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APPLAUSE | 0:00:11 | 0:00:14 | |
Thank you, and welcome to My Life In Books, | 0:00:16 | 0:00:18 | |
a chance for my guests to share their favourite reads. | 0:00:18 | 0:00:21 | |
Joining me tonight, Clare Balding, the presenter you can trust with any major live event. | 0:00:21 | 0:00:26 | |
She even knows the offside rule, and she's taller than Willie Carson. | 0:00:26 | 0:00:30 | |
Alongside Clare, broadcaster and stand-up comedian Hardeep Singh Kohli, | 0:00:30 | 0:00:35 | |
currently touring the country as the Nearly Naked Chef, | 0:00:35 | 0:00:38 | |
but the good news is tonight he's got his clothes on. | 0:00:38 | 0:00:40 | |
Thank you both for joining us. | 0:00:40 | 0:00:43 | |
APPLAUSE | 0:00:43 | 0:00:44 | |
Clare, your father was Sir Ian Balding, a very famous trainer, | 0:00:48 | 0:00:52 | |
and trained the Queen's horses, and indeed your brother's taken over the stables now, | 0:00:52 | 0:00:57 | |
so you must have met the Queen on numerous occasions. | 0:00:57 | 0:01:00 | |
-Er... Yes, erm... -LAUGHS | 0:01:00 | 0:01:03 | |
When I was growing up, as a child, | 0:01:03 | 0:01:06 | |
the Queen would come to have a look at her horses, | 0:01:06 | 0:01:09 | |
so sometimes you would come downstairs, my brother and I, | 0:01:09 | 0:01:12 | |
and the Queen would be in the drawing room, having breakfast. | 0:01:12 | 0:01:15 | |
-Wow! -It's slightly unnerving. | 0:01:15 | 0:01:17 | |
I saw a pony once in Springburn, when I was growing up. | 0:01:17 | 0:01:20 | |
Did the Queen not give you any ponies? | 0:01:20 | 0:01:22 | |
We queued for hours to see the Queen in 1977, the Silver Jubilee. | 0:01:22 | 0:01:27 | |
We queued for five-and-a-half-hours, | 0:01:27 | 0:01:31 | |
and she was gone in about eight or nine seconds. | 0:01:31 | 0:01:34 | |
-Where were you? -George Square in the centre of Glasgow. | 0:01:34 | 0:01:38 | |
Did you read a lot as a child, Clare? | 0:01:38 | 0:01:40 | |
I did, yes, | 0:01:40 | 0:01:42 | |
and particularly like a lot of little girls, you know, | 0:01:42 | 0:01:46 | |
pony books were a very strong part of that reading. | 0:01:46 | 0:01:49 | |
And I had this very strong belief that the ponies that I had | 0:01:49 | 0:01:54 | |
understood me and knew exactly what I was saying. | 0:01:54 | 0:01:56 | |
And these conversations I had with them, that they were listening to every word. | 0:01:56 | 0:02:00 | |
-Did your parents read to you? Your father? -My mother did. | 0:02:00 | 0:02:03 | |
-My father wouldn't have done. -Because he was too busy? | 0:02:03 | 0:02:06 | |
-I think he didn't notice I was there until I was about... -Oh, dear! -..23! | 0:02:06 | 0:02:11 | |
-Hardeep, did your parents read to you? -No. | 0:02:11 | 0:02:13 | |
I mean, both my parents worked quite a lot, | 0:02:13 | 0:02:16 | |
because they were immigrants to the country, | 0:02:16 | 0:02:18 | |
so it was kind of very much part of that lifestyle. | 0:02:18 | 0:02:21 | |
But they used to put on Wally Whyton records for us and play stories. | 0:02:21 | 0:02:27 | |
There would be stories told, we would listen to on an old gramophone. | 0:02:27 | 0:02:31 | |
There was always stories being told, you can't grow up in a Punjabi household, | 0:02:31 | 0:02:35 | |
or a Glaswegian household, without someone somewhere wanting to tell you, "One last story." | 0:02:35 | 0:02:40 | |
Let's start with childhood reads. | 0:02:40 | 0:02:43 | |
Clare, not surprisingly, you have chosen Black Beauty by Anna Sewell. | 0:02:43 | 0:02:49 | |
Can you give us a brief summary? | 0:02:49 | 0:02:52 | |
It's narrated by Black Beauty, the horse, | 0:02:52 | 0:02:55 | |
and his is the voice you hear throughout it, | 0:02:55 | 0:02:57 | |
and it traces his life and the different owners that he has. | 0:02:57 | 0:03:00 | |
Some of whom are kind and compassionate, | 0:03:00 | 0:03:03 | |
and some are downright cruel. | 0:03:03 | 0:03:05 | |
And actually the edition that I have is the most beautiful book. | 0:03:05 | 0:03:10 | |
It's not just the content of it, it's because it's this book. | 0:03:10 | 0:03:13 | |
And inside it says, | 0:03:13 | 0:03:15 | |
-"To my great-great-niece Clare, from Aunt Evelyn." -Oh, wonderful. | 0:03:15 | 0:03:21 | |
And it's got beautiful prints in it by Cecil Aldin. | 0:03:21 | 0:03:24 | |
It's a lovely book, and it was Anna Sewell's only book that she ever wrote. | 0:03:24 | 0:03:27 | |
How old were you when you read it? | 0:03:27 | 0:03:29 | |
Well, I think it was read to me first. | 0:03:29 | 0:03:31 | |
I think my mother would have read it to me and... | 0:03:31 | 0:03:33 | |
Did you see the television version? | 0:03:33 | 0:03:35 | |
-I loved the television version. -You did? | 0:03:35 | 0:03:37 | |
-Good, we've got a quick clip here. -Oh, good. | 0:03:37 | 0:03:40 | |
Well, I suppose he ought to have a name. | 0:03:42 | 0:03:44 | |
Now, let's see, um... | 0:03:44 | 0:03:47 | |
Jet? Swift? | 0:03:47 | 0:03:49 | |
