Browse content similar to with Alexander Armstrong. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
We all have people that inspired us, and I've been lucky enough | 0:00:02 | 0:00:04 | |
in my long career to have shared the stage | 0:00:04 | 0:00:07 | |
with those that have inspired me. | 0:00:07 | 0:00:10 | |
Tonight, on my Hall Of Fame, | 0:00:10 | 0:00:12 | |
I've invited the next generation of stars from stage and screen | 0:00:12 | 0:00:17 | |
to celebrate the artists | 0:00:17 | 0:00:18 | |
that inspired their careers. | 0:00:18 | 0:00:21 | |
It's great to be singing | 0:00:21 | 0:00:22 | |
at the Dominion, and it's great to be singing in tribute to Sam Cooke. | 0:00:22 | 0:00:26 | |
Tonight, it's about us | 0:00:29 | 0:00:31 | |
and making that Cyd and Gene moment | 0:00:31 | 0:00:33 | |
come to life for real, for us. | 0:00:33 | 0:00:35 | |
-Yeah. -Yeah. -That's it. | 0:00:35 | 0:00:37 | |
Oh, hello there. | 0:00:40 | 0:00:41 | |
It is a tremendous honour | 0:00:41 | 0:00:43 | |
to be doing my tribute | 0:00:43 | 0:00:44 | |
to Joan Rivers. | 0:00:44 | 0:00:45 | |
If she hadn't done the job she did, I wouldn't have my job today. | 0:00:45 | 0:00:48 | |
I'm very excited. | 0:00:52 | 0:00:53 | |
I'm very, very nervous. | 0:00:53 | 0:00:54 | |
But I hope I can do my very best to make Tommy proud. | 0:00:54 | 0:00:57 | |
My fears are just | 0:01:03 | 0:01:05 | |
seeing all the faces. | 0:01:05 | 0:01:06 | |
But hopefully, I'll get through it. | 0:01:06 | 0:01:09 | |
As nervous as I am, | 0:01:11 | 0:01:13 | |
I can't wait. | 0:01:13 | 0:01:14 | |
And who better to host this evening | 0:01:15 | 0:01:17 | |
than a performer who spans comedy, | 0:01:17 | 0:01:20 | |
acting and singing, a giant of the performing arts, | 0:01:20 | 0:01:24 | |
a comic genius with a cheeky grin that the ladies just can't resist? | 0:01:24 | 0:01:28 | |
Who...who's written all this stuff? Who's on autocue? | 0:01:28 | 0:01:32 | |
Oh, sorry, Bruce. Just got a bit, um, carried away. | 0:01:32 | 0:01:35 | |
You will be carried away in a minute. | 0:01:35 | 0:01:38 | |
Cor! You can't get the staff. | 0:01:38 | 0:01:41 | |
'Ladies and gentlemen, | 0:01:41 | 0:01:42 | |
'please welcome the host of my Hall Of Fame, | 0:01:42 | 0:01:46 | |
'Alexander Armstrong.' | 0:01:46 | 0:01:48 | |
APPLAUSE | 0:01:48 | 0:01:51 | |
Thank you so much! | 0:02:01 | 0:02:03 | |
Welcome to the show. | 0:02:04 | 0:02:05 | |
Now, tonight you're in for a real treat. | 0:02:05 | 0:02:07 | |
We're giving some amazing artists the chance to pay homage | 0:02:07 | 0:02:10 | |
to their showbiz heroes, the people who first inspired them, | 0:02:10 | 0:02:14 | |
with some very special performances. | 0:02:14 | 0:02:16 | |
Trust me, we are in for a wonderful evening, | 0:02:16 | 0:02:18 | |
as we welcome some incredible talent into the Hall Of Fame here, | 0:02:18 | 0:02:22 | |
at the Dominion Theatre in London. | 0:02:22 | 0:02:23 | |
APPLAUSE | 0:02:23 | 0:02:27 | |
Now... | 0:02:29 | 0:02:30 | |
One or two of you will have noticed that, | 0:02:31 | 0:02:33 | |
unless I've had an insane amount of cosmetic surgery, I am not Brucie. | 0:02:33 | 0:02:37 | |
LAUGHTER | 0:02:37 | 0:02:39 | |
Actually, I've got to tell you. Brucie sent me...he sent a lovely... | 0:02:39 | 0:02:42 | |
lovely little note to my dressing room. | 0:02:42 | 0:02:44 | |
I've got to read this to you. | 0:02:44 | 0:02:46 | |
It's, er... "Oi, Pointless. | 0:02:46 | 0:02:49 | |
"Mess this up and I'll make sure you never work again. | 0:02:49 | 0:02:52 | |
"To see you nice, Brucie." | 0:02:53 | 0:02:55 | |
LAUGHTER, APPLAUSE | 0:02:55 | 0:02:58 | |
So, joining us on the show tonight, | 0:03:01 | 0:03:03 | |
we have the absurdly talented Catherine Tate. | 0:03:03 | 0:03:06 | |
She'll be here. | 0:03:06 | 0:03:07 | |
CHEERS AND APPLAUSE | 0:03:07 | 0:03:10 | |
One of Catherine's most famous characters is of course Sweary Nan. | 0:03:10 | 0:03:14 | |
-CROWD: -Yeah! | 0:03:14 | 0:03:16 | |
Little known fact here - actually based on Mary Berry. | 0:03:16 | 0:03:19 | |
LAUGHTER Who...who knew? | 0:03:19 | 0:03:23 | |
We've got the sensational Beverley Knight! | 0:03:23 | 0:03:26 | |
CHEERS AND APPLAUSE | 0:03:26 | 0:03:29 | |
Beverley has recently been onstage playing Grizabella | 0:03:29 | 0:03:32 | |
in the revival of Cats the Musical. | 0:03:32 | 0:03:34 | |
Yeah, she was a bit nervous on the opening night. | 0:03:34 | 0:03:37 | |
In fact, some of the cast went outside to look for her, | 0:03:37 | 0:03:39 | |
and they found her hiding under someone's car. | 0:03:39 | 0:03:41 | |
LAUGHTER | 0:03:41 | 0:03:43 | |
Magician Jamie Raven is here. | 0:03:43 | 0:03:46 | |
CHEERS AND APPLAUSE | 0:03:46 | 0:03:48 | |
And Kimberly Wyatt and Adam Garcia here tonight. | 0:03:48 | 0:03:51 | |
CHEERS AND APPLAUSE | 0:03:51 | 0:03:53 | |
Two incredible dancers. | 0:03:53 | 0:03:55 | |
Also joining us is comedian Katherine Ryan, | 0:03:55 | 0:03:57 | |
paying homage to the great queen of stand-up, Joan Rivers. | 0:03:57 | 0:04:01 | |
CHEERS AND APPLAUSE | 0:04:01 | 0:04:04 | |
But before we meet our first guest, let's hear it for our musical | 0:04:04 | 0:04:07 | |
director, Steve Sidwell, and his band, The Sidwellettes. | 0:04:07 | 0:04:10 | |
CHEERS AND APPLAUSE | 0:04:10 | 0:04:13 | |
They regularly play all over the West End. | 0:04:21 | 0:04:23 | |
And if you get a chance to see them, do pop something into the hat. | 0:04:23 | 0:04:26 | |
LAUGHTER | 0:04:26 | 0:04:28 | |
That is more than enough from me for the time being. | 0:04:28 | 0:04:30 | |
Let's now meet our first guest tonight. | 0:04:30 | 0:04:33 | |
She is the wonderful Shona McGarty. | 0:04:33 | 0:04:34 | |
Most of you of course will know her from EastEnders, | 0:04:34 | 0:04:37 | |
where she plays Bianca's adopted daughter, Whitney. | 0:04:37 | 0:04:39 | |
Or, as they call her on the show... | 0:04:39 | 0:04:40 | |
YELLS: Whitneeeeey! | 0:04:40 | 0:04:43 | |
I dumped him, | 0:04:45 | 0:04:47 | |
my best mate, for a cheating pig. | 0:04:47 | 0:04:49 | |
I love you. | 0:04:51 | 0:04:52 | |
Ladies and gentlemen, please welcome Miss Shona McGarty! | 0:04:56 | 0:05:00 | |
CHEERS AND APPLAUSE | 0:05:00 | 0:05:03 | |
Now then, Shona. We all know your character on EastEnders | 0:05:14 | 0:05:17 | |
has a bit of a... She's got a bit of a mouth on her, hasn't she? | 0:05:17 | 0:05:19 | |
-She shouts a lot, yeah. -She does. She does. | 0:05:19 | 0:05:22 | |
But what a lot of people won't know is that you've got an amazing voice. | 0:05:22 | 0:05:25 | |
-Thank you. -Absolutely. So I have to tell you. | 0:05:25 | 0:05:27 | |
I have to tell you, when you were rehearsing yesterday, | 0:05:27 | 0:05:30 | |
I promise, everyone in the theatre just stopped what they were doing. | 0:05:30 | 0:05:34 | |
Honestly, it was like | 0:05:34 | 0:05:35 | |
the Shawshank Redemption. Everyone just went... | 0:05:35 | 0:05:37 | |
LAUGHTER | 0:05:37 | 0:05:40 | |
Who's your inspiration, as a singer? | 0:05:40 | 0:05:42 | |
Um, my absolute inspiration has to be Aretha Franklin. | 0:05:42 | 0:05:46 | |
APPLAUSE | 0:05:46 | 0:05:49 | |
Let's just talk about Aretha for a moment or two. | 0:05:51 | 0:05:54 | |
I mean, how did you discover...? It was just played in the house? | 0:05:54 | 0:05:57 | |
It was always played. My mum is a huge fan of, you know, | 0:05:57 | 0:06:00 | |
all the divas, you know, Diana Ross, Aretha Franklin, | 0:06:00 | 0:06:03 | |
um, and I used to steal her CDs | 0:06:03 | 0:06:05 | |
and sing in my bedroom. | 0:06:05 | 0:06:07 | |
Let's just have a look at why the queen of soul is | 0:06:07 | 0:06:09 | |
such an inspiration for you, though. | 0:06:09 | 0:06:11 | |
MUSIC: Respect by Aretha Franklin | 0:06:11 | 0:06:15 | |
The first time I heard Aretha Franklin was | 0:06:15 | 0:06:18 | |
my mum was in the kitchen cooking dinner, | 0:06:18 | 0:06:20 | |
and she was humming a tune, and I said, "Mum, what's that?" | 0:06:20 | 0:06:23 | |
She said, "Oh, it's Respect." I said, "What?" | 0:06:23 | 0:06:26 | |
And she started singing it. And then it just became like a little song | 0:06:26 | 0:06:29 | |
that we'd sing every now and then when we were making dinner. | 0:06:29 | 0:06:32 | |
That was one of her favourite songs, | 0:06:32 | 0:06:34 | |
and it still is one of my favourite songs. | 0:06:34 | 0:06:36 | |
# R-E-S-P-E-C-T... # | 0:06:36 | 0:06:38 | |
Aretha Franklin has got one of the most powerful voices, um, | 0:06:38 | 0:06:42 | |
and it comes from deep down within. | 0:06:42 | 0:06:45 | |
She's a legend. | 0:06:45 | 0:06:47 | |
The song I'm going to be performing tonight is Chain Of Fools. | 0:06:47 | 0:06:50 | |
-# Chain, chain, chain -Chain, chain, chain | 0:06:50 | 0:06:54 | |
# Chain of fools... # | 0:06:54 | 0:06:55 | |
I love the beat. I love the melody. | 0:06:55 | 0:06:57 | |
The lyrics are really powerful. | 0:06:57 | 0:07:00 | |
And I feel fabulous when I sing it. | 0:07:00 | 0:07:02 | |
This is definitely an opportunity for me | 0:07:02 | 0:07:05 | |
to show people that I'm not just Whitney from EastEnders. | 0:07:05 | 0:07:09 | |
I am feeling very nervous. | 0:07:09 | 0:07:12 | |
