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Dancing is super fun. It's a form of expression and it's cool. | 0:00:04 | 0:00:07 | |
Oh, I know this song. Let's do the routine to it. It brings everyone together. It's great. | 0:00:07 | 0:00:12 | |
Having a dance craze gives us a chance to do something all together | 0:00:12 | 0:00:16 | |
and all feel like we are one animal. | 0:00:16 | 0:00:19 | |
There's been so many great dance crazes | 0:00:19 | 0:00:21 | |
and I've partaken in most of them. | 0:00:21 | 0:00:23 | |
It's fun, it's something that everyone can do. | 0:00:23 | 0:00:26 | |
Oh, it's camp as Christmas. | 0:00:26 | 0:00:27 | |
Dance is a way to free the soul and ease the mind. | 0:00:27 | 0:00:31 | |
The moment any of these songs start, you're damned if you do and you're damned if you don't. | 0:00:31 | 0:00:36 | |
Better to slap on a smile and get stuck in, I reckon. | 0:00:36 | 0:00:38 | |
Hello, I'm TV's Robert Webb | 0:00:41 | 0:00:43 | |
and welcome to the finale of Pop's Greatest Dance Crazes. | 0:00:43 | 0:00:48 | |
Tonight we find out, what are the craziest of all dance crazes? | 0:00:48 | 0:00:53 | |
But who decides which dance crazes are best? | 0:00:56 | 0:00:59 | |
Some know-it-all panel of so-called experts? Yes, actually. | 0:00:59 | 0:01:03 | |
And together, these dance specialists have picked out | 0:01:03 | 0:01:07 | |
the hippest, the sexiest, the quirkiest and, let's be honest, | 0:01:07 | 0:01:10 | |
the gayest dance crazes from the last 40 years. | 0:01:10 | 0:01:13 | |
So finish your drink, kick off your shoes and join me for a | 0:01:13 | 0:01:16 | |
journey towards the craziest of all pop's great dance crazes. Hit it. | 0:01:16 | 0:01:23 | |
# Yes! So crazy right now | 0:01:25 | 0:01:28 | |
# Most incredibly Crazy right now... # | 0:01:28 | 0:01:31 | |
Crazy In Love was definitely a breakthrough video for Beyonce. | 0:01:31 | 0:01:35 | |
It was her first video coming into her solo career, outside of Destiny's Child. | 0:01:35 | 0:01:40 | |
# Ready? # | 0:01:40 | 0:01:42 | |
I remember watching the video and literally looking at the TV screen like this... | 0:01:43 | 0:01:48 | |
She's walking, the hair's blowing and it's like, wow. | 0:01:50 | 0:01:53 | |
Like, you walk down the street like that? | 0:01:53 | 0:01:56 | |
# I look and stare so deep in your eyes | 0:01:56 | 0:01:59 | |
# I touch on you more and more every time... # | 0:01:59 | 0:02:02 | |
Beyonce is queen. | 0:02:02 | 0:02:04 | |
She walks down and struts. Oh, she's dropped on the floor! | 0:02:04 | 0:02:06 | |
Why's she dropped on the floor? No, she hasn't. | 0:02:06 | 0:02:08 | |
She's really popping and dancing around. | 0:02:08 | 0:02:11 | |
Everything Beyonce does, I love. | 0:02:11 | 0:02:13 | |
She just looks so hot in the red high heels, the denim shorts, and they were short. | 0:02:13 | 0:02:19 | |
You know, hello! | 0:02:19 | 0:02:21 | |
# Got me lookin' so crazy right now Your touch got me... # | 0:02:21 | 0:02:24 | |
She's just this woman who just wanted to dance and it was just like, wow. | 0:02:24 | 0:02:29 | |
Wow, wow, wow. | 0:02:29 | 0:02:30 | |
# Uh-oh, uh-oh, uh-oh Oh, no, no... # | 0:02:30 | 0:02:33 | |
Crazy In Love, you cannot forget the, "Uh-oh". | 0:02:33 | 0:02:36 | |
And the moment the... # Uh-oh, uh-oh.... # | 0:02:36 | 0:02:40 | |
It's just hot! | 0:02:40 | 0:02:42 | |
The key move is the booty shake | 0:02:42 | 0:02:44 | |
and it does help if you've got some junk in your trunk as well. | 0:02:44 | 0:02:47 | |
Can I show you my booty shake? | 0:02:47 | 0:02:50 | |
I've been practising and this is my Beyonce. | 0:02:50 | 0:02:53 | |
It turns out I have to start quite slow, like that. | 0:02:53 | 0:02:56 | |
And then you have to really get going like that. | 0:02:56 | 0:02:59 | |
# So crazy right now... # | 0:02:59 | 0:03:01 | |
# Uh-oh, uh-oh, uh-oh Oh, no, no... # | 0:03:01 | 0:03:04 | |
Beyonce's all about the bum. | 0:03:07 | 0:03:08 | |
I can't keep it going, I can't sustain. | 0:03:13 | 0:03:16 | |
I'm quite knackered after that. How does she do it? | 0:03:16 | 0:03:19 | |
All of that, without a bra on? | 0:03:19 | 0:03:22 | |
# Young hov, y'all know when the flow is loco... # | 0:03:22 | 0:03:24 | |
Everyone was doing the Beyonce, even boys were doing it and someone comes | 0:03:24 | 0:03:27 | |
who wouldn't know the words, but he'd know how to do that, Uh-oh... | 0:03:27 | 0:03:30 | |
3-year-olds were doing it. 52-year-olds doing it. | 0:03:30 | 0:03:33 | |
-103-year-olds doing it. -# Got me looking | 0:03:33 | 0:03:38 | |
# So crazy, my baby... # | 0:03:38 | 0:03:40 | |
Where she kicked the fire extinguisher | 0:03:40 | 0:03:42 | |
and she just starts to go all in the water and her hair's all wet. | 0:03:42 | 0:03:47 | |
It's like, whoo! She means business. | 0:03:47 | 0:03:50 | |
# Your love's got the best of me | 0:03:50 | 0:03:52 | |
# And baby you're makin' a fool of me... # | 0:03:52 | 0:03:54 | |
Crazy In Love, for me, it's just hot. | 0:03:54 | 0:03:58 | |
It's the cheekiness of the walk and the nipple lick | 0:03:58 | 0:04:03 | |
where she's kind of nipple licking | 0:04:03 | 0:04:06 | |
and it's so cheeky and I absolutely love it. | 0:04:06 | 0:04:09 | |
Lick your thumb and rub yourself and you've got yourself a Beyonce move. | 0:04:09 | 0:04:13 | |
For some reason it's less sexy when a man is doing it | 0:04:13 | 0:04:16 | |
and just slightly moistening a tiny bit of chest hair | 0:04:16 | 0:04:19 | |
that they've got. When Beyonce does it down her cleavage, it's somehow sexy. | 0:04:19 | 0:04:24 | |
She's also got a tiny bit of chest hair. | 0:04:24 | 0:04:28 | |
I knew that one where she was like that, that way, head, that way, that way, up, down, spin around. | 0:04:29 | 0:04:37 | |
I think people just love the fact that she's all woman. | 0:04:40 | 0:04:45 | |
You know, she had something to shake and she shook it. | 0:04:45 | 0:04:48 | |
I fully approved. | 0:04:48 | 0:04:51 | |
Sorry. | 0:04:51 | 0:04:52 | |
So, ooh, here we are, perched on the brink of the top 10 | 0:04:55 | 0:04:59 | |
and what can I say about the dance craze that's at Number 11? | 0:04:59 | 0:05:03 | |
Well, that's easy, really. I just say what's written on the autocue. | 0:05:03 | 0:05:07 | |
Ever since I learned how to read last year, it's not really been a problem. | 0:05:07 | 0:05:10 | |
Anyway, it says here that our Number 11 is none other than Can't Touch This, by MC Hammer. | 0:05:10 | 0:05:17 | |
Here he is. | 0:05:17 | 0:05:18 | |
# Can't touch this | 0:05:21 | 0:05:22 | |
# Can't touch this | 0:05:25 | 0:05:27 | |
# Can't touch this... # | 0:05:29 | 0:05:30 | |
It came to me, I was doing it and I just say, you can't touch this. | 0:05:30 | 0:05:33 | |
When it's time to do it, it's Hammertime. | 0:05:33 | 0:05:36 | |
# My music hits me, so hard | 0:05:36 | 0:05:38 | |
# Makes me say, oh, my Lord | 0:05:38 | 0:05:39 | |
# Thank you, for blessing me... # | 0:05:39 | 0:05:43 | |
When you think of MC Hammer, you think of dancing, having a good time, partying on the dance floor. | 0:05:43 | 0:05:49 | |
I don't know anybody who doesn't know the MC Hammer dance. | 0:05:51 | 0:05:54 | |
There's something about the way that geezer moves his feet. | 0:05:54 | 0:05:58 | |
I've just never seen anybody do that side-to-side, jerky crab movement | 0:05:58 | 0:06:03 | |
quite like the Hammer. | 0:06:03 | 0:06:05 | |
# You got it like that and you know you want to dance... # | 0:06:07 | 0:06:09 | |
Dance craze, MC Hammer. | 0:06:09 | 0:06:11 | |
We want to show you how we get down. 5, 6, 7... | 0:06:11 | 0:06:14 | |
# Why are you standing there, man? You can't touch this... # | 0:06:17 | 0:06:21 | |
That's what I'm talking about. | 0:06:21 | 0:06:22 | |
MC Hammer in the place. | 0:06:22 | 0:06:24 | |
Everybody would remember the running man from MC Hammer. | 0:06:27 | 0:06:30 | |
I used to do that move at weddings and stuff. | 0:06:30 | 0:06:32 | |
I'd be the first on the dance floor with my dad, we'd be in the middle, doing the running man. | 0:06:32 | 0:06:37 | |
The running man is like this... | 0:06:37 | 0:06:39 | |
You've just got to run on the spot, with a little bounce to it, you know? | 0:06:39 | 0:06:42 | |
# Break it down... # | 0:06:44 | 0:06:45 | |
You get your knees up, put your arms down and then some people take that to the side and go this way. | 0:06:47 | 0:06:53 | |
Or this way... And then some people do some jumping | 0:06:53 | 0:06:57 | |