No, they're not right! | 0:03:49 | 0:03:51 | |
-Blackbird. -Ebony. -Lightning? | 0:03:51 | 0:03:54 | |
Something that describes him. | 0:03:54 | 0:03:57 | |
Well, he's black... and he's very beautiful. | 0:03:57 | 0:04:00 | |
Black Beauty. | 0:04:02 | 0:04:03 | |
BLACK BEAUTY THEME TUNE | 0:04:03 | 0:04:07 | |
-The music's fantastic, isn't it? -It is lovely. | 0:04:18 | 0:04:20 | |
I'm going to have that music at my funeral. | 0:04:20 | 0:04:23 | |
-Oh, good. -A cheery thought, yes. | 0:04:23 | 0:04:25 | |
Black Beauty, the book, suffers from being in the shadow of what was such an iconic TV show. | 0:04:25 | 0:04:29 | |
I think a lot of people wouldn't have known the book existed, | 0:04:29 | 0:04:33 | |
because the TV show...that music, | 0:04:33 | 0:04:35 | |
it takes you back to being a kid again. | 0:04:35 | 0:04:37 | |
I suppose it depends on how old you are, | 0:04:37 | 0:04:39 | |
because for my generation, we'd well read Black Beauty. | 0:04:39 | 0:04:43 | |
Also today you couldn't call it Black Beauty. | 0:04:43 | 0:04:46 | |
It'd be Beauty Of Colour... LAUGHTER | 0:04:46 | 0:04:49 | |
..which is understandable. | 0:04:49 | 0:04:51 | |
You were brought up in Hampshire, | 0:04:51 | 0:04:53 | |
and you started riding at the age of... | 0:04:53 | 0:04:56 | |
Before I was two, cos I know that I broke my collar bone | 0:04:56 | 0:04:59 | |
just after I was two falling off a pony. | 0:04:59 | 0:05:01 | |
-There you are. -Oh, that's me on Mill Reef. | 0:05:01 | 0:05:04 | |
My father trained a horse called Mill Reef, who won the Derby, | 0:05:04 | 0:05:07 | |
-the Eclipse, the King George and the Arc. -Fantastic. | 0:05:07 | 0:05:10 | |
He was the superstar of 1971, | 0:05:10 | 0:05:12 | |
and in 1972, the year after I was born, | 0:05:12 | 0:05:15 | |
he broke his leg, and that is him, | 0:05:15 | 0:05:17 | |
having stood up after they repaired it. | 0:05:17 | 0:05:19 | |
And they had a cast on it, and when he stood up, | 0:05:19 | 0:05:22 | |
the first person to ride him, in fact the only person to ride him was me. | 0:05:22 | 0:05:26 | |
So he didn't race after that? | 0:05:26 | 0:05:27 | |
No, he went to stud and he sired Derby winners. | 0:05:27 | 0:05:30 | |
Hardeep, your childhood read, | 0:05:30 | 0:05:32 | |
you'd moved to Glasgow from London when you were four, | 0:05:32 | 0:05:35 | |
and your parents had come over from India in the mid-'60s, | 0:05:35 | 0:05:38 | |
and at school in Scotland you were introduced | 0:05:38 | 0:05:42 | |
to Roald Dahl's Fantastic Mr Fox. | 0:05:42 | 0:05:44 | |
Can you tell us the story? | 0:05:44 | 0:05:46 | |
When I read it, it was just a cracking yarn about a fox,. | 0:05:46 | 0:05:49 | |
Foxes were always quite cool, they've kind of got an arrogance about them. | 0:05:49 | 0:05:53 | |
Even today if you see a city fox, | 0:05:53 | 0:05:56 | |
they kind of look at you with a sense of condescension before they run off. | 0:05:56 | 0:06:01 | |
They're quite Glaswegian in that sense. | 0:06:01 | 0:06:03 | |
And quite gallus, which is a nice Glaswegian word. | 0:06:03 | 0:06:06 | |
I'm evangelical about Roald Dahl. | 0:06:06 | 0:06:08 | |
He was notoriously misanthropic, for sure, | 0:06:08 | 0:06:12 | |
but there are levels within this book. | 0:06:12 | 0:06:14 | |
It talks about community, which plays very much into my Sikh upbringing | 0:06:14 | 0:06:17 | |
about community and society. | 0:06:17 | 0:06:19 | |
It's about family, cos it's three wee foxes and Mr and Mrs Fox. | 0:06:19 | 0:06:24 | |
I was one of three sons, so I could relate very easily to the family. | 0:06:24 | 0:06:27 | |
But mostly it was about food. Gathering and collecting food. | 0:06:27 | 0:06:31 | |
It has to be said, for the brilliance of Roald Dahl's writings, | 0:06:31 | 0:06:35 | |
Quentin Blake's illustrations, it's putting together two of the finest practitioners | 0:06:35 | 0:06:41 | |
in what's just an absolutely beautiful book. | 0:06:41 | 0:06:44 | |
Can you read us a favourite bit? | 0:06:44 | 0:06:46 | |
Yes, well, unsurprisingly, I turn immediately to a bit about food. | 0:06:46 | 0:06:50 | |
-Yeah. -So at this point, all the animals have clubbed together | 0:06:50 | 0:06:53 | |
to try and get food, because they're being starved out by the farmers. | 0:06:53 | 0:06:57 | |
" 'So, to start with, we shall have four plump young ducks.' | 0:06:57 | 0:07:00 | |
"He took them from the shelf. 'Oh, how lovely and fat they are. | 0:07:00 | 0:07:03 | |
" 'No wonder Bunce gets a special price for them at market. | 0:07:03 | 0:07:07 | |
" 'I think we'd better have a few geese. | 0:07:07 | 0:07:09 | |
" 'Three will be quite enough, we'll take the biggest. | 0:07:09 | 0:07:12 | |
" 'You'll never see finer geese than these in the king's kitchen. | 0:07:12 | 0:07:15 | |
" 'Gently does it, that's the way. | 0:07:15 | 0:07:16 | |
" 'What about a couple of smoked hams. I adore smoked hams. | 0:07:16 | 0:07:20 | |
" 'Fetch me that stepladder, will you please?' " | 0:07:20 | 0:07:22 | |
