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Is there a letter R in your dad's name? Just really weird. I can't | :00:05. | :00:08. | |
believe he got them questions. Mirror, mirror on the wall, who is | :00:08. | :00:18. | |
:00:18. | :00:39. | ||
the beauty out of them all? Out of APPLAUSE Hello, everyone. Hello, | :00:39. | :00:42. | |
and welcome to Make Believe. Thank you so much for coming. This | :00:42. | :00:48. | |
evening's show is all about the paranormal and the unexplained. You | :00:48. | :00:52. | |
are so disinterested, it's exciting. So for that reason we filled this | :00:52. | :00:55. | |
evening's audience with sceptics. But, before we continue, let's take | :00:55. | :01:01. | |
a look at what's coming up on the show. We will be playing a mind- | :01:01. | :01:04. | |
boggling game with the terrifyingly lovely Paddy Doherty. You piss me | :01:04. | :01:06. | |
off, no bullshitting, I'll drive that head up somewhere it shouldn't | :01:06. | :01:16. | |
:01:16. | :01:16. | ||
go. And I'll be trying my luck as a street palm reader. Let's look at | :01:16. | :01:22. | |
your lifeline here The way he knew that, I still don't understand it. | :01:22. | :01:28. | |
APPLAUSE. But before that, I think it's only fair that I should tell | :01:28. | :01:32. | |
you why I am so interested in the paranormal and the unexplained. | :01:32. | :01:38. | |
Years ago, I visited a psychic. Imagine you met a total stranger, | :01:38. | :01:41. | |
and they were able to tell you incredible facts, secrets and | :01:41. | :01:45. | |
details about yourself. Let's see, I'm going to choose this lady here | :01:45. | :01:53. | |
with the "Mother of God, don't pick me" face. What's your name? Claire. | :01:53. | :01:56. | |
Ladies and gentlemen, let's give Claire some encouragement as she | :01:56. | :01:59. | |
makes her way to the front. Claire, have you ever been to a psychic | :01:59. | :02:03. | |
before? Yes. How was it? So-so. Well, you are hard to impress, | :02:03. | :02:08. | |
Claire. Take a seat for me, Claire. I want you to take that piece of | :02:08. | :02:11. | |
paper for me, Claire, and thinking of your mum's name, I want you to | :02:11. | :02:14. | |
fill that out for me. Whenever I've turned away, and then when you're | :02:14. | :02:18. | |
finished, fold it up into quarters and hold the little piece of paper | :02:18. | :02:22. | |
on your chair. I am going to show you all exactly how the psychic | :02:22. | :02:28. | |
experience I told you about occurred. She got me to write down | :02:28. | :02:34. | |
my mother's name. I wrote it down on a little card. Right now, at | :02:34. | :02:38. | |
home, my mum is blowing her tiny mind that her name is on the TV. | :02:38. | :02:41. | |
Fold it up into quarters, and she put it inside an envelope, and she | :02:41. | :02:45. | |
promised me, and she told me, she said there was no way she was going | :02:45. | :02:49. | |
to have any access to the information. Once she was able to | :02:49. | :02:52. | |
tell me my mother's name, as far as I was concerned, she was the real | :02:52. | :02:55. | |
deal. It was terrifying. So terrifying that I ran out of the | :02:55. | :02:59. | |
room, clutching the envelope. And remember, I was so afraid I ran out | :02:59. | :03:07. | |
of the room holding the envelope. I didn't even pay her. And I opened | :03:07. | :03:11. | |
up the envelope and I realised that the piece of paper wasn't in there, | :03:11. | :03:14. | |
and then I all of a sudden started to see right through what happened, | :03:14. | :03:18. | |
and I realised that she somehow managed to get hold of it, and in | :03:18. | :03:28. | |
:03:28. | :03:28. | ||
that moment it felt like my chest had opened. I felt terrible, | :03:28. | :03:31. | |
horrible, because I believed in the instant that she was in touch with | :03:31. | :03:34. | |
