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So, good evening | 0:00:38 | 0:00:39 | |
and a very big welcome to the final of House of the Year 2012. | 0:00:39 | 0:00:45 | |
Our search is almost over and I'm delighted you can join us | 0:00:45 | 0:00:48 | |
for what promises to be a great evening. | 0:00:48 | 0:00:50 | |
It's been an absolutely fantastic series. | 0:00:50 | 0:00:54 | |
The standard really has never been higher. | 0:00:54 | 0:00:57 | |
All 12 houses are now in with a chance | 0:00:57 | 0:01:00 | |
to win the overall coveted title | 0:01:00 | 0:01:03 | |
and one of these bespoke sculptures, by local goldsmith, Diane Lyness. | 0:01:03 | 0:01:07 | |
Also up for grabs is the Individual Merit award, | 0:01:07 | 0:01:10 | |
which goes to the property the judges feel deserves special commendation. | 0:01:10 | 0:01:15 | |
Talking of judges, here they are to present the awards tonight. | 0:01:15 | 0:01:20 | |
Please welcome head judge and internationally-renowned architect, Des Ewing. | 0:01:20 | 0:01:25 | |
APPLAUSE | 0:01:25 | 0:01:27 | |
And interior designer to royalty, Suzanne Garuda. | 0:01:27 | 0:01:29 | |
APPLAUSE | 0:01:29 | 0:01:32 | |
And from Manhattan, interior designer to pop royalty, Michael Tavano. | 0:01:32 | 0:01:36 | |
APPLAUSE | 0:01:36 | 0:01:38 | |
So, they have scored each of tonight's properties | 0:01:38 | 0:01:43 | |
in several categories, | 0:01:43 | 0:01:45 | |
including architectural integrity, interior design, use of space, | 0:01:45 | 0:01:49 | |
circulation and layout, external merit | 0:01:49 | 0:01:51 | |
and overall ambience and appeal. | 0:01:51 | 0:01:53 | |
It's all very exciting. | 0:01:53 | 0:01:56 | |
Without further ado, let's look at the first of tonight's contenders. | 0:01:56 | 0:02:00 | |
Episode one featured two properties in County Fermanagh. | 0:02:00 | 0:02:04 | |
Molly and Jimmy Armstrong's Japanese church house | 0:02:04 | 0:02:07 | |
in Tattykeeran near Tempo | 0:02:07 | 0:02:09 | |
and Richard Cooper's lakeside family home in Enniskillen. | 0:02:09 | 0:02:14 | |
We also had Lee and Kate Jenkinson's contemporary beach house in Cloughey, County Down. | 0:02:14 | 0:02:19 | |
So, what did our judges think of them? | 0:02:19 | 0:02:22 | |
First, it's Molly and Jimmy Armstrong's | 0:02:22 | 0:02:24 | |
Japanese church house in Tattykeeran. | 0:02:24 | 0:02:26 | |
Originally a mid-nineteenth century church, | 0:02:26 | 0:02:29 | |
it was redesigned by their architect son, Nathan, who lives in Tokyo. | 0:02:29 | 0:02:34 | |
It's a fascinating marriage of East meets West. | 0:02:34 | 0:02:38 | |
I've seen nothing like this in Northern Ireland before. | 0:02:38 | 0:02:40 | |
I've seen extensions and renovations, | 0:02:40 | 0:02:42 | |
but the way this is produced is unique. | 0:02:42 | 0:02:44 | |
Its style of architecture is just so simple, but yet harmonious. | 0:02:44 | 0:02:49 | |
The panel loved this house. | 0:02:49 | 0:02:51 | |
The interior of it and especially that little link part just seemed to capture the imagination | 0:02:51 | 0:02:57 | |
and I think it was down to the detail of it and the warmth of the oak. | 0:02:57 | 0:03:00 | |
In the individual categories, it's got to score well for architectural integrity | 0:03:00 | 0:03:04 | |
in that it's just such a simple solution to the issue that's here - | 0:03:04 | 0:03:08 | |
the fact that they're re-using an existing building | 0:03:08 | 0:03:10 | |
is also environmentally very sound. | 0:03:10 | 0:03:13 | |
I think people in Northern Ireland will not all get this house | 0:03:13 | 0:03:17 | |
because it just looks so different, | 0:03:17 | 0:03:19 | |
but if you just spend a little time there | 0:03:19 | 0:03:21 | |
and you get a feeling of the texture and warmth of this building, | 0:03:21 | 0:03:24 | |
I think most people will love it. | 0:03:24 | 0:03:26 | |
I could live in this house very easily. | 0:03:26 | 0:03:28 | |
I love something so clean and so simple. | 0:03:28 | 0:03:30 | |
The Japanese church house is a beautifully simple, | 0:03:30 | 0:03:34 | |
clean solution to extending a listed building. | 0:03:34 | 0:03:38 | |
This house has got to be a contender for the title. | 0:03:38 | 0:03:42 | |
Next, we've got Lee and Kate Jenkinson's | 0:03:43 | 0:03:48 | |
contemporary beach house in Cloughey County Down. | 0:03:48 | 0:03:50 | |