Mr Fox, I mean he's a bit of a villain, really, | 0:07:22 | 0:07:25 | |
but he has that charm that wins everybody over. | 0:07:25 | 0:07:28 | |
He's sort of Shakespearean, in a sense, because he is hubristic. | 0:07:28 | 0:07:32 | |
He's full of arrogance that no-one can catch him, he can get whatever he wants. | 0:07:32 | 0:07:36 | |
He finds himself in this really tight situation | 0:07:36 | 0:07:40 | |
and actually searches his own self, | 0:07:40 | 0:07:43 | |
and you learn more in life from your defeats than your victories, | 0:07:43 | 0:07:47 | |
and he's defeated and manages to make his way of it. | 0:07:47 | 0:07:50 | |
Now in both cases, | 0:07:50 | 0:07:51 | |
your childhood books are actually reflecting your passions. | 0:07:51 | 0:07:55 | |
Horses for you and food for you. Are you a good cook? | 0:07:55 | 0:08:00 | |
I'm touring the country cooking for audiences, | 0:08:00 | 0:08:03 | |
so I hope, if I'm not good now, I better get good. | 0:08:03 | 0:08:05 | |
-With jokes. -With jokes and stories. | 0:08:05 | 0:08:07 | |
What this book is, it's food and storytelling, | 0:08:07 | 0:08:10 | |
and that's what my life seems to have become. | 0:08:10 | 0:08:12 | |
-And obviously you have a mild interest in horses. -Just occasionally! | 0:08:12 | 0:08:16 | |
Clare, you've brought in two very old editions of books. | 0:08:16 | 0:08:21 | |
And your next one, you were studying English, | 0:08:21 | 0:08:25 | |
it's The Myths Of Greece And Rome, edited by HA Guerber. | 0:08:25 | 0:08:29 | |
Now, I've got here an edition that was published in 1906...1907. | 0:08:29 | 0:08:36 | |
-Where did that come from? -I've written my name there very neatly, | 0:08:36 | 0:08:39 | |
but on the left hand side it says W Hastings, and that's my Uncle Willie. | 0:08:39 | 0:08:43 | |
So probably he'll claim it back when he sees this, | 0:08:43 | 0:08:46 | |
which will be slightly disappointing. | 0:08:46 | 0:08:49 | |
Do you have a favourite myth? | 0:08:49 | 0:08:52 | |
Well, I love the fact that... | 0:08:52 | 0:08:53 | |
I like the fact that it's real ancient mythology | 0:08:53 | 0:08:57 | |
and that all these sort of stories... | 0:08:57 | 0:08:59 | |
If you say to a child, or you hear a phrase like Achilles heel, | 0:08:59 | 0:09:02 | |
and you know what that means. | 0:09:02 | 0:09:04 | |
You know that means your weak point, but why does it mean that? | 0:09:04 | 0:09:07 | |
Because of the myth of Achilles being dipped in the River Styx | 0:09:07 | 0:09:11 | |
by his mother to make him impregnable. | 0:09:11 | 0:09:13 | |
But she had to hold him by some bit of his body, | 0:09:13 | 0:09:15 | |
so she held him by his ankle, and there in his heel. | 0:09:15 | 0:09:19 | |
Achilles nose wouldn't be the same, would it? | 0:09:19 | 0:09:21 | |
No, it wouldn't! | 0:09:21 | 0:09:22 | |
It's incredibly powerful how these stories and these words | 0:09:22 | 0:09:25 | |
have sustained for millennia. | 0:09:25 | 0:09:28 | |
We still talk about people being narcissistic, Achilles heel, Pandora's box, | 0:09:28 | 0:09:31 | |
regardless of all the literature from all over the world that's come in between. | 0:09:31 | 0:09:36 | |
I think it shows the power of the stories. | 0:09:36 | 0:09:38 | |
Oh, they're great tales, and in this edition there are various pictures, | 0:09:38 | 0:09:43 | |
beautiful works of art based on the classics | 0:09:43 | 0:09:45 | |
and also quotes from various poems. | 0:09:45 | 0:09:47 | |
You've got bits of Virgil, but also you'd have bits of Byron or Keats or whoever. | 0:09:47 | 0:09:51 | |
And the inspiration behind some of the great works of art and poems of British culture. | 0:09:51 | 0:09:57 | |
You've reminded me today that | 0:09:57 | 0:09:59 | |
one can be as in love with the physical book as the contents of it. | 0:09:59 | 0:10:05 | |
Cos that's one of those books you actually would have had to envelope open. | 0:10:05 | 0:10:09 | |
It would have been uncut pages, and with both of these books, | 0:10:09 | 0:10:12 | |
it's as much about what they physically are as their content. | 0:10:12 | 0:10:16 | |
And I love going back over this. | 0:10:16 | 0:10:18 | |
I love the feel of it, the weight, the thickness of the pages. | 0:10:18 | 0:10:21 | |
I love the smell of it. This one particularly smells really good. | 0:10:21 | 0:10:25 | |
-You don't mind other people smelling your books? -No. | 0:10:25 | 0:10:28 | |
-Can you smell that? -Yeah. | 0:10:28 | 0:10:30 | |
And you'll let her smell your next book? | 0:10:30 | 0:10:32 | |
-It smells of your front room. -Her great-uncle's front room. | 0:10:32 | 0:10:36 | |
-My books don't smell quite as interesting. -We're coming on to your next book. | 0:10:36 | 0:10:40 | |
While at university, you came upon your next choice. | 0:10:40 | 0:10:43 | |
It's a very Scottish book. | 0:10:43 | 0:10:45 | |
Lanark by Alasdair Gray. | 0:10:45 | 0:10:47 | |
Is it possible to give us an overview? | 0:10:47 | 0:10:50 | |
