Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It is a programme about magic and illusion. | 0:00:02 | 0:00:03 | |
Need more magic in your life? | 0:00:03 | 0:00:05 | |
You've come to the right place as we've got the best tricks | 0:00:05 | 0:00:08 | |
and stunts from around the world. | 0:00:08 | 0:00:10 | |
And jumpsuits. | 0:00:11 | 0:00:12 | |
Tonight, we'll see illusions with a hint of football mania... | 0:00:14 | 0:00:17 | |
HE LAUGHS | 0:00:17 | 0:00:19 | |
..a monkey who couldn't be any brainier. Oh! Where's he going? | 0:00:19 | 0:00:22 | |
And Peter Andre driven to the point of insan-ia. | 0:00:22 | 0:00:25 | |
You won't believe your eyes, your ears or... | 0:00:27 | 0:00:30 | |
SHE SCREECHES ..or whatever's lurking under that bowl. | 0:00:30 | 0:00:32 | |
Michael! Michael! | 0:00:32 | 0:00:35 | |
Hm... I don't think she likes it. | 0:00:35 | 0:00:37 | |
Welcome to Now You See It. | 0:00:37 | 0:00:39 | |
I'm so confused. | 0:00:39 | 0:00:40 | |
You save up enough money... | 0:00:52 | 0:00:54 | |
PIG SQUEALS | 0:00:54 | 0:00:56 | |
That piggy bank was to stop money slipping through his fingers. | 0:00:56 | 0:00:58 | |
Here's the idea. I've got a pen here and also a coin. | 0:00:58 | 0:01:01 | |
The idea is pretty simple, OK? | 0:01:01 | 0:01:03 | |
Take the coin in this hand, tap it with the pen. | 0:01:03 | 0:01:05 | |
It looks as though it disappeared. Cos it's not in the other hand... | 0:01:05 | 0:01:08 | |
Can I just ask, why am I in your wardrobe? | 0:01:08 | 0:01:12 | |
I'll get rid of the coin. I'll put the coin away. | 0:01:12 | 0:01:14 | |
Actually, sorry, I meant the pen, didn't I? No. Yeah. | 0:01:14 | 0:01:16 | |
No, I did mean the coin, sorry. I'll put the coin away. Yeah, OK. | 0:01:16 | 0:01:19 | |
Let's do this again. I'll put the coin away in my pocket. | 0:01:19 | 0:01:22 | |
We don't need it any more. What we do need is a pen. | 0:01:22 | 0:01:24 | |
If I throw the pen up in the air, | 0:01:24 | 0:01:26 | |
like this, it changes to the coin | 0:01:26 | 0:01:28 | |
cos the pen is in my pocket. | 0:01:28 | 0:01:30 | |
HE LAUGHS | 0:01:30 | 0:01:32 | |
-I'm so confused. -Yeah, can I come out now? | 0:01:32 | 0:01:34 | |
To the mean streets of Slough to see what Ryan Tricks is up to. | 0:01:35 | 0:01:39 | |
Yes, bruv. There's one down there. Look, look, look. | 0:01:39 | 0:01:43 | |
Either he is about to perform a magic trick or for some reason, | 0:01:43 | 0:01:46 | |
he is going to kidnap a parking attendant. | 0:01:46 | 0:01:48 | |
Let's go, let's go, let's go. | 0:01:50 | 0:01:53 | |
All right, let's go. | 0:01:53 | 0:01:54 | |
I finally found a parking ticket. | 0:01:54 | 0:01:56 | |
What we're going to do now is I'm going to push it through the glass | 0:01:56 | 0:01:59 | |
so that kids can't steal it, all right? | 0:01:59 | 0:02:01 | |
Because we all know how kids like to get their kicks | 0:02:01 | 0:02:03 | |
stealing parking tickets(!) | 0:02:03 | 0:02:05 | |
HE GRUNTS Whoa! | 0:02:09 | 0:02:10 | |
Although he has interfered with the ticket | 0:02:10 | 0:02:12 | |
and as we can see, that's a finable offence. | 0:02:12 | 0:02:15 | |
Oh, dear, what are we going to do? | 0:02:15 | 0:02:17 | |
I know, let's just move on and enjoy some animal magic. | 0:02:17 | 0:02:21 | |
Over to Professor Richard Wiseman. | 0:02:21 | 0:02:23 | |
You are going to put it into the hand here | 0:02:23 | 0:02:25 | |
and you're going to blow. | 0:02:25 | 0:02:27 | |
It completely disappears. | 0:02:27 | 0:02:28 | |
Where did it go? Where did it go? Hang on, rewind. | 0:02:28 | 0:02:31 | |
Three factors in this trick to bear | 0:02:33 | 0:02:34 | |
in mind - the magician, the grape | 0:02:34 | 0:02:36 | |
and that monkey. | 0:02:36 | 0:02:38 | |
We won't label the tree, | 0:02:38 | 0:02:39 | |
that would be patronising, | 0:02:39 | 0:02:40 | |
but keep watching the monkey. | 0:02:40 | 0:02:42 | |
You're going to put it into the hand here | 0:02:42 | 0:02:44 | |
-and you are going to blow... -Now, that's not magic. | 0:02:44 | 0:02:47 | |
That's theft! | 0:02:47 | 0:02:49 | |
-Ryan. How are you doing, Ryan? -Good. | 0:02:49 | 0:02:51 | |
Andrew Mayne is also causing borderline criminal mischief | 0:02:51 | 0:02:54 | |
as he plays a game of where's wallet. | 0:02:54 | 0:02:57 | |
I want to test how uneasy you are when your wallet maybe isn't | 0:02:57 | 0:03:00 | |
immediately near you. | 0:03:00 | 0:03:02 | |
So, I'm being mugged on camera? | 0:03:02 | 0:03:03 | |
That's what we do. | 0:03:03 | 0:03:05 | |