It's a stylish pad that wouldn't look out of place in Malibu, | 0:03:50 | 0:03:53 | |
but it was realised on an extremely modest budget. | 0:03:53 | 0:03:56 | |
When I came to Northern Ireland, | 0:03:56 | 0:03:59 | |
I wasn't expecting homes like I'd been seeing, especially this one. | 0:03:59 | 0:04:03 | |
I really did feel like I was walking into a Malibu bungalow. | 0:04:03 | 0:04:07 | |
I'm speechless and that's unusual for me. | 0:04:07 | 0:04:09 | |
They did this on a small budget. | 0:04:09 | 0:04:12 | |
They paid great attention to detail. | 0:04:12 | 0:04:15 | |
It was really exciting to walk through it | 0:04:15 | 0:04:17 | |
and see how they use the space. | 0:04:17 | 0:04:19 | |
That view was incredible, just brilliant. | 0:04:19 | 0:04:23 | |
This house is really going to score high in a lot of categories. | 0:04:23 | 0:04:27 | |
Lee was really successful with the exterior, | 0:04:27 | 0:04:29 | |
how he messed his materials | 0:04:29 | 0:04:31 | |
and how he used the turnstile in the driveway | 0:04:31 | 0:04:34 | |
to be able to get cars in and out. | 0:04:34 | 0:04:36 | |
The interior details that they put into it were really brilliant, | 0:04:36 | 0:04:39 | |
that open well that went down... | 0:04:39 | 0:04:43 | |
In the final, I think this house will be right up there. | 0:04:43 | 0:04:46 | |
They had a great piece of property, they had a small budget, | 0:04:46 | 0:04:50 | |
and they created this spectacular home. | 0:04:50 | 0:04:53 | |
And last, we've got Richard Cooper's lakeside family home in Enniskillen, | 0:04:56 | 0:05:01 | |
an impressive new-build on a stunning site with breathtaking views of Lough Erne. | 0:05:01 | 0:05:06 | |
Richard's house is a fabulous big family home in a spectacular setting. | 0:05:06 | 0:05:11 | |
It's got space, circulation, great views, good use of materials. | 0:05:11 | 0:05:16 | |
It's got a great backdrop and a great foundation. | 0:05:16 | 0:05:20 | |
It's a real statement home. | 0:05:20 | 0:05:22 | |
It's got that cottage wall that comes into the kitchen | 0:05:22 | 0:05:25 | |
with the stone and it has a real warmth and cosiness. | 0:05:25 | 0:05:29 | |
The kitchen, living and dining area with the snug really worked so well | 0:05:29 | 0:05:34 | |
because of the stonework and also the different levels in that room. | 0:05:34 | 0:05:38 | |
That is a clever use of circulation, | 0:05:38 | 0:05:40 | |
to divide those areas without putting walls or doors in. | 0:05:40 | 0:05:43 | |
There was a real sense of history there. | 0:05:43 | 0:05:46 | |
In terms of the contrast between the downstairs, | 0:05:46 | 0:05:49 | |
upstairs was trying to be a bit more contemporary. | 0:05:49 | 0:05:52 | |
I think Richard has achieved what he set out to do, | 0:05:52 | 0:05:55 | |
which was build a lovely big family home | 0:05:55 | 0:05:59 | |
which has great circulation, use of space, | 0:05:59 | 0:06:02 | |
good materials and fabulous views | 0:06:02 | 0:06:05 | |
and I think it'll stand the test of time. | 0:06:05 | 0:06:08 | |
Wow, some extremely stylish and sophisticated properties there. | 0:06:15 | 0:06:19 | |
Who'd have thought you'd find a Japanese church house in Fermanagh? | 0:06:19 | 0:06:23 | |
Episode one set the bar for the competition extremely high. | 0:06:23 | 0:06:28 | |
However, I can tell you now, for true, | 0:06:28 | 0:06:31 | |
episode two can follow it easily. | 0:06:31 | 0:06:33 | |
It featured Jacqui and Alan Fraser's contemporary coastal house in Ballycastle | 0:06:33 | 0:06:37 | |
Eileen and Pat Hanna's Victorian gentleman's residence in Lurgan | 0:06:37 | 0:06:42 | |
and Vivienne Busby's monochromatic mansion in Portadown. | 0:06:42 | 0:06:46 | |
So, did they impress the judging panel? | 0:06:46 | 0:06:49 | |
Our first house is Jacqui and Alan Fraser's | 0:06:52 | 0:06:54 | |
contemporary coastal house in Ballycastle, | 0:06:54 | 0:06:57 | |
with its stunning views of Fair Head and Rathlin Island. | 0:06:57 | 0:07:00 | |
The house in Ballycastle was so luxurious when you walked in. | 0:07:02 | 0:07:07 | |
It was amazing. Incredible in every sense of the word. | 0:07:07 | 0:07:10 | |
In fashion terms, it's like the Armani suit of design. | 0:07:10 | 0:07:14 | |
The fabrics are good, all of that beautiful design. | 0:07:15 | 0:07:19 | |
I mean, what a location - absolutely stunning. | 0:07:20 | 0:07:24 | |
