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I know he is trying to work me out, but I am trying to work him out. | 0:00:02 | 0:00:04 | |
I've got to remember, it's not my TV show, it's his! | 0:00:04 | 0:00:07 | |
CHEERING AND APPLAUSE | 0:00:26 | 0:00:28 | |
Hello. Good evening. Hiya! | 0:00:32 | 0:00:36 | |
Hello there. Hello, good evening, welcome. | 0:00:36 | 0:00:40 | |
Thank you so much for coming. Tonight's show is all about sales | 0:00:40 | 0:00:44 | |
and for that reason, I have filled this room | 0:00:44 | 0:00:46 | |
full of mobile phone salesman, | 0:00:46 | 0:00:47 | |
car salesmen, even insurance salespeople. | 0:00:47 | 0:00:49 | |
Ladies and gentlemen, let's hear it for our salespeople! | 0:00:49 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:56 | |
My job is to make this audience believe that | 0:00:59 | 0:01:01 | |
I can sell anything to anyone, so I hope I have not oversold myself. | 0:01:01 | 0:01:05 | |
But, before we kick-off, | 0:01:05 | 0:01:06 | |
let's take a look at what's coming up in tonight's show. | 0:01:06 | 0:01:09 | |
I will be taking to the pitch with Mr Darren Gough. | 0:01:09 | 0:01:12 | |
Absolutely crackers! | 0:01:15 | 0:01:17 | |
CHEERING AND APPLAUSE | 0:01:17 | 0:01:19 | |
And I will be doing some blind bidding in an auction house. | 0:01:22 | 0:01:24 | |
You'll get your husbands and wives, and sons... | 0:01:24 | 0:01:27 | |
My husbands are none of your business, Brian! | 0:01:27 | 0:01:30 | |
CHEERING AND APPLAUSE | 0:01:30 | 0:01:34 | |
But before any of that, | 0:01:34 | 0:01:35 | |
I think it's only fair that I put my money where my mouth is. | 0:01:35 | 0:01:39 | |
My mum always said that something is only worth what a person is | 0:01:39 | 0:01:43 | |
willing to pay for it, | 0:01:43 | 0:01:45 | |
so I thought we'd try a little game along those lines. | 0:01:45 | 0:01:47 | |
-Let me introduce you to...Tilly the teddy bear! -AUDIENCE: Aww! | 0:01:47 | 0:01:54 | |
How nauseating! | 0:01:54 | 0:01:56 | |
This, ladies and gentlemen, is Tilly the teddy bear. | 0:01:56 | 0:01:59 | |
Tilly has a camera in her belly button, so that | 0:01:59 | 0:02:02 | |
when anyone catches it, we'll know who she's got. | 0:02:02 | 0:02:05 | |
We're going to toss this out into the audience | 0:02:05 | 0:02:08 | |
and the third person who catches it will be my subject. | 0:02:08 | 0:02:12 | |
The tossing begins now. Who has it? That's person number one. | 0:02:12 | 0:02:16 | |
Anywhere you like. That's person number two. | 0:02:16 | 0:02:21 | |
And, you...well, sir, I want you to look at Tilly's belly button | 0:02:21 | 0:02:25 | |
for me and give her a big wave. | 0:02:25 | 0:02:27 | |
-Give her a big wave. Say, "Hello, Tilly." -Hello, Tilly. | 0:02:27 | 0:02:32 | |
This is going out on the TV, you know! | 0:02:32 | 0:02:35 | |
So, I want you to take a look at that bear and I want you | 0:02:35 | 0:02:40 | |
to, in your head, decide how much you think Tilly is worth. | 0:02:40 | 0:02:43 | |
Because, remember, an item is only worth how much a person is | 0:02:43 | 0:02:46 | |
willing to pay for it, so I want you to decide, in your head, | 0:02:46 | 0:02:50 | |
how much you think that's worth. | 0:02:50 | 0:02:51 | |
And just to check, you've no idea what's about to happen | 0:02:51 | 0:02:54 | |
and you didn't know this was going to happen, you didn't know | 0:02:54 | 0:02:56 | |
you'd be talking to an inanimate bear tonight. | 0:02:56 | 0:02:59 | |
It's a regular Saturday night in for you anyway, I would imagine! | 0:02:59 | 0:03:04 | |
So, sir...OK, that seems to be resonating with your friends! | 0:03:04 | 0:03:07 | |
-Actually, what was your name again? -Eric. -Eric. | 0:03:07 | 0:03:11 | |
Give Eric a round of applause as he makes his way up. | 0:03:11 | 0:03:14 | |
-Everybody say, "Hi, Eric." -ALL: Hi, Eric. | 0:03:17 | 0:03:20 | |
And turn Tilly around everyone say, "Hi, Tilly." | 0:03:20 | 0:03:22 | |
ALL: Hi, Tilly. | 0:03:22 | 0:03:23 | |
This is like the weirdest AA meeting you've ever been to. | 0:03:23 | 0:03:27 | |
So you have a price that you want to pay for Tilly? I need to ask, | 0:03:27 | 0:03:30 | |
when you look at Tilly, do you see this as a quality item, | 0:03:30 | 0:03:32 | |
-a cheap item? -It seems quite good quality. | 0:03:32 | 0:03:34 | |
Eric, Tilly has got a backpack. | 0:03:34 | 0:03:38 | |
If you could just open up that backpack for me, | 0:03:38 | 0:03:41 | |