I'm not going to try and be Aretha Franklin, | 0:07:12 | 0:07:14 | |
but what I would like to do is hopefully just enjoy it and... | 0:07:14 | 0:07:19 | |
Yeah, I want people to see that I can sing. | 0:07:20 | 0:07:23 | |
# Well, well, yeah | 0:07:23 | 0:07:28 | |
# Yeah! # | 0:07:28 | 0:07:31 | |
I love you! | 0:07:31 | 0:07:32 | |
Well, it's time to kick the show off in style. | 0:07:34 | 0:07:36 | |
Singing Chain Of Fools, inspired by the great Aretha Franklin, | 0:07:36 | 0:07:39 | |
it's Shona McGarty! | 0:07:39 | 0:07:41 | |
APPLAUSE | 0:07:41 | 0:07:43 | |
-# Chain, chain, chain -Chain, chain, chain | 0:07:49 | 0:07:53 | |
-# Chain of fools -Chain of fools | 0:07:53 | 0:07:57 | |
-# Chain, chain, chain -Chain, chain | 0:07:57 | 0:08:01 | |
# Chain of fools | 0:08:01 | 0:08:05 | |
# For five long years | 0:08:05 | 0:08:09 | |
# I thought you were my man | 0:08:09 | 0:08:12 | |
# But I found out | 0:08:13 | 0:08:17 | |
# I'm just a link in your chain | 0:08:17 | 0:08:20 | |
# You got me where you want me, boy | 0:08:21 | 0:08:25 | |
# I ain't nothing but your fool | 0:08:25 | 0:08:28 | |
# You treated me mean, child, | 0:08:29 | 0:08:33 | |
# I said you treated me cruel | 0:08:33 | 0:08:37 | |
-# Chain, chain, chain -Chain, chain, chain | 0:08:37 | 0:08:42 | |
# Chain of fools | 0:08:42 | 0:08:45 | |
# See, every chain | 0:08:46 | 0:08:48 | |
# Has got a weak link | 0:08:50 | 0:08:53 | |
# And, yeah, I might be weak, child | 0:08:54 | 0:08:58 | |
# But I still give you your strength, yeah | 0:08:58 | 0:09:04 | |
# You told me to leave you alone | 0:09:04 | 0:09:09 | |
# My father said, "Come on home" | 0:09:09 | 0:09:13 | |
# My doctor said, "Take it easy" | 0:09:13 | 0:09:18 | |
# Oh, but your loving is much too strong | 0:09:18 | 0:09:20 | |
# I'm added to your | 0:09:20 | 0:09:22 | |
# Chain, chain, chain | 0:09:22 | 0:09:25 | |
# Chain, chain, chain | 0:09:25 | 0:09:26 | |
# Your chain, chain, chain | 0:09:26 | 0:09:28 | |
# Chain, chain, chain | 0:09:28 | 0:09:30 | |
# Your chain, chain, chain-ain-ain | 0:09:30 | 0:09:34 | |
# Your chain of fools | 0:09:34 | 0:09:37 | |
# Chain, chain, chain | 0:09:38 | 0:09:40 | |
# One of these mornings your chain is gonna break | 0:09:40 | 0:09:46 | |
# But until then, yeah | 0:09:46 | 0:09:50 | |
# I'm gonna take, I'm gonna take | 0:09:50 | 0:09:52 | |
# I'm gonna take all I can take | 0:09:52 | 0:09:55 | |
-# Chain, chain, chain -Chain, chain, chain | 0:09:55 | 0:10:00 | |
# Chain, chain, chain | 0:10:00 | 0:10:03 | |
# Chain, chain, chain | 0:10:03 | 0:10:07 | |
# Your chain of fools | 0:10:07 | 0:10:11 | |
-# Chain, chain, chain -Chain, chain, chain | 0:10:11 | 0:10:13 | |
# Chain, chain, chain | 0:10:13 | 0:10:15 | |
# Chain, chain, chain | 0:10:15 | 0:10:17 | |
# Chain of fools, yeah, yeah, yeah | 0:10:17 | 0:10:20 | |
# Chain-ain-ain-ain | 0:10:20 | 0:10:23 | |
# My chain of fools, yeah | 0:10:23 | 0:10:27 | |
# Chain, chain, chain | 0:10:27 | 0:10:29 | |
# My chain of fools | 0:10:31 | 0:10:37 | |
MUSIC STOPS | 0:10:37 | 0:10:39 | |
# My chain | 0:10:39 | 0:10:45 | |
# Yeah, yeah. # | 0:10:47 | 0:10:53 | |
APPLAUSE | 0:10:53 | 0:10:56 | |
Why didn't we know about this years ago, Shona? | 0:11:11 | 0:11:14 | |
Because I only get to sing in the shower. | 0:11:14 | 0:11:16 | |
-CROWD: -Woo! -That's it. | 0:11:16 | 0:11:18 | |
This is some shower you've got here. Look at this. | 0:11:18 | 0:11:20 | |
-LAUGHTER -Amazing. | 0:11:20 | 0:11:23 | |
You said you were nervous before. | 0:11:23 | 0:11:25 | |
-I'm always nervous. -How could you possibly be nervous? | 0:11:25 | 0:11:28 | |
Because I'm at the Dominion in front of thousands of beautiful | 0:11:28 | 0:11:31 | |
people, and it's just such an amazing experience. | 0:11:31 | 0:11:35 | |
Thank you for letting me be here. | 0:11:35 | 0:11:37 | |
Ladies and gentlemen, Shona McGarty. Fabulous. | 0:11:39 | 0:11:42 | |
CHEERS AND APPLAUSE | 0:11:42 | 0:11:45 | |
Now, ladies and gentlemen, you are in for a real treat now, | 0:11:47 | 0:11:50 | |
as two of the best dancers of their generation | 0:11:50 | 0:11:53 | |
have joined forces to perform for you. | 0:11:53 | 0:11:55 | |
Strangely, not Richard Osman and me in Lycra. | 0:11:55 | 0:11:59 | |
I know, I know. | 0:11:59 | 0:12:00 | |
No, take a look at this. | 0:12:00 | 0:12:02 | |
MUSIC: Don't Cha by Pussycat Dolls | 0:12:02 | 0:12:05 | |
APPLAUSE | 0:12:20 | 0:12:23 | |
Ladies and gentlemen, please welcome Kimberly Wyatt and Adam Garcia. | 0:12:23 | 0:12:27 | |
CHEERS AND APPLAUSE | 0:12:27 | 0:12:30 | |
-Wow. Welcome. -Thank you. -Welcome to the Dominion. | 0:12:41 | 0:12:44 | |
Now, Kimberly, I suppose... | 0:12:44 | 0:12:45 | |
-I guess people probably think of you chiefly as a Pussycat Doll... -Yes. | 0:12:45 | 0:12:49 | |
..initially, but you have so many strings to your bow, don't you? | 0:12:49 | 0:12:52 | |
-A few. -I mean, you were a gymnast. | 0:12:52 | 0:12:54 | |
-Yeah. -Classically-trained ballet dancer. -Yes. | 0:12:54 | 0:12:57 | |
And if that weren't enough, you've then gone on to win | 0:12:57 | 0:12:59 | |
Celebrity MasterChef. | 0:12:59 | 0:13:01 | |
I know. It's crazy! | 0:13:01 | 0:13:02 | |
CHEERS AND APPLAUSE | 0:13:02 | 0:13:05 | |
I'd never been so far outside of my comfort zone. | 0:13:05 | 0:13:08 | |
It was quite a victorious feat for me. | 0:13:08 | 0:13:10 | |
-I bet. -I'm really proud of that. -Now, Adam. | 0:13:10 | 0:13:12 | |
We know you from Hollywood films. | 0:13:12 | 0:13:14 | |
Coyote Ugly springs to mind. | 0:13:14 | 0:13:16 | |
Yes, yes. | 0:13:16 | 0:13:17 | |
I mean, extraordinary tap talents you have. | 0:13:17 | 0:13:20 | |
And I can cook a little bit. Not like her. | 0:13:20 | 0:13:22 | |
I'm quite...quite enjoying the old... | 0:13:23 | 0:13:25 | |
Yeah, I'm doing a Shakespeare at the moment. | 0:13:25 | 0:13:27 | |
I'm in The Winter's Tale with Dame Judi Dench. | 0:13:27 | 0:13:31 | |
CHEERS AND APPLAUSE | 0:13:31 | 0:13:34 | |
So, there we are. So many things. | 0:13:34 | 0:13:36 | |
So, Kimberly, this was all your idea. | 0:13:36 | 0:13:38 | |
Tell us what you're going to be doing. | 0:13:38 | 0:13:40 | |
So we're doing a pastiche to one of the most iconic scenes, | 0:13:40 | 0:13:44 | |
for me, in Singin' In The Rain, with Cyd Charisse and Gene Kelly. | 0:13:44 | 0:13:48 | |
So we're pulling it into the modern day, | 0:13:48 | 0:13:50 | |
and we get to be Cyd Charisse and Gene Kelly, which is just crazy. | 0:13:50 | 0:13:54 | |
Yeah. Two of the greatest dancers of not just their generation but ever. | 0:13:54 | 0:13:57 | |
So... | 0:13:57 | 0:13:58 | |
-Ha, ha, ha! -LAUGHTER | 0:13:58 | 0:14:00 | |
Now, Cyd Charisse, famously, was quite a lot taller than Kelly, | 0:14:00 | 0:14:03 | |
-wasn't she? -Yes, which was interesting cos, | 0:14:03 | 0:14:05 | |
as we were going back and rehearsing it, | 0:14:05 | 0:14:07 | |
you find that the style that Cyd Charisse was going for | 0:14:07 | 0:14:09 | |
was always sort of bent knees, to look a bit shorter than Gene Kelly. | 0:14:09 | 0:14:14 | |
-To please her leading man. -Exactly. -Not to over-tower him. | 0:14:14 | 0:14:17 | |
Well, I have to say, you are so brave to take this on. | 0:14:17 | 0:14:20 | |
So brave. | 0:14:20 | 0:14:21 | |
Well, as...I can't remember who but someone, I think, famously said, | 0:14:21 | 0:14:24 | |
"Let's have a look at you in training." | 0:14:24 | 0:14:26 | |
-Fab. -Let's. -LAUGHTER | 0:14:26 | 0:14:29 | |
Working with Kim is a joy. | 0:14:34 | 0:14:36 | |
I mean, we've been friends for a long time now. | 0:14:36 | 0:14:38 | |
Kimberly and myself will be dancing | 0:14:38 | 0:14:40 | |
Broadway Melody's ballet from Singin' In The Rain. | 0:14:40 | 0:14:43 | |
I mean, Cyd Charisse and Gene Kelly, | 0:14:43 | 0:14:45 | |
one of the greatest of the Hollywood dancers, together. | 0:14:45 | 0:14:48 | |
This is one of those routines which is genuinely iconic. | 0:14:48 | 0:14:53 | |
It's, like, having to do that part is really demanding. | 0:14:54 | 0:14:58 | |
I'm so excited to see you do this bit. | 0:14:59 | 0:15:02 | |
-It's quite challenging. -It is. | 0:15:03 | 0:15:05 | |
-It's very quick, and he had such an amazing centre of gravity. -Yes! | 0:15:05 | 0:15:11 | |
And we're going to have to do it in... | 0:15:11 | 0:15:14 | |
-Just one go. -We have one shot. | 0:15:14 | 0:15:16 | |
I think Cyd stands apart from all the dancers of her generation | 0:15:18 | 0:15:23 | |
because the technique is just really effortless, | 0:15:23 | 0:15:26 | |
and she's got beautiful, long legs | 0:15:26 | 0:15:28 | |
that when she lifts them, makes you take notice. | 0:15:28 | 0:15:30 | |
Beautiful lines when she hits her marks, and she's a perfectionist. | 0:15:30 | 0:15:34 | |
And now that it's my chance, I'd better not screw it up! | 0:15:34 | 0:15:37 | |
It's a real delight to be able to... | 0:15:38 | 0:15:40 | |
step into the shoes of Gene Kelly? | 0:15:40 | 0:15:43 | |
It's kind of scary at the same time. | 0:15:43 | 0:15:45 | |
Everyone knows who Gene Kelly is. He's a legend. | 0:15:45 | 0:15:48 | |
Um... So, yeah, it's with trepidation | 0:15:48 | 0:15:51 | |
and with great joy that I step into his shoes. | 0:15:51 | 0:15:54 | |
