Browse content similar to Daft Punk and Fatboy Slim. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, I'm TV's Robert Webb, and tonight I'm going to tantalise you | 0:00:03 | 0:00:07 | |
with just a few of pop's greatest dance crazes. | 0:00:07 | 0:00:11 | |
Daft Punk Around The World is sort of like a weird modern music box. | 0:00:19 | 0:00:23 | |
You open up the lid and think, "What the hell is going on here?" | 0:00:23 | 0:00:27 | |
-It's the most bizarre video in the world. -Visually, it was amazing. | 0:00:27 | 0:00:32 | |
It was so simple. Yet there was a lot going on. | 0:00:32 | 0:00:35 | |
Top pop video director Michel Gondry's vision | 0:00:35 | 0:00:38 | |
was to make each of the dancers represent the instruments. | 0:00:38 | 0:00:41 | |
It brought us some pretty crazy choreography. | 0:00:41 | 0:00:45 | |
So the synchronised swimmers are the high-pitched keyboard synth. | 0:00:45 | 0:00:50 | |
It's art, go with it. | 0:00:50 | 0:00:51 | |
What you are watching is the human representation | 0:00:53 | 0:00:57 | |
of what Daft Punk have created digitally. | 0:00:57 | 0:01:00 | |
It's an incredibly clever idea. | 0:01:00 | 0:01:03 | |
The tall B-boys symbolise the ascending and descending bass guitar. | 0:01:03 | 0:01:07 | |
The mummies are dancing in time with the song's drumbeat. | 0:01:07 | 0:01:10 | |
The itchy skeletons are the guitars. | 0:01:10 | 0:01:13 | |
And the astronauts represent the robot voice repeating that | 0:01:13 | 0:01:17 | |
one famous vocal over and over and over again. | 0:01:17 | 0:01:21 | |
I used to be able to do the skeleton dance. | 0:01:21 | 0:01:23 | |
My favourite thing is the random spacemen. Just walk around. | 0:01:25 | 0:01:29 | |
And then when they get to the front, they all get confused. | 0:01:29 | 0:01:33 | |
One of them turns back on himself. He's like that and going... | 0:01:35 | 0:01:37 | |
He goes, no, keep going forward and it's just a really nice little | 0:01:37 | 0:01:41 | |
ripple of that happening and you sort of think it's gone wrong but it hasn't. | 0:01:41 | 0:01:44 | |
Daft Punk brought robotics back. Thanks, Daft Punk! | 0:01:44 | 0:01:49 | |
Robo-dance was popular in the '80s, | 0:01:49 | 0:01:51 | |
back when a home computer was a Sinclair ZX80 or Commodore 64. | 0:01:51 | 0:01:55 | |
But if robotic dancers really wanted to mimic computers, | 0:01:55 | 0:01:58 | |
they should have moved like they were about to print a spreadsheet | 0:01:58 | 0:02:01 | |
before inexplicably freezing until they are put to sleep. | 0:02:01 | 0:02:04 | |
I think that the robot is up there with the greatest dance crazes. | 0:02:05 | 0:02:10 | |
At the point to the robot was revealed to the world, | 0:02:10 | 0:02:13 | |
I don't know a single human being who didn't then give it a go. | 0:02:13 | 0:02:17 | |
Oh, Mickey, you're so fine, | 0:02:18 | 0:02:20 | |
you're so fine you blow my mind, hey, Mickey. | 0:02:20 | 0:02:22 | |
I love a cheerleader, don't you? | 0:02:24 | 0:02:26 | |
At 45 in our Top 50 countdown is Mickey by Toni Basil. | 0:02:26 | 0:02:31 | |
She was a lady, by the way. | 0:02:31 | 0:02:32 | |
Toni, that is, not Mickey. | 0:02:32 | 0:02:34 | |
# Oh, Mickey, you're so fine | 0:02:39 | 0:02:41 | |
# You're so fine you blow my mind | 0:02:41 | 0:02:43 | |
# Hey Mickey, hey Mickey | 0:02:43 | 0:02:46 | |
Hey, Mickey, you're so fine, | 0:02:46 | 0:02:48 | |
you're so fine you blow my mind. Hey Mickey! | 0:02:48 | 0:02:50 | |
Hey Mickey! Hey, Mickey, you're so fine... Oh, I love that. | 0:02:50 | 0:02:53 | |