The back, obviously with all the gazing, | 0:07:24 | 0:07:27 | |
was so right for the setting and really maximised the view. | 0:07:27 | 0:07:31 | |
I really liked the elements that they'd used from the sea, | 0:07:31 | 0:07:35 | |
from the stone around, all those organic colours | 0:07:35 | 0:07:37 | |
they'd brought inside, I thought they were quite brave in that. | 0:07:37 | 0:07:41 | |
I felt it was very sophisticated, very elegant. | 0:07:41 | 0:07:45 | |
I think it reflected them and their personality. | 0:07:45 | 0:07:49 | |
That worked very well for me. | 0:07:49 | 0:07:51 | |
It's absolute luxury living in the most magnificent setting | 0:07:51 | 0:07:55 | |
and I think it is an aspirational home. | 0:07:55 | 0:07:58 | |
Alan and Jackie's house has got to have an amazing chance at winning. | 0:07:58 | 0:08:05 | |
It hasn't put a foot wrong. It's got the absolutely best setting. | 0:08:05 | 0:08:09 | |
It's got really top-class materials, beautiful interiors. | 0:08:09 | 0:08:14 | |
I think it's going to do incredibly well. | 0:08:14 | 0:08:17 | |
Next, one of the few period properties in the competition. | 0:08:25 | 0:08:29 | |
Eileen and Pat Hanna's Victorian gentleman's residence in Lurgan. | 0:08:29 | 0:08:34 | |
Together, they've worked to restore this 19th century home | 0:08:34 | 0:08:37 | |
to its former glory. | 0:08:37 | 0:08:39 | |
This is an original Victorian house | 0:08:40 | 0:08:42 | |
and how do we compare the traditional layout | 0:08:42 | 0:08:44 | |
to some of the very modern houses that we've been looking at? | 0:08:44 | 0:08:48 | |
If we look at the detail on the outside, the fenestration, the corbels, | 0:08:48 | 0:08:52 | |
the timber details, they're still the original pieces there | 0:08:52 | 0:08:55 | |
and that's something that makes this building a little bit unique. | 0:08:55 | 0:08:59 | |
The judges, I think they felt that maybe some of the interior finishes | 0:08:59 | 0:09:03 | |
were good but maybe it could have been simplified | 0:09:03 | 0:09:05 | |
that you just saw the Victorian detail shine through. | 0:09:05 | 0:09:08 | |
It was all there and it was getting a little bit lost. | 0:09:08 | 0:09:12 | |
This is not going to score very well | 0:09:12 | 0:09:13 | |
in terms of its environmental category. | 0:09:13 | 0:09:16 | |
This is part of the issue with these buildings - they cost a lot to run. | 0:09:16 | 0:09:19 | |
The high point for the property was the extension. | 0:09:19 | 0:09:22 | |
The pool, I'm not sure how often that was used, | 0:09:22 | 0:09:26 | |
but it really, for me, was a great attraction on the property. | 0:09:26 | 0:09:30 | |
It's got a kitchen parlour where everything happens | 0:09:30 | 0:09:32 | |
and it's got the formal rooms. | 0:09:32 | 0:09:34 | |
Internally, the plan is pretty much what was there when it was originally constructed | 0:09:34 | 0:09:39 | |
and to find something like that intact is a bit of a find. | 0:09:39 | 0:09:44 | |
Finally, Portadown and the monochromatic mansion of Vivienne Busby. | 0:09:52 | 0:09:56 | |
Her love of natural light has created bright and airy living spaces, | 0:09:56 | 0:10:00 | |
all with as little colour as possible. | 0:10:00 | 0:10:03 | |
As soon as you walk into it, | 0:10:05 | 0:10:06 | |
you understand she loves entertaining and having people in. | 0:10:06 | 0:10:10 | |
This big grand foyer | 0:10:10 | 0:10:12 | |
with the sweeping staircase that I'm sure she makes many entrances down, | 0:10:12 | 0:10:16 | |
automatically, I want to party in there. | 0:10:16 | 0:10:19 | |
There was a black and white theme throughout the house. | 0:10:19 | 0:10:23 | |
It was moderately successful for me. | 0:10:23 | 0:10:25 | |
I wanted more colour, because it is a house that she loves to entertain in | 0:10:25 | 0:10:29 | |
and I wanted to see more. | 0:10:29 | 0:10:30 | |
She made a decision and she stuck with it and to me, that's the most important thing. | 0:10:30 | 0:10:35 | |
I felt like I was in Florida with the big open glass. | 0:10:35 | 0:10:38 | |
This house was full of light. | 0:10:38 | 0:10:40 | |
She also had this kitchen that was a big Eden kitchen. | 0:10:40 | 0:10:43 | |
That black that she used in there, | 0:10:43 | 0:10:46 | |
that's really a strong statement to make. | 0:10:46 | 0:10:50 | |
She managed the project, she did on the interior design, | 0:10:50 | 0:10:53 | |