Yeah, it's the day before. | 0:15:55 | 0:15:57 | |
Oh, it's a huge thing to be able to get on stage and rehearse. | 0:15:57 | 0:16:01 | |
You get to see just how magnificent this theatre is. | 0:16:01 | 0:16:04 | |
I mean, Gene Kelly is a legend in my world of dance. | 0:16:04 | 0:16:08 | |
I get the honour of performing with our modern-day Gene Kelly, | 0:16:08 | 0:16:11 | |
which is Adam Garcia. | 0:16:11 | 0:16:13 | |
So, in a way, I do get to dance with Gene Kelly. | 0:16:13 | 0:16:15 | |
A little nervous | 0:16:16 | 0:16:18 | |
just to be able to get on and do that routine, do it justice | 0:16:18 | 0:16:21 | |
and do Cyd Charisse and Gene Kelly justice, too. | 0:16:21 | 0:16:24 | |
APPLAUSE | 0:16:24 | 0:16:27 | |
CHEERS AND APPLAUSE | 0:19:35 | 0:19:39 | |
That... | 0:20:01 | 0:20:02 | |
I've never been able to watch a dance like that so close. | 0:20:04 | 0:20:07 | |
It's incredible! | 0:20:07 | 0:20:08 | |
It was an amazing piece that Gene choreographed. And... | 0:20:08 | 0:20:11 | |
what they actually did was phenomenal, | 0:20:11 | 0:20:14 | |
and he never span backwards. | 0:20:14 | 0:20:16 | |
He never went that way. He always spun... | 0:20:16 | 0:20:19 | |
on his left, turning left. | 0:20:19 | 0:20:21 | |
What would you say, out of ten, technically, how demanding is that? | 0:20:21 | 0:20:25 | |
Well, Cyd Charisse is known for her ballet background. | 0:20:25 | 0:20:28 | |
-Yeah. -And what she does well | 0:20:28 | 0:20:30 | |
is make that ballet foundation look effortless. | 0:20:30 | 0:20:33 | |
It takes a lot of work to look effortless. | 0:20:33 | 0:20:35 | |
It looked absolutely fantastic. | 0:20:35 | 0:20:37 | |
Ladies and gentlemen, Kimberly Wyatt and Adam Garcia. | 0:20:37 | 0:20:40 | |
Absolutely wonderful. | 0:20:40 | 0:20:41 | |
CHEERS AND APPLAUSE | 0:20:41 | 0:20:44 | |
Well, it's time now for a fantastic magician, | 0:20:49 | 0:20:52 | |
who was the highest placed human in last year's Britain's Got Talent, | 0:20:52 | 0:20:56 | |
amazing the judges with his incredible illusions. | 0:20:56 | 0:20:59 | |
And if he can make a cynical old prune like Simon Cowell | 0:20:59 | 0:21:02 | |
believe in magic, then he must be something special. | 0:21:02 | 0:21:04 | |
Check this out. You see our magician? | 0:21:04 | 0:21:08 | |
He takes off his hat. He reaches inside. | 0:21:08 | 0:21:10 | |
He pulls out just one card. | 0:21:10 | 0:21:12 | |
Ladies and gentlemen, not just any card, it's the seven of hearts. | 0:21:12 | 0:21:16 | |
-CHEERS -Oh, my God! | 0:21:16 | 0:21:19 | |
There are a lot of people who do tricks, and there are a few | 0:21:23 | 0:21:25 | |
people who actually can do magic, and I think we just saw that. | 0:21:25 | 0:21:28 | |
Ladies and gentlemen, please welcome to the stage Mr Jamie Raven. | 0:21:33 | 0:21:37 | |
CHEERS AND APPLAUSE | 0:21:37 | 0:21:40 | |
So, Jamie, welcome to the show. Fabulous to have you here. | 0:21:49 | 0:21:52 | |
Now, apart from Britain's Got Talent... | 0:21:52 | 0:21:54 | |
-I mean, that's what I imagine most people recognise you from. -Yeah. | 0:21:54 | 0:21:57 | |
I mean, you have been doing... | 0:21:57 | 0:21:58 | |
-You've been doing magic for years and years. -I have. | 0:21:58 | 0:22:01 | |
I've been performing professionally for the last 12 years, | 0:22:01 | 0:22:03 | |
and I started learning when I was about ten. | 0:22:03 | 0:22:05 | |
So, yeah, 22 years of my life have been spent lying to people, | 0:22:05 | 0:22:08 | |
-in a nice way. -Amazing. | 0:22:08 | 0:22:10 | |
Actually, your career kind of took off here, didn't it, on this stage? | 0:22:10 | 0:22:13 | |
It did. It was literally on this spot, | 0:22:13 | 0:22:15 | |
and it's changed my life completely. | 0:22:15 | 0:22:16 | |
This was the Britain's Got Talent auditions, right here. | 0:22:16 | 0:22:19 | |
It was indeed, yeah. | 0:22:19 | 0:22:20 | |
ALEXANDER SIGHS Nice to be back. | 0:22:20 | 0:22:21 | |
Now, tell us about your inspirations, | 0:22:21 | 0:22:23 | |
when you were growing up. | 0:22:23 | 0:22:24 | |
For me, it's the one and only Mr Tommy Cooper. | 0:22:24 | 0:22:28 | |
APPLAUSE | 0:22:28 | 0:22:32 | |
Fantastic. | 0:22:32 | 0:22:33 | |
Because Tommy was... I mean, he was a comedian as well as a magician. | 0:22:34 | 0:22:38 | |
I mean, in your opinion, comedian or magician? | 0:22:38 | 0:22:41 | |
I think he was both. | 0:22:41 | 0:22:42 | |
I think he was a magician who used comedy to enhance | 0:22:42 | 0:22:45 | |
his performance. I think, you know, any variety performer | 0:22:45 | 0:22:47 | |
-could learn something through watching... -Yeah. | 0:22:47 | 0:22:49 | |
He was, in my opinion, one of the finest we've ever had. | 0:22:49 | 0:22:52 | |
Now, you had the most fantastic tour. | 0:22:52 | 0:22:54 | |
I did. I was very, very lucky. | 0:22:54 | 0:22:55 | |
Amazing. With a guide that I think we all know. | 0:22:55 | 0:22:58 | |
Let's take a look at this. | 0:22:58 | 0:22:59 | |
For me, some of Tommy's most memorable performances | 0:23:05 | 0:23:08 | |
were at the London Palladium. | 0:23:08 | 0:23:10 | |
And today, I've arranged to meet one of Tommy's very dear friends | 0:23:11 | 0:23:14 | |
to give me more insight about the man himself. | 0:23:14 | 0:23:17 | |
Sir Bruce, thank you so much for meeting me. | 0:23:19 | 0:23:21 | |
Glad you could make it. Come here. | 0:23:21 | 0:23:23 | |
APPLAUSE | 0:23:23 | 0:23:25 | |
Well, here we are, Jamie. Just a couple of photographs here. | 0:23:26 | 0:23:29 | |
The whole company on a Royal Variety show. | 0:23:29 | 0:23:31 | |
Who's that handsome young man right there? | 0:23:31 | 0:23:33 | |
-That's me in the middle. -You? Where's Tommy? | 0:23:33 | 0:23:35 | |
-Tommy, they pushed him right at the end. -Oh, no. Look at that. | 0:23:35 | 0:23:38 | |
-It's cos he was so tall. -Yeah, exactly. | 0:23:38 | 0:23:39 | |
-They put the taller kids at the back. -Exactly. | 0:23:39 | 0:23:42 | |
He'd ad lib with his magic tricks. | 0:23:42 | 0:23:44 | |
He'd think, "Well, that's got a big laugh. | 0:23:44 | 0:23:46 | |
"I'll follow that one with that", and he'd change it. | 0:23:46 | 0:23:50 | |
Look. See that? This one does the same, look. | 0:23:50 | 0:23:52 | |
LAUGHTER | 0:23:52 | 0:23:55 | |
There we are, Jamie. | 0:23:57 | 0:23:59 | |
Dressing room A and B at the Palladium. | 0:23:59 | 0:24:02 | |
It's a Royal Variety show. | 0:24:02 | 0:24:04 | |
There are eight comedians dressed in these two rooms, OK? | 0:24:04 | 0:24:08 | |
Tommy was with them all. Here we are. Let's go in. | 0:24:08 | 0:24:11 | |
Tommy Cooper was a comedian's comedian. | 0:24:13 | 0:24:17 | |
One thing he did, he started this joke, and then he said, | 0:24:17 | 0:24:20 | |
"Oh, excuse me for a minute," | 0:24:20 | 0:24:21 | |
and he went out the door, and he left us for 20 minutes. | 0:24:21 | 0:24:25 | |
Then he'd come back and they'd say, "Finish the joke." | 0:24:25 | 0:24:28 | |
He'd say, "What joke? Was I doing a joke? | 0:24:28 | 0:24:31 | |
"I don't remember that". | 0:24:31 | 0:24:32 | |
Here's a quick joke. | 0:24:32 | 0:24:34 | |
What was it? Oh, yes. | 0:24:37 | 0:24:39 | |
Now, there's one place, Jamie, I'd love to show you. | 0:24:39 | 0:24:42 | |
It's the most unlikely place to meet him, | 0:24:42 | 0:24:46 | |
but I saw him there very often, outside in the street. | 0:24:46 | 0:24:49 | |
-Let's go. -Let's go. | 0:24:49 | 0:24:50 | |
And it's somewhere round here. | 0:24:54 | 0:24:56 | |
Hamleys. There we are. Hamleys. | 0:24:58 | 0:25:01 | |
In we go. This was his favourite store. | 0:25:01 | 0:25:03 | |
When he'd look round this store, he'd be in here for hours. | 0:25:03 | 0:25:06 | |
And would he look for certain things | 0:25:06 | 0:25:07 | |
and then apply jokes to them, or do you think he had | 0:25:07 | 0:25:10 | |
a joke in mind first and he'd look for a prop to fit the joke? | 0:25:10 | 0:25:12 | |
-Or was it both? -No, he'd look for the prop, | 0:25:12 | 0:25:14 | |
and then he'd put the joke to the prop. | 0:25:14 | 0:25:16 | |
While we're here, I could show you a trick in Tommy's honour. | 0:25:16 | 0:25:18 | |
I always give people auditions. | 0:25:18 | 0:25:20 | |
I need you to take out any one that takes your fancy, Bruce. | 0:25:20 | 0:25:23 | |
Your choice. | 0:25:23 | 0:25:24 | |
Wonderful. | 0:25:24 | 0:25:25 | |
-Could you scribble your initials for me, or your autograph? -Yeah. | 0:25:25 | 0:25:28 | |
I don't usually put my initials. | 0:25:28 | 0:25:30 | |
Oh, in that case, I'll have to put it on eBay. Brilliant. | 0:25:30 | 0:25:33 | |
-Could you just say stop for me? -Yeah. Stop. -Brilliant. | 0:25:33 | 0:25:35 | |
If you could place it back. I'm not going to lie to you. | 0:25:35 | 0:25:37 | |
I've done this for quite a long time, quite a lot of people. | 0:25:37 | 0:25:40 | |
I'm not going to find this card. | 0:25:40 | 0:25:42 | |
-He is. -I am. -No, he is. | 0:25:42 | 0:25:44 | |
Can you see our friend, Dippy the Duck? | 0:25:44 | 0:25:48 | |
Oh, the duck, yes! | 0:25:48 | 0:25:49 | |
I put the cards in this. | 0:25:51 | 0:25:52 | |
LAUGHTER | 0:25:54 | 0:25:56 | |
-I'm going to place the cards inside the... -Oh, that's it. | 0:25:56 | 0:25:59 | |