-You got a wallet? I'll show you. -All right. -I won't touch it. | 0:03:05 | 0:03:07 | |
-I want you to place it inside of here. -OK. -Place it inside. | 0:03:07 | 0:03:10 | |
That's good. Now, first thing, hold out your hand. | 0:03:10 | 0:03:13 | |
-OK? You can see exactly where it's at, right? -Mm-hm. | 0:03:13 | 0:03:15 | |
Put your other hand on top. OK? Close down, close down, OK? | 0:03:15 | 0:03:18 | |
You're starting to feel insecure about it cos it's hard to tell | 0:03:18 | 0:03:21 | |
-inside the cup. -Yeah, yeah. -You can't see it. You can't see it. | 0:03:21 | 0:03:23 | |
-Mm-hm. -A little anxiety? -Yes. | 0:03:23 | 0:03:24 | |
OK, go ahead, turn it over. | 0:03:24 | 0:03:26 | |
-Yup. -How does that feel? | 0:03:28 | 0:03:30 | |
-Pretty bad. -Let's find your wallet, all right? | 0:03:30 | 0:03:33 | |
-OK. -Take a look, third car down. | 0:03:33 | 0:03:35 | |
A lost wallet is always in the last place you'd look. | 0:03:35 | 0:03:38 | |
OK. Whoa! | 0:03:38 | 0:03:40 | |
-In this case, under a car tyre. -All right. | 0:03:40 | 0:03:43 | |
I don't know how he did that at all. | 0:03:43 | 0:03:45 | |
HE LAUGHS You can easily get it back. | 0:03:45 | 0:03:48 | |
All you have to do is levitate the car. | 0:03:48 | 0:03:51 | |
Wondering how all these amazing tricks are done? | 0:03:54 | 0:03:56 | |
Well, here's one we can show you. It's... | 0:03:56 | 0:03:59 | |
Tonight, alchemy, the art of turning silver tat into gold tat. | 0:04:00 | 0:04:06 | |
-A silver bracelet. -OK. | 0:04:06 | 0:04:07 | |
Over to Wayne Houchin, who clearly didn't get | 0:04:07 | 0:04:10 | |
the "wear jazzy clothes" memo. | 0:04:10 | 0:04:11 | |
-If I were to turn this into gold... -That would be amazing. | 0:04:11 | 0:04:14 | |
Check this out. In order to do this, I need some heat. | 0:04:14 | 0:04:18 | |
-I've got a lighter. -You got one? | 0:04:18 | 0:04:20 | |
Come close. We're going to try this with a lighter. | 0:04:20 | 0:04:22 | |
Now, please don't try this with a lighter yourself. | 0:04:22 | 0:04:25 | |
If your hands are cold, just put on some mittens. | 0:04:25 | 0:04:28 | |
Doesn't that hurt? | 0:04:28 | 0:04:29 | |
It's hurting me watching it. Ouch. | 0:04:29 | 0:04:31 | |
Going to try to absorb some of the heat. | 0:04:31 | 0:04:34 | |
Don't know if the heat's being absorbed, | 0:04:34 | 0:04:36 | |
but the guy-liner certainly makes his eyes look smoky. | 0:04:36 | 0:04:39 | |
If you turn this to gold, you hired. | 0:04:39 | 0:04:41 | |
Look, look, right here. | 0:04:42 | 0:04:44 | |
-Right here too. -How are you doing this? -Yo! | 0:04:44 | 0:04:46 | |
Oh, what's happening here? | 0:04:46 | 0:04:48 | |
It's changing colour. | 0:04:48 | 0:04:50 | |
Wow! It's gold! Apart from the ends. | 0:04:50 | 0:04:53 | |
That's incredible. | 0:04:53 | 0:04:55 | |
Sometimes because of the heat transfer, it gets a little warm. | 0:04:55 | 0:04:58 | |
-Can you see it? -Whoa! | 0:05:00 | 0:05:03 | |
-That is crazy. -How did he do it? | 0:05:03 | 0:05:05 | |
-Look at that. -Find out later. | 0:05:05 | 0:05:06 | |
-Good job. -That's crazy. | 0:05:06 | 0:05:08 | |
Wham's is off duty at Club Tropicana. | 0:05:08 | 0:05:11 | |
HE SCREAMS | 0:05:11 | 0:05:13 | |
Come on, the drinks are free. | 0:05:13 | 0:05:15 | |
Here is marksman Ghee Tell taking aim with a crossbow. | 0:05:15 | 0:05:19 | |
And here is his assistant Diana, clutching her lucky biscuit tin. | 0:05:19 | 0:05:24 | |
I can tell from the outfits that this is either 300 years | 0:05:24 | 0:05:26 | |
in the future or 1989. | 0:05:26 | 0:05:29 | |
Now, Diana is gyrating through a series of the least natural | 0:05:32 | 0:05:35 | |
movements I've ever seen to retrieve a flower. | 0:05:35 | 0:05:38 | |
Most of us love flowers. | 0:05:40 | 0:05:41 | |
Sadly, power-dressing magicians with crossbows don't. | 0:05:41 | 0:05:44 | |
Well, that's one way to do your pruning. | 0:05:46 | 0:05:48 | |
Unsurprisingly, Diana is checking her life insurance policy. | 0:05:48 | 0:05:52 | |
Now, invalid. | 0:05:55 | 0:05:56 | |
Ghee will cut through anything with his crossbow. | 0:05:58 | 0:06:00 | |
When Diana got dressed this morning, those were trousers. | 0:06:00 | 0:06:03 | |
Now, Ben Hanlin is going to wind up officially the nicest man in | 0:06:07 | 0:06:10 | |
the world in tonight's... | 0:06:10 | 0:06:12 | |
-Well, hello. -And the nicest man in the world is... | 0:06:13 | 0:06:16 | |
Father Christmas. Oh, sorry, Peter Andre. | 0:06:16 | 0:06:20 | |
