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The wonderful smell of bread just out of the oven. | 0:00:02 | 0:00:04 | |
The perfect piecrust. The snap of a biscuit. | 0:00:04 | 0:00:07 | |
And, of course, cakes. | 0:00:07 | 0:00:09 | |
Cakes of all shapes and sizes and for every occasion. | 0:00:09 | 0:00:13 | |
We have got something for all the senses here, | 0:00:13 | 0:00:16 | |
as we celebrate some of the best bakes ever. | 0:00:16 | 0:00:19 | |
Welcome to more fabulous bakes. | 0:00:41 | 0:00:44 | |
Coming up - the Hairy Bikers making scones... | 0:00:44 | 0:00:48 | |
# Scones that can be as light as a bee | 0:00:48 | 0:00:54 | |
# Are lovely things to eat in the afternoon... # | 0:00:54 | 0:01:01 | |
..Glynn Purnell will show us how to make a baked Cheddar custard... | 0:01:01 | 0:01:04 | |
..and there's Nigel Slater's raspberry and cinnamon meringue. | 0:01:06 | 0:01:09 | |
But we start with bread. | 0:01:12 | 0:01:14 | |
Not a straightforward loaf baked in a tin - | 0:01:14 | 0:01:17 | |
this is quite a challenging recipe, but enormous fun to make as well. | 0:01:17 | 0:01:21 | |
You will need to pay close attention | 0:01:21 | 0:01:23 | |
if you want to make Paul Hollywood's eight-stranded bread plait yourself. | 0:01:23 | 0:01:28 | |
Eight-strand plait, to me, it seems a very difficult choice. | 0:01:31 | 0:01:35 | |
That is precisely why I chose it. | 0:01:35 | 0:01:37 | |
I wanted to see them sweat a little bit on the Technical Challenge, | 0:01:37 | 0:01:40 | |
and it was nice to choose something | 0:01:40 | 0:01:42 | |
that even a baker would find difficult. | 0:01:42 | 0:01:44 | |
So to start with, we need to make the base dough. | 0:01:44 | 0:01:47 | |
So can you put 500g of flour into there for me, please? | 0:01:47 | 0:01:51 | |
-And strong flour, of course. -Strong flour, | 0:01:51 | 0:01:53 | |
high in gluten, that gives you the elasticity | 0:01:53 | 0:01:57 | |
and the strength to hold the bubbles inside as the bread grows. | 0:01:57 | 0:02:01 | |
7g of fast-action yeast, please. | 0:02:01 | 0:02:04 | |
If you can only get the fresh yeast, | 0:02:04 | 0:02:06 | |
then you need to add 12g. Give me 10g of salt. | 0:02:06 | 0:02:10 | |
That goes in there, to the other side of the bowl. Why do we do that? | 0:02:10 | 0:02:14 | |
Because if you put it over the other side, with the yeast, | 0:02:14 | 0:02:16 | |
it slows down the action. | 0:02:16 | 0:02:18 | |
-Am I getting there? -You are getting there. | 0:02:18 | 0:02:20 | |
Come and work for me any time. | 0:02:20 | 0:02:22 | |
OK, the next ingredient I'm going to add, olive oil. | 0:02:22 | 0:02:25 | |
Does that have to be a good olive oil? | 0:02:25 | 0:02:27 | |
You don't need to use virgin olive oil, just any olive oil is fine. | 0:02:27 | 0:02:30 | |
Now, I'm adding about 320ml of water. | 0:02:30 | 0:02:33 | |
Cool water is absolutely fine. Start off by adding half of it. | 0:02:33 | 0:02:39 | |
Fingers like a mixer. | 0:02:39 | 0:02:41 | |
In you go, and then just turn it. | 0:02:41 | 0:02:44 | |
So often bread recipes say warm water, you were saying cool. | 0:02:44 | 0:02:47 | |
If you want to use warm water, that's absolutely fine, | 0:02:47 | 0:02:50 | |
it just speeds it up. | 0:02:50 | 0:02:52 | |
And the thing about making bread is, the slower the prove, | 0:02:52 | 0:02:56 | |
the more intense the flavour, the better the fermentation. | 0:02:56 | 0:02:59 | |
All I have done there is crush the dough together, | 0:02:59 | 0:03:02 | |
and you end up with a soft dough like that. That still needs work. | 0:03:02 | 0:03:07 | |
Olive oil onto the bench, pop your dough into that | 0:03:09 | 0:03:12 | |
and just coat the outside with the olive oil. | 0:03:12 | 0:03:15 | |
One thing I have learned from you is not to add too much extra flour | 0:03:15 | 0:03:20 | |
and also, having a nice oily surface, it's much easier to work. | 0:03:20 | 0:03:23 | |
If I add lots and lots of flour to that, | 0:03:23 | 0:03:25 | |
it will take forever to rise, | 0:03:25 | 0:03:27 | |
airholes will be very tight | 0:03:27 | 0:03:29 | |
and it will end up like a house brick. | 0:03:29 | 0:03:32 | |
So as I work it more, I begin to speed up. | 0:03:32 | 0:03:36 | |
And you do this for about ten minutes. | 0:03:36 | 0:03:41 | |
