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Dancing is super-fun. It's a form of expression and it's cool. | 0:00:02 | 0:00:07 | |
Oh, I know this song. Let's do the routine to it! It brings everyone together. It's great. | 0:00:07 | 0:00:11 | |
Having a dance craze gives us that chance to do something all together and all feel like we're one animal. | 0:00:11 | 0:00:17 | |
There's been so many great dance crazes, and I've partaken in most of them. | 0:00:17 | 0:00:22 | |
It's fun, it's something that everyone can do. | 0:00:22 | 0:00:26 | |
Oh, it's camp as Christmas. | 0:00:26 | 0:00:27 | |
You can just do you thing, you know what I'm saying? | 0:00:27 | 0:00:30 | |
Dance is a way to free the soul and ease the mind. | 0:00:30 | 0:00:35 | |
The moment these songs start, you're damned if you do and you're damned if you don't. | 0:00:35 | 0:00:39 | |
Better to slap on a smile and get stuck in, I reckon. | 0:00:39 | 0:00:42 | |
Hello. I'm TV's Robert Webb - actor, writer, and as I'm going to reminding you hundreds of times | 0:00:47 | 0:00:54 | |
over the course of the next hour, a highly accomplished dancer. | 0:00:54 | 0:00:58 | |
It's a combination of skills that makes me the perfect...ly adequate choice | 0:00:58 | 0:01:05 | |
to host Pop's Greatest Dance Crazes, a countdown of the songs that have | 0:01:05 | 0:01:09 | |
got you bopping like idiots at office parties, wedding discos, or alone in your front room, drunk. | 0:01:09 | 0:01:16 | |
But who decides which dance crazes are best? Some know-it-all panel of so-called experts? Yes, actually. | 0:01:16 | 0:01:23 | |
And together, these specialists and BBC3 viewers have picked out the hippest, the sexiest, the quirkiest | 0:01:23 | 0:01:30 | |
and, let's be honest, the gayest dance crazes from over the last 40 years. | 0:01:30 | 0:01:35 | |
So finish your drink, kick off your shoes and join me | 0:01:35 | 0:01:38 | |
on a journey towards the craziest of all pop's great dance crazes. | 0:01:38 | 0:01:43 | |
Hit it. | 0:01:43 | 0:01:45 | |
Five, four, three, two, one. | 0:01:45 | 0:01:47 | |
The dance routine from Rhythm Nation, for me, was life-changing. | 0:01:55 | 0:01:59 | |
Oh, it would just sort of make me feel so excited to watch that dance. | 0:01:59 | 0:02:03 | |
The noise of it was just great. | 0:02:03 | 0:02:05 | |
You know, all of them together, it was just such an amazing video, so striking. | 0:02:05 | 0:02:09 | |
# With music by our side To break the colour lines... # | 0:02:09 | 0:02:14 | |
The dance routine for Rhythm Nation was very... | 0:02:14 | 0:02:16 | |
intricate. It was very different for that time. | 0:02:16 | 0:02:21 | |
The discipline in that video is incredible. | 0:02:22 | 0:02:25 | |
They move in one wave and one formation together. | 0:02:25 | 0:02:31 | |
# We are a part of the Rhythm Nation. # | 0:02:31 | 0:02:36 | |
I suppose she's singing about being part of a Rhythm Nation, a nation | 0:02:36 | 0:02:40 | |
entirely founded on the rules of dance. | 0:02:40 | 0:02:42 | |
But, you know, even the rules of dance has to be strictly enforced | 0:02:42 | 0:02:45 | |
if you're going to dance in time with one another to that extent. | 0:02:45 | 0:02:49 | |
Taking a leaf out of her brother's book, the song's message is one of peace and racial harmony. | 0:02:49 | 0:02:54 | |
So, naturally, it features military uniforms and nunchucks. | 0:02:54 | 0:02:58 | |
That was me. | 0:02:59 | 0:03:01 | |
I was the dancer using the nunchucks, yes. | 0:03:01 | 0:03:04 | |
I just felt that it fit the video. It was my version of this military vibe. | 0:03:04 | 0:03:09 | |
You know, you need an element of menace. | 0:03:09 | 0:03:11 | |
Even in the world of dance, power can corrupt. | 0:03:11 | 0:03:15 | |
Maybe that's the message. | 0:03:15 | 0:03:16 | |
It was very robotic and accurate, | 0:03:18 | 0:03:21 | |
and it's the first time we saw her do a little pop-and-lock. | 0:03:21 | 0:03:25 | |
Ooh, technical. | 0:03:25 | 0:03:28 | |
It's very important that your fingers stay together, your elbows stay in, and then we hit - | 0:03:30 | 0:03:35 | |
sharp, sharp, sharp. | 0:03:35 | 0:03:38 | |
# Sing it if you want a better way of life. # | 0:03:38 | 0:03:43 | |
I think it's a wonderful craze, | 0:03:43 | 0:03:45 | |
but I think it's a really difficult one to sort of start up | 0:03:45 | 0:03:49 | |
and bring onto a dance floor. | 0:03:49 | 0:03:50 | |
I think, by yourself, you'd suddenly just be coming into | 0:03:50 | 0:03:54 | |
a bit of a military, you know, and bang, bang, bang, you know, | 0:03:54 | 0:03:57 | |
and arms sort of giving it large. | 0:03:57 | 0:03:59 | |
It's not the most intimate of dances, let's just say that. | 0:04:03 | 0:04:05 | |
At 49, the Spice Girls, the group who tapped into the mid-'90s ladette phenomenon. | 0:04:10 | 0:04:16 | |
When they sang Spice Up Your Life, it wasn't the plea for women to become independent, | 0:04:16 | 0:04:19 | |
it was just telling them to go for a vindaloo after a skinful of lager. | 0:04:19 | 0:04:23 | |
Girl power. | 0:04:23 | 0:04:25 | |
Wooo! | 0:04:35 | 0:04:37 | |
-Girl power! -They were just huge. They were like a force. | 0:04:38 | 0:04:42 | |
# When you're feeling sad and low... # | 0:04:42 | 0:04:45 | |
It was five young, loud, in-your-face girls | 0:04:45 | 0:04:48 | |
thinking they were going to change the world, and they did at one time. | 0:04:48 | 0:04:52 | |
They did actually change the world, and the world was at their feet. | 0:04:52 | 0:04:56 | |
A lot of people were copying just the way they acted, | 0:04:56 | 0:04:59 | |
and little girls wanted to be Sporty, | 0:04:59 | 0:05:01 | |
or little girls wanted to be Baby Spice. | 0:05:01 | 0:05:04 | |
# Slam it to the left If you're having a good time... # | 0:05:04 | 0:05:07 | |
A generation of young girls spiced up their lives and learnt some funky new dance moves. | 0:05:07 | 0:05:12 | |
It was important for us when we were doing our choreography. | 0:05:12 | 0:05:15 | |
We wanted to keep the dance routines quite simple, because we wanted people to be able | 0:05:15 | 0:05:19 | |
to copy them and to do them along with us at home and stuff. | 0:05:19 | 0:05:24 | |
First of all, some classic Spice Girls moves. One, two, cha cha cha. | 0:05:24 | 0:05:28 | |
Two, two, cha cha cha. OK, got that? | 0:05:28 | 0:05:31 | |
Then you can add the arms, you can freestyle a little bit. | 0:05:31 | 0:05:34 | |
Cha cha cha, | 0:05:34 | 0:05:36 | |
and then let out the song. Are you ready? | 0:05:36 | 0:05:39 | |
# La-la-la, la-la-la la-la-la | 0:05:40 | 0:05:44 | |
# La-la-la, la-la-la-la. # | 0:05:44 | 0:05:46 | |
A little bit like that. | 0:05:46 | 0:05:48 | |
# Spice up your life! Aaah! | 0:05:48 | 0:05:51 | |
# Slam it to the left If you're having a good time... # | 0:05:51 | 0:05:54 | |
Slam it to the left and shake it to the right. | 0:05:54 | 0:05:56 | |
I was shaking it everywhere from Europe to New York. | 0:05:56 | 0:05:58 | |
You couldn't stop me. | 0:05:58 | 0:06:00 | |
# Yo! I'll tell you what I want... # | 0:06:00 | 0:06:01 | |
Each Spice Girl had her own unique persona, which gave them highly individual dancing styles. | 0:06:01 | 0:06:07 | |
Who can forget Scary, Sporty and Arthritic! | 0:06:07 | 0:06:10 | |
# I wanna, I wanna, I wanna really really, really wanna zigazig-a. # | 0:06:10 | 0:06:13 | |
Loads of people think that we had our Spice names | 0:06:13 | 0:06:16 | |
and we lived up to that, but what really happened was | 0:06:16 | 0:06:19 | |
we'd just presented ourselves as the individuals that we were | 0:06:19 | 0:06:23 | |
and we were named by Top Of The Pops magazine, and those names just stuck. | 0:06:23 | 0:06:27 | |
# Make it last forever Friendship never ends. # | 0:06:27 | 0:06:30 | |
With those characters that they created came their own specific dance. That was really clever. | 0:06:30 | 0:06:37 | |
# That's the way it is. # | 0:06:37 | 0:06:39 | |
Victoria's, of course, is the point and pout. | 0:06:39 | 0:06:42 | |
Posh Spice would always do stuff like that and look away. | 0:06:42 | 0:06:45 | |
Victoria Beckham was famous for not really dancing at all. | 0:06:45 | 0:06:47 | |
She'd just point at things, presumably at things that | 0:06:47 | 0:06:51 | |
she was later just going to get David Beckham to buy her. | 0:06:51 | 0:06:54 | |
Scary Spice was just - rrarrgh! Very animalistic. | 0:06:55 | 0:06:58 | |