the other side. Wouldn't we all, everyone, love to know someone out | :03:34. | :03:37. | |
there could answer life's tough questionsfor us, just by contacting | :03:37. | :03:42. | |
the other side? So that's where you come in, Claire. Now, I want you to | :03:42. | :03:48. | |
hold that up to the light for me. Hold that up to that bright light. | :03:48. | :03:52. | |
Is anything coming through that at all? No. So what I also want you to | :03:52. | :03:56. | |
do is give this envelope a proper check for me. Hold them both up to | :03:56. | :03:58. | |
the light. Is anything shining through either of those two | :03:58. | :04:02. | |
objects? Not at all. You're not going to give those to me. I am not | :04:02. | :04:05. | |
going to look at them. I want you to put the paper inside the | :04:05. | :04:09. | |
envelope and then I want you to seal it. It's all right, I had | :04:09. | :04:12. | |
prelicked it earlier. At this point I need to contact my spirit guide. | :04:12. | :04:16. | |
Now, what I want you to do is look me straight in the eye, and I'm | :04:16. | :04:20. | |
going to go into a slight trance, just a very light trance, and this | :04:20. | :04:23. | |
will help me work out the information I need. Now you will | :04:23. | :04:27. | |
barely notice it, but my voice will change just ever so slightly. And | :04:27. | :04:37. | |
:04:37. | :04:45. | ||
my facial features will change. Just ever so slightly. Woo! It's | :04:45. | :04:55. | |
:04:55. | :04:58. | ||
very subtle. Not everyone spots the change. Do it properly this time. | :04:58. | :05:01. | |
Now, I want you to think of this really carefully. Think of your | :05:01. | :05:06. | |
mother's name for me. Does the name Mary mean anything to you? It's my | :05:06. | :05:16. | |
mum. Is that your mum's name? APPLAUSE. Thank you very much. | :05:16. | :05:19. | |
Actually, Claire, sorry, would you mind giving me one more second. Do | :05:19. | :05:23. | |
you mind if I try and maybe get your dad's name or brothers' names | :05:23. | :05:29. | |
or cousins' names or anything like that? So... No, thank Claire for me. | :05:29. | :05:36. | |
Actually. Does Tony mean anything? Anthony, Tony? Yes. Anthony? Tony. | :05:36. | :05:40. | |
Who is that? My dad. Your dad. I appreciate that, thank you very | :05:40. | :05:49. | |
much. The funny thing is about psychics and palm readers and that | :05:49. | :05:53. | |
sort of thing, they have an awful lot to go on, they are not just | :05:53. | :05:56. | |
looking at your palm, they are looking at your entire body. If | :05:56. | :05:59. | |
they were really good palm readers, wouldn't they be able to do it with | :06:00. | :06:02. | |
just looking at your palm? Wouldn't it be fascinating to think that | :06:03. | :06:05. | |
someone could tell us something about ourselves just by looking at | :06:05. | :06:13. | |
our palms? For this game to be properly interesting I've | :06:13. | :06:16. | |
constructed a beautiful big wall in the street and anyone, anyone in | :06:16. | :06:20. | |
the world can place their hand through it. I won't have any clues | :06:20. | :06:24. | |
as to who they are, only their hands. Let's see how accurate I can | :06:24. | :06:33. | |
be. Would you put your hand in this hole? These people would. And | :06:33. | :06:36. | |
straight away, I can make a couple of educated guesses, even on the | :06:36. | :06:42. | |
other side of this board. OK, folks, for those of you on the other side | :06:42. | :06:46. | |
of the board I'm going to make some guesses about you. If I guess right, | :06:46. | :06:49. | |
I need you to give me a thumbs up. Practise? If I get something wrong, | :06:49. | :06:55. | |
thumbs down. Practise? OK, so we are going to start with you. OK, | :06:55. | :06:58. | |
this is your life line here, so this suggests it is pretty | :06:58. | :07:01. | |