she worked with the architect. | 0:10:53 | 0:10:55 | |
Bravo, bravo for what she's created. | 0:10:55 | 0:10:58 | |
Indeed, bravo to all three | 0:11:06 | 0:11:08 | |
and amongst those contemporary new-build properties, | 0:11:08 | 0:11:11 | |
it was lovely to see a familiar face with a beautiful period property there in Lurgan. | 0:11:11 | 0:11:16 | |
We're now at the halfway stage. Six down, six to go. | 0:11:16 | 0:11:20 | |
Episode three saw some very strong contenders. | 0:11:20 | 0:11:23 | |
There was Gillian and Dylan Morris's rural new-build in the Clougher Valley. | 0:11:23 | 0:11:28 | |
There was Conn Auld's fascinating, very personal seaside cottage retreat in Portbraddan. | 0:11:28 | 0:11:33 | |
And Drew and Pamela Wylie's contemporary barn near Saintfield. | 0:11:33 | 0:11:37 | |
So, let's find out what our judges thought. | 0:11:37 | 0:11:41 | |
First, it's Gillian and Dylan Morris's rural new-build in Tyrone. | 0:11:43 | 0:11:46 | |
Their dream home, many years in the planning. | 0:11:46 | 0:11:49 | |
It's a well thought out, stylish and contemporary residence, | 0:11:49 | 0:11:53 | |
beautifully sited in the Clougher Valley. | 0:11:53 | 0:11:56 | |
This house is a conundrum. | 0:11:56 | 0:11:58 | |
It's traditional but yet it's got a very modern feel to it internally. | 0:11:58 | 0:12:01 | |
When I approached the house, | 0:12:01 | 0:12:03 | |
I just loved the drive and the way it's set within the trees. | 0:12:03 | 0:12:06 | |
What leapt out to me was the space around the building, | 0:12:06 | 0:12:09 | |
especially the space at the back. | 0:12:09 | 0:12:11 | |
It's connected with the kitchen, it's got a fire in it, | 0:12:11 | 0:12:14 | |
and it's just so sheltered. | 0:12:14 | 0:12:16 | |
It's a room, it's a room for free. | 0:12:16 | 0:12:19 | |
The panel were very keen on the interior of this house. | 0:12:19 | 0:12:22 | |
It had a certain freshness to it. | 0:12:22 | 0:12:25 | |
The circulation in the building seemed to impress them as well | 0:12:25 | 0:12:28 | |
and the kitchen-living-dining area in particular. | 0:12:28 | 0:12:31 | |
Environmentally, it's a new-build which will be very well insulated | 0:12:31 | 0:12:35 | |
and it's got solar panels, so that's something that gives good points. | 0:12:35 | 0:12:38 | |
Its circulation and internal use of space is very economical. | 0:12:38 | 0:12:43 | |
It's a lovely family house and it's just a very good feel to this home. | 0:12:43 | 0:12:47 | |
This house is up against some very stiff competition in the final. | 0:12:47 | 0:12:50 | |
In certain aspects it's very strong. | 0:12:50 | 0:12:53 | |
Whether those aspects are enough to take it through to win, who knows? | 0:12:53 | 0:12:57 | |
Next, we've got Conn Auld's seaside cottage retreat in Portbraddan. | 0:13:01 | 0:13:06 | |
An enchanting and eclectic home, reflecting the life and travels of its owner | 0:13:06 | 0:13:10 | |
and it's even got its own church. | 0:13:10 | 0:13:12 | |
When I walked into Conn's house I was blown away. I wanted to stay. | 0:13:12 | 0:13:17 | |
I wanted to talk to Conn all day | 0:13:17 | 0:13:19 | |
I wanted to find out about everything, every detail. | 0:13:19 | 0:13:23 | |
It's like somebody came along with a little magic wand | 0:13:23 | 0:13:26 | |
and just whisked it out of nothing. | 0:13:26 | 0:13:28 | |
I think the viewers will be fascinated by Conn's house, | 0:13:28 | 0:13:32 | |
because it's so interesting. | 0:13:32 | 0:13:34 | |
He's in every nook and cranny and piece of wood. | 0:13:34 | 0:13:37 | |
I mean, everything about that house tells a story. | 0:13:37 | 0:13:41 | |
It's such an expression of him and his life. | 0:13:41 | 0:13:45 | |
It's like a museum rather than a house. | 0:13:45 | 0:13:48 | |
Every house in this programme has been so different | 0:13:48 | 0:13:51 | |
but Conn's is totally unique. | 0:13:51 | 0:13:54 | |
I don't know how we can possibly compare it to anything else. | 0:13:54 | 0:13:58 | |
Architecturally, there's bits of every kind of architecture in there. | 0:13:58 | 0:14:04 | |
Interior design, who has been more creative? | 0:14:04 | 0:14:07 | |
Who has been more resourceful than Conn? | 0:14:07 | 0:14:10 | |
I think it'll do very well because it is utterly unique. | 0:14:10 | 0:14:14 | |
Lastly, there is Drew and Pamela Wylie's contemporary barn near Saintfield. | 0:14:16 | 0:14:22 | |