and MC Hammer took it a bit further we had some of this. | 0:06:57 | 0:07:01 | |
-Running man. -# So wave your hands in the air... # | 0:07:01 | 0:07:06 | |
Forget about the music. | 0:07:06 | 0:07:08 | |
It was all about the pants. I mean, the pants were amazing. | 0:07:08 | 0:07:12 | |
MC Hammer's pants were brilliant. | 0:07:14 | 0:07:16 | |
They've just been back in fashion, haven't they? | 0:07:16 | 0:07:18 | |
We call them pooh catchers. | 0:07:18 | 0:07:19 | |
# Look, man You can't touch this... # | 0:07:19 | 0:07:21 | |
We all like to dance and when you're dancing, the baggy pants | 0:07:21 | 0:07:24 | |
capture the wind, so all your movements are accentuated by having the nice loose-fitting pants. | 0:07:24 | 0:07:31 | |
I used to try and wear the pants. | 0:07:31 | 0:07:33 | |
I didn't know where to get them from, so gym pants, they're similar, | 0:07:33 | 0:07:36 | |
like bodybuilder pants. | 0:07:36 | 0:07:38 | |
I had a pair of those, really awkward colours, like purples and turquoise. | 0:07:38 | 0:07:42 | |
I'm just grateful nobody's got photos of that stuff. | 0:07:42 | 0:07:45 | |
People always say, "Hammer, I had the pants, I had the pants!" | 0:07:47 | 0:07:51 | |
You know, from current adults to young kids, "When I was little, I had some Hammer pants". | 0:07:51 | 0:07:59 | |
# You can't touch this... # | 0:07:59 | 0:08:01 | |
MC Hammer, with that one dance, became a phenomenon. | 0:08:01 | 0:08:03 | |
I mean, that bloke made an absolute fortune | 0:08:03 | 0:08:07 | |
for being the biggest thing in the world for all of about six months. | 0:08:07 | 0:08:12 | |
And that dance was pretty much why. | 0:08:12 | 0:08:18 | |
# You can't touch this. | 0:08:18 | 0:08:20 | |
We're in the top 10! | 0:08:22 | 0:08:24 | |
So, "What's the 10th best dance craze of all time?" I hear you ask. | 0:08:24 | 0:08:28 | |
What's the 10th best dance craze of all time? | 0:08:30 | 0:08:33 | |
Thank you! | 0:08:33 | 0:08:36 | |
The 10th best dance craze of all time is the Macarena. | 0:08:36 | 0:08:39 | |
This staggeringly repetitive tune by the evil geniuses of Los Del Rio | 0:08:39 | 0:08:43 | |
comes with a dance that's as simple as it is simple. | 0:08:43 | 0:08:48 | |
The Macarena. Oh, Macarena! | 0:08:53 | 0:08:56 | |
The Maca-flipping-rena! | 0:08:56 | 0:08:59 | |
Those people should have been shot. | 0:09:00 | 0:09:02 | |
Those men singing that song, they should have been put in a small room, | 0:09:02 | 0:09:07 | |
and they should have been played that record | 0:09:07 | 0:09:09 | |
for the rest of their natural lives. | 0:09:09 | 0:09:10 | |
It was dreadful. | 0:09:10 | 0:09:13 | |
Budda-budda-budda-budda... | 0:09:13 | 0:09:14 | |
You never really know the words. | 0:09:14 | 0:09:16 | |
You just know the bit that goes, # Hey, macarena! All right! # | 0:09:16 | 0:09:20 | |
I love the Macarena. | 0:09:20 | 0:09:23 | |
-The Macarena is just genius. -You all move the same, then you all turn around and do the same movements. | 0:09:23 | 0:09:29 | |
It's just another form of line-dancing. | 0:09:29 | 0:09:31 | |
Whether you loathe it or just hate it, nobody knew what it was actually about until right now. | 0:09:31 | 0:09:37 | |
In 1992, Spanish lounge singers Los Del Rio saw a Venezuelan dancer | 0:09:37 | 0:09:42 | |
who inspired them to write these poetic words. | 0:09:42 | 0:09:45 | |
-TRANSLATION: -Give your body joy and good things. | 0:09:47 | 0:09:50 | |
Because your body is meant to be given joy and good things. | 0:09:50 | 0:09:54 | |
Their song about a flamenco-dancing floozie became a worldwide hit after a club remix was released in 1996. | 0:09:55 | 0:10:02 | |
Souped up with a funky new video that taught everyone that groovy little dance. | 0:10:02 | 0:10:07 | |
When you make up those kind of dances, you have to remember that | 0:10:07 | 0:10:10 | |
you are appealing to people that maybe have no notions of dance. | 0:10:10 | 0:10:14 | |
So it was like, let's do something easy. | 0:10:14 | 0:10:17 | |
If you want to learn how to do the Macarena, all you have to do is follow me. | 0:10:19 | 0:10:23 | |
You just go right arm out, left arm out. Then you turn your hand | 0:10:23 | 0:10:27 | |
towards the ceiling, right and then left. | 0:10:27 | 0:10:30 | |
Then you cross on your shoulder, right and then left. | 0:10:30 | 0:10:32 | |
Put it behind your head, right then left. | 0:10:32 | 0:10:35 | |
Then you cross on your hip, right, then on your left. | 0:10:35 | 0:10:39 | |
Then you go back on your booty on your right and then on your left. | 0:10:39 | 0:10:42 | |
Then you go down, and you just rock it. To the right, to the left, to the right, to the left. | 0:10:42 | 0:10:48 | |
And then you pop and jump to the side. | 0:10:48 | 0:10:50 | |
Rock, you know, like a clock that's ticking. | 0:10:52 | 0:10:54 | |
And don't forget your smile! | 0:10:54 | 0:10:57 | |
It was like, let's do something that, if you make a mistake, | 0:10:57 | 0:11:00 | |
it doesn't really matter because maybe you will be popping in front of someone else. | 0:11:00 | 0:11:05 | |
They'd say it's funny. | 0:11:05 | 0:11:06 | |
-TRANSLATION: -We wanted to show that the song is meant for the whole world. | 0:11:07 | 0:11:11 | |
And that's why there's an Indian girl and one from the Netherlands, and an African girl. | 0:11:11 | 0:11:16 | |
It was a beautiful thing and we loved it. | 0:11:16 | 0:11:19 | |
Oh, I see. World peace via the Macarena. | 0:11:21 | 0:11:24 | |
The Macarena got massive attention. | 0:11:24 | 0:11:26 | |
Everybody just got the virus of the Macarena. | 0:11:26 | 0:11:30 | |
It was a pandemic, and all across the globe, people began dancing like simpletons. | 0:11:30 | 0:11:35 | |
The single spent an astonishing 14 weeks at the top of the US charts. | 0:11:35 | 0:11:40 | |
A crowd of 50,000 people danced the Macarena together at the New York Yankees stadium. | 0:11:40 | 0:11:44 | |
And if you get 50,000 Americans to do anything, it must be straightforward. | 0:11:44 | 0:11:50 | |
-TRANSLATION: -We never thought that they would be dancing to one of our songs in India, or in Chile, | 0:11:50 | 0:11:55 | |
or in Italy, or in Japan. | 0:11:55 | 0:11:58 | |
We knew it was out of hand when even US Secretary of State Madeleine Albright | 0:11:58 | 0:12:04 | |
was grooving with the minister for Botswana at the United Nations. | 0:12:04 | 0:12:07 | |
Yes, you heard me correctly. That's the UN. | 0:12:07 | 0:12:10 | |
The minute the song would come on, people would actually freak. | 0:12:10 | 0:12:16 | |
They would be hypnotised and just drawn to start doing it. | 0:12:16 | 0:12:21 | |
I have done the Macarena, | 0:12:21 | 0:12:23 | |
but only in the comfort of my own living room. | 0:12:23 | 0:12:26 | |
I have danced it a few times in my life, I've got to say. | 0:12:26 | 0:12:30 | |
I'm quite good at it, actually. | 0:12:30 | 0:12:32 | |
Everybody could do it, and it was like, you needed to do it. | 0:12:32 | 0:12:37 | |
And if you didn't participate, you look bad. | 0:12:37 | 0:12:40 | |
This dance is cool! | 0:12:40 | 0:12:42 | |
Everyone does it. | 0:12:42 | 0:12:43 | |
Even the boyfriends at a party or at a wedding that don't want to dance, | 0:12:43 | 0:12:48 | |
they go, "All right, we'll do this one. | 0:12:48 | 0:12:50 | |
"We know this one, boys, come on, let's do this one." | 0:12:50 | 0:12:53 | |
It's a song that's inviting everyone to have a laugh, have a dance. | 0:12:53 | 0:12:58 | |
We're not being serious, everyone's smiling and having a good time. | 0:12:58 | 0:13:02 | |
The dance is like a legend. | 0:13:02 | 0:13:04 | |
It's a creature, and it goes on. | 0:13:04 | 0:13:06 | |
It's a monster, and it goes on, you know, with or without me. | 0:13:06 | 0:13:11 | |
# Hey, Macarena! # | 0:13:13 | 0:13:16 | |
At number nine, it's his Royal Highness, Michael Jackson, the King of Pop. | 0:13:19 | 0:13:25 | |
That's pop as in pop music, not pop as in fizzy drinks. | 0:13:25 | 0:13:29 | |
Although, I'm told he did enjoy the feeling of Bubbles. | 0:13:29 | 0:13:32 | |
Oh, please! | 0:13:32 | 0:13:35 | |
In the '80s, he bestrode the music scene like a slightly weedy-looking Goliath. | 0:13:35 | 0:13:40 | |
And up there with his very best is this song about a person by the name of Billie Jean. | 0:13:40 | 0:13:46 | |
Michael Jackson has to be one of the most influential dancers in history. | 0:13:54 | 0:13:59 | |
# She was more like a beauty queen from a movie scene... # | 0:13:59 | 0:14:03 | |
When it comes to dancing, Michael is funky and he dances inside the music. | 0:14:03 | 0:14:07 | |