-And if you could hold the duck for me. -Yeah. | 0:25:59 | 0:26:01 | |
As Tommy always used to say, | 0:26:01 | 0:26:02 | |
"I'm sure you've all seen a duck find a card before." | 0:26:02 | 0:26:05 | |
-That's right! -But you probably haven't seen a blindfolded duck | 0:26:05 | 0:26:08 | |
-find a card before. -Oh, that's right. I forgot that bit. | 0:26:08 | 0:26:10 | |
We're going to blindfold him up, | 0:26:10 | 0:26:12 | |
and then Dippy is going to find the card, Bruce. If I may... | 0:26:12 | 0:26:15 | |
He can't see through there, can he? No. On the count of three, Bruce. | 0:26:15 | 0:26:18 | |
We count, one... | 0:26:18 | 0:26:19 | |
-Two. -..two, three. | 0:26:19 | 0:26:21 | |
Three. | 0:26:21 | 0:26:22 | |
And Dippy takes one card out. | 0:26:22 | 0:26:24 | |
-Can't believe it. -What was the card you signed your name on? | 0:26:24 | 0:26:27 | |
Queen of hearts. | 0:26:27 | 0:26:28 | |
-The queen of hearts. -My favourite card. | 0:26:28 | 0:26:30 | |
No less, Bruce. | 0:26:30 | 0:26:31 | |
With my initials on it. | 0:26:31 | 0:26:33 | |
-And Dippy the Duck. -And Dippy the Duck. Incredible. | 0:26:33 | 0:26:36 | |
-I'm so glad you got that. -A pleasure. | 0:26:36 | 0:26:39 | |
-Oh, right, you've got the job. -Oh, thank you. I appreciate that. | 0:26:39 | 0:26:41 | |
-So go and do your act. -I'll do it now. | 0:26:41 | 0:26:43 | |
Thank you so much, Bruce. | 0:26:43 | 0:26:44 | |
APPLAUSE | 0:26:46 | 0:26:49 | |
What a fabulous day out with Brucie. | 0:26:49 | 0:26:51 | |
It was a dream come true for me. You know, to be able to spend time | 0:26:51 | 0:26:54 | |
in the presence of a legend in the world of show business | 0:26:54 | 0:26:56 | |
is an honour and a privilege and it's something I'll never forget. | 0:26:56 | 0:26:59 | |
Well, listen, we saw some fabulous close-up magic there of Tommy's. | 0:26:59 | 0:27:02 | |
I mean, you know, he often, as you were saying, | 0:27:02 | 0:27:04 | |
he'd get this hilariously wrong, wouldn't he? | 0:27:04 | 0:27:06 | |
On occasion, but that was through choice. | 0:27:06 | 0:27:08 | |
And Tommy was very much like Les Dawson in his style of performing. | 0:27:08 | 0:27:11 | |
He would make a mistake when he wanted to make a mistake, | 0:27:11 | 0:27:13 | |
because he thought it would make what he was doing much funnier. | 0:27:13 | 0:27:16 | |
What not a lot of people know is that Tommy was actually such | 0:27:16 | 0:27:19 | |
a skilled magician, he was actually awarded | 0:27:19 | 0:27:21 | |
the degree of the Member of the Inner Magic Circle, which is | 0:27:21 | 0:27:24 | |
the highest award the Magic Circle gives out, and it's an honour. | 0:27:24 | 0:27:27 | |
I'm immensely proud to be able to say that | 0:27:27 | 0:27:29 | |
I recently received myself, you know, as my idol... | 0:27:29 | 0:27:31 | |
APPLAUSE | 0:27:31 | 0:27:33 | |
Wow. | 0:27:33 | 0:27:35 | |
It's richly deserved, on the basis of just what we've seen so far. | 0:27:36 | 0:27:39 | |
You've got a trick for me now. You've got a close-up trick for me. | 0:27:39 | 0:27:42 | |
Love to, if that's all right. | 0:27:42 | 0:27:43 | |
-Please. -They say a magician only really does one thing - | 0:27:43 | 0:27:46 | |
pose the question, what's real and what's illusion? | 0:27:46 | 0:27:48 | |
And I always like to leave everybody to work out for themselves | 0:27:48 | 0:27:51 | |
which they think is which. | 0:27:51 | 0:27:52 | |
But for now, let's take this newspaper as an example. | 0:27:52 | 0:27:56 | |
I mean, we all know we can believe everything we read, right? | 0:27:56 | 0:28:00 | |
LAUGHTER | 0:28:00 | 0:28:03 | |
And that's where this particular illusion begins. | 0:28:03 | 0:28:05 | |
Xander, you see, I call it an illusion | 0:28:05 | 0:28:08 | |
because I don't actually tear the newspaper at all. | 0:28:08 | 0:28:13 | |
-Just looks like it. -OK. | 0:28:13 | 0:28:15 | |
And this is aided by the fact that it actually | 0:28:15 | 0:28:17 | |
sounds like the pieces are being torn. | 0:28:17 | 0:28:20 | |
-Can you hear that? -Yeah, I can. | 0:28:20 | 0:28:22 | |
It does look very like they're being torn, doesn't it? | 0:28:22 | 0:28:24 | |
It does. | 0:28:24 | 0:28:25 | |
And this is so convincing that after the show, people will come up to me | 0:28:25 | 0:28:30 | |
and they will swear blind that the piece of paper they formerly | 0:28:30 | 0:28:33 | |
saw as whole is now ripped into lots and lots of smaller pieces. | 0:28:33 | 0:28:38 | |
Just to be absolutely... Look at that. | 0:28:38 | 0:28:40 | |
-But it isn't. -Yeah. Oh, really? -You see, these people have been tricked. | 0:28:40 | 0:28:43 | |
They've been tricked by the senses they have trusted their entire | 0:28:43 | 0:28:46 | |
lives into believing something they have seen with their own eyes | 0:28:46 | 0:28:49 | |
is the truth when it isn't. | 0:28:49 | 0:28:51 | |
-Mm-hm. -You see, magic is very much like the newspapers in that you must | 0:28:51 | 0:28:55 | |
never, ever believe everything you see. | 0:28:55 | 0:28:58 | |
MURMURS AND APPLAUSE | 0:28:59 | 0:29:03 | |
ALEXANDER LAUGHS | 0:29:03 | 0:29:06 | |
-How did you do...? -I'd like to give that to you. | 0:29:07 | 0:29:09 | |
Yeah, all right. | 0:29:09 | 0:29:11 | |
Don't bother filling in the crossword. | 0:29:11 | 0:29:13 | |
I've already done that one. It's the only one I can do. | 0:29:13 | 0:29:16 | |
Well, listen, watching Tommy was what put you onto | 0:29:16 | 0:29:19 | |
the path of becoming the great magician you are today. | 0:29:19 | 0:29:22 | |
But you've now progressed onto larger illusions as well, | 0:29:22 | 0:29:25 | |
-haven't you? -I have. -I gather you're going to do something new | 0:29:25 | 0:29:27 | |
-for us, a new trick. -I would absolutely love to. -Fabulous. | 0:29:27 | 0:29:30 | |
I also understand you'll need an assistant for this. | 0:29:30 | 0:29:32 | |
-Yeah. -You're looking for someone good-looking, sassy. | 0:29:32 | 0:29:35 | |
-Yeah. -Bit of stage presence. | 0:29:35 | 0:29:36 | |
Alexander, I'd like you to... | 0:29:36 | 0:29:38 | |
-Delighted. -..to ask Kimberly back on the stage, if that's OK. | 0:29:38 | 0:29:43 | |
OK. Yes. | 0:29:43 | 0:29:45 | |
You know I've got better legs, don't you? | 0:29:45 | 0:29:46 | |
AWING AND LAUGHING Um... | 0:29:46 | 0:29:48 | |
ALEXANDER LAUGHS Ladies and gentlemen, | 0:29:48 | 0:29:51 | |
please welcome back to the stage Miss Kimberly Wyatt. | 0:29:51 | 0:29:53 | |
APPLAUSE | 0:29:53 | 0:29:55 | |
-Thank you so much for coming... -You're welcome. No problem. | 0:29:57 | 0:30:00 | |
-..and agreeing to do this for me. -Yeah, happy to. | 0:30:00 | 0:30:02 | |
It is such a privilege and an honour for me to be | 0:30:02 | 0:30:04 | |
here as part of this wonderful show, specifically here in this particular | 0:30:04 | 0:30:08 | |
theatre. As Tommy inspired me, I was hoping that together | 0:30:08 | 0:30:11 | |
we could do something that would inspire | 0:30:11 | 0:30:14 | |
other young performers out there. | 0:30:14 | 0:30:16 | |
-Would you be up for that? -I would love to. | 0:30:16 | 0:30:17 | |
-Fantastic. -I love a bit of magic. | 0:30:17 | 0:30:19 | |
-Stay with me. -OK. -Just follow my lead. -All right. | 0:30:19 | 0:30:22 | |
APPLAUSE | 0:30:22 | 0:30:25 | |
Ladies and gentlemen, | 0:30:49 | 0:30:51 | |
please watch this very, very closely. | 0:30:51 | 0:30:54 | |
APPLAUSE | 0:31:46 | 0:31:49 | |
I was just watching that so closely. | 0:32:05 | 0:32:07 | |
I was determined to work out how you did it. | 0:32:07 | 0:32:10 | |
Can you give me any clues? What happened? | 0:32:10 | 0:32:12 | |
It's fun to fly. | 0:32:12 | 0:32:13 | |
LAUGHTER | 0:32:13 | 0:32:16 | |
Oh, that's just insane, isn't it? Thank you so much, Kimberly. | 0:32:16 | 0:32:18 | |
Very well done. Ladies and gentlemen, | 0:32:18 | 0:32:20 | |
please give it up for the brilliant Jamie Raven. | 0:32:20 | 0:32:22 | |
CHEERS AND APPLAUSE | 0:32:22 | 0:32:25 | |
Now, ladies and gentlemen, forgive my indulgence, | 0:32:31 | 0:32:34 | |
but hearing about all the artists that have inspired our guests | 0:32:34 | 0:32:37 | |
this evening made me want to tell you about my inspiration. | 0:32:37 | 0:32:40 | |
Well, I wanted to be a musician and singer when I was younger, | 0:32:40 | 0:32:43 | |
and there was only really one voice that stood out above everyone else, | 0:32:43 | 0:32:47 | |
and that was Bing Crosby. | 0:32:47 | 0:32:48 | |
RADIO INTERFERENCE | 0:32:52 | 0:32:54 | |
# Zip-a-dee-doo-dah | 0:32:55 | 0:32:57 | |
# Zip-a-dee-ay | 0:32:57 | 0:32:59 | |
# My, oh-my, what a wonderful day | 0:32:59 | 0:33:03 | |
# Plenty of sunshine... # | 0:33:03 | 0:33:05 | |
Yeah, I don't come from an especially musical family, | 0:33:05 | 0:33:08 | |
but we were great listeners to music, and I think that's the crucial thing. | 0:33:08 | 0:33:11 | |
We had music playing in our house all the time. | 0:33:11 | 0:33:13 | |
We had Bing Crosby. We had Frank Sinatra. | 0:33:15 | 0:33:17 | |
We had Ella. It seeps into you. | 0:33:17 | 0:33:19 | |
You know, it's not the style of music, | 0:33:19 | 0:33:21 | |
it's the tone of voice of music as well, | 0:33:21 | 0:33:24 | |
particularly in the case of Bing. | 0:33:24 | 0:33:26 | |