It is important at the very beginning to have that | 0:03:41 | 0:03:45 | |
fairly wet dough, which looked as though it would stick to the table | 0:03:45 | 0:03:48 | |
and everything else, but because of | 0:03:48 | 0:03:50 | |
that olive oil, it is completely free. | 0:03:50 | 0:03:51 | |
It is very difficult for bakers to teach people how to knead. | 0:03:51 | 0:03:55 | |
Everyone has got their own way. | 0:03:55 | 0:03:56 | |
I hold the bottom, grab the top - you have initially stretched it. | 0:03:56 | 0:04:01 | |
Then you roll it up. | 0:04:02 | 0:04:04 | |
So you're in, you've ripped, and then you're rolling up. | 0:04:04 | 0:04:07 | |
And that is the motion I have used for many, many years, and it works. | 0:04:08 | 0:04:13 | |
Everything has been incorporated in, it's got a lovely shine | 0:04:13 | 0:04:16 | |
from the olive oil, it's quite stretchy and resistant as well. | 0:04:16 | 0:04:20 | |
So pop that in a bowl, clingfilm that, | 0:04:21 | 0:04:23 | |
and leave that for about an hour. | 0:04:23 | 0:04:27 | |
-Here it is then, Mary. -That's fully proved. | 0:04:36 | 0:04:38 | |
Yeah, it couldn't get any more proved, | 0:04:38 | 0:04:40 | |
it'd be climbing out the bowl | 0:04:40 | 0:04:42 | |
and trying to get off the table. It will carry on growing. | 0:04:42 | 0:04:45 | |
So the aim is to get it to double its size. | 0:04:45 | 0:04:48 | |
At least double in size. | 0:04:48 | 0:04:50 | |
And you can see, it's just full of air. | 0:04:52 | 0:04:54 | |
Sinking back in, you burst all the bubbles and it starts to drop. | 0:04:54 | 0:04:58 | |
Those little creases there are actually signs that the bread | 0:04:58 | 0:05:02 | |
has risen and fallen back. | 0:05:02 | 0:05:04 | |
We call it "the drop". If you walked in and saw your dough | 0:05:04 | 0:05:07 | |
like that, you'd instantly go, "It's fully proved." | 0:05:07 | 0:05:10 | |
It has exhausted all of the flour and fallen back and created creases. | 0:05:10 | 0:05:14 | |
So the next move? | 0:05:14 | 0:05:15 | |
The next move is to tip it out, just stretch it slightly. | 0:05:15 | 0:05:20 | |
Bang it down a little bit. Now you want to divide it into eight. | 0:05:20 | 0:05:23 | |
So find roughly halfway. | 0:05:23 | 0:05:26 | |
And then divide that again. | 0:05:26 | 0:05:29 | |
And then once you've got your pieces, lay them out. | 0:05:30 | 0:05:33 | |
That one is a bit small, that one is a bit big. | 0:05:33 | 0:05:36 | |
You've got to roll each piece out nice and neat and equal. | 0:05:36 | 0:05:40 | |
You start in the middle, rolling it, and then you roll out. | 0:05:40 | 0:05:46 | |
You put quite a bit of weight on your hands. | 0:05:46 | 0:05:49 | |
You can see I open and flay out my fingers like that. | 0:05:49 | 0:05:53 | |
Sometimes you'll hit an air pocket like that one there. | 0:05:53 | 0:05:56 | |
That would affect the growth, you see, if it wasn't knocked out. | 0:05:56 | 0:05:59 | |
And you can see, actually, on the bench, there's | 0:05:59 | 0:06:01 | |
not a lot of flour, is there? | 0:06:01 | 0:06:02 | |
Because you want that dough to stick. | 0:06:02 | 0:06:04 | |
If there's too much flour, it just skids. | 0:06:04 | 0:06:07 | |
-You need that bit of adhesion. -Yeah, you need that bit of bite. | 0:06:07 | 0:06:10 | |
We roll it out... No, you went something like that, did you? | 0:06:10 | 0:06:13 | |
I'm not doing karate on it, Mary. | 0:06:13 | 0:06:15 | |
I have every sympathy with our bakers. | 0:06:15 | 0:06:17 | |
-I can tell you, it is pretty difficult. -It's hard. | 0:06:17 | 0:06:21 | |
Roll out eight equal strands and then you're ready to assemble. | 0:06:21 | 0:06:26 | |
So what I'm going to do is line them up like an octopus. | 0:06:26 | 0:06:30 | |
I think if I were doing it, it would stay a bit like an octopus. | 0:06:30 | 0:06:33 | |
HE LAUGHS | 0:06:33 | 0:06:35 | |
OK, gather the ends and just tuck them together, | 0:06:35 | 0:06:39 | |
and tack them to the table so you've got something to plait with. | 0:06:39 | 0:06:43 | |
That is your starting point there. | 0:06:43 | 0:06:46 | |
Each one of them is numbered. | 0:06:47 | 0:06:48 | |
One, two, three, four, five, six, seven, eight. | 0:06:48 | 0:06:51 | |
What you've got to be careful of - | 0:06:51 | 0:06:53 | |
