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Right now, I'm going to take you on a journey into my world. | 0:00:10 | 0:00:14 | |
I've never seen that before in my life. | 0:00:14 | 0:00:16 | |
GASPS OF AMAZEMENT | 0:00:16 | 0:00:18 | |
-FIREWORKS FIZZ AND POP -I can't even speak about it! | 0:00:18 | 0:00:21 | |
It's crazy! | 0:00:22 | 0:00:24 | |
In this episode, I head to the city of Rio de Janeiro | 0:00:26 | 0:00:29 | |
and go on a South American adventure. | 0:00:29 | 0:00:31 | |
CHILDREN SCREAM EXCITEDLY | 0:00:31 | 0:00:34 | |
From the world-famous beaches of Copacabana | 0:00:34 | 0:00:36 | |
and Ipanema.. | 0:00:36 | 0:00:38 | |
to the heart of Rio's favelas. | 0:00:38 | 0:00:41 | |
HE LAUGHS | 0:00:41 | 0:00:42 | |
MAN LAUGHS | 0:00:42 | 0:00:44 | |
Follow me as I explore this great city | 0:00:44 | 0:00:47 | |
and bring a touch of magic to the people of Brazil. | 0:00:47 | 0:00:51 | |
You Mafiaso! | 0:00:51 | 0:00:52 | |
My name is Steven Frayne, but most people call me Dynamo. | 0:00:54 | 0:00:59 | |
-What's your name? -Junior. -Giovanni. | 0:01:43 | 0:01:46 | |
-Lianus. -Tiago. -Tiago. I'm Dynamo. | 0:01:46 | 0:01:49 | |
Do you have keys or money? | 0:01:51 | 0:01:53 | |
INDISTINCT PORTUGUESE | 0:01:53 | 0:01:56 | |
Can I use your phone? Can I use this? | 0:02:14 | 0:02:17 | |
I just want to use the headphones. | 0:02:17 | 0:02:19 | |
Watch. The key... | 0:02:27 | 0:02:29 | |
LOUD LAUGHTER | 0:02:33 | 0:02:34 | |
EXCLAMATIONS IN PORTUGUESE | 0:02:35 | 0:02:38 | |
I had landed in paradise, thousands of miles away from the UK. | 0:03:19 | 0:03:23 | |
As I looked out across the ocean, | 0:03:25 | 0:03:27 | |
my life back home seemed like a distant memory. | 0:03:27 | 0:03:30 | |
Things had been going great for me in the UK. | 0:03:32 | 0:03:34 | |
My dreams had become a reality | 0:03:34 | 0:03:36 | |
and my work was finally getting recognised. | 0:03:36 | 0:03:39 | |
But when my grandpa died, it stopped me in my tracks. | 0:03:40 | 0:03:44 | |
It got impossible to perform without the man who'd inspired me | 0:03:44 | 0:03:46 | |
to make it this far. | 0:03:46 | 0:03:48 | |
Have you ever had a time in your life when things become | 0:03:48 | 0:03:50 | |
so overwhelming you just want to disappear? | 0:03:50 | 0:03:54 | |
I needed to find a place that could reinspire | 0:03:54 | 0:03:56 | |
my love of magic, a place where nobody knew my name. | 0:03:56 | 0:04:00 | |
Rio de Janeiro, the second-largest city in Brazil | 0:04:07 | 0:04:11 | |
and a place full of magic and wonder. | 0:04:11 | 0:04:13 | |
During Carnival season, over two million people descend on to | 0:04:16 | 0:04:20 | |
Rio's streets for the world's biggest street party. | 0:04:20 | 0:04:23 | |
It was my first visit to Brazil and I hoped it would give me | 0:04:37 | 0:04:41 | |
a chance to bring my magic to an unexpected audience. | 0:04:41 | 0:04:44 | |
First stop, the beaches of Ipanema. | 0:04:44 | 0:04:47 | |