He had a...he had a storyteller's voice. | 0:33:28 | 0:33:30 | |
When Bing sings, it's like a monkey climbing through trees. | 0:33:30 | 0:33:34 | |
Do you know what I mean? He'll sort of swing through a melody. | 0:33:34 | 0:33:37 | |
He'll grab onto a note here | 0:33:37 | 0:33:38 | |
and he'll swing along to the next one like that. | 0:33:38 | 0:33:40 | |
# ..to be a mule | 0:33:40 | 0:33:42 | |
# And all the monkeys aren't in the zoo | 0:33:42 | 0:33:46 | |
# Every day you meet quite a few. # | 0:33:46 | 0:33:49 | |
The extraordinary fact about Bing Crosby that isn't really | 0:33:49 | 0:33:52 | |
talked about enough is the fact that he outsold The Beatles, | 0:33:52 | 0:33:55 | |
he outsold Elvis, in terms of the sheer number of records | 0:33:55 | 0:33:58 | |
he sold, the volume of albums he got out. | 0:33:58 | 0:34:01 | |
My background is choral singing, so it's quite...quite classical. | 0:34:03 | 0:34:07 | |
Choral singing. It's quite a tight grip. It just has to be. | 0:34:07 | 0:34:10 | |
For diction and things, reasons like that. | 0:34:10 | 0:34:12 | |
But you kind of want to just... | 0:34:12 | 0:34:13 | |
It's nice to be able to relax that grip | 0:34:13 | 0:34:15 | |
a little bit and just sort of emulate a little bit of Bing. | 0:34:15 | 0:34:17 | |
Let a little bit of Bing into my life. | 0:34:17 | 0:34:19 | |
I'm going to be singing Stranger In Paradise, | 0:34:19 | 0:34:22 | |
which of course Bing sang. | 0:34:22 | 0:34:23 | |
It's one of those songs... I guess it's like... | 0:34:23 | 0:34:26 | |
it's like an old family friend. | 0:34:26 | 0:34:28 | |
I've just sort of known it all my life, really. | 0:34:28 | 0:34:30 | |
What's exciting for me is this is the first time | 0:34:30 | 0:34:33 | |
I will ever have performed it live in front of an audience. | 0:34:33 | 0:34:36 | |
I'm hoping that Bing will teach me how to...how to sing this. | 0:34:36 | 0:34:40 | |
# Zip-a-dee-doo-dah zip-zip-zip-a-dee-ay. # | 0:34:40 | 0:34:43 | |
APPLAUSE | 0:34:43 | 0:34:47 | |
# Take my hand | 0:35:02 | 0:35:05 | |
# I'm a stranger in paradise | 0:35:05 | 0:35:08 | |
# All lost in a wonderland | 0:35:08 | 0:35:11 | |
# A stranger in paradise | 0:35:11 | 0:35:15 | |
# If I stand starry-eyed | 0:35:15 | 0:35:18 | |
# That's a danger in paradise | 0:35:18 | 0:35:21 | |
# For mortals who stand beside | 0:35:21 | 0:35:25 | |
# An angel like you | 0:35:25 | 0:35:28 | |
# Take my hand | 0:35:30 | 0:35:32 | |
# I'm a stranger in paradise | 0:35:32 | 0:35:35 | |
# Don't send me in dark despair | 0:35:35 | 0:35:39 | |
# From all that I hunger for | 0:35:39 | 0:35:42 | |
# But open your angel's arms | 0:35:42 | 0:35:46 | |
# To the stranger in paradise | 0:35:46 | 0:35:49 | |
# And tell him that he need be | 0:35:49 | 0:35:53 | |
# A stranger no more | 0:35:53 | 0:35:56 | |
# I saw your face | 0:35:56 | 0:36:01 | |
# And I ascended | 0:36:01 | 0:36:04 | |
# Out of the commonplace | 0:36:04 | 0:36:08 | |
# Into the rare | 0:36:08 | 0:36:11 | |
# Somewhere in space | 0:36:11 | 0:36:14 | |
# I hang suspended | 0:36:14 | 0:36:18 | |
# Until I know | 0:36:18 | 0:36:22 | |
# There's a chance that you care | 0:36:22 | 0:36:26 | |
# Won't you answer the fervent prayer | 0:36:29 | 0:36:34 | |
# Of a stranger in paradise? | 0:36:34 | 0:36:38 | |
# Don't send me in dark despair | 0:36:38 | 0:36:41 | |
# From all that I hunger for | 0:36:41 | 0:36:45 | |
# But open your angel's arms | 0:36:45 | 0:36:48 | |
# To the stranger in paradise | 0:36:48 | 0:36:52 | |
# And tell me that I need be | 0:36:52 | 0:36:58 | |
# A stranger | 0:37:00 | 0:37:03 | |
# No more. # | 0:37:03 | 0:37:11 | |
CHEERS AND APPLAUSE | 0:37:15 | 0:37:19 | |
ALEXANDER CHUCKLES Thank you so much. | 0:37:27 | 0:37:30 | |
You're really kind. Thank you. | 0:37:31 | 0:37:33 | |
Thank you. Thank you so very much. | 0:37:36 | 0:37:39 | |
You're very kind. | 0:37:39 | 0:37:40 | |
Still to come on the show tonight... | 0:37:40 | 0:37:42 | |
Singer Beverley Knight. | 0:37:44 | 0:37:45 | |
Catherine Tate closes the show. | 0:37:47 | 0:37:49 | |
And Sir Bruce reveals his inspiration. | 0:37:49 | 0:37:52 | |
Now, our next guest is the brilliant comedian Katherine Ryan, | 0:37:56 | 0:38:00 | |
who's from Canada, but this country has truly adopted her, | 0:38:00 | 0:38:04 | |
though we're not going to tell her till she's older. | 0:38:04 | 0:38:07 | |
I made my little sister the baby's godmother. | 0:38:12 | 0:38:15 | |
Yeah, cos she was too fat to be my bridesmaid, so... | 0:38:15 | 0:38:19 | |
LAUGHTER | 0:38:19 | 0:38:21 | |
Sexy face - practise with me - | 0:38:21 | 0:38:22 | |
thanks to Beyonce, is there's a bad smell and you're angry about it. | 0:38:22 | 0:38:28 | |
LAUGHTER | 0:38:28 | 0:38:31 | |
APPLAUSE | 0:38:35 | 0:38:38 | |
Please welcome Katherine Ryan! | 0:38:38 | 0:38:40 | |
CHEERS AND APPLAUSE | 0:38:40 | 0:38:43 | |
So, Katherine, welcome to the show. | 0:38:54 | 0:38:56 | |
Thank you so much for having me on, Bruce. | 0:38:56 | 0:38:58 | |
Oh, it's... LAUGHTER | 0:38:58 | 0:39:00 | |
Now, your career has just gone supersonic over the last 12 months. | 0:39:00 | 0:39:04 | |
Oh, that's very kind of you to say. | 0:39:04 | 0:39:05 | |
I mean, you have become such a favourite on, you know, | 0:39:05 | 0:39:08 | |
Have I Got News For You, QI, 8 Out 10 Cats, those panel shows. | 0:39:08 | 0:39:12 | |
I was on Have I Got News For You with you. | 0:39:12 | 0:39:13 | |
-We did it together. -You were great. | 0:39:13 | 0:39:15 | |
I have to say, it was very easy for a presenter, because, | 0:39:15 | 0:39:17 | |
you know, you spend the day there, we're surrounded by lots of people | 0:39:17 | 0:39:20 | |
-to help us, lots of production people who we get to know. -Yes. | 0:39:20 | 0:39:23 | |
You kind of get parachuted in. | 0:39:23 | 0:39:25 | |
You've got to hit the ground running and you've got to be... | 0:39:25 | 0:39:28 | |
You've got to be right out there with all the sass, all the funny. | 0:39:28 | 0:39:31 | |
Somehow you get paid way more. | 0:39:31 | 0:39:32 | |
LAUGHTER, ALEXANDER CLEARS THROAT Who is your inspiration? | 0:39:32 | 0:39:36 | |
If it weren't for Joan Rivers, I couldn't have this job. | 0:39:36 | 0:39:39 | |
APPLAUSE There we are, yeah. | 0:39:39 | 0:39:42 | |
Absolutely. | 0:39:45 | 0:39:46 | |
I mean, not just an astonishing personality and performer. | 0:39:47 | 0:39:50 | |
She was just a hurricane of fresh air, wasn't she? | 0:39:50 | 0:39:53 | |
Absolutely right, and she really pushed it. I love that. | 0:39:53 | 0:39:56 | |
She was involved in the late-night chat-show wars. | 0:39:56 | 0:39:58 | |
She was discovered by Johnny Carson, her mentor, | 0:39:58 | 0:40:02 | |
but then when she took a job opposite him in the time slot, | 0:40:02 | 0:40:04 | |
he never spoke to her again. | 0:40:04 | 0:40:06 | |
Well, let's just remind ourselves of what a fantastic force for good | 0:40:06 | 0:40:09 | |
in comedy Joan was. | 0:40:09 | 0:40:11 | |
I am stunned by that outfit. It's beautiful. | 0:40:11 | 0:40:13 | |
It's not mine. Thank you. | 0:40:13 | 0:40:15 | |
Luckily, I found this on a chair next to my husband's bed. | 0:40:15 | 0:40:18 | |
Don't marry for love. | 0:40:18 | 0:40:20 | |
What has love got to do with marriage? | 0:40:20 | 0:40:22 | |
I spit on love and marriage. Oh, please! | 0:40:22 | 0:40:25 | |
You marry for money. | 0:40:25 | 0:40:27 | |
I hate housework. | 0:40:29 | 0:40:30 | |
Housework is boring and it's futile. | 0:40:30 | 0:40:32 | |
You make the bed, you do the dishes - | 0:40:32 | 0:40:34 | |
six months later, you've got to start all over again. | 0:40:34 | 0:40:36 | |
APPLAUSE | 0:40:38 | 0:40:41 | |
Wonderful. | 0:40:43 | 0:40:44 | |
Now, what is it you particularly like about her and her comedy? | 0:40:44 | 0:40:47 | |
Well, you know, I didn't agree with everything that Joan Rivers | 0:40:47 | 0:40:50 | |
said, and I think it's the big picture of Joan's career. | 0:40:50 | 0:40:54 | |
She kept working at it and got told no a lot, and just never went away. | 0:40:54 | 0:40:59 | |
And I loved that... Sometimes I feel uncomfortable about my jokes, | 0:40:59 | 0:41:03 | |
and Joan shows me that that's OK. | 0:41:03 | 0:41:06 | |
I think you've got to push it if you want to make a difference. | 0:41:06 | 0:41:10 | |
You have that in common with her. | 0:41:10 | 0:41:12 | |
-I mean, out of this pure face... -Oh. -..comes such caustic remarks. | 0:41:12 | 0:41:17 | |
You know, I didn't know that I liked her so much | 0:41:17 | 0:41:19 | |
until people started comparing me to her, and I was flattered. | 0:41:19 | 0:41:22 | |
It's such a compliment, so thank you. | 0:41:22 | 0:41:24 | |
So when did you first discover her? When did you watch her? | 0:41:24 | 0:41:27 | |
My big treat on a Friday night was to stay up late with Mom | 0:41:27 | 0:41:30 | |
and watch late-night chat shows, | 0:41:30 | 0:41:31 | |
and, of course, she was on the Carol Burnett Show | 0:41:31 | 0:41:34 | |
and did lots of appearances on things, interviews. | 0:41:34 | 0:41:38 | |
She pioneered Live at the Red Carpet. | 0:41:38 | 0:41:40 | |
I was influenced by all that stuff. | 0:41:40 | 0:41:42 | |