Peter is here to do a photo shoot for a wedding cake maker, | 0:06:20 | 0:06:23 | |
but he doesn't realise it's all a big set up. | 0:06:23 | 0:06:26 | |
In walk some actors. | 0:06:26 | 0:06:27 | |
-Hello. -Oh, my God. -Oh, are you getting married? | 0:06:27 | 0:06:30 | |
-Yeah, tomorrow, yeah. -Come here, I'm going to take a picture with you. | 0:06:30 | 0:06:33 | |
He's got no idea... | 0:06:33 | 0:06:35 | |
about anything, to be honest, but he seems happy enough. | 0:06:35 | 0:06:38 | |
-Beautiful. -And the stunt is on. -It's exactly how... | 0:06:38 | 0:06:41 | |
Are you getting emotional? | 0:06:41 | 0:06:43 | |
-Sorry. -Calm down. | 0:06:43 | 0:06:44 | |
-It's really nice. -It's perfect. | 0:06:44 | 0:06:47 | |
Absolutely perfect. | 0:06:47 | 0:06:49 | |
Right, so I'll box it up for you, | 0:06:49 | 0:06:50 | |
so it can take a few minutes and then we'll go and put in the car. | 0:06:50 | 0:06:53 | |
-All right, all right. We'll be back in a minute. -OK, all right. | 0:06:53 | 0:06:56 | |
Is it all right if I just put my bag here? | 0:06:56 | 0:06:58 | |
Oh, yeah, sorry. Leave it there. | 0:06:58 | 0:06:59 | |
We'll be back in a minute. | 0:06:59 | 0:07:01 | |
Great, see you in a bit. Can I get a few photos next to some of these? | 0:07:01 | 0:07:03 | |
-Is that all right? -Yeah, mate, honestly whatever you want. | 0:07:03 | 0:07:06 | |
Well, if you stand there and look at that one there. | 0:07:06 | 0:07:09 | |
-Whatever you want. -Close-up. | 0:07:09 | 0:07:11 | |
We don't have to go close up. | 0:07:11 | 0:07:12 | |
-I'm 41, I'm not 20... -Shall I go back a bit? | 0:07:12 | 0:07:14 | |
Oh, no. | 0:07:14 | 0:07:16 | |
-Are you serious? -HE GASPS | 0:07:19 | 0:07:21 | |
That is the worst thing that could have happened. | 0:07:21 | 0:07:23 | |
Apart from a burst of Mysterious Girl, of course. | 0:07:23 | 0:07:26 | |
First, let's get this out of the way, | 0:07:26 | 0:07:27 | |
so she doesn't see it cos she is going to freak. | 0:07:27 | 0:07:30 | |
It's covered in hair, carpet fibre. | 0:07:30 | 0:07:32 | |
I'd still eat it, can I just say? | 0:07:32 | 0:07:34 | |
-It is good. -I would love some, but you can't eat her cake! | 0:07:34 | 0:07:37 | |
-Well, she can't eat it now. Hold on, is that fixable? -No. | 0:07:37 | 0:07:40 | |
-What about that? Is that fixable? -No. | 0:07:40 | 0:07:42 | |
-Are you sure? -It certainly isn't. | 0:07:42 | 0:07:44 | |
Oh, mate, I've screwed up, man. | 0:07:44 | 0:07:46 | |
Don't worry. Hey, listen, she's a sweet girl, | 0:07:46 | 0:07:49 | |
she's going to understand. Well... | 0:07:49 | 0:07:51 | |
-let's hope she understands. -I'll tell you what. | 0:07:51 | 0:07:54 | |
Here, sit down. | 0:07:54 | 0:07:56 | |
-You're not going to make me make a cake, are you? -Well, look, right. | 0:07:56 | 0:07:59 | |
What I'm thinking is that looks like her cake, doesn't it? | 0:07:59 | 0:08:02 | |
-It looks nothing like her cake. -No, it's four tier, it's white... | 0:08:02 | 0:08:05 | |
It's four tier, but it's nothing like it. You can't do that. | 0:08:05 | 0:08:07 | |
-It looks nothing like the cake. -So what I'm thinking is that... | 0:08:07 | 0:08:10 | |
That could be her cake. | 0:08:10 | 0:08:12 | |
I mean, just look at it. | 0:08:12 | 0:08:13 | |
That is her cake, I reckon. | 0:08:13 | 0:08:15 | |
I mean, I think that kind of works as a cake. | 0:08:15 | 0:08:17 | |
I think that really works. | 0:08:17 | 0:08:19 | |
I think that is her cake. | 0:08:19 | 0:08:21 | |
Whoa! | 0:08:21 | 0:08:22 | |
Well, what do you think of that, Peter? | 0:08:22 | 0:08:24 | |
You can almost hear the penny trying to drop. | 0:08:35 | 0:08:39 | |
Then, eventually... | 0:08:42 | 0:08:45 | |
Why do I think you look familiar all of a sudden? | 0:08:47 | 0:08:50 | |
I don't really own a cake shop. | 0:08:50 | 0:08:52 | |
-My name is Ben Hanlin. -You are kidding me. -I'm a magician. | 0:08:52 | 0:08:54 | |
And you've just been tricked. | 0:08:54 | 0:08:56 | |
God, I was petrified for that girl. Ah! Are you kidding me? | 0:08:56 | 0:08:59 | |
-Oh, Peter, you are too lovely. -What?! | 0:08:59 | 0:09:02 | |
You are kidding... Listen, forget all that. | 0:09:02 | 0:09:04 | |
How the hell did you do that? | 0:09:04 | 0:09:06 | |
It's magic, innit? | 0:09:06 | 0:09:07 | |
Look at any card you like in the deck. And remember it. Ready? | 0:09:10 | 0:09:12 | |
It was either one or two. Either went for the front one, | 0:09:15 | 0:09:17 | |
the five of spades. | 0:09:17 | 0:09:18 | |
If not, POW! | 0:09:18 | 0:09:20 | |