She growled, she always screamed at the camera. | 0:06:58 | 0:07:01 | |
She did the high kicks and stuff like that. | 0:07:01 | 0:07:03 | |
Emma had lots of very cutesy maybe like little shushes. | 0:07:03 | 0:07:07 | |
Emma was a good dancer. | 0:07:07 | 0:07:09 | |
She really knew how to get down. | 0:07:09 | 0:07:11 | |
Geri's, of course, was the peace sign which we all adopted. | 0:07:11 | 0:07:14 | |
Geri had no rhythm, couldn't put one foot in front of the other. | 0:07:14 | 0:07:19 | |
It was a little bit unfair, because four of us girls had had dance training and Geri hadn't, | 0:07:20 | 0:07:25 | |
so we used to do a bit of extra rehearsing, myself and Geri. | 0:07:25 | 0:07:29 | |
Sporty Spice's signature moves - well, of course, who can forget the back-flip, | 0:07:31 | 0:07:36 | |
performed a few times on tables. | 0:07:36 | 0:07:39 | |
Wide stance, point up to the sky - that was a bit of a Sporty. | 0:07:40 | 0:07:44 | |
The punch, that's a bit of a Sporty and then the signature kick, yeah! | 0:07:44 | 0:07:49 | |
I've still got it! | 0:07:49 | 0:07:51 | |
# You have got to give. # | 0:07:51 | 0:07:53 | |
They all had their own little moves, you know, then they'd all come | 0:07:53 | 0:07:57 | |
together with something easy, that I think teenagers could pick up on. | 0:07:57 | 0:08:00 | |
# You gotta, you gotta you gotta... # | 0:08:00 | 0:08:03 | |
We've worked with some of the world's best choreographers and we always have had these really | 0:08:03 | 0:08:08 | |
difficult routines, but we just make them easier! | 0:08:08 | 0:08:11 | |
We learn them and just go, "Can we just make it a bit easier? Because our fans, | 0:08:11 | 0:08:16 | |
"we need to make it easy for our fans," but it was just because we were lazy! | 0:08:16 | 0:08:19 | |
You can't sing and do all that, that's why everyone mimes. | 0:08:21 | 0:08:25 | |
# If you wanna be my lover. # | 0:08:25 | 0:08:27 | |
# When the sun shines we'll shine together | 0:08:28 | 0:08:31 | |
# Told you I'll be here forever | 0:08:31 | 0:08:34 | |
# Said I'll always be your friend... # | 0:08:34 | 0:08:36 | |
Let's not beat around the bush. | 0:08:36 | 0:08:38 | |
Our next dance craze is raunchy. | 0:08:38 | 0:08:40 | |
Gene Kelly used to sing in the rain, Rihanna just strips semi-naked | 0:08:40 | 0:08:44 | |
in the stuff and turns the sexy dial up to 11. | 0:08:44 | 0:08:47 | |
# Umbrella You can stand under my umbrella | 0:08:47 | 0:08:51 | |
# Ella ella, ay, ay, ay... # | 0:08:51 | 0:08:54 | |
I like the way she's doing the Fred Astaire thing with the umbrella. | 0:08:54 | 0:08:57 | |
She's using it as a prop. | 0:08:57 | 0:09:00 | |
I want to be that umbrella. | 0:09:00 | 0:09:01 | |
# Ella ella, ay ay ay... # | 0:09:01 | 0:09:05 | |
You don't have an umbrella in the club, so you have to simulate one. | 0:09:05 | 0:09:09 | |
You do the whole umbrella on the shoulder, the walk, | 0:09:09 | 0:09:13 | |
put the umbrella out to there, the umbrella out to there. | 0:09:13 | 0:09:16 | |
You could do whatever you want with your imaginary umbrella. | 0:09:16 | 0:09:20 | |
# Because when the sun shines we'll shine together... # | 0:09:22 | 0:09:26 | |
All my umbrellas at home are now called Rihannas! | 0:09:26 | 0:09:31 | |
# Always be your friend | 0:09:31 | 0:09:32 | |
# Took an oath I'ma stick it out to the end... # | 0:09:32 | 0:09:35 | |
Our next entry is Common People by Pulp, | 0:09:37 | 0:09:40 | |
a band whose lead singer Jarvis Cocker concocted choreography for... | 0:09:40 | 0:09:43 | |
Hang on, I think I just made up a tongue twister. | 0:09:43 | 0:09:46 | |
Cocker concocted choreography. Cocker concocted choreography. | 0:09:46 | 0:09:49 | |
Cocker concocted choreography. Sorry, got a bit carried away there. | 0:09:49 | 0:09:52 | |
Anyway, Clocker flonkocted choreog...ty for this song on the day of the shoot itself. | 0:09:52 | 0:09:58 | |
# If you called your dad he could stop it all, yeah | 0:09:58 | 0:10:02 | |
# You'll never live like common people | 0:10:02 | 0:10:05 | |
# You'll never do whatever common people do... # | 0:10:05 | 0:10:08 | |
The first time I had seen Jarvis, I thought he was like | 0:10:08 | 0:10:11 | |
a really animated pipe cleaner. | 0:10:11 | 0:10:14 | |
King of the geeks! | 0:10:16 | 0:10:17 | |
He dances so brilliantly, but it's all just little flicks, | 0:10:17 | 0:10:21 | |
a little flick here and a move there. | 0:10:21 | 0:10:24 | |
But a few nifty little moves, a vintage suit | 0:10:26 | 0:10:28 | |
and some oversized bins, Jarvis made disco-dancing look cool again. | 0:10:28 | 0:10:33 | |
I made up a dance for the video of Common People... | 0:10:34 | 0:10:38 | |
..which I'll show it to you if you like. | 0:10:39 | 0:10:41 | |
# Sing along with the common people... # | 0:10:41 | 0:10:43 | |
Sing along and it might just get you...through, | 0:10:43 | 0:10:47 | |
because that's like you moving through double doors or something. | 0:10:47 | 0:10:51 | |
# Laughing at you... # | 0:10:51 | 0:10:54 | |
And the stupid things that you do - I don't know why we've got the windscreen wiper. | 0:10:54 | 0:10:58 | |
Because you think that poor is cool - | 0:11:01 | 0:11:04 | |
I think that's supposed to be a cool pose. | 0:11:04 | 0:11:07 | |
# I wanna live with common people like you... # | 0:11:08 | 0:11:11 | |
I made that one up on the day and managed to teach a few of the other extras in the video it. | 0:11:11 | 0:11:18 | |
You get the kind of vague idea. | 0:11:18 | 0:11:21 | |
# You better to live like common people | 0:11:21 | 0:11:24 | |
# You better do whatever common people do... # | 0:11:24 | 0:11:26 | |
The dance that they did, you enjoyed seeing it, | 0:11:26 | 0:11:29 | |
but it wasn't one that you copied when you were dancing to it, | 0:11:29 | 0:11:32 | |
because you just got so into the actual song. | 0:11:32 | 0:11:35 | |
# And dance and drink and screw... # | 0:11:35 | 0:11:36 | |
I think the indie kids understood | 0:11:36 | 0:11:39 | |
that that dance was meant ironically, | 0:11:39 | 0:11:42 | |
and therefore, to actually turn up and do that dance | 0:11:42 | 0:11:45 | |
would have meant that you didn't get the joke. | 0:11:45 | 0:11:48 | |
We had this bee in our bonnet about being a pop band and we thought, | 0:11:51 | 0:11:55 | |
this song has got some, whatever, socio-political relevance or whatever, | 0:11:55 | 0:12:00 | |
but still, it wouldn't hurt to have a dance routine that went with it. | 0:12:00 | 0:12:03 | |
I think you can have both things. I like the high concept and the low concept... | 0:12:03 | 0:12:07 | |
So I was very pleased that we had a little dance. | 0:12:07 | 0:12:11 | |
Our next entry features some mummified dancers doing this. | 0:12:20 | 0:12:24 | |
-Can I stop doing this now? -No! | 0:12:28 | 0:12:30 | |
It's 1997's Around the World by French duo Daft Punk, | 0:12:32 | 0:12:37 | |
or to translate that name into French - Daft Punk. | 0:12:37 | 0:12:40 | |
It seems silly. | 0:12:43 | 0:12:45 | |
I'm stopping. | 0:12:45 | 0:12:47 | |
Daft Punk Around the World | 0:12:55 | 0:12:57 | |
is like a weird, modern | 0:12:57 | 0:12:59 | |
music box - you open up the lid and like, | 0:12:59 | 0:13:01 | |
"What the hell is going in here?" | 0:13:01 | 0:13:03 | |
It's the most bizarre video in the world. | 0:13:04 | 0:13:07 | |
Visually, it was amazing. | 0:13:07 | 0:13:08 | |
It was so simple, yet there was a lot going on. | 0:13:08 | 0:13:11 | |
Top pop video director Michel Gondry's vision | 0:13:12 | 0:13:15 | |
was to make each of the dancers represent the instruments. | 0:13:15 | 0:13:19 | |
It brought us some crazy choreography. | 0:13:19 | 0:13:22 | |
So, the synchronised swimmers are the high-pitched keyboard synth. | 0:13:22 | 0:13:26 | |
It's art, go with it. | 0:13:26 | 0:13:28 | |
What you're watching is the human representation of what Daft Punk have created digitally. | 0:13:30 | 0:13:37 | |
It's an incredibly clever idea. | 0:13:37 | 0:13:39 | |
The tall B-boys symbolise the ascending and descending bass guitar. | 0:13:39 | 0:13:44 | |
The mummies are dancing in time with the song's drumbeat. | 0:13:44 | 0:13:46 | |
The itchy skeletons are the guitars. | 0:13:46 | 0:13:49 | |
And the astronauts represent the robot voice | 0:13:49 | 0:13:51 | |
repeating that one famous vocal over and over and over again. | 0:13:51 | 0:13:56 | |
# Around the world Around the world... # | 0:13:56 | 0:13:58 | |
I used to be able to do the skeleton dance. | 0:13:58 | 0:14:00 | |
