30/08/2010 Great TV Mistakes


30/08/2010

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Transcript


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Hello, I'm Robert Webb.

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Welcome to Great TV Mistakes.

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Now, I know what you're saying - "But people in telly don't make mistakes.

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"They're all perfect, like you, Rob."

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Not true. Everyone makes mistakes.

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You just called me Rob, for instance.

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And no-one but no-one calls me Rob unless I give them permission. Understand?!

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Don't worry. People in telly are just like you.

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They mess up. A crew member appears in the back of shot, a prop changes colour,

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someone commissions another series of My Family.

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Mistakes get made, and that's where we come in.

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We find these embarrassing errors and make a show out of them.

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Some people might call that schadenfreude. I just call it funny.

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Enjoy.

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Coming up - mistakes from:

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..and many, many more!

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To misquote the great Salt-N-Pepa, let's talk about sets.

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Set designers do an incredible job, and I hate to spoil the magic of television, but sometimes what

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appears to be real is actually made of elaborately painted wood, much like Amanda Holden's face.

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This wall behind me, that's not brick, that's papier mache,

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expertly knocked together by the Great TV Mistakes set designers.

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Trust me, there's nothing we in television can't convincingly recreate.

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The inside of the White House, the outside of a spaceship,

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even an entire 15th century English village.

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Everything, in fact, except Daphne in Frasier's Mancunian accent,

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And all of these shocking set-related howlers.

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Hey, Magnum's in Friends.

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Look at the size of the bloke. They're having to widen the shot just to squeeze him in.

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A bit too wide, if you ask me.

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That is the edge of the set. Unless there's always been an enormous hole in Joey and Chandler's wall.

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In which case, why does everyone still use the door?

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Well, we had a table in college.

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Filming historical storylines is always a challenge.

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Take this episode of Doctor Who, set in Victorian London with Charles Dickens and some zombies.

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But forget about them, because that is an electric light switch.

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Edison didn't test the first light bulb until nine years after Charles Dickens' death.

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If that isn't a mistake, my name isn't Robert Webb.

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Which it is.

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It's Doctor Who, '70s-style. And problems with the TARDIS have forced him to get these alien builders in.

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See the alien builder on the left, keep your eyes on his feet.

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D'oh! That's torn it, literally.

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Light, too much light!

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Yeah, he's got his space boat caught under the Axminster. You idiot.

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I know what you're thinking, how's he going to get his foot out from under the carpet?

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Pick it up or just kick the carpet out of the way?

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And he... Yeah, he just kicks it out of the way. Nice one.

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Goddamn alien cowboy builders!

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The IT Crowd, and Jen's up on the top floor.

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I feel like I'm on top of the world.

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Well, the top floor anyway, which is...

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Floor 34.

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Yes, floor 34.

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-OK, where am I going?

-All the way down to the basement.

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From floor 34. But, hang on.

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That lift's only got 31 buttons, meaning there's only 31 floors.

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This doesn't make any sense.

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I'm beginning to think these people don't take their pretend lift buttons seriously.

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A brilliantly silly sequence from Wonder Woman now, starring

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killer ape Gargantua

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and this bloke in specs, who kicks off a classic dust-up

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by throwing a balsawood coffee table like a massive girl.

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Then, after some more "acting", he goes running for the door and that large red emergency button.

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Gargantua throws a poorly constructed dummy across the room and, hey, it's a military rozzer.

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He tries to press the button, misses is, but it goes off anyway. He's out of the game.

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But here comes his mate, who's elderly.

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He ignores the emergency button, cos it's not there any more,

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and bounces off Gargantua like a septuagenarian pinball.

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Yes, there was an error there but I'll be damned if I could spot it.

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Here's pathologist turned serial killer, Dexter,

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examining a dead body. Now, hold it there.

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Time check. 11 minutes past 4.

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And play.

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Dexter takes a quick shufti at the cadaver.

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And hold again. Ooh, it's 4:17.

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That little look took six minutes.

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Doesn't time fly when you're sniffing at a corpse.

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Here's Lucy Lawless as Xena

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in the best fighting form of her life, taking on baddie Deiphobus

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Go, Xena! She's hard as a rock.

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In fact, much harder than a rock.

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Especially THAT rock. Boing!

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Doing!

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Hmm, did they have foam in ancient Greece?

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Remember the time that you almost drowned...

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Now, I don't want to suggest that they knocked some of these sets up in an afternoon,

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cos often they don't have that long, But there is something a bit crap about this clip from Xena,

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in which we see a Greek fortress, which history tells us were made of stone.

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Stone, that geology tells us isn't known for its wobbly properties.

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But look, over he goes, with a wibble and a wobble and a half pipe twist

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that gymnastics tells us is an 8.5. I bet you can't do that again.

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Wibble wobble, wibble wobble. Oh, he can.

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That was the one I was trying to get a look at, not that Australian hayseed.

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All's not well at Fawlty Towers, for a change.

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Try as he might, Basil just can't get through to wife Sybil, for a change.

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She's so annoyed and slams the door, along with half the wall.

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That is some very unstable brickwork. Will somebody please call a builder?

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And not Mr O'Reilly. Little joke for the fans there.

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Just in case you're not one, O'Reilly is Basil's regular builder, very cheap and less than competent.

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Look, he's blocked up the door to the dining room, blocked solid.

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Well, not entirely.

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No one puts up a wobblier wall than Basil Fawlty's builder.

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Apart from a BBC set designer.

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Sometimes not even a cheap set can ruin a scene, if the scene is a classic.

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Basil's trying to catch one of the guests with a girl in his room but he's got the wrong window.

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Keep your eyes on the pane of "glass".

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It's plastic. And smeary, scratched plastic at that.

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All in all, a gold star for BBC comedy and a brown smear for programme finance.

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In this clip from Only Fools, Del and Rodney are round at Denzil's,

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possibly the only flat in Peckham in worse shape than the Trotters'.

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I'll make you wish your mum had had a headache...

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When his wife storms out, though, watch what happens to the wall, and the budgie.

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Ooh, he didn't see that coming.

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Obviously never stayed at Fawlty Towers.

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All right then, tonight, I'll be there.

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It's Blackadder II, and Queenie and Edmond are staking a wager with Lord Melchett.

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Namely, how long can Stephen Fry last before going "Mehhh"?

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Watch what happens when Rowan waltzes out and, in his own words, the wall goes wibble.

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I know what Stephen Fry would have said if he had seen that.

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"Mehhhhh!"

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-Where have you been?

-Where haven't I been? Woof!

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Blackadder was a studio show, so you'd expect the build quality of the sets to be a bit dodgy.

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As we know, that's just part of British sitcom law,

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although in the case of these doors,

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surely even balsawood would have been a better choice than polystyrene.

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Will Smith is living it up in his uncle's mansion, a cardboard mansion.

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Boom, shake the room!

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I hope that's not a supporting wall.

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Did you move my hairdryer?

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Over in the city of sex, Miranda's cleaner is about to open her bedside drawer.

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Oh, she's found a massive vibrator.

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'Magda had discovered Miranda's goody drawer.'

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Slam it shut! Got it. Oh, Wait a second, now it's open again. Oh, get a grip, people.

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Someone's sloppy, between-takes work just left Miranda's lady toys on show for all to see.

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Mind you, who'd fancy that?

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Band of Brothers. Here's Captain Nixon looking pretty fed up.

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So fed up, he's going to throw a bin through that shop window.

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Hold it.

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That's a nasty-looking shard of broken glass.

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No, don't go through the window, you'll cut yourself on that nasty looking shard of...

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Oh, it's all gone. That is a mistake. At ease everyone.

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Right, they leave me no choice.

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A classic Thunderbirds car chase.

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Watch what happens when the baddies' car spins off the road.

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Timber!

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Either the biggest squirrel in the world is in those trees

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or the set guy just ran out of glue.

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I think he makes half of it up.

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Doctor Who's been on the telly for 47 years and 42 of those have been spent in corridors.

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That's because corridors are cheap and impossible to get wrong, mostly.

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Freeze the shot.

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Notice the sign on the left for Torchwood.

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Now, spin forward, and it's Billie's turn to try and fill some airtime.

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That's it, Billie, create a bit of tension. Keep the dads watching.

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And look at that.

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The sign's gone all bigger with loads of added signery that just wasn't there a moment ago.

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"Will the set designer please report to base where an arse-kicking is waiting? Thank you."

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You think you can kill a cop and get away with it?

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Why not? I've done it before.

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Star Trek: The Next Generation,

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and Captain Picard and Data have got all mixed up with some '30s gangster types on the holodeck.

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Meanwhile, outside in the corridor, we can clearly see there's

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absolutely no second corridor leading off to the side.

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Except when the gangsters step outside, there is.

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In space, no-one can hear you scream, "That was rubbish!"

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But what I said was a statement of fact.

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Now, I won't condone theft, but everyone knows it's traditional

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when checking out of a hotel to snatch a towel.

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But apparently in deep space it's equally common when being discharged from sick bay, to nick a pillow.

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Two pillows in this shot,

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one pillow in this.

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Don't play the innocent with me, young man.

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I know what you're hiding in your space trousers.

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-It's not going to work.

-Excellent, John, you're evolving.

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Here's one for fans of Lost, assuming there are any left.

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In this scene, Locke is required to throw a plastic tray at a stone wall,

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but see how the plastic tray makes the stone wall tremble.

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Normally, I'd say that was a TV mistake but this is Lost,

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so you know, anything's possible. I blame the polar bears.

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Hi, just so you know, we didn't mean...

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Back to Friends, which was, of course, always filmed in front of

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a live studio audience, and a very wobbly set.

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Hmm, about as convincing as that bloke's beard.

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Merry Christmas!

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This is an episode of Friends called The One With The Self-Opening Door.

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Oh God, you're the best!

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Door closed...

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Door open. If that isn't final proof of the existence of the supernatural, I don't know what is.

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Ronnie Barker in the excellent Porridge and the inmates of Slade are out

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for the day, under the supervision of Mr Barraclough in an old church.

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Well, the outside bits were filmed in an old church, but the interiors certainly weren't.

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Want proof? Just look what happens when Melvyn leans on a column.

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Yes, it wobbles in a way that most Saxon stonework just doesn't,

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shaking like Amy Winehouse before the pubs open.

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TV is divided into on and off-screen talent. And for good reason.

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I'm on-screen talent, because I'm beautiful and incredibly clever.

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The camera people, make-up assistants and wardrobe -

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flunkies, are off-screen talent, because they're ugly.

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Trust me, you do not want to see these people.

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I'm facing some of them right now and just looking at them is giving me such violent

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stomach cramps it's a wonder I don't vomit all over the camera.

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So, hold on to your lunches, cos our first set of clips are

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littered with off-screen bods making fleeting on screen appearances.

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Not so much in a knowing, ironic, Alfred Hitchcock kind of a way, more a sort of "Oi, bacon-face, shift!"

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sort of a way. Eww...

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Hey, look, those crafty ancient Greeks are attacking Troy

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after sneaking into the city in the belly of the Trojan horse.

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There they are, in their rubber helmets.

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But, according to this episode of Xena, they weren't alone.

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It's your job to fight her first.

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Oh no, cos also stowed away in the horse's bumhole was...

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This bloke! There he is, squatting on the battlements. You numpty.

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Here's Sarah Michelle Gellar walking through a creepy wood late at night

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Careful, Buffy, watch out for vampires!

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Oh my God, what's that?!

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It's a monster with a huge...!

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Microphone. Oh dear, it's the boom operator.

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Thunderbirds, and ignore this foreign baddie.

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Damn those Welsh Iraqi pilots.

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Watch Tintin, held in the vice-like grip of this serial killer turned puppeteer.

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His nails aren't normally that dirty, he'd just finished burying another body.

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So what did you do that made Dad cut you off?

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OK, team, no clues.

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See if you can spot the mistake in this clip from Friends.

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Yeah, but it wasn't for me, it was for a friend.

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Boy, did we make friends with the wrong sister.

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You missed it, didn't you? Forget the pretty actors, look at the pretty cameraman.

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It's amazing what you miss when you're laughing. And when you're not.

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It's gourmet night at Fawlty Towers and a very funny scene featuring

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a fine example of the easily missable TV mistake.

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Missed it, didn't you? Here it is again.

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This time, forget the action and concentrate on the BBC techie bloke squatting behind the double doors.

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A classic mistake from a classic comedy that just got funnier with age.

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If only the same could be said for John Cleese.

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I mean, look at that!

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-Can I help?

-Yes, go and kill yourself!

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Sam and Dean from Supernatural are having trouble with a couple of amateur ghost hunters.

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Question is, what's behind that door?

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Guys, you want to go open that door for us?

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Everyone's terrified and armed to the teeth - must be the Jehovah's Witnesses.

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It's a ghost, or at least a ghost who can be hurt by bullets.

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I can't decide what's worse about this clip, the ghost who's afraid of bullets

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or the cameraman who doesn't know where to stand.

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Hmm, it's the cameraman.

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Its Charmed, the series about a bunch of friendly witches. Or am I thinking of Loose Women?

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Anyway, ignore this trespasser and instead feast your eyes on

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the director sitting in the next room listening to his iPod.

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You're supposed to sit behind the camera, not in front of the pointy end. See that book?

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As soon as they turn the camera off, they're going to hit him with that.

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Its Doctor Who from 1975, back when children everywhere could

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be found hiding behind the sofa, avoiding gaffes like this.

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Keep your eyes on the baddie's bottom, or rather what's under it.

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-I can move!

-Oh dear.

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That floor assistant's thinking "If I move my hand away slowly, no-one will see a thing."

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But we did.

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Here's Blackadder staging an elaborate con trick, but not the one

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where he gets massive laughs from repeatedly saying the world "Bob."

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No, he's pretending he's built a time machine.

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Of course, it's not real, and you can tell cos it's made of wood

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and bits of old junk and requires one of the crew to push the door shut.

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Well done, Balders, this is very impressive.

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The maybe of Mike Delphino.

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It's Desperate Housewives, and Susan's just broken into a neighbour's house

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to return a Pyrex jug, but finds time to take a moment alone with just her thoughts for company.

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And that bloke crawling behind the sofa.

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Yes, it's the guy who just set fire to the curtains,

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whose idea of keeping out of shot is crawling across the screen on his hands and knees.

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Wait for it. You're... Fired!

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Ha-ha! Sorry.

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Here's a clip from Scrubs, the American sitcom set in a hospital.

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It's a bit like Casualty but with fewer laughs.

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Here, Dr Turk is about to bite into a sarnie when all of a sudden, there's an emergency.

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Thankfully, someone's there to lend a hand.

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That's either a member of the crew holding the door open

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or one of the patients has fallen out of bed again.

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-Make those dreams happen.

-Yes.

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You can always tell when a TV series is working,

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cos everyone on screen looks like they're really enjoying themselves.

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Take Arrested Development, a show which is obviously so much fun

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even the crew like to get on, just once... Boo!

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Or twice. Boo!

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-An emotional farewell scene in Lost as Charlie says goodbye to Hurley.

-That's uncool, man.

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But for once, try to keep your eyes off the unfolding drama and Hurley's boobs,

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and on the cameraman clearly visible to the left of shot.

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You can see his sandals, his camera and if you really squint, his P45.

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Wait!

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Its 24, and everything, as always, is very, very tense.

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A tense Tony is ignoring a call from a tense Nina.

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Come on, Sammy, pick up.

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Unbeknown to tense Nina, there's someone else in the barn with her.

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And here he comes, wandering in from the right.

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A cameraman.

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And if you want to know how he's feeling, I'll tell you. Tense.

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Jennifer Aniston's fantasising about what it would be like to kiss David Schwimmer.

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It's what they call a dream sequence.

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-It's what I call a nightmare.

-Wow!

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Ignore this bloke, he's part of the story, but who's he?

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Remember, we're on a balcony, so who's the levitating fat-arsed numpty with the utility belt?

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Yes, it's one of the Friends crew.

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Whenever there's a conversation about the world's hardest jobs,

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the same professions come up time and time again.