Wow! Thanks, Miss Direction. First name, Northerly. | 0:09:20 | 0:09:24 | |
Now for some underwater magic from Jasz Vegas. | 0:09:25 | 0:09:28 | |
So shall we say... | 0:09:28 | 0:09:29 | |
No, let's not. | 0:09:32 | 0:09:33 | |
Oh, look, her hair has gone blue. | 0:09:34 | 0:09:36 | |
Is that the chlorine or has somebody had an accident in the pool? | 0:09:36 | 0:09:39 | |
Harry Potter and Ron Weasley, looking on there. | 0:09:39 | 0:09:42 | |
Ah, the rings. | 0:09:42 | 0:09:44 | |
One of them will have her locker key on the end, I imagine. | 0:09:44 | 0:09:47 | |
Extraordinary stuff, this interlocking ring business, Jasz, | 0:09:53 | 0:09:56 | |
but unless you pick up the rubber brick, | 0:09:56 | 0:09:58 | |
you won't get your bronze swimming badge. | 0:09:58 | 0:10:00 | |
Sorry, Hermione who? | 0:10:02 | 0:10:04 | |
And now a couple of tricks to prove that old adage that when it | 0:10:05 | 0:10:08 | |
comes to magic... | 0:10:08 | 0:10:09 | |
IN RUSSIAN ACCENT: "Now take my camera phone," | 0:10:12 | 0:10:14 | |
says Ilya Larionov to his mate, | 0:10:14 | 0:10:16 | |
as he'll need both his hands to hold his sheet. | 0:10:16 | 0:10:18 | |
Look, there's the sheet. Amazingly clean. That's what I like to see. | 0:10:18 | 0:10:22 | |
Oh, and he's already drawn a crowd... | 0:10:22 | 0:10:25 | |
That man there. | 0:10:25 | 0:10:27 | |
A bit of banter with the crowd - well - man. | 0:10:36 | 0:10:38 | |
Oh, where's Ilya and where is his crowd? | 0:10:41 | 0:10:45 | |
Look, it's the cameraman. So, who's holding the camera? | 0:10:45 | 0:10:48 | |
And now...Ilya is back. | 0:10:51 | 0:10:53 | |
Oh, this is all too complicated for my poor brain. | 0:10:53 | 0:10:57 | |
Some more sheet-based magic now in the even more idyllic | 0:10:57 | 0:11:00 | |
location of a light industrial estate. | 0:11:00 | 0:11:03 | |
You'd have thought they'd have picked a less windy day. | 0:11:03 | 0:11:05 | |
Still, that sheet will dry pretty quickly. | 0:11:05 | 0:11:08 | |
Whoa! It's Dad. | 0:11:08 | 0:11:10 | |
Let's take a look at some more dads in magic. | 0:11:11 | 0:11:13 | |
Perhaps now it's time to say... | 0:11:13 | 0:11:15 | |
No, still not. | 0:11:18 | 0:11:19 | |
Chevy Chase, looking trim for his age there. | 0:11:21 | 0:11:24 | |
Just an ordinary piece of rope from the shed. | 0:11:24 | 0:11:26 | |
Dad always said it would come in useful. | 0:11:26 | 0:11:28 | |
And look, it's really not useful at all! | 0:11:28 | 0:11:31 | |
His long-suffering wife is operating the camera, | 0:11:38 | 0:11:40 | |
hoping he'll eventually repair the sash window. | 0:11:40 | 0:11:43 | |
That's not enough dad for you? Well, here's some more. | 0:11:45 | 0:11:49 | |
It's time for bed and she is not having it. | 0:11:49 | 0:11:50 | |
There's only one way to sort this. | 0:11:50 | 0:11:52 | |
You can keep your Super Nanny. That is some childcare. | 0:11:53 | 0:11:56 | |
Coming up, this man risks everything by opening two | 0:11:58 | 0:12:02 | |
umbrellas indoors. | 0:12:02 | 0:12:03 | |
SHE BELLOWS, SHRIEKS AND LAUGHS We get a chance to hear | 0:12:03 | 0:12:05 | |
all these noises. Trust me, you'd be doing exactly the same | 0:12:05 | 0:12:08 | |
in her position. | 0:12:08 | 0:12:09 | |
-SHE GASPS -Michael! Michael! | 0:12:09 | 0:12:12 | |
And our big finish returns to the golden age of Saturday night | 0:12:12 | 0:12:15 | |
telly with a topless bald man, squatting in a cardboard box. | 0:12:15 | 0:12:19 | |
You'd be daft to miss it. | 0:12:19 | 0:12:20 | |
But first, the answer you've been desperate to discover for all | 0:12:22 | 0:12:25 | |
of eight and a half minutes. | 0:12:25 | 0:12:27 | |
You may remember that Wayne Houchin took this rather drab-looking | 0:12:29 | 0:12:32 | |
silver chain and turned it into a drab-looking gold chain, | 0:12:32 | 0:12:36 | |
using what looked like residual heat from the palm of his hand. | 0:12:36 | 0:12:39 | |
This gentleman is dumbfounded. He thinks it's crazy. | 0:12:39 | 0:12:42 | |
This is crazy. | 0:12:42 | 0:12:44 | |
But how exactly did they do that? | 0:12:44 | 0:12:46 | |
Crazy. | 0:12:47 | 0:12:48 | |
I wish that I had the power to take silver and really turn it into gold. | 0:12:48 | 0:12:52 | |
But unfortunately, I can't do that. | 0:12:52 | 0:12:54 | |
Our bracelet is actually copper | 0:12:54 | 0:12:55 | |
and we've coated it with zinc, so it looks silver. | 0:12:55 | 0:12:58 | |
And with that in play, we let science do the rest. | 0:12:58 | 0:13:00 | |
You see, it's all down to some GCSE science. | 0:13:00 | 0:13:03 | |