He wasn't a trained dancer. | 0:14:09 | 0:14:10 | |
You know, it's not like he went to ballet classes or jazz. | 0:14:10 | 0:14:13 | |
He did all this... He had his own unique style. | 0:14:13 | 0:14:17 | |
# I'm bad, I'm bad, chamone... # | 0:14:17 | 0:14:20 | |
Michael Jackson was a self-taught dancer to start with. | 0:14:20 | 0:14:23 | |
He learned from absolutely everyone. | 0:14:25 | 0:14:28 | |
# Tell you once again, who's bad? # | 0:14:28 | 0:14:30 | |
His stuff was very like a super hero. | 0:14:30 | 0:14:33 | |
If a super hero was going to dance, he'd dance like Michael Jackson. | 0:14:33 | 0:14:36 | |
Anything where it's like, bah-bah! A little, jigga-jigga-dah! Like that. | 0:14:36 | 0:14:40 | |
And the spin, then grabbing his scrotum. | 0:14:40 | 0:14:43 | |
He danced with a passion. And that's what made him unique and stand out. | 0:14:47 | 0:14:52 | |
# Annie, are you OK? Will you tell us that you're OK? # | 0:14:52 | 0:14:55 | |
He'll just... | 0:14:55 | 0:14:57 | |
And just hold that for, like, a minute. | 0:14:57 | 0:15:00 | |
Only Michael Jackson could get away with stuff like that. But he invented it. | 0:15:00 | 0:15:05 | |
OK, friends! | 0:15:06 | 0:15:07 | |
Michael Jackson, and one of the moves he patented that he does | 0:15:07 | 0:15:11 | |
in his Smooth Criminal video, it's no problem for you, for me. | 0:15:11 | 0:15:14 | |
Here he comes into the lean, grabbing it, there he goes. You can! | 0:15:14 | 0:15:18 | |
Hold, you can... Hee-hee! | 0:15:18 | 0:15:21 | |
Chamone. That's what I'm talking about. | 0:15:21 | 0:15:23 | |
Michael also took a lot of influences from magicians. | 0:15:25 | 0:15:30 | |
So he would take a move, say something like the lean, | 0:15:30 | 0:15:33 | |
and you would have somebody maybe doing the cuffs. | 0:15:33 | 0:15:35 | |
So the attention would be brought to the cuffs, where what was going on | 0:15:35 | 0:15:40 | |
was the guys would hit their feet on the floor. | 0:15:40 | 0:15:44 | |
The spikes would come out, and they would lean forward. And that is the trick. | 0:15:44 | 0:15:48 | |
You know the move where you go on the level like that, | 0:15:50 | 0:15:52 | |
your feet are like that? | 0:15:52 | 0:15:53 | |
Tried it, tried it, boosh! Over. | 0:15:53 | 0:15:56 | |
Bleeding, crying, teeth out. | 0:15:56 | 0:15:58 | |
You've got to be a total showman. | 0:15:59 | 0:16:01 | |
And Michael Jackson was an absolute showman. | 0:16:01 | 0:16:03 | |
And never more so than at the 25 Years Of Motown concert when he first performed his signature move, | 0:16:04 | 0:16:10 | |
the moonwalk, in a routine that shook the world. | 0:16:10 | 0:16:13 | |
I remember feeling like I was right there, | 0:16:18 | 0:16:21 | |
feeling like I was in the audience, watching it on TV. | 0:16:21 | 0:16:25 | |
Because everybody went completely mad. | 0:16:25 | 0:16:28 | |
I was so excited and right away tried to do it on the carpet. | 0:16:28 | 0:16:31 | |
But Michael Jackson did not actually invent the moonwalk. | 0:16:35 | 0:16:38 | |
Body popper Jeffrey Daniel from Shalamar had performed his version of Top Of the Pops in 1982. | 0:16:38 | 0:16:44 | |
And it was Jeffrey who taught Michael how to do the iconic step. | 0:16:46 | 0:16:50 | |
We started showing Michael the backslide in 1980. | 0:16:50 | 0:16:53 | |
It wasn't called the moonwalk yet. | 0:16:53 | 0:16:55 | |
It wasn't just a backside, it's a series of dances. | 0:16:55 | 0:16:57 | |
You're working on popping, working on dances that are in the clubs. | 0:16:57 | 0:17:03 | |
Michael Jackson would take something, repolish it and do it even better. | 0:17:03 | 0:17:07 | |
Look at the moonwalk which originally was a backslide that Jeffrey Daniel did. | 0:17:07 | 0:17:12 | |
And then Michael Jackson took it, and gave it that kind of magic, made it his own, | 0:17:12 | 0:17:17 | |
brought it to the world, and hey presto, it's a Michael Jackson move. | 0:17:17 | 0:17:20 | |
I spent a long time trying to do the moonwalk. | 0:17:23 | 0:17:28 | |
And I think I might have just done it once. | 0:17:28 | 0:17:32 | |
It's weird. You suddenly think, I'm doing it! | 0:17:32 | 0:17:34 | |
It's like riding a bike for the first time. | 0:17:34 | 0:17:36 | |
The moment you realise you're doing it, you've stopped. | 0:17:36 | 0:17:39 | |
I was lucky enough to meet Michael Jackson, I had dinner with him. | 0:17:41 | 0:17:45 | |
He took me through the theory of the moonwalk, | 0:17:45 | 0:17:47 | |
and it's actually opposite to what people think in their heads. | 0:17:47 | 0:17:51 | |
If you want me to show you. You start with your forefoot on the floor. | 0:17:51 | 0:17:55 | |
And then you keep it on the floor as long as you possibly can, | 0:17:55 | 0:17:58 | |
and drag it all the way back until you have to start lifting your heel. | 0:17:58 | 0:18:02 | |
You transfer your weight and repeat with the other foot. | 0:18:02 | 0:18:05 | |
So it's actually heel-toe, | 0:18:05 | 0:18:08 | |
and not toe-heel as a lot of people think. | 0:18:08 | 0:18:11 | |
Anyone can do it. Simply purchase your very own rhinestone glove - | 0:18:15 | 0:18:18 | |
maybe go halves on a pair with your friend. | 0:18:18 | 0:18:20 | |
Resign from your job, practise just 10 hours a day for 200 days, | 0:18:20 | 0:18:24 | |
and you too can impress your mates with a moonwalk like mine. | 0:18:24 | 0:18:27 | |
There is not a single person that can do the moonwalk | 0:18:28 | 0:18:32 | |
and not think of Michael Jackson or have somebody say, "Michael Jackson, yeah!" | 0:18:32 | 0:18:36 | |
He's... One and the same, synonymous with him. The moonwalk. | 0:18:36 | 0:18:41 | |
Michael Jackson, the legend lives on. | 0:18:41 | 0:18:45 | |
Bill Medley might sound like the best bits from an ITV police drama but it's also the name of a man. | 0:18:49 | 0:18:55 | |
And together with Jennifer Warnes, that man gave the world the song you're about to hear. | 0:18:55 | 0:19:00 | |
Brackets - I've had - close brackets - The Time Of My Life. | 0:19:00 | 0:19:04 | |
OK, guys. Let's do the lift! We're doing the lift! | 0:19:04 | 0:19:06 | |
Yeah? Just like the film! | 0:19:06 | 0:19:08 | |
It's a bit like the film, yeah?! | 0:19:08 | 0:19:11 | |
# With my body and soul | 0:19:11 | 0:19:13 | |
# I want you more than you'll ever know. # | 0:19:13 | 0:19:18 | |
The plot of Dirty Dancing is really about | 0:19:18 | 0:19:20 | |
the sexual awakening of a teenage girl. | 0:19:20 | 0:19:23 | |
And also Patrick Swayze with his top off, yes! | 0:19:25 | 0:19:29 | |
I think every woman's dream is to be taught how to dance | 0:19:31 | 0:19:35 | |
by someone like Patrick Swayze. | 0:19:35 | 0:19:37 | |
Patrick Swayze was the alpha male of dance for a long time. | 0:19:39 | 0:19:42 | |
He is the most sexiest dancer I think I've ever seen. | 0:19:44 | 0:19:49 | |
Apart from when I've caught myself in the mirror. | 0:19:49 | 0:19:51 | |
In the final, climactic scene of the film, | 0:19:53 | 0:19:55 | |
Baby and Johnny perform a dance routine that reveals their secret love. | 0:19:55 | 0:19:59 | |
When she's dancing her last dance with Johnny, | 0:20:01 | 0:20:04 | |
just the lifting the arm up and the tickle down there, | 0:20:04 | 0:20:07 | |
that is just brilliant. | 0:20:07 | 0:20:09 | |
Basic move. | 0:20:11 | 0:20:14 | |
# I've had the time of my life | 0:20:14 | 0:20:15 | |
# No, I've never felt this way before | 0:20:15 | 0:20:18 | |
# Yes, I swear... # | 0:20:18 | 0:20:22 | |
The final dance, that's what the movie has been about. | 0:20:22 | 0:20:25 | |
It's all about, is she going to do this lift? | 0:20:25 | 0:20:28 | |
That lift is hard to do. | 0:20:28 | 0:20:31 | |
It involves strength, a lot of balance and a lot of technique. | 0:20:31 | 0:20:35 | |
And, done badly, could be quite catastrophic. | 0:20:35 | 0:20:37 | |
It takes a bit of practice. You need a strong man. | 0:20:39 | 0:20:42 | |
And I guess, it is all about the timing. | 0:20:42 | 0:20:45 | |
That's a lift you attempt when you're drunk - probably the worst time to try it. | 0:20:47 | 0:20:51 | |
If that Dirty Dancing song comes on and I have had enough to drink, | 0:20:51 | 0:20:55 | |
I...usually try to jump. | 0:20:55 | 0:20:58 | |
And hope someone catches you! | 0:20:58 | 0:21:00 | |
So iconic as the lift become, that the routine is now a popular | 0:21:00 | 0:21:04 | |
first dance for Swayze-loving brides around the world. | 0:21:04 | 0:21:07 | |
Ready, steady...catch the bride! | 0:21:10 | 0:21:13 | |