She reminds me a lot of the glamorous women in my family. | 0:41:42 | 0:41:45 | |
-But she's mean, like me. -Mm-hm. | 0:41:45 | 0:41:48 | |
And you're going to treat us to some, I'm guessing, | 0:41:48 | 0:41:50 | |
Rivers-esque stand-up, inspired by her. | 0:41:50 | 0:41:53 | |
I'll try. Please don't get upset. | 0:41:53 | 0:41:55 | |
OK. Well, ladies and gentlemen, inspired by the peerless Joan Rivers, | 0:41:55 | 0:41:59 | |
please, Miss Katherine Ryan. | 0:41:59 | 0:42:01 | |
CHEERS AND APPLAUSE | 0:42:01 | 0:42:04 | |
Thank you. | 0:42:06 | 0:42:08 | |
I've been compared to Joan Rivers, but older, and it hurts. | 0:42:08 | 0:42:12 | |
Parts of her were younger, and that fine woman got exactly what | 0:42:13 | 0:42:16 | |
she wanted from that final surgery, to stop ageing. | 0:42:16 | 0:42:19 | |
So why are we sad? | 0:42:19 | 0:42:20 | |
Finally, she nailed it. | 0:42:21 | 0:42:23 | |
And I love getting older. | 0:42:25 | 0:42:27 | |
I started comedy just a little girl, and look at me now. | 0:42:27 | 0:42:29 | |
I'm full-blown Caitlin Jenner, and it feels good. | 0:42:29 | 0:42:33 | |
I spent so long wanting to look like one of the Kardashians, | 0:42:33 | 0:42:36 | |
I'm not even mad it's the dad. | 0:42:36 | 0:42:38 | |
I'll take it. | 0:42:38 | 0:42:39 | |
LAUGHTER AND APPLAUSE | 0:42:39 | 0:42:41 | |
I don't care. | 0:42:41 | 0:42:43 | |
Thank you. | 0:42:43 | 0:42:45 | |
As the wonderful Mr Alexander Armstrong said, | 0:42:45 | 0:42:47 | |
I am from Canada, but I've been living in Britain for nearly | 0:42:47 | 0:42:51 | |
ten years, and it was easy to leave. I'm from a terrible place. | 0:42:51 | 0:42:54 | |
There's a big petrochemical plant in the town that I grew up in, | 0:42:54 | 0:42:58 | |
and it pours poison into the air and into the sea, | 0:42:58 | 0:43:01 | |
but officially it's very safe. | 0:43:01 | 0:43:03 | |
Oh, God. The owner of the plant, Mr Burns, tells us how safe it is. | 0:43:03 | 0:43:08 | |
-Health and safety there is... -IMITATES BURNS: -Excellent. | 0:43:08 | 0:43:11 | |
I love your celebrities. | 0:43:12 | 0:43:14 | |
I love Peter Andre. Did you see him on Strictly? | 0:43:14 | 0:43:16 | |
Ooh, he's the nicest man in used-to-be-in-show business. | 0:43:16 | 0:43:20 | |
Isn't he? | 0:43:20 | 0:43:22 | |
And he recently got a new-born pregnant with his baby, | 0:43:22 | 0:43:25 | |
and she had it. | 0:43:25 | 0:43:27 | |
Congratulations to them both. | 0:43:29 | 0:43:31 | |
I started dating a Jewish man. | 0:43:34 | 0:43:36 | |
I fell in love with him, you guys, and he split up with me - | 0:43:36 | 0:43:41 | |
WITH ME - simply because I'm not Jewish, | 0:43:41 | 0:43:44 | |
and I genuinely didn't know that religions still behaved this way. | 0:43:44 | 0:43:47 | |
I am a blonde-haired, blue-eyed, white middle-class woman. | 0:43:47 | 0:43:51 | |
I am entitled to EVERYTHING. | 0:43:51 | 0:43:53 | |
It's not OK for his people to treat me | 0:43:55 | 0:43:57 | |
the way my people quite enjoy treating everyone else. | 0:43:57 | 0:43:59 | |
Last year was my favourite Bake Off ever. | 0:44:01 | 0:44:04 | |
-CHEERS -Nadiya won Bake Off. | 0:44:04 | 0:44:06 | |
Did you see that? | 0:44:06 | 0:44:08 | |
What a perfect storm of outrage for The Daily Mail that was. | 0:44:08 | 0:44:12 | |
A Muslim woman wins the Great British Bake Off with | 0:44:14 | 0:44:17 | |
a Victoria sponge. Ah! | 0:44:17 | 0:44:19 | |
Ah! | 0:44:20 | 0:44:22 | |
That was worse than them seeing a Somalian playing polo. | 0:44:26 | 0:44:29 | |
They were less anxious than when Diana was seeing Dodi. | 0:44:29 | 0:44:33 | |
They got upset. | 0:44:33 | 0:44:34 | |
Nadiya is amazing. | 0:44:34 | 0:44:36 | |
Of course she's British. Of course she is. | 0:44:36 | 0:44:38 | |
Did you see how embarrassed she was to have won? | 0:44:38 | 0:44:41 | |
Only you guys could have a panic attack about a macaroon. | 0:44:43 | 0:44:46 | |
My daughter is English. | 0:44:47 | 0:44:49 | |
I did not see that coming at all. | 0:44:49 | 0:44:51 | |
She hid it very well as a baby. You couldn't tell. | 0:44:51 | 0:44:53 | |
You couldn't tell where she was from for about a year. | 0:44:53 | 0:44:56 | |
-BRITISH ACCENT: -"And then all of a sudden, Mummy, | 0:44:56 | 0:44:58 | |
"she started to talk like this way." | 0:44:58 | 0:44:59 | |
At which point, I thought she was just mocking you, and it was fine. | 0:44:59 | 0:45:03 | |
Turns out she's actually English. | 0:45:03 | 0:45:05 | |
The British are sneaking into their own country through my body. Why? | 0:45:05 | 0:45:08 | |
Nigel Farage didn't see that coming, did he? | 0:45:11 | 0:45:14 | |
Thank you so much to Joan Rivers for reminding me | 0:45:20 | 0:45:23 | |
that I can have a voice, as a lady in this world. | 0:45:23 | 0:45:26 | |
Joan, we love you so much. Thank you. Goodnight. | 0:45:26 | 0:45:29 | |
CHEERS AND APPLAUSE | 0:45:29 | 0:45:33 | |
Ladies and gentlemen, please show your appreciation | 0:45:38 | 0:45:41 | |
for the fabulous Katherine Ryan. | 0:45:41 | 0:45:43 | |
Now, I know Bruce was really looking forward to telling you | 0:45:50 | 0:45:53 | |
about his inspiration. | 0:45:53 | 0:45:55 | |
Well, thanks to the crazy magic of television, he still can. | 0:45:55 | 0:45:59 | |
# Let's take it nice and easy | 0:45:59 | 0:46:03 | |
# It's gonna be so easy... # | 0:46:03 | 0:46:07 | |
Sammy was the ultimate, the ultimate performer. | 0:46:07 | 0:46:10 | |
He could sing, he could dance, he could do comedy. | 0:46:10 | 0:46:14 | |
He was wonderful to do comedy with. | 0:46:14 | 0:46:16 | |
That's what Sammy did. | 0:46:16 | 0:46:18 | |
BOTH: # ..our shining hour | 0:46:18 | 0:46:19 | |
# Calm and happy and bright. # | 0:46:19 | 0:46:21 | |
He got into the business when he was three years old. | 0:46:21 | 0:46:25 | |
And he grew up in the business, him | 0:46:25 | 0:46:28 | |
and his father and his uncle, you know, the Will Mastin Trio. | 0:46:28 | 0:46:34 | |
And by watching all the performers that he was on the bill with, | 0:46:34 | 0:46:38 | |
he learnt. And that's where a lot of his greatness came from. | 0:46:38 | 0:46:42 | |
# Won't go to Coney Any beach is...# | 0:46:42 | 0:46:46 | |
So many people have been inspired by the great Sammy Davis Jr. | 0:46:46 | 0:46:50 | |
And Adam Garcia, I believe he was inspired by him as well. | 0:46:50 | 0:46:56 | |
There were lots of tap dancers I admired, | 0:46:57 | 0:46:59 | |
but I think of all of them, Sammy Davis is my favourite. | 0:46:59 | 0:47:03 | |
He did things with his feet that you couldn't believe. | 0:47:03 | 0:47:07 | |
It was...it was phenomenal. | 0:47:07 | 0:47:10 | |
Now, I wouldn't invite you here just for a chat. | 0:47:10 | 0:47:12 | |
Thought this would be a good number to do. | 0:47:12 | 0:47:15 | |
Me & My Shadow. | 0:47:15 | 0:47:16 | |
It's a very old song, isn't it? | 0:47:16 | 0:47:18 | |
-Very old, very old. -But very classy. Cos he's done this a few times. | 0:47:18 | 0:47:21 | |
-He did it with Frank. -Sinatra, yeah. | 0:47:21 | 0:47:24 | |
I think we could get a bit more, sort of, comedy out of it, you know. | 0:47:26 | 0:47:29 | |
# Like the wallpaper sticks to the wall | 0:47:31 | 0:47:35 | |
# Like the seashore clings to the sea | 0:47:35 | 0:47:39 | |
# Like you'll never get rid of your shadow | 0:47:39 | 0:47:42 | |
-# Sir Bruce -Oh | 0:47:42 | 0:47:43 | |
# You'll never get rid of me. # | 0:47:43 | 0:47:46 | |
The beats that he got from just doing that with his feet, | 0:47:46 | 0:47:50 | |
they'd just... And you'd hear all these beats coming out. | 0:47:50 | 0:47:54 | |
You couldn't believe where they came from. | 0:47:54 | 0:47:56 | |
So he was...he was, in my mind, a great dancer. | 0:47:56 | 0:48:01 | |
I just adored him as a performer, | 0:48:02 | 0:48:07 | |
and that is 100%. | 0:48:07 | 0:48:09 | |
There's no, you know, "Oh, he was all right," all that. | 0:48:09 | 0:48:12 | |
You know, I just adored him, as the ultimate, | 0:48:12 | 0:48:15 | |
greatest performer that ever lived. | 0:48:15 | 0:48:18 | |
APPLAUSE Now... | 0:48:22 | 0:48:24 | |
Our next guest is a wonderful, award-winning singer, | 0:48:27 | 0:48:30 | |
one of this country's finest soul and R&B performers. | 0:48:30 | 0:48:34 | |
Yes, we've got Beverley Knight to see you, to see you... | 0:48:34 | 0:48:37 | |
-CROWD: -Nice! | 0:48:37 | 0:48:40 | |
It's like Brucie is here, isn't it? | 0:48:40 | 0:48:42 | |
# You're not that strong | 0:48:42 | 0:48:44 | |
# Just let me go. # | 0:48:44 | 0:48:47 | |
# Hold on, hold on | 0:48:47 | 0:48:49 | |
# Hold on to the beautiful night | 0:48:49 | 0:48:52 | |
# Beautiful night. # | 0:48:52 | 0:48:53 | |
# Woo! # | 0:48:55 | 0:48:58 | |
APPLAUSE | 0:49:01 | 0:49:03 | |
Ladies and gentlemen, Beverley Knight! | 0:49:05 | 0:49:08 | |
MUSIC: She's A Lady by Tom Jones | 0:49:08 | 0:49:12 | |
Beverley, just wonderful to have you here. | 0:49:25 | 0:49:28 | |
-Thank you. -Fantastic. | 0:49:28 | 0:49:29 | |
You know, I'd say back in the 1990s, when everybody was busy, | 0:49:29 | 0:49:33 | |
but they were all focusing on Britpop, I think | 0:49:33 | 0:49:35 | |
the most exciting thing to happen in that decade was Beverley Knight. | 0:49:35 | 0:49:39 | |