and no matter who you are - you will need the sequence to do this. | 0:06:53 | 0:06:57 | |
If you haven't got a sequence, you won't get it. | 0:06:57 | 0:07:00 | |
OK, so what you've got is eight strands laid out. | 0:07:02 | 0:07:05 | |
As you move it, you then recount. | 0:07:05 | 0:07:08 | |
One, two, three, four, five, six, seven, eight. | 0:07:08 | 0:07:10 | |
The first move is the only move you don't repeat. | 0:07:10 | 0:07:13 | |
So you start off, eight under seven, over one. | 0:07:13 | 0:07:17 | |
OK. | 0:07:17 | 0:07:18 | |
So when we count again, that's one, two, three, four, five, | 0:07:18 | 0:07:21 | |
six, seven, eight. | 0:07:21 | 0:07:22 | |
The next move is your start of your four sequence. | 0:07:24 | 0:07:27 | |
So two goes under three and over eight. | 0:07:27 | 0:07:31 | |
-Simple. -Simple. And then one over four. | 0:07:32 | 0:07:36 | |
The next move is seven under six, over one. | 0:07:37 | 0:07:43 | |
And then eight over five. | 0:07:43 | 0:07:45 | |
-There. -I'm keeping very quiet so as not to muddle you. | 0:07:48 | 0:07:51 | |
Then it's two under three, over eight. | 0:07:51 | 0:07:53 | |
And you repeat that until you finish. Seven under six, over one. | 0:07:53 | 0:07:58 | |
Eight over five. Two under three, over eight, one over four... | 0:07:58 | 0:08:02 | |
Paul might have been doing this for years, | 0:08:02 | 0:08:04 | |
but to make this complicated plait yourself, make sure | 0:08:04 | 0:08:07 | |
you have the sequence written down in front of you before you start. | 0:08:07 | 0:08:11 | |
All the way...down to...the bottom. | 0:08:11 | 0:08:17 | |
HE CHUCKLES | 0:08:17 | 0:08:19 | |
Like that. Squeeze... | 0:08:28 | 0:08:32 | |
There you have it. An eight-strand plait. Very simple...ish. | 0:08:32 | 0:08:36 | |
-That is magnificent. -Easy. -Easy-peasy. -Easy-peasy. | 0:08:36 | 0:08:41 | |
How old were you when you first did your first one like this? | 0:08:41 | 0:08:44 | |
16. | 0:08:44 | 0:08:46 | |
What you're looking for, you've got your line | 0:08:46 | 0:08:48 | |
running across the top, the two either side, | 0:08:48 | 0:08:51 | |
and then you roll it over... | 0:08:51 | 0:08:53 | |
there is your sequence again. | 0:08:53 | 0:08:55 | |
You need to prove that up. | 0:08:55 | 0:08:58 | |
Allow the dough to prove again for about an hour, | 0:08:58 | 0:09:00 | |
although the plaited structure will prevent | 0:09:00 | 0:09:03 | |
the dough from rising as much as it might normally. | 0:09:03 | 0:09:06 | |
Once it's ready, brush it with eggwash | 0:09:06 | 0:09:09 | |
and a pinch of salt to help form the crunchy golden crust. | 0:09:09 | 0:09:13 | |
Bake in the oven for at least 25 minutes | 0:09:13 | 0:09:15 | |
until the dough is fully baked inside. | 0:09:15 | 0:09:17 | |
-OK, Mary, let's have a look. -Well, that's got the wow factor for me. | 0:09:22 | 0:09:27 | |
-Looks amazing. -If you knock it... | 0:09:27 | 0:09:30 | |
it's a loud, hollow sound. And if you lift underneath... | 0:09:30 | 0:09:33 | |
I have got asbestos fingers. | 0:09:33 | 0:09:35 | |
You've got all the beautiful colours | 0:09:35 | 0:09:37 | |
underneath the golden brown, | 0:09:37 | 0:09:39 | |
and you can see where it's all interlaced all the way down. | 0:09:39 | 0:09:42 | |
-And it smells divine. -Well, can I have a taste, then? -No. -Why not? | 0:09:42 | 0:09:46 | |
You want to leave it for at least half an hour, 45 minutes, | 0:09:46 | 0:09:49 | |
just because the inside of that is still going to be very, very hot. | 0:09:49 | 0:09:52 | |
-Even the very sort of end? -Leave it alone. | 0:09:52 | 0:09:55 | |
-Now it's time to eat the plaited loaf. -Seems a long wait. -Absolutely. | 0:10:05 | 0:10:09 | |
-You want the crust? -Definitely. That just looks wonderful. | 0:10:09 | 0:10:13 | |
Look at the structure inside. | 0:10:13 | 0:10:15 | |
How even it is considering it's all been plaited individually. | 0:10:15 | 0:10:18 | |
It is such a beautiful loaf. | 0:10:18 | 0:10:20 | |
Once it's baked and it's cooled, | 0:10:20 | 0:10:22 | |
which is the best way of keeping bread? | 0:10:22 | 0:10:25 | |
For me, I just wrap it up in loose paper | 0:10:25 | 0:10:26 | |
-and put it in the bread bin. -Not in the fridge? | 0:10:26 | 0:10:28 | |
No. Actually, if you put it in the fridge, | 0:10:28 | 0:10:30 | |