open it up and inside there should be a little receipt. | 0:03:41 | 0:03:46 | |
I want you to unfold that for me and give it a little read. | 0:03:46 | 0:03:51 | |
-Before you do that, how much are you willing to pay for Tilly? -£19.80. | 0:03:51 | 0:03:56 | |
-£19.80. -Yes. | 0:03:56 | 0:03:58 | |
Is that some date of birth in the family or anything like that? | 0:03:58 | 0:04:02 | |
-No, it just seemed like a good quality bear. -A good quality bear. | 0:04:02 | 0:04:05 | |
OK! You must be really good craic on blind dates, Eric. | 0:04:05 | 0:04:10 | |
Go ahead and slowly unfold that for me and it is a receipt. | 0:04:10 | 0:04:15 | |
-What's the name of that shop? -David Mead Make-Believe. | 0:04:15 | 0:04:18 | |
Very fine quality boutique! It's receipt number one. | 0:04:18 | 0:04:23 | |
-How much is the price on that? -£24.80. | 0:04:23 | 0:04:25 | |
-£24.80 and the price that you thought of was... -£19.80. -OK. | 0:04:25 | 0:04:33 | |
I can't help but think that this is partly your fault. | 0:04:33 | 0:04:36 | |
It is stapled at the bottom. | 0:04:36 | 0:04:39 | |
Unfold the receipt the whole way down for me. | 0:04:39 | 0:04:42 | |
What does it say there, what does that line say? | 0:04:42 | 0:04:45 | |
It says celebrity discount £5. | 0:04:45 | 0:04:49 | |
-And so what does the total price come to? -Total price £19.80. | 0:04:49 | 0:04:52 | |
CHEERING AND APPLAUSE | 0:04:52 | 0:04:54 | |
Give him a huge round of applause. £19.80 | 0:04:54 | 0:04:59 | |
Good job. Eric, thank you so much. Let's hear it for Eric! | 0:04:59 | 0:05:02 | |
CHEERING | 0:05:02 | 0:05:05 | |
Is it really possible for me to sell snow to the Eskimo and if I am | 0:05:07 | 0:05:11 | |
so good at sales, is it possible for someone to sell me anything? | 0:05:11 | 0:05:15 | |
I had to find out, so, to the auction! | 0:05:15 | 0:05:17 | |
I am fascinated by the sales process and how some people seem to have the | 0:05:24 | 0:05:29 | |
innate ability to sell anything to anyone, so I want to take some | 0:05:29 | 0:05:34 | |
participants to a huge auction house with tens of thousands of items. | 0:05:34 | 0:05:37 | |
They're going to pick any items they like | 0:05:37 | 0:05:39 | |
and it's their job to try and sell them to me. | 0:05:39 | 0:05:42 | |
I am going to guess how much they want to sell that to me | 0:05:42 | 0:05:45 | |
and if I am wrong, by even a penny, I give them every cent I have. | 0:05:45 | 0:05:48 | |
I have chosen three people with different levels of sales expertise. | 0:05:48 | 0:05:52 | |
First up is Tony and for a salesman, he is surprisingly honest. | 0:05:52 | 0:05:57 | |
Been involved in sales. A very successful salesperson, I used to be. | 0:05:57 | 0:06:01 | |
That's why I'm teaching now! Because I wasn't! | 0:06:01 | 0:06:04 | |
Next up is Brian Cox. | 0:06:04 | 0:06:07 | |
No, not the scientist, the super-confident salesman. | 0:06:07 | 0:06:11 | |
Reckon I could sell fridges to the Eskimos, as they say. | 0:06:11 | 0:06:14 | |
Last, but not least, is Jane | 0:06:14 | 0:06:16 | |
who is more than a little doubtful of her own abilities. | 0:06:16 | 0:06:19 | |
I did once have a job in a shop. | 0:06:19 | 0:06:21 | |
I think I was possibly the worst shop assistant on the planet. | 0:06:21 | 0:06:24 | |
I couldn't sell water to a thirsty man. | 0:06:24 | 0:06:26 | |
I have brought you to this huge auction house, full of all manner | 0:06:26 | 0:06:31 | |
of paraphernalia and I want you to pick any item you like. | 0:06:31 | 0:06:36 | |
Before we start, I want to check, | 0:06:36 | 0:06:38 | |
you've no idea what you are going to pick? | 0:06:38 | 0:06:40 | |
-ALL: No. -OK, you really can choose anything. | 0:06:40 | 0:06:42 | |
I am kind of partial to auctions and buying things | 0:06:42 | 0:06:46 | |
and for that reason, if you don't mind, I'm going to give this | 0:06:46 | 0:06:48 | |
to the most trustworthy person in the group. | 0:06:48 | 0:06:51 | |
If you can hold onto that for me, just put that inside your pocket, | 0:06:51 | 0:06:54 | |
so that I don't buy anything because my wife will hunt me down. | 0:06:54 | 0:06:57 | |
So, take as long as you like, go ahead and pick something. | 0:06:57 | 0:07:00 | |
So they're going to wander around this huge auction house. | 0:07:00 | 0:07:04 | |
There are tens of thousands of items. | 0:07:04 | 0:07:06 | |
They'll pick an item and try and sell it to me, | 0:07:06 | 0:07:08 | |
using their best sales pitch. | 0:07:08 | 0:07:10 | |