I was dreading the point where you would ask me what's the book about. | 0:10:50 | 0:10:54 | |
I've read it three times, I don't really know what it's about. | 0:10:54 | 0:10:57 | |
But it's about two characters, Duncan Thaw and Lanark. | 0:10:57 | 0:11:01 | |
Duncan Thaw lives in post-war Glasgow. | 0:11:01 | 0:11:04 | |
Lanark lives in post-apocalyptic Unthank, but it's really Glasgow. | 0:11:04 | 0:11:08 | |
And it's their stories intertwined | 0:11:08 | 0:11:12 | |
through four separate books brought together. | 0:11:12 | 0:11:14 | |
It's about human beings, how we treat each other. | 0:11:14 | 0:11:17 | |
Both Duncan Thaw and Lanark are outsiders, | 0:11:17 | 0:11:19 | |
and looking back at my selections, | 0:11:19 | 0:11:21 | |
I seem to relate very much with people on the periphery of society, those ostracised. | 0:11:21 | 0:11:26 | |
Did it change your life? | 0:11:26 | 0:11:27 | |
I wouldn't be here now if it weren't for that book. | 0:11:27 | 0:11:31 | |
-Because... -Well, because as a teenager in Glasgow, | 0:11:31 | 0:11:33 | |
I didn't really know there was a world outside Glasgow. | 0:11:33 | 0:11:36 | |
This was the first bit of art I consumed that made me think, | 0:11:36 | 0:11:40 | |
"Hold on, I can raise my head above the parapet." | 0:11:40 | 0:11:42 | |
Glasgow is a city people write about, they're passionate about and they love. | 0:11:42 | 0:11:46 | |
And also, again as an immigrant, I had no precedence in the city of Glasgow. | 0:11:46 | 0:11:50 | |
My people come from the northwest of India, | 0:11:50 | 0:11:53 | |
and that gave me an instant history. | 0:11:53 | 0:11:55 | |
It locked me in to the '50s, '60s, '70s of Glasgow. | 0:11:55 | 0:11:59 | |
And I felt I was part of the city. | 0:11:59 | 0:12:01 | |
I was spat out by the city the way Duncan Thaw was. | 0:12:01 | 0:12:04 | |
Yeah. Clare, we're coming on to your next book. | 0:12:04 | 0:12:07 | |
You're at boarding school, where you eventually became head girl. | 0:12:07 | 0:12:11 | |
Were you a goody-goody then? | 0:12:11 | 0:12:13 | |
I was in terrible trouble when I was young. | 0:12:13 | 0:12:15 | |
-OK. -I got suspended, got de-housed, | 0:12:15 | 0:12:17 | |
and then I was the reformed character. | 0:12:17 | 0:12:19 | |
And your book from that era is Emily Bronte's Wuthering Heights. | 0:12:19 | 0:12:24 | |
Just remind us of the plot of this. | 0:12:24 | 0:12:26 | |
The central characters are Heathcliff and Catherine Earnshaw, | 0:12:26 | 0:12:30 | |
and the story boiled down, | 0:12:30 | 0:12:31 | |
cos it's a quite complicated book, but the story really is about | 0:12:31 | 0:12:35 | |
them growing up together, being real genuine soul mates, | 0:12:35 | 0:12:38 | |
and how society, having imposed certain expectations on Catherine, | 0:12:38 | 0:12:44 | |
society dictates that Heathcliff isn't good enough for her. | 0:12:44 | 0:12:48 | |
So she marries boring old Edgar Linton, | 0:12:48 | 0:12:50 | |
and Heathcliff goes away heartbroken, | 0:12:50 | 0:12:53 | |
educates himself, comes back as a man that is acceptable to society | 0:12:53 | 0:12:58 | |
and vows revenge and destroys lives because... | 0:12:58 | 0:13:01 | |
All their lives are destroyed by this rigidity. | 0:13:01 | 0:13:04 | |
Yeah, and I think when you're that age and you... | 0:13:04 | 0:13:07 | |
not necessarily identify with it, | 0:13:07 | 0:13:08 | |
but when you get a message in your head, | 0:13:08 | 0:13:11 | |
"Don't listen to what society tells you is right". | 0:13:11 | 0:13:15 | |
If you fall in love, you fall in love. | 0:13:15 | 0:13:17 | |
Just...fall in love, be true to you. | 0:13:17 | 0:13:19 | |
Don't tick all the boxes that everybody tells you to tick, | 0:13:19 | 0:13:23 | |
because that way lies madness and unhappiness and all sorts. | 0:13:23 | 0:13:27 | |
We've got a clip from probably the most famous version of the book in film | 0:13:27 | 0:13:33 | |
which is the very early one, 1939. | 0:13:33 | 0:13:35 | |
Laurence Olivier and Merle Oberon here, | 0:13:35 | 0:13:38 | |
showing a very dark Heathcliff. | 0:13:38 | 0:13:41 | |
You'll never love him, but you'll let yourself be loved | 0:13:41 | 0:13:44 | |
because it pleases your stupid greedy vanity. | 0:13:44 | 0:13:47 | |
Loved by that milk sop with buckles on his shoes. | 0:13:47 | 0:13:49 | |
Stop it and get out! | 0:13:49 | 0:13:51 | |
You had your chance to be something else, | 0:13:51 | 0:13:53 | |
but thief or servant were all you were born to be. | 0:13:53 | 0:13:56 | |
Or beggar beside the road, begging for favours, | 0:13:56 | 0:13:58 | |
not earning them, but whimpering for them with your dirty hands. | 0:13:58 | 0:14:02 | |
That's all I've become to you, a pair of dirty hands. | 0:14:03 | 0:14:07 | |
Well, have them, then! | 0:14:07 | 0:14:09 | |
Have them where they belong! | 0:14:09 | 0:14:13 | |
It doesn't help to strike you. | 0:14:17 | 0:14:19 | |
A peculiar way of speaking! | 0:14:19 | 0:14:23 | |
Yes, that's true, but you can see there it's about that snobbery. | 0:14:23 | 0:14:26 | |