-Ola. -Hi. -Hi. -Hi. How are you doing? Are you all right? | 0:04:57 | 0:05:00 | |
Are you from here? | 0:05:00 | 0:05:01 | |
-Si. -Si. -Si, yeah? My name is Dynamo. What's your name? -Camilla. | 0:05:01 | 0:05:06 | |
-Camilla and... -Daisy. -Daisy. | 0:05:06 | 0:05:07 | |
Nice to meet you. Do you girls like coconut milk? | 0:05:07 | 0:05:12 | |
-Si. -Yes? | 0:05:12 | 0:05:13 | |
You don't sound like you like it too much, so name a different drink. | 0:05:13 | 0:05:16 | |
Cafe. | 0:05:16 | 0:05:18 | |
You want coffee? | 0:05:18 | 0:05:20 | |
-What do you want? -Laranja. -Orange. -Si. | 0:05:20 | 0:05:24 | |
Excuse me, can we have two coconut? | 0:05:24 | 0:05:27 | |
There's two. Will you...pick one? | 0:05:31 | 0:05:33 | |
Yeah. | 0:05:37 | 0:05:38 | |
And now, Daisy, if you pick one as well. | 0:05:57 | 0:06:00 | |
This one? You take that one? | 0:06:02 | 0:06:04 | |
Can you take this one? That one is yours? Right? That one is yours. | 0:06:17 | 0:06:21 | |
What did you choose? | 0:06:24 | 0:06:25 | |
-Cafe. -Coffee? | 0:06:25 | 0:06:27 | |
And you chose... orange, right? Hold them out. | 0:06:27 | 0:06:32 | |
THEY LAUGH | 0:06:32 | 0:06:33 | |
LAUGHTER | 0:06:35 | 0:06:37 | |
That's a coffee. | 0:06:37 | 0:06:39 | |
As the sun set on my first day in Rio, | 0:07:06 | 0:07:09 | |
I took a stroll along the iconic boardwalk of Copacabana beach. | 0:07:09 | 0:07:13 | |
Rio comes alive at night. | 0:07:13 | 0:07:15 | |
I love to take in the sights and sounds of a new city. | 0:07:15 | 0:07:18 | |
SIREN WAILS | 0:07:18 | 0:07:19 | |
Sometimes I see things that have the power to stop me in my tracks | 0:07:19 | 0:07:22 | |
and make me feel like a kid again. | 0:07:22 | 0:07:25 | |
Lost in a moment of pure magic and amazement. | 0:07:25 | 0:07:27 | |
I guess it's these moments that allow us to forget our troubles | 0:07:30 | 0:07:33 | |
and inspire us to the infinite possibilities around us. | 0:07:33 | 0:07:36 | |
As I ventured further into the city, Carnival was in full flow. | 0:09:09 | 0:09:13 | |
The atmosphere was incredible | 0:09:13 | 0:09:16 | |
and I wanted to bring a little extra magic to the festivities. | 0:09:16 | 0:09:19 | |
Do you have a coin? | 0:09:19 | 0:09:21 | |
-Yes. -Can you take it out? | 0:09:21 | 0:09:23 | |
I want you to draw a picture on there. | 0:09:28 | 0:09:30 | |
Perfect! | 0:09:38 | 0:09:40 | |
See that? | 0:09:44 | 0:09:45 | |
Take your hand and hold it tight. | 0:09:52 | 0:09:54 | |
Yeah, perfect. Watch. | 0:09:55 | 0:09:58 | |
LAUGHTER | 0:10:04 | 0:10:06 | |
Come with me. | 0:10:09 | 0:10:12 | |
-How much? -Dez. -Ten. | 0:10:12 | 0:10:14 | |
Which one? | 0:10:18 | 0:10:19 | |
-This one. -This one? | 0:10:19 | 0:10:21 | |
RATTLING | 0:10:21 | 0:10:23 | |
Hear this? Hear this? | 0:10:26 | 0:10:28 | |
LESS RATTLING | 0:10:39 | 0:10:40 | |
Hear that? One thing. Yeah? | 0:10:40 | 0:10:43 | |
CLUNKING | 0:10:45 | 0:10:47 | |