My sales people will secretly decide on a price for their chosen item. | 0:07:10 | 0:07:15 | |
If I pay a penny more, then they win. | 0:07:15 | 0:07:18 | |
Brian, here, thinks antique feathers will tickle my fancy. | 0:07:18 | 0:07:22 | |
I've bought what looks like a modern version of an old-fashioned | 0:07:22 | 0:07:26 | |
quill set. It's going to be a seller. | 0:07:26 | 0:07:30 | |
Tony, here, thinks there's cash in the rock 'n' roll dream. | 0:07:30 | 0:07:34 | |
It's not the object, I am going to sell him the idea that he | 0:07:34 | 0:07:38 | |
could be up there in front of 10,000 people, big arena, | 0:07:38 | 0:07:41 | |
-and have that adoration that he craves. -Let the pitching begin. | 0:07:41 | 0:07:46 | |
Build the picture, you're out there, Odyssey Arena there's 10,000 people. | 0:07:46 | 0:07:49 | |
-I hear a lot of booing. -You make your first sound. | 0:07:49 | 0:07:53 | |
-I am feeling good about this, Tony! -This is the key to it, yeah? | 0:07:53 | 0:07:56 | |
Tony, I think I'm going to make you an offer. OK, Tony, | 0:07:56 | 0:08:01 | |
that is my bid. | 0:08:01 | 0:08:04 | |
Tony, this is your bid. I will put it in there, keep an eye on it. | 0:08:08 | 0:08:12 | |
Make sure I don't mess around with it. So, Brian, go! | 0:08:12 | 0:08:15 | |
-David, what I have to offer is a beautiful quill set. -Fascinating. | 0:08:15 | 0:08:22 | |
-You make a letter, invitation, people get it... -Come on, sell it! | 0:08:22 | 0:08:26 | |
You get your husbands and wives... | 0:08:26 | 0:08:29 | |
My husbands are none of your business, Brian. | 0:08:29 | 0:08:33 | |
Brian, that was fascinating. I think I am ready to make you an offer. | 0:08:33 | 0:08:36 | |
So, if I am off by a penny, you get to keep my money. | 0:08:36 | 0:08:39 | |
I just hope you don't mug me for it on the way out. | 0:08:39 | 0:08:42 | |
Your bid is in the bowl. So, Jane, go! | 0:08:42 | 0:08:46 | |
This is a fairly tatty, elderly wooden box. | 0:08:46 | 0:08:49 | |
OK, Jane, so in a sentence, why should I buy it? | 0:08:49 | 0:08:51 | |
It has been loved and it's sitting here not being loved. | 0:08:51 | 0:08:55 | |
I'm willing to make you an offer. | 0:08:55 | 0:08:58 | |
In it goes. Right. There we go. | 0:08:59 | 0:09:06 | |
OK, folks, you've done a really interesting job. | 0:09:06 | 0:09:09 | |
Keep a good eye on these, please, and these are your sealed bids | 0:09:09 | 0:09:13 | |
but, before you open them, I want you to write down | 0:09:13 | 0:09:16 | |
the sum of money that you are willing to sell these items for. | 0:09:16 | 0:09:19 | |
Go ahead and take a card and pen each. Write it nice and large. | 0:09:19 | 0:09:23 | |
I'll look over here so I can't see. We'll start with Jane. | 0:09:23 | 0:09:28 | |
How much did you want to sell it to me for? £15. | 0:09:28 | 0:09:30 | |
Well...here we have | 0:09:30 | 0:09:36 | |
five, ten... | 0:09:36 | 0:09:39 | |
and £15. And we'll come over to you, Brian. | 0:09:39 | 0:09:43 | |
Let's see how well you did. £52. | 0:09:43 | 0:09:46 | |
I am going to open this up and this time, | 0:09:46 | 0:09:50 | |
Brian, I want you to count it yourself for me, please. | 0:09:50 | 0:09:53 | |
If you place that down on the table and this, is my sealed bid amount. | 0:09:53 | 0:09:58 | |
Five, ten, 15, 20, 25, 30, | 0:09:58 | 0:10:04 | |
35, 40, 45, 50, and one... | 0:10:04 | 0:10:09 | |
Unbelievable! | 0:10:11 | 0:10:12 | |
Sorry, Brian. £52! | 0:10:12 | 0:10:16 | |
Now, Tony, what did it go for? | 0:10:16 | 0:10:20 | |
£150. Tony, in case you think there's any funny | 0:10:20 | 0:10:25 | |
sleight of hand anything, I promise there isn't, go pick it up yourself. | 0:10:25 | 0:10:30 | |
-How are you feeling? Confident? -No way could you have got this. | 0:10:30 | 0:10:33 | |
50... | 0:10:33 | 0:10:36 | |
100... | 0:10:36 | 0:10:39 | |
-120, 140, £150. -£150! | 0:10:39 | 0:10:44 | |
Impossible, absolutely impossible! | 0:10:44 | 0:10:47 | |
Yes, it would be impossible to get £150 for that guitar! | 0:10:47 | 0:10:52 | |
-One more thing, I gave you my wallet, didn't I? -No! | 0:10:52 | 0:10:55 | |
There's CCTV in this building! Can I have my wallet back? | 0:10:55 | 0:10:58 | |
The reason I put elastic bands round it was to make absolutely | 0:11:00 | 0:11:04 | |
sure you didn't have the opportunity to switch or fiddle with it. | 0:11:04 | 0:11:08 | |
I put a wallet within a wallet so there'd be no funny | 0:11:08 | 0:11:11 | |