I've seen a few of the wedding routines on the internet. | 0:21:15 | 0:21:19 | |
I think it's hilarious the way it's turned into a craze | 0:21:19 | 0:21:22 | |
and they've really reinvented the first dance. | 0:21:22 | 0:21:25 | |
It's gone from being something where people are a bit embarrassed and maybe they just have a little smooch | 0:21:25 | 0:21:31 | |
on the dance floor to actually, this is our wedding, | 0:21:31 | 0:21:34 | |
this is our first dance, and it's something for everyone to remember. | 0:21:34 | 0:21:38 | |
And this couple, Julia and James, danced their way to | 0:21:40 | 0:21:43 | |
becoming an internet phenomenon with 8 million people watching their first dance on YouTube. | 0:21:43 | 0:21:48 | |
It wasn't his idea! It was my idea. | 0:21:48 | 0:21:50 | |
Let's be honest, every woman has the fantasy of doing that. | 0:21:50 | 0:21:54 | |
-It was my day, and... -YOUR day? | 0:21:54 | 0:21:57 | |
Sorry, OUR day! It was OUR day. | 0:21:57 | 0:21:59 | |
The first thing that popped into my head when Julia said, | 0:21:59 | 0:22:02 | |
"Let's do that dance from Dirty Dancing as our first dance," was the lift. | 0:22:02 | 0:22:06 | |
We didn't go to a lake to practise, we went to my friend's back garden. | 0:22:06 | 0:22:10 | |
So if we fell, we actually fell into his flowerbeds. | 0:22:10 | 0:22:13 | |
There were 120 people there. | 0:22:16 | 0:22:17 | |
And if I really screwed up badly, what they would remember was me dropping my bride on her face. | 0:22:17 | 0:22:24 | |
We've had millions of people contacting us telling us that that dance made them cry. | 0:22:27 | 0:22:32 | |
It just made them feel all warm and fantastic. | 0:22:32 | 0:22:37 | |
-(SOBBING) -It's so beautiful! | 0:22:37 | 0:22:39 | |
At number seven, it's the Time Warp from the Rocky Horror Picture Show. | 0:22:41 | 0:22:46 | |
A musical all about... Actually, it doesn't matter. | 0:22:46 | 0:22:50 | |
But why is the Time Warp so popular? | 0:22:50 | 0:22:52 | |
Perhaps because the song contains instructions in the lyrics | 0:22:52 | 0:22:55 | |
that explain how to do the dance as you go along. | 0:22:55 | 0:22:58 | |
It's basically the hokey-cokey for transvestites. | 0:22:58 | 0:23:01 | |
It's astounding. | 0:23:05 | 0:23:08 | |
Time is fleeting. | 0:23:08 | 0:23:10 | |
What is the Time Warp about? It's not about anything. Should it be about anything? | 0:23:10 | 0:23:14 | |
Most dances are just about getting people to move on the dance floor, | 0:23:15 | 0:23:18 | |
encourage them to actually make fools of themselves, | 0:23:18 | 0:23:22 | |
most of the time. | 0:23:22 | 0:23:23 | |
# Let's do the time warp again... # | 0:23:23 | 0:23:27 | |
This isn't a dance for intellectuals. | 0:23:27 | 0:23:29 | |
This is a dance for people... | 0:23:29 | 0:23:31 | |
You can have an IQ in single figures. | 0:23:31 | 0:23:33 | |
# It's just a jump to the left And then a step to the right... # | 0:23:33 | 0:23:38 | |
It's just a jump to the left. | 0:23:38 | 0:23:41 | |
You see? Easy. And then a step to the right, two, three, four, one. | 0:23:41 | 0:23:46 | |
With your hands on your hips. | 0:23:46 | 0:23:49 | |
We all know where they are, don't we? There they are, yes, that's it. | 0:23:49 | 0:23:52 | |
You bring your knees in tight. | 0:23:52 | 0:23:54 | |
Got it? # Then it's the pelvic thrust... # | 0:23:54 | 0:23:57 | |
That's the sexy bit. | 0:23:57 | 0:23:59 | |
# Really drives you insa-a-a-ane | 0:23:59 | 0:24:04 | |
# Let's do the time warp again | 0:24:04 | 0:24:07 | |
# Let's do the time warp again. # | 0:24:07 | 0:24:10 | |
It's so simple. | 0:24:10 | 0:24:12 | |
-It's just to jump to the left. -The Time Warp is the signature song from the Rocky Horror Show, | 0:24:12 | 0:24:18 | |
the transgender-bending musical that brilliantly parodies science fiction and B-movie horror films. | 0:24:18 | 0:24:23 | |
You've seen all kinds of movies, but you've never seen anything like the Rocky Horror Picture Show. | 0:24:23 | 0:24:31 | |
# Let's do the Time Warp again... # | 0:24:31 | 0:24:34 | |
Bafflingly, the film is said to be | 0:24:34 | 0:24:36 | |
the longest-running cinema release in history, and is still being shown in some cinemas 35 years later. | 0:24:36 | 0:24:42 | |
-They're probably foreigners with ways different than our own. -It's fabulously freaky. | 0:24:42 | 0:24:46 | |
It's a perfect opportunity for men to don a basque, | 0:24:46 | 0:24:50 | |
seemingly for the sake of | 0:24:50 | 0:24:52 | |
Rocky Horror, but actually just to satisfy a strange fetish they have. | 0:24:52 | 0:24:56 | |
I think the British men have got an awful lot, deep down inside of them, that's dying to get out | 0:24:56 | 0:25:01 | |
and any excuse that makes it look OK, Rocky Horror Show is there to supply that OKness. | 0:25:01 | 0:25:07 | |
# Transvestite! # | 0:25:07 | 0:25:09 | |
The Rocky Horror Show comes to town and you'll see your neighbour, | 0:25:09 | 0:25:12 | |
Gerald and Sandra, dressed up in their S&M outfits. | 0:25:12 | 0:25:17 | |
You're like, "Where are you off?" "Off to see the Rocky Horror Show." | 0:25:17 | 0:25:20 | |
You're like, "Oh, this is awkward." | 0:25:20 | 0:25:22 | |
Sandra's got Gerald on a lead. | 0:25:22 | 0:25:23 | |
They never went that far in the Rocky Horror, but... | 0:25:23 | 0:25:26 | |
Got him on a lead! | 0:25:26 | 0:25:29 | |
# Let's do the Time Warp again... # | 0:25:29 | 0:25:33 | |
The Time Warp encapsulates the freak show party atmosphere of Rocky Horror, and the dance that | 0:25:33 | 0:25:38 | |
actually started out as a parody of Simon Says routines has become the very thing it was poking fun at. | 0:25:38 | 0:25:45 | |
-It's just a jump to the left. -We've got a song where the instructions come in the lyrics. | 0:25:45 | 0:25:50 | |
It was getting them up there to join in and do something collectively. | 0:25:50 | 0:25:56 | |
It did, strangely, become accepted as a dance, and a big hit. | 0:25:56 | 0:26:01 | |
Let's do the Time Warp again. | 0:26:03 | 0:26:05 | |
I'm a massive Rocky Horror fan and I don't like the Time Warp, it cheapens it. | 0:26:05 | 0:26:09 | |
The Time Warp is now owned by drunkards just thrusting | 0:26:09 | 0:26:14 | |
at you in night clubs, whereas the theatre and the film experience is actually way more than that. | 0:26:14 | 0:26:19 | |
It's a little bit annoying, actually. | 0:26:19 | 0:26:21 | |
# Let's do the Time Warp again. # | 0:26:21 | 0:26:25 | |
Do-do-do-do. Wasn't that easy? | 0:26:25 | 0:26:27 | |
Piece of cake. I'm not going to do it again. No, I'm not, I'm sorry. | 0:26:27 | 0:26:31 | |
At number six, it's everyone's favourite | 0:26:33 | 0:26:35 | |
Danish pop singer, Whigfield, with her 1994 song, Saturday Night. | 0:26:35 | 0:26:39 | |
In her video, she doesn't seem to do the dance. | 0:26:39 | 0:26:42 | |
I was once in a room with about 300 people all doing the dance. | 0:26:42 | 0:26:46 | |
It was my first intimation of what it might like to be to attend a fascist rally, | 0:26:46 | 0:26:51 | |
and I've been attending fascists rallies ever since. Here she comes. | 0:26:51 | 0:26:55 | |
Do be do be do noo. Whatever she said. | 0:27:00 | 0:27:02 | |
Dee de da la da da. | 0:27:02 | 0:27:04 | |
Noo me noo me na na. | 0:27:04 | 0:27:06 | |
Dee dee na na na. Dee dee na na na. | 0:27:06 | 0:27:08 | |
-I -never had rollers in on a Saturday night. | 0:27:10 | 0:27:12 | |
Heated rollers went out in the '70s. | 0:27:12 | 0:27:14 | |
# Saturday night, I feel the air is getting hot... # | 0:27:14 | 0:27:19 | |
Saturday Night topped the charts for four weeks in 1994, and got a whole generation up and dancing. | 0:27:19 | 0:27:25 | |
For me, it was the first dance craze that was of my generation, being in a pub, it coming on | 0:27:25 | 0:27:32 | |
and it feeling important that you did know the moves, that you weren't being left out. | 0:27:32 | 0:27:37 | |
# Da ba da dan dee dee dee da nee na na na | 0:27:37 | 0:27:42 | |
# Be my baby... # | 0:27:42 | 0:27:43 | |
It's just easy and it's fun, and it's drunk proof, isn't it? | 0:27:45 | 0:27:49 | |
# Pretty baby... # | 0:27:49 | 0:27:52 | |
The moves didn't originate in a dance studio, but on a Spanish beach. | 0:27:52 | 0:27:57 | |
The aerobics instructor responsible has never stepped up to take credit, | 0:27:57 | 0:28:01 | |
or maybe the blame, whichever way you look at it! | 0:28:01 | 0:28:03 | |
Every time he'd do his classes on the beach, he'd play this track | 0:28:06 | 0:28:10 | |