An exquisitely stylish home, with state of the art gadgets, | 0:14:22 | 0:14:26 | |
beautiful artworks, even a proper kids' playground. | 0:14:26 | 0:14:31 | |
This house just bursted with joy for me. | 0:14:31 | 0:14:33 | |
It had colour, it had texture, it had style, personality. | 0:14:33 | 0:14:38 | |
It had harmony between rooms, | 0:14:38 | 0:14:40 | |
brought together in a cacophony | 0:14:40 | 0:14:45 | |
of design and brilliance, | 0:14:45 | 0:14:47 | |
living art and refined taste. | 0:14:47 | 0:14:52 | |
Every detail was thought out. It is their style, their taste. | 0:14:52 | 0:14:57 | |
They carried that through to the exterior | 0:14:57 | 0:14:59 | |
by doing these very formal gardens. | 0:14:59 | 0:15:01 | |
Again, they've treated the entire property like artwork | 0:15:01 | 0:15:05 | |
so you're not sure when you're looking at this house | 0:15:05 | 0:15:08 | |
whether it's a piece of modern art sculpture or it's a barn. | 0:15:08 | 0:15:13 | |
It's them, it expresses them. | 0:15:13 | 0:15:14 | |
It's one of the homes that we all really agreed upon. | 0:15:14 | 0:15:19 | |
All these components coming together with the quality of design, | 0:15:19 | 0:15:23 | |
you create brilliance. | 0:15:23 | 0:15:25 | |
I think this house is really going to score high on everything | 0:15:25 | 0:15:28 | |
because it does really have it all. | 0:15:28 | 0:15:30 | |
So, we're down to our fourth and final trio. | 0:15:42 | 0:15:46 | |
This episode featured Myrtle and Leslie Miller's | 0:15:46 | 0:15:49 | |
multi-generational seaside home in Portstewart. | 0:15:49 | 0:15:53 | |
We had Craig and Lesley Jefferson's charming barn conversion in Claudy. | 0:15:53 | 0:15:57 | |
And Eamonn and Louis McMullan's | 0:15:57 | 0:16:00 | |
1930s inspired new-build family home in Omagh. | 0:16:00 | 0:16:03 | |
Let's hear what the judges thought. | 0:16:03 | 0:16:06 | |
This new-build started out as a home to retire to but | 0:16:11 | 0:16:15 | |
as Myrtle and Leslie's house neared completion, they loved it so much, they decided to move in permanently. | 0:16:15 | 0:16:22 | |
Well, Myrtle is no turtle. | 0:16:22 | 0:16:25 | |
This house inside was overwhelmingly colourful, full of life, well done. | 0:16:25 | 0:16:30 | |
Chic, very quiet kind of chic. | 0:16:30 | 0:16:32 | |
Did not expect that from the exterior of this house. | 0:16:32 | 0:16:36 | |
I know I'm saying this, | 0:16:36 | 0:16:37 | |
but I was so surprised from the outside walking in. | 0:16:37 | 0:16:40 | |
The highlight in this house for me | 0:16:40 | 0:16:42 | |
was the spectacular kitchen, all custom or bespoke, | 0:16:42 | 0:16:48 | |
that just worked so well, was very rich looking. | 0:16:48 | 0:16:51 | |
They both wear colour, so it definitely expressed them. | 0:16:52 | 0:16:56 | |
I think all of us judges kind of felt the same way about the exterior - | 0:16:56 | 0:17:00 | |
it needed to be softened more. | 0:17:00 | 0:17:02 | |
We all would have liked to have seen it with some more landscaping done. | 0:17:02 | 0:17:05 | |
It had a very hard front to it. | 0:17:05 | 0:17:08 | |
It didn't match the inside, that was lush and elegant. | 0:17:08 | 0:17:13 | |
I think Myrtle and Leslie's house is going to score very high on the interior. | 0:17:13 | 0:17:17 | |
Their downfall may be the exterior. | 0:17:17 | 0:17:19 | |
I think people are going to be | 0:17:19 | 0:17:21 | |
really surprised when they see what she's done on the interior. | 0:17:21 | 0:17:25 | |
On to the north-west | 0:17:31 | 0:17:32 | |
and to Craig and Lesley Jefferson's country barn conversion. | 0:17:32 | 0:17:36 | |
This fun-filled family home has retained | 0:17:36 | 0:17:39 | |
many of the barn's original features | 0:17:39 | 0:17:42 | |
and now boasts the addition of a round tower, | 0:17:42 | 0:17:46 | |
complete with a spiral staircase. | 0:17:46 | 0:17:47 | |
Craig and Lesley's barn was a real labour of love for Craig. | 0:17:47 | 0:17:52 | |
The couple have put an enormous amount of energy, | 0:17:52 | 0:17:55 | |
they've breathed new life into that building. | 0:17:55 | 0:17:57 | |
I love to see that happening in the countryside. | 0:17:57 | 0:18:01 | |
Craig is a craftsman, so he's done the restoration really well. | 0:18:01 | 0:18:06 | |
The use of salvage is particularly good - | 0:18:06 | 0:18:08 | |