they stale three times quicker. | 0:10:30 | 0:10:32 | |
The cool air in the fridge draws all the moisture out from it. | 0:10:32 | 0:10:35 | |
I love it, because it's crusty, it tastes like bread ought to taste. | 0:10:35 | 0:10:41 | |
Really lovely. | 0:10:41 | 0:10:43 | |
Another bake now, and a pudding that looks | 0:10:43 | 0:10:46 | |
so good, surely it took ages to plan. | 0:10:46 | 0:10:49 | |
But no, Nigel Slater was just using some ingredients | 0:10:49 | 0:10:52 | |
he happened to have hanging around. | 0:10:52 | 0:10:54 | |
At the end of the week, | 0:11:00 | 0:11:01 | |
there's always something left that has to be used. | 0:11:01 | 0:11:04 | |
There's very often lots of bits left in the fridge. | 0:11:04 | 0:11:07 | |
I MUST use these eggs up. | 0:11:09 | 0:11:10 | |
They're just about to go out of their sell-by date. | 0:11:13 | 0:11:16 | |
They're still perfectly good. | 0:11:16 | 0:11:18 | |
I want a recipe that will use all of them at once. | 0:11:18 | 0:11:21 | |
So I'm going to make a meringue. | 0:11:21 | 0:11:24 | |
Apparently, if you make meringues with older egg whites, | 0:11:24 | 0:11:27 | |
rather than really fresh ones, you get a better result. | 0:11:27 | 0:11:31 | |
And this meringue recipe couldn't be simpler. | 0:11:32 | 0:11:35 | |
First, sprinkle a thin layer of sugar onto a roasting tray. | 0:11:35 | 0:11:39 | |
I'm using golden caster sugar for a rich butterscotch flavour. | 0:11:39 | 0:11:43 | |
And I have a little trick when I'm making meringue. | 0:11:43 | 0:11:46 | |
I warm the sugar before I put it in with the eggs. | 0:11:46 | 0:11:50 | |
Only for a few minutes. | 0:11:50 | 0:11:51 | |
Separate the egg whites ready for mixing. | 0:11:51 | 0:11:54 | |
I will keep the yolks for mayonnaise. | 0:11:54 | 0:11:56 | |
There's a million things to do with half a dozen eggs. | 0:11:56 | 0:11:59 | |
From mousses and souffles to mayonnaises | 0:11:59 | 0:12:03 | |
and hollandaise sauce - so many things. | 0:12:03 | 0:12:05 | |
As soon as my mix has thickened, I add my warm sugar. | 0:12:11 | 0:12:16 | |
Its heat is going to help everything come together | 0:12:16 | 0:12:19 | |
that little bit easier. | 0:12:19 | 0:12:20 | |
Turn the beater on really quite fast. | 0:12:22 | 0:12:25 | |
Look at that. Isn't that fab? | 0:12:28 | 0:12:30 | |
Just heap little piles of this fluffy mixture | 0:12:31 | 0:12:34 | |
onto a lined baking tray. | 0:12:34 | 0:12:36 | |
This is the moment I really love cooking, | 0:12:36 | 0:12:40 | |
when something is really simple - two ingredients - | 0:12:40 | 0:12:45 | |
and you're actually playing, really. | 0:12:45 | 0:12:48 | |
I love meringues with cream. Haven't got any, so I need something else. | 0:12:49 | 0:12:55 | |
With these, it's going to be just as luxurious. | 0:12:55 | 0:12:59 | |
A pinch of cinnamon works really well. | 0:13:01 | 0:13:04 | |
And then these will work their magic in the oven, | 0:13:06 | 0:13:09 | |
at 140 degrees for about 35-40 minutes. | 0:13:09 | 0:13:13 | |
BIRDSONG | 0:13:19 | 0:13:21 | |
For me, there's nothing quite like the transformation of a meringue. | 0:13:26 | 0:13:31 | |
They're very lightly crisp on the outside. | 0:13:31 | 0:13:34 | |
And when you press the shell of a meringue, | 0:13:36 | 0:13:39 | |
you can still feel that there's | 0:13:39 | 0:13:40 | |
something very marshmallow-ey inside. | 0:13:40 | 0:13:43 | |
Meringues are really quite sweet, | 0:13:45 | 0:13:48 | |
so I want a slightly bitter chocolate. | 0:13:48 | 0:13:50 | |
Not a milk chocolate, but quite a dark one. | 0:13:50 | 0:13:53 | |
I've got lots of friends who swear by the microwave, | 0:13:53 | 0:13:55 | |
but I like to do mine in a bowl over a pan of simmering water. | 0:13:55 | 0:14:01 | |
I want my raspberries to sit snugly in these meringues. | 0:14:04 | 0:14:08 | |
I could've made little nests of these meringues. | 0:14:08 | 0:14:13 | |
But rather than that, I just thought I would crush the tops of them. | 0:14:15 | 0:14:20 | |
And then the chocolate is trickled over to finish. | 0:14:28 | 0:14:31 | |
Meringue and chocolate - works very well. | 0:14:34 | 0:14:38 | |
Raspberries and chocolate is a marriage made in heaven. | 0:14:38 | 0:14:43 | |