and do this dance to this song, | 0:28:10 | 0:28:12 | |
and people went to clubs at night and heard the song, and it just moved around. | 0:28:12 | 0:28:17 | |
# Saturday night, I feel the air is getting hot | 0:28:17 | 0:28:21 | |
# Like you, baby... # | 0:28:22 | 0:28:25 | |
The record labels around, they didn't believe in the song, they didn't like it very much. | 0:28:25 | 0:28:30 | |
It was actually a song that was built up by the audience. | 0:28:30 | 0:28:34 | |
By the public. | 0:28:34 | 0:28:36 | |
# Viva Espana. # | 0:28:36 | 0:28:38 | |
People just went on holiday in Spain and in Portugal and came back and requested the song. | 0:28:38 | 0:28:45 | |
We go on holiday, two weeks out of the year, Costa Brava, Costa del Sol | 0:28:45 | 0:28:50 | |
and we crave quite a rubbish song with a bit of a silly dance routine. What's that about? | 0:28:50 | 0:28:55 | |
When you go there, it's contagious. | 0:28:58 | 0:29:00 | |
You come back and you're like, "Guys..." | 0:29:00 | 0:29:03 | |
I bet Whigfield loved doing that dance. | 0:29:03 | 0:29:06 | |
I just saw people doing these moves, but it's not like, "Oh, I want to learn it too." | 0:29:06 | 0:29:10 | |
Because it's not, "I'm going on stage, I've got to do the dance." | 0:29:10 | 0:29:13 | |
I said, "I'll never do the dance," | 0:29:13 | 0:29:15 | |
-I don't want people to think it's something that we did, you know? -Oh. | 0:29:15 | 0:29:18 | |
-Stop it, will you, hey? -He's just a bit, how do you say it in Danish? | 0:29:18 | 0:29:23 | |
-Thick? -Yeah, thick, that's the word. | 0:29:23 | 0:29:25 | |
You know, it's a rite of passage, is just one of those things when you get a bit older, | 0:29:28 | 0:29:33 | |
it's on the list of things that are valid to look back and hate about yourself. | 0:29:33 | 0:29:37 | |
17 years on, Whigfield is still making music, but a different kind of music - the kind you never hear. | 0:29:39 | 0:29:47 | |
I used to be quite sick of this song. | 0:29:47 | 0:29:49 | |
I think maybe after one, two, three years, I was fed up, I couldn't hear it. | 0:29:49 | 0:29:54 | |
And now, it's part of me, you know? | 0:29:54 | 0:29:57 | |
# Saturday night... # | 0:29:57 | 0:29:59 | |
It's under my skin. | 0:29:59 | 0:30:01 | |
Better get some ointment for that! | 0:30:01 | 0:30:03 | |
It's 1978 and the world has gone disco crazy. | 0:30:11 | 0:30:15 | |
Saturday Night Fever is in the cinemas and dance floors are | 0:30:15 | 0:30:18 | |
full of hairy-chested men dancing like absolute idiots. | 0:30:18 | 0:30:22 | |
Every man jack of them is trying to copy the sexy moves of Mr John Travolta. | 0:30:22 | 0:30:27 | |
We just think of him now as a crazy Scientologist who makes often bad films, but in the 1970s, | 0:30:27 | 0:30:33 | |
he was responsible for the dance craze that makes it to number five on our list. | 0:30:33 | 0:30:38 | |
It's Night Fever, take it away, John. | 0:30:38 | 0:30:41 | |
I think if you put Saturday Night Fever on, everyone | 0:30:49 | 0:30:52 | |
starts to do the John Travolta, and you can't get away from that. | 0:30:52 | 0:30:55 | |
# Night fever, night fever... # | 0:30:55 | 0:30:57 | |
When you think about Saturday Night Fever, you think of the disco and the lights | 0:30:57 | 0:31:02 | |
and the white suit and the moves, and people living for the weekend. | 0:31:02 | 0:31:06 | |
Saturday Night Fever is a gritty portrayal of alcohol abuse and rape, | 0:31:06 | 0:31:12 | |
but what people really remember is John Travolta doing this. | 0:31:12 | 0:31:16 | |
It was the first time a normal person, who did a nine-to-five job, | 0:31:16 | 0:31:21 | |
went to a disco on a Saturday night and became the star of that disco, | 0:31:21 | 0:31:28 | |
the king of that disco. | 0:31:28 | 0:31:30 | |
# Night fever, night fever... # | 0:31:30 | 0:31:32 | |
Travolta really could bust some moves, | 0:31:32 | 0:31:35 | |
but it took him five months' dance training to get ready for the role. | 0:31:35 | 0:31:39 | |
It's kind of a squiggly move, and very weird, because you can roll the arms this way and this way. | 0:31:39 | 0:31:44 | |
I met Travolta. Of course, John came walking in, strutting, you know. | 0:31:44 | 0:31:48 | |
I said, "Can I see how you dance?" He goes, "I already know how to dance." | 0:31:48 | 0:31:52 | |
I said, "Sit down," and I started doing the splits and all the points. | 0:31:52 | 0:31:55 | |
He said, "That's it, that's what I want to learn." | 0:31:55 | 0:31:58 | |
John particularly liked this step here, where he was stepping back. | 0:31:59 | 0:32:03 | |
It was a step he could work with, | 0:32:03 | 0:32:04 | |
and he'd do this, and turn like this, and he'd roll his hips and | 0:32:04 | 0:32:10 | |
point out the women. | 0:32:10 | 0:32:12 | |
Everybody knew that. It's like the roll... | 0:32:12 | 0:32:16 | |
Down, up, down, up. | 0:32:16 | 0:32:20 | |
Saturday Night Fever was a shock for the audience, when they saw guys giving it large. Amazing. | 0:32:20 | 0:32:27 | |
Saturday Night Fever captured a way of life, and Travolta encapsulated the attitude and style of the era. | 0:32:27 | 0:32:34 | |
People look at the wardrobe in the film | 0:32:34 | 0:32:36 | |
-and they laugh at the polyester look. -He was a hunk, wasn't he? | 0:32:36 | 0:32:39 | |
There was a bit porno about him. | 0:32:39 | 0:32:43 | |
The clothes were a funny thing. | 0:32:43 | 0:32:45 | |
The polyester, if you dropped cigarette ash on it, forget it, you had a big hole. | 0:32:45 | 0:32:49 | |
# You can tell by the way I use my walk, I'm a woman's man... # | 0:32:49 | 0:32:53 | |
He was just so hot. It was the '70s and he came out with this little swagger. | 0:32:53 | 0:32:57 | |
Your hair was perfect, the shirt was open and the chains... | 0:32:57 | 0:33:01 | |
It was like the chest was up, and you had that walk. | 0:33:01 | 0:33:05 | |
"Hi, how you doing?", "Hey, girls." | 0:33:05 | 0:33:09 | |
# Stayin' alive, staying alive... # | 0:33:09 | 0:33:11 | |
John originally wanted to wear black suits. | 0:33:11 | 0:33:14 | |
I said, I think a white suit would be a lot better. | 0:33:14 | 0:33:16 | |
He said, "No, no, it has to be black because black is cool." | 0:33:16 | 0:33:21 | |
I said, "You know, I guess that will make Karen Lynn Gorney very happy." | 0:33:21 | 0:33:25 | |
His leading lady. He said, "Why is that?" | 0:33:25 | 0:33:28 | |
I said, "Because you won't be able to see you, all you'll see is Karen." | 0:33:28 | 0:33:32 | |
He kind of glowered and went out, and the next thing I knew, he came back with two white suits. | 0:33:32 | 0:33:38 | |
When one movie can dictate clothing trends, music trends, dance trends, | 0:33:38 | 0:33:44 | |
how you talk, how you wear your hair, how much jewellery you wear, that's an incredible, phenomenal thing. | 0:33:44 | 0:33:51 | |
# You should be dancin'... # | 0:33:51 | 0:33:53 | |
The Bee Gees sold more than 15 million copies of their soundtrack, | 0:33:53 | 0:33:57 | |
people lined up to learn the dance moves and DJs playing vinyl records replaced live bands. | 0:33:57 | 0:34:02 | |
Disco, as we know it, was born. | 0:34:02 | 0:34:05 | |
The whole nation in the '70s was doing Saturday Night Fever, | 0:34:05 | 0:34:08 | |
everyone wanted to be John Travolta. | 0:34:08 | 0:34:10 | |
A very popular one is called the roly-poly. | 0:34:10 | 0:34:13 | |
Get your John Travolta thumb, roll the hands and mark the rhythm at the same time. | 0:34:13 | 0:34:17 | |
And one, and two, one, and two. | 0:34:17 | 0:34:20 | |
So many guys took dance lessons and all this stuff, just to be noticed. | 0:34:20 | 0:34:26 | |
Dance clubs all over the world, and dance studios, were just jam-packed with people you'd never expect. | 0:34:26 | 0:34:32 | |
People with two left feet, two right feet. | 0:34:32 | 0:34:34 | |
Everyone wanted to dance. Like me at the family weddings... | 0:34:34 | 0:34:37 | |
Before, I was just a solo boy on the floor. | 0:34:37 | 0:34:40 | |
Soon as John Travolta started, that was it. Didn't have room for an elbow. | 0:34:40 | 0:34:44 | |
It would start with one person, then someone else would join in, | 0:34:48 | 0:34:52 | |
then someone else would join in, till the whole room is going mad, doing the same dance. | 0:34:52 | 0:34:56 | |
It was mad, I loved that time. | 0:34:56 | 0:35:01 | |
Never, ever, did I think it would become mainstream. | 0:35:01 | 0:35:04 | |
And now it's found its place in history. | 0:35:04 | 0:35:06 | |
You can go into clubs now and see a lot of sampling done | 0:35:06 | 0:35:09 | |