Apply enough heat | 0:13:03 | 0:13:04 | |
to some zinc-coated copper | 0:13:04 | 0:13:06 | |
and the two metals combine to make... | 0:13:06 | 0:13:08 | |
brass. | 0:13:08 | 0:13:10 | |
Shiny and gold like...gold. | 0:13:10 | 0:13:12 | |
But how did Wayne's magic hot hand cause this reaction? | 0:13:14 | 0:13:17 | |
Well, it didn't. The trick here is inside the oil drum. | 0:13:17 | 0:13:21 | |
There's a hot plate set to 400 degrees. | 0:13:21 | 0:13:24 | |
Perfect conditions to make a cheese toasty. Ha! | 0:13:24 | 0:13:26 | |
And to trigger a chemical reaction. | 0:13:26 | 0:13:28 | |
Place the chain on the oil drum and bingo. | 0:13:28 | 0:13:32 | |
Absolutely crazy. | 0:13:32 | 0:13:33 | |
That is still crazy to see. | 0:13:33 | 0:13:35 | |
It's crazy. | 0:13:35 | 0:13:36 | |
Now who is up for a bit of magic with a football? | 0:13:36 | 0:13:39 | |
I know I am. | 0:13:39 | 0:13:41 | |
And it seems Magical Bones has found just the guys to do one with. | 0:13:41 | 0:13:44 | |
I want you guys to think of a sport, OK? Get one in your mind. | 0:13:44 | 0:13:48 | |
You got one in your mind? Don't say it to me. I'm going to use this, OK. | 0:13:48 | 0:13:52 | |
I've just got a... | 0:13:52 | 0:13:54 | |
bag. | 0:13:54 | 0:13:55 | |
Have you got a sport in your mind? | 0:13:58 | 0:13:59 | |
-ALL: -Yes. -What sport were you thinking of? | 0:13:59 | 0:14:01 | |
-Bowling. -Bowling? -Yeah. | 0:14:01 | 0:14:04 | |
Um... | 0:14:04 | 0:14:06 | |
Let's try. | 0:14:07 | 0:14:09 | |
Amazing, but not the trick I was after with an actual football. | 0:14:12 | 0:14:16 | |
I know who will do one for me. Here's... | 0:14:16 | 0:14:18 | |
I didn't want to do a trick with an | 0:14:19 | 0:14:21 | |
-actual football, that'd be too obvious. -Rude. | 0:14:21 | 0:14:23 | |
Instead, a football sticker album from the shop. | 0:14:23 | 0:14:26 | |
Not filled up yet cos we just bought it, OK? | 0:14:26 | 0:14:28 | |
Can you hold out your hand for me? | 0:14:28 | 0:14:29 | |
Put your hand on top, just like that. | 0:14:30 | 0:14:32 | |
We'll come back to that in a second. | 0:14:32 | 0:14:34 | |
I've not stuck the stickers in yet. I've got them right here. | 0:14:34 | 0:14:37 | |
You've seen that they are completely legit. Now, Ben, say stop. | 0:14:37 | 0:14:40 | |
-Stop. -There, cool. Take the sticker. Have a look at it. | 0:14:40 | 0:14:43 | |
Oh, that will be former Scotland and Kilmarnock player Barry Nicholson. | 0:14:43 | 0:14:48 | |
And can you just push it somewhere in the middle? | 0:14:48 | 0:14:50 | |
Yeah, Barry Nicholson always goes midfield. | 0:14:50 | 0:14:52 | |
Can you hold out both of your hands for me? | 0:14:52 | 0:14:55 | |
Perfect. OK. Now we need to start sticking these in. | 0:14:55 | 0:14:59 | |
If we do this one at a time, we're going to be here all day. | 0:14:59 | 0:15:01 | |
So, I'm going to take the book. So, it is... | 0:15:01 | 0:15:06 | |
-empty, yeah? -Empty. -Ben, what we are going to do is just, watch. | 0:15:06 | 0:15:09 | |
If I do it like this and just start filling the sticker book up. | 0:15:09 | 0:15:12 | |
-OK. -Just like that. -OK. -Hey, wow! | 0:15:12 | 0:15:16 | |
Which means in your hands, the backs have gone completely blank. | 0:15:16 | 0:15:20 | |
Check them out. | 0:15:20 | 0:15:21 | |
-LAUGHS: -Agreed. | 0:15:22 | 0:15:24 | |
-They're all gone. -That is the sticker book completely filled up. | 0:15:25 | 0:15:31 | |
Oh, wait, I've missed one. | 0:15:31 | 0:15:33 | |
-That's Barry Nicholson. -Barry Nicholson. | 0:15:33 | 0:15:36 | |
Oh, it's Barry Nicholson. | 0:15:36 | 0:15:37 | |
Just check that again to make sure they are... | 0:15:37 | 0:15:39 | |
Oh, wait, is this the player you picked? | 0:15:39 | 0:15:42 | |
-Definitely was. -Show it to the camera. | 0:15:42 | 0:15:44 | |
-Barry Nicholson. -Put the sticker in your pocket. | 0:15:44 | 0:15:46 | |
-That's yours to keep. -Alongside his 27 other Barry Nicholson spares. | 0:15:46 | 0:15:50 | |
Bring it up just like this. | 0:15:50 | 0:15:51 | |
Bring it up in front of your face. | 0:15:51 | 0:15:53 | |
-Concentrate on Barry Nicholson. -OK. | 0:15:53 | 0:15:55 | |
Say the name Barry Nicholson out loud. | 0:15:55 | 0:15:58 | |
Keep saying it until you hear me say the word stop. | 0:15:58 | 0:16:00 | |
-OK? -OK. Barry Nicholson, Barry Nicholson, Barry Nicholson... | 0:16:00 | 0:16:04 | |
This reminds me of that horror film, but with Barry Nicholson. | 0:16:04 | 0:16:07 | |