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Trauma surgeon, soldier, air traffic controller, and of course, actor.

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And out of these jobs, actor is surely the hardest.

0:20:210:20:25

Actors do a very difficult job.

0:20:250:20:27

If we're not learning lines, then we're signing autographs or doing

0:20:270:20:30

stuff for free with wonky kids, we're having to stand up in front

0:20:300:20:33

of loads of strangers and say words that sometimes we don't even understand.

0:20:330:20:38

Consequently, every now and again, through no fault of our own, stuff does go a bit wrong.

0:20:380:20:45

I'm sorry, the party got a little out of hand.

0:20:470:20:49

People your age, they have finished college...

0:20:490:20:51

Oh, the poor little rich girls of The OC.

0:20:510:20:53

Here's Hayley, tidying up after another crazy party.

0:20:530:20:58

Well, I say tidying up, but what Amanda Rugetti is actually doing

0:20:580:21:03

is picking up tiny pieces of invisible rubbish.

0:21:030:21:06

Look, she's dropping little bits of air into that bin bag.

0:21:060:21:09

That, ladies and gentlemen, is what you call method acting...

0:21:110:21:15

if your method is piss-poor.

0:21:150:21:18

You know, this scene was filmed eight years ago

0:21:180:21:20

but unsurprisingly, she only finished tidying the room last Thursday.

0:21:200:21:24

Oh, we're back in The OC

0:21:240:21:26

and here comes Mischa Barton, sulking her way into the room.

0:21:260:21:30

"Nuh, nuh, nuh, I'm Mischa Barton."

0:21:300:21:33

And she dumps her jacket down on the right, and then moments later,

0:21:330:21:38

there it is on the left.

0:21:380:21:39

That's not going to improve her mood.

0:21:390:21:42

To Albert Square and that live anniversary episode.

0:21:450:21:48

And Stace and Bradley are talkin' abaht 'fings with Max and Scott when Scott forgets his lines.

0:21:480:21:55

You held the fact from the pl... Look, it's a motive, you've held it against the public...

0:21:550:21:59

-Look, we all have...

-Well, I'll explain that.

0:21:590:22:01

Oh dear, no retakes here.

0:22:010:22:04

This is live.

0:22:040:22:06

Oh, he's gone again. Oh, tricky business this live telly.

0:22:060:22:09

Bless him. I'd leave it, Scott, it ain't worth it!

0:22:090:22:12

It's a classic Phil-Mitchell-in-a-rage scene and Ian's on the receiving end.

0:22:140:22:19

But when you want someone to cease doing something, what do you say?

0:22:190:22:22

Is it A, stop, or B, slop?

0:22:220:22:25

-Slop.

-What?

-Slop.

-I'll give you one more guess.

0:22:250:22:29

-Slop.

-I'm sorry, Ian, the answer was looking for was A, stop.

0:22:290:22:34

Received and acknowledged, sir. Picard out.

0:22:360:22:40

Jean Luc Picard, ever the stern- faced model of professionalism.

0:22:400:22:43

Except when he goes through the turbo lift doors and has a quick girn. You missed it, didn't you?

0:22:430:22:49

Don't worry, here it is again.

0:22:490:22:51

He just boldly girned where no man has girned before.

0:22:540:22:58

In this clip from Buffy, fiendish but foxy teacher Miss French is making herself a sandwich.

0:23:000:23:06

She's a sucker for fresh ingredients.

0:23:060:23:08

I think I have one of those myself from a motorway services.

0:23:080:23:11

But there's something very wrong here.

0:23:110:23:13

Besides a lady chewing live insects.

0:23:130:23:15

Because when she starts eating, her sleeves are up, then she opens the box, her sleeves are down.

0:23:150:23:21

And finally, they're back up again.

0:23:210:23:24

Add to that the insect sandwich and all the vampire business and you've

0:23:240:23:27

got a scene that's more disturbing than Andrew Lloyd Webber's smile.

0:23:270:23:31

-More odd goings on in Buffy.

-The werewolf!

0:23:340:23:37

A werewolf has gone AWOL and they need to find him/it quickly.

0:23:370:23:41

But Giles isn't wearing his glasses.

0:23:410:23:43

Oh, he is. Problem solved.

0:23:430:23:45

Problem unsolved! And solved again.

0:23:450:23:49

I think we're sorted. That werewolf is history. My mistake! The glasses are.

0:23:490:23:53

Gray's Anatomy and Patrick Dempsey takes his earphones out cos he's

0:23:550:23:59

being talked at by a lady.

0:23:590:24:01

-But he pretends he still can't hear her anyway.

-Am I invisible? I'm feeling strangely invisible.

0:24:010:24:06

-Also inaudible.

-What?

-And who can blame him, she really is banging on.

0:24:060:24:11

-So I guess dinner shopping is out?

-Yeah.

-Might as well wrap the headphones up.

0:24:110:24:16

-Sorry.

-No you're not. I'm just trying to figure out why you're not.

0:24:160:24:18

And up. A very long wire.

0:24:180:24:20

And put them away.

0:24:200:24:23

-Yeah, I know.

-D'oh! Hang on, they're still round his neck.

0:24:230:24:26

Unless that's his spare set?

0:24:260:24:28

Pat, there's only so much Peter Andre a man can listen to.

0:24:280:24:32

When it comes to bad dead acting, you'd have to go back a long way to find a poorer example than this.

0:24:350:24:41

Centuries back, to be precise. In this clip from Xena, everyone thinks the great warrior princess is dead.

0:24:410:24:48

Though quite why is anyone's guess.

0:24:480:24:49

Clue one, blood is still coursing through her jugular ten to the dozen.

0:24:490:24:55

Clue two, in a moment, she clearly blinks.

0:24:550:24:58

And clue three, this is season one.

0:24:580:25:00

-There's another five series of this rubbish.

-We've got to get out of here.

0:25:000:25:04

Yes, no, no, I did not book this one.

0:25:060:25:09

This clip from Arrested Development will delight fans of continuity errors and flowers alike.

0:25:090:25:15

There's the vicious and sexy Lindsey, who's just got back with some shopping.

0:25:150:25:20

We see her take out this bunch of posies and put them on the counter.

0:25:200:25:24

So far so good. Jason Bateman does some talking.

0:25:240:25:27

Back to Linds and this enormous vase that she's about to dump the flowers into. When...

0:25:270:25:34

They're suddenly back in the bag again.

0:25:340:25:36

Yeah, that is a TV mistake and I'll be honest, I'm disappointed by that.

0:25:360:25:42

And so's he.

0:25:420:25:43

Band of Brothers, and Sergeant Major Schwimmer is furious with one of his soldiers.

0:25:490:25:54

Christiansen, why is there no water in your canteen?!

0:25:540:25:58

It's not just about the water. Look, this soldier's gun keeps jumping from one shoulder to the other.

0:25:580:26:04

There it is on the right.

0:26:040:26:06

-And there it is on the left.

-You will repeat all 12 miles...!

0:26:060:26:10

And back again. That's dangerous with a loaded weapon.

0:26:100:26:13

He was a good man, your father.

0:26:150:26:18

Here's Uncle Junior in The Sopranos and he's hopping mad.

0:26:180:26:22

He must have lost the remote or worse, forgot to tape Minder.

0:26:220:26:26

Whatever, it's made him so angry that his glasses momentarily disappear.

0:26:260:26:32

Just don't anyone tell him he accidentally put a red sock in with the whites.

0:26:320:26:36

Kate must have a tiny vagina.

0:26:380:26:41

Here we are in that city where there's all that sex.

0:26:410:26:44

And the girls are in the khazi doing lady things.

0:26:440:26:47

Sometimes you just know.

0:26:470:26:49

With the right match, its fate.

0:26:490:26:50

Sarah Jessica Parker's sorting her hair out.

0:26:500:26:53

She's tying it out in a scrunchie, but that's SJP hair, so it'll need special restraints.

0:26:530:26:59

So she straps it down twice with the same scrunchie.

0:26:590:27:03

But spin on, cos it was all worth it.

0:27:030:27:05

Now she looks lovely

0:27:050:27:06

and not at all like a Yorkshire terrier with a Croydon facelift. Super.

0:27:060:27:10

Oh, look, it's only 10. How nice.

0:27:120:27:14

-There's no coffee.

-The Gilmore Girls, and Lorelai is chatting to

0:27:140:27:17

Luke as he tries to fix a toaster by shoving a screwdriver into it.

0:27:170:27:20

In a minute, he's going to try and fix the waste disposal

0:27:200:27:24

by sticking his winkie into it.

0:27:240:27:26

See how he goes to get coffee, leaving the screwdriver in the hole,

0:27:260:27:30

and when he returns, screwdriver gone.

0:27:300:27:33

Oh, there it is by the side of the toaster.

0:27:330:27:36

Right, where's that waste disposal?

0:27:360:27:40

Here's Sam and here's his brother, Dean.

0:27:400:27:44

Ignore the girl. The ghostbusting siblings from Supernatural.

0:27:440:27:48

Dean is played by an actor called Jenson - ignore the girl - and Sam by an actor called Jared.

0:27:480:27:54

Are we all clear? Dean is played by Jenson and Sam is played by Jared.

0:27:540:28:00

How do I know? Well, in this scene, when they're all meant to be acting,

0:28:000:28:03

Dean doesn't call Sam "Sam", he calls him Jared.

0:28:030:28:05

Jared, check it out.

0:28:050:28:06

Yeah, "Jared, check it out.

0:28:060:28:08

"I just ballsed up the scene by calling you by your real name."

0:28:080:28:12

Yes, more dumbarsery from the Brothers Grimm.

0:28:150:28:19

In this scene, they're supposed to be acting all angry cos they've just been outwitted by this lady.

0:28:190:28:23

Although, I reckon a pigeon could outwit these two.

0:28:230:28:28

Anyway, the script might be calling for fury but all Jared can manage is a poorly concealed snigger.

0:28:280:28:33

-Son of a bitch!

-Remember, this was presumably the best take, the one they actually used.

0:28:330:28:39

Makes you wonder how bad the others were. He probably weed himself.

0:28:390:28:42

Pride and Prejudice, and I've got to say, Jennifer Ehle makes playing the piano look effortless.

0:28:440:28:49

Colin's Impressed. He always uses his fingers.

0:28:490:28:52

Not Jen, though, her hands and arms are barely moving.

0:28:520:28:55

Do you know, I think she's miming.

0:28:550:28:58

-I know you find great enjoyment in professing opinions which are not your own.

-And in miming.

0:28:580:29:03

Either that or she's just brilliant at playing the piano.

0:29:030:29:06

It's the first thing though, isn't it?

0:29:060:29:08

Generous of him, is it not?

0:29:080:29:09

What do you think about this?

0:29:110:29:13

Here's Tasha and Troy, surely two of Star Trek: The Next Generation's least favourite characters.

0:29:130:29:19

-It's not for you.

-Tasha is covered in scarves. Fast forward but they're

0:29:190:29:23

made from some weird futuristic space fabric which just disappears.

0:29:230:29:28

-Never mind.

-Oh, but I do mind.

0:29:280:29:31

They're scarves, Jim, but not as we know it.

0:29:310:29:33

Before Dexter was Dexter from Dexter,

0:29:350:29:38

he was David from Six Feet Under, and if you thought that was confusing, I'd try not to look too

0:29:380:29:42

closely at his dance teacher's bag, which is strapped over his left shoulder.

0:29:420:29:47

Sometimes. You get the idea.

0:29:470:29:50

They don't half have some trouble with bag straps in Six Feet Under, and props in general.

0:29:520:29:58

Just watch these two.

0:29:580:29:59

So, who do you think plays Parker in the movie of her life?

0:29:590:30:03

Sandy Bullock or Julia Roberts?

0:30:030:30:05

They both pull their rucksacks on twice and she loses her water bottle.

0:30:050:30:11

They're just not taking this camping thing seriously.

0:30:110:30:15

-Anyway, I just wanted to say how wonderful...

-Back to Friends, and a special guest appearance

0:30:170:30:21

by Susan Sarandon, the thinking person's MILF, playing a hard drinking, chain smoking actress.

0:30:210:30:27

Ever the pro, Susan manages to cram both into this scene.

0:30:270:30:31

Chain smoker.

0:30:310:30:32

Hard drinker.

0:30:320:30:35

Chain smoker.

0:30:350:30:36

I hope my fingers are than nimble when I'm 80.

0:30:360:30:39

TV shows are a huge investment of time, money and effort,

0:30:410:30:44

but you can spend months and months getting something right,

0:30:440:30:48

hiring the very best actors, camera persons, writers and crew,

0:30:480:30:52

only to have the whole thing ruined by some extra in the background being a tit.

0:30:520:30:57

These people are a menace, wandering in and out of the back of every shot,

0:30:570:31:00

trying to be ordinary members of the public, who are the only things worse than extras.

0:31:000:31:05

Nothing causes more trouble on set than members of the public.

0:31:050:31:08

I hate them all. Apart from you, obviously.

0:31:080:31:13

Some classic muscle Mary slow mo running now from legendary

0:31:160:31:19

beachfront twaddle merchants Baywatch.

0:31:190:31:22

See their toned torsos as they pound along the sand,

0:31:220:31:25

see their hair blown by the gentle Pacific breeze,

0:31:250:31:29

see the kid in the background pulling a moonie.

0:31:290:31:32

That's worth a second look.

0:31:320:31:34

Everyone's a critic.

0:31:350:31:37

You don't even have to. I'm sure you were pretty freaked out.

0:31:390:31:42

Totally.

0:31:420:31:44

See this woman with the tartan top?

0:31:440:31:46

Now remember her, cos this lady is about to take the art

0:31:460:31:49

of the attention seeking TV extra to a whole new dimension.

0:31:490:31:52

This is Buffy's high school, of course, and she is presumably the most mature student.

0:31:520:31:58

I...think you're the coolest.

0:31:580:31:59

There she is again, drawing attention to herself with that big red bag.

0:31:590:32:04

Now, spin on. And there she is again, walking in the opposite direction.

0:32:040:32:09

No, she's not. She's over there, walking up some stairs,

0:32:090:32:12

drawing attention to herself just like those extras aren't supposed to.

0:32:120:32:16

Back for more stair climbing, this time without the bag. Clever.

0:32:160:32:20

Still going up the stairs.

0:32:200:32:22

Mind you, at least we know where she is. No we don't.

0:32:220:32:25

Buffy, now she's behind you.

0:32:250:32:27

"Right, I've had enough of this," said the director, "Get that woman out of my sight.

0:32:270:32:33

"Nobody lets her back on this set."

0:32:330:32:36

Whoa, how did that happen?

0:32:360:32:38

Crafty cow, she's taken off her horrible tartan jacket and given the red bag to someone else.

0:32:380:32:43

Damn you, nightmare tartan extra lady!

0:32:430:32:47

Still, the jacket's gone, the bag's gone, and, finally, so is she.

0:32:470:32:51

Or not.

0:32:510:32:53

Ever get the feeling you're being followed?

0:32:550:32:59

In this episode of Buffy, the lovely Eliza Dushku certainly does, and with good reason.

0:32:590:33:05

The winners of the 2002 Most American Couple award

0:33:050:33:08

walk behind her once, which is fine. Nothing wrong there.

0:33:080:33:11

But twice is pushing it.

0:33:130:33:15

That's borderline harassment.

0:33:150:33:17

Three times is frankly unacceptable.

0:33:210:33:23

That's a restraining order right there.

0:33:230:33:26

They won't be trying that again... from the same direction.

0:33:260:33:30

For Pete's sake, leave lovely Eliza alone!

0:33:300:33:33

They'll be hiding in that bush outside her house next, and that's mine.

0:33:330:33:36

Sex And The City, a show about four single young women.

0:33:390:33:44

Well, three young women and the one who plays Samantha.

0:33:440:33:47

But let's rewind and look at those two extras on the left of picture sitting side by side.

0:33:470:33:53

Now, spin on and clearly one of them has dropped a massive guff

0:33:530:33:57

because next time we see them, they're sitting miles away from each other in separate rows.