It's about class, it's about racism as well. | 0:14:26 | 0:14:30 | |
And it's set on the Yorkshire moors, and I've seen the vicarage | 0:14:30 | 0:14:33 | |
where the Bronte sisters grew up, | 0:14:33 | 0:14:36 | |
and all of that came from a young woman who couldn't possibly | 0:14:36 | 0:14:41 | |
have experienced those things. | 0:14:41 | 0:14:43 | |
But her imagination could create this really dark, tense world. | 0:14:43 | 0:14:47 | |
Hardeep, have you read the classics? | 0:14:47 | 0:14:49 | |
I have read some of the classics, | 0:14:49 | 0:14:51 | |
but I kind of struggled through my teenage years with female writers | 0:14:51 | 0:14:56 | |
because I think there's a maturity in women writing at the same age as men. | 0:14:56 | 0:15:02 | |
We develop later emotionally, so I found it, to be blunt, | 0:15:02 | 0:15:05 | |
kind of turgid and quite heavy going. | 0:15:05 | 0:15:07 | |
I was struggling to come to terms with Glasgow, | 0:15:07 | 0:15:10 | |
let alone the Yorkshire Dales. | 0:15:10 | 0:15:12 | |
But, you know, hearing such an impassioned plea | 0:15:12 | 0:15:15 | |
on it's behalf I think I might give it another go. | 0:15:15 | 0:15:18 | |
-Do you re-read books? -I do. | 0:15:18 | 0:15:21 | |
I don't know how you feel, but there's a list of books I've yet to read | 0:15:21 | 0:15:25 | |
that I should really concentrate on. | 0:15:25 | 0:15:27 | |
But another thing that's beautiful, | 0:15:27 | 0:15:29 | |
particularly about the way we're talking about books through life, | 0:15:29 | 0:15:33 | |
is WHEN you read a book as well as WHAT you read. | 0:15:33 | 0:15:36 | |
So, you know, reading, Bronte in your teenage years | 0:15:36 | 0:15:39 | |
will absolutely impact on your sense of relationship, and the rest of it. | 0:15:39 | 0:15:45 | |
And similarly reading Burns throughout your life | 0:15:45 | 0:15:48 | |
changes how you think about song, how you think about love. | 0:15:48 | 0:15:51 | |
You go back to your roots for your next book. | 0:15:51 | 0:15:54 | |
It's called A Fine Balance by Rohinton Mistry. | 0:15:54 | 0:15:58 | |
Tell us about it. | 0:15:58 | 0:16:00 | |
Simply the most beautiful book I've ever read. | 0:16:00 | 0:16:04 | |
Set in India. | 0:16:04 | 0:16:06 | |
Set in India in the mid-'70s, early to mid-70s, | 0:16:06 | 0:16:08 | |
around the time of Indira Gandhi's Emergencies, | 0:16:08 | 0:16:11 | |
and it's about a number of characters. | 0:16:11 | 0:16:13 | |
But predominantly a couple of rural tailors, Omprakash and Ishvar, | 0:16:13 | 0:16:20 | |
who come from the village to the city to find work. | 0:16:20 | 0:16:23 | |
And it's heartbreaking, I've never cried so much reading a book. | 0:16:23 | 0:16:28 | |
I'm not the sort of person that generally cries reading a book. | 0:16:28 | 0:16:31 | |
It's an incredible... | 0:16:31 | 0:16:33 | |
-it's an incredible story, told... -Give us a taste. | 0:16:33 | 0:16:36 | |
I've read this actually and it is, it's a great, great book, epic. | 0:16:36 | 0:16:40 | |
And violent and, you know I'd said to you, "smell this", | 0:16:40 | 0:16:44 | |
the smells created in that book are great as well. | 0:16:44 | 0:16:46 | |
Things as well I sort of feel slightly, having spent so much time in India. | 0:16:46 | 0:16:50 | |
I think if I feel a writer about India is painting a picture | 0:16:50 | 0:16:55 | |
I am unfamiliar with, yet can somehow resonate with, | 0:16:55 | 0:16:57 | |
they must be doing an incredible job. | 0:16:57 | 0:16:59 | |
I'll read the beginning, because I think the first four lines | 0:16:59 | 0:17:02 | |
are as beautiful as any four lines you'll find in it. | 0:17:02 | 0:17:06 | |
"The morning express, bloated with passengers, slowed to a crawl, | 0:17:06 | 0:17:10 | |
"then lurched forward suddenly, as though to resume full speed. | 0:17:10 | 0:17:14 | |
"The train's brief deception jolted its riders. | 0:17:14 | 0:17:17 | |
"The bulge of humans hanging out of the doorway distended perilously, | 0:17:17 | 0:17:21 | |
"like a soap bubble at its limit." | 0:17:21 | 0:17:23 | |
And it's like that all the way through. | 0:17:23 | 0:17:26 | |
The thing about this that's so important for me is | 0:17:26 | 0:17:29 | |
it has tragedy at its core. | 0:17:29 | 0:17:33 | |
Don't give away the end. | 0:17:33 | 0:17:35 | |
No, it's genuine... It's... | 0:17:35 | 0:17:37 | |
I'm genuinely welling up thinking about the ending | 0:17:37 | 0:17:40 | |
because it consumes you, this book. | 0:17:40 | 0:17:42 | |
Has religion featured a great deal in your life? | 0:17:42 | 0:17:46 | |
Yes. I think I alluded to my Sikh upbringing in Fantastic Mr Fox. | 0:17:46 | 0:17:51 | |
I'm a real, passionate believer in the culture of religion. | 0:17:51 | 0:17:56 | |
-But do you go to temple for example? -No, I've an issue with organised religion. | 0:17:56 | 0:18:00 | |
I don't see why a designated building makes the words you speak to your maker | 0:18:00 | 0:18:04 | |