So when it comes to using things up, half a dozen eggs | 0:14:43 | 0:14:48 | |
and some dangerously ripe fruit... | 0:14:48 | 0:14:53 | |
I don't think it comes better than that. | 0:14:53 | 0:14:56 | |
This is how Fridays in the kitchen should be. | 0:14:57 | 0:15:00 | |
A little bit spontaneous and just going with my mood. | 0:15:00 | 0:15:04 | |
Really is my end-of-the-week treat. | 0:15:04 | 0:15:07 | |
It's seriously wonderful. | 0:15:17 | 0:15:19 | |
Now THAT is how you make the most of a few eggs. | 0:15:20 | 0:15:23 | |
Now for something intriguing. | 0:15:27 | 0:15:29 | |
Normally when you hear the word "custard", | 0:15:29 | 0:15:32 | |
you'd be expecting a pudding, but here is Glynn Purnell championing | 0:15:32 | 0:15:35 | |
British cheese, with a baked Cheddar custard and beetroot salad. | 0:15:35 | 0:15:40 | |
So, for the first part of the dish, | 0:15:40 | 0:15:41 | |
what we need to do is get the custard going. | 0:15:41 | 0:15:43 | |
So we need the cream and the grated Cheddar. | 0:15:43 | 0:15:45 | |
All right, custards are normally sweet, | 0:15:45 | 0:15:47 | |
but this one is a savoury one. | 0:15:47 | 0:15:49 | |
It's a bit like a quiche but without the pastry, | 0:15:49 | 0:15:51 | |
and starts with double cream - quite a lot in fact. | 0:15:51 | 0:15:55 | |
I'm going to grate some of that delicious, sharp, mature Cheddar. | 0:15:55 | 0:16:00 | |
I'm going to grate a little bit of the rind into it, | 0:16:03 | 0:16:05 | |
-because the rind has still got... -HE SNIFFS | 0:16:05 | 0:16:08 | |
..the smell of the farm, and almost the orchards over the back. | 0:16:08 | 0:16:11 | |
So if we grate it down... | 0:16:11 | 0:16:13 | |
Once you've got a big enough handful, | 0:16:15 | 0:16:17 | |
chuck it in with the cream and give it a good stir... | 0:16:17 | 0:16:22 | |
to encourage it to melt. | 0:16:22 | 0:16:24 | |
Now it's time for some bold, punchy flavours, | 0:16:25 | 0:16:28 | |
starting with a pinch of ginger. | 0:16:28 | 0:16:30 | |
And then a tiny bit of English mustard, just to bring | 0:16:31 | 0:16:35 | |
the flavour of the Cheddar out. | 0:16:35 | 0:16:37 | |
Not too much, don't want to blow anyone's head off. | 0:16:39 | 0:16:41 | |
So what I've got now is a fantastic consistency, | 0:16:41 | 0:16:44 | |
almost like a cheese sauce sort of consistency. | 0:16:44 | 0:16:47 | |
So what we need to do is add the eggs. | 0:16:47 | 0:16:50 | |
This will be like our setting agent and will give | 0:16:50 | 0:16:53 | |
a fantastic consistency and let the Cheddar really sing out. | 0:16:53 | 0:16:56 | |
Once the eggs are whisked in, | 0:16:59 | 0:17:00 | |
pass the mixture through a sieve to make sure there's no lumps. | 0:17:00 | 0:17:04 | |
Then pour boiling water into a baking tray | 0:17:09 | 0:17:11 | |
around an ovenproof dish... | 0:17:11 | 0:17:14 | |
and tip the custard into the submerged dish. | 0:17:14 | 0:17:16 | |
This will make sure it cooks slowly and evenly. | 0:17:16 | 0:17:19 | |
So a little bit more grated cheese on the top, | 0:17:19 | 0:17:22 | |
to really get that almost cheese-on-toast taste | 0:17:22 | 0:17:25 | |
on the top of it, | 0:17:25 | 0:17:26 | |
because it slightly colours and melts onto the custard. | 0:17:26 | 0:17:28 | |
I'm going to cook that at about 160 for about 40-50 minutes. | 0:17:28 | 0:17:32 | |
So whilst that's cooking, we can get on with the beetroot salad. | 0:17:35 | 0:17:39 | |
Beetroot is a perfect partner for cheese. | 0:17:39 | 0:17:41 | |
There's lots of different varieties out there, | 0:17:41 | 0:17:43 | |
like these colourful little beauties. | 0:17:43 | 0:17:45 | |
And when I was a kid, | 0:17:45 | 0:17:47 | |
whenever you had a cheeseboard or a ploughman's, you'd always have, | 0:17:47 | 0:17:50 | |
like, pickled beetroot or some sort of crunchy red cabbage to go | 0:17:50 | 0:17:53 | |
with it, so this really is sort of reliving that sort of flavour. | 0:17:53 | 0:17:57 | |
Just going to have a little splash of really reduced balsamic. | 0:17:58 | 0:18:01 | |
You can see I've got the beetroot, got a lot of crunchy veg, | 0:18:01 | 0:18:04 | |
to go with the real creamy, sharp Cheddar. | 0:18:04 | 0:18:07 | |
I think we're just about ready. My Cheddar custard. | 0:18:14 | 0:18:17 | |
Got that cheese-on-toast smell and as you can see, | 0:18:17 | 0:18:19 | |
