Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:19 | 0:00:21 | |
CHEERING | 0:01:07 | 0:01:11 | |
# Oh, the isolation It's a sticky situation | 0:01:23 | 0:01:27 | |
# In your mind | 0:01:27 | 0:01:30 | |
# Oh-oh | 0:01:30 | 0:01:32 | |
# Every conversation has a different destination | 0:01:32 | 0:01:36 | |
# To be found | 0:01:36 | 0:01:38 | |
# After I've been to Heaven I can even count to seven | 0:01:40 | 0:01:44 | |
# Out of time | 0:01:44 | 0:01:47 | |
# Oh-oh | 0:01:47 | 0:01:49 | |
# Life has done me over and the talk has knocked me sober | 0:01:49 | 0:01:52 | |
# It's a crime | 0:01:52 | 0:01:55 | |
-# Where can I go from here? -Where can I go? | 0:01:57 | 0:02:02 | |
# Where can I go? | 0:02:02 | 0:02:04 | |
# Where can I go? | 0:02:04 | 0:02:07 | |
-# Where can I go from here? -Where can I go? | 0:02:07 | 0:02:11 | |
# Where can I go? Where can I go? | 0:02:11 | 0:02:15 | |
# Answers on a postcard | 0:02:16 | 0:02:19 | |
# Common equilibrium is swinging like a pendulum | 0:02:27 | 0:02:31 | |
# Around | 0:02:31 | 0:02:33 | |
# Oh-oh | 0:02:33 | 0:02:35 | |
# Silence is the enemy Serenity's a memory | 0:02:35 | 0:02:39 | |
# Unfound | 0:02:39 | 0:02:41 | |
# I cannot believe it when my heart is on my sleeve | 0:02:43 | 0:02:47 | |
# I am alive | 0:02:47 | 0:02:50 | |
# Oh-oh | 0:02:50 | 0:02:52 | |
# Calling me a masochist when really I'm a pacifist | 0:02:52 | 0:02:56 | |
# Gone wild | 0:02:56 | 0:02:58 | |
-# Where can I go from here? -Where can I go? | 0:03:00 | 0:03:05 | |
# Where can I go? Where can I go? | 0:03:05 | 0:03:09 | |
-# Where can I go from here? -Where can I go? | 0:03:09 | 0:03:13 | |
# Where can I go? Where can I go? | 0:03:13 | 0:03:18 | |
# Answers on a postcard | 0:03:19 | 0:03:22 | |
Woo! | 0:03:27 | 0:03:28 | |
# Da-da-da-da-da Da-da-da-da-da-da-da-da-da-da-da- | 0:03:30 | 0:03:34 | |
# Da-a-a-a | 0:03:34 | 0:03:37 | |
# Do-do-do-do-do-do-do Do-do-do-do-do-do-do-do-do-do-do | 0:03:37 | 0:03:43 | |
# Oh, yeah | 0:03:43 | 0:03:45 | |
-# Where can I go from here? -Where can I go? | 0:03:46 | 0:03:51 | |
# Where can I go? Where can I go? | 0:03:51 | 0:03:54 | |
-# Where can I go from here? -Where can I go? | 0:03:54 | 0:03:59 | |
# Where can I go? Where can I go? | 0:03:59 | 0:04:05 | |
# Answers on a postcard. # | 0:04:05 | 0:04:08 | |
CHEERING | 0:04:08 | 0:04:11 | |
-Well done. How are you keeping? -I'm great. How are you? | 0:04:17 | 0:04:19 | |
Not too bad at all. | 0:04:19 | 0:04:20 | |
Tell me, first of all - Pugwash. Any relation to Captain Pugwash? | 0:04:20 | 0:04:23 | |
-Where did the name come from? -Yes, that was the name. | 0:04:23 | 0:04:26 | |
It was taken back in the mid-'90s by me because I looked like him, | 0:04:26 | 0:04:30 | |
and it went on and we got a lot of American fans. | 0:04:30 | 0:04:32 | |
It's the capital of Nova Scotia. | 0:04:32 | 0:04:34 | |
It also means "spiritual pool" in India. | 0:04:34 | 0:04:38 | |
-But it's a term in America that I can't say. -OK. | 0:04:38 | 0:04:40 | |
-Why's that? -I'll tell you afterwards. -OK. Not on live TV? -No. | 0:04:40 | 0:04:43 | |
Not on any TV! | 0:04:43 | 0:04:45 | |
Tell me about the musical influence of everyone in the band, | 0:04:45 | 0:04:47 | |
because you've been compared to... | 0:04:47 | 0:04:49 | |
People say your influence has been the Beatles, ELO, Beach Boys. | 0:04:49 | 0:04:52 | |
How do you feel about that? | 0:04:52 | 0:04:53 | |
Yes, we all love that trio of bands because they are the gods, | 0:04:53 | 0:04:57 | |
but Joey's into a lot of ska and reggae and soul, | 0:04:57 | 0:05:00 | |
as is Tosh. Small Faces, of course - a lot of great '60s bands. | 0:05:00 | 0:05:04 | |
I'm a big fan of the Move. '60s band ELO of course, as well. | 0:05:04 | 0:05:08 | |
And Shaun's into many things. | 0:05:08 | 0:05:09 | |
Talk to me about some of the album, because I know... | 0:05:09 | 0:05:11 | |
Maybe you haven't been asked this before, but you had a collaboration | 0:05:11 | 0:05:15 | |
-with Neil Hannon on a cricketing theme album. -Who? | 0:05:15 | 0:05:17 | |
