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Hello, I'm TV's Robert Webb and we're here to catch up with some of pop's greatest dance crazes. | 0:00:04 | 0:00:11 | |
Now, I've been watching your attempts at dancing, | 0:00:11 | 0:00:15 | |
and I must say | 0:00:15 | 0:00:16 | |
they are complete rubbish! | 0:00:16 | 0:00:19 | |
What are they? | 0:00:19 | 0:00:20 | |
ALL: Complete rubbish. | 0:00:20 | 0:00:22 | |
We were playing ourselves and the TV show was about | 0:00:22 | 0:00:24 | |
us trying to make it, trying to be successful. | 0:00:24 | 0:00:26 | |
I beg your pardon, sonny! | 0:00:26 | 0:00:28 | |
It was one of the biggest kids TV shows at the time. | 0:00:28 | 0:00:31 | |
# Don't stop, never give up... # | 0:00:31 | 0:00:33 | |
You'd wake up in the morning and you'd watch S Club | 0:00:33 | 0:00:35 | |
and they would always dance and they would always entertain you. | 0:00:35 | 0:00:39 | |
You'd watch and have your favourite one and want to copy their style. | 0:00:39 | 0:00:42 | |
Everybody wanted to know the moves. | 0:00:42 | 0:00:45 | |
Like, if you were at a youth club | 0:00:45 | 0:00:47 | |
and you didn't know the moves to an S Club tune, who are you?! | 0:00:47 | 0:00:51 | |
Dance routines are important because we don't have instruments to play, | 0:00:52 | 0:00:56 | |
so you kind of need something else, and we had some really fun and easy-to-pick-up dance routines. | 0:00:56 | 0:01:01 | |
# So don't stop tryin' | 0:01:01 | 0:01:02 | |
# Don't stop, never give up | 0:01:02 | 0:01:04 | |
Hold your head high and reach the top... # | 0:01:04 | 0:01:07 | |
Those moves weren't that hard. Anyone could do it, the iconic S, anyone could do it. | 0:01:07 | 0:01:12 | |
But they did it in slow motion so I had to slow it down | 0:01:12 | 0:01:15 | |
to do it with them. | 0:01:15 | 0:01:16 | |
# Reach for the stars... # | 0:01:16 | 0:01:18 | |
Reach for the stars, oh yeah! Climb every mountain, yep. | 0:01:20 | 0:01:23 | |
Reach for the stars, duh-duh-duh. | 0:01:23 | 0:01:26 | |
And everybody remembers this part. | 0:01:26 | 0:01:29 | |
Reach. | 0:01:31 | 0:01:32 | |
Reach for the... That was... | 0:01:34 | 0:01:35 | |
I used to do it in the playground with all the bigger girls. | 0:01:35 | 0:01:40 | |
I mean, I got bullied any way, so it didn't help. | 0:01:40 | 0:01:43 | |
But, um... | 0:01:43 | 0:01:45 | |
Dinner ladies love me. | 0:01:47 | 0:01:49 | |
But even an S club party has to come to an end at some point. | 0:01:49 | 0:01:53 | |
And when they're management brought out the S Club Juniors, | 0:01:53 | 0:01:56 | |
the band must have known their time was up. | 0:01:56 | 0:01:58 | |
# DJ got the party started There's no end in sight... # | 0:01:58 | 0:02:01 | |
I auditioned for S Club Juniors. | 0:02:01 | 0:02:03 | |
They were holding auditions everywhere, and were like, "If you want to be in S Club Juniors, | 0:02:03 | 0:02:08 | |
"come on down, and you have to make a dance routine", | 0:02:08 | 0:02:11 | |
and me and my friends would all practise in the school yards. | 0:02:11 | 0:02:15 | |
When we got there, it didn't quite go to plan. | 0:02:16 | 0:02:19 | |
There was a lot of crying involved. | 0:02:19 | 0:02:21 | |
Dark place. Very dark place. | 0:02:21 | 0:02:24 | |
The original concept of S Club was to leave at 21, kind of like a scouts movie. | 0:02:24 | 0:02:30 | |
# Don't stop movin' Can you feel the music...? # | 0:02:30 | 0:02:34 | |
The Juniors came along, and they were really good. | 0:02:34 | 0:02:37 | |
-Two of them are still doing well. They're in The Saturdays. -Yes, there's a young Rochelle. | 0:02:37 | 0:02:41 | |
-Ooh, there's Frankie! -If it wasn't for the Juniors, | 0:02:41 | 0:02:44 | |
you probably wouldn't have two sexy girls that are in The Saturdays right now. | 0:02:44 | 0:02:48 | |
# Don't stop moving to the S Club beat... # | 0:02:48 | 0:02:51 | |
# Let's get physical... # | 0:02:54 | 0:02:55 | |
At number 37 on our countdown of pop's greatest dance crazes, | 0:02:55 | 0:02:59 | |
it's a routine that took us back to the 1980s, with big hair, tiny leotards, and woeful music. | 0:02:59 | 0:03:06 | |
It's Call On Me by Eric Prydz. | 0:03:07 | 0:03:09 | |
As well as being a great way to keep in shape, | 0:03:09 | 0:03:13 | |
it's also a lot of perfectly harmless, well meaning fun. | 0:03:13 | 0:03:17 | |
I find it's best enjoyed with the sound on mute so that you can hear the key in the front door. | 0:03:17 | 0:03:21 | |
The video Call On Me is trying to recreate a scene | 0:03:27 | 0:03:30 | |
from the film Perfect. | 0:03:30 | 0:03:32 | |
It's a pretty hot scene. | 0:03:32 | 0:03:34 | |