-Barry Nicholson, Barry Nicholson. -Stop. | 0:16:07 | 0:16:09 | |
HE LAUGHS | 0:16:09 | 0:16:11 | |
Oh, my word! It's the real Barry Nicholson. | 0:16:11 | 0:16:13 | |
The best football magic trick | 0:16:13 | 0:16:15 | |
since Wayne Rooney's hair reappeared. | 0:16:15 | 0:16:18 | |
Thanks, Damien, and thanks, Barry Nicholson. | 0:16:18 | 0:16:20 | |
Now, please can I have a trick with a football? | 0:16:22 | 0:16:24 | |
Oh, thank you. | 0:16:25 | 0:16:27 | |
My word, Ghee Tell now has five crossbows. | 0:16:29 | 0:16:31 | |
DRAMATIC MUSIC PLAYS | 0:16:31 | 0:16:32 | |
Happily the music suggests nothing bad is going to happen. | 0:16:32 | 0:16:36 | |
DRAMATIC MUSIC CONTINUES | 0:16:36 | 0:16:40 | |
Ghee! Diana was standing behind that. | 0:16:49 | 0:16:51 | |
Next time give her a shout. | 0:16:51 | 0:16:53 | |
Absolutely incredible and the fee from this appearance will keep | 0:16:54 | 0:16:57 | |
them both in hairspray for at least one more week. | 0:16:57 | 0:17:00 | |
One is easily done, two is too few, but three is the magic number. | 0:17:02 | 0:17:05 | |
Especially when it comes to umbrellas. | 0:17:05 | 0:17:08 | |
This man has no umbrella. Look how wet it's been. | 0:17:09 | 0:17:12 | |
You'd have thought his bowler hat would have sorted him, | 0:17:13 | 0:17:15 | |
but that's not the point. It's not magic. | 0:17:15 | 0:17:18 | |
Still, making good use of this newspaper. | 0:17:19 | 0:17:21 | |
Oh, look at that! | 0:17:22 | 0:17:23 | |
Secondly, if Michael McIntyre did magic. | 0:17:25 | 0:17:28 | |
In fact, it's Fukai and his beautiful wife, Kimika. | 0:17:29 | 0:17:32 | |
Where has he been hiding that many umbrellas, though? | 0:17:33 | 0:17:36 | |
You wouldn't want one opening unexpectedly in your trousers. | 0:17:36 | 0:17:40 | |
Finally, the best street theatre production of Mary Poppins | 0:17:42 | 0:17:45 | |
you've ever seen, courtesy of Farid from Germany. | 0:17:45 | 0:17:48 | |
Look, he's off the ground...a bit. | 0:17:51 | 0:17:54 | |
Unfortunately, if the wind picks up, | 0:17:59 | 0:18:01 | |
they'll find him somewhere | 0:18:01 | 0:18:02 | |
near Frankfurt. | 0:18:02 | 0:18:03 | |
The kids look amazed. | 0:18:04 | 0:18:06 | |
But here's the thing, he didn't need her brolly after all. | 0:18:06 | 0:18:10 | |
Yes, throw it away. | 0:18:10 | 0:18:11 | |
And down he comes. | 0:18:14 | 0:18:16 | |
Oh, dear. | 0:18:20 | 0:18:21 | |
Looks like they need more than a spoonful of sugar right now. | 0:18:21 | 0:18:24 | |
Well done, Farid, | 0:18:24 | 0:18:25 | |
but if you want to end your trick with more pizzazz... | 0:18:25 | 0:18:28 | |
..that's how you do it. | 0:18:32 | 0:18:33 | |
Here we go. It's the amazing Michael Carbonaro, | 0:18:38 | 0:18:41 | |
pranking an assistant in a university science research centre. | 0:18:41 | 0:18:44 | |
We're going to get this all cleaned up for tonight | 0:18:44 | 0:18:46 | |
-because I have a class coming in. -What are we looking at? | 0:18:46 | 0:18:49 | |
You know, there was like a meteor crash in the Mojave Desert | 0:18:49 | 0:18:53 | |
and they picked up pieces from around the crater. | 0:18:53 | 0:18:56 | |
-The crater. -Mm-hm. And these were around it, so the dust. -Oh! | 0:18:56 | 0:18:59 | |
-So, they collected some of the dust. -Wait, you should put gloves on. -Oh. | 0:18:59 | 0:19:02 | |
-Yeah. -Oh, so these just happen to be around it when the meteor...? | 0:19:02 | 0:19:05 | |
-Exactly right. Look at this thing. -Eww! Don't know what... | 0:19:05 | 0:19:08 | |
-What can we call...? Is that? -Space pod or space seed? | 0:19:08 | 0:19:11 | |
Came from outer space? | 0:19:11 | 0:19:13 | |
You have gloves on, you can kind of feel it. It has a little bit of a... | 0:19:13 | 0:19:16 | |
-A little roughness to it. -Yeah. | 0:19:16 | 0:19:17 | |
That's pretty interesting. | 0:19:17 | 0:19:19 | |
SHE SCREAMS | 0:19:19 | 0:19:22 | |
That is the worst. | 0:19:22 | 0:19:25 | |
Oh! | 0:19:25 | 0:19:26 | |
-SHE CHUCKLES -I'm sorry, I'm not laughing, | 0:19:27 | 0:19:30 | |
but I'm laughing. | 0:19:30 | 0:19:31 | |
Wow! Look at that. | 0:19:34 | 0:19:36 | |
That was in the water for, like, a second and it just swelled up. | 0:19:37 | 0:19:41 | |
It's still...it's still solid. | 0:19:41 | 0:19:44 | |
Uh-oh. Oh, it has like a... | 0:19:44 | 0:19:46 | |
What is in there? I see something. | 0:19:46 | 0:19:48 | |
Is it Barry Nicholson? | 0:19:48 | 0:19:51 | |
Look at that! | 0:19:51 | 0:19:52 | |
-SHE GASPS -Whoa! | 0:19:52 | 0:19:56 | |
It is totally moving. | 0:19:56 | 0:19:57 | |