My favourite thing is the random spacemen | 0:14:02 | 0:14:06 | |
who just walk around, and when they get to the front, they get confused. | 0:14:06 | 0:14:09 | |
One of them turns back on himself and he goes, "No, keep going forwards." | 0:14:12 | 0:14:16 | |
It's a really nice little ripple of that happening, and you think it's gone wrong, but it hasn't. | 0:14:16 | 0:14:21 | |
Daft Punk brought robotics back - thanks Daft Punk! | 0:14:21 | 0:14:26 | |
Robo-dance was popular in the '80s, back when a home computer was a Sinclair ZX80 or a Commodore 64. | 0:14:26 | 0:14:32 | |
But if the robotic dancers really wanted to mimic computers, | 0:14:32 | 0:14:35 | |
they should have moved like they were about to print a spreadsheet | 0:14:35 | 0:14:38 | |
before freezing until they're put to sleep. | 0:14:38 | 0:14:41 | |
I think the robot is up there with the greatest dance crazes. | 0:14:41 | 0:14:47 | |
At the point the robot was revealed to the world, | 0:14:47 | 0:14:50 | |
I don't know a single human being who didn't then give it a go. | 0:14:50 | 0:14:54 | |
# Oh, Mickey, you're so fine | 0:14:55 | 0:14:57 | |
# You're so fine, you blow my mind Hey, Mickey! # | 0:14:57 | 0:14:59 | |
I love a cheerleader, don't you? | 0:15:01 | 0:15:03 | |
At 45 in our top 50 countdown is Mickey by Toni Basil. | 0:15:03 | 0:15:07 | |
She was a lady, by the way. Toni, that is, not Mickey. | 0:15:07 | 0:15:11 | |
# Oh, Mickey, you're so fine | 0:15:16 | 0:15:18 | |
# You're so fine, you blow my mind Hey, Mickey! | 0:15:18 | 0:15:20 | |
# Hey, Mickey! # | 0:15:20 | 0:15:22 | |
# Oh, Mickey, you're so fine You're so fine, you blow my mind | 0:15:22 | 0:15:26 | |
# Hey, Mickey! Hey, Mickey! # | 0:15:26 | 0:15:28 | |
Oh, I loved that, she had a ra-ra on and pom-poms. | 0:15:28 | 0:15:32 | |
Used to fall into splits at the end, of course. Mickey Basil. | 0:15:32 | 0:15:36 | |
Toni Basil, even. Whatever. | 0:15:36 | 0:15:39 | |
I wasn't he interested in her name, just in her skirt! | 0:15:39 | 0:15:42 | |
Toni Basil was choreographer to the stars before she donned her old | 0:15:43 | 0:15:47 | |
high-school cheerleader outfit and topped the charts in 1982 with this high-octane ditty. | 0:15:47 | 0:15:53 | |
# You've been around all night and that's a little long... # | 0:15:55 | 0:15:58 | |
When you think of Hey, Mickey, you think of high energy | 0:15:58 | 0:16:01 | |
and you think of a cheerleader and you think of Toni just looking hot. | 0:16:01 | 0:16:05 | |
I was on the floor with pom-poms and mini-skirts. Of course I did! That's a stupid question. | 0:16:08 | 0:16:12 | |
Pardon me for asking! | 0:16:12 | 0:16:14 | |
Being a cheerleader isn't easy - have you seen those American | 0:16:14 | 0:16:17 | |
cheerleaders and what they do? It's an art form. | 0:16:17 | 0:16:19 | |
# Oh, what you do, Mickey Do, Mickey | 0:16:19 | 0:16:22 | |
# Don't break my heart, Mickey! # | 0:16:22 | 0:16:24 | |
# Doo-doo-doo... # | 0:16:24 | 0:16:26 | |
It's actually quite a butch song, it's not the most feminine dance. | 0:16:29 | 0:16:34 | |
It's really - grrrrr! | 0:16:36 | 0:16:37 | |
# Oh, Mickey, what a pity you don't understand... # | 0:16:37 | 0:16:40 | |
She looks deranged throughout the dance. | 0:16:40 | 0:16:42 | |
"Oh, Mickey, you're so fine, you're so fine, you blow my mind, hey, Mickey!" | 0:16:42 | 0:16:47 | |
The main bit to remember was the, that bit, | 0:16:47 | 0:16:50 | |
very, very, very sharp jerky movement like that. | 0:16:50 | 0:16:53 | |
Roll your wrist and you point at whoever you want to go home with - | 0:16:56 | 0:17:00 | |
it's true. It's such a macho dance! | 0:17:00 | 0:17:03 | |
Toni doesn't mind a bit of butch. Just take a look at the cheerleaders in her video. | 0:17:06 | 0:17:12 | |
I think a couple of her dancers are really quite hefty young women. | 0:17:12 | 0:17:17 | |
But actually she used a couple of men and dressed them up in cheerleading outfits because of all the lifting. | 0:17:17 | 0:17:24 | |
I didn't realise that then, maybe that's why I thought they were cute. | 0:17:24 | 0:17:28 | |
I thought there was something wrong. It answers a lot of questions now. | 0:17:28 | 0:17:31 | |
Actually, Louie, it doesn't. | 0:17:31 | 0:17:33 | |
That's, in fact, an urban myth. | 0:17:33 | 0:17:35 | |
The dancers you're drooling over were real cheerleaders from Carson High, California. | 0:17:35 | 0:17:40 | |
Many of the dancers in our top 50 are about freedom and fun and having | 0:17:42 | 0:17:46 | |
what I can only described as a gay old time, and that's fine. | 0:17:46 | 0:17:49 | |
There's a place for that, but it's not now, | 0:17:49 | 0:17:51 | |
because the only way one can successfully perform the dance | 0:17:51 | 0:17:54 | |
to Fatboy Slim's Praise You is with the solemnity that it deserves. I thank you. | 0:17:54 | 0:18:00 | |
# We've come a long, long way together | 0:18:15 | 0:18:18 | |
# Through the hard times and the good... # | 0:18:18 | 0:18:22 | |
Praise You was a guerrilla-style video | 0:18:22 | 0:18:24 | |
featuring the Torrance Community Dance Troupe. | 0:18:24 | 0:18:27 | |
This genuine-looking footage from 1999 sees them pitching up uninvited | 0:18:27 | 0:18:31 | |
to perform some wacky dancing on the street outside an LA cinema. | 0:18:31 | 0:18:35 | |
It is almost like a drama class. It isn't a dance, it's a drama class. | 0:18:37 | 0:18:41 | |
But they're expressing themselves through movement. | 0:18:41 | 0:18:44 | |
Whatever they're taking, can I have some? | 0:18:44 | 0:18:46 | |
There's a routine of sorts, but it's a routine unlike | 0:18:47 | 0:18:50 | |
anything that would come out of a professional dance studio! | 0:18:50 | 0:18:54 | |
The video got everyone talking. | 0:18:57 | 0:19:00 | |
Was it amateur footage? | 0:19:00 | 0:19:01 | |
Who were these people? | 0:19:01 | 0:19:04 | |
But those with too much time spotted Norman Cook peering into the camera | 0:19:04 | 0:19:08 | |
which gave the game away. Turns out they were professional dancers and the stunt was | 0:19:08 | 0:19:12 | |
the brainchild of troupe leader Spike Jonze - movie writer, promo director and co-creator of Jackass. | 0:19:12 | 0:19:18 | |
We kind of did it like burglar-style | 0:19:19 | 0:19:22 | |
so nobody knew that we were filming. Even the people in the theatre | 0:19:22 | 0:19:26 | |
didn't know we were out there doing these crazy steps. | 0:19:26 | 0:19:29 | |
I think it was the seriousness and how we played it | 0:19:34 | 0:19:36 | |
which made it even funnier, because we weren't playing it for laughs. | 0:19:36 | 0:19:40 | |
But you'd have to be pretty dumb to be taken in by this! | 0:19:40 | 0:19:44 | |
When I watch that video, it was 100% real. | 0:19:44 | 0:19:46 | |
They meant every moment of it, so that is genuine expression in that video. | 0:19:46 | 0:19:51 | |
You know when something is being faked. They were definitely mental. | 0:19:51 | 0:19:55 | |
I gave every step a funny name, so we would do, like, | 0:19:56 | 0:20:00 | |
the broken pony. | 0:20:00 | 0:20:02 | |
You're off to go into that broken pony land. | 0:20:04 | 0:20:08 | |
The second step is called the bad fish | 0:20:09 | 0:20:12 | |
because it's swimming in the wrong direction on the river. | 0:20:12 | 0:20:15 | |
But then another current comes along and you're going the other way | 0:20:15 | 0:20:19 | |
and you're a bad fishie and you're stuck in the current. | 0:20:19 | 0:20:22 | |
As long as you danced weird, you suited that dance. | 0:20:24 | 0:20:28 | |
Like mysterious. | 0:20:28 | 0:20:29 | |
# Praise you like I should... # | 0:20:29 | 0:20:31 | |
It's the sort of thing you can see yourself in your own front room, | 0:20:34 | 0:20:37 | |
I do, anyway, just leaping around and | 0:20:37 | 0:20:40 | |
doing all that and thinking you're burning off calories! | 0:20:40 | 0:20:42 | |
It really wasn't a hit at the discos, not at the time. | 0:20:45 | 0:20:49 | |
I don't think if you're going to be in some disco, taking your date out, | 0:20:49 | 0:20:52 | |
you would go into a broken pony or do the bad fish, | 0:20:52 | 0:20:57 | |
it's just not becoming, it's not, style-wise, romantic. | 0:20:57 | 0:21:01 | |
Number 43 in our dance crazes run-down comes from the Godfather of Soul, James Brown. | 0:21:08 | 0:21:15 | |
When I reach my 70s, I plan to spend my time eating toffees, | 0:21:15 | 0:21:18 | |