of disco music, and they'll play straight disco, they'll play retro. | 0:35:09 | 0:35:13 | |
So it's found its place in history as great dance music. | 0:35:13 | 0:35:16 | |
# My woman keeps me warm... # | 0:35:16 | 0:35:20 | |
Madonna is such an icon of pop music, | 0:35:20 | 0:35:23 | |
it's sometimes hard to believe that she's now 83 years of age. | 0:35:23 | 0:35:27 | |
In 1990, when Vogue was released, she was a mere slip of a gal | 0:35:27 | 0:35:31 | |
in her early 60s, long before her arthritis started giving her all that gip. | 0:35:31 | 0:35:35 | |
Back then, she was one heck of a dancer. | 0:35:35 | 0:35:39 | |
# Shiny and new | 0:35:39 | 0:35:42 | |
# Like a virgin | 0:35:42 | 0:35:45 | |
# Touched for the very first time... # | 0:35:45 | 0:35:49 | |
I love Madonna. Madonna was really of my time, when I was going to clubs | 0:35:49 | 0:35:54 | |
and dancing, so her videos are always great. | 0:35:54 | 0:35:57 | |
# Next to mine... # | 0:35:57 | 0:35:58 | |
What's very powerful about Madonna is that she's always ahead of time, | 0:35:58 | 0:36:02 | |
and she's actually inspired a lot of people. | 0:36:02 | 0:36:06 | |
Madonna is one of those people that she'll see something | 0:36:06 | 0:36:09 | |
on the street, and really study it, and bring it to the mainstream. | 0:36:09 | 0:36:14 | |
# We are living in a material world and I am a material girl... # | 0:36:14 | 0:36:19 | |
Madonna is someone who's shown us that she's not just a one-trick pony, | 0:36:19 | 0:36:23 | |
she can turn herself to many different styles. | 0:36:23 | 0:36:27 | |
I understand that Madonna had trained a lot as a dancer. | 0:36:27 | 0:36:30 | |
She kept everybody in the world on their toes. | 0:36:30 | 0:36:33 | |
And in 1990, the material girl with all the moves topped the UK charts | 0:36:34 | 0:36:39 | |
with this iconic track that introduced Voguing to a global audience. | 0:36:39 | 0:36:43 | |
When I first saw Madonna's Vogue, those moves were just amazing. | 0:36:44 | 0:36:50 | |
Everybody was doing that dance in the clubs, including moi. | 0:36:50 | 0:36:56 | |
Strike a pose. | 0:36:56 | 0:36:58 | |
You can just do your thing, you know what I'm saying, you know? | 0:36:58 | 0:37:02 | |
# Vogue... # | 0:37:03 | 0:37:06 | |
When Vogue came out, that was enormous, darling. | 0:37:06 | 0:37:10 | |
Everyone wanted to Vogue and it is, I have to say, one of the most technically difficult things to do. | 0:37:10 | 0:37:17 | |
# Come on, Vogue | 0:37:17 | 0:37:19 | |
# Let your body move to the music Hey, hey, hey... # | 0:37:19 | 0:37:24 | |
Vogue comes from the actual magazine, Vogue, | 0:37:24 | 0:37:27 | |
and portraying the images that you'd see in that magazine. | 0:37:27 | 0:37:33 | |
# Come on, Vogue... # | 0:37:33 | 0:37:35 | |
It's dance put into modelling shapes. | 0:37:35 | 0:37:39 | |
You know, it'll be that, it'll be that, it'll be that. | 0:37:39 | 0:37:43 | |
# All you need is your own imagination... # | 0:37:43 | 0:37:45 | |
It's really about the attitude. | 0:37:45 | 0:37:48 | |
Every movement should be photogenic. | 0:37:48 | 0:37:50 | |
# It makes no difference if you're black or white | 0:37:50 | 0:37:54 | |
# If you're a boy or a girl... # | 0:37:54 | 0:37:56 | |
Then you do your poses, poses. | 0:37:56 | 0:37:59 | |
# If the music's pumping It'll give you new life. | 0:37:59 | 0:38:01 | |
Have you ever tried to dance with someone who's Voguing? | 0:38:01 | 0:38:04 | |
It's like a barrier. "Get away from me, I'm Voguing." | 0:38:04 | 0:38:09 | |
It's so elitist, isn't it? | 0:38:09 | 0:38:11 | |
"I'm not trying to dance. | 0:38:13 | 0:38:14 | |
"I'm just going to do it." That's Vogue. | 0:38:14 | 0:38:17 | |
Vogue was Madonna's seventh UK number one and if you've | 0:38:17 | 0:38:21 | |
ever struck a pose a la Madge, you might be surprised to learn that | 0:38:21 | 0:38:25 | |
she pinched the dance from the New York gay scene that was strutting its stuff around Harlem in the '80s. | 0:38:25 | 0:38:30 | |
Everyone thinks Madonna invented it, and of course, she didn't. | 0:38:30 | 0:38:34 | |
It was happening in underground clubs all around New York. | 0:38:34 | 0:38:37 | |
I first saw Vogue in New York in the mid-'80s. I was amazed. | 0:38:37 | 0:38:43 | |
It was such a visual impact, seeing all these confident, | 0:38:43 | 0:38:46 | |
flamboyant children, working the disco dance floor threadbare. | 0:38:46 | 0:38:51 | |
Ghetto queens wanted to run competitions, | 0:38:51 | 0:38:56 | |
and what they would have are houses, and each week they would compete against different boroughs. | 0:38:56 | 0:39:03 | |
When you're competing with somebody, it's like... | 0:39:03 | 0:39:06 | |
"I'm so much better than you." | 0:39:06 | 0:39:10 | |
It's possibly one of the gayest dances ever, in the world. | 0:39:10 | 0:39:15 | |
Madonna's very good at picking up whatever's current or happening underground | 0:39:18 | 0:39:22 | |
at that moment, and making it more mainstream. | 0:39:22 | 0:39:25 | |
-She has the power to popularise it. -# Let your body... # | 0:39:25 | 0:39:29 | |
Even though it was, at that time, considered a dance craze | 0:39:29 | 0:39:34 | |
for the masses, to us, it's not a dance craze, it's a way of life. | 0:39:34 | 0:39:38 | |
# Vogue, Vogue, Vogue, Vogue. # | 0:39:38 | 0:39:40 | |
I love Single Ladies. | 0:39:42 | 0:39:44 | |
I mean, the song, Single Ladies, not ladies who are single. I can't be doing with them. | 0:39:44 | 0:39:48 | |
At number three on our list, it's Beyonce, who's most certainly not a single lady. | 0:39:48 | 0:39:53 | |
I get that, now, Beyonce, I'm fine with it, and I'm sorry about the e-mails... | 0:39:53 | 0:39:58 | |
# All the single ladies All the single ladies | 0:39:59 | 0:40:02 | |
# All the single ladies All the single ladies | 0:40:02 | 0:40:05 | |
# All the single ladies All the single ladies | 0:40:05 | 0:40:08 | |
# All the single ladies, Now put your hands up... # | 0:40:08 | 0:40:10 | |
The Single Ladies message is saying to a man who isn't prepared | 0:40:10 | 0:40:13 | |
to ask you to marry him, that you'll just go out and find someone else. | 0:40:13 | 0:40:18 | |
Which... | 0:40:18 | 0:40:19 | |
is a little bit 19th century. | 0:40:19 | 0:40:21 | |
# He up on me Don't pay him any attention... # | 0:40:21 | 0:40:24 | |
Single Ladies is basically that girl song for the clubs, | 0:40:24 | 0:40:29 | |
to talk junk to the guys. | 0:40:29 | 0:40:30 | |
It says, "Hey, you know, too late, you know, he looking at it now, | 0:40:30 | 0:40:34 | |
"you can't get me." | 0:40:34 | 0:40:35 | |
# Don't be mad once you seen That he want it... # | 0:40:35 | 0:40:37 | |
The first time I watched Single Ladies, I said to myself, | 0:40:37 | 0:40:40 | |
"Self, you need to learn this dance, because it's going to be big." | 0:40:40 | 0:40:44 | |
# Oh, oh, oh, oh, oh, oh, oh... # | 0:40:44 | 0:40:46 | |
You had to know it from the beginning to the end, everything. All this bit, all this bit. | 0:40:46 | 0:40:52 | |
# If you liked it, then you should have put a ring on it... # | 0:40:52 | 0:40:54 | |
Single Ladies is such an intricate routine but it still has a sense of being approachable. | 0:40:54 | 0:41:00 | |
You can take it and you can make it your own. | 0:41:00 | 0:41:04 | |
Beyonce's Single Ladies video, I really like, because she's all woman in that video. | 0:41:04 | 0:41:09 | |
# If you liked it, then you should have put a ring on it... # | 0:41:09 | 0:41:12 | |
The iconic look of Single Ladies is definitely the ring dance, | 0:41:12 | 0:41:17 | |
and people played with it. # Uh oh oh uh... # ta ta, click, hey. | 0:41:17 | 0:41:22 | |
You're at a party and they put on Single Ladies, the first thing people start doing is the hand. | 0:41:24 | 0:41:29 | |
# If you liked it, then you should have put a ring on it... # | 0:41:29 | 0:41:32 | |
I think my favourite was... I call it the choo-choo train. | 0:41:32 | 0:41:35 | |
You can go around with it... | 0:41:37 | 0:41:40 | |
a tee tee ta. | 0:41:40 | 0:41:42 | |
It still had Beyonce's style and flavour and bounce and it was really quite original. | 0:41:43 | 0:41:48 | |
Beyonce's video may look fresh but nothing is 100% original, | 0:41:50 | 0:41:54 | |
and the Single Ladies dance routine is no exception. | 0:41:54 | 0:41:57 | |
It was influenced by the moves of legendary Broadway choreographer Bob Fosse. | 0:41:57 | 0:42:02 | |
Single Ladies was inspired by Bob Fosse and I don't think a lot of people know that. | 0:42:02 | 0:42:06 | |