She had a little ra-ra, wasn't it, and with the pom poms. | 0:02:53 | 0:02:56 | |
They used to fall into splits at the end, of course. Yes, yes. Oh, Mickey Basil. | 0:02:56 | 0:03:00 | |
Toni Basil, even. | 0:03:00 | 0:03:01 | |
Whatever. I wasn't interested in her name, just in her skirt. | 0:03:01 | 0:03:05 | |
Toni Basil was choreographer to the stars before she donned | 0:03:07 | 0:03:10 | |
her old high school cheerleader outfit and topped the charts | 0:03:10 | 0:03:14 | |
in 1982 with this high-octane ditty. | 0:03:14 | 0:03:16 | |
# Hey Mickey | 0:03:16 | 0:03:18 | |
# You been around all night And that's a little long | 0:03:18 | 0:03:21 | |
When you think of Hey Mickey, | 0:03:21 | 0:03:23 | |
you think of high energy, and you think of cheerleading, | 0:03:23 | 0:03:26 | |
you think of Toni just looking hot. | 0:03:26 | 0:03:28 | |
I was on the floor with poms poms and mini-skirts, of course I did. | 0:03:31 | 0:03:34 | |
That's a really stupid question. | 0:03:34 | 0:03:35 | |
-Ooh, pardon me for asking. -You know, dating a cheerleader isn't easy. | 0:03:35 | 0:03:39 | |
If you see those American cheerleaders, what they do, | 0:03:39 | 0:03:41 | |
it's an art form in itself. | 0:03:41 | 0:03:43 | |
# Oh, what you do, Mickey do, Mickey | 0:03:44 | 0:03:46 | |
# Don't break my heart, Mickey... # | 0:03:46 | 0:03:47 | |
It's actually quite a butch song. | 0:03:53 | 0:03:56 | |
It's not the most feminine dance. | 0:03:56 | 0:03:59 | |
It's really graaah! | 0:03:59 | 0:04:01 | |
# Oh, Mickey, what a pity you don't understand... # | 0:04:01 | 0:04:03 | |
She just looks a bit deranged throughout the whole dance. | 0:04:03 | 0:04:06 | |
Oh, Mickey, you're so fine You're so fine you blow my mind Hey, Mickey. | 0:04:06 | 0:04:09 | |
# Can't you understand... # | 0:04:09 | 0:04:10 | |
The main bit to remember was the... | 0:04:10 | 0:04:13 | |
that bit. Very, very, very sharp, jerking movements like that. | 0:04:13 | 0:04:16 | |
You roll your wrist and you point | 0:04:18 | 0:04:20 | |
at whoever you want to go home with that night. It's true. | 0:04:20 | 0:04:23 | |
It's such a macho dance! | 0:04:23 | 0:04:26 | |
# You take me by the heart when you take me by the hand... # | 0:04:26 | 0:04:30 | |
But Toni doesn't really mind a bit of butch, | 0:04:30 | 0:04:32 | |
just take a look at the cheerleaders in her video. | 0:04:32 | 0:04:35 | |
I think a couple of her dancers are really quite hefty young women, | 0:04:35 | 0:04:40 | |
but she used a couple of men | 0:04:40 | 0:04:41 | |
and dressed them up in a couple of cheerleading outfits, because of all the lifting. | 0:04:41 | 0:04:45 | |
I didn't realise that then. | 0:04:47 | 0:04:49 | |
Maybe that's why I thought they were quite cute. | 0:04:49 | 0:04:51 | |
It does answer a lot of questions now, actually. | 0:04:51 | 0:04:54 | |
Actually, Louis, it doesn't. That's in fact an urban myth. | 0:04:54 | 0:04:58 | |
The dancers you're drooling over were real cheerleaders | 0:04:58 | 0:05:01 | |
from Carson High California. | 0:05:01 | 0:05:03 | |
# What a pity you don't understand... # | 0:05:03 | 0:05:06 | |
Many of the dancers in our top 50 are about freedom and fun and having what I can only describe | 0:05:06 | 0:05:10 | |
as a gay old time, and that's fine, there's a place for that. | 0:05:10 | 0:05:14 | |
But it's not now, because the only way one can successfully perform the | 0:05:14 | 0:05:18 | |
dance to Fatboy Slim's Praise You is with the solemnity that it deserves. | 0:05:18 | 0:05:22 | |
I thank you. | 0:05:22 | 0:05:23 | |