watching Homes Under The Hammer and pretending to be deaf. | 0:21:18 | 0:21:22 | |
When James Brown reached his 70s, he was still spending | 0:21:22 | 0:21:25 | |
his days wearing a jumpsuit and dancing around the stage like he was having some kind of fit. | 0:21:25 | 0:21:30 | |
His passing in 2006 was mourned not just by his fans, but by the entire prosthetic hip industry. | 0:21:30 | 0:21:37 | |
# Get up, get on up | 0:21:39 | 0:21:41 | |
# Get up, get on up | 0:21:41 | 0:21:44 | |
# Stay on the scene, get on up... # | 0:21:44 | 0:21:46 | |
(IMITATES INTRO) That iconic bit, | 0:21:46 | 0:21:49 | |
you hear that and you automatically know what time it is. | 0:21:49 | 0:21:52 | |
# Stay on the scene, get on up... # | 0:21:52 | 0:21:55 | |
Watching footage of James Brown is like watching someone possessed by | 0:21:55 | 0:22:00 | |
this amazing, musical, rhythmic, passionate dancing spirit. | 0:22:00 | 0:22:05 | |
I would describe James Brown as a firecracker. | 0:22:07 | 0:22:11 | |
He's up there, he can be smooth, | 0:22:11 | 0:22:12 | |
and you like that thing, and it just kind of goes crazy. | 0:22:12 | 0:22:15 | |
I love James Brown. | 0:22:15 | 0:22:17 | |
He was like one of those preacher dancers. He was like he was possessed by the Lord. | 0:22:17 | 0:22:22 | |
I definitely think James Brown has inspired many performers. | 0:22:26 | 0:22:30 | |
Michael Jackson, even Beyonce. | 0:22:30 | 0:22:33 | |
People want this thing, you know? | 0:22:34 | 0:22:37 | |
From his leg | 0:22:40 | 0:22:41 | |
to his spin to when he sings, when he dances, ow! | 0:22:41 | 0:22:44 | |
70-year-old James Brown - ow! | 0:22:46 | 0:22:49 | |
Still dancing. I'm like "James Brown, calm down. | 0:22:49 | 0:22:51 | |
"Calm down, James, because you might break a hip." | 0:22:51 | 0:22:55 | |
Absolutely the originator of shaking his thang! | 0:22:57 | 0:23:02 | |
Our next dance craze was spawned by Miley Cyrus's dad, of all people. | 0:23:09 | 0:23:13 | |
Turns out he's actually a musician, | 0:23:13 | 0:23:16 | |
and his 1992 track Achy Breaky Heart | 0:23:16 | 0:23:19 | |
brought line dancing into the big time. | 0:23:19 | 0:23:21 | |
The song was written by Don Von Tress, a man who, interestingly, | 0:23:21 | 0:23:24 | |
shares his initials with the medical condition deep vein thrombosis. | 0:23:24 | 0:23:29 | |
Yes, it's the dance sensation of the summer, the achy breaky! | 0:23:31 | 0:23:36 | |
Billy Ray Cyrus, for me, is the worst of what America can offer us. | 0:23:37 | 0:23:41 | |
He's got his mullet on the go. | 0:23:41 | 0:23:43 | |
It's sort of like a perm and mullet convention in the video. Horrendous. | 0:23:43 | 0:23:48 | |
But if you could master a grapevine and rock your hips three times, | 0:23:50 | 0:23:53 | |
you could do the achy breaky, and the routine was most infectious. Not infectious in a good way. | 0:23:53 | 0:23:59 | |
I mean infectious like conjunctivitis or scabies. | 0:23:59 | 0:24:04 | |
God, it was catchy. | 0:24:04 | 0:24:06 | |
You'd be in a club, and then people would start to hurriedly organise lines. | 0:24:06 | 0:24:11 | |
It's like, "No, stop it." | 0:24:11 | 0:24:13 | |
The shoulders are going, and all doing this sort of stuff. | 0:24:13 | 0:24:18 | |
That was the mother of all dance crazes, the whole line dancing thing. | 0:24:18 | 0:24:22 | |
Somebody called it the Cyrus virus, and now everywhere I play, people show up with | 0:24:23 | 0:24:28 | |
big posters and banners that say, "We've got the Cyrus virus." | 0:24:28 | 0:24:31 | |
Billy Ray Cyrus inflicted upon the world an appreciation of line dancing | 0:24:31 | 0:24:37 | |
-that, by rights, it should never have had. -Thanks, Billy(!) | 0:24:37 | 0:24:40 | |
Hi, guys. You can't smell me, but I absolutely stink. | 0:24:46 | 0:24:50 | |
While I was lifting some really heavy weights, I looked around | 0:24:50 | 0:24:54 | |
and saw a lot of people in pain and very few people having fun. | 0:24:54 | 0:24:57 | |
And that's the way it should be when exercise is concerned. | 0:24:57 | 0:25:00 | |
But try telling that to these crazy geniuses who are in at number 41. | 0:25:00 | 0:25:05 | |
They won't listen. | 0:25:05 | 0:25:06 | |
I'm joking! | 0:25:09 | 0:25:11 | |
The speed and the slope of this treadmill can be varied | 0:25:14 | 0:25:17 | |
to simulate the physical demands while walking or ascending gradients. | 0:25:17 | 0:25:22 | |
# It could be ten but then again... # | 0:25:22 | 0:25:24 | |
I don't know anybody who didn't see that video | 0:25:24 | 0:25:26 | |
who watched the whole thing like this. | 0:25:26 | 0:25:29 | |
# Throw on your clothes The second side of Surfer Rosa | 0:25:29 | 0:25:32 | |
# And you leave me with my jaw on the floor... # | 0:25:32 | 0:25:34 | |
These are the gymtastic moves for OK Go's Here It Goes Again, | 0:25:39 | 0:25:43 | |
better known as "the treadmill song". | 0:25:43 | 0:25:45 | |
I think they did it in one take, which is pretty impressive. | 0:25:47 | 0:25:50 | |
It only works because it's done in one take. | 0:25:50 | 0:25:53 | |
These guys have to have rehearsed it so that you genuinely feel you're watching a spectacle. | 0:25:53 | 0:25:57 | |
Feel free to try this at home...once you've bought eight treadmills. | 0:25:57 | 0:26:01 | |
It's not really a dance you can do in a nightclub, like, | 0:26:02 | 0:26:05 | |
"Hello, mate, you come in the nightclub." | 0:26:05 | 0:26:07 | |
"Coat. Thank you very much." | 0:26:07 | 0:26:09 | |
"What's this?" "It's a treadmill." | 0:26:09 | 0:26:11 | |
"What are you doing with a treadmill?" | 0:26:11 | 0:26:14 | |
"I'm hoping you're going to play that song." | 0:26:14 | 0:26:16 | |
Just set up the treadmill. | 0:26:16 | 0:26:19 | |
# Just when you think you've got a hold | 0:26:21 | 0:26:25 | |
# Here it goes, here it goes Here it goes again... # | 0:26:25 | 0:26:28 | |
Though the song isn't amazing, but once you've seen the video, | 0:26:28 | 0:26:32 | |
you've got the video in your head and therefore, the song's brilliant. | 0:26:32 | 0:26:35 | |
# Here it goes again! # | 0:26:35 | 0:26:38 | |
Whether you know him as Ricky, Rick, Richard or just plain Dick, | 0:26:45 | 0:26:49 | |
chances are Ricky Martin is your | 0:26:49 | 0:26:51 | |
favourite grinning Puerto Rican narcissist. | 0:26:51 | 0:26:54 | |
Mine too, and this is his first English single, Livin' La Vida Loca, | 0:26:54 | 0:27:00 | |
a Spanish phrase which roughly translates as "your grandmother smells of donkeys". | 0:27:00 | 0:27:04 | |
I know, I was shocked and outraged too. | 0:27:06 | 0:27:08 | |
# Like a bullet to your brain, come on! # | 0:27:08 | 0:27:10 | |
# Upside, inside out, your grandmother smells of donkeys! # | 0:27:10 | 0:27:16 | |
# She'll push and pull you down | 0:27:16 | 0:27:19 | |
# Livin' la vida loca... # | 0:27:19 | 0:27:21 | |
Let's just forget the fact that he's gorgeous and can shake his bon-bon | 0:27:21 | 0:27:25 | |
like nobody else, | 0:27:25 | 0:27:27 | |
but he's got this captivating energy. | 0:27:27 | 0:27:30 | |
# Livin' la vida loca | 0:27:30 | 0:27:33 | |
# Livin' la vida loca... # | 0:27:33 | 0:27:35 | |
Ricky Martin has a great way | 0:27:35 | 0:27:37 | |
of working the camera, and he can do the smallest of dance moves | 0:27:37 | 0:27:40 | |
and it will be so effective. | 0:27:40 | 0:27:42 | |
When he's on stage, he has this fire. | 0:27:42 | 0:27:44 | |
It's just magnetic. | 0:27:44 | 0:27:46 | |
It gets everybody on their feet. | 0:27:46 | 0:27:48 | |
Ricky's Latin dance craze was Puerto Rico's biggest export since...well, ever. And no wonder. | 0:27:50 | 0:27:56 | |
As you're about to see, La Vida Loca is the perfect way to seduce a woman, or repair a dislocated hip. | 0:27:56 | 0:28:02 | |
Oh, yeah, we all love a bit of Latin, don't we? | 0:28:02 | 0:28:06 | |
Especially cos the men wear very tight trousers | 0:28:06 | 0:28:08 | |
and shake their bum a lot. | 0:28:08 | 0:28:10 | |
It's a bit of a loosey-goosey. | 0:28:10 | 0:28:12 | |
Shake. It was loosey. | 0:28:12 | 0:28:15 | |
The whole body shakes. | 0:28:15 | 0:28:18 | |
The butt shakes. | 0:28:18 | 0:28:19 | |
And the hands just flap around. | 0:28:19 | 0:28:21 | |
It just makes you want to leave your drink | 0:28:21 | 0:28:24 | |
and get up on the dance floor | 0:28:24 | 0:28:27 | |
and actually do something. | 0:28:27 | 0:28:28 | |
It's commercialised. It's dumbed down a bit. | 0:28:28 | 0:28:31 | |
It just makes it lighter, which is | 0:28:31 | 0:28:32 | |