Fosse himself was a master of minimal movement, and making minimal movement extraordinary. | 0:42:06 | 0:42:13 | |
And that's exactly what they did. | 0:42:13 | 0:42:16 | |
They made it small, they contained it and they made it iconic. | 0:42:16 | 0:42:21 | |
Going into Single Ladies, we knew Beyonce had this Bob Fosse reference | 0:42:22 | 0:42:26 | |
and we knew that she wanted to create something iconic and fun and just funky. | 0:42:26 | 0:42:33 | |
I think that's why people can relate to it so easily. | 0:42:33 | 0:42:37 | |
# Don't treat me to the things of the world... # | 0:42:37 | 0:42:41 | |
Beyonce's look was simple but striking, in her asymmetrical | 0:42:41 | 0:42:45 | |
leotard, metallic glove, and of course, her high heels. | 0:42:45 | 0:42:48 | |
# Here's a man that makes me... # | 0:42:48 | 0:42:50 | |
The beautiful thing about that video was actually to get girls back in heels, dancing. | 0:42:50 | 0:42:57 | |
Beyonce doesn't have little heels, she has HEELS. | 0:42:57 | 0:43:01 | |
-# All the single ladies -All the single ladies | 0:43:01 | 0:43:03 | |
-# All the single ladies -All the single ladies... # | 0:43:03 | 0:43:06 | |
It's not easy, dancing in heels. It's more of an art form and I think it takes a lot of practice. | 0:43:06 | 0:43:12 | |
# Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh... # | 0:43:12 | 0:43:15 | |
I've had to dance in high heels once and I don't know how women do it, | 0:43:15 | 0:43:19 | |
because you feel it right in your shin, you're like a flamingo. | 0:43:19 | 0:43:22 | |
It's horrible, it's very difficult. | 0:43:22 | 0:43:24 | |
I hear you, girlfriend! No pain, no gain, that's what I say. | 0:43:24 | 0:43:27 | |
But it's worth it if you end up looking like Ms Knowles. | 0:43:27 | 0:43:30 | |
Hers was a dance craze that inspired thousands of imitations, | 0:43:30 | 0:43:34 | |
including Katy Brand in Let's Dance For Sport Relief. | 0:43:34 | 0:43:38 | |
The Single Ladies dance is really difficult. | 0:43:38 | 0:43:41 | |
The steps don't follow a regular pattern of beats. I only refer to them as the punchy bit, | 0:43:41 | 0:43:45 | |
the fally down bit, the hurty bit. I don't think... | 0:43:45 | 0:43:49 | |
I'm not sure Beyonce referred to things like the hurty bit, | 0:43:49 | 0:43:52 | |
or the groin strain bit. | 0:43:52 | 0:43:53 | |
# ..then you should have put a ring on it... # | 0:43:53 | 0:43:55 | |
People do copy moves from Single Ladies, and | 0:43:55 | 0:43:58 | |
I've been at the concert and I watch them do the entire routine. | 0:43:58 | 0:44:03 | |
I'm like... | 0:44:03 | 0:44:05 | |
"Are you really going to do that full routine? | 0:44:05 | 0:44:08 | |
"It's a long one and it's hard." | 0:44:08 | 0:44:10 | |
If anyone's got about 47 consecutive hours that they can donate directly | 0:44:12 | 0:44:18 | |
to learning to dance, then anyone can do the Single Ladies dance. | 0:44:18 | 0:44:22 | |
# If you liked it, then you should have put a ring on it Uh oh oh. # | 0:44:22 | 0:44:26 | |
In second place, it's the Village People and Y-M-C-A. | 0:44:35 | 0:44:39 | |
In this good-natured and uplifting anthem, well-built and highly sexed gay men sing... | 0:44:39 | 0:44:45 | |
Hang on, who says they're highly sexed? | 0:44:45 | 0:44:47 | |
And how do we know they're gay? | 0:44:47 | 0:44:50 | |
They might be gay. | 0:44:50 | 0:44:51 | |
Which is brilliant, I wish I was gay. Sometimes... | 0:44:51 | 0:44:55 | |
Mainly when I watch this! | 0:44:55 | 0:44:57 | |
Being gay looks amazing! | 0:44:57 | 0:44:59 | |
# Young man... # | 0:45:06 | 0:45:08 | |
Y-M-C-A | 0:45:08 | 0:45:09 | |
is about spelling the letters of the alphabet, Y, M, C and A. | 0:45:09 | 0:45:14 | |
# Y-M-C-A! It's fun to stay at the Y-M-C-A... # | 0:45:14 | 0:45:19 | |
It's Y, M, C... | 0:45:19 | 0:45:24 | |
It's Y, M, C, A? | 0:45:24 | 0:45:28 | |
The routine was created to encourage audience participation when the Village People performed | 0:45:28 | 0:45:34 | |
on Dick Clark's American Bandstand in January 1979. | 0:45:34 | 0:45:38 | |
Dick Clark surprised us by announcing | 0:45:39 | 0:45:41 | |
that the dancers on the show | 0:45:41 | 0:45:44 | |
were going to show us a new dance step. | 0:45:44 | 0:45:46 | |
# Y-M-C-A! # | 0:45:46 | 0:45:49 | |
They introduced the arm movements. | 0:45:49 | 0:45:52 | |
So, we liked it, | 0:45:52 | 0:45:54 | |
we took it. | 0:45:54 | 0:45:55 | |
Right? | 0:45:55 | 0:45:57 | |
# Y-M-C-A... # | 0:45:58 | 0:46:00 | |
Y, M, C, A. | 0:46:00 | 0:46:02 | |
HE MOUTHS | 0:46:02 | 0:46:04 | |
Y-M-C-A was really cool. | 0:46:08 | 0:46:10 | |
I don't think it's cool now but it was cool at the time. | 0:46:10 | 0:46:13 | |
It really brought people together. | 0:46:13 | 0:46:15 | |
It was quite sensational, actually. | 0:46:15 | 0:46:17 | |
# Y-M-C-A | 0:46:17 | 0:46:20 | |
The band was the brainchild of a French disco producer | 0:46:20 | 0:46:23 | |
who brought to public attention some of the colourful characters | 0:46:23 | 0:46:26 | |
that lived in New York's Greenwich Village. | 0:46:26 | 0:46:28 | |
This is Greenwich Village, centred in and around Christopher Street, | 0:46:28 | 0:46:32 | |
on the west side of this traditionally bohemian district of Manhattan, | 0:46:32 | 0:46:36 | |
is a vast community of gay men. | 0:46:36 | 0:46:38 | |
We presented to America | 0:46:39 | 0:46:41 | |
six young guys, good-looking, | 0:46:41 | 0:46:44 | |
each one of them was one of the stereotype | 0:46:44 | 0:46:47 | |
of the American male. | 0:46:47 | 0:46:50 | |
It was like a comic strip or a bunch of superheroes to me. | 0:46:50 | 0:46:54 | |
You have your policeman, your leather man, your cowboy and your construction worker. | 0:46:54 | 0:47:00 | |
Everyone loves a bit of dress-up, don't they? | 0:47:01 | 0:47:04 | |
# It's fun to stay at the... # | 0:47:04 | 0:47:05 | |
I think the macho stereotypes are all the people that gay guys want to get off with, to be honest. | 0:47:05 | 0:47:12 | |
You know, it's all the gay, iconic, porno stars, I suppose. | 0:47:12 | 0:47:16 | |
I do remember thinking, "Oh, I quite like that." | 0:47:16 | 0:47:21 | |
You know, I'd wear that. I knew that my dad wouldn't really wear something like that. | 0:47:21 | 0:47:25 | |
I did think, "Maybe they're a bit more like me." | 0:47:25 | 0:47:28 | |
# Together, we will go our way.. # | 0:47:28 | 0:47:32 | |
Their unique look caught the public's imagination | 0:47:32 | 0:47:34 | |
and back in the late '70s, when the gay community was still fighting to be out and proud, | 0:47:34 | 0:47:39 | |
the Village People danced straight to the top of the charts and into the mainstream. | 0:47:39 | 0:47:44 | |
If it was perceived as one of the first gay bands, good, I'm happy about it. | 0:47:44 | 0:47:49 | |
# Tell our friends goodbye... # | 0:47:49 | 0:47:51 | |
There was a huge moment, I think, in liberation, wasn't it, really. | 0:47:51 | 0:47:55 | |
It did wave a sort of rainbow flag. | 0:47:55 | 0:47:58 | |
# Go west! Life is peaceful there... # | 0:47:58 | 0:48:02 | |
It got the message out there that it's all right to be out and proud. | 0:48:02 | 0:48:06 | |
It was a gay anthem and the family audience loved it, too. | 0:48:08 | 0:48:12 | |
But they had no idea it was about cruising for male company at a youth hostel. | 0:48:14 | 0:48:18 | |
Everyone knew Y-M-C-A, didn't they? Your dad and your uncle and the whole football team. | 0:48:18 | 0:48:23 | |
# Y-M-C-A... # | 0:48:23 | 0:48:25 | |
The melody and the dance just made it very | 0:48:25 | 0:48:28 | |
family friendly and you didn't really listen to the words. | 0:48:28 | 0:48:31 | |
You didn't really look at it as being gay because it was so overt. | 0:48:31 | 0:48:37 | |
So you thought, "No, it can't be." | 0:48:37 | 0:48:39 | |
It confused me in the '70s. | 0:48:39 | 0:48:41 | |
I thought, "Hold on, my uncle was a Y-M-C-A-er" | 0:48:41 | 0:48:45 | |
and then my dad started and then I was like, "Whoa! This is all wrong." | 0:48:45 | 0:48:48 | |
I don't think about the double entendre that there is in the lyrics. | 0:48:48 | 0:48:53 | |
I think only of the fact that someone is getting fun in doing the Y-M-C-A, that's all. | 0:48:53 | 0:48:59 | |
The original line-up may have changed a little but the Village People is still packing them in | 0:48:59 | 0:49:04 | |
on the gay nostalgia circuit and three decades on, hapless punters are still getting the moves wrong. | 0:49:04 | 0:49:10 | |
You've got to do a Y, | 0:49:10 | 0:49:11 | |