# We've come a long long way together | 0:05:37 | 0:05:41 | |
# Through the hard times and the good | 0:05:41 | 0:05:46 | |
Praise you was a guerilla-style | 0:05:46 | 0:05:47 | |
video featuring the Torrance Community Dance Troupe. | 0:05:47 | 0:05:50 | |
This genuine-looking footage from 1999 sees them pitching up, | 0:05:50 | 0:05:53 | |
uninvited, to perform some wacky | 0:05:53 | 0:05:55 | |
dancing on the street outside an LA cinema. | 0:05:55 | 0:05:58 | |
It is almost like a drama class. It isn't a dance, it's a drama | 0:06:01 | 0:06:03 | |
class, but they're expressing themselves through movement. | 0:06:03 | 0:06:07 | |
Whatever they're taking, can I have some? | 0:06:07 | 0:06:10 | |
There's a routine of sorts, but it's a routine unlike | 0:06:10 | 0:06:14 | |
anything that would come out of a professional dance studio. | 0:06:14 | 0:06:18 | |
The video got everyone talking. | 0:06:21 | 0:06:23 | |
Was it amateur footage? Who were these people? | 0:06:23 | 0:06:26 | |
But those with too much time on their hands spotted Norman Cook | 0:06:26 | 0:06:29 | |
peering into the camera, which kind of gave the game away. | 0:06:29 | 0:06:32 | |
Turns out that they were professional dancers and the stunt | 0:06:32 | 0:06:35 | |
was the brainchild of troupe leader Spike Jonze. | 0:06:35 | 0:06:39 | |
Movie writer, promo director, and co-creator of Jackass. | 0:06:39 | 0:06:43 | |
We kind of did it like burglar style, so nobody knew that we were filming, | 0:06:43 | 0:06:47 | |
and even the people in the theatre | 0:06:47 | 0:06:49 | |
didn't know that we were out there doing, like, these crazy steps. | 0:06:49 | 0:06:52 | |
# I have to praise you like I should... # | 0:06:52 | 0:06:56 | |
I think it was the seriousness and how we played it | 0:06:56 | 0:06:59 | |
which made it even funnier, because we weren't playing it for laughs. | 0:06:59 | 0:07:03 | |
But you'd have to be pretty dumb to be taken in by this. | 0:07:03 | 0:07:07 | |
When I watched that video it was 100% real. | 0:07:07 | 0:07:09 | |
They meant every moment of it. | 0:07:09 | 0:07:11 | |
So that is genuine expression in that video. | 0:07:11 | 0:07:14 | |
You know when something's being faked and they were definitely mental. | 0:07:14 | 0:07:18 | |
I gave every step a funny name, so when we would do, like, | 0:07:18 | 0:07:22 | |
the broken pony. | 0:07:22 | 0:07:25 | |
Yeehaw! You're off to go in that broken pony land. | 0:07:25 | 0:07:31 | |
And then the second step is called the bad fish cos it's swimming in the wrong direction on the river. | 0:07:31 | 0:07:38 | |
But then another current comes along and you float the | 0:07:38 | 0:07:42 | |
other way and you're a bad fishie and you're stuck in the current. | 0:07:42 | 0:07:45 | |
As long as you danced weird, you kind of suited that... | 0:07:47 | 0:07:50 | |
It was, like, mysterious. | 0:07:50 | 0:07:52 | |
# Praise you... # | 0:07:54 | 0:07:56 | |
That's the sort of thing you can see yourself in your own front room. | 0:07:56 | 0:08:00 | |
I do, any way. Just sort of leaping around | 0:08:00 | 0:08:03 | |
and doing all that and thinking you're burning off calories. | 0:08:03 | 0:08:07 | |
It really wasn't a hit at the discos. Not at the time. | 0:08:09 | 0:08:12 | |
I don't think, if you're going to be in some disco | 0:08:12 | 0:08:14 | |
and taking you're date out, you're going to just go into a broken pony or do the bad fish, do the bad fish. | 0:08:14 | 0:08:20 | |
It's just not becoming. It's not style-wise, you know, romantic. | 0:08:20 | 0:08:24 | |
# I have to praise you... # | 0:08:24 | 0:08:26 |