the best thing to do for Ricky, because then everyone can join in, so everyone will like it. | 0:28:32 | 0:28:37 | |
Very clever, Ricky. Very clever. | 0:28:37 | 0:28:39 | |
At number 39, it's Don't Cha, or in English, "Don't you?" | 0:28:43 | 0:28:48 | |
Originally performed by the super-sexy Pussycat Dolls, it's more commonly performed now | 0:28:48 | 0:28:53 | |
by the drunkest girl in whatever club you happen to be in. | 0:28:53 | 0:28:56 | |
Some people say that it's a basically unpleasant song which objectifies women. | 0:28:56 | 0:29:00 | |
But I'm prepared to overlook this, because the girls in it have such nice bottoms. | 0:29:00 | 0:29:06 | |
Come on, girls! | 0:29:06 | 0:29:08 | |
# Don't you wish your girlfriend was hot like me? # | 0:29:10 | 0:29:17 | |
Mmm. Don't Cha? | 0:29:17 | 0:29:18 | |
When it came out, people were like "Who do they think they are?" | 0:29:19 | 0:29:22 | |
"Don't cha wish your girlfriend was hot like me?" They're hot. | 0:29:22 | 0:29:26 | |
A lot of people said "How arrogant is that?!" | 0:29:27 | 0:29:29 | |
"Don't you wish your girlfriend was hot like me?" But they were right. | 0:29:29 | 0:29:33 | |
# Don't cha wish your girlfriend was hot like me? Ow, don't cha? # | 0:29:34 | 0:29:42 | |
This song's for all of our girls out there. Let me hear you scream! | 0:29:42 | 0:29:45 | |
The idea that Don't Cha | 0:29:45 | 0:29:48 | |
was for the sisters, which I think | 0:29:48 | 0:29:49 | |
is the nonsense that they came out with after people raised an eyebrow | 0:29:49 | 0:29:53 | |
about this woman-hating track... | 0:29:53 | 0:29:56 | |
If they want to call that feminism, then I'm more than happy to ignore them. | 0:29:56 | 0:30:01 | |
It was cheeky, you know what I mean? | 0:30:01 | 0:30:05 | |
It's not serious. It was all in fun. | 0:30:05 | 0:30:08 | |
The Pussycat Dolls were formed in 1995 as a burlesque dance troupe | 0:30:10 | 0:30:14 | |
performing at the Viper Room nightclub in LA. | 0:30:14 | 0:30:19 | |
Back in the day, we were straight burlesque. | 0:30:19 | 0:30:22 | |
People had always seen burlesque as a sort of striptease. | 0:30:22 | 0:30:25 | |
And although we say we were burlesque, we never stripped. | 0:30:25 | 0:30:29 | |
We stripped layers of corsets down to another corset, and down to another bra. | 0:30:29 | 0:30:33 | |
There were layers of things, but there was no nudity involved. | 0:30:33 | 0:30:38 | |
We have a Pussycat Doll leg, and sometimes they take it beyond. | 0:30:38 | 0:30:42 | |
HE WHIMPERS | 0:30:44 | 0:30:47 | |
But even if you can't get your legs behind your ears, you could enrol | 0:30:47 | 0:30:51 | |
in a class to learn how to flaunt your inner doll through dance. | 0:30:51 | 0:30:56 | |
I definitely think Pussycat Dolls helped bring back burlesque in a new-age millennium way. | 0:30:56 | 0:31:02 | |
It was a global phenomenon which we could never have anticipated. | 0:31:02 | 0:31:07 | |
I have got an inner doll directly in correspondence with how much gin I have. | 0:31:07 | 0:31:12 | |
And then inner doll comes out of me and does weird dance moves that aren't seen at any other time. | 0:31:12 | 0:31:19 | |
At number 38, S Club 7, a made-for-telly pop group created by pop mogul Simon Fuller. | 0:31:24 | 0:31:31 | |
Like some evil Frankenstein character, he formed a fully-functioning pop group | 0:31:31 | 0:31:36 | |
from the rotting body parts of seven decomposing pop singers. | 0:31:36 | 0:31:39 | |
And with this song, Reach, he struck gold and was laughing all the way to the bank, literally. | 0:31:39 | 0:31:45 | |
You should have seen him. Actually, it looked a bit weird. | 0:31:45 | 0:31:49 | |
Now, I've been watching your attempts at dancing, | 0:31:49 | 0:31:53 | |
and I must say, they are complete rubbish. What are they? | 0:31:53 | 0:31:57 | |
ALL: Complete rubbish. | 0:31:57 | 0:31:59 | |
We were playing ourselves. The TV show was about us | 0:31:59 | 0:32:02 | |
trying to make it, trying to be successful. | 0:32:02 | 0:32:05 | |
I beg your pardon? | 0:32:05 | 0:32:07 | |
It was one of the biggest kids' TV shows at the time. | 0:32:07 | 0:32:10 | |
You'd wake up in the morning and watch S Club, and they would always dance | 0:32:12 | 0:32:15 | |
and they would always entertain you and you'd have your favourite one | 0:32:15 | 0:32:19 | |
and want to copy their style. | 0:32:19 | 0:32:21 | |
Everybody wanted to know the moves. | 0:32:21 | 0:32:24 | |
If you were at a youth club and you didn't know the moves to an S Club tune, then who are you? | 0:32:24 | 0:32:29 | |
Dance routines are definitely important, because we don't have instruments to play. | 0:32:29 | 0:32:33 | |
So you kind of need something else, and we had some really fun and easy-to-pick-up dance routines. | 0:32:33 | 0:32:39 | |
# Don't stop, never give up | 0:32:41 | 0:32:42 | |
# Hold your head high and reach the top... # | 0:32:42 | 0:32:45 | |
The moves weren't hard, so anyone could do it. | 0:32:45 | 0:32:47 | |
Like the iconic S. | 0:32:47 | 0:32:49 | |
They did it in slow motion, slowed it down for you to do it with them. | 0:32:49 | 0:32:54 | |
# Reach for the stars... # | 0:32:54 | 0:32:57 | |
# Reach for the stars. Climb every mountain, yeah... # | 0:32:57 | 0:33:01 | |
# Reach for the stars... # | 0:33:01 | 0:33:05 | |
Everybody remembers this part. | 0:33:05 | 0:33:07 | |
Reach. | 0:33:10 | 0:33:11 | |
Reach! | 0:33:11 | 0:33:12 | |
I used to do it in the playground with all the bigger girls. | 0:33:12 | 0:33:18 | |
I got bullied anyway, so it didn't help. | 0:33:19 | 0:33:21 | |
But... | 0:33:21 | 0:33:22 | |
..dinner ladies loved me. | 0:33:25 | 0:33:27 | |
But even an S Club party has to come to an end at some point. | 0:33:27 | 0:33:31 | |
When their management brought out the S Club Juniors, the band must have known their time was up. | 0:33:31 | 0:33:36 | |
I auditioned for S Club Juniors. They were holding auditions everywhere | 0:33:39 | 0:33:44 | |
and they were like "You want to be in S Club Juniors! Come on down. | 0:33:44 | 0:33:47 | |
"You have to make a dance routine." | 0:33:47 | 0:33:49 | |
Me and my friends would all practise in the school yard. | 0:33:49 | 0:33:53 | |
When we got there, it didn't quite go to plan. | 0:33:53 | 0:33:57 | |
There was a lot of crying involved. | 0:33:57 | 0:33:59 | |
Dark place. Very dark place. | 0:33:59 | 0:34:03 | |
The original concept of S Club was to leave at 21, kind of like a Scouts movement. | 0:34:03 | 0:34:08 | |
# Don't stop movin' Can you feel the music? # | 0:34:08 | 0:34:12 | |
The Juniors came along, and they were really good. | 0:34:12 | 0:34:14 | |
Two of them are doing well. They're in the Saturdays. | 0:34:14 | 0:34:17 | |
Yes, there's a young Rochelle. And there's Frankie. | 0:34:17 | 0:34:20 | |
If it wasn't for the Juniors, you probably wouldn't have two sexy girls that are in the Saturdays right now. | 0:34:20 | 0:34:26 | |
# Let's get physical... # | 0:34:31 | 0:34:34 | |
At number 37 on our countdown of pop's greatest dance crazes, | 0:34:34 | 0:34:38 | |
it's a routine that took us back to the 1980s, with big hair, tiny leotards and woeful music. | 0:34:38 | 0:34:44 | |
It's Call On Me by Eric Prydz. | 0:34:45 | 0:34:47 | |
As well as being a great way to keep in shape, | 0:34:47 | 0:34:51 | |
it's also a lot of perfectly harmless, well-meaning fun. | 0:34:51 | 0:34:55 | |
I find it's best enjoyed with the sound on mute, | 0:34:55 | 0:34:57 | |
so you can hear the key in the front door. | 0:34:57 | 0:35:00 | |
The video for Call On Me is trying to recreate a scene | 0:35:05 | 0:35:08 | |
from the film, Perfect. | 0:35:08 | 0:35:10 | |
It's a pretty hot scene. | 0:35:10 | 0:35:11 | |
And Jamie Lee Curtis is instructing in an aerobics class, | 0:35:11 | 0:35:15 | |
and John Travolta's in there, getting pretty sweaty and watching her. | 0:35:15 | 0:35:19 | |
It wasn't until I got on set and they handed me my outfit, and it was a leotard. | 0:35:19 | 0:35:23 | |
I was like "Is there anything else to go with it?" | 0:35:23 | 0:35:26 | |
And they said "Oh, yeah, here's some leg warmers." | 0:35:26 | 0:35:29 | |
Brilliant. | 0:35:29 | 0:35:31 | |
They've got the neon colours on, they've got the leg warmers on the go. | 0:35:31 | 0:35:35 | |
They've got the really high-cut leotards. | 0:35:35 | 0:35:37 | |
There was some serious waxing in that video. | 0:35:40 | 0:35:43 | |
Those leotards were verging on indecent, I'd say. | 0:35:43 | 0:35:47 | |