it's just started to colour on the side, which is absolutely fantastic. | 0:18:19 | 0:18:24 | |
So I can't wait to taste that now. | 0:18:24 | 0:18:26 | |
I just hope I've done that Cheddar the justice it deserves. | 0:18:26 | 0:18:30 | |
But that, to me, sings. | 0:18:30 | 0:18:32 | |
Great British Cheddar. | 0:18:34 | 0:18:36 | |
Quite an unusual dish from Glynn, | 0:18:38 | 0:18:40 | |
and there's a bit of a twist too in this recipe from the Hairy Bikers. | 0:18:40 | 0:18:44 | |
Scones and strawberries - nothing unusual there. | 0:18:44 | 0:18:47 | |
But the boys are adding peppercorns. | 0:18:47 | 0:18:50 | |
-It's our strawberry and pepper sco-ho-ones, or scones. -Yeah! | 0:18:50 | 0:18:53 | |
Just slather with clotted cream. | 0:18:55 | 0:18:57 | |
It's the most mega grown-up | 0:18:57 | 0:19:00 | |
strawberry and cream scone you could ever taste. | 0:19:00 | 0:19:03 | |
Right, for the raw strawberry and black pepper scones, | 0:19:03 | 0:19:05 | |
you're going to need 400g of hulled and halved strawberries. | 0:19:05 | 0:19:09 | |
But what you do, you see, you mix sugar and strawberries | 0:19:10 | 0:19:14 | |
with some pepper, ground black pepper, and then you bake them. | 0:19:14 | 0:19:17 | |
Magic, isn't it? | 0:19:17 | 0:19:19 | |
It sounds a bit weird and wonderful, but remember | 0:19:19 | 0:19:22 | |
when people first suggested putting mint and balsamic vinegar | 0:19:22 | 0:19:25 | |
on your strawberries, you thought that was peculiar too. | 0:19:25 | 0:19:28 | |
You never thought that with cream though, did you? | 0:19:28 | 0:19:31 | |
No, strawberries and cream. | 0:19:31 | 0:19:32 | |
It's just one of them things that you do do, don't you? | 0:19:32 | 0:19:34 | |
What we're doing, really, is, we're dehydrating them | 0:19:34 | 0:19:38 | |
to intensify the flavour and, honestly, | 0:19:38 | 0:19:40 | |
when you put that in a scone mix with the pepper, | 0:19:40 | 0:19:44 | |
you get the spice, you get the fruit, you get the... Ohh! | 0:19:44 | 0:19:47 | |
Seasoning, you see. | 0:19:47 | 0:19:49 | |
Yeah, and when you get this little nugget of flavour | 0:19:49 | 0:19:51 | |
in your golden scone... | 0:19:51 | 0:19:53 | |
your eyes light up. Strawberries - hulled, halved, on a baking tray. | 0:19:53 | 0:19:59 | |
'Now sprinkle or grind about a teaspoon of black pepper | 0:19:59 | 0:20:02 | |
'over the strawberries.' | 0:20:02 | 0:20:05 | |
Pepper's been around, it's been precious for such a long time. | 0:20:06 | 0:20:10 | |
Going back to Roman times, | 0:20:10 | 0:20:11 | |
Pliny complained that white pepper cost twice as much as black pepper. | 0:20:11 | 0:20:16 | |
-Oh. Well, Alaric the Goth... -Who? | 0:20:17 | 0:20:21 | |
-Alec the Goth? -No, ALARIC the Goth. | 0:20:21 | 0:20:24 | |
Oh, aye. | 0:20:24 | 0:20:25 | |
As a ransom for Rome, he declared, | 0:20:25 | 0:20:27 | |
"I want 3,000lb of pepper, please, | 0:20:27 | 0:20:31 | |
"then you can have your city back." | 0:20:31 | 0:20:33 | |
-Until then, it was... -HE MAKES CRUNCHING NOISE | 0:20:33 | 0:20:35 | |
-COMEDIC NEW YORK ACCENT: -..curtains. -Right. | 0:20:35 | 0:20:37 | |
-See? -Sugar. | 0:20:37 | 0:20:39 | |
Couple of teaspoons of sugar. | 0:20:40 | 0:20:42 | |
'Now, what can I come up with to trump Kingy? I've got it.' | 0:20:42 | 0:20:46 | |
Did you know that in the 12th century, a pound of pepper | 0:20:47 | 0:20:51 | |
was the equivalent of a carpenter's weekly wage? | 0:20:51 | 0:20:53 | |
-Was it? -Yep. | 0:20:53 | 0:20:56 | |
And did YOU know that pepper, when it was introduced into the UK, | 0:20:56 | 0:21:00 | |
was blamed for gout? | 0:21:00 | 0:21:03 | |
Ohh. | 0:21:03 | 0:21:04 | |
Because it held all of the toxins - or so the medics thought - | 0:21:04 | 0:21:07 | |
around the joints. | 0:21:07 | 0:21:09 | |
Hmm! | 0:21:09 | 0:21:12 | |
So put your peppered up and sugared up strawberries into the oven. | 0:21:12 | 0:21:15 | |
About 120 degrees C, or 100 degrees if you've got a fan oven. | 0:21:15 | 0:21:20 | |
For about an hour and a half. Very slooow. | 0:21:20 | 0:21:24 | |
'Et voila - an hour and a half later, dried strawberries.' | 0:21:26 | 0:21:29 | |
-They are absolute flavour bombs. -They are super, super strawberry. | 0:21:29 | 0:21:34 | |