0:33:570:34:02

Poor Sam. Must have been a pretty serious guff. Someone open a window!

0:34:020:34:06

OK, listen everyone, we've got to get out of here.

0:34:090:34:11

Back to the doctor, and here, Mickey is attempting to save a room full of headphone wearing children.

0:34:110:34:17

But they're all zombiefied.

0:34:170:34:19

Mickey must have a background in IT cos he resorts to the tried and tested solution

0:34:190:34:23

of just yanking out the plug and hoping for the best.

0:34:230:34:26

Magically, it works, and removes the kids' headphones.

0:34:260:34:31

And off they go, trudging out of a doomed building smirking.

0:34:310:34:35

Good work, kids, you're hired.

0:34:350:34:37

This is where I was born.

0:34:390:34:42

And this is where I died.

0:34:420:34:45

More Doctor Who, and Billie's on the bus in contemplative mood.

0:34:450:34:49

The first 19 years of my life, nothing happened.

0:34:490:34:52

But keep your eyes on the extra who sits in the row behind her.

0:34:520:34:56

Not ever.

0:34:560:34:57

Oh, Billie, come on.

0:34:570:34:58

Incredible things are happening all around you.

0:34:580:35:00

That bloke just jumped back through time and space simply to get a better seat.

0:35:000:35:04

Pay attention, girl.

0:35:040:35:06

It's the X-Files, and as Mulder and Scully head

0:35:100:35:13

out into the car park, what seems to be a perfectly ordinary passer by suddenly disappears.

0:35:130:35:19

Where did she go?

0:35:190:35:21

Abducted by aliens right in front of Mulder's nose and he's missed it.

0:35:210:35:25

The X-Files, and Scully has a mysterious dead body to investigate.

0:35:270:35:32

In this case, the mystery is why they chose the most fidgety man in North America to play the corpse.

0:35:320:35:38

See how the faintest prod from Scully makes the big wuss blink.

0:35:380:35:43

Not so much dead man's body, more big girl's blouse.

0:35:430:35:46

But just in case anyone missed that, moments later,

0:35:460:35:50

he leaves everyone at home in no doubt that this is just acting as Scully unwisely decides to

0:35:500:35:56

balance this heavy plastic ruler on his tummy-wummy. "Ow, it's cold!"

0:35:560:36:02

We've got a breather!

0:36:020:36:03

I love Lost. It's top-notch allegorical surrealist drama with a satirical subtext.

0:36:070:36:13

Plus, it's got that funny fat bloke with a beard in it.

0:36:130:36:15

Yeah, he's gone boobs like a lady.

0:36:150:36:19

In fact, the only problem with this show is that it makes no sense.

0:36:190:36:24

That, and their decision to use an extra with chronic asthma

0:36:240:36:26

to play a corpse and then put him in the front of shot.

0:36:260:36:29

Just look at this.

0:36:290:36:34

Mind you, that fat bloke's funny. Oh dear...

0:36:380:36:42

I mean, dogs can find pot and bombs so...

0:36:440:36:46

Time for more weird goings on in Lost, and look out for the lovely

0:36:460:36:50

couple walking past in the background. There they go.

0:36:500:36:53

Probably off to catch some fish.

0:36:530:36:55

Wish they'd walk past again. Oh, lovely.

0:36:550:36:57

That's the trouble with being marooned on a desert island, nothing to do but walk round in circles.

0:36:570:37:02

Oh, brilliant, it's Blackadder.

0:37:050:37:07

Oh, crap, it's series one.

0:37:070:37:10

Never mind, the set designer, wardrobe and prop departments

0:37:100:37:12

have all gone to a lot of trouble with this one.

0:37:120:37:15

Sadly, all their hard work is about to be ruined

0:37:150:37:19

as one of the extras suddenly stops playing dead, looks up and starts having a bit of a look around.

0:37:190:37:24

"Where's that Rowan Atkinson?

0:37:240:37:26

"I'm going to get a picture with him later."

0:37:260:37:29

This clip from Sex And The City proves that not all New Yorkers are used to seeing TV crews.

0:37:310:37:36

This lady simply can't believe her eyes and has to peer over her specs to check they aren't deceiving her.

0:37:360:37:42

Yes, it's a camera crew.

0:37:420:37:45

But best of all, if we rewind, here comes my personal favourite.

0:37:450:37:49

Look at the wonder in her eyes.

0:37:490:37:51

"Thems is some telly people."

0:37:510:37:54

And so ends one deeply unremarkable woman's brief glimpse of celebrity.

0:37:540:37:59

Here's another spot from Friends.

0:38:030:38:05

Phoebe is returning a dog.

0:38:050:38:07

But look in the background at the neighbour getting out of the car and walking up to her house.

0:38:070:38:12

Twice.

0:38:140:38:15

Fair play to her, though.

0:38:150:38:17

She's got that whole neighbour repeatedly walking up to her house thing down to a tee.

0:38:170:38:21

Bad news for 24's Jack Bauer.

0:38:240:38:26

His daughter's been kidnapped and the series is suddenly very short staffed.

0:38:260:38:30

Look at this hospital orderly.

0:38:300:38:33

He's here.

0:38:330:38:35

He's there.

0:38:350:38:38

He's everywhere.

0:38:380:38:42

If you work in this hospital, you have to be in three places at once.

0:38:420:38:46

Just like the NHS.

0:38:460:38:48

Dawson's Creek. Gretchen's about to have a heart-to-heart with Dawson.

0:38:500:38:54

But I'm more concerned with the partner swapping swingers in the background.

0:38:540:38:58

Look, first there's an old man and an old woman in a denim jacket.

0:38:580:39:03

And a young man in a blue shirt and chinos with a blonde girl.

0:39:030:39:06

Then, moments later, the young man with the blue shirt wanders past again with another woman!

0:39:060:39:12

He just picked her up! What a floozy. But he's not done yet.

0:39:120:39:15

Now, he's back with the blonde girl and they're heading for the water.

0:39:150:39:19

What's going on? He must have finished with that other woman and

0:39:190:39:22

got back with the first one, which is nice, because I always liked her.

0:39:220:39:25

I'm glad they made up.

0:39:250:39:28

Shut up, Dawson! Look, the old fella's back with the older woman.

0:39:280:39:31

Thank heavens for that.

0:39:310:39:34

Aye-aye. There's the younger man with the blonde again, this time

0:39:340:39:37

walking away from the water from the right, heading up the hill.

0:39:370:39:41

What have they been up to?

0:39:410:39:42

I don't know, but I'm betting it was rude and watery.

0:39:420:39:47

Now, whenever I'm on the telly, which is a lot, I take great care over my hair and make-up.

0:39:470:39:53

That's not vanity. It's necessity.

0:39:530:39:55

You see, we need make-up experts to compensate for the "bleaching out" effects

0:39:550:40:00

caused by the powerful lights we use,

0:40:000:40:02

and hair experts to compensate for the "loss of hair" effects

0:40:020:40:06

caused by the powerful hairspray that we use.

0:40:060:40:09

The girls and, what might loosely be described as guys of the hair and make-up department

0:40:090:40:14

are important, albeit tiny cogs in the great TV wheel.

0:40:140:40:17

I call them my little miracle workers.

0:40:170:40:20

That's because I enjoy patronising my colleagues.

0:40:200:40:23

Of course, they, too, make mistakes.

0:40:230:40:25

Mistakes like these.

0:40:250:40:27

Someone's locked David Banner in this fiendish Oriental torture contraption. Which he won't like.

0:40:300:40:35

It'll send him all green and hulky.

0:40:350:40:37

He's so excited he's passed out.

0:40:370:40:39

Wow, that's what Vin Diesel would look like if you smeared him in mushy peas.

0:40:390:40:44

Oh, he's making that solid carbon steel look like plywood, which it is.

0:40:440:40:49

Hold up, he's got tights on!

0:40:490:40:51

The Hulk's wearing panty hose to stop his pinkies getting all hurty.

0:40:510:40:55

Oh, bless.

0:40:550:40:57

It's Skins. Young people doing cool things, like drugs and snogging, and dribbling ketchup down their chins.

0:41:010:41:06

Wow, it's so real.

0:41:060:41:09

Hey, that ketchup dribble just changed.

0:41:090:41:14

-Well, I think you're going to like this, Sid.

-I'm not. He's re dribbled.

0:41:140:41:16

Three dribbles, one chin? Something's got to give.

0:41:160:41:20

And, sure enough, now it's gone completely.

0:41:210:41:24

Now it's back!

0:41:240:41:26

Oh, he's dropped his knife.

0:41:280:41:31

Now they've started snogging and, look, the old dribble's back again.

0:41:310:41:34

Oh, I'm lost. I'm just lost and so is the make up department.

0:41:340:41:37

Look, I take it back. That's not cool, it's a TV mistake.

0:41:370:41:40

-You're looking, aren't you?

-No.

0:41:420:41:45

Straight back to Skins, and look, there's Dev Patel before he won the Slumdog lottery

0:41:450:41:50

and he's having a wee up that tree.

0:41:500:41:52

In fact, did you know, it was his weeing up a tree acting

0:41:520:41:55

that won him the role in the film in the first place?

0:41:550:41:56

Of course you didn't, because it's not true.

0:41:560:41:59

And neither is this.

0:41:590:42:01

Look, the car with the spliffed-up teens rolls into the canal.

0:42:010:42:06

And everyone inside goes into the water apart from Dev.

0:42:060:42:09

But then, in the next scene, Dev is wet through just like the others. Why is he all wet?

0:42:110:42:17

He didn't go in the water, he was weeing up that tree! You know what?

0:42:170:42:20

I bet he just jumped in the canal to be one of the gang. Cor, teenagers!

0:42:200:42:24

They'll do anything to fit in.

0:42:240:42:26

More Skins now, and more wee-wee.

0:42:280:42:32

And the age-old conundrum, how do you do a wee with a stiffy?

0:42:320:42:36

Here's Chris calculating a combination of angles that

0:42:360:42:39

even Ronnie O'Sullivan would struggle with.

0:42:390:42:42

And, oh, he wees up his own nose

0:42:420:42:45

but when he stands up again, it's all gone.

0:42:450:42:48

Now, that is one young man with wonderfully absorbent skin.

0:42:480:42:52

In this next clip, pay attention, if you will, to be cute smear of grease on Deborah Messing's cheek.

0:42:550:43:01

That just changed into a completely different smear of grease!

0:43:010:43:05

-OK, this is not a problem.

-I'll be the judge of that!

0:43:050:43:08

Yep, there's another.

0:43:080:43:09

Now it's the same mark, just a bit darker.

0:43:090:43:13

Guess that's why they call it a "to go" cup.

0:43:130:43:16

-You OK?

-And now it's all smudged.

0:43:160:43:19

Hey, you know what they should have called this show, don't you?

0:43:190:43:22

Will & Grease. Yeah.

0:43:220:43:25

-Here's Will from Will & Grace sitting on a sofa.

-Surprise!

0:43:280:43:33

He's gay, so he's naked, obviously.

0:43:330:43:36

Or is he? Are those flesh coloured pants I see?

0:43:360:43:40

Well, they are flesh coloured pants but only if your flesh is a sort of deathly greyish white.

0:43:400:43:47

Maybe those pants belong to Amy Winehouse? Oh, God, what a horrible thought.

0:43:470:43:50

I think a little bit of sick just came up then.

0:43:500:43:53

Although Eric McCormack wasn't really naked in this scene,

0:43:530:43:56

I can confirm that he did genuinely slam his penis in that book.

0:43:560:44:00

A powerful moment from 24. Sorry, did I say powerful?

0:44:040:44:07

I meant incomprehensible.

0:44:070:44:09

Mum wants troubled teenager to shoot his already dead girlfriend.

0:44:090:44:13

Well, nobody said relationships were easy, especially when one of you's murdered.

0:44:130:44:17

But he's not used to handing a gun, so why not let Mum do it?

0:44:170:44:22

There you go. Right in the waist.

0:44:220:44:25

Oh, here comes Dad and he's so proud.

0:44:260:44:29

In their strange fictional foreign culture, shooting

0:44:290:44:32

your already dead girlfriend in the belly button is a rite of passage.

0:44:320:44:36

Hang on! The bullet wound's moved up to her ribcage. What a brilliant trick.

0:44:360:44:41

The reason I'm asking is cos we didn't get the bill.

0:44:430:44:46

It's The Sopranos and Tony's turned up for a chat with Uncle Junior, who's been shaving.

0:44:460:44:51

Although, as you can see, he's washed all the shaving foam off, apart from that bit near his ear.

0:44:510:44:56

-But, spin forward and... whoa!

-You've got shaving cream all over you.

0:44:560:45:01

Where in the name of Don Corleone did all that foam come from?

0:45:010:45:03

That's what's known in Mafia circles as omerta, which is Italian for "bad continuity error".

0:45:030:45:10

Nothing makes temperamental Adriana from The Sopranos more temperamental

0:45:140:45:18

than receiving a phone call when she's having her hair done.

0:45:180:45:21

-Unless it's two phone calls.

-Adriana, you got a call.

0:45:210:45:25

Stay calm, love.

0:45:250:45:27

Remember what happens when you really lose your temper.

0:45:270:45:31

Yes, your hair falls out.

0:45:310:45:32

With the price of the cut and the colour, that just cost her 300.

0:45:320:45:35

301 with the tin foil.

0:45:350:45:38

Oh, it's Buffy the Vampire Slayer.

0:45:420:45:44

So called because half the viewers want to see her in the buffy.

0:45:440:45:47

Ak-ak-ak-a!

0:45:470:45:49

Here's the slightly lovely Sarah Michelle Gellar facing a hideous ghoul from beyond the grave.

0:45:490:45:54

He's been underground for centuries. He's in a pretty bad way.

0:45:540:45:57

I mean, just look at the state of those fingernails.

0:45:570:46:00

They're so bad, one's practically falling off.

0:46:000:46:03

That's because it's a fake!

0:46:030:46:05

Buffy the Vampire Slayer's make-up department, I trusted you!

0:46:050:46:09

Everybody thinks being a pro is just NBA.

0:46:120:46:16

One Tree Hill and Hayley and Skills are having a chat about being from California.

0:46:160:46:21

So when y'all roll through on the world tour,

0:46:210:46:24

we can remember this day, sit back and laugh about it.

0:46:240:46:26

He's a bit annoying. Hayley's very pregnant.

0:46:260:46:29

Or is she? That's no baby! That's just a cushion shoved up her top!

0:46:290:46:33

Some people will do anything to jump the housing queue.

0:46:330:46:36

In this bloodthirsty clip from Heroes, Claire's pony tail is over her shoulder one minute,

0:46:380:46:44

and then not the next. A small oversight, admittedly.

0:46:440:46:46

But noticeable if you happen to be very bored, borderline OCD and terrified of ponytails.

0:46:460:46:53

Which I was when I watched this clip. I'm fine now.

0:46:530:46:56

She's got a tongue like an electric eel and she likes the taste of a man's tonsils.

0:47:010:47:05

A classic scene from Blackadder II in which Flashheart storms into

0:47:050:47:08

Edmund's wedding, steals the bride and the scene.

0:47:080:47:12

No-one does upstagery quite like Rik Mayall.

0:47:120:47:15

Apart from that fake moustache that's threatening to fall off his face at any moment.

0:47:150:47:19

I've got a plan and it's as hot as my pants.

0:47:190:47:22

Mmm. Mmm. Of course, a lot of people come up to me and say, "Robert, what is a prop?"

0:47:270:47:32

And I say, "I don't know who you are,

0:47:320:47:34

"but if you don't get out of my bath I'll shoot you down like a dog."

0:47:340:47:37

I'm joking, of course. I don't even own a gun. Or a bath.

0:47:370:47:41

As an actor, I don't need to because I live my life surrounded by props.

0:47:410:47:44

This lamp. This chair.

0:47:440:47:46

This table. Basically, props are just the things we all have in our homes,

0:47:460:47:50

except in our case, they really are our property rather than stuff you've got on credit.