It's a creature from outer space and it's still alive! | 0:19:57 | 0:20:00 | |
Obviously, it's just a crab, but it's pretty convincingly alien. | 0:20:00 | 0:20:04 | |
-SHRIEKS: -There's two! | 0:20:04 | 0:20:05 | |
Yikes, yikes, yikes! Ah! | 0:20:05 | 0:20:07 | |
I love the fact that she's terrified, but also filming it. | 0:20:07 | 0:20:11 | |
-Bleugh! -SHE SCREAMS | 0:20:11 | 0:20:13 | |
IN AMERICAN ACCENT: We're being invaded by alien crabs, LOL. | 0:20:13 | 0:20:16 | |
Oh, my gosh, it's totally, like, moving. | 0:20:16 | 0:20:18 | |
What if they're, like, multiplying into more in there? | 0:20:19 | 0:20:23 | |
-SHE CHUCKLES -I just don't want to... | 0:20:23 | 0:20:25 | |
Lift the bowl up and I'll scoop them into here. | 0:20:25 | 0:20:28 | |
-SHE SHRIEKS -Lift, lift, lift. | 0:20:28 | 0:20:31 | |
-SHE GASPS -What the heck? | 0:20:31 | 0:20:34 | |
-MEOWING -What the hell is going on? | 0:20:34 | 0:20:36 | |
I have no idea. That... Why are there...? That's like... | 0:20:36 | 0:20:39 | |
They were just crabs, now they're cats. | 0:20:39 | 0:20:41 | |
It, like, assimilated... Look at the book! | 0:20:41 | 0:20:44 | |
SHE GASPS | 0:20:44 | 0:20:46 | |
Michael! Michael! | 0:20:46 | 0:20:49 | |
SHE SIGHS | 0:20:49 | 0:20:51 | |
The book! | 0:20:51 | 0:20:52 | |
They were crabs, now they are cats. | 0:20:52 | 0:20:55 | |
-MEOWING -They were crabs! -Yes. | 0:20:56 | 0:20:59 | |
No, nuh-uh. | 0:20:59 | 0:21:01 | |
That's what can happen with a meteor crash like that. | 0:21:01 | 0:21:04 | |
If something comes out of the meteor that's alive | 0:21:04 | 0:21:06 | |
and it touches something else, it can assimilate. | 0:21:06 | 0:21:09 | |
It's called the Carbonaro effect. | 0:21:10 | 0:21:12 | |
I'm a magician. | 0:21:12 | 0:21:13 | |
SHE LAUGHS | 0:21:13 | 0:21:16 | |
I think she's quite relieved. | 0:21:16 | 0:21:18 | |
Ah, must be recycling day. | 0:21:23 | 0:21:26 | |
Oh, no. It's ping-pong. | 0:21:26 | 0:21:27 | |
Or maybe bin-pong. | 0:21:27 | 0:21:28 | |
Well caught. You do realise humans are non-recyclable? | 0:21:30 | 0:21:33 | |
Well, what I've got is my beach towel, | 0:21:33 | 0:21:36 | |
so why not try something with this? | 0:21:36 | 0:21:38 | |
Don't be fooled by the beach towel. | 0:21:38 | 0:21:40 | |
Wolfgang Riebe isn't German, he's from South Africa. | 0:21:40 | 0:21:44 | |
Watch this. | 0:21:44 | 0:21:45 | |
OK, come place her onto the towel here. | 0:21:45 | 0:21:48 | |
There we go. | 0:21:48 | 0:21:49 | |
Take her feet there, Michael. And hold her neck stiff. | 0:21:49 | 0:21:52 | |
That's it, good. Now, I'm just go let go of the towel. | 0:21:52 | 0:21:56 | |
Just relax. | 0:21:56 | 0:21:57 | |
Well, it is a programme about magic and illusion. | 0:22:00 | 0:22:03 | |
Is this magic or is it an illusion? | 0:22:03 | 0:22:06 | |
Well, I hope it's one of them, Wolfgang. | 0:22:06 | 0:22:09 | |
Ross is going to feel very tempted to... | 0:22:09 | 0:22:11 | |
Hey, a glamorous lady with heavy gardening equipment. | 0:22:11 | 0:22:14 | |
It's Angela Funovits. | 0:22:14 | 0:22:16 | |
We're going to have to use a little... | 0:22:16 | 0:22:18 | |
-AUDIENCE CHEERS -..protection. | 0:22:18 | 0:22:20 | |
ROSS MUMBLES | 0:22:22 | 0:22:23 | |
Don't worry, Ross, you're going to be just fine. | 0:22:23 | 0:22:26 | |
Dayna, we have, behind us, four boxes. | 0:22:26 | 0:22:28 | |
I want you to take Ross behind the curtain | 0:22:28 | 0:22:31 | |
and place him into one of the boxes. | 0:22:31 | 0:22:33 | |
Each one of those boxes has a camera inside. | 0:22:33 | 0:22:35 | |
Our viewers at home will be able to see | 0:22:35 | 0:22:37 | |
a live feed of Ross in his box at all times. | 0:22:37 | 0:22:40 | |
-Dayna, is he in the box? -Yes. | 0:22:40 | 0:22:42 | |
Perfect. All right, when you are all finished, | 0:22:42 | 0:22:45 | |
I just want you to come around here to my right. | 0:22:45 | 0:22:47 | |
Shandi, we have boxes one through four. | 0:22:47 | 0:22:52 | |
I will be sawing through | 0:22:52 | 0:22:53 | |
-one of them. -SHE CHUCKLES | 0:22:53 | 0:22:54 | |
-One and three. -One and three. | 0:22:54 | 0:22:57 | |
And if Ross is in one, I'm sorry. | 0:22:57 | 0:22:58 | |
This isn't just a trick, | 0:23:00 | 0:23:02 | |
it's a handy way to jump the toilet queue at Glastonbury. | 0:23:02 | 0:23:04 | |
SAWING NOISE | 0:23:04 | 0:23:08 | |
Looks like Ross is safe...so far. | 0:23:12 | 0:23:15 | |
Not your regular Alan Titchmarsh Show audience, is it? | 0:23:16 | 0:23:18 | |
Point to someone in the audience I don't know. | 0:23:18 | 0:23:22 | |