any more significant than your back bedroom. | 0:18:04 | 0:18:07 | |
I've never seen you without a turban, turbans of many colours. | 0:18:07 | 0:18:10 | |
Yes, I am the "Technicolour Dream Turban". | 0:18:10 | 0:18:13 | |
I think that again is my identity, | 0:18:13 | 0:18:15 | |
the cultural component of growing up, you know... | 0:18:15 | 0:18:19 | |
Listen, I've had a great life, | 0:18:19 | 0:18:20 | |
but it wasn't easy growing up in 1970s Glasgow as the fat, brown kid | 0:18:20 | 0:18:24 | |
with the green school uniform and matching green turban. | 0:18:24 | 0:18:27 | |
I felt I've earned the right to wear my turban. | 0:18:27 | 0:18:29 | |
My Sikhism's incredibly important to me, culturally and socially. | 0:18:29 | 0:18:34 | |
We move on, Clare, to a present day read. | 0:18:34 | 0:18:36 | |
You read it a few years ago. | 0:18:36 | 0:18:40 | |
It's unashamedly sentimental. | 0:18:40 | 0:18:41 | |
It's called The Art of Racing in The Rain by Garth Stein. | 0:18:41 | 0:18:45 | |
Tell us about it. | 0:18:45 | 0:18:48 | |
I mean, it became a global bestseller. | 0:18:48 | 0:18:50 | |
It is narrated by Enzo, who's the dog on the front cover there. | 0:18:50 | 0:18:54 | |
Enzo is named after Enzo Ferrari. | 0:18:54 | 0:18:56 | |
Enzo believes, because he's watched a documentary about Mongolia and life in Mongolia | 0:18:56 | 0:19:02 | |
that says that dogs will be reincarnated as men, as humans, so he... | 0:19:02 | 0:19:07 | |
The beginning of the book is the eve of his death, so you know throughout the book that he's going to die. | 0:19:07 | 0:19:13 | |
Yeah. | 0:19:13 | 0:19:15 | |
And he tells the story of Denny, who's his owner, | 0:19:15 | 0:19:17 | |
and Denny's marriage and child and subsequent heartbreak | 0:19:17 | 0:19:21 | |
when his wife dies and the battle for custody over his child. | 0:19:21 | 0:19:24 | |
But Enzo is a very philosophical dog. He knows that when she's ill, | 0:19:24 | 0:19:31 | |
when the wife is ill, he knows she's ill before she does, and you know... | 0:19:31 | 0:19:35 | |
-Do you believe that about dogs? -My dog, I don't think would know. | 0:19:35 | 0:19:38 | |
He'd just know whether he was hungry or not. | 0:19:38 | 0:19:41 | |
-He's a Tibetan Terrier. -Yes. | 0:19:41 | 0:19:43 | |
And indeed you were very ill a few years ago. | 0:19:43 | 0:19:45 | |
Well, yes, I'm not sure he realised, but he just knew I wasn't there for a while. | 0:19:45 | 0:19:51 | |
Cos you got thyroid cancer, which you're clear from now, | 0:19:51 | 0:19:56 | |
but it was a pretty crucial time in your life. | 0:19:56 | 0:19:59 | |
Yeah, and I was very... My attitude was, | 0:19:59 | 0:20:02 | |
if I pretend this isn't happening, then it's not happening. | 0:20:02 | 0:20:05 | |
Which is fine for me, it's not great for people around me, | 0:20:05 | 0:20:08 | |
because they can't talk about it cos it's not happening. | 0:20:08 | 0:20:11 | |
Were you reading this book? | 0:20:11 | 0:20:13 | |
I would have read that... probably was reading it, or had done just before. | 0:20:13 | 0:20:17 | |
And were you crying a lot anyway? | 0:20:17 | 0:20:19 | |
Sobbing. Absolutely sobbing. | 0:20:19 | 0:20:21 | |
-There's a bit here you wanted to read. -Yeah, I did. | 0:20:21 | 0:20:25 | |
He says, "I've always felt almost human, I've always known | 0:20:25 | 0:20:29 | |
"that there's something about me that's different from other dogs. | 0:20:29 | 0:20:33 | |
"I'm stuffed into a dog's body, but that's just the shell, it's what's inside that's important. | 0:20:33 | 0:20:38 | |
"The soul. And my soul is very human." | 0:20:38 | 0:20:42 | |
And he's a great philosopher is Enzo. | 0:20:42 | 0:20:45 | |
He tries to help and he tries to warn Denny when things are going wrong. | 0:20:45 | 0:20:50 | |
And he watches a lot of motor racing. | 0:20:50 | 0:20:52 | |
-It isn't horse racing? -It's motor racing and he's a big fan of Ayrton Senna. | 0:20:52 | 0:20:56 | |
Are you a dog lover or a motor racing lover, Hardeep? | 0:20:56 | 0:20:59 | |
-Neither. -Oh, dear! | 0:20:59 | 0:21:00 | |
I mean, to be blunt, I can't think of a book I'm less likely | 0:21:00 | 0:21:06 | |
to want to pick up, or indeed read. | 0:21:06 | 0:21:09 | |
Can I just tell you, towards the end he knows he's going to die | 0:21:09 | 0:21:12 | |
and he doesn't want Denny to have to take him to the vet. | 0:21:12 | 0:21:16 | |
He wants to create a suicide machine for dogs | 0:21:16 | 0:21:18 | |
so that he can die when he wants to die. | 0:21:18 | 0:21:20 | |
Now, has that sold you, do you think? | 0:21:20 | 0:21:23 | |
-He's about to die! -He's a dog! I mean... | 0:21:23 | 0:21:25 | |
Your next book... Actually it... | 0:21:27 | 0:21:30 | |
I can't believe you're not moved by... | 0:21:30 | 0:21:32 | |
-I adore you, Clare Balding... -I know. | 0:21:32 | 0:21:34 | |
-..but he's a dog. -No, but interestingly this book... | 0:21:34 | 0:21:38 | |
-Yes. -...that you've chosen, which is Margaret Atwood's The Handmaid's Tale. | 0:21:38 | 0:21:42 | |