business and inside that wallet there's a shopping list in there. | 0:11:11 | 0:11:15 | |
Would you go ahead and take that out for me please? | 0:11:15 | 0:11:17 | |
This is a little shopping list. | 0:11:17 | 0:11:19 | |
Would you open that up for me and read it out for me, Tony? | 0:11:19 | 0:11:22 | |
-Folks, you could have chosen anything... -Dear, oh dear! | 0:11:22 | 0:11:25 | |
A guitar, a trinket box and a quill. | 0:11:25 | 0:11:29 | |
That was my shopping list - a guitar, a trinket box and a quill. | 0:11:29 | 0:11:32 | |
My budget was £217. Hold on to that for me. | 0:11:32 | 0:11:35 | |
We have 15, plus 150, plus 52, five, six, seven... | 0:11:35 | 0:11:42 | |
I think that comes to £217. | 0:11:42 | 0:11:46 | |
You could have chosen anything in the entire building, | 0:11:46 | 0:11:50 | |
-anything at all. -How on Earth did he do that? I would say it's impossible, | 0:11:50 | 0:11:53 | |
but he's done it. | 0:11:53 | 0:11:55 | |
CHEERING AND APPLAUSE | 0:11:58 | 0:12:00 | |
There we have it, folks. | 0:12:03 | 0:12:05 | |
It does seem that it's possible for anyone to sell anything to | 0:12:05 | 0:12:08 | |
anyone and we've some of our budding auctioneers in the house tonight. | 0:12:08 | 0:12:12 | |
Let's hear it for our bidders. | 0:12:12 | 0:12:14 | |
CHEERING | 0:12:14 | 0:12:16 | |
One of the most interesting techniques that salespeople use | 0:12:16 | 0:12:20 | |
to sell things to people is the celebrity endorsement. | 0:12:20 | 0:12:23 | |
I can assure you, I am not a celebrity by any | 0:12:23 | 0:12:26 | |
stretch of the imagination, but celebrities are often linked | 0:12:26 | 0:12:28 | |
with products to make those products seem more attractive. | 0:12:28 | 0:12:31 | |
I want to see if I can try a little experiment with endorsement | 0:12:31 | 0:12:35 | |
based on that. And I'll do it with...this gentleman here | 0:12:35 | 0:12:38 | |
who's trying not to get picked. | 0:12:38 | 0:12:40 | |
Yes, that guy saying if I don't look in the eyes, I'm invisible! | 0:12:40 | 0:12:43 | |
-What's your name? -Jim. -Jim? Ladies and gentlemen, | 0:12:43 | 0:12:45 | |
give Jim a round of applause. | 0:12:45 | 0:12:47 | |
-Jim, do you think you're swayed by celebrity endorsements? -Not really. | 0:12:48 | 0:12:54 | |
Not really, OK. I want you to think about a celebrity, | 0:12:54 | 0:12:58 | |
any celebrity in the world. | 0:12:58 | 0:12:59 | |
It's got to be someone in the public eye, someone if you were to name | 0:12:59 | 0:13:02 | |
their name out loud, everyone here would know who you're talking about. | 0:13:02 | 0:13:05 | |
-Right. -I don't want you to say it out loud, | 0:13:05 | 0:13:07 | |
I just want you to think about that person. | 0:13:07 | 0:13:10 | |
My job is going to be to try and work out, looking at you, Jim, | 0:13:10 | 0:13:13 | |
who you'd like to endorse you as a human being. | 0:13:13 | 0:13:17 | |
-So think about it, Jim. -Right. -Have you got someone? -Yes. | 0:13:17 | 0:13:22 | |
What's interesting, is when I ask people to do this, | 0:13:22 | 0:13:25 | |
they always choose people who are a thousand miles away | 0:13:25 | 0:13:29 | |
from their own self-image, so, Jim, looking at you, | 0:13:29 | 0:13:32 | |
you're very clearly a fit, young, able, sophisticated, man-about-town. | 0:13:32 | 0:13:36 | |
I would also say you are going to choose someone, let's face it, | 0:13:36 | 0:13:39 | |
you're fairly pumped for a guy who's 35...38? | 0:13:39 | 0:13:45 | |
-Older than that. -But you used to keep probably an awful lot | 0:13:45 | 0:13:48 | |
fitter whenever you'd more time, I would say. I would also say you are | 0:13:48 | 0:13:52 | |
very driven by, if I take a look at some of the products you buy, | 0:13:52 | 0:13:56 | |
that should tell me a little bit. | 0:13:56 | 0:13:58 | |
That actually is a very expensive watch, so this is someone who will | 0:13:58 | 0:14:01 | |
earn quite high and be known for quite designer goods. | 0:14:01 | 0:14:04 | |
This shirt, actually, is pretty high level designer. | 0:14:04 | 0:14:07 | |
It genuinely is. So I would say... | 0:14:07 | 0:14:11 | |
I am going to take a bit of the guess on this... | 0:14:13 | 0:14:15 | |
Would you turn around for me? Ah! OK, turn around again. Is it... | 0:14:15 | 0:14:20 | |
-It's not Peter Andre, is it? -It is! | 0:14:23 | 0:14:25 | |
Let's hear it for Jim, give him a round of applause. Is it really? | 0:14:25 | 0:14:28 | |
-It is. -Really? -Honest to God. -Genuinely was? -Genuinely. | 0:14:28 | 0:14:32 | |