-I know - who's Neil Hannon? -Dave Hammond. | 0:05:17 | 0:05:19 | |
We did BBC breakfast telly during the Duckworth Lewis Method thing... | 0:05:19 | 0:05:22 | |
-Ah. -And he was introduced as Dave Hammond. -No way. | 0:05:22 | 0:05:25 | |
So we call him Dave ever since. | 0:05:25 | 0:05:27 | |
Neil Hannon and the cricket theme. Tell me about the Duckworth Lewis Method. | 0:05:27 | 0:05:31 | |
We just wrote songs for other people. | 0:05:31 | 0:05:32 | |
We got to know each other in Dublin. | 0:05:32 | 0:05:35 | |
We just really got on very well and we wrote some songs together | 0:05:35 | 0:05:37 | |
for, like, Kylie Minogue and Tina Turner, but they weren't taken. | 0:05:37 | 0:05:40 | |
They were sent back and said, "Thanks very much, but..." | 0:05:40 | 0:05:42 | |
They were good songs, so we said one day, "What about cricket lyrics?" | 0:05:42 | 0:05:46 | |
Just for a laugh - instead of "I love you, you love me." | 0:05:46 | 0:05:48 | |
That was me talking to Dave, because we do love each other. We're in a relationship. | 0:05:48 | 0:05:51 | |
You're writing songs for Kylie Minogue, | 0:05:51 | 0:05:53 | |
is it difficult to have your song sent back? | 0:05:53 | 0:05:56 | |
-Is that kind of...? -God, no. | 0:05:56 | 0:05:58 | |
I get milk sent back. I send everything back. | 0:05:58 | 0:06:02 | |
People send everything back to me. | 0:06:02 | 0:06:03 | |
No, it's never bothered me because these things are always taken on | 0:06:03 | 0:06:06 | |
by Swedish pop writers or whatever, people who are millionaires. | 0:06:06 | 0:06:09 | |
Sometimes one or two get through, but we were happy it came back to us | 0:06:09 | 0:06:12 | |
because it ended up being Ivor Novello nominated. | 0:06:12 | 0:06:15 | |
-Yay! -Excellente. | 0:06:15 | 0:06:17 | |
I get a tenner every time I mention the Ivor Novello nomination. | 0:06:17 | 0:06:20 | |
Tell me about The Olympus Sound, your latest Pugwash collection. | 0:06:20 | 0:06:23 | |
-Yes. -What has been the inspiration for the songs on that? | 0:06:23 | 0:06:26 | |
It was a pretty dark period in my life, the last couple of years. | 0:06:26 | 0:06:29 | |
I had a bit of a health scare and I gave up drink | 0:06:29 | 0:06:31 | |
and gave up all the bad things. I took up byying guitars. | 0:06:31 | 0:06:35 | |
There's a lot of kind of darkness to my stuff anyway, | 0:06:35 | 0:06:40 | |
a lot of dark edges and stuff, but it's always poppy. | 0:06:40 | 0:06:43 | |
There's always a bit of pop. | 0:06:43 | 0:06:45 | |
So it's a bit of a dark record but it's a very personal record as well, | 0:06:45 | 0:06:48 | |
but we made it as a band. | 0:06:48 | 0:06:49 | |
These four people here you see made that record in three weeks | 0:06:49 | 0:06:52 | |
in Dublin. We're very proud of it. | 0:06:52 | 0:06:55 | |
Now that that period maybe is behind you, | 0:06:55 | 0:06:56 | |
are you looking forward now to another album - a more upbeat album? | 0:06:56 | 0:06:59 | |
-Oh, for God's sake! Another one?! -Another one, yes! -I've had six! | 0:06:59 | 0:07:03 | |
God knows we've had six. We've a great back catalogue. | 0:07:03 | 0:07:06 | |
All our back catalogue is coming out in Japan next year | 0:07:06 | 0:07:08 | |
and we're going to get The Olympus Sound into America as well, | 0:07:08 | 0:07:12 | |
so we can't wait to go on tour there. | 0:07:12 | 0:07:14 | |
-Well, enjoy. Thomas, thanks a million for chatting. Thanks, lads, for being with us tonight. -Thanks. | 0:07:14 | 0:07:18 | |
CHEERING | 0:07:18 | 0:07:20 | |
APPLAUSE | 0:07:51 | 0:07:53 | |
# Nach ar an mbaile seo chonaic me an t-ionas | 0:13:10 | 0:13:23 | |
# Ag Donncha Ban is e dha dhaoradh | 0:13:23 | 0:13:32 | |
# Bhi bairead ban air in ait a hata | 0:13:32 | 0:13:44 | |
# Agus ropa cnaibe in ait a charabhata. # | 0:13:44 | 0:13:56 | |
APPLAUSE | 0:13:58 | 0:14:01 | |
# I wanna hypnotise you, baby On the telephone... # | 0:14:28 | 0:14:31 | |
# If I can be so bold. # | 0:15:04 | 0:15:05 | |
APPLAUSE | 0:26:32 | 0:26:34 | |
Subtitles by Red Bee Media Ltd | 0:28:40 | 0:28:43 |