0:47:500:47:55

Unfortunately, this doesn't make them any less likely to cause trouble.

0:47:550:48:00

Band of Brothers and this soldier is looking concerned.

0:48:030:48:06

He's seen the next scene.

0:48:060:48:08

A stealth raid across a river and an elementary mistake from the soldier in the foreground.

0:48:080:48:13

Did you spot it?

0:48:130:48:14

Let's go back and have another look.

0:48:140:48:17

He's rowing with no oar.

0:48:170:48:19

Which, I suppose, will at least make their approach much, much quieter.

0:48:190:48:23

But, and I'm no military expert, much, much slower.

0:48:230:48:27

Here's Nicholas Hoult as Tony in Skins who's learning how to write.

0:48:300:48:35

He's written Tony. He's written his name. Well done, Tony.

0:48:350:48:39

Although, if we spin forward...

0:48:390:48:42

That doesn't say Tony. It says Tohy.

0:48:420:48:45

Let's see the first one again.

0:48:450:48:48

And the second one.

0:48:480:48:51

Now, both together.

0:48:510:48:53

You see, I might be wrong but I think that's a different piece of paper

0:48:530:48:56

with the word Tony written by a different person.

0:48:560:48:58

The prop's department are trying to make you look stupid, Tony. I mean Tohy.

0:48:580:49:02

Hannah Montana, that little singing sensation.

0:49:040:49:08

The sensation being nausea.

0:49:080:49:11

But get a load of this continuity howler as wacky goofball Jackson walks into his room.

0:49:110:49:19

He pats the muscle man standee.

0:49:200:49:22

Grabs his towel. And suddenly the muscle man's behind the door.

0:49:220:49:26

It's a good thing I straightened up.

0:49:260:49:28

But not now. Whoops, Hannah's going to be furious about that.

0:49:280:49:32

She'll probably throw a pop sock at the director. A rolled-up one.

0:49:320:49:36

To be fair to the makers of 24, they only have one day to make each series.

0:49:400:49:43

And that's with no sleep at all.

0:49:430:49:46

It's like being a junior doctor, but with a lower body count.

0:49:460:49:49

Here's Jack in rare stand-easy mode.

0:49:490:49:51

-We're resuming our approach. Good work.

-Cheers, Jack.

0:49:510:49:54

Time to sheath that dangerous weapon in your bottom holster.

0:49:540:49:58

But, fast forward a few seconds and, crikey, Jack's now so relaxed he's putting his gun away again.

0:49:580:50:05

It's either another TV gaffe, or that young man has got two guns hidden in his pants.

0:50:050:50:10

If, like me, you're a fan of scenes where actors mistakenly

0:50:130:50:16

put their pistols away twice, then you'll love this clip from the soon to be remade Hawaii Five-O.

0:50:160:50:23

The team are at a tense siege situation

0:50:230:50:26

but nothing gets in the way of Steve McGarrett's tea break.

0:50:260:50:28

So, at ease, Lieutenant. You can put your gun back in your holster.

0:50:280:50:32

No need for firearms at elevenses.

0:50:320:50:35

I wonder if you can use a bucket like that to build sandcastles.

0:50:350:50:38

Anyway, here he comes and there goes the gun again.

0:50:380:50:42

Back in the holster for a second time. Now, who's brought the thermos?

0:50:420:50:46

A tense game of chess in the X-Files

0:50:500:50:53

and a moody Russian is taking on an American kid in specs. Text book.

0:50:530:50:59

Check mate.

0:51:010:51:02

Suddenly, the Russian is shot by an assassin

0:51:020:51:05

and falls onto the floor, dragging the chess board with him.

0:51:050:51:09

Except in the next shot, it's clearly on the table.

0:51:090:51:12

They managed the logistical nightmare of filling this auditorium with about 5,000 people,

0:51:120:51:17

but couldn't cope with one bit of elementary prop continuity.

0:51:170:51:22

The truth is out there. The incompetence is in here!

0:51:220:51:25

Have you ever been to the Louvre?

0:51:270:51:29

-No, not yet.

-Bones. A series about forensics.

0:51:290:51:31

A branch of medical science that's all about detail. So how come they missed this clanger?

0:51:310:51:37

Here's a patronising little girl...

0:51:370:51:39

I think what you do is pretty awesome, too...

0:51:390:51:41

..who's been diagnosed with clinical smugness.

0:51:410:51:43

She's also an agent of TV mistakery.

0:51:430:51:45

When she hands over her sketch, it's a small drawing in the centre of the page.

0:51:450:51:51

But when the doctor looks at it, it's gone all big! But nobody notices.

0:51:510:51:55

The character dies in the end, though, so all's well that ends well.

0:51:550:52:00

An ice hockey game and Ross from friends has got one of those big foam fingers.

0:52:000:52:04

Of course, this is New York and seconds later, it's gone.

0:52:040:52:09

Someone's nicked it. It's a rough town.

0:52:090:52:11

My eye doctor is Richard. I can't go to him when I don't have a boyfriend.

0:52:130:52:16

Oh, poor Monica. As if it's not bad enough having something in your eye,

0:52:160:52:20

she can't even watch TV because it's all switched off.

0:52:200:52:23

Although, moments later...

0:52:230:52:25

my mistake! It's on. No-one's even watching it.

0:52:250:52:29

That's not very green.

0:52:290:52:30

-Hey, can I bum a cigarette?

-Feel those hormones as bad boy meets annoying girl in The OC.

0:52:320:52:38

Blimey, they're smoking in California, which is practically a shooting offence.

0:52:380:52:43

Luckily, Ryan is smoking one of the special cigarettes,

0:52:430:52:46

you know, the ones that burn down to a butt in half a second.

0:52:460:52:49

Long ciggy. Tiny ciggy.

0:52:490:52:52

To think, I used to love The OC!

0:52:520:52:54

Elsewhere in The OC, is Ben going to commit suicide before Ryan and Marissa can get to him?

0:52:570:53:04

He's emptying all his pills onto the table.

0:53:050:53:08

And mixing them up. But, whoa!

0:53:080:53:10

In an instant, they've sorted themselves into colour-coded piles.

0:53:100:53:15

Or, at least, an inattentive member of the production team has.

0:53:150:53:19

Ben's made up. He's forgotten all about suicide.

0:53:190:53:21

He's just going to bung them in with his grandfather's ashes.

0:53:210:53:25

Job done.

0:53:250:53:27

Oh, dear. After having one or maybe 12 too many tequilas, Marisa, from

0:53:300:53:35

The OC, leaves her handbag at the bar. And staggers outside.

0:53:350:53:40

Ryan and the others are scouring the streets for her.

0:53:400:53:44

But tiddly Marisa is now spark out in this alley, legless, and, of course, bagless.

0:53:440:53:48

Then, Ryan and the others turn up.

0:53:480:53:51

He spots her and bagless races down the alley and kneels beside her with the bag in his hand.

0:53:510:53:58

Either that's a mistake, or everyone in Orange County has the same handbag.

0:53:580:54:02

Well, they're a funny lot in California.

0:54:020:54:04

Peter Kay's Phoenix Nights and Paddy's payphone is out of order.

0:54:060:54:11

You can tell by the sign on the side which says 'out of order'.

0:54:110:54:15

But now, the same sign is on top of the phone, which leads me to believe someone might be having a laugh.

0:54:150:54:20

At Paddy McGuinness? Surely not.

0:54:200:54:22

More continuity malfunctions on the holodeck for Captain Picard.

0:54:260:54:30

The 1920s news vendor hands over the paper folded.

0:54:300:54:34

But Pickard takes it unfolded.

0:54:340:54:36

A small mistake but even in a holographic past, a tiny error like that could have changed the future.

0:54:360:54:42

If so, let's hope next time there'll be less Star Trek.

0:54:420:54:45

A clip from Heroes now. A strange group of people all with bizarre superpowers.

0:54:480:54:53

Watch how these two find a mysterious key that's wrapped in sticky tape.

0:54:530:54:57

About half a second later, it's suddenly unwrapped.

0:54:570:55:00

He's good super fingers.

0:55:000:55:01

No wonder she looks pleased.

0:55:010:55:03

I'm their hero.

0:55:050:55:08

More prop related cockuppery as Hiro appears with his samurai sword pointing backwards.

0:55:080:55:13

And, a moment later, stands with it pointing forwards.

0:55:130:55:18

A handy mistake, though.

0:55:180:55:20

Otherwise he would have just stabbed him with the blunt end,

0:55:200:55:22

and that would almost certainly have been less dramatic.

0:55:220:55:26

It's a blueprint.

0:55:290:55:30

How does Grace from Will & Grace take her coffee?

0:55:300:55:34

Always black. Sometimes with a stick in her hand.

0:55:340:55:37

And sometimes with a tiny carton of milk.

0:55:370:55:39

But always in a urine sample jar.

0:55:410:55:44

And he's obviously very fond of you.

0:55:460:55:48

A clip now from madcap sitcom, Absolutely Fabulous.

0:55:480:55:52

Or as you know it, Ab Fab.

0:55:520:55:54

Or, as I know it, AaFa. But, surely, no-one knows what is going on

0:55:540:55:59

with Miranda Richardson's glass.

0:55:590:56:01

Witchcraft. Pure and simple.

0:56:020:56:05

Back in my day, she'd have got the ducking stool for that.

0:56:050:56:08

It's US comedy drama Weeds.

0:56:100:56:12

And Nancy's just found out that her late husband was cheating on her.

0:56:120:56:17

Yeah, that might not be covered under the contents insurance.

0:56:170:56:20

Not much comedy here. This is one of the more drama-y moments.

0:56:200:56:24

But see all the stuff on the table?

0:56:240:56:26

Watch what happens as her son walks outside.

0:56:260:56:30

Yep, it's all gone empty.

0:56:300:56:31

I reckon the kid was a decoy. His mates have nicked the lot.

0:56:310:56:34

So, actually, that probably will be covered, then.

0:56:340:56:37

I suppose I just fall in love too fast.

0:56:390:56:41

Here are Niles and Daphne sharing an intimate fireside moment.

0:56:410:56:46

According to that carriage clock, the time is 11:15pm.

0:56:460:56:50

Only, moments later, we see the clock again and now it's 11:45pm.

0:56:500:56:55

And 10:55pm.

0:56:570:57:00

And 11:20pm.

0:57:000:57:03

And 10:59pm. Frasier is filmed in front of a live studio audience.

0:57:030:57:07

At least they were when they started recording this scene four days ago.

0:57:070:57:10

You two have proved yourselves to be just as talented as one another at karaoke.

0:57:120:57:17

By which, I mean you're equally shit.

0:57:170:57:21

It's Two Pints of Lager and a Packet of Crisps.

0:57:210:57:23

A show which has split the critics into those who hate it, and those who don't like it very much.

0:57:230:57:28

But this episode is great because it's all about magazine competitions.

0:57:280:57:32

Mind you, if there's one thing I love more than competitions, it's 'competions'.

0:57:320:57:37

By the way, that's the new issue of Dyslexic Monthly.

0:57:370:57:41

-May as well give up now.

-I would if I were you.

0:57:410:57:44

Now, I admit I don't know a lot about How I Met Your Mother.

0:57:470:57:51

Other than this guy is called Ted and that when he pays a visit

0:57:510:57:54

to a lady, he doesn't bring a bottle, he brings veg.

0:57:540:57:58

Wilted veg in a creased-up paper bag. Sexy blighter.

0:57:580:58:02

But guess who also carries a steam iron in his Y fronts?

0:58:020:58:04

That bag's now suddenly smooth.

0:58:040:58:07

Looks like a baby's bottom. A papery baby with vegetables for a head.

0:58:070:58:12

-That's the stupidest thing I've ever said.

-Me too.

0:58:120:58:15

Of all the classic moments in The Office, this is Ricky Gervais's personal favourite.

0:58:160:58:22

-Whassup?

-Don't do that.

-Gareth's holding a briefcase

0:58:220:58:24

in his right hand, the paper in his left, but, look!

0:58:240:58:27

Now the briefcase is in his left hand, and the paper is in his right!

0:58:270:58:30

That's a TV Mistakes Golden Globe right there!

0:58:300:58:34

Friends. Series eight.

0:58:370:58:39

Sorry, SEASON eight. And Monica starts to tear open this present.

0:58:390:58:45

She's finished. It's open.

0:58:450:58:47

Sh. The guys don't know yet. Do they?

0:58:470:58:50

-No.

-No, she's wrapped it up again.

0:58:500:58:53

And opened it again.

0:58:530:58:56

And wrapped it up.

0:58:560:58:58

And opened it again.

0:58:580:59:00

Oh, for God's sake, woman, make your mind up!

0:59:000:59:02

Poor Ross has clonked his head, so Rachel is administering a comedy ice pack because she wuvs him.

0:59:040:59:09

We ripped that couple apart and kept the pieces for ourselves.

0:59:090:59:14

-Wuvs him not.

-What a beautiful story.

0:59:140:59:17

Wuvs him. A small error, perhaps, but as rudimentary continuity errors go, that was a blinder.

0:59:170:59:24

In TV, we have a special nickname for special effects.

0:59:260:59:29

We call them special FX.

0:59:290:59:32

Aren't we brilliant? These days, the effects on TV are so special,

0:59:320:59:35

they can often leave you, the viewer, wide eyed, slack jawed and dumbstruck, even more than usual.

0:59:350:59:41

Yes, thanks to computer technology, the only limit to modern SFX

0:59:410:59:45

is the producer's imagination, which is a shame, because

0:59:450:59:48

most producers' imaginations are limited to saying, "Hey, why don't we just get Ant and Dec to do it."

0:59:480:59:53

and then ordering the sushi. Which sadly means every now and again, the SPECIAL effects are anything but.

0:59:530:59:59

A high-speed chase in Knight Rider and Michael is in pursuit of two blokes who have kidnapped a lady.

1:00:051:00:10

Oh, she's a terrible back seat driver.

1:00:101:00:12

That car is all over the shop. Three drivers, one steering wheel, that's asking for trouble.

1:00:121:00:18

Oh, no, no, no, no, leave it.

1:00:181:00:21

Sit down, you silly cow! Oh, too late, she's jumped.

1:00:211:00:24

Well, somebody did.

1:00:241:00:27

-Crazy broad jumped out!

-I'm afraid that was your unconscious female.

1:00:271:00:31

No it wasn't, KIT, you're talking out of your tailpipe.

1:00:311:00:34

That's her stunt double in an ill-fitting blonde wig.

1:00:341:00:38

She's less lookalike and more look nothing like.

1:00:381:00:41

Its 24 and look out, the guy in the car is about to get all shooty.

1:00:431:00:47

But when he discharges his weapon....

1:00:471:00:50

Through the car window, the glass all falls inwards, in defiance of all the laws of physics.

1:00:501:00:55

Let's see that again. Take that, Newton.

1:00:551:00:59

Look, he's got Stagler.

1:01:011:01:03

Here we are, back in that brilliant episode

1:01:031:01:06

of Wonder Woman, and Gargantua the Gorilla is making his escape carrying that bloke from Magnum.

1:01:061:01:11

But he's made a terrible error.

1:01:111:01:14

In the confusion, he's grabbed a poorly constructed dummy instead.

1:01:141:01:17

See it flailing in the breeze just like human bodies don't.

1:01:171:01:22

Look, his legs have gone all trembly, something, something, Wembley.

1:01:221:01:26

That doesn't make any sense, and neither does this episode of Wonder Woman.

1:01:261:01:31

Yes, it's high time Lynda Carter twirled into her crime fighting boob tube and hot pants.

1:01:331:01:38

Bad news for bad guys, good news for randy 14-year-old boys.

1:01:381:01:42

But look how this spectacular metamorphosis also has the power to

1:01:441:01:46

change this humble biro into thin air.

1:01:461:01:50

Yeah, it's probably just rolled under the desk.

1:01:501:01:54

The Doctor again, and this is what I call thrilling stuff.

1:01:571:02:00

There again, I'm quite easily thrilled.