I'd say decent. | 0:35:47 | 0:35:49 | |
I love that video. | 0:35:49 | 0:35:50 | |
Most guys do love that video. | 0:35:50 | 0:35:53 | |
That's what we want to see. Come on. | 0:35:53 | 0:35:56 | |
They weren't wearing clothes. That's great! | 0:35:56 | 0:35:59 | |
That's how I normally work out in the gym. | 0:35:59 | 0:36:02 | |
I just do that. Yeah. | 0:36:02 | 0:36:06 | |
That looks disgusting. | 0:36:10 | 0:36:13 | |
I think the move that stands out the most in Call On Me | 0:36:13 | 0:36:17 | |
is obviously the pelvic thrust. | 0:36:17 | 0:36:19 | |
So what you need to do for that, take the legs very wide, get down really low, and then just pelvic thrust! | 0:36:19 | 0:36:26 | |
There's what I like to call the peeing dog, which is this one, | 0:36:26 | 0:36:30 | |
where we do lots of leg-raises up here. | 0:36:30 | 0:36:33 | |
This one here, which is actually very good for the butt. Squeezing in. | 0:36:33 | 0:36:39 | |
I don't remember the dance routine so much as the bottom of the woman doing the dance routine. | 0:36:39 | 0:36:45 | |
If you want someone to look at your dance routine, then don't wear a G-string leotard. | 0:36:45 | 0:36:52 | |
Technically, Call On Me didn't spawn a dance craze, which is why I demanded it be disqualified. | 0:36:54 | 0:36:59 | |
But millions of men admired the "choreography" | 0:36:59 | 0:37:01 | |
online, and Tony Blair said it made him fall off his rowing machine, so I allowed it to be reinstated. | 0:37:01 | 0:37:09 | |
That bloke has clearly discovered the best gym in the world, and he's not letting on to his mates. | 0:37:11 | 0:37:16 | |
He can't believe his luck. | 0:37:16 | 0:37:18 | |
He gets his little running shorts on every week, gets in there and he's like "They're still all here!" | 0:37:18 | 0:37:23 | |
He enjoyed it, that's for sure, and I think there were a lot of men out there that were quite envious. | 0:37:23 | 0:37:27 | |
I'm surprised he didn't have to have sturdier shorts in the situation he was in. | 0:37:27 | 0:37:33 | |
I think it made a lot of 14-year-old boys extremely happy. | 0:37:33 | 0:37:38 | |
I was 15. I had a tape, and I recorded it on it. | 0:37:39 | 0:37:43 | |
And so my mum wouldn't know, I put that it had The Fresh Prince Of Bel-Air on it. | 0:37:43 | 0:37:48 | |
-Oh, dear. -Ooh! | 0:37:48 | 0:37:51 | |
Gently! Gently! Slow. | 0:37:56 | 0:38:00 | |
OK, right. | 0:38:00 | 0:38:02 | |
Hi, guys. As you can see, I've been skateboarding my whole life. | 0:38:02 | 0:38:06 | |
So it'll come as no surprise to you... | 0:38:06 | 0:38:09 | |
that I'm actually an expert in the next dance craze, breakdancing. | 0:38:09 | 0:38:14 | |
I'd perform a bit for you now, but it'd probably blow your minds, so the BBC has asked me not to. | 0:38:14 | 0:38:20 | |
Here's our number 36, Jason Nevins vs Run DMC, It's Like That. | 0:38:20 | 0:38:26 | |
And it goes a little something like this. | 0:38:31 | 0:38:35 | |
I've always wanted to be able to breakdance, | 0:38:35 | 0:38:37 | |
cos I grew up in the '80s and there were loads of kids | 0:38:37 | 0:38:40 | |
with lino, and going out with their ghetto blasters and everything. | 0:38:40 | 0:38:45 | |
Run DMC, that video was so cool. | 0:38:48 | 0:38:52 | |
-Everyone in it was amazing at breaking and dancing. It was all very... -Yeah. | 0:38:52 | 0:38:56 | |
..in your face. | 0:38:56 | 0:39:00 | |
When that song came out, it was like "Whoa, there are some serious moves | 0:39:00 | 0:39:03 | |
"that we are not knowing about that we need to know about." | 0:39:03 | 0:39:07 | |
In 1998, New York DJ Jason Nevins remixed this vintage Run DMC tune. | 0:39:09 | 0:39:13 | |
It's Like That was huge. | 0:39:13 | 0:39:16 | |
Number one in over 30 countries, with almost 5 million copies sold. | 0:39:16 | 0:39:19 | |
The video showed b-boys battling b-girls, and introduced | 0:39:19 | 0:39:24 | |
a new generation to the dance-off and classic '80s breaking moves. | 0:39:24 | 0:39:30 | |
A breakdance battle was all about two crews battling each other with moves to see who's got | 0:39:30 | 0:39:35 | |
supremacy within style and moves, so you've got different aspects. | 0:39:35 | 0:39:40 | |
You've got power, which is the head-spins, the flares and all that stuff. | 0:39:40 | 0:39:44 | |
You've got style, which is more the top-rocking. | 0:39:44 | 0:39:47 | |
And you've got footwork itself. So it's Kool And The Gang. | 0:39:47 | 0:39:51 | |
When they're battling, a lot of it's freestyle. | 0:39:53 | 0:39:56 | |
So it's all off the top of your head, just going with the song. | 0:39:56 | 0:39:59 | |
So everything you're doing is just like... | 0:39:59 | 0:40:02 | |
OK, we're going to take it down and do some b-boy styles. Let's go. | 0:40:05 | 0:40:08 | |
That's my boy. | 0:40:23 | 0:40:25 | |
For me, it was all about that dude with the crazy, curly hair. | 0:40:28 | 0:40:33 | |
It was just such a weird style. | 0:40:33 | 0:40:36 | |
His top-rocking was just, like, shaking his head. | 0:40:36 | 0:40:38 | |
There was someone in it that looked like me, | 0:40:40 | 0:40:43 | |
had hair like me. | 0:40:43 | 0:40:46 | |
He did have my hair. I think I told a few people I was in that video. It was a lie. | 0:40:46 | 0:40:49 | |
How would that even work?! | 0:40:49 | 0:40:51 | |
Breakdancing is perhaps the least accessible dance craze | 0:40:54 | 0:40:58 | |
on this countdown. Only people like me with real skills can pull off these moves. | 0:40:58 | 0:41:02 | |
But there are many who have tried and bear the scars to this day. | 0:41:02 | 0:41:05 | |
When Run DMC comes on, I think a lot of men think they can breakdance, and they will give it a go. | 0:41:08 | 0:41:13 | |
We've had people try to do the caterpillar and open their chin up, so there's just claret everywhere. | 0:41:13 | 0:41:20 | |
It's hilarious, because when that song comes on, a circle immediately develops, and nobody knows why. | 0:41:22 | 0:41:27 | |
It's just a thing that happens. | 0:41:27 | 0:41:30 | |
And for the first two minutes, no-one gets in the middle. Everyone's like... | 0:41:30 | 0:41:33 | |
"You do it, you do it!" | 0:41:33 | 0:41:37 | |
You'll get five or six drunken men that can't breakdance. | 0:41:37 | 0:41:42 | |
I used to just do a roly-poly. | 0:41:42 | 0:41:45 | |
But as soon as you did a roly-poly, as long as you looked confident, I'd do a roly-poly and go... | 0:41:45 | 0:41:50 | |
and people would cheer. | 0:41:50 | 0:41:52 | |
When pop stars have children, they dream of making music for grown-ups. | 0:41:58 | 0:42:02 | |
But when pop stars are grown-ups, it seems they dream of making music | 0:42:02 | 0:42:05 | |
for children, which explains why they give themselves baby names | 0:42:05 | 0:42:09 | |
like Dappy and Biffy and Gaga. | 0:42:09 | 0:42:11 | |
The dance craze at number 35 in our chart is definitely one for the under-fives. | 0:42:11 | 0:42:15 | |
It's the Kings In Da Ghetto, proving that the UK urban music | 0:42:15 | 0:42:19 | |
scene isn't too cool to embrace a primary school jig, with their take on Head, Shoulders, Knees And Toes. | 0:42:19 | 0:42:26 | |
Personally, I prefer The Wheels On The Bus Go Round And Round by the Wu-Tang Clan. | 0:42:26 | 0:42:30 | |
A brand new dance is sweeping the nation. | 0:42:32 | 0:42:35 | |
Ladies, let me see you go down low. | 0:42:35 | 0:42:37 | |
If someone said to you "They've put Head, Shoulders, Knees And Toes into a song", you'd probably go "Really?" | 0:42:41 | 0:42:47 | |
# Head and shoulders, knees and toes knees and toes... # | 0:42:47 | 0:42:52 | |
But until you actually hear it and the fact that it's on a grime tune, it's cool. | 0:42:52 | 0:42:58 | |
# Head, shoulders, knees and toes, knees and toes... # | 0:42:59 | 0:43:02 | |
But our one is better. | 0:43:02 | 0:43:04 | |
These enterprising lads made their very own video that they posted online, | 0:43:06 | 0:43:09 | |
and their amateur efforts became a surprise hit. | 0:43:09 | 0:43:12 | |
I made the video. | 0:43:12 | 0:43:14 | |
-Well, we all made the video, but I mean that... -He was the cameraman. | 0:43:14 | 0:43:18 | |
I was the main guy, walking round and asking anybody "Can you do Head, Shoulders, Knees And Toes, please?" | 0:43:18 | 0:43:24 | |
You're just seeing normal people on the road doing Head, Shoulders, Knees And Toes. | 0:43:24 | 0:43:29 | |
And the whole point it is to embarrass yourself. | 0:43:29 | 0:43:32 | |