disjointed in places, I would say you are probably, I don't think you | :07:01. | :07:05. | |
have a job at the moment. Is that right? OK. Brilliant. It is a | :07:05. | :07:09. | |
surreal feeling that he was able to tell that by not seeing me, just by | :07:09. | :07:13. | |
looking at my hand. I am looking at you, if you know it is you, put | :07:13. | :07:19. | |
your thumbs up. Brilliant. Hands out flat. I am going to look at | :07:19. | :07:22. | |
your lifeline. You are obviously the type of person who is, people | :07:22. | :07:25. | |
would say, is a really good friend but sometimes has a temper, | :07:25. | :07:28. | |
sometimes has a, you know, is the type of person who would snap | :07:28. | :07:32. | |
quickly without thinking about it. Oh, brilliant. OK. Everything he | :07:32. | :07:35. | |
said was correct. I'm quite a loyal friend but I snap. That is the | :07:35. | :07:39. | |
thing in my life that causes the most arguments. Now you know and I | :07:39. | :07:42. | |
know that palm reading is probably nonsense, but if I can get someone | :07:42. | :07:46. | |
to believe in it for a tiny while it can have an impact on the way | :07:46. | :07:52. | |
they perceive their world. This time I am going to step it up and | :07:52. | :07:55. | |
use the black art of mentalism to tell these people things that | :07:55. | :08:01. | |
aren't just hunches. I'd say, are you a Cancerian? You're not a | :08:02. | :08:08. | |
Cancer, no? No, you are a cancer? Right. It is you we are talking | :08:08. | :08:14. | |
about. So... Really weird. I can't believe he got them questions. Just | :08:14. | :08:18. | |
weird. Onto the last one, you are the type of person who doesn't | :08:18. | :08:21. | |
really like bright colours. Only joking, I have seen your finger | :08:21. | :08:26. | |
nails. Psychics are always seeing relatives' names in people's palms | :08:26. | :08:30. | |
so I am going have a go as well. The left hand is usually associated | :08:30. | :08:35. | |
with parentage, with dads. There is a strong letter F in your palm. Is | :08:35. | :08:39. | |
the letter F in your dad's name. It is? All right. So, I think I could | :08:39. | :08:43. | |
be wrong, is there a letter R? Is there an R in your dad's name? I | :08:43. | :08:53. | |
:08:53. | :08:53. | ||
could be wrong about this, but... Come around. This name means | :08:53. | :09:01. | |
something. My dad's name. What is it? Crawford. I knew there was an R | :09:01. | :09:04. | |
in there. He has been called Clifford before. Has he? Good job, | :09:04. | :09:09. | |
everybody. Really appreciate it. Thanks for that. Thanks a lot. | :09:09. | :09:13. | |
APPLAUSE. Well, that was really fun experience for me, and this evening | :09:13. | :09:16. | |
we are joined by Claire and Nicky from palm reading. Hello, Claire | :09:16. | :09:19. | |
and Nicky, so let's see. I want to show you something really quickly. | :09:19. | :09:24. | |
I am going to pass this round to a few of you. Grab one or two of | :09:24. | :09:27. | |
these each please. All I want you to do is follow my instructions. | :09:27. | :09:32. | |
Who doesn't have one? There you go. I want you to lay your spoons flat | :09:32. | :09:36. | |
on your hands. Now, before we do this, it is probably good if we get | :09:36. | :09:39. | |
a quick reference as to what a straight spoon looks like. This is | :09:39. | :09:43. | |
a bit what a straight spoon looks like, so at the thinest point in | :09:43. | :09:47. | |
the spoon I want you to take the tip of your index finger and just | :09:47. | :09:57. | |
:09:57. | :09:58. | ||
tip of your index finger and just rub. It is 49 minutes of this. And | :09:58. | :10:03. | |
if you just give it the gentlest rub. Should be able to just see it | :10:03. | :10:08. | |
beginning to lift, and lift, and lift. Now, let's just check this | :10:08. | :10:13. | |