And do you know what, Jim? You are the image of him! | 0:14:32 | 0:14:35 | |
Ladies and gentlemen, Jim. Give him a big round of applause. | 0:14:35 | 0:14:39 | |
Back you go. | 0:14:39 | 0:14:40 | |
CHEERING | 0:14:40 | 0:14:43 | |
So, there you have it. | 0:14:46 | 0:14:48 | |
It looks like celebrity endorsements may have some bearing on whether | 0:14:48 | 0:14:50 | |
a person will buy a product, but one of the more interesting | 0:14:50 | 0:14:54 | |
things is, you know those deals, 50% off, 50% extra free, | 0:14:54 | 0:14:57 | |
buy one get one free - how important are they in your buying decisions? | 0:14:57 | 0:15:01 | |
I want to see just how far I can persuade someone, | 0:15:01 | 0:15:04 | |
but not in the shop, on the football pitch. | 0:15:04 | 0:15:06 | |
I have come to London for a kickabout on the common, or | 0:15:13 | 0:15:16 | |
what I call footballs on plinths! | 0:15:16 | 0:15:18 | |
And my star player is Darren Gough, famous England cricketer who also | 0:15:18 | 0:15:23 | |
scored a hat-trick by winning Strictly Come Dancing no less | 0:15:23 | 0:15:26 | |
than three times! | 0:15:26 | 0:15:28 | |
Listen, I am a cricketer, a dancer, a radio presenter, | 0:15:28 | 0:15:31 | |
but my first love is football, but people always recognise, | 0:15:31 | 0:15:35 | |
obviously 20 years of playing professional sport for my country | 0:15:35 | 0:15:39 | |
and then doing a dancing show where 15 million people watch, | 0:15:39 | 0:15:42 | |
so football seems to have been kicked into touch. | 0:15:42 | 0:15:46 | |
Or in this case, the footballs are under a paper bag. | 0:15:46 | 0:15:49 | |
Sales people and organisations use a huge amount of stimuli to make you | 0:15:49 | 0:15:53 | |
do things - buy one get one free, | 0:15:53 | 0:15:55 | |
50% off, even colours, shapes and the locations of items in-store, | 0:15:55 | 0:15:58 | |
so I want to play, as a mentalist, with some of those techniques today. | 0:15:58 | 0:16:03 | |
As a sportsman and a dancer, it's all about the moves, | 0:16:03 | 0:16:06 | |
but the question is, | 0:16:06 | 0:16:08 | |
will Darren tackle my techniques or will I control the game? | 0:16:08 | 0:16:12 | |
All right, so, really simple game, Darren. | 0:16:12 | 0:16:15 | |
I am going to make one of these bags more attractive than | 0:16:15 | 0:16:18 | |
any other. You're literally just looking at brown paper bags, | 0:16:18 | 0:16:22 | |
footballs on plinths, and you can kick any one that you like. | 0:16:22 | 0:16:25 | |
I want a good kick. I don't want a girly kick. | 0:16:25 | 0:16:28 | |
-I want a real man's kick here. -Right. | 0:16:28 | 0:16:31 | |
Because, as you can tell, very macho here, very macho. | 0:16:31 | 0:16:34 | |
-So, have a think about it? Have you got one? -Yeah. | 0:16:34 | 0:16:37 | |
OK, go ahead and kick the ball that you like. | 0:16:37 | 0:16:39 | |
-Ho-hoo! Good shot. -I've never kicked a ball through a paper bag before. | 0:16:42 | 0:16:46 | |
-How do you feel after that? Adrenaline up? -Yes. | 0:16:46 | 0:16:49 | |
-OK. -Think I have got it in the groin, though! | 0:16:49 | 0:16:52 | |
-Want me to rub it for you? I am here for you. -No, I am all right! | 0:16:52 | 0:16:55 | |
I would need to invoice you, that's the thing. Why choose number three, | 0:16:55 | 0:16:58 | |
because you had no stimuli here at all? | 0:16:58 | 0:17:00 | |
-They were all brown paper bags. -It was in the middle. -OK, all right. | 0:17:00 | 0:17:04 | |
91% of people, when asked to do this, would choose number three, | 0:17:04 | 0:17:08 | |
the first time. But I don't want you to feel bad about that. | 0:17:08 | 0:17:11 | |
The fact is, your job is a bit more difficult now, | 0:17:11 | 0:17:14 | |
because first of all, we've got one less bag and second of all, | 0:17:14 | 0:17:18 | |
I am going to introduce these. | 0:17:18 | 0:17:20 | |
What we have are a few little special offer cards. | 0:17:20 | 0:17:23 | |
We've affordable, we've got expensive and we've even got free. | 0:17:23 | 0:17:27 | |
OK? I will place these in front of three of them | 0:17:27 | 0:17:30 | |
and I am going to put that one there, | 0:17:30 | 0:17:35 | |
that's the free one. | 0:17:35 | 0:17:38 | |
I am going to put expensive, that's that one there | 0:17:38 | 0:17:42 | |
and affordable over there. | 0:17:42 | 0:17:45 | |
At the moment, we have one that's been left brown | 0:17:45 | 0:17:49 | |
and three are now more attractive to your eye. | 0:17:49 | 0:17:54 | |