-The more you embarrass yourself, the better it looks. -It's not very hard to know that dance, is it? | 0:43:32 | 0:43:37 | |
Head, shoulders, knees... but they did it in a cool way. | 0:43:37 | 0:43:40 | |
Head, shoulders, knees and toes. | 0:43:40 | 0:43:41 | |
When that first dropped | 0:43:43 | 0:43:44 | |
on 1Xtra, I couldn't quite believe my ears | 0:43:44 | 0:43:47 | |
and I was like, "Is it that simple? | 0:43:47 | 0:43:50 | |
"We've literally got to do Head, Shoulders, Knees And Toes?" Amazing. | 0:43:50 | 0:43:53 | |
We've all got our own versions, like he does it in a specific, like... | 0:43:53 | 0:43:59 | |
-The bestest. -Basically he's the Mr Motivator of Head, Shoulders, Knees And Toes. | 0:43:59 | 0:44:04 | |
Minus the spandex. | 0:44:04 | 0:44:06 | |
-He does it the most stiff. -He's the stiff one! | 0:44:07 | 0:44:12 | |
And then I do it for the basics, for the people that just can't get down to their toes. | 0:44:12 | 0:44:17 | |
# Let me see you go down low... # | 0:44:17 | 0:44:19 | |
He keeps going "Ladies, let me see you get down low, | 0:44:20 | 0:44:23 | |
"ladies, let me see you get down low" | 0:44:23 | 0:44:24 | |
and you think, "They can't get any lower." | 0:44:24 | 0:44:26 | |
It doesn't matter if you're at the bar, sitting down, | 0:44:28 | 0:44:31 | |
you're going to come to the dance floor and everyone does it. | 0:44:31 | 0:44:34 | |
It looks wicked when you see like 3,000 people all doing the dance at the same time. | 0:44:34 | 0:44:39 | |
I went to Ayia Napa last year and Head, Shoulders, Knees And Toes was the one, literally | 0:44:39 | 0:44:43 | |
when you see everyone do it in unison, you forget that it was ever a ridiculous kiddie tune. | 0:44:43 | 0:44:48 | |
-# Ladies, you gotta wind down low. # -That was the news. | 0:44:48 | 0:44:51 | |
Good night. | 0:44:51 | 0:44:53 | |
At number 34, it's Rock Your Body by Justin Timberlake. | 0:44:57 | 0:45:01 | |
Of course, some people call him Justin Trousersnake | 0:45:01 | 0:45:03 | |
because of his penchant for storing a cobra in his pants. | 0:45:03 | 0:45:06 | |
# Dance with me I wanna rock your body... # | 0:45:06 | 0:45:09 | |
It was only in 2007, when the cobra laid its eggs resulting | 0:45:09 | 0:45:12 | |
in over 400 horrific bites, that Justin was persuaded to release the snakes back into the wild. | 0:45:12 | 0:45:17 | |
# Got time, but I don't mind | 0:45:17 | 0:45:19 | |
# Just want to rock you, girl... # | 0:45:19 | 0:45:21 | |
White boys aren't supposed to be able to dance like that. | 0:45:21 | 0:45:25 | |
Hello! He was amazing. | 0:45:25 | 0:45:28 | |
I think Justin Timberlake is one of the best dancers around. | 0:45:28 | 0:45:31 | |
He's got that whole kind of mmm vibe, like the crotch, mmm, yeyah. | 0:45:31 | 0:45:39 | |
If you look at what Justin Timberlake did in Rock Your Body, it's the minimal movements, | 0:45:40 | 0:45:44 | |
but executed right on the money. | 0:45:44 | 0:45:46 | |
# Don't be so quick to walk away... # | 0:45:46 | 0:45:48 | |
Justin Timberlake, I think, | 0:45:48 | 0:45:50 | |
was completely influenced by Michael Jackson, but he does it in his own way which is really cool and sexy. | 0:45:50 | 0:45:56 | |
It is sexy. It is sexy. | 0:45:56 | 0:45:59 | |
You can see he's been influenced by Michael Jackson, you can feel that, | 0:45:59 | 0:46:03 | |
but he was just... | 0:46:03 | 0:46:04 | |
There was a freedom, he was really cool. | 0:46:04 | 0:46:07 | |
What it is about Justin Timberlake's dance is his swagger. | 0:46:07 | 0:46:11 | |
He's very effortless. | 0:46:11 | 0:46:12 | |
He uses his clothes a lot, you can tell he feels very sexy about himself. | 0:46:12 | 0:46:17 | |
He is sexy, he is sexy. | 0:46:17 | 0:46:19 | |
I loved that. I fell in love with that video. I was like, | 0:46:19 | 0:46:21 | |
"Mmm, maybe I want to get back in the dance studio." | 0:46:21 | 0:46:24 | |
# Just something about you. # | 0:46:24 | 0:46:26 | |
And it wasn't just Bradley who was inspired to dance like him. | 0:46:26 | 0:46:29 | |
Justin's debut solo album, Justified, | 0:46:29 | 0:46:31 | |
sold seven million copies and critics called him the sexiest man in music. | 0:46:31 | 0:46:35 | |
Sexier even than the stunning Mick Hucknall. | 0:46:35 | 0:46:38 | |
# I kind of noticed something one night | 0:46:38 | 0:46:41 | |
# In your colourful face... # | 0:46:41 | 0:46:45 | |
Most boys wanted to dance like Justin and if they said they didn't, | 0:46:45 | 0:46:50 | |
they did secretly and all girls wanted to bed him openly, end of story, full stop, exclamation mark. | 0:46:50 | 0:46:55 | |
# Ain't nobody love you like I love you... # | 0:46:55 | 0:46:58 | |
He's a little bit of a flirt and I think the girls like that, | 0:46:58 | 0:47:03 | |
you know, and he plays off of it and that's in his music. | 0:47:03 | 0:47:06 | |
It takes the stigma away from guys dancing, doesn't it? | 0:47:06 | 0:47:10 | |
They need to learn some moves to impress the ladies. | 0:47:10 | 0:47:13 | |
Justin Timberlake brought about for the ordinary bloke a huge, big problem. | 0:47:13 | 0:47:18 | |
I think women wanted their blokes to dance like him | 0:47:18 | 0:47:23 | |
and that, of course, takes an enormous amount of ability | 0:47:23 | 0:47:26 | |
and talent because he's a complete natural. | 0:47:26 | 0:47:29 | |
Although it didn't stop a lot of guys trying, that's for sure! | 0:47:29 | 0:47:33 | |
# Sing this song with me... # | 0:47:33 | 0:47:35 | |
When it comes on in a club, everyone thinks that they can dance so everyone's like "Justin Timberlake!" | 0:47:35 | 0:47:42 | |
It gets all serious and everyone puts their dance face on. | 0:47:42 | 0:47:46 | |
As long as you dance sexy, I think you've done the Justin Timberlake. | 0:47:46 | 0:47:50 | |
It's easy to forget that national sweetheart, Cheryl Cole was once | 0:47:53 | 0:47:57 | |
convicted of assault after thwacking a loo attendant in the face. | 0:47:57 | 0:48:01 | |
But not that easy, not when Cheryl herself insists on reminding us | 0:48:01 | 0:48:05 | |
of her rampant thumpiness with angry songs like Fight For This Love. | 0:48:05 | 0:48:09 | |
This song has a dance routine that Bruce Lee would've been proud of, featuring as it does | 0:48:09 | 0:48:14 | |
Cheryl thrashing around with her fists as if in a futile attempt to deck her wardrobe assistant. | 0:48:14 | 0:48:19 | |
# Too much of anything can make you sick | 0:48:23 | 0:48:26 | |
# Even the good can be a curse curse... # | 0:48:26 | 0:48:31 | |
Fight For This Love - great track. It had a lot | 0:48:31 | 0:48:33 | |
of meaning behind it if you looked at all of the tabloid fodder. | 0:48:33 | 0:48:36 | |
For her, as a woman, she's just saying, you can go through so many | 0:48:36 | 0:48:40 | |
ups and downs in a relationship, | 0:48:40 | 0:48:43 | |
but if it's right, you'll fight till the end, basically. | 0:48:43 | 0:48:47 | |
# Anything that's worth having | 0:48:47 | 0:48:49 | |
# Is sure enough worth fighting for... # | 0:48:49 | 0:48:53 | |
Whilst our Chezza's fight for her love with her hubby, Ashley, would eventually end in the divorce court, | 0:48:53 | 0:48:58 | |
her debut solo single was a global smash. | 0:48:58 | 0:49:01 | |
There were a few iconic moves in there, the whole hand-wafting move | 0:49:03 | 0:49:06 | |
and some old moves like this. | 0:49:06 | 0:49:10 | |
It was a great routine. | 0:49:10 | 0:49:11 | |
# Fight for this love | 0:49:11 | 0:49:13 | |
# If it's worth having it's worth fighting for... # | 0:49:13 | 0:49:16 | |
The three key moves | 0:49:16 | 0:49:17 | |
are the Cheryl chop | 0:49:17 | 0:49:19 | |
which is all this business. | 0:49:19 | 0:49:22 | |
The shoulder pop. | 0:49:22 | 0:49:24 | |
Which doesn't look impressive unless you've got other people doing it behind you. | 0:49:26 | 0:49:30 | |
And the drop and roll. | 0:49:32 | 0:49:35 | |
Which is... | 0:49:35 | 0:49:37 | |
seemingly quite important, get the knees up. | 0:49:37 | 0:49:40 | |
# Anything that's worth having... # | 0:49:41 | 0:49:44 | |
You are now officially fighting for this love. | 0:49:44 | 0:49:48 | |
# We gotta fight... # | 0:49:48 | 0:49:49 | |
The video was as much about Cheryl's look as the moves, | 0:49:49 | 0:49:52 | |
not ideal if you happen to listen to the song on the radio. | 0:49:52 | 0:49:55 | |
Her look was all about those leather trousers. | 0:49:55 | 0:50:00 | |
Red military with spray-on legs, you know. | 0:50:00 | 0:50:03 | |