You actually read this because your ex-wife recommended it. | 0:21:42 | 0:21:48 | |
So you're not beyond being prepared to read something you wouldn't normally read. | 0:21:48 | 0:21:53 | |
No. I mean, there was a kind of almost, | 0:21:53 | 0:21:55 | |
I'm embarrassed to say, a conscious strategy | 0:21:55 | 0:22:00 | |
to reading Atwood. | 0:22:00 | 0:22:01 | |
I read white male writers pretty much all through my life, till my 20s. | 0:22:01 | 0:22:06 | |
Then I kind of got to a point in my mid-30s and I thought, | 0:22:06 | 0:22:09 | |
I've read so few books by women, I'm missing a massive perspective. | 0:22:09 | 0:22:14 | |
So my ex-wife had read The Blind Assassin, The Handmaid's Tale, and a few other books. | 0:22:14 | 0:22:18 | |
She recommended reading and I thought it'd be a great place, | 0:22:18 | 0:22:21 | |
start at the top in terms of literature. | 0:22:21 | 0:22:24 | |
-It's set in the future. -Yes. It's set in a world where | 0:22:24 | 0:22:29 | |
we've so messed up the planet, | 0:22:29 | 0:22:31 | |
and we've so spoilt our paradise that women struggle to become pregnant. | 0:22:31 | 0:22:35 | |
So there are these handmaids, who are surrogates. | 0:22:35 | 0:22:38 | |
So if you're at all fertile, you're imprisoned effectively | 0:22:38 | 0:22:43 | |
and sent to houses to be impregnated by the man of the house. | 0:22:43 | 0:22:47 | |
The baby's then born and whipped off you as if it was the woman of the house's child. | 0:22:47 | 0:22:53 | |
And I thought it would be pleasant holiday reading. | 0:22:53 | 0:22:56 | |
I ruined my holiday by staying up till four in the morning going, | 0:22:56 | 0:22:59 | |
"One more chapter, one more chapter." | 0:22:59 | 0:23:01 | |
Your ex-wife's ultimate revenge. | 0:23:01 | 0:23:03 | |
Well, we're very good friends, so she gave me the gift of a brilliant book. | 0:23:03 | 0:23:07 | |
You know, if any men are watching that are avid readers, | 0:23:07 | 0:23:11 | |
I would exhort them to make sure they're reading enough women. | 0:23:11 | 0:23:15 | |
I think women read plenty men, but I think it's really important to get a balance. | 0:23:15 | 0:23:19 | |
-It's how we understand you so well. -Yes. And put up with you. | 0:23:19 | 0:23:22 | |
We've had your childhood books, and ones that have | 0:23:22 | 0:23:25 | |
shaped your adolescence, and great reads in adult life. | 0:23:25 | 0:23:30 | |
What about hidden pleasures, even guilty pleasures? | 0:23:30 | 0:23:34 | |
What's your guilty pleasure, Clare? | 0:23:34 | 0:23:37 | |
When I go on holiday I'll take with me five or six books, | 0:23:37 | 0:23:41 | |
but I will always start, almost in a way of cleansing my brain | 0:23:41 | 0:23:45 | |
and making it, you know, just start again from nothing, I start with Dan Brown. | 0:23:45 | 0:23:49 | |
Fabulous, isn't it? | 0:23:49 | 0:23:51 | |
Clare Balding, Dan Brown's Angels And Demons. | 0:23:51 | 0:23:54 | |
Angels and Demons, Da Vinci Code, I've just read The Lost Symbol | 0:23:54 | 0:23:57 | |
on holiday the other week. | 0:23:57 | 0:23:59 | |
Angels and Demons is ridiculous. | 0:23:59 | 0:24:00 | |
It's a ridiculous plot, it's a stupid... | 0:24:00 | 0:24:03 | |
The things that happen, he jumps out of a helicopter | 0:24:03 | 0:24:05 | |
and saves himself with a handkerchief or something. | 0:24:05 | 0:24:08 | |
The Pope goes up in flames. | 0:24:08 | 0:24:10 | |
All this stuff that's completely unrealistic, | 0:24:10 | 0:24:12 | |
but there are bits of it that are interesting and the symbology I love. | 0:24:12 | 0:24:16 | |
Yeah, I mean you're going back really to mythology by liking this book. | 0:24:16 | 0:24:21 | |
Yeah. And places in Rome and going back, | 0:24:21 | 0:24:24 | |
and I've been to Rome relatively recently | 0:24:24 | 0:24:27 | |
-and gone and tried to look... -It's that bad. | 0:24:27 | 0:24:29 | |
"What's the distance between here and there? | 0:24:29 | 0:24:32 | |
"Could he have got from there to there?" | 0:24:32 | 0:24:33 | |
It's stuff that I find vaguely interesting. | 0:24:33 | 0:24:36 | |
Can we talk about the book about the dog again? | 0:24:36 | 0:24:39 | |
-No, we'll talk about your guilty pleasure. -It's very similar to Clare's. | 0:24:39 | 0:24:43 | |
-You can read this on holiday. -This is The Communist Manifesto | 0:24:43 | 0:24:46 | |
by Marx and Engels. | 0:24:46 | 0:24:48 | |
How often do you look at this? | 0:24:48 | 0:24:50 | |
Well, I dip in and out of it. | 0:24:50 | 0:24:52 | |
I think again it's something I read when I was in my early teens | 0:24:52 | 0:24:56 | |
and really gave me a passion for politics. | 0:24:56 | 0:25:01 | |
It was the first time I realised there was a separation between | 0:25:01 | 0:25:04 | |
political philosophy and politics we saw on telly and read about in the papers. | 0:25:04 | 0:25:09 | |
And has it sold you on Communism? | 0:25:09 | 0:25:11 | |
What it sold me on is that there is no correct political path. | 0:25:11 | 0:25:17 | |