Whenever you are ready, go ahead and kick the bag that you like. | 0:17:54 | 0:17:58 | |
Come on, you can do it! Come on, Darren! Come on! Wow! | 0:17:58 | 0:18:01 | |
That's impressive. You've doubled your distance, there. | 0:18:01 | 0:18:07 | |
What you've done there is you've kicked away the affordable one. | 0:18:07 | 0:18:12 | |
Why did you take away the affordable one? | 0:18:12 | 0:18:14 | |
Because cost has to come into it. I am not one of them | 0:18:14 | 0:18:17 | |
who'll just go out and spend £300 on a pair of jeans. | 0:18:17 | 0:18:20 | |
-It has to be affordable. -Yes, me too. We're going to do the same again. | 0:18:20 | 0:18:24 | |
Three remaining, but this time, I am going to do it slightly differently. | 0:18:24 | 0:18:28 | |
Can we have a couple of stickers, please? Make this more interesting. | 0:18:28 | 0:18:32 | |
I am going to change it around a bit. | 0:18:32 | 0:18:35 | |
We've got two here - 50% off and 50% free. | 0:18:35 | 0:18:39 | |
So, would you rather have a good price, get more for your money? | 0:18:39 | 0:18:43 | |
Think about it for a second because I'm going to place this here - | 0:18:43 | 0:18:47 | |
50% off and this one...here - | 0:18:47 | 0:18:52 | |
50% free. | 0:18:52 | 0:18:56 | |
And, if you don't mind, I am just going to change my mind. | 0:18:56 | 0:19:03 | |
So, we've got 50% off, 50% free | 0:19:03 | 0:19:06 | |
and still we've got that hideous ugly, brown bag with nothing on it. | 0:19:06 | 0:19:11 | |
Totally unattractive. We've got three bags remaining, Darren. | 0:19:11 | 0:19:15 | |
Are you choosing to kick these on the moment? | 0:19:15 | 0:19:17 | |
-Just now, in the moment. -Go ahead. Kick the one that you like. | 0:19:17 | 0:19:21 | |
Come on, come on! Come on, Darren! Wow! That was amazing. | 0:19:21 | 0:19:27 | |
We're down to only two bags left | 0:19:27 | 0:19:30 | |
and I am not going to change a single thing. | 0:19:30 | 0:19:33 | |
One is very interesting, very attractive | 0:19:33 | 0:19:36 | |
and one is fairly ugly and hideous. | 0:19:36 | 0:19:38 | |
Most people won't choose to pick one that has got nothing on it so, | 0:19:38 | 0:19:41 | |
when you're ready, do you know which one you want to kick? | 0:19:41 | 0:19:44 | |
-Yeah. -You do know? -Yeah. -Locked on pretty solid. Firm. -Yeah. -Fixed. | 0:19:44 | 0:19:48 | |
-Yeah. -Line yourself up. | 0:19:48 | 0:19:49 | |
Whenever you are ready, go ahead and kick the ball you like. | 0:19:49 | 0:19:54 | |
Wow! | 0:19:54 | 0:19:55 | |
Now, you chose the one that was the least interesting, | 0:19:55 | 0:19:58 | |
that had very little on it. | 0:19:58 | 0:20:00 | |
Was that because it felt that you thought that I thought that | 0:20:00 | 0:20:03 | |
I was going to try and make you do something? | 0:20:03 | 0:20:06 | |
-It stood out to me. I like that bag! -OK. Thanks for coming. | 0:20:06 | 0:20:09 | |
Thank you so much. Do you want to go ahead and kick the last one? | 0:20:09 | 0:20:13 | |
Go ahead. Well, actually, do you mind if I do the honours? | 0:20:13 | 0:20:16 | |
Yeah, you kick it. | 0:20:16 | 0:20:17 | |
I don't want to show you up, that's the only thing. | 0:20:17 | 0:20:21 | |
I don't want you to kick it, but if you could just pick up | 0:20:21 | 0:20:23 | |
the paper bag for me. | 0:20:23 | 0:20:26 | |
We have a solid cannonball. | 0:20:28 | 0:20:31 | |
Go ahead and pick it up for me, I don't want to touch it. | 0:20:31 | 0:20:34 | |
-Ohh! -Do you feel the weight of that? | 0:20:34 | 0:20:37 | |
If I'd have kicked that, I'd have broke my foot! | 0:20:37 | 0:20:42 | |
I would have had no foot left. | 0:20:42 | 0:20:43 | |
And what's more hilarious is we've absolutely no insurance! | 0:20:43 | 0:20:47 | |
Absolutely crackers! | 0:20:47 | 0:20:50 | |
I could have kicked a cannonball, not a football, a cannonball! | 0:20:50 | 0:20:54 | |
CHEERING AND APPLAUSE | 0:20:54 | 0:20:58 | |
One job in sales that's the hardest than any other is the cold call. | 0:21:04 | 0:21:10 | |
Hands up, who has had to make a cold call? | 0:21:10 | 0:21:13 | |
Hands up who's had to make a cold call? | 0:21:13 | 0:21:15 | |
Cold calling is the most difficult job in sales. | 0:21:15 | 0:21:18 | |
You're contacting people who don't want to hear from you | 0:21:18 | 0:21:21 | |
to convince them to buy products they don't need, | 0:21:21 | 0:21:23 | |
using money they probably can't afford and you are doing it | 0:21:23 | 0:21:26 | |