against one of yours. If I can check this against that one, we can | :10:13. | :10:22. | |
see quite a difference there. APPLAUSE. So, everyone, I want do | :10:22. | :10:26. | |
you take your scissor fingers and clip the spoon at the thinnest part | :10:26. | :10:29. | |
between your scissor fingers, and I want do you very gently, very | :10:29. | :10:32. | |
gently rub. So watch the thinnest point, that's where it is going to | :10:32. | :10:42. | |
:10:42. | :10:53. | ||
bend. APPLAUSE. Now, again, please check for me. Nicky and Claire, | :10:53. | :10:56. | |
check and make sure there is no chemicals or anything on that, | :10:56. | :10:59. | |
there is nothing sticky. It is not even hot, is it? No. Give your | :11:00. | :11:05. | |
spoons a knock so you are happy they are solid. Just against | :11:05. | :11:10. | |
people's heads is fine. Remember, I want to try and do it without | :11:10. | :11:20. | |
:11:20. | :11:25. | ||
actually touching the bending part. APPLAUSE. Now, solid. Folks, folks, | :11:25. | :11:33. | |
there are a couple of different ways we can do this. Give it a | :11:33. | :11:37. | |
gentle rub, all I want you to do is hold it and give it a gentle rub at | :11:37. | :11:41. | |
the thinnest part. At the thinnest part. If you would see, see, if you | :11:41. | :11:45. | |
were to do a shake like that, makes it look rubbery, if you continue to | :11:45. | :11:55. | |
:11:55. | :11:57. | ||
rub... Madame, could you come here a second for me? Just now it is | :11:57. | :12:01. | |
quite liquid, so just be careful. Now, touch that, is that cold? It | :12:01. | :12:07. | |
is cold, it is not hot? APPLAUSE. And this one as well. And what is | :12:07. | :12:13. | |
your name by the way? Pamela. Pamela, that is for you. Thanks. | :12:14. | :12:16. | |
Give Pamela a round of applause. APPLAUSE One of the most | :12:16. | :12:19. | |
astonishing things I have seen a psychic do is a technique called | :12:19. | :12:27. | |
remote viewing. Think about it, remote viewing. It's the ability to | :12:27. | :12:30. | |
see through someone else's eyes, it's an astonishing feat when done | :12:30. | :12:33. | |
properly, so I thought, "I don't want to cheat, I want someone who | :12:33. | :12:43. | |
:12:43. | :12:45. | ||
will give me a run for my money." The eyes I have chosen to look | :12:45. | :12:49. | |
through are those of a fighter from the old school. Paddy Doherty. Not | :12:49. | :12:52. | |
surprisingly, Paddy isn't scared of much, except of course when it | :12:52. | :12:57. | |
comes to the supernatural. You know night-time, if strange things move, | :12:57. | :13:04. | |
(BLEEP) vibrate, I'm just no good. Let's hope playing paranormal games | :13:05. | :13:09. | |
with Paddy doesn't become a sore subject for me. Paddy, how are you, | :13:09. | :13:13. | |
good to see you. Thanks for coming. Excuse me... What happened? I was | :13:13. | :13:17. | |
driving my horse and I broke it in three places. What do you think | :13:17. | :13:21. | |
about the paranormal? It fascinates me. Do you think there is a | :13:21. | :13:23. | |
possibility there is something else out there, something unexplained? | :13:23. | :13:27. | |
Oh, yeah, one million percent. want to try a simple paranormal | :13:27. | :13:29. | |
experiment. Now you might recognise these, these are what universities | :13:29. | :13:32. | |
across the world use to test for psychic ability. Basically, they | :13:32. | :13:35. | |
are five simple images, you've got a circle, a cross, wavy lines, a | :13:35. | :13:43. | |
square and a star. What's going to happen is I am going to you think | :13:43. | :13:47. | |
of one of these, and my job is to work out which one you are thinking | :13:47. | :13:50. | |
of. OK. So, Paddy, whenever you are ready I want you to look at all | :13:50. | :13:53. | |