1:02:001:02:03

Oh, look, the Doctor is climbing up that giant television aerial,

1:02:031:02:06

trying to stop Maureen Lipman being transmitted.

1:02:061:02:09

You cannot stop the wire. Soon I shall become...

1:02:091:02:13

Then, as Dave's a-dangling from the pylon, his foot suddenly disappears.

1:02:131:02:18

Here it is, here it isn't.

1:02:201:02:23

Yes, the BBC's blue screen is no larger than a tea towel.

1:02:231:02:27

Mac and Guy from Green Wing are heading for a very literal end-of-series cliffhanger.

1:02:291:02:34

Ever wonder how they do stunts like this? Well, the clues are here

1:02:371:02:42

and here. That is a safety harness and that is a dirty great support cable.

1:02:421:02:48

Less Italian Job, more bodged job.

1:02:481:02:50

OK, no argument, the Hulk has always been incredible.

1:02:541:02:56

But on the '70s TV show, the effects were anything but.

1:02:561:03:01

Here, a couple of local thugs have unwisely locked David Banner in the steam room.

1:03:011:03:07

He gets angry, goes green, and picks them and half the wall up using the strength of 100 men.

1:03:071:03:12

Or should that be by making them stand on a hidden trolley

1:03:141:03:16

and pushing them back using the strength of three caterpillars.

1:03:161:03:20

You decide.

1:03:201:03:21

The friends from Friends are on holiday and, oh, dear, it's chucking it down.

1:03:231:03:29

But what's worser, their lovely beach house is full of wet sand.

1:03:291:03:32

What's with all this sand?

1:03:321:03:35

Oh, yeah, Bob said there might be flood damage.

1:03:351:03:37

Either that or he has a really big cat.

1:03:371:03:40

But now it's dry.

1:03:401:03:41

They must have under-sand heating.

1:03:411:03:43

A clip from classic Dr Who episode Genesis Of The Daleks,

1:03:461:03:50

and keep your eyes on the Dalek chatting with Davros

1:03:501:03:53

and the light bulb flashing on his head.

1:03:531:03:56

That's how deaf people know that a Dalek is talking, by the way, it's a courtesy thing.

1:03:561:04:00

Hold on a sec, his light's gone out.

1:04:001:04:02

Maybe he forgot to pay the Da-lecky bill.

1:04:021:04:05

But then, between takes, while Davros practises his shouting...

1:04:061:04:10

You will obey me!

1:04:101:04:12

..there's a chance to unscrew the bulb and pop a new one in.

1:04:121:04:16

We are the superior beings.

1:04:161:04:18

On with the serious business of mass extermination and sink plunging.

1:04:181:04:23

Exterminate!

1:04:231:04:24

More from Genesis Of The Daleks now,

1:04:261:04:28

and the Thals are about to detonate a bomb using this rickety old plunger.

1:04:281:04:33

But even before that happens, some smoke wafts through the doors.

1:04:331:04:38

That bomb has either detonated itself, or one of those Daleks is having a crafty fag.

1:04:381:04:42

This is X-Files rain, heavy and persistent, like Mulder,

1:04:441:04:49

apart for the heavy bit.

1:04:491:04:51

Dana and Fox are in hot pursuit of a woman doing some top-notch driving-in-heavy-rain acting.

1:04:511:04:57

Moving the steering wheel about, frowning at rain...

1:04:591:05:03

and then she hits a cloudy ghost. Bosh!

1:05:031:05:05

But when Mulder and Scully pull over seconds later, all the rain has gone. Spooky.

1:05:091:05:15

# Da-da-da-doo, da-da-da-doo... Sorry, that's The Twilight Zone, sorry.

1:05:151:05:19

-I can see her.

-Michelle!

-Help!

1:05:191:05:22

Considering it was made in the '60s, the effects on Thunderbirds are pretty FAB.

1:05:261:05:31

Of course, every now and again, they were less than perfect.

1:05:311:05:34

Look what happens when the aircraft explodes.

1:05:341:05:37

This bit of debris flies off and bounces off the back projection screen. Boing.

1:05:371:05:43

For some reason, at that moment in that half-finished foxhole, all I could think about was the 4th July.

1:05:451:05:50

Band Of Brothers now, and those German mortars are really doing some damage.

1:05:501:05:53

Thank God they're only aiming at the trees. Yeah, Nazis hate trees.

1:05:531:05:57

Especially these ones. They're birch trees, they make Nazis furious.

1:05:571:06:01

Boom! Take that. Hold on a minute, it did.

1:06:011:06:05

A bomb that only causes minimal bark damage. Let's have another look.

1:06:051:06:09

Yeah, that must have been a smart bomb.

1:06:101:06:12

They only destroy certain trees. If that had been a willow, it would be dead.

1:06:121:06:16

A thrilling FX scene from Blake's 7, the doddery senile granddad of the TV sci-fi family.

1:06:201:06:28

Once again, the audience at home are on the edge of their seats, getting up to leave the room.

1:06:281:06:32

But gasp as the bad guy is sucked into space.

1:06:321:06:35

Although, he's not so much being sucked as dangled by that highly visible safety harness.

1:06:351:06:41

Wheeee!

1:06:411:06:43

Clothes.

1:06:451:06:47

Clothes can go seriously wrong.

1:06:471:06:49

Just look at Lady Gaga or anyone from Germany.

1:06:491:06:52

If there's one department in telly that gets overlooked, it's wardrobe.

1:06:521:06:56

It's very rare to see wardrobes taking a leading role,

1:06:561:06:59

except in The Lion, The Witch And The Wardrobe, of course.

1:06:591:07:01

Though frankly, the lion and the witch got all the best lines.

1:07:011:07:04

Consequently, every now and again, the wardrobe department fights back.

1:07:041:07:09

It's Henry VII in a scene from rollicking royal soap The Tudors.

1:07:121:07:17

Here's Henry's (divorced, beheaded, died, divorced, beheaded, survived),

1:07:171:07:20

first wife Catherine of Aragon, looking moody, and who can blame her?

1:07:201:07:25

Getting a rousing reception from this crowd of 16th century peasants.

1:07:251:07:29

Although, for a bunch of proles, they're doing pretty well for themselves, because, look again.

1:07:291:07:34

Verily, sire, that's a nice wrist watch.

1:07:341:07:36

He made that himself out of straw and bits of the plague.

1:07:361:07:40

Lovely Buffy. Not only is she sexy, fun, and good at killing vampires, she can swap shoes in a microsecond.

1:07:431:07:51

See, as she attacks the vampire wearing white party pumps...

1:07:511:07:55

Then, alley-oop, suddenly swaps them for a pair of

1:07:551:07:57

black boots when required to kick him in his undead nuts.

1:07:571:08:01

That is my kind of woman.

1:08:011:08:03

Where are your jibes now?

1:08:031:08:05

We want to swim and you can't stop us!

1:08:061:08:09

It's Desperate Housewives, and another wardrobe-related oversight is about to kick off

1:08:091:08:12

thanks to these cheeky kids who are refusing to get out of the water.

1:08:121:08:18

In you go, Mum, sort them out.

1:08:181:08:21

She walks into the pool in heels,

1:08:211:08:23

wades through the water in heels,

1:08:231:08:25

walks out again in heels, but then, having done the hard part, she's suddenly barefoot.

1:08:251:08:31

It's confusing. No wonder her kids are a nightmare.

1:08:311:08:33

-No parental consistency.

-Paul, we have to leave now.

1:08:331:08:37

24, and watch this woman exiting the loo, or rather, her shoes.

1:08:411:08:46

A pair of good old-fashioned all-American sneakers.

1:08:461:08:49

Nothing wrong there. In fact, everything right.

1:08:491:08:51

But spin on,

1:08:511:08:53

and during a simple walk to her desk, they've been changed,

1:08:531:08:56

switched, perverted, into high heels.

1:08:561:09:00

Free-world flatties wiped off the face of the earth, replaced by by high-heeled extremism.

1:09:001:09:05

And where's Jack Bauer?

1:09:051:09:07

Running a minicab firm.

1:09:071:09:09

"51 to base, passenger POB, Rog."

1:09:091:09:12

James Corden is a bit of a quick-change artist on the side. Oh, yeah, look.

1:09:141:09:21

One minute he's wearing his dinner jacket, and the next, he's lost it.

1:09:211:09:25

The jacket, not his temper. Although it's a wedding, there's always one fight.

1:09:251:09:29

Here's classic '70s drama Hawaii Five-0, as in five acting expressions, oh dear.

1:09:341:09:39

Steve McGarrett is on the case and there's no time to lose.

1:09:391:09:43

Except to change his suit on the way up the stairs.

1:09:431:09:46

-Mr Dennison, please.

-Never mind all that, what have you done with your grey suit?

1:09:481:09:52

Look, he gets out of the car in the grey one, and walks into the office wearing the blue.

1:09:521:09:57

Mr Dennison, please.

1:09:571:09:59

Actually, good work, Steve. No-one wants to be arrested by a man in a sweaty suit.

1:09:591:10:04

A fun run along a canal side for the Ashes to Ashes team,

1:10:071:10:11

and Alex looks all French - scarf, stripey T-shirt.

1:10:111:10:15

I'm not sure about the red belt, though. Nah, get rid of it, Keeley.

1:10:151:10:18

That's better. Does it come back?

1:10:181:10:21

Nope. Don't stop running.

1:10:211:10:23

You don't want Jimmy Savile coming up behind you...ever.

1:10:231:10:26

I hear you're having trouble with your head.

1:10:291:10:32

Fans of Lost will know that the series is set on a mysterious

1:10:321:10:35

island where strange things happen, like a rucksack that changes colour halfway through a conversation.

1:10:351:10:42

See how it starts off dark green with thick straps, but then on a

1:10:441:10:47

reverse shot, it transforms into a black one with much thinner straps.

1:10:471:10:52

What's causing your headaches?

1:10:521:10:55

It's not like it's a tumour or something.

1:10:551:10:57

Then, halfway through some guff about too-mours, it goes back to dark green,

1:10:571:11:03

and then black again, green,

1:11:031:11:06

black, all of you Lost fans think that this means something, don't you? Well, you're right.

1:11:061:11:10

-It means the wardrobe department cocked up.

-Just headaches.

1:11:101:11:15

Under normal circumstances, the last person I'd want to see frolicking in a wet T shirt is Hurley from Lost.

1:11:181:11:24

Unless, of course, he was dancing around a pole, and even then only maybe.

1:11:241:11:28

Here he is teaching Charlie to fish and how to be both sopping wet...

1:11:281:11:33

And dry at the same time.

1:11:331:11:35

Maybe he's just really hot.

1:11:351:11:37

Hot warm, not hot sexy. Unless he was dancing around a pole. Phwoar!

1:11:371:11:42

The poacher, I heard him fishing only a few nights ago.

1:11:451:11:49

What, with all his sartorial eccentricities,

1:11:491:11:51

Doctor Who has always been a strain on the wardrobe department, in whichever incarnation.

1:11:511:11:56

In this clip, Tom Baker's jaunty hat is the problem.

1:11:561:11:59

He leaves it on the chair and exits, and then in the next scene,

1:11:591:12:02

he's walking through the woods wearing it.

1:12:021:12:05

Maybe they'd shot a scene where he remembered, thought "huh" and went back for it, but then didn't use it.

1:12:051:12:10

Yeah, better check the director's cut.

1:12:101:12:13

Little Britain, famous for its comedy characters.

1:12:151:12:17

Here's Matt Lucas as Bubbles DeVere.

1:12:171:12:20

Bubbles dives under the tanning machine, naked,

1:12:201:12:24

but if we spin forward,

1:12:241:12:26

she emerges some time later burnt to a crisp and now mysteriously wearing a pair of blue goggles.

1:12:261:12:33

Will you excuse me for a moment, please, Mr Hutton, I'm a little bit on fire.

1:12:371:12:41

How....

1:12:431:12:45

you...a doing?

1:12:451:12:48

I love Friends. I could watch it all day.

1:12:481:12:50

And thanks to E4, I can.

1:12:501:12:53

Here's Joey chatting up a girl in the apartment opposite.

1:12:531:12:56

He can't wait to get over there and introduce himself.

1:12:561:12:59

And yet, he still has time to miraculously change his black shirt on the way over.

1:12:591:13:04

Sweaty black shirt morphs into clean purple one.

1:13:041:13:07

But as he knocks on the door,

1:13:071:13:10

it's back to black.

1:13:101:13:12

Black, purple and black. The three colours of the bad continuity flag.

1:13:121:13:18

It's Jonathan Creek in a spooky old house about to get chased by a massive gorilla.

1:13:221:13:27

When I say massive gorilla, I mean a medium-sized man in an unconvincing gorilla outfit.

1:13:271:13:32

It's enough to give you brown pants, or more precisely, to turn your blue pants black.

1:13:341:13:39

Either way, that's pants.

1:13:421:13:43

Another moment of drama in Gray's Anatomy.

1:13:481:13:51

Sandra Oh rips off her surgical topcoat and exits the operating theatre.

1:13:511:13:56

Meanwhile, out in the corridor, there's a bomb scare.

1:13:561:13:59

These doctors can't go faster than .000003 miles an hour

1:13:591:14:04

or they'll blow up or something.

1:14:041:14:07

Then, just as you thought this scene couldn't get any more confusing, out pops Sandra with her coat on again.

1:14:071:14:13

It's a bit like the film Speed but with less speed and more mistakes.

1:14:131:14:17

We're moving to an OR further away from the oxygen line.

1:14:171:14:20

Hey, David Banner is rescuing a bit-part actress from a cliff.

1:14:241:14:28

Spin on, and sure enough, he turns into The Incredible Hulk.

1:14:281:14:33

And as usual, his massive green muscles completely tear the shirt from his back.

1:14:331:14:38

But seconds later, the shirt reappears,

1:14:381:14:41

then disappears, then finally reappears again,

1:14:411:14:44

having mounted its curious green host once more.

1:14:441:14:49

All right, come on, come on!

1:14:491:14:51

Well, there was a lady present.

1:14:511:14:53

But sadly, no continuity person.

1:14:531:14:55

All great telly starts with a script.

1:14:571:15:00

You need writers who can really write words good comma,

1:15:001:15:04

and make the things we actors and presenters say in their mouths have, like, pizzazz and that.

1:15:041:15:09

Yes, script and story are crucial.

1:15:091:15:11

Confused story lines and dialogue, and character errors can spoil an entire series in seconds.

1:15:111:15:16

That's why broadcasters spend enormous amounts of money hiring professional writers and executives

1:15:161:15:21

to ensure this doesn't happen and why they get so disappointed when it still does.

1:15:211:15:26

Take a look at this little lot.

1:15:261:15:28

24, and here's Jack Bauer giving his exact location to headquarters.

1:15:301:15:35

We're at 21408 Kipling, North Hollywood.

1:15:351:15:38

That's 21408 Kipling, North Hollywood. 21408. Now, spin on,

1:15:381:15:46

and the car is here. But spin on again, and we can see they've pulled up outside 21048.

1:15:461:15:54

Well, that's no good. Kiefer's at 21408.

1:15:541:15:57

But hang on, he is here, at 21048,

1:15:571:16:03

-and not...

-21408 Kipling, North Hollywood.

1:16:031:16:06

Where he said he was a moment ago.

1:16:061:16:07

Still, it's only the Secret Service in a race against time to save lives,

1:16:071:16:11

nothing important, like a pizza delivery.

1:16:111:16:14

Here's Ashes To Ashes,

1:16:161:16:17

the disappointing follow-up to Life On Mars.

1:16:171:16:20

It's July 1981.

1:16:201:16:21

And a shocked Keeley Hawes

1:16:211:16:22

has just found herself mysteriously back in the 1980s.

1:16:221:16:25

She's trying to find out the date from Gene Hunt's steam-driven computer.

1:16:251:16:29

Let's check it. 17th July 1981.

1:16:291:16:32

There's nothing on this hard drive but the time and date.

1:16:321:16:35

Spin on, and later, in her new '80s flat, we see that she's marked her arrival date as July 20th.