all the old beams and the floors. | 0:18:08 | 0:18:09 | |
I think they could have even played that up a bit more, | 0:18:09 | 0:18:12 | |
they could've made more of a feature of that. | 0:18:12 | 0:18:14 | |
There's a lot of good use of the outbuildings | 0:18:14 | 0:18:17 | |
and I think, because it's a difficult site, it's very close to the road, they had to sort of add on. | 0:18:17 | 0:18:21 | |
An aspect of that is the entrance and staircase, | 0:18:21 | 0:18:24 | |
which I think from Des's point of view, overshadowed the main building, | 0:18:24 | 0:18:28 | |
which should have been the focal point because of the stone. | 0:18:28 | 0:18:32 | |
I liked the kind of playfulness. This was by far the most fun house to me. | 0:18:32 | 0:18:36 | |
It was full of little personal anecdotes which mean something to them and their family. | 0:18:36 | 0:18:40 | |
It had a bar in the kitchen. | 0:18:40 | 0:18:42 | |
These people want a house they can enjoy, | 0:18:42 | 0:18:44 | |
so you have to applaud them for that. | 0:18:44 | 0:18:47 | |
And finally, the last house in the competition, | 0:18:51 | 0:18:55 | |
a 1930s-inspired home in the leafy lanes of Omagh. | 0:18:55 | 0:18:59 | |
Designed for practical, open-plan living, | 0:18:59 | 0:19:01 | |
this is the home of Louise and Eamonn McMullan | 0:19:01 | 0:19:04 | |
and their three daughters. | 0:19:04 | 0:19:06 | |
This family-focused home is so understated | 0:19:06 | 0:19:10 | |
and that, for me, is a strength. | 0:19:10 | 0:19:12 | |
Every house in the road cannot be competing to be king of the road. | 0:19:12 | 0:19:17 | |
The proportion of the windows are very good. | 0:19:18 | 0:19:21 | |
The eaves detail is good and appropriate. | 0:19:21 | 0:19:24 | |
The materials that they've used has got a mixture of textures to it. | 0:19:24 | 0:19:29 | |
It's focused around the large kitchen area at the back | 0:19:29 | 0:19:32 | |
and the circulation issues impressed all the judges. | 0:19:32 | 0:19:35 | |
And then, the connection between it and the garden is something | 0:19:35 | 0:19:39 | |
that is a real feature for me in the house. | 0:19:39 | 0:19:41 | |
The judges liked the fact that elements were thought about, | 0:19:41 | 0:19:44 | |
that the storage is concealed. | 0:19:44 | 0:19:47 | |
With three girls running around, that's important. | 0:19:47 | 0:19:49 | |
Also, the earthy colours that she had in the kitchen | 0:19:49 | 0:19:52 | |
and throughout the ground floor | 0:19:52 | 0:19:54 | |
just seemed to be appropriate for the house. | 0:19:54 | 0:19:57 | |
They've taken the small pieces of family life that are so important | 0:19:57 | 0:20:01 | |
for this type of home and they've thought about it | 0:20:01 | 0:20:04 | |
and they've done it in a very understated sort of way, | 0:20:04 | 0:20:07 | |
and that makes it a successful home. | 0:20:07 | 0:20:09 | |
APPLAUSE | 0:20:10 | 0:20:13 | |
We've now seen all 12 of this year's contenders | 0:20:17 | 0:20:20 | |
and it's finally time to find out the results. | 0:20:20 | 0:20:24 | |
To announce the winner of third place, | 0:20:24 | 0:20:26 | |
please welcome our newest member of the judging panel, from Manhattan, | 0:20:26 | 0:20:30 | |
Michael Tavano. | 0:20:30 | 0:20:31 | |
APPLAUSE | 0:20:31 | 0:20:33 | |
This house is an extremely sophisticated piece of work. | 0:20:36 | 0:20:40 | |
It simply screams style, style, style. | 0:20:40 | 0:20:44 | |
It's sleek, chic and totally deserves a spot in our top three. | 0:20:44 | 0:20:49 | |
The award for third place goes to | 0:20:49 | 0:20:51 | |
the contemporary coastal home | 0:20:51 | 0:20:54 | |
in Ballycastle, | 0:20:54 | 0:20:56 | |
home of Jacqui and Alan Fraser. | 0:20:56 | 0:20:59 | |
APPLAUSE | 0:20:59 | 0:21:01 | |
Congratulations. | 0:21:08 | 0:21:10 | |
Now, I'm hoping that's suitably tasteful enough to find a home | 0:21:14 | 0:21:18 | |
-in that exquisite house of yours. -It's perfect, as there's so much walnut wood in our home | 0:21:18 | 0:21:22 | |
-and stainless steel. -Do you think we had you in mind when we designed it? | 0:21:22 | 0:21:26 | |
-Absolutely. -It's an exquisite house. -Thank you. -So many people have said | 0:21:26 | 0:21:30 | |
they're moving in with you next week. Is that all right? | 0:21:30 | 0:21:33 | |
That's perfect. | 0:21:33 | 0:21:34 | |
-Congratulations. -Thank you. | 0:21:34 | 0:21:36 | |