five of those cards. Whenever you are ready, place your good hand | :13:53. | :13:57. | |
over the top of one of them and say yes when you've done it. I've done | :13:57. | :14:01. | |
it. OK. Now, Paddy, I would say, if I had to guess, you're thinking of | :14:01. | :14:08. | |
the star? Yes. You are thinking of the star. You did. All right. | :14:08. | :14:13. | |
respect. Big respect. You are going to get a punch in the mouth. I will | :14:13. | :14:16. | |
be honest with you, that is how they originally did it back in the | :14:16. | :14:20. | |
day, and that was seen as proof of psychic ability. This time let us | :14:20. | :14:24. | |
turn them all face down. All face down. This time, I want to do it | :14:24. | :14:28. | |
differently. But just to make sure there is no way I can see, I will | :14:28. | :14:31. | |
place my fingertips on my eyeballs. Now, Paddy, are you happy there's | :14:31. | :14:39. | |
no way I can see? No. It is like you have given me two black eyes. | :14:39. | :14:43. | |
Don't worry, I will be giving you them before the night's out. Pick | :14:43. | :14:46. | |
one up, make sure the camera doesn't see. I just want you to see. | :14:46. | :14:50. | |
Don't tell me. Look at a different one. OK, you done it? I would say - | :14:50. | :14:54. | |
did you look for the circle first then the star? Is that what it was? | :14:54. | :14:58. | |
Do you know what I just done to you there? There is one more thing that | :14:58. | :15:02. | |
could be happening here. Maybe the cards are marked, so we will do it | :15:02. | :15:07. | |
differently again. We will put them inside envelopes, that way we don't | :15:07. | :15:15. | |
see the back or the front. One inside each envelope. Even if they | :15:15. | :15:19. | |
were marked, I have no idea what is in which. This is the most random | :15:19. | :15:23. | |
way of doing it. You don't know what is in each envelope. I don't | :15:23. | :15:27. | |
have a clue. All I want you to do is pick one up and I don't want you | :15:27. | :15:31. | |
to take the card out. I want you to look inside and remember the shape | :15:31. | :15:38. | |
you see inside. Pick up one of them, take a look inside. And remember | :15:38. | :15:42. | |
the shape. Let me know when you are done. I am done. The amazing thing | :15:42. | :15:44. | |
about the paranormal is sometimes incredible amazing things happen, | :15:44. | :15:48. | |
and I think that has happened now. Did you go for the star again? | :15:48. | :15:52. | |
swear on my life, yes. Did you? swear on my baby's life I didn't | :15:52. | :15:55. | |
plan for that. Brilliant. Do you know what, I want to try one more | :15:56. | :15:59. | |
thing, I want to push remote viewing as far as we can. I want to | :15:59. | :16:03. | |
see, Paddy, if I can see through your eyes. I want you to wander | :16:03. | :16:07. | |
round your home and select an item you can hold in your hands, in such | :16:07. | :16:11. | |
a way I won't be able to see through your hands. You want me to | :16:11. | :16:14. | |
go round my home, pick an item that's going to stand in the palm | :16:14. | :16:19. | |
of my two hands? That is it, and my job is to try and guess what that | :16:19. | :16:23. | |
object is. In fact, your brother is here. Do you want to come in? Do me | :16:23. | :16:27. | |
a favour, stand behind me. I wanted you to reach your hands around and | :16:27. | :16:35. | |
cover...you have done this before. Cover up - don't cover up my ears, | :16:35. | :16:39. | |
it makes me seasick. Paddy, are you happy there's no way I can see? | :16:39. | :16:42. | |
you can't. By the way, fingertips, not fingernails. How do you spell | :16:42. | :16:45. | |
gouge? Whenever you are ready, have a wander, enjoy yourself. Paddy can | :16:45. | :16:55. | |
:16:55. | :16:56. | ||