a great big Y. It's easy enough | 0:49:11 | 0:49:13 | |
but apparently it gets harder when we get to M, which is M - | 0:49:13 | 0:49:17 | |
not the monkey thing. | 0:49:17 | 0:49:19 | |
Is it possible to get Y, M, C, A wrong. | 0:49:19 | 0:49:22 | |
Not the Joan Crawford thing. | 0:49:22 | 0:49:24 | |
-Y, M, C, A. -Then we say C and they all do it the wrong way. | 0:49:24 | 0:49:29 | |
-Is it that way, or that way. -Did I just get it different. Like, maybe. | 0:49:29 | 0:49:33 | |
What do I do? | 0:49:33 | 0:49:34 | |
Then the A. | 0:49:34 | 0:49:36 | |
But you look out there... | 0:49:36 | 0:49:38 | |
And you see all kinds of variety. | 0:49:38 | 0:49:40 | |
So if you've been made to look an idiot when attempting the Y-M-C-A, you know who to blame. | 0:49:40 | 0:49:45 | |
Sorry, y'all. | 0:49:45 | 0:49:47 | |
A bit late for apologies. | 0:49:47 | 0:49:49 | |
# Body moving, body moving, body moving | 0:49:50 | 0:49:53 | |
# We be body moving Body moving, body moving... # | 0:49:53 | 0:49:57 | |
Well, we've almost reached our dance craze destination. | 0:49:57 | 0:49:59 | |
We've danced ourselves dizzy | 0:49:59 | 0:50:01 | |
and now it's time to find out what is pop's greatest dance craze. | 0:50:01 | 0:50:05 | |
So, it's over to me again. | 0:50:05 | 0:50:07 | |
# Body moving, keep your body moving | 0:50:08 | 0:50:11 | |
# Body moving, we be body moving... # | 0:50:11 | 0:50:14 | |
And so we arrive at the top of the list. | 0:50:16 | 0:50:19 | |
And the dance craze that is the craziest craze of all the crazes. | 0:50:19 | 0:50:23 | |
Which could it be? | 0:50:23 | 0:50:25 | |
It's Thriller by Michael Jackson. | 0:50:25 | 0:50:28 | |
A man who sums up the twin themes of dance and crazy more than any popstar who ever lived. | 0:50:28 | 0:50:33 | |
In this video he plays a zombie with eerie accuracy. | 0:50:33 | 0:50:36 | |
Clearly, his odyssey into the depths of plastic surgery gave him | 0:50:36 | 0:50:40 | |
a better understanding than most of how a zombie feels facially. | 0:50:40 | 0:50:44 | |
The results, as you are about to see, are quite spectacular. | 0:50:44 | 0:50:49 | |
I have something I want to tell you. | 0:50:49 | 0:50:52 | |
Yes, Michael? | 0:50:52 | 0:50:54 | |
I'm not like other guys. | 0:50:54 | 0:50:56 | |
Of course not, that's why I love you. | 0:50:56 | 0:51:00 | |
No, I mean, I'm different. | 0:51:00 | 0:51:02 | |
In the beginning Michael's telling me that I'm not | 0:51:03 | 0:51:06 | |
like everyone else and I'm like, I know you're not. | 0:51:06 | 0:51:08 | |
He's like, no, I'm really not like anybody else. | 0:51:08 | 0:51:12 | |
Michael called me and basically | 0:51:14 | 0:51:17 | |
he'd seen American Werewolf In London | 0:51:17 | 0:51:19 | |
and wanted to turn into a monster. | 0:51:19 | 0:51:21 | |
Are you all right? | 0:51:22 | 0:51:24 | |
Go away. | 0:51:24 | 0:51:25 | |
Aaargh! | 0:51:25 | 0:51:27 | |
It is quite an amazing transformation he does. | 0:51:28 | 0:51:30 | |
The thing I used to really flinch at is when the claws come through the ends of his fingers. | 0:51:30 | 0:51:36 | |
There's that noise, isn't there? Krrr. | 0:51:36 | 0:51:38 | |
Released on December 2nd 1983 Thriller was a horror movie in a 13-minute music video. | 0:51:40 | 0:51:45 | |
An epic with the biggest and best dance number we'd ever seen. | 0:51:45 | 0:51:50 | |
Critics called it the greatest music video ever made and now we crown it Pop's Greatest Dance Craze. | 0:51:50 | 0:51:57 | |
# Cos this is thriller, thriller night... # | 0:51:57 | 0:52:02 | |
It was groundbreaking, you know, the video was incredible. The routine was brilliant. | 0:52:02 | 0:52:07 | |
-Everybody knows a bit of Thriller. -# Thriller night... # | 0:52:07 | 0:52:10 | |
It was amazing, absolutely amazing. When you say Thriller now, my shoulders are going. | 0:52:10 | 0:52:14 | |
They're like zombies but they can dance. | 0:52:14 | 0:52:18 | |
I've never seen zombies that can dance. | 0:52:18 | 0:52:21 | |
They were cool dancing zombies. | 0:52:21 | 0:52:23 | |
That took my breath away because it was so intricate and so unique | 0:52:24 | 0:52:29 | |
and just these dancers, the way they executed it was just amazing. | 0:52:29 | 0:52:33 | |
Michael Jackson was a hot zombie. | 0:52:35 | 0:52:39 | |
You wouldn't care if his arm fell off. You would just, "Ooh, take me now." | 0:52:39 | 0:52:43 | |
It was cool because there were all kinds of moves in that scene You know, the iconic stuff. | 0:52:46 | 0:52:50 | |
There's no moves that you've ever seen that have been done again. | 0:52:50 | 0:52:54 | |
You have this move that goes chung, chung. | 0:52:55 | 0:52:58 | |
It's like everyone can do that. | 0:52:58 | 0:53:01 | |
Just lift your arms up, grab an apple and there you have it. | 0:53:01 | 0:53:04 | |
You've also got the one where he goes... The zombie. | 0:53:08 | 0:53:13 | |
I said I demand that the dancers have two weeks' rehearsal. | 0:53:22 | 0:53:25 | |
Rehearsal in a rock video is unheard of. | 0:53:25 | 0:53:27 | |
You know, they learn it the day before. | 0:53:27 | 0:53:29 | |
I said it's not quick cut, I want to do it like a dance number. Michael is a brilliant performer. | 0:53:29 | 0:53:34 | |
# Cos this is thriller! # | 0:53:34 | 0:53:36 | |
The video cost £800,000, an amount unheard of for a pop promo at the time. | 0:53:36 | 0:53:41 | |
The production had the kind of costumes and make-up that you'd expect in a Hollywood feature film. | 0:53:41 | 0:53:46 | |
Each individual dancer was in the make-up chair, | 0:53:47 | 0:53:50 | |
for, I would say, three to four hours apiece. | 0:53:50 | 0:53:52 | |
By the time you were finished, you looked in the mirror and it was really frightening. | 0:53:52 | 0:53:57 | |
You had this hideous premonition of possibly what you'll look like | 0:53:57 | 0:54:01 | |
after you've been in the ground for a period of time. | 0:54:01 | 0:54:06 | |
I'm going to show you my Thriller teeth, OK? | 0:54:06 | 0:54:08 | |
This is the bottom set. | 0:54:08 | 0:54:10 | |
This is the top set. | 0:54:10 | 0:54:12 | |
As you can see, just that alone, all of a sudden makes you somebody that you're not. | 0:54:12 | 0:54:20 | |
In 2007, Philippine prisoners became synonymous with the Thriller dance | 0:54:26 | 0:54:31 | |
after a video of 1,500 inmates went viral with 46 million recorded hits. | 0:54:31 | 0:54:36 | |
Thriller worked absolutely everywhere. | 0:54:36 | 0:54:39 | |
Look at the inmates in the Filipino jail. How fantastic is that? | 0:54:39 | 0:54:44 | |
You can take our freedom but you'll never take the dance away from us. | 0:54:44 | 0:54:48 | |
The theories of Michael Jackson are rehearse, rehearse, rehearse, rehearse, rehearse | 0:54:48 | 0:54:53 | |
and if you're doing 25 in jail, you've got time to | 0:54:53 | 0:54:56 | |
rehearse, rehearse, rehearse, rehearse. | 0:54:56 | 0:54:58 | |
Ever since the '80s Michael's fan have wanted to be part | 0:54:58 | 0:55:01 | |
of the Thriller experience by learning the routine. | 0:55:01 | 0:55:06 | |
I bought a magazine and on each page had a perforated thing of a foot. | 0:55:06 | 0:55:12 | |
Once you'd cut out these feet it had various diagrams where you could lay them out | 0:55:12 | 0:55:19 | |
to show you how to do Michael Jackson's most iconic dances. | 0:55:19 | 0:55:24 | |
That is like an Amish version of a dance mat, isn't it? | 0:55:24 | 0:55:29 | |
The late king of pop may be infamous for many reasons but tonight we pay homage and remember him | 0:55:30 | 0:55:35 | |
for his unparalleled ability to light up a dance floor and get us up and busting some moves. | 0:55:35 | 0:55:41 | |
-Thanks, Jacko. -The whole world watched the dance. | 0:55:41 | 0:55:46 | |
I remember watching it with my parents and to think everybody sat there and watched that | 0:55:46 | 0:55:50 | |
and then the next day everyone's trying to get the dance. | 0:55:50 | 0:55:54 | |
Everyone had done Thriller at some point. | 0:55:54 | 0:55:59 | |
To be part of the Thriller dance was the greatest highlight of my career. | 0:55:59 | 0:56:04 | |
EVIL LAUGHTER | 0:56:04 | 0:56:06 | |
So! That's your lot. If, like me, you spent the whole show | 0:56:11 | 0:56:15 | |
dancing along to each and every song, then, like me, you probably stink. | 0:56:15 | 0:56:19 | |
Take a shower. Seriously, have a shower. Now. | 0:56:19 | 0:56:23 | |
Goodbye! | 0:56:24 | 0:56:26 | |
Subtitles by Red Bee Media Ltd | 0:56:42 | 0:56:45 | |
E-mail [email protected] | 0:56:45 | 0:56:48 |