Can you...? Can you stamp on there? | 0:10:49 | 0:10:52 | |
Oh! | 0:10:52 | 0:10:54 | |
Look. | 0:10:54 | 0:10:56 | |
SHE LAUGHS | 0:10:56 | 0:10:57 | |
Wow. | 0:11:00 | 0:11:02 | |
Oh, my God. Crazy. | 0:11:04 | 0:11:07 | |
I just can't understand how he does it, you know. | 0:11:12 | 0:11:15 | |
I'm just baffled by it. It's crazy. | 0:11:15 | 0:11:18 | |
As darkness fell, the local kids rushed to the popcorn store. | 0:11:32 | 0:11:35 | |
It's kind of like the ice cream van back home | 0:11:39 | 0:11:42 | |
except it sells popcorn | 0:11:42 | 0:11:45 | |
and it's not a van. | 0:11:45 | 0:11:46 | |
What's this? | 0:11:46 | 0:11:48 | |
THEY SPEAK PORTUGUESE | 0:11:48 | 0:11:49 | |
Use this? | 0:11:52 | 0:11:53 | |
What is this? What is this? | 0:11:53 | 0:11:55 | |
Popcorn. | 0:11:56 | 0:11:58 | |
Olha so. | 0:11:58 | 0:11:59 | |
KIDS SQUEAL | 0:12:04 | 0:12:05 | |
See that? | 0:12:06 | 0:12:08 | |
Taste it. Taste it. Taste it. | 0:12:11 | 0:12:13 | |
It's real? | 0:12:15 | 0:12:16 | |
KIDS SPEAK PORTUGUESE | 0:12:21 | 0:12:23 | |
Nothing here. | 0:12:34 | 0:12:35 | |
Watch. | 0:12:35 | 0:12:36 | |
I wanted to meet some more locals | 0:13:05 | 0:13:07 | |
so I headed to a bar on the outskirts of the city. | 0:13:07 | 0:13:10 | |
Do you have a good imagination? | 0:13:12 | 0:13:14 | |
Yes. Yes. Sim. Sim. | 0:13:14 | 0:13:16 | |
I want you to think of a playing card in your imagination now. | 0:13:16 | 0:13:20 | |
Yeah? So think of one card. | 0:13:20 | 0:13:22 | |
I have cards here. I'm going to put cards down. Just say stop. | 0:13:24 | 0:13:28 | |
-Stop. -This one right here? | 0:13:31 | 0:13:33 | |
OK. | 0:13:33 | 0:13:34 | |
You could have had these two. | 0:13:34 | 0:13:37 | |
You could have stopped on these. | 0:13:37 | 0:13:40 | |
You stopped me on one card and you've been thinking of a card. | 0:13:40 | 0:13:44 | |
SHE GASPS | 0:13:44 | 0:13:45 | |
Yes. Sim, sim. | 0:13:45 | 0:13:47 | |
Ah... | 0:13:49 | 0:13:50 | |
You've got a good imagination. | 0:13:52 | 0:13:54 | |
We'll try and take it a step further. | 0:13:54 | 0:13:56 | |
So I've got the card here and I'll put it in the pack. | 0:13:56 | 0:13:59 | |
-You see it's facing downwards, right? -OK. | 0:13:59 | 0:14:02 | |
Yeah? I'll push it in slowly. | 0:14:02 | 0:14:04 | |
-In your imagination, I want you to turn the card over. -OK. | 0:14:06 | 0:14:10 | |
-In your imagination. Are you doing that? Bom. -OK. | 0:14:10 | 0:14:13 | |
Yeah. Sim, sim. | 0:14:19 | 0:14:20 | |
SHE LAUGHS | 0:14:20 | 0:14:22 | |
How about we try one more? | 0:14:22 | 0:14:25 | |
This time imagine you're tearing the corner off the card. | 0:14:25 | 0:14:28 | |
So tear the corner off. Yeah? | 0:14:28 | 0:14:30 | |
Sim, sim. | 0:14:35 | 0:14:37 | |
One more thing with your card. | 0:14:41 | 0:14:43 | |
I want you to imagine that the candle's alight. | 0:14:43 | 0:14:46 | |
Imagine you're burning the card now. Imagine it. On the back. Yeah? | 0:14:59 | 0:15:04 | |