go absolutely anywhere in his home to choose this item. In fact to | :16:56. | :17:06. | |
:17:06. | :17:07. | ||
test my powers of remote viewing, OK. Lovely. Lovely. Clasped in your | :17:07. | :17:12. | |
hands? Yes. If I was were to turn around, is there any way I could | :17:12. | :17:16. | |
see what this is? No. Now, Paddy, imagine what it would be like if I | :17:16. | :17:19. | |
could see through your eyes and know what you were seeing at any | :17:19. | :17:23. | |
point in the future. Imagine how terrifying that would be. Yes. It | :17:23. | :17:27. | |
would be a nightmare for me. I am going to turn away. Whenever you're | :17:27. | :17:30. | |
ready, take a tiny peek inside, can you see it right now? Yes. Close | :17:30. | :17:35. | |
your hands again. All right. Think of the colour of the item. I am | :17:36. | :17:39. | |
seeing something that is a little bit shiny, is it silver? Is it | :17:39. | :17:47. | |
silver? I'm going to give you a punch on the back of the head. | :17:47. | :17:50. | |
Are you sure you doesn't have mirrors on those glasses? No, take | :17:50. | :17:54. | |
them, go for it. They will look good on you. Make sure you're only | :17:54. | :17:58. | |
one in the world who can see what's inside those hands. There are | :17:58. | :18:01. | |
multiple parts to it, this is metal, this is a silver metal, you know it | :18:01. | :18:07. | |
is not an expensive metal, you know it is quite cheap. It wouldn't | :18:07. | :18:11. | |
annoy you if you lost it or it got damaged or broken. I could be wrong | :18:11. | :18:19. | |
on this. I hope you are. I have drawn a picture of it. It's a rat | :18:19. | :18:23. | |
or a mouse, it is on a silver key ring, it's got a chain to it. You | :18:23. | :18:28. | |
look amazing by the way. I can't really see you. Mirror, mirror, on | :18:28. | :18:32. | |
the wall, who is the beauty of them all? What did you end up up with? | :18:32. | :18:36. | |
That is the dog's bollocks. Let me see. No way. Did you almost go for | :18:36. | :18:39. | |
something else? I thought you were going to go with a flower. I swear | :18:39. | :18:45. | |
on my life. I was 50-50. I was going to go for a flower. No-one | :18:45. | :18:49. | |
knew that. Honest to God, that is amazing what you have just done. | :18:49. | :18:56. | |
Hello, hello. Good man, Paddy. Thank you so much. You are a | :18:56. | :19:00. | |
gentleman, Paddy. Let's hear it for Paddy. I pick up the flower, the | :19:00. | :19:03. | |
yellow flower. I thought no, go for the key ring, it's smaller, I can | :19:03. | :19:08. | |
put this in the plaster of Paris. You see, the badness is in me. Put | :19:08. | :19:13. | |
that in there so he can't see, no matter how good his glasses. I had | :19:13. | :19:18. | |
them well pressed, right against. I thought there is no way in a | :19:18. | :19:22. | |
million years you can see, because I had them proper pressed in. Paddy, | :19:22. | :19:26. | |
it was all the same if I'd stuck the fingers to the back of his eyes, | :19:26. | :19:36. | |
:19:36. | :19:38. | ||
he was still getting it. You should Remote viewing is one of those | :19:38. | :19:41. | |
things that just chills you when you think that someone might be | :19:41. | :19:44. | |
able to see through your eyes. But, it is nowhere near the most | :19:45. | :19:47. | |
incredible thing I have seen. One man was the most incredible psychic | :19:48. | :19:50. | |
that I never got to see. He would have himself blindfolded with | :19:51. | :19:53. | |
surgical bandages, they were wrapped round his head again and | :19:53. | :19:56. | |
again, and he would sense things round him using his hand and finger | :19:56. | :19:59. | |
tips. Just by touching a page he would know what was written there. | :20:00. | :20:02. | |
Decades ago, as you can see, he performed astonishing feats on the | :20:03. | :20:12. | |