1:16:351:16:42

She's lost three days.

1:16:421:16:44

There are easier ways to lose three days, Keeley.

1:16:441:16:47

Try drinking five pints of gin.

1:16:471:16:49

Works for me.

1:16:491:16:51

Here's an IT blunder from serial-killing drama, Dexter.

1:16:531:16:57

As Rudy Cooper opens an e-mail from [email protected]...

1:16:571:17:03

..presses reply,

1:17:061:17:07

and suddenly he's writing back to [email protected].

1:17:071:17:12

Don't worry, though, thanks to the confusing power of telly,

1:17:121:17:15

Frozen Barbie still gets the e-mail anyway.

1:17:151:17:18

All's well that ends well. Except for the fact that he kills her and cut her into tiny pieces.

1:17:181:17:24

Here's an early clip from Star Trek: The Next Generation

1:17:261:17:29

and new Number One, Will Riker, is looking for the holodeck.

1:17:291:17:34

The computer tells him it's...

1:17:341:17:36

'The next hatchway on your right.'

1:17:361:17:38

-You mean left, surely?

-Thank you.

1:17:381:17:40

-He's bluffing. Riker knows that the new Enterprise computer is an idiot.

-I do.

1:17:401:17:45

And goes left instead.

1:17:451:17:46

In the future, many things will be different, but apparently, men still don't trust directions from a woman.

1:17:461:17:52

US drama Fringe, and this bonkers boffin has invented a camera

1:17:541:17:58

that can photograph a corpse

1:17:581:18:00

and capture the last image seen by a person before their death.

1:18:001:18:05

-Ready?

-I know, it's rubbish, but go with it.

1:18:051:18:09

Let's listen to the doc's advice.

1:18:091:18:12

Goggles, all of you. Do not look directly into the light.

1:18:121:18:16

-MIMICS:

-"Goggles, all of you. Do not look directly into the light."

1:18:161:18:19

Got it. Camera, dangerous. Goggles, essential.

1:18:191:18:23

But spin on through the rubbish, and see what happens.

1:18:231:18:27

They've taken them off. Oi! And you! Put them back on.

1:18:271:18:30

The doctor said keep the goggles on while the camera is still flashing.

1:18:301:18:35

Doc, tell them to... not you, as well. I give up. This programme is stupid.

1:18:351:18:38

The OC crowd are in a nightclub

1:18:401:18:43

when one of our old friends

1:18:431:18:45

leaves an urgent message for his mate. Let's listen in.

1:18:451:18:48

Luke, it's me. I wanted to make sure you took care of it.

1:18:481:18:51

OK. Ryan said, "Luke, it's me.

1:18:511:18:53

"I want to make sure you took care of it." And there was lots of noise in the background.

1:18:531:18:58

Does Luke get the message? Yes. But not that one.

1:18:581:19:01

-WITHOUT BACKGROUND NOISE:

-Luke, it's me. I'm just calling to make sure you took care of it.

1:19:011:19:06

"Luke, it's me. I'm just CALLING to make sure you took care of it."

1:19:061:19:09

Different words and no background noise. Probably a network problem.

1:19:091:19:13

There's a joke here somewhere about Orange County, but where are the good times?

1:19:131:19:18

Writing a long-running show like Frasier is tricky,

1:19:201:19:22

having to remember the characters' likes and dislikes

1:19:221:19:25

and relatives. They're a nightmare, even when they're not real.

1:19:251:19:29

Just listen to Frasier's dad Martin in series one.

1:19:291:19:32

I never had a brother.

1:19:321:19:33

Marty Crane never had a brother.

1:19:331:19:36

-Oh, I've got the feeling he would have liked one, though, and by series five, he did.

-There he is!

1:19:361:19:41

Well! This is so exciting! You two must have so much to talk about. Uncle Walt, hello!

1:19:411:19:46

That's either a mistake or someone needs a psychiatrist.

1:19:461:19:50

-Marty.

-Walt.

1:19:521:19:54

SOUND problems are very common in television,

1:19:561:19:58

partly because it would be impossible to control all the sounds around us

1:19:581:20:03

and partly because most sound men are tone-deaf alcoholics whose only hope of noticing a pin drop

1:20:031:20:08

is if you pull it out of a live grenade in front of them and throw it in their stupid faces.

1:20:081:20:13

We in telly call the process of replacing sounds "dubbing" or "ADR",

1:20:131:20:16

which stands for automatic dialogue replacement.

1:20:161:20:19

Mind you, looking at these next clips, you'd think it stood for awful dialogue replacement!

1:20:191:20:24

HE GUFFAWS EXAGGERATEDLY

1:20:241:20:27

It's Doctor Izzie Stevens in Grey's Anatomy,

1:20:321:20:35

who can say "ooh" without moving her lips. No really, she can.

1:20:351:20:39

-Look.

-Oh, ooh!

1:20:391:20:41

Oh, I like that. Again?

1:20:411:20:43

-Ooh!

-Oh, go on then. Once more!

1:20:431:20:47

-Ooh!

-Ooh!

1:20:471:20:49

-Are you allowed to eat a cupcake in a sterile environment?

-Are you still working with Meredith?

1:20:491:20:53

Ah, yes. Meredith, AKA Dr Grey herself.

1:20:551:21:00

But don't stand on ceremony, she hates that.

1:21:001:21:02

Dr Grey.

1:21:021:21:04

-Meredith.

-Meredith.

1:21:041:21:06

We heard it but we didn't see it.

1:21:061:21:08

That man did not say "Meredith".

1:21:081:21:11

-Or did he?

-Meredith.

-No, he did not.

1:21:111:21:14

At least not at the time.

1:21:141:21:15

Maybe he hates the name Meredith and refused to say it.

1:21:151:21:18

"Ah," they thought, "We'll just stick that on later in the edit."

1:21:181:21:22

And they did. Badly.

1:21:221:21:23

-Because I stayed in the OR to save a life.

-Meredith.

1:21:231:21:27

-Very good.

-What have you go there?

1:21:291:21:31

Pride and Prejudice, and keep your eyes and ears

1:21:311:21:34

on that fine actress Alison Steadman.

1:21:341:21:36

There she is, famous for her performance in Abigail's Party

1:21:361:21:39

and loads of other parts that have been quite similar.

1:21:391:21:42

But hark, only an actress with Alison's vocal skills could say different words than her own mouth.

1:21:421:21:48

Lord knows I have no desire to be always going here and there at night.

1:21:481:21:51

Oi, Steadman! Your mouth's writing cheques your voice can't cash! That doesn't make any sense.

1:21:511:21:57

I have no desire to be always going here and there at night.

1:21:571:22:00

But neither does poor-quality dubbing.

1:22:001:22:02

# For Jesus Christ our saviour... #

1:22:041:22:07

More Pride and Prejudice, and Mary's depressing everyone

1:22:071:22:10

with her piano playing like some 19th-century Dido.

1:22:101:22:13

But look, there in the back of shot, Maria's singing without moving her lips.

1:22:131:22:18

-Maybe she's singing out of her...

-HE WHISTLES

1:22:181:22:21

-Now, you might call that a mistake but I call it some of the finest...

-HE WHISTLES

1:22:211:22:26

..singing I've ever heard.

1:22:261:22:27

Everyone, I just wanted to say it really means a lot to me

1:22:291:22:33

-that all of you came.

-In this episode of Desperate Housewives,

1:22:331:22:37

Carlos is giving a speech to friends about leaving to go to jail.

1:22:371:22:40

But when they cut to a shot of Susan and Julie listening,

1:22:401:22:44

we see Carlos isn't talking despite the fact we can still hear him.

1:22:441:22:48

And when a man goes away to jail...

1:22:481:22:50

-Now, he hasn't got a...

-HE WHISTLES

1:22:501:22:52

-..so maybe he's talking out of his "ah-huh-huh". In which case, respect.

-So, thanks.

1:22:521:22:57

Look, everyone. It's Rachel off Friends, venting her spleen.

1:22:591:23:03

So I was with Joshua for an hour today and he has not asked me out.

1:23:031:23:08

Just so frustrating.

1:23:081:23:09

I know, bad dubbing is very frustrating and I'll tell you what else is frustrating.

1:23:091:23:14

Having Brad Pitt stolen away from you by Angelina Jolie.

1:23:141:23:18

Curse you, Bradley Pitt.

1:23:181:23:21

Just so frustrating.

1:23:211:23:22

I know, but don't go on about it.

1:23:221:23:24

I wondered what it'd be like to be a dude,

1:23:261:23:29

walking through the halls in jeans and a ratty T-shirt...

1:23:291:23:32

It's One Tree Hill, another one of those American shows full of cute people

1:23:321:23:36

who've got everything they need. Except a good slap in the face!

1:23:361:23:40

Maybe I'm into girls.

1:23:401:23:42

SILENCE

1:23:421:23:43

Whoa! Rachel just said that last line twice. No, really. Look.

1:23:431:23:46

Maybe I'm into girls.

1:23:461:23:48

-MIMICS:

-Maybe I'm into girls.

1:23:481:23:51

I think it's time for that slap in the face.

1:23:511:23:53

Just give me a straight yes or no.

1:23:551:23:57

Why should I give you...

1:23:571:23:59

It's Only Fools and would you Adam and Eve it,

1:23:591:24:02

Del Boy is about to put his plates of meat

1:24:021:24:04

right in it and say something a bit apples and bassist, or whatever racist is in Cockney.

1:24:041:24:10

What are the odds on you picking the only genuine weight watcher in London?

1:24:101:24:15

Del's original line was "the only Provo weight watcher in London".

1:24:151:24:19

-By the time the show aired, "Provo" had been overdubbed with the word...

-Genuine...

1:24:191:24:23

..which wouldn't be offensive to the people of Ireland or the IRA.

1:24:231:24:26

Believe me, it doesn't take much to get THEM writing in to Points Of View.

1:24:261:24:30

Most people in TV will tell you that actors can be difficult to work with.

1:24:321:24:37

But take it from me, those people are LIARS.

1:24:371:24:39

I wouldn't wee on them if they were on fire.

1:24:391:24:42

No, CARS are difficult to work with.

1:24:421:24:44

My old friend Ross Kemp now refuses to work with cars

1:24:441:24:48

following a nasty incident with a dodgy 1974 Hillman Imp which very nearly acted him off the screen.

1:24:481:24:54

A thrilling scene from Lost,

1:24:571:25:00

the show about invisible polar bears on a desert island.

1:25:001:25:04

Based on a true story.

1:25:041:25:05

Here, the truck without the tailgate runs off the road.

1:25:051:25:09

Oh, dear. There goes the truck. There goes the tailgate flying off that it didn't have a second ago.

1:25:121:25:17

But luckily in the next shot, it's back on again.

1:25:171:25:20

Look on the bright side, she's lost a truck but gained a tailgate.

1:25:201:25:25

That might come in handy later, polar bears hate car parts.

1:25:251:25:29

I hate continuity errors.

1:25:291:25:31

Nip/Tuck now and watch these two teenagers.

1:25:341:25:38

Oh, dear.

1:25:381:25:39

Who'd have thought an argument between a pair of stoners in a speeding car could end so badly?

1:25:391:25:44

These lads have left a nasty pair of skid marks.

1:25:441:25:47

But when they go and check out the damage, the skid marks have disappeared.

1:25:481:25:53

Well, the ones on the road have!

1:25:531:25:56

GUFFAWS EXAGGERATEDLY

1:25:561:25:57

I mean, you know, the ones in their pants are still there, yeah?

1:25:571:26:01

Nice one! The woman's dead, by the way.

1:26:011:26:03

I think we hit a bird.

1:26:031:26:05

It's Bo and Luke Duke doing what they do well, driving fast

1:26:071:26:10

and talking nonsense.

1:26:101:26:11

But what's that strange appendage fastened to the right rear wheel?

1:26:111:26:15

It couldn't be a camera, could it? To film them flying through the air? Yes, it could.

1:26:151:26:20

SHE SCREAMS

1:26:241:26:26

Buffy The Vampire Slayer, a show that attracts geeks

1:26:261:26:29

like dog poo attracts new trainers.

1:26:291:26:31

Here, the Buffster's mate, Cordelia, is having a driving lesson and not a moment too soon.

1:26:311:26:38

Wahoo!

1:26:381:26:40

If we spin on, we can see and hear...

1:26:421:26:45

her slam the car door shut.

1:26:451:26:47

But in the next shot it's open.

1:26:471:26:50

So that this oncoming truck can smash into it, as per the script.

1:26:501:26:54

CORDELIA SCREAMS

1:26:541:26:56

Crisis averted. In the circumstances, the best option. Either that or reshoot it properly.

1:26:591:27:04

-Nah.

-What's happening? I can't see anything.

1:27:041:27:07

Dozy cow.

1:27:071:27:08

Hawaii Five-O and Steve McGarrett is off to the scene of a crime

1:27:101:27:15

in his beloved Ford.

1:27:151:27:17

But what crime exactly? Grand theft auto, that's what.

1:27:171:27:20

Because when Steve pulls up at the crime scene, his car has grown a couple more doors.

1:27:201:27:26

Yep, he pulls away in a two-door coupe

1:27:261:27:29

and arrives in a four-door sedan.

1:27:291:27:32

Book him, Danno, for crimes against continuity.

1:27:321:27:35

One part of every show normally immune from TV mistakes

1:27:381:27:42

is the titles.

1:27:421:27:44

Not the famous opening title sequence from Sex And The City, though. Oh, no.

1:27:441:27:48

We all know what's coming next.

1:27:481:27:50

SJP gets splashed by a bus full of commuters

1:27:501:27:53

but look what happens when the same bus turns left moments later.

1:27:531:27:57

It's deserted. Maybe they all fainted.

1:27:571:27:59

It's not every day you see a Yorkshire terrier in a Tutu.

1:27:591:28:02

When visiting LA, there are two things you simply MUST do.

1:28:041:28:07

One is rent a fabulous car.

1:28:071:28:09

The Sex And The City girls have gone west.

1:28:091:28:12

Hey, bet you don't know what the most popular car in LA is?

1:28:121:28:15

It's the green four-door sedan.

1:28:151:28:18

Look, there's one going past now.

1:28:181:28:20

And going past again.

1:28:201:28:22

That's very distracting.

1:28:221:28:24

Spin on, and almost enough to make the girls crash into another car...

1:28:241:28:28

SCREAMING, HORN HONKS

1:28:281:28:31

..that's not there any more.

1:28:311:28:33

-OK, that's enough!

-Phew, that was close. Did I say close?

1:28:331:28:37

I meant badly filmed.

1:28:371:28:38

I'm not going to die in this tin can. I have a date with a dildo.

1:28:381:28:42

Here's one of those FREAKS from Heroes now,

1:28:441:28:46

using his superpower to defrost a car.

1:28:461:28:49

Finally, a superpower with a practical use.

1:28:491:28:52

What does it say on that car windscreen? "Automatic."

1:28:521:28:55

I wasn't looking for an automatic. It's a nice car though. I'm definitely interested.

1:28:551:28:59

Actually, it's almost exactly what I'm looking for. I like the colour, the make, the price,

1:28:591:29:04

it's just if only instead of being automatic it was say, low-mileage.

1:29:041:29:09

He-hey, now it is!

1:29:091:29:11

That's what I call superpower.

1:29:111:29:13

And art department incompetence.

1:29:131:29:15

BEEPING

1:29:171:29:19

Ashes To Ashes, and a chance to enjoy

1:29:191:29:23

all that painstakingly-recreated '80s period detail.

1:29:231:29:27

Everything exactly as it would have been 30 years ago.

1:29:271:29:31

Except for that N-reg 1993 Rover 600,

1:29:311:29:33

which didn't go into production for another 12 years.

1:29:331:29:37

-..before the turns to the high street, copy that.

-Who cares?

1:29:371:29:41

-COCKNEY ACCENT:

-We're remaking The Sweeney and we haven't had any dinner!

1:29:411:29:45

Here's a clip from 24, and Jack Bauer is under surveillance.