Are you doing that? | 0:15:04 | 0:15:05 | |
DYNAMO WINCES | 0:15:07 | 0:15:08 | |
Turn it over. Be careful, it's hot. Turn it over. | 0:15:13 | 0:15:15 | |
LAUGHTER | 0:15:20 | 0:15:21 | |
The next day, I headed up to the Chapeu Mangueira favela, | 0:15:43 | 0:15:46 | |
one of the numerous shantytowns built into the steep hills | 0:15:46 | 0:15:49 | |
behind Rio's coastline, | 0:15:49 | 0:15:50 | |
to meet up with one of the local residents, my friend Tiago. | 0:15:50 | 0:15:54 | |
CHILD SCREAMS | 0:16:04 | 0:16:05 | |
Hey. | 0:16:09 | 0:16:11 | |
Most of the locals can only speak a little English | 0:16:11 | 0:16:13 | |
and my Portuguese isn't great, so I really had to depend | 0:16:13 | 0:16:16 | |
on my magic to break through the language barrier. | 0:16:16 | 0:16:19 | |
-Ola. -Ola. | 0:16:20 | 0:16:22 | |
Tudo bem? | 0:16:22 | 0:16:23 | |
English. | 0:16:26 | 0:16:27 | |
English. You speak English? | 0:16:27 | 0:16:29 | |
Yeah. You speak English? That's good. | 0:16:29 | 0:16:33 | |
Nao falar. Speak English, no. | 0:16:33 | 0:16:36 | |
Carioca. | 0:16:38 | 0:16:40 | |
-Carioca? -Carioca. | 0:16:40 | 0:16:42 | |
Olha so. Yeah? Watch. | 0:16:48 | 0:16:49 | |
Can you do this? | 0:16:56 | 0:16:57 | |
MAN SPEAKS PORTUGUESE | 0:16:57 | 0:16:58 | |
Do it on. That way. On. | 0:17:06 | 0:17:08 | |
Watch. | 0:17:20 | 0:17:21 | |
See that? No? | 0:17:32 | 0:17:34 | |
Do this. | 0:17:37 | 0:17:38 | |
MAN LAUGHS | 0:17:50 | 0:17:51 | |
After lunch, Tiago gave me a tour of the favela | 0:18:10 | 0:18:13 | |
to meet some of the residents. | 0:18:13 | 0:18:15 | |
Watch. | 0:18:19 | 0:18:20 | |
Look, look. Look. | 0:18:34 | 0:18:35 | |
HE SPEAKS PORTUGUESE | 0:18:35 | 0:18:37 | |
This hand. | 0:18:37 | 0:18:38 | |
This here. | 0:18:38 | 0:18:39 | |
HE LAUGHS | 0:18:42 | 0:18:44 | |
Olha so, yeah? | 0:18:53 | 0:18:54 | |
Cara! | 0:18:59 | 0:19:01 | |
THEY LAUGH | 0:19:01 | 0:19:02 | |
Do this, do this. | 0:19:16 | 0:19:18 | |
Uma... | 0:19:32 | 0:19:34 | |
dois... | 0:19:34 | 0:19:35 | |
tres. | 0:19:35 | 0:19:37 | |
Tres? | 0:19:37 | 0:19:38 | |
Open. | 0:19:42 | 0:19:43 | |
THEY LAUGH | 0:19:45 | 0:19:46 | |
THEY SPEAK PORTUGUESE | 0:19:49 | 0:19:51 | |
What are these? | 0:19:56 | 0:19:58 | |
Can I have two? | 0:19:58 | 0:19:59 | |
Dois. Yeah. | 0:20:00 | 0:20:02 | |
Cara! | 0:20:12 | 0:20:13 | |
Cara! | 0:20:15 | 0:20:16 | |
Once I'd performed for the kids, they challenged me | 0:20:27 | 0:20:30 | |
to a game of football on a dirt pitch at the top of a favela. | 0:20:30 | 0:20:33 | |
There was no way I could lose. | 0:20:33 | 0:20:35 | |
Playing my national sport against a bunch of six-year-olds? | 0:20:35 | 0:20:37 | |
This would be like taking candy from a baby. | 0:20:37 | 0:20:40 | |
My team against your team. | 0:20:40 | 0:20:42 | |
Yeah? | 0:20:42 | 0:20:43 | |
HE SPEAKS PORTUGUESE | 0:20:47 | 0:20:48 | |
Let's go. | 0:20:50 | 0:20:51 | |