-Oh, thank you. -Absolutely extraordinary. | 0:49:39 | 0:49:41 | |
So where did it start? | 0:49:41 | 0:49:43 | |
Oh, it started kind of concurrently - church... At home, | 0:49:43 | 0:49:49 | |
my parents always took us to church. | 0:49:49 | 0:49:51 | |
And music... Huge part of, kind of, the whole gospel community. | 0:49:51 | 0:49:56 | |
So it started there. And then also at school. | 0:49:56 | 0:49:59 | |
I just happened to go to a fantastic school | 0:49:59 | 0:50:01 | |
that cared about extracurricular activities, | 0:50:01 | 0:50:03 | |
so they encouraged my music and my drama and everything. | 0:50:03 | 0:50:07 | |
There we are. And then you took | 0:50:07 | 0:50:09 | |
the big step of going into West End musicals. | 0:50:09 | 0:50:11 | |
-Yes. -You've had just a string of hits there. | 0:50:11 | 0:50:14 | |
Who knew, when I was Sandy in Grease at Highfields School, | 0:50:14 | 0:50:18 | |
that I was going to kind of come back to theatre? | 0:50:18 | 0:50:22 | |
-Yeah. -I'm so thrilled to have had that opportunity presented to me. | 0:50:22 | 0:50:27 | |
So, life is good. | 0:50:27 | 0:50:29 | |
-Life is very good. -Life is good. -Tell me about your inspiration. | 0:50:29 | 0:50:33 | |
Oh, the greatest... | 0:50:33 | 0:50:36 | |
Well, the man who gave us soul music. | 0:50:36 | 0:50:38 | |
It wasn't called soul music before he came along in the '50s | 0:50:38 | 0:50:42 | |
and changed everything - took it out of the church, | 0:50:42 | 0:50:45 | |
put it on the pop charts, and it became soul. | 0:50:45 | 0:50:49 | |
The late, great Sam Cooke. | 0:50:49 | 0:50:51 | |
APPLAUSE | 0:50:51 | 0:50:55 | |
-Indisputably... -Yeah. | 0:50:57 | 0:50:58 | |
..the great...the originator, really. | 0:50:58 | 0:51:00 | |
-Absolutely. -I can't wait to hear this. | 0:51:00 | 0:51:03 | |
-Well, let's find out why Sam Cooke means so much to you. -Yes. | 0:51:03 | 0:51:06 | |
# Don't know much about history... # | 0:51:10 | 0:51:12 | |
If you listen closely to any soul singer, of any decade, | 0:51:12 | 0:51:17 | |
you'll trace them back to Sam. | 0:51:17 | 0:51:19 | |
I was just absolutely mesmerised by the power | 0:51:19 | 0:51:23 | |
and the delivery of this voice, | 0:51:23 | 0:51:28 | |
disembodied voice, coming out of this 33 | 0:51:28 | 0:51:31 | |
that went round and round and round, and I'd just stand there | 0:51:31 | 0:51:33 | |
and just stare at it going round, | 0:51:33 | 0:51:36 | |
and it just took me to another world. | 0:51:36 | 0:51:38 | |
He died in an America where he couldn't vote, | 0:51:39 | 0:51:43 | |
where he was still treated as a third-class citizen. | 0:51:43 | 0:51:46 | |
As Sam was, you know, the man he was - | 0:51:46 | 0:51:49 | |
dreamt of better things and better days - | 0:51:49 | 0:51:52 | |
a song like A Change Is Gonna Come | 0:51:52 | 0:51:55 | |
carries not just the weight | 0:51:55 | 0:51:58 | |
of history behind it, | 0:51:58 | 0:52:02 | |
because it's so beautifully crafted and is a masterpiece, | 0:52:02 | 0:52:05 | |
but it carries the huge responsibility | 0:52:05 | 0:52:11 | |
of delivering the message | 0:52:11 | 0:52:13 | |
absolutely faultlessly. | 0:52:13 | 0:52:15 | |
He'd written this song that has become | 0:52:15 | 0:52:18 | |
a torch throughout the decades, | 0:52:18 | 0:52:21 | |
and indeed Obama had it at his inauguration ceremony. | 0:52:21 | 0:52:27 | |
When I step up to the mic and sing that song, | 0:52:27 | 0:52:30 | |
all those things, | 0:52:30 | 0:52:31 | |
all those responsibilities, all those thoughts, | 0:52:31 | 0:52:34 | |
all those feelings will be with me from the very first note. | 0:52:34 | 0:52:38 | |
And the very first note is a big note. | 0:52:38 | 0:52:42 | |
Paying homage to Sam Cooke, | 0:52:42 | 0:52:46 | |
the father of soul... | 0:52:46 | 0:52:47 | |
..is one of the biggest responsibilities | 0:52:48 | 0:52:52 | |
and also one of the biggest honours that I could ever have. | 0:52:52 | 0:52:57 | |
APPLAUSE | 0:53:02 | 0:53:05 | |
# I was born by the river | 0:53:12 | 0:53:18 | |
# In a little tent, oh | 0:53:19 | 0:53:24 | |
# And just like that old river | 0:53:24 | 0:53:27 | |
# I've been runnin' ever since | 0:53:27 | 0:53:32 | |
# It's been a long | 0:53:32 | 0:53:36 | |
# Long time comin' | 0:53:36 | 0:53:39 | |
# But I know | 0:53:39 | 0:53:42 | |
# A change gonna come | 0:53:42 | 0:53:46 | |
# Oh, yes, it will | 0:53:46 | 0:53:49 | |
# It's been too hard livin' | 0:53:51 | 0:53:56 | |
# But I'm afraid to die | 0:53:57 | 0:54:03 | |
# Cos I don't know what's up there | 0:54:03 | 0:54:05 | |
# Way beyond the sky | 0:54:08 | 0:54:11 | |
# It's been a long | 0:54:11 | 0:54:14 | |
# Long time comin' | 0:54:14 | 0:54:18 | |
# But I know | 0:54:18 | 0:54:21 | |
# A change gonna come | 0:54:21 | 0:54:25 | |
# Oh, yes, it will | 0:54:25 | 0:54:29 | |
# Yes, it will, now | 0:54:29 | 0:54:31 | |
# Mmm | 0:54:41 | 0:54:43 | |
# Oh, yes | 0:54:49 | 0:54:51 | |
# It's been a long | 0:54:51 | 0:54:55 | |
# Long time comin' | 0:54:55 | 0:54:59 | |
# But I know | 0:54:59 | 0:55:02 | |
# A change gonna come | 0:55:02 | 0:55:06 | |
# Oh, Lord, yes, it will | 0:55:06 | 0:55:09 | |
# Yes, it will, yes, it will | 0:55:09 | 0:55:11 | |
# So I go | 0:55:14 | 0:55:17 | |
# To my brother | 0:55:17 | 0:55:20 | |
# And I say to him Brother man | 0:55:21 | 0:55:24 | |
# Oh, brother man | 0:55:24 | 0:55:27 | |
# Won't you help me, please? | 0:55:27 | 0:55:31 | |
# Won't you help me please? | 0:55:31 | 0:55:34 | |
# But, oh, he keeps on | 0:55:34 | 0:55:38 | |
# Keeps on winding me up | 0:55:38 | 0:55:42 | |
# Till I'm bowed down, bowed down | 0:55:42 | 0:55:44 | |
# Bowed down, on my knees, yes | 0:55:46 | 0:55:52 | |
# There were times when | 0:55:53 | 0:55:57 | |
# When I | 0:55:57 | 0:55:59 | |
# When I thought I couldn't last for long | 0:55:59 | 0:56:02 | |
# But somehow, somehow | 0:56:02 | 0:56:06 | |
# Lord, I found the strength | 0:56:06 | 0:56:09 | |
# Oh, to carry on | 0:56:09 | 0:56:13 | |
# It's been a long | 0:56:13 | 0:56:19 | |
# Time comin' | 0:56:19 | 0:56:22 | |
# But I know | 0:56:22 | 0:56:25 | |
# A change gonna come | 0:56:25 | 0:56:29 | |
# Oh, Lord, yes, it will Yes, it will | 0:56:29 | 0:56:33 | |
# It's been a long | 0:56:34 | 0:56:38 | |
# Long time comin' | 0:56:39 | 0:56:43 | |
# But I know, I know, I know, I know, I know | 0:56:43 | 0:56:47 | |
# A change gonna come | 0:56:47 | 0:56:50 | |
# Oh, Lord, yes, it will | 0:56:50 | 0:56:55 | |
# Yes, it will. # | 0:56:57 | 0:57:04 | |
CHEERS AND APPLAUSE | 0:57:04 | 0:57:08 | |
That is a performance that no-one in this theatre will ever forget | 0:57:27 | 0:57:32 | |
for the rest of their lives. That was just extraordinary. | 0:57:32 | 0:57:34 | |
Thank you. | 0:57:34 | 0:57:35 | |
Ladies and gentlemen, let's hear it one more time | 0:57:37 | 0:57:39 | |
for the wonderful Beverley Knight. | 0:57:39 | 0:57:41 | |
CHEERS AND APPLAUSE | 0:57:41 | 0:57:44 | |
Now, our final guest of the evening is an outstanding comedian, | 0:57:48 | 0:57:52 | |
actor and writer. | 0:57:52 | 0:57:53 | |
She's so funny she'll have you rolling in the aisles, | 0:57:53 | 0:57:55 | |
though please can I ask you not to do that as it does present | 0:57:55 | 0:57:58 | |
a health and safety issue. | 0:57:58 | 0:58:00 | |
# I | 0:58:00 | 0:58:03 | |
# I am what I am | 0:58:03 | 0:58:06 | |
# I am my own special crea-tion. # | 0:58:06 | 0:58:13 | |
How very dare you? | 0:58:13 | 0:58:15 | |
# Come take a look | 0:58:17 | 0:58:18 | |
# Give me the hook. # You're kidding me. | 0:58:20 | 0:58:22 | |
# Or the ova-tion. # | 0:58:22 | 0:58:26 | |
Am I bothered? | 0:58:28 | 0:58:29 | |
APPLAUSE | 0:58:31 | 0:58:34 | |
Ladies and gentlemen, Catherine Tate. | 0:58:36 | 0:58:38 | |
Oh, Catherine, welcome. | 0:58:49 | 0:58:52 | |
-Oh, thank you. -Welcome to the Dominion. | 0:58:52 | 0:58:54 | |
Now, you've created a great many comedy characters. | 0:58:54 | 0:58:57 | |
I mean, one of the things you always dread... Cos obviously, | 0:58:57 | 0:59:00 | |
as someone who's spent quite a lot of my professional career | 0:59:00 | 0:59:02 | |
-in sketch comedy... -Yes. -The thing you always dread is someone going... | 0:59:02 | 0:59:05 | |
-BOTH: -"Where do you get your characters from?" | 0:59:05 | 0:59:08 | |
You've just got to look around you - front row - | 0:59:08 | 0:59:11 | |
and, er, nick people's personalities, | 0:59:11 | 0:59:16 | |
pass it off as your own. | 0:59:16 | 0:59:17 | |
It's that funny thing where things just fall into place, isn't it? | 0:59:17 | 0:59:20 | |
We would sometimes make up our characters when we started | 0:59:20 | 0:59:23 | |
rehearsing at the beginning of a week, and you think... | 0:59:23 | 0:59:25 | |
-Oh, yeah. -Some of them... -Some of them, you start with a hairstyle. | 0:59:25 | 0:59:28 | |
Yes. "Haven't had a Scottish one for a while." | 0:59:28 | 0:59:31 | |
Now, Catherine, who is your comedy inspiration? | 0:59:32 | 0:59:35 | |
My comedy inspiration is the supreme Victoria Wood. | 0:59:35 | 0:59:40 | |
APPLAUSE | 0:59:40 | 0:59:43 | |
I mean, a polymath of comedy, really. | 0:59:45 | 0:59:48 | |
-Oh, absolutely. -Stand-up, writer... | 0:59:48 | 0:59:52 | |