1:29:451:29:48

See, there's the minicam, at the front left of the windscreen.

1:29:481:29:51

His every move is being watched, except by the remaining audience. They fell asleep hours ago.

1:29:511:29:57

Now, look as we see the window from the inside of the car.

1:29:571:30:01

The minicam's gone! A mistake?

1:30:011:30:03

Well, yes, but these people are saving the world.

1:30:031:30:05

They can't remember everything!

1:30:051:30:08

Here's Knight Rider, David Hasselhoff, telling KITT

1:30:101:30:13

to round up some other cars,

1:30:131:30:15

a bit like a two-tonne metal sheepdog,

1:30:151:30:18

with an engine and bumpers.

1:30:181:30:20

Talking of bumpers, why are all those covered in plastic?

1:30:201:30:24

It's almost as if they've been fitted with protective guards

1:30:241:30:27

to prevent scratches.

1:30:271:30:29

No, they wouldn't do that. That'd be almost as bad as letting us see

1:30:291:30:33

the stuntman that really drives KITT, slumped in the front seat.

1:30:331:30:37

Well, his arm.

1:30:401:30:42

At least he didn't pull a moonie!

1:30:421:30:44

The great thing about animals is the fact that they will literally work for peanuts.

1:30:461:30:51

Over the years, animals have given us some classic TV moments.

1:30:511:30:55

Who can forget the infamous Blue Peter elephant, who for

1:30:551:30:58

years carried the blame for Peter Purves's violent bout of diarrhoea.

1:30:581:31:01

The following clips might be less well-known, but they are sure

1:31:011:31:05

to delight fans of TV mistakes and mild animal cruelty alike.

1:31:051:31:09

A humorous little set piece

1:31:121:31:13

from Grey's Anatomy now, following doctors Burke and Yang's

1:31:131:31:17

street chat, George's bagel gets pooed on by a bird

1:31:171:31:20

and, devastated,

1:31:201:31:22

he throws it to the pavement,

1:31:221:31:23

where it's immediately pounced upon by a grateful pigeon, just like in the script.

1:31:231:31:28

How do they do that? Was it a stunt pigeon?

1:31:281:31:31

No, it was a plain old ordinary pigeon, tied to a length of wire.

1:31:311:31:36

Time to give the man responsible the push.

1:31:361:31:38

Too late, he jumped.

1:31:401:31:42

This horrible 19th-century singing is upsetting me and the dog.

1:31:441:31:48

HOWLING

1:31:481:31:50

Hark at him howling!

1:31:501:31:51

Well, not so much "howling", more "looking", silently looking up at

1:31:511:31:56

the doggy treat being waved by his handler off-camera.

1:31:561:31:59

"But we need him to howl," said the director.

1:31:591:32:02

"It'll be fine," said the sound man,

1:32:021:32:04

"we'll just stick some howling effects on later,

1:32:041:32:06

"and no-one'll notice."

1:32:061:32:08

Well, we did. Oh shut up, dear!

1:32:081:32:10

How DO they train dumb animals to act?

1:32:121:32:14

I'm talking about the dog!

1:32:141:32:16

They use handlers, of course.

1:32:161:32:19

Handlers like him.

1:32:191:32:21

I've always wanted to see what the top of a dog handler's head looks like. Hairy.

1:32:211:32:25

At the top of the show, what you might call "the beginning", we saw a clip montage,

1:32:271:32:33

what you might call a "collection",

1:32:331:32:35

in which the camera crew accidentally found themselves in shot.

1:32:351:32:39

What you might call "shocking unprofessionalism".

1:32:391:32:42

Not all such unscheduled on-screen appearances are easy to spot.

1:32:421:32:46

Shop windows, car doors, and poorly-placed mirrors are all catnip to the careless cameraman.

1:32:461:32:52

Yes, nothing has the power to confuse and confound

1:32:521:32:55

these highly-trained industry professionals

1:32:551:32:58

like a reflection, or their own shadows!

1:32:581:33:00

Which don't do that.

1:33:001:33:02

You know what Eurisko means?

1:33:041:33:06

Back on those X Files,

1:33:061:33:08

Dave and Gill are about to be shown a mysterious video tape,

1:33:081:33:11

which is what people in the past had instead of DVDs.

1:33:111:33:14

It was like a roll of black ribbon in a box. Trust me, it was rubbish.

1:33:141:33:18

Anyway, look what happens before it starts to play.

1:33:181:33:21

Oh dear, once more, the mysterious effect

1:33:211:33:24

of what some people call "a reflection"

1:33:241:33:26

catches out another entire telly crew.

1:33:261:33:29

-Let me show you something.

-We've seen enough, thank you.

1:33:291:33:32

'80s classic Knight Rider will always be remembered

1:33:341:33:37

less for its high production standards

1:33:371:33:39

and more for being a pile of arse.

1:33:391:33:41

How's that for a shadow? Not the best shot in the series, but if you

1:33:411:33:45

look carefully, you can see one of the soundmen doing a shadow puppet

1:33:451:33:48

of a crocodile eating a sausage.

1:33:481:33:50

So not a complete disaster.

1:33:501:33:53

-No, but can you?

-Two Pints Of Lager.

1:33:551:33:57

Here's Gaz and Donna on their way to visit Donna's mum,

1:33:571:34:00

but they're not the only visitors.

1:34:001:34:02

Keep your eye on the bay window.

1:34:021:34:05

Peepo! That's either a cameraman or Will Mellor's stalker.

1:34:051:34:08

SHE LAUGHS

1:34:081:34:10

Don't laugh. They don't always follow celebrities.

1:34:101:34:13

..party, not a shareholders' meeting.

1:34:151:34:17

I love Arrested Development.

1:34:171:34:19

Although, admittedly, this isn't the best bit.

1:34:191:34:22

Watch Jeffrey Tambor's fetching shades.

1:34:221:34:24

Because, you know what sunglasses do? They reflect.

1:34:241:34:27

I knew it was against the law!

1:34:271:34:29

Ooh! There's the entire Arrested Development crew!

1:34:291:34:32

Hi guys, great show, bad shot!

1:34:321:34:35

It's Thunderbirds, and as the cameraman

1:34:371:34:40

moves into spy on this puppet lady,

1:34:401:34:42

which is itself a bit wrong,

1:34:421:34:44

we catch sight of him in the window.

1:34:441:34:46

There he is, holding the camera, lowering the camera... Pervert.

1:34:461:34:50

We're just getting a breath of fresh air.

1:34:521:34:54

Now, who wants to see

1:34:541:34:56

what the third assistant director on Skins looks like?

1:34:561:34:59

Ready? There he is!

1:34:591:35:01

Bless! There's his little face reflected in the taxi window.

1:35:011:35:05

Bet he got into trouble for that one.

1:35:051:35:07

Don't worry, though, he's still working in the TV industry,

1:35:071:35:10

putting up satellite dishes in the Solihull area.

1:35:101:35:13

Now, who wants to see what the rest of the Skins crew looks like?

1:35:151:35:19

There they are, merrily dollying along the pavement,

1:35:191:35:22

reflected in the bay windows.

1:35:221:35:23

Didn't even wave!

1:35:231:35:25

-There's always tomorrow.

-Maybe for you.

1:35:291:35:31

There are two problems with working

1:35:311:35:33

at Seattle Grace Mercy West Hospital.

1:35:331:35:35

The first is having to remember all the words in the name when someone asks you where you work,

1:35:351:35:40

and the second is that there are just too many reflective surfaces.

1:35:401:35:44

Looks nice and clean, though.

1:35:441:35:46

Vicky Pollard is thrown out of a shop,

1:35:481:35:51

and oh, there's the reflection of the camera crew.

1:35:511:35:53

Standing around, wondering what's about to happen next.

1:35:531:35:58

Is it that? Yes, it was that.

1:35:581:36:02

More crew caught out by cars in 24.

1:36:061:36:09

Cooee, Mr Cameraman.

1:36:091:36:12

Whose stupid idea was it to polish that vehicle?

1:36:121:36:15

Don't worry, Jack Bauer's got 24 hours to find them.

1:36:151:36:18

And some more consonants for his surname.

1:36:181:36:20

Is that you?

1:36:231:36:25

Here's a heart-rending scene

1:36:251:36:27

from Dr Who, as Micky has an emotional reunion with his grandma.

1:36:271:36:31

And the boom mic operator, reflected in Granny's sunglasses.

1:36:311:36:35

A lovely moment.

1:36:351:36:37

This is a cracker. The housewives are desperate,

1:36:401:36:43

but when it comes to reflections,

1:36:431:36:46

the crew are just plain stupid. OK, fair play.

1:36:461:36:49

This shot's all right, no reflections in the car window there.

1:36:491:36:52

But just look what happens when Susan pulls away.

1:36:521:36:56

Ooh! That is one dirty great camera, and one dirty great cameraman.

1:36:561:37:01

Time for a Twinkie!

1:37:011:37:03

Back on Wisteria Lane, Gaby's Maserati is about to be repossessed,

1:37:071:37:12

but oh dear, whenever I see a shiny object on a TV show, I always fear the worst.

1:37:121:37:17

And here's why.

1:37:171:37:19

Where there's a boom pole, there's a sound man.

1:37:191:37:22

Eva Longoria has been in 128 episodes of Desperate Housewives. And the crew have been in about 12!

1:37:221:37:28

You call this a paint job?

1:37:281:37:31

Only Fools, and here's Del Boy with Mike and Boycie and Trigger

1:37:331:37:37

and the shadow of an enormous camera.

1:37:371:37:39

Altogether now - "You plonker!"

1:37:391:37:42

When TV crews aren't wandering in, or crawling through, or squatting down in the back of shot,

1:37:441:37:50

ruining the hard work of so many others, they're forgetting to clear away their filthy bits of gear.

1:37:501:37:56

And I'm not just talking about flasks of tea or copies of Warhammer magazine.

1:37:561:38:00

I'd like to say that these next clips were memorable for their excellent dialogue or performances,

1:38:001:38:05

but instead, I'm forced to report that they were all but destroyed

1:38:051:38:09

by the unwanted presence of poorly-positioned TV kit.

1:38:091:38:12

Lights, cameras, are just two of the items you'll see. Here's the clips.

1:38:121:38:16

Years ago, trucker named Bubba.

1:38:181:38:20

Ah, Dawson's Creek. Look, there's tiny Katie Holmes-y,

1:38:201:38:24

back when she was only trapped in a TV soap

1:38:241:38:26

and not in a marriage to Tom Cruise.

1:38:261:38:28

Wait a second! That's either Katie's radio mic

1:38:281:38:31

or the box by which Tom Cruise controls her every movement.

1:38:311:38:34

No, she hadn't met Tom back then.

1:38:341:38:36

She does have one now, though.

1:38:361:38:38

Another clip from Pride And Prejudice,

1:38:411:38:44

starring dishy Colin Firth,

1:38:441:38:45

and a scene oozing with sexual tension. Hardly surprising.

1:38:451:38:49

Look at that dancing! That is hot.

1:38:491:38:51

But hang on a minute, what's that?

1:38:511:38:53

An electric light in the early 19th century?

1:38:531:38:56

Oh, I hate anachronistic errors!

1:38:561:38:58

I daren't think what Jane Austen's going to make of that when she sees it.

1:38:581:39:01

She's the real deal.

1:39:031:39:05

Joey told you about the leg?

1:39:051:39:08

Now as we know, sound men often

1:39:081:39:10

use a boom pole to record sound so the microphone won't get into shot.

1:39:101:39:15

Except sometimes when a sound man has had a very busy morning on set

1:39:151:39:19

or an even busier lunch down the pub, the boom does drop into shot.

1:39:191:39:24

D'oh! There it is, did you see it?

1:39:271:39:31

Oh, wake up you sandal-wearing lush!

1:39:311:39:34

Another clip from Friends and proof that firing the boom operator

1:39:361:39:40

isn't the answer because in all likelihood,

1:39:401:39:43

the next one will be just as bad.

1:39:431:39:45

D'oh, hello!

1:39:451:39:46

Of course.

1:39:501:39:51

Here's a scary scene from Supernatural.

1:39:511:39:54

Two men reading a book?

1:39:541:39:55

Ooh, someone could get a paper cut or an overdue library fine.

1:39:551:39:59

Hey, there's something behind that lampshade. It's a television camera.

1:39:591:40:03

Oh, it doesn't get any more exciting than this.

1:40:031:40:07

Oh, it does.

1:40:071:40:10

Stir up a hornets' nest.

1:40:131:40:15

The Wire. A flawless show in every respect. Well, mostly.

1:40:151:40:19

Look, the cameraman moves back too far and, bang,

1:40:191:40:23

that enormous TV light has just been seen by millions of viewers.

1:40:231:40:27

Well, at least the ones that sit three inches from the screen are

1:40:271:40:30

staring at the extreme right of frame instead of at the action, like me.

1:40:301:40:35

GUNFIRE

1:40:351:40:36

He's in here.

1:40:381:40:40

Two Pints Of Lager, and Donna has dragged Gaz to meet her family.

1:40:431:40:47

And this boom mic.

1:40:471:40:50

Hello, there you go, short and sweet, a bit like me.

1:40:501:40:53

Apart from the short bit, obviously.

1:40:531:40:55

He works away a lot.

1:40:551:40:57

She tastes of lard.

1:40:591:41:02

More pints of light comedy lager,

1:41:021:41:04

and stand by for another brief cameo from the boom mic,

1:41:041:41:07

instantly upstaging Ralf Little, and the other one,

1:41:071:41:10

by being twice as funny.

1:41:101:41:12

Peepo! Peep! Peep!

1:41:131:41:16

Thanks, Mr Boom Mic Operator.

1:41:161:41:18

We owe you a drink.

1:41:181:41:20

No, I just kissed her.

1:41:201:41:21

You have absolutely no sense of humour, do you?

1:41:231:41:26

Fawlty Towers, a truly great sitcom

1:41:261:41:29

that wasn't afraid to break the rules.

1:41:291:41:31

Like the one about not leaving monitor screens lying around in the back of shot.

1:41:311:41:35

There it is. You can even make out the very same shot of Basil running

1:41:351:41:40

into the kitchen on the screen, and if you look at the monitor on the monitor, you can even ...

1:41:401:41:44

Actually I'll stop there before or I go mad and start insulting some Germans.

1:41:441:41:49

It's the live EastEnders, and as Bradley lies dying,

1:41:521:41:55

everyone crowds into the Square. Even the boom mic.

1:41:551:41:58

Hell, take my daughter for example.

1:42:001:42:03

The wonderful Arrested Development, and it's time to be

1:42:031:42:06

perfectly honest, of all the "boom mic in shot" shots I've seen, this has to be in my favourite 50.

1:42:061:42:12

A glorious Sunday afternoon. She won't tell me.

1:42:121:42:15

Watch ya. I think you'll agree that was worth waiting for.

1:42:151:42:18

What play?

1:42:181:42:20

Editing is, of course, the simplest of all the jobs

1:42:221:42:25

that people do in television that nobody really cares about.

1:42:251:42:28

All an editor has to do is sit in a room with a producer or director

1:42:281:42:31

and cut out of the stuff that didn't work and stick together all the stuff that did.

1:42:311:42:36

But as we've already seen, mistakes get made, especially in a busy edit suite where teas

1:42:361:42:41

and coffees have to be ordered and lunch menus read from cover to cover.

1:42:411:42:45

Yes, between them, producers, directors and editors can make some

1:42:451:42:48

pretty surprising decisions when it comes to selecting which shots to use and which to throw away.

1:42:481:42:53

Take, for example, the decision to re-shoot all of my links here today

1:42:531:42:57

instead of using the ones I recorded myself yesterday in the shower. Ridiculous.

1:42:571:43:01

Here's a clip from American series Bones, and the perennial question,

1:43:051:43:09

how do you pass the time on a long trip through the desert?

1:43:091:43:12

I know. How about looking at the back projection and trying to spot

1:43:121:43:16

when the cyclorama suddenly changes from flat scrub to mountainscape in a split second. Are we there yet?