They are, aren't they? Let's make scones. | 0:21:34 | 0:21:37 | |
'Now for the scone mix. | 0:21:37 | 0:21:38 | |
'You are going to need 100g of cooled butter.' | 0:21:38 | 0:21:41 | |
Thank you. Now, just cube the butter... | 0:21:43 | 0:21:47 | |
'Then you'll need 500g of self-raising flour.' | 0:21:47 | 0:21:49 | |
For scones, you always must have self-raising flour. | 0:21:49 | 0:21:52 | |
If not, you need to put baking powder into ordinary flour. | 0:21:52 | 0:21:55 | |
And sometimes we've been known to sneak... | 0:21:55 | 0:21:58 | |
If it's a heavy scone, an extra teaspoon of baking powder, | 0:21:58 | 0:22:01 | |
it makes your scones go, "Whoooop!" | 0:22:01 | 0:22:05 | |
So, we put the butter in, and then we rub that butter... | 0:22:05 | 0:22:09 | |
Put the sugar in first before you rub. | 0:22:09 | 0:22:12 | |
'Oops, Dave's right. So in goes 50g of caster sugar.' | 0:22:12 | 0:22:16 | |
And some salt. Well, we've got pepper, we've got to have salt. | 0:22:17 | 0:22:22 | |
Seasoning, you see? | 0:22:22 | 0:22:24 | |
-Goes together, like the saying, Dave. -Yeah. | 0:22:24 | 0:22:26 | |
Rub. | 0:22:26 | 0:22:28 | |
And just rub it together until it resembles breadcrumbs. | 0:22:31 | 0:22:35 | |
The strawberries, which we did yesterday, | 0:22:35 | 0:22:37 | |
you have to scrape off the paper. | 0:22:37 | 0:22:40 | |
This is serious, serious flavouring on here. | 0:22:41 | 0:22:45 | |
Concentrated strawberries. | 0:22:47 | 0:22:49 | |
Phwoar! | 0:22:51 | 0:22:53 | |
All those kind of jammy bits, we want them as well. | 0:22:55 | 0:22:58 | |
Let's put the dried pepper strawberries in there. | 0:23:01 | 0:23:06 | |
And work them through as well, as evenly as you can. | 0:23:06 | 0:23:10 | |
I tell you what, Dave, the smell of these strawberries is more | 0:23:12 | 0:23:15 | |
strawberry than strawberry, if you know what I mean. | 0:23:15 | 0:23:18 | |
-Powerful, aren't they? -Yeah, they're really good. | 0:23:18 | 0:23:20 | |
Right, I've got me flour ready for dusting. | 0:23:20 | 0:23:23 | |
What's the fastest food in the world, Kingy? | 0:23:23 | 0:23:25 | |
-Dunno. -"S-gone"! | 0:23:25 | 0:23:27 | |
That's... | 0:23:27 | 0:23:29 | |
HE CLEARS HIS THROAT | 0:23:29 | 0:23:30 | |
-So how do you say it? -"Scone". -Yeah, me too. | 0:23:30 | 0:23:33 | |
-There is a north-south divide, isn't there? -There is. -"Scowne." | 0:23:33 | 0:23:36 | |
-It's not a scowne. -It's a scone. -Scone. | 0:23:36 | 0:23:39 | |
Now add 300ml of cold milk. If it ends up being too soggy, | 0:23:40 | 0:23:46 | |
put a bit more flour in. If it ends up too dry, put a bit more milk in. | 0:23:46 | 0:23:50 | |
-It's not hard, is it? -No. | 0:23:50 | 0:23:52 | |
# Scones that can be as light as a bee | 0:23:53 | 0:23:59 | |
# Are lovely things to eat in the afternoon | 0:23:59 | 0:24:05 | |
# But they can be better when you pick them up with pepper | 0:24:05 | 0:24:11 | |
# You have them with cream They're a dream. # | 0:24:11 | 0:24:16 | |
'Eat your heart out, Paul McCartney.' | 0:24:16 | 0:24:18 | |
Did you know that scones, for years, in their various forms, | 0:24:18 | 0:24:22 | |
were always cooked on a griddle? They weren't baked. | 0:24:22 | 0:24:25 | |
-Baking scones like this is relatively newfangled. -Is it? -Yep. | 0:24:25 | 0:24:30 | |
-Go on, that's it, man. -Woo! -Look at that. | 0:24:31 | 0:24:34 | |
-Mr King. -Yes, sir? -That dough... | 0:24:34 | 0:24:37 | |
-It's light, innit? -Yeah, it's great. | 0:24:37 | 0:24:39 | |
And as they say, with bread, the softer the dough, | 0:24:39 | 0:24:43 | |
the lighter the loaf. | 0:24:43 | 0:24:44 | |
It's like my belly, that. | 0:24:46 | 0:24:48 | |
-Twice as lumpy. -'Now, it's time to cut out the scones.' | 0:24:49 | 0:24:53 | |
You need to be quite firm with this, | 0:24:53 | 0:24:55 | |
because if there's a strawberry in the way, it would just drag. | 0:24:55 | 0:24:57 | |
But if you're bold and butch, it won't. | 0:24:57 | 0:24:59 | |
SI GROWLS | 0:24:59 | 0:25:00 | |
-Look at that. -Oh, man. | 0:25:00 | 0:25:02 | |
-ITALIAN ACCENT: -It's a beautiful thing. | 0:25:02 | 0:25:04 | |
-I'm quite en-scone-sced with meself. -Oh... | 0:25:04 | 0:25:07 | |
Look at that. Oh, that's got a big hunker in the middle. | 0:25:07 | 0:25:09 | |