Thank you, Michael. Thank you very much to Alan and Jacqui. | 0:21:36 | 0:21:40 | |
Very, very well done indeed. | 0:21:40 | 0:21:42 | |
Moving on to second place, | 0:21:42 | 0:21:45 | |
and to announce the winner, please welcome | 0:21:45 | 0:21:48 | |
the ever-glamorous Suzanne Garuda. | 0:21:48 | 0:21:51 | |
APPLAUSE | 0:21:51 | 0:21:53 | |
This house is a unique and detailed style statement | 0:21:57 | 0:22:00 | |
which totally impressed all the judges, | 0:22:00 | 0:22:03 | |
so much so that it was only beaten to the top spot by one single mark. | 0:22:03 | 0:22:09 | |
So second place goes to... | 0:22:09 | 0:22:11 | |
..the Japanese church house of Mollie and Jimmy Armstrong. | 0:22:13 | 0:22:16 | |
APPLAUSE | 0:22:16 | 0:22:17 | |
Very well done. | 0:22:22 | 0:22:24 | |
There you go. | 0:22:27 | 0:22:29 | |
Now, Jimmy, this house was something the judges just kept talking about. | 0:22:29 | 0:22:34 | |
Are you surprised to find yourself so close to the top spot? | 0:22:34 | 0:22:37 | |
-Yes, I am, I have to say! -And Molly, how do you now feel about the house? | 0:22:37 | 0:22:42 | |
Now to know that something so personal, | 0:22:42 | 0:22:44 | |
something that you worked on with Nathan has been publicly recognised | 0:22:44 | 0:22:48 | |
as the second most beautiful home in Northern Ireland, | 0:22:48 | 0:22:51 | |
how does that feel? | 0:22:51 | 0:22:52 | |
I always knew it was special, Lawrence. | 0:22:52 | 0:22:55 | |
-Hmm. And now you've got the award to prove it. -Yes. | 0:22:55 | 0:22:58 | |
-Again, I think that's going to look lovely on your mantelpiece. -Yes! | 0:22:58 | 0:23:02 | |
-Thank you. -Congratulations to Molly and Jimmy. Very, very well done. | 0:23:02 | 0:23:06 | |
And well done, Suzanne. | 0:23:06 | 0:23:08 | |
Well, there we are. It's getting very exciting, isn't it? | 0:23:11 | 0:23:15 | |
But just before we hear which property has won first place, | 0:23:15 | 0:23:20 | |
we're going to announce a very special prize. | 0:23:20 | 0:23:22 | |
This is the Individual Merit award, | 0:23:22 | 0:23:25 | |
and it's made to the homeowner or homeowners | 0:23:25 | 0:23:27 | |
who the judges feel have excelled in their personal efforts | 0:23:27 | 0:23:30 | |
to achieve their dream home despite challenges or constraints. | 0:23:30 | 0:23:34 | |
Here to announce this year's result | 0:23:34 | 0:23:36 | |
is head of the judging panel, Des Ewing. | 0:23:36 | 0:23:38 | |
APPLAUSE | 0:23:38 | 0:23:40 | |
Thank you. | 0:23:42 | 0:23:43 | |
Times have altered very rapidly over the past few years. | 0:23:46 | 0:23:50 | |
We're all feeling a bit less well off now. | 0:23:50 | 0:23:53 | |
A house has once again become a place we live in | 0:23:53 | 0:23:56 | |
rather than just an investment opportunity. | 0:23:56 | 0:23:59 | |
How do we, as designers and homeowners, | 0:23:59 | 0:24:01 | |
create stylish yet practical homes | 0:24:01 | 0:24:04 | |
that respond to the financial restraints | 0:24:04 | 0:24:06 | |
and energy concerns of our time? | 0:24:06 | 0:24:08 | |
The winner of our Merit award has embraced both of these challenges | 0:24:08 | 0:24:13 | |
and bestows hope for the future. | 0:24:13 | 0:24:15 | |
This home was fashioned on a budget, | 0:24:15 | 0:24:17 | |
making the most of a challenging site with testing planning restrictions. | 0:24:17 | 0:24:21 | |
The end result is a building of beauty, distinction, | 0:24:21 | 0:24:25 | |
perfectly reflecting its wonderful location, | 0:24:25 | 0:24:28 | |
and provides no-nonsense family accommodation. | 0:24:28 | 0:24:31 | |
The winner of this year's Merit award is... | 0:24:31 | 0:24:35 | |
..the contemporary beach house, | 0:24:37 | 0:24:39 | |
home of Lee and Kate Jenkinson. | 0:24:39 | 0:24:42 | |
APPLAUSE | 0:24:42 | 0:24:43 | |
Well done! | 0:24:47 | 0:24:49 | |
-Well done, congratulations. -Thank you. | 0:24:54 | 0:24:57 | |
Well done, you two, well done. | 0:24:57 | 0:24:59 | |
This was an extraordinary achievement as far as the judges were concerned, | 0:24:59 | 0:25:02 | |
as that Malibu-style beach house was achieved on such a small budget. | 0:25:02 | 0:25:06 | |
Do you hope that this gives hope to the building industry | 0:25:06 | 0:25:09 | |
that it's not about money, it's about style? | 0:25:09 | 0:25:12 | |
I do hope that. Especially, the reason we were able to achieve that | 0:25:12 | 0:25:15 | |