She alternated between being in the army and wearing her pyjamas, didn't she? | 0:50:05 | 0:50:09 | |
She had MC Hammer pyjamas on for some of it and then in other bits | 0:50:09 | 0:50:14 | |
she looked like a majorette who'd spent half the day waist-deep in a pond, didn't she? | 0:50:14 | 0:50:20 | |
But however fabulous, she was about to be outdone by, of all people, Rufus Hound. | 0:50:20 | 0:50:26 | |
-For Sport Relief, performing - and I'm not making this up... -You couldn't. | 0:50:26 | 0:50:31 | |
..Cheryl Cole's Fight For This Love, it's Rufus Hound. | 0:50:31 | 0:50:35 | |
CHEERING AND APPLAUSE | 0:50:35 | 0:50:37 | |
The whole of Fight For This Love is about jerky movements | 0:50:41 | 0:50:44 | |
and moving your body in a way that, naturally, nobody's body moves. | 0:50:44 | 0:50:48 | |
By the time I was actually on stage doing it, I was just rattling | 0:50:48 | 0:50:52 | |
with ibuprofen, I'd had to go to an osteopath, my whole spine and legs are not used to moving in the way | 0:50:52 | 0:50:59 | |
that they're forced to move. | 0:50:59 | 0:51:01 | |
# Anything that's worth having | 0:51:01 | 0:51:03 | |
# Is sure enough worth fighting for... # | 0:51:03 | 0:51:07 | |
By the time I was doing it, she was in the papers with her and Ashley calling it a day. | 0:51:08 | 0:51:13 | |
I didn't want "Here's you going through a divorce and ha, ha, ha, | 0:51:15 | 0:51:19 | |
"here's me laughing at your greatest achievement, boo you!" | 0:51:19 | 0:51:22 | |
So when I met her and she said it really cheered her up, | 0:51:22 | 0:51:25 | |
that was a very nice feather in the cap. | 0:51:25 | 0:51:27 | |
# If it's worth having it's worth fighting for... # | 0:51:27 | 0:51:30 | |
Although she did talk to me like I'd won the X Factor. | 0:51:30 | 0:51:34 | |
It wasn't like "Hey, we both work in the entertainment business, I enjoyed the dance, well played." | 0:51:34 | 0:51:40 | |
She just went, "I thought you did very well, I think you've really showed there what you could do." | 0:51:40 | 0:51:46 | |
That would make such a great recruitment video for the Salvation Army. | 0:51:46 | 0:51:52 | |
# Ladies and gentlemen ladies and gentlemen... # | 0:51:53 | 0:51:56 | |
And number 32 | 0:51:58 | 0:52:00 | |
in our top 50 countdown of pop's greatest dance crazes, | 0:52:00 | 0:52:03 | |
we have Ciara and Missy Elliott with a song called One, Two, Step. | 0:52:03 | 0:52:08 | |
# This beat is... # | 0:52:08 | 0:52:09 | |
Which doubles as an educational song for children unable to count to two | 0:52:09 | 0:52:13 | |
and a motivational mantra for people frightened of walking up stairs. | 0:52:13 | 0:52:17 | |
Ciara is just totally hot and can dance her head off. | 0:52:19 | 0:52:24 | |
Now, that, I'd like to see. | 0:52:24 | 0:52:26 | |
Ciara's One, Two, Step dance is a very old-school dance that was done | 0:52:26 | 0:52:29 | |
back in the day of disco and she took it and revamped it. | 0:52:29 | 0:52:33 | |
# You got to get it on Let me see you one, two, step... # | 0:52:33 | 0:52:37 | |
One, Two, Step, it tells you exactly what to do, | 0:52:37 | 0:52:40 | |
Ciara was quite a new artist at the time, everyone was like, "Wow, this girl can move it!" | 0:52:40 | 0:52:45 | |
She seems to be able to bend all sorts of ways, doesn't she, Ciara? | 0:52:45 | 0:52:48 | |
She's unbreakable, that one. | 0:52:48 | 0:52:50 | |
Ciara can do from sexy to really hardcore ghetto South Central choreography. | 0:52:50 | 0:52:57 | |
I remember in the nightclub whenever that song came on, | 0:52:57 | 0:53:01 | |
more people would do the stumbling legs... | 0:53:01 | 0:53:04 | |
..than the one, two, step. | 0:53:04 | 0:53:06 | |
Those wobbly legs, that's called the Crip Walk. | 0:53:06 | 0:53:09 | |
In America, they have the Bloods and the Crips. | 0:53:09 | 0:53:11 | |
They were big gangs, and the Crips as a gang sign, they would do this dance, it's a Crip Walk. | 0:53:11 | 0:53:17 | |
It's hard to do, but you would catch me | 0:53:17 | 0:53:19 | |
in the clubs doing that and doing the little one, two, step. | 0:53:19 | 0:53:22 | |
# Crank back three times from left to right... # | 0:53:24 | 0:53:27 | |
# Soulja Boy off in it... # | 0:53:30 | 0:53:32 | |
At number 31 in Pop's Greatest Dance Crazes, | 0:53:32 | 0:53:34 | |
it's Soulja Boy who is A, not a soldier and B, no longer a boy. | 0:53:34 | 0:53:38 | |
But what he lacks in basic honesty, he more than makes up for in sweet, sweet moves. | 0:53:38 | 0:53:43 | |
# Soulja Boy, off in it... # | 0:53:43 | 0:53:46 | |
That was the twist of the 2000s. | 0:53:46 | 0:53:49 | |
It's probably the biggest dance craze of my era, actually, of my generation. | 0:53:49 | 0:53:55 | |
The first time I heard it, I was like, "OK, now I need to learn this dance." I was on YouTube trying | 0:53:55 | 0:54:00 | |
to learn it before anyone else and do it all just as good Soulja Boy did. | 0:54:00 | 0:54:05 | |
This dance for Soulja Boy's 2007 hit Crank That might look good, but it's not appropriate in cramped spaces. | 0:54:07 | 0:54:14 | |
Try doing this in the middle of a crowded dance floor and someone will lamp you, and quite right too. | 0:54:14 | 0:54:19 | |
Soulja Boy, don't bang into people, yeah? So it goes... | 0:54:19 | 0:54:23 | |
I think you've got to jump side to side. | 0:54:27 | 0:54:32 | |
Everyone feels silly doing it, do it like you don't care. | 0:54:32 | 0:54:35 | |
It gets a bit crazy, that one as well because people, they decide | 0:54:35 | 0:54:39 | |
it's all about who travels the furthest on the whoo... | 0:54:39 | 0:54:42 | |
so everyone is hopping... about ten metres on the whoo. | 0:54:42 | 0:54:47 | |
Whoo! | 0:54:47 | 0:54:48 | |
# He wind me, whoo... # | 0:54:48 | 0:54:50 | |
# Superman that! # | 0:54:50 | 0:54:53 | |
Cos I mean, come on, how cool is that? | 0:54:54 | 0:54:57 | |
If it sounds like it was | 0:54:57 | 0:54:59 | |
written using a Casio toy keyboard, that's because it was, kind of. | 0:54:59 | 0:55:04 | |
The DIY track was made in his dad's recording studio and released on the internet | 0:55:04 | 0:55:07 | |
with a video demonstrating the now-famous dance. | 0:55:07 | 0:55:11 | |
When I heard the song, I was like, "Really?" It sounded like one of those bad demos. | 0:55:11 | 0:55:15 | |
These days, you can go and make your own music, it's as simple as that, | 0:55:15 | 0:55:19 | |
I know 13-year-olds that actually make their own music. | 0:55:19 | 0:55:22 | |
He produced it, wrote it, made his own dance, | 0:55:22 | 0:55:28 | |
got all the money! | 0:55:28 | 0:55:30 | |
-The song wasn't all that. -It's true. | 0:55:32 | 0:55:34 | |
# Soulja Boy... # Actually it is really good. | 0:55:34 | 0:55:37 | |
-It's brilliant, I love that song. -I do like it. | 0:55:37 | 0:55:39 | |
Soulja Boy holds the record as the youngest person to write, perform and produce a US number-one hit. | 0:55:39 | 0:55:45 | |
But when we found out what young Soulja Boy | 0:55:45 | 0:55:48 | |
was actually rapping about, we were less keen on kids doing his dance. | 0:55:48 | 0:55:52 | |
That's a really dirty one, isn't it? | 0:55:52 | 0:55:54 | |
I think it's meant to be... | 0:55:54 | 0:55:57 | |
What he's saying is quite rude, but we won't go into that. | 0:55:57 | 0:56:00 | |
Because it's very vulgar. | 0:56:00 | 0:56:01 | |
So it's, "Oi, what you doing, stop singing that song. Soulja Boy, you should be ashamed of yourself." | 0:56:01 | 0:56:07 | |
So that's your lot. | 0:56:14 | 0:56:16 | |
If, like me, you spent the whole show dancing along | 0:56:16 | 0:56:19 | |
to each and every song, then like me, | 0:56:19 | 0:56:21 | |
you probably stink. Take a shower. | 0:56:21 | 0:56:24 | |
Seriously, have a shower now. | 0:56:24 | 0:56:26 | |
Goodbye! | 0:56:27 | 0:56:30 | |
# Move it! I like to move it move it | 0:56:30 | 0:56:32 | |
# I like to move it, move it | 0:56:32 | 0:56:34 | |
# I like to move it, move it | 0:56:34 | 0:56:36 | |
# You like to...move it | 0:56:36 | 0:56:38 | |
# I like to move it, move it | 0:56:38 | 0:56:39 | |
# I like to move it, move it | 0:56:39 | 0:56:41 | |
# I like to move it, move it | 0:56:41 | 0:56:43 | |
# You like to...move it | 0:56:43 | 0:56:45 | |
# I like to move it, move it | 0:56:45 | 0:56:47 | |
# I like to move it, move it | 0:56:47 | 0:56:49 | |
# I like to move it, move it You like to...move it. # | 0:56:49 | 0:56:53 | |
E-mail [email protected] | 0:56:53 | 0:56:56 |