I mean, I think, you know, they talk about owning the means of production, | 0:25:17 | 0:25:21 | |
which is regarded as being an incredibly left-wing philosophy. | 0:25:21 | 0:25:25 | |
But actually if you look at big society, | 0:25:25 | 0:25:27 | |
a right-wing philosophy from David Cameron, | 0:25:27 | 0:25:30 | |
it's effectively owning the means of production, but without being paid for it. | 0:25:30 | 0:25:34 | |
But incredibly intolerant. | 0:25:34 | 0:25:35 | |
I mean, just page 28 here. | 0:25:35 | 0:25:38 | |
"You must therefore confess by individual, | 0:25:38 | 0:25:41 | |
"you mean no other person than the bourgeois, than the middle class owner of property. | 0:25:41 | 0:25:46 | |
"This person must indeed be swept out of the way and made impossible." | 0:25:46 | 0:25:50 | |
It is suggesting that someone like you and Clare should be swept away, | 0:25:50 | 0:25:54 | |
you're the bourgeois class. | 0:25:54 | 0:25:56 | |
I would be first with the broom. I would be first with the broom. | 0:25:56 | 0:25:59 | |
-To... yeah... -To sweep me away. Thanks! -To sweep us all away. | 0:25:59 | 0:26:02 | |
What do you think your book choices say about you? | 0:26:02 | 0:26:07 | |
Well, interestingly I think, if I may about Clare, I was surprised... | 0:26:07 | 0:26:12 | |
-I was only asking about you. -No, we can do it on each other. | 0:26:12 | 0:26:15 | |
-We could. -Go on then. | 0:26:15 | 0:26:16 | |
I wasn't surprised by the amount of animal-based books you've got, | 0:26:16 | 0:26:22 | |
but I was genuinely surprised | 0:26:22 | 0:26:24 | |
by how much theology and philosophy you have. | 0:26:24 | 0:26:29 | |
I mean, you know, we can, you know, mock Dan Brown, | 0:26:29 | 0:26:33 | |
but it is about religion, philosophy and belief. | 0:26:33 | 0:26:36 | |
And the classics book is the same. | 0:26:36 | 0:26:38 | |
So that was quite a surprise, for me, about you. | 0:26:38 | 0:26:42 | |
I thought there'd be a food-based book too. | 0:26:42 | 0:26:45 | |
Sorry to disappoint you! I wasn't surprised by Fantastic Mr Fox. | 0:26:45 | 0:26:48 | |
It's very interesting, the way you've revealed yourself so clearly, | 0:26:48 | 0:26:51 | |
that idea of the outsider, but also your Indian heritage | 0:26:51 | 0:26:55 | |
in the Rohinton Mistry book, I think is fabulous. | 0:26:55 | 0:26:58 | |
But also the political interest, | 0:26:58 | 0:27:01 | |
and you are a very strongly political beast, you... | 0:27:01 | 0:27:04 | |
-Yes, I do. -...would never be afraid to say what you think. | 0:27:04 | 0:27:08 | |
To point out injustice, to say, you know, "This doesn't work, | 0:27:08 | 0:27:11 | |
"this system doesn't work and it needs to work better." | 0:27:11 | 0:27:14 | |
But I think that book, you know, is a big part of my politics. | 0:27:14 | 0:27:18 | |
But I can't wait, I'm going to read the Myths... | 0:27:18 | 0:27:20 | |
-Myths Of Greece And Rome. -But not till you've read the dog book. | 0:27:20 | 0:27:23 | |
-Given a choice... -You may mock, I tell you, I can take this, | 0:27:23 | 0:27:26 | |
because I don't have to try and pretend I'm clever or anything, | 0:27:26 | 0:27:30 | |
because nobody expects me to be. | 0:27:30 | 0:27:32 | |
I can pick a nice book that lots of people have read | 0:27:32 | 0:27:34 | |
and lots of people bought and feel no shame in it. | 0:27:34 | 0:27:37 | |
I don't care what you think. I'm not trying to be clever. | 0:27:37 | 0:27:39 | |
If you had to choose just one book, Clare. | 0:27:39 | 0:27:42 | |
Yes, sorry, it wouldn't be that. | 0:27:42 | 0:27:45 | |
-Much as I like it, it wouldn't be that. -What would it be? | 0:27:45 | 0:27:48 | |
Well, I'd recommend, if it's across all age groups, | 0:27:48 | 0:27:51 | |
I'd go for Myths Of Greece And Rome. | 0:27:51 | 0:27:53 | |
I know there have been obviously much more recent editions, | 0:27:53 | 0:27:56 | |
and you will hear these stories told and retold, | 0:27:56 | 0:27:59 | |
and they will crop up in, in everything you do. | 0:27:59 | 0:28:03 | |
So read as close to the original as you can. | 0:28:03 | 0:28:06 | |
-It's a great recommendation. -Hardeep, which book would you recommend? | 0:28:06 | 0:28:11 | |
I'd be tempted to go for The Fantastic Mr Fox, | 0:28:11 | 0:28:14 | |
but that probably gets quite good reading as it is. | 0:28:14 | 0:28:18 | |
So the Rohinton Mistry, A Fine Balance, the most beautiful book I've ever read. | 0:28:18 | 0:28:23 | |
Lovely. There we are. | 0:28:23 | 0:28:25 | |
Thank you Clare Balding and Hardeep Singh Kohli | 0:28:25 | 0:28:27 | |
for joining me for My Life In Books. | 0:28:27 | 0:28:29 | |
APPLAUSE | 0:28:29 | 0:28:31 | |
CONVERSATION DROWNED OUT BY APPLAUSE | 0:28:31 | 0:28:35 | |
And please don't forget there's more about this book series | 0:28:35 | 0:28:38 | |
on the BBC website, and please join me tomorrow, same time, same place, | 0:28:38 | 0:28:44 | |
for more stories of lives and books. | 0:28:44 | 0:28:46 | |
Subtitles by Red Bee Media Ltd | 0:29:03 | 0:29:07 |