more and to donate go to
the web-site. | 1:07:00 | 1:07:04 | |
You do change the lives of thousand
of young people in Northern Ireland. | 1:07:25 | 1:07:32 | |
That is almost it from Children in
Need. But we have one more special | 1:07:32 | 1:07:36 | |
performance. This year's Northern
Ireland Children in Need Choir. On | 1:07:36 | 1:07:40 | |
Friday night, they sang live and in
Unison with thousands of other | 1:07:40 | 1:07:45 | |
children across the UK and now
they're going to sing just for you. | 1:07:45 | 1:07:52 | |
From five schools in Northern
Ireland, singing Somewhere Over The | 1:07:52 | 1:07:58 | |
Rainbow, please enjoy this year's
Children in Need Choir. Thanks for | 1:07:58 | 1:08:02 | |
supporting us. See you next year. | 1:08:02 | 1:08:05 | |
# Somewhere over the rainbow | 1:08:39 | 1:08:40 | |
# Way up high | 1:08:40 | 1:08:41 | |
# There's a land that I heard of | 1:08:41 | 1:08:43 | |
# Once in a lullaby | 1:08:43 | 1:08:44 | |
# Somewhere over the rainbow | 1:08:44 | 1:08:45 | |
# Skies are blue | 1:08:45 | 1:08:48 | |
# And the dreams
that you dare to dream | 1:08:48 | 1:08:50 | |
# Really do come true | 1:08:50 | 1:08:59 | |
# Someday I'll wish upon a star | 1:08:59 | 1:09:03 | |
# And wake up where the clouds
are far | 1:09:03 | 1:09:05 | |
# Behind me | 1:09:05 | 1:09:13 | |
# Where troubles melt
like lemon drops | 1:09:13 | 1:09:16 | |
# Away above the chimney tops | 1:09:16 | 1:09:19 | |
# That's where you'll find me | 1:09:19 | 1:09:26 | |
# Somewhere over the rainbow | 1:09:26 | 1:09:33 | |
# Bluebirds fly | 1:09:33 | 1:09:39 | |
# Birds fly over the rainbow | 1:09:39 | 1:09:46 | |
# Why, then, oh why can't I? | 1:09:46 | 1:09:55 | |
# Somewhere over the rainbow | 1:10:21 | 1:10:26 | |
# Way up high | 1:10:26 | 1:10:33 | |
# There's a land that I heard of | 1:10:33 | 1:10:39 | |
# Once in a lullaby | 1:10:39 | 1:10:46 | |
# Somewhere over the rainbow | 1:10:46 | 1:10:53 | |
# Skies are blue | 1:10:53 | 1:11:00 | |
# And the dreams
that you dare to dream | 1:11:00 | 1:11:07 | |
# Really do come true | 1:11:07 | 1:11:13 | |
# Someday I'll wish upon a star | 1:11:13 | 1:11:16 | |
# And wake up where the clouds
are far | 1:11:16 | 1:11:19 | |
# Behind me | 1:11:19 | 1:11:29 | |
# Where troubles melt like lemon
drops, # That's where you'll find me | 1:11:38 | 1:11:45 | |
# | 1:11:45 | 1:11:48 | |
# Somewhere over the rainbow | 1:11:48 | 1:11:49 | |
# Bluebirds fly | 1:11:49 | 1:11:53 | |
# Birds fly over the rainbow | 1:11:53 | 1:11:59 | |
# Why, then, oh why can't I? | 1:11:59 | 1:12:07 | |
# If happy little bluebirds fly | 1:12:07 | 1:12:10 | |
# Beyond the rainbow | 1:12:10 | 1:12:12 | |
# Why, oh why can't I? # | 1:12:12 | 1:12:22 |