CHEERING | 0:21:16 | 0:21:17 | |
Erm... | 0:22:00 | 0:22:01 | |
See this? | 0:22:07 | 0:22:09 | |
Juliana. | 0:22:18 | 0:22:19 | |
Watch. | 0:22:19 | 0:22:21 | |
JULIANA LAUGHS | 0:22:27 | 0:22:29 | |
Juliana. | 0:22:29 | 0:22:30 | |
Obrigada. | 0:22:30 | 0:22:31 | |
It was my last day in Rio and I'd been truly inspired | 0:23:15 | 0:23:18 | |
by the places I'd seen and the people I'd met. | 0:23:18 | 0:23:21 | |
From the idyllic beaches of Copacabana and Ipanema... | 0:23:22 | 0:23:25 | |
..to the energy and spirit of the Chapeu Mangueira favela. | 0:23:29 | 0:23:32 | |
I'd been infected with Carnival fever | 0:23:40 | 0:23:42 | |
and would never forget this magical place. | 0:23:42 | 0:23:45 | |
For the first time in ages, | 0:23:47 | 0:23:49 | |
my troubles seemed like a distant memory. | 0:23:49 | 0:23:51 | |
But before I left, I needed to visit one of the great icons of Brazil, | 0:23:57 | 0:24:02 | |
Cristo Redentor, the statue of Christ the Redeemer. | 0:24:02 | 0:24:05 | |
It was a long journey up the steep mountainside by cable car | 0:24:11 | 0:24:14 | |
to the base of the statue. | 0:24:14 | 0:24:16 | |
And as the mist rolled in, it was impossible to tell | 0:24:16 | 0:24:19 | |
if I'd have a clear view of the incredible landmark when I arrived. | 0:24:19 | 0:24:22 | |
For some reason, I imagined that the statue would be | 0:24:34 | 0:24:37 | |
a quiet, tranquil place set high above the madness of city life, | 0:24:37 | 0:24:41 | |
but when I arrived the place was packed with tourists, | 0:24:41 | 0:24:44 | |
all trying to get a picture of the gigantic statue. | 0:24:44 | 0:24:46 | |
I needed a way to create a lasting memory of my trip to Rio, | 0:25:07 | 0:25:11 | |
an image that would forever remind me of this magnificent city. | 0:25:11 | 0:25:14 | |
-Excuse me, could you take a picture of me? -OK. | 0:25:18 | 0:25:21 | |
-One second, I'm going to go up there. -OK. | 0:25:21 | 0:25:23 | |
See me? | 0:25:29 | 0:25:30 | |
MUSIC: Arise, Shine by The Synanon Choir | 0:25:30 | 0:25:33 | |
INAUDIBLE | 0:27:16 | 0:27:18 | |
Eurgh! | 0:27:47 | 0:27:48 | |
You got to be kidding me, man. | 0:27:48 | 0:27:50 | |
I don't know what just happened right now, man. | 0:27:54 | 0:27:57 | |
-LAUGHTER -Awesome. | 0:28:02 | 0:28:04 | |
I have never seen that before in my life. | 0:28:08 | 0:28:10 | |
MUSIC: Running by Gil Scott Heron | 0:28:10 | 0:28:12 | |
# Because I knew where cover was | 0:28:12 | 0:28:13 | |
# I would stay there and never have to run for it | 0:28:13 | 0:28:16 | |
# Not running for my life | 0:28:16 | 0:28:17 | |
# Because I have to be running for something of more value | 0:28:17 | 0:28:20 | |
# To be running and not in fear | 0:28:20 | 0:28:22 | |
# Because the thing I fear cannot be escaped, eluded, avoided | 0:28:22 | 0:28:26 | |
# Hidden from, protected from, gotten away from | 0:28:26 | 0:28:30 | |
# Not without showing the fear as I see it now. # | 0:28:30 | 0:28:34 |