:20:13. | :20:19. | ||
BBC, and it is my honour to try and One of his most amazing skills was | :20:19. | :20:24. | |
just by touching a person he could tell if they were a male or female. | :20:24. | :20:32. | |
I'm going to try that right now. LAUGHTER. So, what we are going to | :20:32. | :20:36. | |
do? I need a few volunteers for this. This lady here. Sorry, Madame, | :20:36. | :20:39. | |
what is your name? Leanne. I need one more person. I will make it | :20:40. | :20:45. | |
this gentleman here in the glasses. What is your name? Jack. Please | :20:45. | :20:49. | |
give Leanne and Jack a round of applause as they make their way to | :20:49. | :20:54. | |
the front. APPLAUSE. Now, you both have incredibly important roles | :20:54. | :20:59. | |
tonight. Leanne's jobs is going to be to blindfold me. Now, he used | :20:59. | :21:03. | |
medical bandages, the types of thing you use to dress a wound. I'm | :21:03. | :21:07. | |
going to try and raise the bar a bit. Your job is to be my glamorous | :21:07. | :21:12. | |
assistant. Very good. You are going to go into the audience and take a | :21:12. | :21:14. | |
personal effect from someone. A small trinket, something you might | :21:15. | :21:18. | |
have in your pocket. Something that is personal to you. I'm glad you | :21:18. | :21:21. | |
didn't get overdressed tonight. Are they flip-flops or sandals? Mandals. | :21:21. | :21:28. | |
They are mandals. You have given them your own name? Of course. | :21:28. | :21:37. | |
Folks, this is industrial strength high tensity duct tape. This is the | :21:37. | :21:41. | |
type of thing plumbers use to seal leaks. It is extremely dangerous to | :21:41. | :21:45. | |
get it on your skin for a long period of time, and the longer that | :21:45. | :21:48. | |
it is there, the tighter that it binds to the skin. Now, Leanne, | :21:48. | :21:56. | |
your job is to blindfold me. Now, I can assure you when I take these | :21:56. | :21:59. | |
off, it renders me virtually blind. Folks, has anyone any cash? I need | :21:59. | :22:03. | |
a couple of 50 pence pieces. Will you get a couple off anyone you | :22:03. | :22:11. | |
like in the audience. Thank you. want you to take this tape. Hold | :22:11. | :22:14. | |
that, please be careful against your fingers, and you are going to | :22:14. | :22:17. | |
press that coin against my eye ball so that seals my eye ball closed. | :22:17. | :22:21. | |
Make sure it goes over my eyelid and press the tape against my face. | :22:21. | :22:24. | |
Press the tape against my forehead, against my cheeks. Are you happy | :22:24. | :22:30. | |
that is stuck on? Yes. Seriously, you are happy, Leanne? Take the | :22:31. | :22:36. | |
next one, the 50 pence piece, and do it on the opposite side. Press | :22:36. | :22:39. | |
it against my forehead, cheeks. Folks, the reason the 50 pence | :22:39. | :22:42. | |
pieces are there, and you can start your work for me, the minute that | :22:42. | :22:45. | |
anything, even the lightest pressure, is on your eyelid it is | :22:45. | :22:49. | |
impossible to open it. That is why the coins are there, to press into | :22:49. | :22:52. | |
the eye socket. Take up another piece of tape and I wanted you to | :22:52. | :22:57. | |
put it across this area here, across any gap. Now, there should | :22:57. | :23:04. | |
be a night mask down there, a night mask. I am going to put this over | :23:04. | :23:08. | |
the top, over the top, so this is for the sceptics among you. I know! | :23:08. | :23:18. | |
:23:18. | :23:18. | ||
So, OK. Now, there is a gentleman in the audience that has a trinket, | :23:18. | :23:24. | |
is that right? Yes. Whenever you are ready make your way towards the | :23:24. | :23:27. | |
stage and stand beside me with the item concealed between both hands, | :23:27. | :23:31. | |