Pretty, little boy. Right here, third row. | 0:23:22 | 0:23:24 | |
Pretty boy, number three or number four? | 0:23:24 | 0:23:26 | |
-Which one should I saw through? -Number three. | 0:23:26 | 0:23:28 | |
Ross, incidentally, is Angela's 58th assistant this year. | 0:23:30 | 0:23:34 | |
Oh, I can't watch. | 0:23:34 | 0:23:36 | |
SAWING NOISE | 0:23:36 | 0:23:38 | |
Phew, still OK, I think. | 0:23:42 | 0:23:44 | |
All right. Dayna, look at me. | 0:23:44 | 0:23:46 | |
But now we are left with just two boxes. | 0:23:46 | 0:23:48 | |
I hope her intuition is correct. | 0:23:48 | 0:23:50 | |
SAWING NOISE | 0:23:53 | 0:23:57 | |
Let's see, was he in box two? | 0:24:06 | 0:24:08 | |
Get out, Ross. | 0:24:08 | 0:24:10 | |
Oh, yes. Thank heavens. 59th time lucky, Angela. | 0:24:10 | 0:24:14 | |
Right, some very male magic now as Yif and Hansen Chien indulge | 0:24:16 | 0:24:19 | |
in a bit of... | 0:24:19 | 0:24:20 | |
You'll be pleased to know | 0:24:23 | 0:24:24 | |
there's no chainsaw action here. | 0:24:24 | 0:24:26 | |
Unless someone goes crazy | 0:24:26 | 0:24:27 | |
with an electric bread knife. | 0:24:27 | 0:24:29 | |
Mm, it's so delicious, they're not quite eating it. | 0:24:35 | 0:24:38 | |
Oh, looks like a bad case of gluten intolerance. | 0:25:00 | 0:25:04 | |
Let's leave them to it. | 0:25:04 | 0:25:06 | |
And travel to Holland. | 0:25:06 | 0:25:07 | |
IN DUTCH ACCENT: Well, I think it's Holland, | 0:25:07 | 0:25:09 | |
something somewhere is giving it away. | 0:25:09 | 0:25:11 | |
Ah, look, two Dutch ladies. Double Dutch. | 0:25:11 | 0:25:14 | |
Oh, those are big holes. | 0:25:17 | 0:25:18 | |
Anyone seen a maniac with a crossbow? | 0:25:18 | 0:25:20 | |
Importantly, the girls check that this is just an ordinary | 0:25:20 | 0:25:23 | |
slice of cheese. | 0:25:23 | 0:25:24 | |
No trap doors or anything. | 0:25:24 | 0:25:26 | |
But why? Well, watch this. | 0:25:26 | 0:25:29 | |
Oh, the holes are vanishing in that Dutch cheese. | 0:25:35 | 0:25:39 | |
Or as the Dutch call it, cheese. | 0:25:39 | 0:25:41 | |
HE SPEAKS OWN LANGUAGE | 0:25:49 | 0:25:51 | |
As cheese Magic goes, that was "e-mmental". Emmental. | 0:25:54 | 0:25:58 | |
THEY GIGGLE | 0:25:58 | 0:25:59 | |
It's time now for our big finish. | 0:26:02 | 0:26:04 | |
Back to 1987 with the legendary Hans Moretti and his wife, Helga. | 0:26:04 | 0:26:08 | |
Oh, that's a lovely gold necklace Hans is wearing. | 0:26:09 | 0:26:12 | |
It was silver, but he met a man with an oil drum | 0:26:12 | 0:26:14 | |
on the way to the studio. | 0:26:14 | 0:26:16 | |
Some middle-aged couples spend their time gardening together | 0:26:21 | 0:26:24 | |
or looking at National Trust properties. | 0:26:24 | 0:26:27 | |
Others are Hans and Helga. | 0:26:27 | 0:26:28 | |
Clearly, someone's just placed an online order for Hans, | 0:26:33 | 0:26:35 | |
so into the box he goes. | 0:26:35 | 0:26:37 | |
It's more fun than you think in those distribution warehouses, | 0:26:37 | 0:26:40 | |
isn't it? | 0:26:40 | 0:26:41 | |
And now a hipster and the chairman of the local Rotary Club | 0:26:54 | 0:26:58 | |
are invited out of the audience to stick swords into the box. | 0:26:58 | 0:27:01 | |
Ow! How can Hans survive that? | 0:27:01 | 0:27:04 | |
Phew... It's Hans' hand, handily proving he's still at hand. | 0:27:06 | 0:27:10 | |
Helga has to be careful taking out those swords. | 0:27:25 | 0:27:27 | |
One of them obviously ripped down | 0:27:27 | 0:27:29 | |
the front of that outfit in rehearsal. | 0:27:29 | 0:27:31 | |
And now the swords have been removed and Hans will | 0:27:45 | 0:27:48 | |
no doubt emerge looking exactly as he did before. | 0:27:48 | 0:27:50 | |
Or he'll appear dressed as a clown in full make-up and | 0:27:53 | 0:27:56 | |
with a chicken on his head. | 0:27:56 | 0:27:58 | |
He's even got an umbrella in there. | 0:27:58 | 0:28:00 | |
Eat your hearts out, Farid and Fukai. | 0:28:00 | 0:28:03 | |
Duck, Helga. | 0:28:06 | 0:28:07 | |
Or is it a goose? | 0:28:07 | 0:28:08 | |
Can I just say, that's what I call a big finish. | 0:28:10 | 0:28:13 | |
Impressive stuff. Don't you think, Peter? | 0:28:16 | 0:28:18 | |
Mm, yeah, a bit lost. | 0:28:21 | 0:28:22 | |
Well, there you have it, the end of another great show. | 0:28:27 | 0:28:30 | |
I'm off now for a kick about with Barry Nicholson and | 0:28:30 | 0:28:32 | |
a monkey who keeps running away with the ball. | 0:28:32 | 0:28:35 | |
-Into the hand here... -Wish me luck. | 0:28:35 | 0:28:37 |