was the quality of tradesmen and craftsmen | 0:25:15 | 0:25:18 | |
here in the Lower Ards Peninsula. | 0:25:18 | 0:25:20 | |
They're second to none. | 0:25:20 | 0:25:21 | |
And they can do that on that sort of budget. | 0:25:21 | 0:25:24 | |
Kate, are you still playing with that turning circle? | 0:25:24 | 0:25:27 | |
Yes, using it more and more now. | 0:25:27 | 0:25:29 | |
Well, we all want one, don't we? | 0:25:29 | 0:25:31 | |
Well done. Congratulations, you two. | 0:25:31 | 0:25:33 | |
Very, very well deserved indeed. | 0:25:33 | 0:25:36 | |
APPLAUSE | 0:25:36 | 0:25:37 | |
Extremely well done, Kate and Lee Jenkinson. | 0:25:40 | 0:25:43 | |
Excellent work. But, now, | 0:25:43 | 0:25:45 | |
onto the moment of moments, | 0:25:45 | 0:25:47 | |
the moment we've all been waiting for, | 0:25:47 | 0:25:50 | |
because the winner of House Of The Year 2012 is about to be announced. | 0:25:50 | 0:25:55 | |
Over to the judges. | 0:25:55 | 0:25:58 | |
APPLAUSE | 0:25:58 | 0:26:00 | |
The panel were unanimous that this house should be winning top prize. | 0:26:04 | 0:26:08 | |
It scored highly in every category | 0:26:08 | 0:26:11 | |
and it's a statement of what good design in Northern Ireland should be. | 0:26:11 | 0:26:14 | |
On behalf of the judging panel, it gives me great pleasure to announce | 0:26:14 | 0:26:18 | |
that the winner of the House Of The Year 2012 is... | 0:26:18 | 0:26:23 | |
..the contemporary barn of Drew and Pamela Wylie from Saintfield. | 0:26:27 | 0:26:31 | |
APPLAUSE | 0:26:31 | 0:26:33 | |
Well done, look at you! | 0:26:37 | 0:26:40 | |
Nice to see you. Well done, nice to see you. | 0:26:40 | 0:26:43 | |
Well, there we are. There we are. | 0:26:43 | 0:26:47 | |
Well, it was such an incredibly close-run thing this year, | 0:26:47 | 0:26:50 | |
unbelievably close-run. So I think your achievement is all the greater. | 0:26:50 | 0:26:54 | |
What's it like living in Northern Ireland's House Of The Year? | 0:26:54 | 0:26:58 | |
-It's just our home, and we love it. -Yeah? | 0:26:58 | 0:27:00 | |
-We just love it. -I heard a dirty rumour | 0:27:00 | 0:27:02 | |
that the reason that clinched it was the play park. | 0:27:02 | 0:27:05 | |
-Well... -That's the way forward. -It was hard getting you out of it. | 0:27:05 | 0:27:08 | |
Exactly! Literally, I got stuck in a swing at one point. | 0:27:08 | 0:27:12 | |
But really, very well done | 0:27:12 | 0:27:13 | |
because I think all the judges agreed that it was a real statement | 0:27:13 | 0:27:17 | |
of what architecture in Northern Ireland should be moving towards. | 0:27:17 | 0:27:21 | |
Wonderful integration with the landscape. | 0:27:21 | 0:27:24 | |
It's our home, and it was a team effort. It was ourselves, | 0:27:24 | 0:27:27 | |
the builders, our contractors and subcontractors, gardening, | 0:27:27 | 0:27:30 | |
everyone had some part to play | 0:27:30 | 0:27:32 | |
-and we're lucky enough to live in it. -You'd be good at making an Oscar speech. | 0:27:32 | 0:27:36 | |
We only missed the makeup artist. Congratulations, well done. | 0:27:36 | 0:27:39 | |
APPLAUSE | 0:27:39 | 0:27:41 | |
Many, many, many congratulations, once again, | 0:27:41 | 0:27:45 | |
to Pamela and Drew Wylie, very worthy winners. | 0:27:45 | 0:27:47 | |
Well, that's it. What a show it's been. | 0:27:47 | 0:27:50 | |
I'd sincerely like to thank all of our homeowners for taking part. | 0:27:50 | 0:27:54 | |
I hope you'll agree, each of them brought something special, | 0:27:54 | 0:27:57 | |
something highly individualistic, to this year's show. | 0:27:57 | 0:28:00 | |
And it's given all of us a lot of pleasure over the last few weeks. | 0:28:00 | 0:28:04 | |
Thanks also to our esteemed judges, | 0:28:04 | 0:28:06 | |
the gorgeous Suzanne Garuda, | 0:28:06 | 0:28:08 | |
the even more gorgeous Michael Tavano | 0:28:08 | 0:28:11 | |
and...Des Ewing, head of the judging panel. | 0:28:11 | 0:28:13 | |
And indeed, thanks to all of you. | 0:28:13 | 0:28:15 | |
I sincerely hope you've enjoyed watching this series | 0:28:15 | 0:28:18 | |
as much as we've enjoyed making it | 0:28:18 | 0:28:20 | |
so, from all of us here in Belfast, | 0:28:20 | 0:28:23 | |
goodnight. | 0:28:23 | 0:28:25 | |
APPLAUSE | 0:28:25 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:50 | |
E-mail [email protected] | 0:28:50 | 0:28:52 |