But you know with the traditional scone, | 0:25:09 | 0:25:11 | |
-where you have strawberry jam and cream... -Yeah? | 0:25:11 | 0:25:13 | |
..are you a jam first and then cream, or cream first and then jam? | 0:25:13 | 0:25:16 | |
It depends on me mood. | 0:25:16 | 0:25:17 | |
If I feel like being unctuous and watching the jam fall over | 0:25:17 | 0:25:20 | |
the mound of clotted cream that I've stuck on my scone, yes. | 0:25:20 | 0:25:22 | |
If not and I'm in a hurry, I just put jam on, cream on, | 0:25:22 | 0:25:26 | |
and then stuff it in me gob. | 0:25:26 | 0:25:28 | |
-Oh, it has got to be jam first and then cream. -Has it? | 0:25:28 | 0:25:32 | |
'If you say so.' | 0:25:32 | 0:25:33 | |
Set your oven at 180 for a fan, 200 ordinary, Celsius. | 0:25:37 | 0:25:41 | |
Brush these with milk. | 0:25:41 | 0:25:43 | |
I'm going to bake these for about 15 minutes. Right. | 0:25:45 | 0:25:50 | |
Why don't we sit down and I'll just teach you | 0:25:52 | 0:25:54 | |
a few things about strawberries? | 0:25:54 | 0:25:56 | |
Ahh, you think so, do you? | 0:25:56 | 0:25:58 | |
MUSIC: The Good, The Bad And The Ugly Theme by Ennio Morricone | 0:26:02 | 0:26:05 | |
And did you know that in medieval times, strawberries | 0:26:05 | 0:26:08 | |
-were thought to be an aphrodisiac? -Were they? | 0:26:08 | 0:26:11 | |
And were served in a soup of strawberries, borage and sour cream? | 0:26:11 | 0:26:17 | |
You're getting competitive now about your strawberry facts. | 0:26:17 | 0:26:21 | |
I can see it by the tone of your voice. | 0:26:21 | 0:26:23 | |
-Well, do you give up? -No. | 0:26:23 | 0:26:25 | |
And did you know, the myth and legend | 0:26:28 | 0:26:30 | |
of Ancient Egypt suggested that | 0:26:30 | 0:26:32 | |
if you consumed a vast amount of strawberries, you may turn into a... | 0:26:32 | 0:26:36 | |
Rragh. | 0:26:36 | 0:26:37 | |
..an evil cat? | 0:26:37 | 0:26:38 | |
HE HISSES | 0:26:38 | 0:26:40 | |
Did you know another myth, that if two people consumed together | 0:26:40 | 0:26:45 | |
a double-crowned strawberry, they will fall in love? | 0:26:45 | 0:26:48 | |
We haven't eaten one of them, have we? | 0:26:51 | 0:26:52 | |
Tell me another. You've got nowt, haven't you? | 0:26:52 | 0:26:55 | |
-No, no. -Do you know the weight of the world's biggest strawberry? | 0:26:55 | 0:26:58 | |
-575 kilos actually. -Rubbish, that's over half a metric ton. | 0:26:59 | 0:27:04 | |
What is it? | 0:27:04 | 0:27:05 | |
-Well, I... -You don't know, do you? | 0:27:05 | 0:27:08 | |
No, but neither do you. | 0:27:08 | 0:27:10 | |
I do know that it was a big...strawberry. | 0:27:10 | 0:27:12 | |
-TIMER RINGS -Nearly done. | 0:27:12 | 0:27:14 | |
Ohh. Look at that. | 0:27:16 | 0:27:18 | |
Ohh. Scones. They don't get... | 0:27:20 | 0:27:24 | |
Ahh! ..much better than this. | 0:27:24 | 0:27:28 | |
Now, just leave them to cool. | 0:27:28 | 0:27:30 | |
-I'll go get the cream. -Right. Look at this. | 0:27:32 | 0:27:35 | |
SI WHISTLES | 0:27:36 | 0:27:38 | |
Oh, yeah. | 0:27:38 | 0:27:39 | |
-Yes. -Lovely. Look at the strawberries. | 0:27:41 | 0:27:44 | |
They've kind of rehydrated a little bit in there, haven't they? | 0:27:44 | 0:27:48 | |
-Bit of the old crusty clotted, eh? -Go on, my friend. | 0:27:48 | 0:27:53 | |
-Now, that's one of the best of British, isn't it? -It certainly is. | 0:27:54 | 0:27:59 | |
Strawberries and cream - British institution - | 0:27:59 | 0:28:02 | |
-combined with scones. -Yes. | 0:28:02 | 0:28:04 | |
Now, salt and pepper, in seasoning, in a way you wouldn't have thought. | 0:28:04 | 0:28:08 | |
Would you ever believe? | 0:28:08 | 0:28:10 | |
Do you know, Kingy, the way we've done these strawberries, | 0:28:11 | 0:28:14 | |
combine that with the pepper, | 0:28:14 | 0:28:16 | |
they're really intense flavours, | 0:28:16 | 0:28:18 | |
and as you eat the scone, they just burst on your palate. | 0:28:18 | 0:28:22 | |
-Where's yours gone? -I've eaten it. | 0:28:22 | 0:28:24 | |
-Oh, have you? -Yeah, it was lovely. | 0:28:24 | 0:28:27 | |
'Si's may have s-gone, but fortunately, | 0:28:27 | 0:28:29 | |
'we made plenty of these tasty treats.' | 0:28:29 | 0:28:32 | |
I hope you've seen lots to inspire and excite you, | 0:28:34 | 0:28:37 | |
and do join me again for more fantastic baking next time. Bye. | 0:28:37 | 0:28:42 |