-I mean, an incredible writer. -Incredible writer. Actor. | 0:59:52 | 0:59:55 | |
A character comedian. | 0:59:55 | 0:59:56 | |
-The generosity of her writing for other performers... -Yeah. | 0:59:56 | 1:00:00 | |
..is certainly beyond my comprehension. | 1:00:00 | 1:00:02 | |
-Absolutely. -Because I give myself all the best lines, you see. | 1:00:02 | 1:00:05 | |
-You know that. -She doesn't. -You see all the people, | 1:00:05 | 1:00:08 | |
the names who queue up, you know... | 1:00:08 | 1:00:09 | |
-To work with her. -They fight to work with her. -Absolutely. | 1:00:09 | 1:00:12 | |
Incredible roll call, isn't it? | 1:00:12 | 1:00:13 | |
Now, before you sing one of Victoria's classic routines, | 1:00:13 | 1:00:16 | |
let's just find out why she was so inspiring to you. | 1:00:16 | 1:00:19 | |
Well, there was so much when I was growing up, you know, | 1:00:24 | 1:00:27 | |
that would be event TV, comedy-wise, you know. | 1:00:27 | 1:00:29 | |
Two Ronnies, Benny Hill, Little and Large. | 1:00:29 | 1:00:32 | |
I mean, so much stuff. And then Victoria Wood entered my life. | 1:00:32 | 1:00:38 | |
I'm not bothered. | 1:00:38 | 1:00:39 | |
And that blew it away, because | 1:00:41 | 1:00:45 | |
she was the first woman I'd seen being funny. | 1:00:45 | 1:00:48 | |
I really looked forward to it, and I would never get bored of it. | 1:00:48 | 1:00:51 | |
I could never have enough of it. | 1:00:51 | 1:00:52 | |
She said dinner ladies were putting everything in there - you know, | 1:00:52 | 1:00:55 | |
bogey bits... | 1:00:55 | 1:00:57 | |
..verrucas... | 1:00:58 | 1:01:00 | |
..carrots... | 1:01:01 | 1:01:03 | |
Seeing her perform and seeing the other people around her, | 1:01:03 | 1:01:06 | |
that is a comedy masterclass. | 1:01:06 | 1:01:08 | |
You don't realise that you're studying it. | 1:01:08 | 1:01:10 | |
It just seeps into you. | 1:01:10 | 1:01:11 | |
I'm definitely where I am because of her. | 1:01:11 | 1:01:15 | |
The Ballad Of Barry And Freda, I was very excited to see it | 1:01:20 | 1:01:24 | |
when I first watched it. It was just like, | 1:01:24 | 1:01:27 | |
"Oh, my God, imagine being the person that does that." | 1:01:27 | 1:01:31 | |
# Let's do it Let's do it tonight | 1:01:31 | 1:01:35 | |
# But he said I can't do it, I can't do it... # | 1:01:35 | 1:01:37 | |
It kind of takes you on its own journey, | 1:01:37 | 1:01:39 | |
and I think the orchestration of it as well is so brilliant, | 1:01:39 | 1:01:43 | |
because it kind of just runs away with you. | 1:01:43 | 1:01:45 | |
# Stop pouting, stop shouting | 1:01:45 | 1:01:47 | |
# You know I pulled a muscle when I did that grouting. | 1:01:47 | 1:01:50 | |
# I can't do it I can't do it tonight. # | 1:01:50 | 1:01:54 | |
And it's her eye for detail. | 1:01:54 | 1:01:56 | |
It's her eye for the ordinary, | 1:01:56 | 1:02:00 | |
the kind of everyday | 1:02:00 | 1:02:02 | |
but then becomes so beautifully nuanced. | 1:02:02 | 1:02:05 | |
That is what's so special and brilliant and memorable. | 1:02:05 | 1:02:11 | |
# Cos I know just how I want you to behave... # | 1:02:11 | 1:02:13 | |
She's just so brilliant. | 1:02:13 | 1:02:15 | |
She's just so brilliant, and it's... | 1:02:15 | 1:02:18 | |
Really, I don't know if I can do her the service I would like to do her. | 1:02:18 | 1:02:23 | |
So as nervous as I am... | 1:02:23 | 1:02:25 | |
..I can't wait. | 1:02:26 | 1:02:27 | |
With her take on Victoria Wood's Ballad Of Barry And Freda, | 1:02:34 | 1:02:38 | |
it's Catherine Tate! | 1:02:38 | 1:02:40 | |
CHEERS AND APPLAUSE | 1:02:40 | 1:02:43 | |
# Freda and Barry sat one night | 1:02:47 | 1:02:50 | |
# The sky was clear The stars were bright | 1:02:51 | 1:02:55 | |
# The wind was soft The moon was up | 1:02:55 | 1:02:59 | |
# Freda drained her cocoa cup | 1:02:59 | 1:03:02 | |
# She licked her lips She felt sublime | 1:03:04 | 1:03:07 | |
# She switched off Gardeners' Question Time | 1:03:07 | 1:03:11 | |
# Barry cringed with fear and dread | 1:03:11 | 1:03:14 | |
# As Freda grabbed his tie and said | 1:03:14 | 1:03:20 | |
# Let's do it, let's do it | 1:03:22 | 1:03:24 | |
# Do it while the mood is right | 1:03:24 | 1:03:27 | |
# I'm feeling appealing I've really got an appetite | 1:03:27 | 1:03:32 | |
# I'm on fire with desire | 1:03:32 | 1:03:34 | |
# I could handle half the tenors in a male voice choir | 1:03:34 | 1:03:37 | |
# Let's do it, let's do it tonight | 1:03:37 | 1:03:40 | |
# But he said I can't do it, I can't do it | 1:03:40 | 1:03:44 | |
# I don't believe in too much sex | 1:03:44 | 1:03:46 | |
# This fashion for passion turns us into nervous wrecks | 1:03:46 | 1:03:51 | |
# No derision, my decision | 1:03:51 | 1:03:53 | |
# I'd rather watch The Spinners on the television | 1:03:53 | 1:03:56 | |
# I can't do it, can't do it tonight | 1:03:56 | 1:03:59 | |
# So she said Let's do it, let's do it | 1:03:59 | 1:04:03 | |
# Do it till our hearts go boom | 1:04:03 | 1:04:06 | |
# Go native, creative | 1:04:06 | 1:04:08 | |
# Living in the living room | 1:04:08 | 1:04:10 | |
# This folly is jolly | 1:04:10 | 1:04:13 | |
# Bend me over backwards on me hostess trolley | 1:04:13 | 1:04:15 | |
# Let's do it, let's do it tonight | 1:04:15 | 1:04:20 | |
# I can't do it, I can't do it | 1:04:20 | 1:04:22 | |
# I know I'll only get it wrong | 1:04:22 | 1:04:25 | |
# Don't angle for me to dangle | 1:04:25 | 1:04:27 | |
# Me arms have never been that strong | 1:04:27 | 1:04:29 | |
# Stop pouting, stop shouting | 1:04:29 | 1:04:31 | |
# You know I pulled a muscle when I did that grouting | 1:04:31 | 1:04:34 | |
# I can't do it, can't do it tonight | 1:04:34 | 1:04:38 | |
# So she said, Let's do it, let's do it | 1:04:38 | 1:04:41 | |
# Share a night of wild romance | 1:04:41 | 1:04:43 | |
# Frenetic, poetic This could be your last big chance | 1:04:43 | 1:04:48 | |
# To quote Milton, to eat Stilton | 1:04:48 | 1:04:51 | |
# To roll with gay abandon on the tufted Wilton | 1:04:51 | 1:04:54 | |
# Let's do it, let's do it tonight | 1:04:54 | 1:04:57 | |
# But he said I can't do it, I can't do it | 1:04:57 | 1:05:00 | |
# I've got other little jobs on hand | 1:05:00 | 1:05:03 | |
# Don't grouse around the house I've got a busy evening planned | 1:05:03 | 1:05:08 | |
# Stop nagging, I'm flagging | 1:05:08 | 1:05:10 | |
# You know as well as I do that the pipes want lagging | 1:05:10 | 1:05:12 | |
# I can't do it, can't do it tonight | 1:05:12 | 1:05:16 | |
# Let's do it, let's do it I really absolutely must | 1:05:17 | 1:05:22 | |
# I won't exempt you Want to tempt you | 1:05:22 | 1:05:24 | |
# Want to drive you mad with lust | 1:05:24 | 1:05:27 | |
# No cautions, just contortions | 1:05:27 | 1:05:29 | |
# Smear an avocado on my lower portions | 1:05:29 | 1:05:32 | |
# Let's do it, let's do it tonight | 1:05:32 | 1:05:37 | |
# I can't do it, I can't do it It's really not my cup of tea | 1:05:37 | 1:05:42 | |
# I'm harassed, embarrassed I wish you hadn't picked on me | 1:05:42 | 1:05:46 | |
# No dramas, give me my pyjamas | 1:05:46 | 1:05:49 | |
# The only girl I'm mad about is Judith Chalmers | 1:05:49 | 1:05:52 | |
# I can't do it I can't do it tonight | 1:05:52 | 1:05:57 | |
# Let's do it, let's do it I really want to run amok | 1:05:57 | 1:06:02 | |
# Let's wiggle, let's jiggle Let's really make the rafters rock | 1:06:02 | 1:06:07 | |
# Be mighty, be flighty | 1:06:07 | 1:06:09 | |
# Come and melt the buttons on my flameproof nightie | 1:06:09 | 1:06:12 | |
# Let's do it, let's do it tonight | 1:06:12 | 1:06:19 | |
# Let's do it, let's do it I really want to rant and rave | 1:06:19 | 1:06:24 | |
# Let's go, cos I know just how I want you to behave | 1:06:24 | 1:06:29 | |
# Not bleakly, not meekly | 1:06:29 | 1:06:31 | |
# Beat me on the bottom with a Woman's Weekly | 1:06:31 | 1:06:34 | |
# Let's do it Let's do it tonight! # | 1:06:34 | 1:06:42 | |
CHEERS AND APPLAUSE | 1:06:45 | 1:06:50 | |
Ladies and gentlemen, Victoria Wood. | 1:06:59 | 1:07:02 | |
APPLAUSE | 1:07:02 | 1:07:06 | |
What a wonderful performance. Thank you so much, Catherine Tate. | 1:07:14 | 1:07:18 | |
Well, what a night, ladies and gentlemen! | 1:07:25 | 1:07:28 | |
Thank you so much to our audience here at the Dominion, | 1:07:28 | 1:07:31 | |
to all of you at home. | 1:07:31 | 1:07:32 | |
On tonight's show, we had, with her brilliant performance | 1:07:32 | 1:07:35 | |
inspired by Victoria Wood, we have just heard Catherine Tate. | 1:07:35 | 1:07:39 | |
Inspired by Aretha Franklin, Shona McGarty. | 1:07:41 | 1:07:45 | |
With their tribute to Cyd Charisse and Gene Kelly, Kimberly Wyatt | 1:07:49 | 1:07:52 | |
and Adam Garcia. | 1:07:52 | 1:07:54 | |
Giving some love to Joan Rivers, Katherine Ryan. | 1:07:58 | 1:08:02 | |
Paying homage to Tommy Cooper, Jamie Raven. | 1:08:06 | 1:08:09 | |
Singing a Sam Cooke classic her way, Beverley Knight. | 1:08:13 | 1:08:17 | |
And of course, huge thanks to Steve and his wonderful orchestra. | 1:08:24 | 1:08:27 | |
And I think I speak on everyone's behalf by saying thank you to Bruce | 1:08:32 | 1:08:36 | |
for inviting us all on the show. | 1:08:36 | 1:08:38 | |
All the best. | 1:08:38 | 1:08:39 | |
Take care and goodnight! | 1:08:42 | 1:08:44 |