1:43:161:43:22

There we are. Your turn.

1:43:221:43:26

And...cut.

1:43:261:43:27

Great work, everybody. Who wants to play I-spy?

1:43:271:43:31

I spy with my little eye something beginning with C.

1:43:311:43:35

It's Crap FX, isn't it?

1:43:351:43:37

Its Skins, and lovely Tony

1:43:411:43:42

is about to tuck into a delicious tuna sandwich.

1:43:421:43:45

Mmm, I love sandwiches. Conversely, most directors hate them.

1:43:451:43:48

They're a continuity nightmare.

1:43:481:43:52

And we're off. Bite one to the left.

1:43:521:43:56

Which is now two bites big.

1:43:561:43:57

That'd really put a dampener on your day.

1:43:571:44:00

And whole again. First bite again to the left.

1:44:001:44:02

Look what you're doing to your mate.

1:44:021:44:04

He doesn't know what day it is.

1:44:041:44:06

-But now multiple bites to left and right.

-Have some tuna sandwich.

1:44:061:44:09

-It'll make you feel better.

-Are you sure? I'm feeling a bit dizzy.

1:44:091:44:13

No, no, no, leave it.

1:44:131:44:14

Leave it. He's at it as well.

1:44:141:44:17

Tony is back to a one-bite sandwich. Two bites.

1:44:171:44:20

Bites right and left.

1:44:201:44:22

No, two bites to the left.

1:44:221:44:25

-Hi, Tony.

-Oh, beat it, kids, I'm trying to concentrate.

1:44:251:44:29

Multiple bites again right and left.

1:44:291:44:31

Oh, I've changed my mind, I hate tuna sandwiches.

1:44:311:44:33

So the chair's a write-off?

1:44:351:44:38

Miranda and Carrie are in the city taking a break from all that sex

1:44:381:44:42

to enjoy a nice sit-down and... Oh, dear, cupcakes.

1:44:421:44:45

Carrie's cupcake continuity is immaculate, but in a moment,

1:44:451:44:50

Miranda's muffin goes from well-eaten to cake-o intacta.

1:44:501:44:56

Actually, that wasn't too bad.

1:44:561:44:57

Tony from Skins, pay attention.

1:44:571:45:00

You got a whacking lot of doughnuts.

1:45:021:45:04

Yes, food is a continuity nightmare, especially on Skins.

1:45:041:45:09

Look, Pandora dives into this bag of doughnuts and grabs one with yellow icing.

1:45:091:45:13

Takes a couple of bites, one, two.

1:45:131:45:16

Now it's half-gone.

1:45:161:45:18

Suddenly, it's all gone.

1:45:181:45:20

Takes a pink one.

1:45:201:45:22

Which is now yellow.

1:45:221:45:24

And back to pink with two bites out of it.

1:45:241:45:29

Then just one bite.

1:45:291:45:31

And now it's gone.

1:45:311:45:32

Hello.

1:45:321:45:34

And back again!

1:45:341:45:36

-That's doughnut madness.

-Effie. So glad to meet you.

1:45:361:45:40

In telly, one of the jobs of the director, besides shouting

1:45:421:45:45

and drinking coffee, is blocking,

1:45:451:45:47

which means telling the cameras and actors where to stand,

1:45:471:45:51

though not always in the right place.

1:45:511:45:53

Look, as Jenna goes to wake Gan, who's that loitering in the background?

1:45:531:45:57

It's either an alien or Vila, arms folded, looking bored.

1:45:571:46:02

Gan, come on, wake up.

1:46:021:46:03

-What's wrong, Jenna?

-And cue Vila.

1:46:031:46:05

-Something's happened to them.

-Where is he?

1:46:051:46:07

If the future turns out to be anything like Blake's 7,

1:46:071:46:10

-I'm going to be so disappointed.

-What are you up to now?

1:46:101:46:13

Go on, my son, go on, go on!

1:46:151:46:17

Classic comedy from Only Fools And Horses, with some less-than-classic

1:46:171:46:21

"standing around waiting for a cue" work from actor Lennard Pearce.

1:46:211:46:25

Here it comes. Wait for it, Lennard.

1:46:251:46:29

Oh, Lennard!

1:46:291:46:31

I blame the director. It's not really Grandad's fault.

1:46:311:46:35

He's so old. He's probably just stuck to the lino.

1:46:351:46:38

Its Friends in Vegas.

1:46:401:46:43

Here comes Chandler. He sees Monica having fun with another fellow,

1:46:431:46:47

and all melancholy, he turns to leave.

1:46:471:46:51

And leave again. You might think they just used the same shot twice, and you'd be right.

1:46:511:46:57

You will not be better until they've...

1:46:591:47:01

In this clip from the first series of Red Dwarf, Craig Charles

1:47:011:47:05

is enjoying Craig Ferguson's lines and big acting so much, he joins in.

1:47:051:47:09

I don't know, is it some place near Uruguay?

1:47:091:47:12

Oh, you missed it, didn't you?

1:47:121:47:14

Try again and keep your eyes on little Craig.

1:47:141:47:17

-HIGH-PITCHED:

-"I don't know, is it some place near Uruguay?"

1:47:171:47:20

Lovely bit of close-harmony acting.

1:47:201:47:22

Just let her go.

1:47:241:47:27

-Go ahead, shoot.

-Agent Mulder is in a stand off with a villain.

1:47:271:47:30

He's probably an alien in disguise, they usually are.

1:47:301:47:33

Like all good FBI agents, though, he's got his earpiece in so that

1:47:331:47:37

he can listen to Chris Moyles and fight the alien hordes.

1:47:371:47:40

Which is harder? You decide.

1:47:401:47:42

This scene is crying out for a close-up of Mulder wrestling with his conscience

1:47:421:47:46

and finally shooting the baddie.

1:47:461:47:48

Unfortunately, they didn't get one, so they'd to film it later

1:47:481:47:51

when he wasn't wearing an earpiece.

1:47:511:47:54

Embarrassed in front of millions.

1:47:541:47:56

Sorry, Dave.

1:47:561:47:57

Mulder and Scully are pursuing a suspect.

1:48:001:48:05

Either that, or another dissatisfied guest is leaving the FBI hotel

1:48:051:48:09

via this half-open window.

1:48:091:48:11

Oh, it's fallen on him.

1:48:121:48:14

No, it hasn't.

1:48:141:48:16

-Get your hands up!

-Yeah, he will if you sort that window out.

1:48:181:48:21

Max?

1:48:211:48:23

Its Mulder again,

1:48:251:48:26

and he's spotted something odd about this enormous tree trunk.

1:48:261:48:30

Wait a minute, I think I know what it is.

1:48:301:48:33

One minute, it's big with no green and no hand, but in close-up,

1:48:351:48:38

it's suddenly much smaller and gained a pointy hand and some green.

1:48:381:48:43

-I've never seen a ring like that before.

-Me neither. Rubbish, wasn't it?

1:48:431:48:46

Here's the lovely Jennifer Ehle

1:48:511:48:53

in Pride And Prejudice, playing the piano.

1:48:531:48:55

Except she isn't, because when we see inside,

1:48:551:48:58

none of the hammers are moving.

1:48:581:49:00

Although, she's definitely got my hammers moving,

1:49:001:49:02

if you know what I mean.

1:49:021:49:04

Actually, I'm not sure if even I know what that means.

1:49:041:49:07

This party's rocking. That's not tea they're sipping, it's rum.

1:49:091:49:14

Mmm... All off their 19th-century faces.

1:49:141:49:16

The editor certainly had a few.

1:49:161:49:18

Look what happens when he cuts to a wide shot.

1:49:181:49:20

..can't express what we feel about your kindness to our dear Lydia.

1:49:201:49:25

Suddenly, these two blokes are talking to each other and not listening to Alison Steadman,

1:49:251:49:30

who's now chatting to someone sitting beside her, who isn't even there.

1:49:301:49:35

Not so much Pride And Prejudice as Pride And Pretty Poor Wide Shot!

1:49:351:49:39

-HE GUFFAWS

-Oh, dear!

1:49:391:49:41

And let us toast also Dr Soong.

1:49:431:49:46

Star Trek NG, and Good Data and Bad Data are drinking champagne.

1:49:461:49:52

A perfect match for my mind.

1:49:521:49:55

-My body.

-Good Data has been poisoned by Bad Data.

1:49:551:49:58

Good Data topples backwards and somehow lands on his face.

1:49:581:50:03

It's almost as if they had to redo it because the way he fell the first time was rubbish.

1:50:031:50:07

They're good, these androids. I'm getting one.

1:50:071:50:10

He had it shipped over from Scotland.

1:50:121:50:14

Ever wondered what Superman's teenage years were like?

1:50:141:50:17

Me neither, but that didn't stop them making Smallville.

1:50:171:50:20

In between popping zits and shouting at his parents, Clark has found time to visit young Lex Luthor.

1:50:201:50:26

Nice house.

1:50:261:50:27

Shame you can see those two pieces of white tape on the parquet floor,

1:50:271:50:31

put there by the crew to let Lex know where to stand.

1:50:311:50:34

That's what we in TV call a mark.

1:50:341:50:37

-And a mistake.

-What's the matter?

1:50:371:50:40

-You don't like it?

-No, it very bad.

1:50:401:50:43

The Black Adder, AKA Rowan Atkinson.

1:50:481:50:51

Funny comedian, fine actor, always hits his mark.

1:50:511:50:55

Mainly because it's clearly visible right there under his shoe.

1:50:571:51:01

Three days after my funeral,

1:51:031:51:04

Lynette replaced her grief with a much more useful emotion.

1:51:041:51:08

In this clip from Desperate Housewives, Lynette is at the mall

1:51:081:51:12

with those three naughty sons of hers and the baby, in pink, in the trolley.

1:51:121:51:16

I can only imagine.

1:51:161:51:18

Uh-oh, two of the boys have done a runner.

1:51:181:51:21

But one bad pick-up shot later, and it looks like all four have scarpered.

1:51:211:51:25

At least she's still got her pink blanket.

1:51:251:51:28

Whichever way you look at it, that is borderline careless.

1:51:281:51:31

-Lynette Scavo?

-Crap.

1:51:311:51:34

Classic Tom Baker-era Dr Who and,

1:51:361:51:38

as one of the mummies from the Pyramids of Mars attacks Sarah Jane,

1:51:381:51:41

he smashes this important device,

1:51:411:51:43

known as a Marconiscope, to smithereens.

1:51:431:51:47

Except in the very next shot, he hasn't.

1:51:491:51:51

If you want to find out what a Marconiscope is,

1:51:511:51:54

just go to any Dr Who fan site. They'll know.

1:51:541:51:57

Just don't ask them what day it is.

1:51:571:51:58

With live TV, you just have to go with it.

1:52:021:52:04

In this climactic scene in the live 'StEnders episode,

1:52:041:52:08

see if you can spot the moment when the cameraman trips.

1:52:081:52:11

Oh!

1:52:141:52:16

Dr George, played by TR Knight, is badly let down by the editing

1:52:181:52:22

of this scene from Grey's Anatomy,

1:52:221:52:24

as we see him remove his surgical topcoat not once but twice.

1:52:241:52:29

A sloppy choice of shots in the edit and a great actor's career lies in ruins.

1:52:291:52:34

# Here's what she said... #

1:52:361:52:39

Great, it's The Simpsons,

1:52:391:52:41

and here is Ned Flanders on top of a hill, singing.

1:52:411:52:43

And here comes everyone else.

1:52:431:52:45

That's funny. Wait a minute, so is that.

1:52:451:52:48

Apu's skin is yellow, which in The Simpsons, means white,

1:52:481:52:52

but he's Asian, and usually brown, which in The Simpsons means brown.

1:52:521:52:56

Which he was, but he isn't any more.

1:52:561:52:58

Who does he think he is, Michael Jackson?

1:52:581:53:01

Sorry, shouldn't joke, he's dead. Jacko, I mean, not Apu.

1:53:011:53:04

That would have been horrible.

1:53:041:53:05

# Que sera, se... #

1:53:051:53:08

Run!

1:53:081:53:09

DOOR OPENS Clark!

1:53:111:53:13

Martha from Smallville has sustained a nasty cut.

1:53:131:53:17

There it is, just above her right eye.

1:53:171:53:20

And here it is on her left eye.

1:53:201:53:25

And back to the right.

1:53:251:53:26

Yep, the director had "crossed the line", telly speak for "cocking up the camera position".

1:53:261:53:31

Then he tried to fix it in the edit by flipping the shot.

1:53:311:53:35

You might be able to get gaffes like that past Superman, but not us.

1:53:351:53:39

Here is a sequence to make the Avatar team blush and then pat

1:53:431:53:49

the Dr Who effects department on the head and say, "Oh, bless."

1:53:491:53:53

When this spaceship crashes into the tower of Big Ben, suddenly, the numerals on her back-to-front.

1:53:531:53:59

Because someone made a boob in the CGI and had to

1:53:591:54:01

flip the shot to make it look like the spaceship enters from the right.

1:54:011:54:05

The technique of flipping can also be used on your own TV remote every time Simon Cowell comes on.

1:54:071:54:13

The king will therefore be requiring a new mistress.

1:54:151:54:18

Dr Tennant again, in this clip,

1:54:181:54:20

leaning on a balustrade in 18th-century France,

1:54:201:54:23

spying on Madame Pompadour.

1:54:231:54:25

She senses his presence, turns, but sees nothing.

1:54:251:54:28

Not even his hand touching the wall.

1:54:281:54:31

Because he isn't. But, in the next shot, he clearly still is.

1:54:311:54:34

Maybe he's developed the power of invisibility.

1:54:341:54:37

She's in for a surprise at bedtime.

1:54:371:54:40

..on my brand-new camera.

1:54:421:54:43

A less-than-thrilling clip from Dr Who,

1:54:431:54:46

and Mark Warren is being filmed by a mate on his camcorder.

1:54:461:54:50

The producers of the show are making sure we understand we're looking

1:54:501:54:54

through a camcorder or by putting these frame lines on the screen.

1:54:541:54:58

But spin on through the tedium, and the little lines have gone.

1:54:581:55:03

Have dark forces tampered with the fabric of time and space?

1:55:031:55:06

-I still don't know.

-Well, I do.

1:55:061:55:09

No, the editor got distracted by his Facebook page and forgot to put them on.

1:55:091:55:13

And finally, if it's bad shot choices you're after,

1:55:151:55:19

and who isn't, then check this. Here's Buffy,

1:55:191:55:21

undertaking a vampires slayer's least onerous of tasks,

1:55:211:55:25

picking up and putting down a pair of glasses.

1:55:251:55:27

See if you can spot the gaffe.

1:55:271:55:29

Yep.

1:55:301:55:34

Wearing two pink rings on her fingers,

1:55:341:55:36

she places the specs on the table, unfolded, with both hands.

1:55:361:55:40

But in the close-up, the glasses have been folded,

1:55:401:55:43

and are now put down by a single hand wearing a silver ring

1:55:431:55:46

on a completely different table.

1:55:461:55:48

That, with the best will in the world, was really shit.

1:55:481:55:52

Well, there it is, TV's Greatest Mistakes.

1:55:541:55:57

I'd just like to say thanks to all the people involved tonight.

1:55:571:56:01

Thanks for being inattentive and so very sloppy in your chosen career.

1:56:011:56:05

It's a good job it's just telly and nothing of any importance whatsoever,

1:56:051:56:09

because if this had been a paper round or a Saturday job in a burger bar, you'd have been fired.

1:56:091:56:14

Sloppy cameramen, directors, editors, producers, set designers, wardrobe, hair and make-up minions.

1:56:141:56:21

Thank you, you are the best.

1:56:211:56:24

And by best, of course, I mean worst!

1:56:241:56:26

HE LAUGHS INANELY

1:56:261:56:28

-Bye!

-HE SCREAMS

1:56:281:56:30

Subtitles by Red Bee Media Ltd

1:56:481:56:51

E-mail [email protected]

1:56:511:56:54

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