when they're trying to put the tea on. | 0:21:26 | 0:21:29 | |
So that's my job this evening. | 0:21:29 | 0:21:30 | |
I am going to set up a cold call and I need someone to help me. | 0:21:30 | 0:21:36 | |
-AUDIENCE: Aw! -Tilly's back! | 0:21:36 | 0:21:37 | |
The third person who catches this will be the person who comes up. | 0:21:37 | 0:21:42 | |
Three, two, one. | 0:21:42 | 0:21:44 | |
That's throw number one, | 0:21:44 | 0:21:47 | |
so if we can have throw number two, please, sir. | 0:21:47 | 0:21:49 | |
You're going to make throw number three. | 0:21:49 | 0:21:54 | |
Whoops! | 0:21:54 | 0:21:56 | |
Tilly is lying like roadkill on the floor! I think it's closest to you. | 0:21:56 | 0:22:02 | |
-Madam, what's your name? -Lindsay. | 0:22:02 | 0:22:04 | |
So, Lindsay, there's no need to grab Tilly by the neck. | 0:22:04 | 0:22:07 | |
Ladies and gentlemen, give Lindsay a round of applause. | 0:22:07 | 0:22:10 | |
CHEERING | 0:22:10 | 0:22:12 | |
What's that, Tilly? | 0:22:17 | 0:22:18 | |
No, I don't think it's fake tan, I think it's legit. | 0:22:18 | 0:22:21 | |
-Lindsay, have you ever had to make a cold call? -Yeah. | 0:22:22 | 0:22:27 | |
-We would do prospect in the evenings and things. -How was it? | 0:22:27 | 0:22:30 | |
Sometimes, the people just don't want to know you at all. | 0:22:30 | 0:22:35 | |
This evening, we're going to set up a cold call and you | 0:22:35 | 0:22:38 | |
are the person that I am going to try and sell something to. | 0:22:38 | 0:22:41 | |
What makes this different to any other cold call is I am not going | 0:22:41 | 0:22:45 | |
to tell you what I am going to try and sell you, but what I am going to | 0:22:45 | 0:22:47 | |
try and sell you is written on the blackboard that's hanging up. | 0:22:47 | 0:22:51 | |
Am I allowed to look at it? | 0:22:51 | 0:22:52 | |
Yes, a little later, we'll bring it down and see how close | 0:22:52 | 0:22:55 | |
Lindsay's choice is to what's scribbled there. | 0:22:55 | 0:22:58 | |
Would you like to take a little seat for me? Lindsay, everyone! | 0:22:58 | 0:23:01 | |
CHEERING | 0:23:01 | 0:23:04 | |
So, I will take Lindsay through a sales call and in this call, | 0:23:04 | 0:23:08 | |
I am going to ask a series of questions. | 0:23:08 | 0:23:10 | |
My job is to hone my script so that at the end, | 0:23:10 | 0:23:14 | |
the final product that she names, is the only | 0:23:14 | 0:23:16 | |
product in the world that she could consider buying. | 0:23:16 | 0:23:19 | |
I think that you can't not buy this product, Lindsay. | 0:23:19 | 0:23:22 | |
During the course of the sales call, I'll ring my bell a few times | 0:23:22 | 0:23:26 | |
and at that point, name any random product that pops into your head. | 0:23:26 | 0:23:29 | |
-Are you ready for the sales call? -Yes, ready to go. | 0:23:29 | 0:23:33 | |
DAVID CLEARS HIS THROAT | 0:23:33 | 0:23:36 | |
PHONE RINGS | 0:23:38 | 0:23:39 | |
-Hello. -Hello, this is Davina from Meade Enterprises. | 0:23:39 | 0:23:43 | |
-How are you this evening? -I'm good, Davina. How are you? | 0:23:43 | 0:23:46 | |
You're taking great joy in calling me Davina! All right! | 0:23:46 | 0:23:49 | |
Sorry, one moment please. | 0:23:49 | 0:23:51 | |
HOLDING MUSIC PLAYS | 0:23:51 | 0:23:52 | |
I put Lindsay on hold. | 0:23:52 | 0:23:54 | |
Lindsay thinks I'm very busy. I am actually in the bathroom. | 0:23:54 | 0:23:59 | |
Hello, Lindsay. | 0:23:59 | 0:24:01 | |
I'm sorry, I was talking with my manager there | 0:24:01 | 0:24:04 | |
and we've got some amazing offers and deals for you today. | 0:24:04 | 0:24:07 | |
I need to ask you at this point, what's the most exciting | 0:24:07 | 0:24:10 | |
product you've ever bought? | 0:24:10 | 0:24:12 | |
BELL RINGS | 0:24:12 | 0:24:16 | |
-Name any product in the world. -Wedding ring. -Wedding ring. | 0:24:13 | 0:24:16 | |
OK. And did you buy that? | 0:24:16 | 0:24:17 | |
You know that's not how it's supposed to work? | 0:24:17 | 0:24:19 | |
-I bought the wedding ring, he bought the engagement ring. -Right. | 0:24:19 | 0:24:23 | |
You got the best deal there on balance! Number one, wedding ring. | 0:24:23 | 0:24:27 | |
OK, I want you to think of the last item you bought, that you were | 0:24:27 | 0:24:30 | |
so hugely disappointed with. | 0:24:30 | 0:24:32 | |
All right, think about whatever that product is. | 0:24:32 | 0:24:34 | |
Don't name that. | 0:24:34 | 0:24:36 | |
BELL RINGS | 0:24:36 | 0:24:37 | |
-Quickly, another one. -My belly button bar! | 0:24:37 | 0:24:39 | |