please. APPLAUSE. As you might imagine I have no idea when you are | :23:31. | :23:38. | |
here. I am here. You are here, right. I can hear the mandals. | :23:38. | :23:41. | |
want you to stand behind me and take this object and hold it above | :23:41. | :23:46. | |
my head. As you do this, I want you to look in both my ears. I want you | :23:46. | :23:48. | |
to make sure no-one is communicating with me. Check there | :23:48. | :23:52. | |
is nothing in my ears. We are good. We're good? Can't help but think | :23:52. | :23:55. | |
you are overstating our relationship, Jack. OK, so I want | :23:55. | :23:59. | |
you to think what this is for me. I want you to think what this is. | :23:59. | :24:02. | |
This is interesting, what is coming through, I am seeing lots of | :24:02. | :24:09. | |
colours, am I seeing squares? APPLAUSE. Green, yellow, red, white, | :24:09. | :24:14. | |
blue. Is this...? Sorry, sorry, sorry, I felt like it was lots of | :24:14. | :24:18. | |
squares, but it isn't, it is one. Is it squares in squares? Is this | :24:18. | :24:25. | |
something that goes like this? APPLAUSE. Whoa, whoa, is this a | :24:26. | :24:30. | |
Rubik's Cube? APPALUSE. That's what it is? Is it like a key ring or | :24:30. | :24:37. | |
something as well? Is that what it is? Excellent. Jack. What I want | :24:37. | :24:40. | |
you to do is pick one more person from the audience. That person is | :24:40. | :24:43. | |
going to walk over to the chalk board. Ladies and gentlemen, let's | :24:43. | :24:47. | |
give Jack a round of applause as he makes his way back. Leanne, what I | :24:47. | :24:50. | |
want you to do, there should be a balloon round there somewhere. | :24:50. | :24:54. | |
There should be a balloon. You are going to pass this balloon out to | :24:54. | :24:57. | |
anyone that you like in the audience, Leanne, whenever there is | :24:57. | :24:59. | |
someone, whenever there is someone at the blackboard, could that | :24:59. | :25:03. | |
person please give me a nice loud yell. Yes. All right, what is your | :25:03. | :25:11. | |
name? Liam. All right. Liam, I want you to write in huge large letters | :25:11. | :25:14. | |
any four or five letter word from the English language. Don't you | :25:14. | :25:18. | |
make it a mucky one. Can you come to my left and take my left arm and | :25:18. | :25:21. | |
could you guide me over there please. OK. So let me know whenever | :25:21. | :25:28. | |
we are coming. Take a step down. There is cables in front of you. | :25:28. | :25:37. | |
You are very rough, Leanne. You are very slow. Right. OK. I need chalk. | :25:37. | :25:40. | |
I need chalk. Where is this person, the person that has written it? | :25:40. | :25:50. | |
:25:50. | :25:57. | ||
That's me. Can you place your hand on my shoulder? All right. So. | :25:57. | :26:04. | |
APPLAUSE. Is that it? Yes. You can take that. Is Leanne still here? | :26:04. | :26:14. | |
Yes. OK, guide me back over. Was that a child, was that a child? | :26:14. | :26:20. | |
Oh, no! Could I have the box please? Oh. Lovely. Leanne, my last | :26:20. | :26:30. | |
:26:30. | :26:37. | ||
job is to find the balloon. I know you are thinking that this is going | :26:37. | :26:41. | |
to be some sort of trick knife or something. Please don't tell me I | :26:41. | :26:46. | |
hit Leanne's feet. That is why I sent mandal man back. Now just take | :26:46. | :26:56. | |
:26:56. | :26:56. | ||
Apology for the loss of subtitles for 42 seconds | :26:56. | :27:39. | |
me off, take me off the stand APPLAUSE. Folks, folks, please | :27:39. | :27:49. | |
:27:49. | :27:51. | ||
folks, this is going to be the slowest part of the night. All | :27:51. | :28:01. | |
:28:01. | :28:06. | ||
right. So...can someone take the 50 pences? Folks, thank you so much | :28:06. | :28:11. | |
for watching, thank you to my audience. Thank you to everyone who | :28:11. | :28:17. |