LAUGHTER | 0:24:39 | 0:24:41 | |
Belly button bar. | 0:24:41 | 0:24:45 | |
Sorry, Lindsay. | 0:24:45 | 0:24:48 | |
HOLDING MUSIC PLAYS | 0:24:48 | 0:24:50 | |
It turns out that Lindsay is a pervert! | 0:24:50 | 0:24:53 | |
OK, Lindsay, I want you to think about the last time you spent | 0:24:56 | 0:24:59 | |
a huge amount of money. The most expensive thing you ever bought, | 0:24:59 | 0:25:02 | |
whatever that is, I don't want you to say that, not that product. | 0:25:02 | 0:25:06 | |
-Any product in the world, -Dog. -OK, dog. | 0:25:06 | 0:25:08 | |
So number one is wedding ring, | 0:25:08 | 0:25:12 | |
number two is belly button bar, number three is dog. | 0:25:12 | 0:25:15 | |
-Can I change my mind? -Yes, you can. Not dog? -I was going to say sofa. | 0:25:15 | 0:25:20 | |
Right, OK. So we'll scribble out dog. Just to be clear, you went from | 0:25:20 | 0:25:24 | |
-dog to sofa? -They're both grey. | 0:25:24 | 0:25:26 | |
Do they come in, let's say... 50 shades? | 0:25:30 | 0:25:32 | |
RAUCOUS LAUGHTER | 0:25:32 | 0:25:35 | |
So we've went from wedding ring, belly button bar, | 0:25:40 | 0:25:45 | |
you wanted to change your mind from dog and then you went to sofa. | 0:25:45 | 0:25:50 | |
GONG CLANGS | 0:25:50 | 0:25:52 | |
That is the cold call over. | 0:25:52 | 0:25:56 | |
Imagine for a minute, | 0:25:56 | 0:25:59 | |
you've got a final product in your head that you want to buy. | 0:25:59 | 0:26:02 | |
-So your partner... Is that husband, I assume? -Yes, Stephen. | 0:26:02 | 0:26:06 | |
If Stephen was here right now, | 0:26:06 | 0:26:09 | |
what would he have said you should have bought? | 0:26:09 | 0:26:11 | |
-Bought him a new car, probably. -But there's literally no chance | 0:26:11 | 0:26:15 | |
-of that, you are too stingy. -He can buy himself one. | 0:26:15 | 0:26:18 | |
You be like that! OK, folks. | 0:26:18 | 0:26:21 | |
At this point, I will go ahead and get the blackboard down please. | 0:26:21 | 0:26:25 | |
Lindsay, would you stand up here for me? | 0:26:25 | 0:26:28 | |
Just to recap, you're thinking of the target product in your head | 0:26:28 | 0:26:32 | |
that no-one in this world knows about. You never said it out loud, | 0:26:32 | 0:26:35 | |
-no-one in the crew could know what this is. Proper secret. -Yes. | 0:26:35 | 0:26:39 | |
-OK, it just popped into your head, sitting at the table. -Yes. -OK. | 0:26:39 | 0:26:43 | |
So you went from wedding ring, to belly button bar, | 0:26:43 | 0:26:46 | |
you changed your mind from dog and then you went to sofa. | 0:26:46 | 0:26:49 | |
OK. So, folks, what we have here is a beautiful blackboard. | 0:26:49 | 0:26:55 | |
Lindsay, I took you on a cold call, | 0:26:55 | 0:26:58 | |
but it was really important for me that I tried to, before I | 0:26:58 | 0:27:02 | |
started this, to get a sense of the type of person that might take part. | 0:27:02 | 0:27:06 | |
And I thought maybe, | 0:27:06 | 0:27:08 | |
there was a chance that they might want a ring of some sort. | 0:27:08 | 0:27:11 | |
Then, Lindsay, I started to think that maybe | 0:27:11 | 0:27:15 | |
they might want some sort of piercing. | 0:27:15 | 0:27:19 | |
Then, Lindsay, I thought there might be a chance that they would | 0:27:19 | 0:27:23 | |
want to buy a dog! | 0:27:23 | 0:27:24 | |
But then, I had a sense that they might change their mind around | 0:27:24 | 0:27:27 | |
about there and end up looking for a sofa, a grey sofa. | 0:27:27 | 0:27:35 | |
APPLAUSE AND CHEERING | 0:27:35 | 0:27:38 | |
Lindsay, the only product that mattered was that final target. | 0:27:38 | 0:27:41 | |
You haven't said this out loud, no-one knows what this is. | 0:27:41 | 0:27:45 | |
-For the first time out loud, what's the product? -House. -A house! | 0:27:45 | 0:27:50 | |
-Let's hear it for a Lindsay! Huge round of applause. -Oh my God! | 0:27:52 | 0:27:55 | |
And sorry, husband, no new car for you! | 0:27:58 | 0:28:03 | |
Ladies and gentlemen, let's hear it for Lindsay! | 0:28:03 | 0:28:06 | |
CHEERING AND APPLAUSE | 0:28:06 | 0:28:08 | |
Back you go, back you go! | 0:28:08 | 0:28:11 | |
There you have it, folks. What do you think? | 0:28:11 | 0:28:15 | |
Am I really the best salesperson in the world? | 0:28:15 | 0:28:18 | |
Can I really sell anything to anyone or has this all just been | 0:28:18 | 0:28:21 | |
make-believe? Thank you for watching. | 0:28:21 | 0:28:23 | |
CHEERING AND APPLAUSE | 0:28:23 | 0:28:26 | |
Subtitles by Red Bee Media Ltd | 0:28:31 | 0:28:34 |