And Jamie Lee Curtis is instructing, you know, an aerobics class | 0:03:34 | 0:03:37 | |
and John Travolta's in there getting pretty sweaty and watching her | 0:03:37 | 0:03:41 | |
and it wasn't until I got on set and they handed me my outfit, | 0:03:41 | 0:03:44 | |
and it was literally a leotard, and I was like, "Is there anything else to go with it?" | 0:03:44 | 0:03:48 | |
and they said, "Oh, yeah, here's some leg warmers and a sweatband", and I'm like, "Brilliant". | 0:03:48 | 0:03:53 | |
They've got the neon colours on, | 0:03:53 | 0:03:55 | |
they've got the leg warmers on the go, they've got the really high-cut leotards. | 0:03:55 | 0:04:00 | |
There was some serious waxing in that video. Those leotards were verging on indecent, I would say. | 0:04:02 | 0:04:09 | |
No, I'd say decent. | 0:04:09 | 0:04:11 | |
I love that video. I think most guys do love that video. | 0:04:11 | 0:04:15 | |
That's what we want to see. | 0:04:16 | 0:04:17 | |
Come on, they weren't wearing clothes. That's great! | 0:04:17 | 0:04:20 | |
That's how I normally work out in the gym. | 0:04:20 | 0:04:23 | |
Like that. Just do that. | 0:04:23 | 0:04:26 | |
Just... Yeah... | 0:04:26 | 0:04:28 | |
That looks disgusting. | 0:04:32 | 0:04:34 | |
Well, I think the move that stands out the most in Call On Me | 0:04:35 | 0:04:38 | |
is obviously the pelvic thrust, | 0:04:38 | 0:04:40 | |
so what you need to do for that | 0:04:40 | 0:04:42 | |
is take your legs very wide, get down really low, and then | 0:04:42 | 0:04:45 | |
just pelvic thrust. | 0:04:45 | 0:04:46 | |
There's what I like to call the peeing dog which is this one. | 0:04:48 | 0:04:51 | |
Where we do lots of leg raises up here. | 0:04:51 | 0:04:54 | |
This one here which actually is very good for the butt. | 0:04:55 | 0:04:59 | |
Squeezing in. | 0:04:59 | 0:05:01 | |
I don't remember the dance routine so much as the bottom of the woman doing the dance routine. | 0:05:01 | 0:05:08 | |
If you want someone to look at your dance routine, then don't wear a G-string leotard. | 0:05:08 | 0:05:14 | |
Technically, Call On Me didn't spawn a dance craze | 0:05:16 | 0:05:19 | |
which is why I demanded it be disqualified, | 0:05:19 | 0:05:21 | |
but millions of men admired the...choreography online, | 0:05:21 | 0:05:24 | |
and Tony Blair said it made him fall off his rowing machine, | 0:05:24 | 0:05:28 | |
so I allowed it to be reinstated. | 0:05:28 | 0:05:31 | |
# Call on me... # | 0:05:31 | 0:05:34 | |
That bloke has clearly discovered the best gym in the world | 0:05:34 | 0:05:37 | |
and he's not letting on to his mates. He can't believe his luck. | 0:05:37 | 0:05:40 | |
He gets his little running shorts on every week, gets in there, and he's like, they're still all here. | 0:05:40 | 0:05:45 | |
He enjoyed it, that's for sure, and I think there was a lot of men out there that were quite envious. | 0:05:45 | 0:05:50 | |
I'm surprised he didn't have to wear sturdier shorts in the situation he was in. | 0:05:50 | 0:05:54 | |
I think it made a lot of 14-year-old boys extremely happy. | 0:05:55 | 0:05:59 | |
I was 15. I had a tape and I recorded it on it. | 0:06:01 | 0:06:05 | |
So my mum wouldn't know, I put the Fresh Prince Of Bel-Air on it. | 0:06:05 | 0:06:10 | |
-Oh, dear, Jack. -Oh! | 0:06:10 | 0:06:13 | |
Gently, gently! | 0:06:18 | 0:06:21 | |
Slow. Slow... OK, right. | 0:06:21 | 0:06:24 | |
Hi, guys. As you can see, I've been skateboarding my whole life, | 0:06:24 | 0:06:28 | |
and so it'll come as no surprise to you | 0:06:28 | 0:06:31 | |
that I'm actually an expert in the next dance craze, break dancing. | 0:06:31 | 0:06:36 | |
I'd perform a bit for you now, but it'd probably blow your minds so the BBC has asked me not to. | 0:06:36 | 0:06:42 | |
Here's our number 36, | 0:06:42 | 0:06:43 | |
Jason Nevins vs Run DMC, It's Like That. | 0:06:43 | 0:06:47 | |
# And it goes a little something like this... # | 0:06:53 | 0:06:56 | |
I've always wanted to be able to break dance | 0:06:58 | 0:07:00 | |
because I grew up in the '80s, and there was loads of kids with lino, | 0:07:00 | 0:07:03 | |
and you know, going out with the ghetto-blasters and everything. | 0:07:03 | 0:07:07 | |
Run DMC, that video was so cool. | 0:07:10 | 0:07:14 | |
Like, everyone in it was amazing at breaking and dancing. | 0:07:14 | 0:07:18 | |
-They were like... -Up in your face. -Up in your face. | 0:07:18 | 0:07:20 | |
When that song came out, it was like, whoa, there's some serious moves | 0:07:23 | 0:07:26 | |
that we are not knowing about that we need to know about. | 0:07:26 | 0:07:31 | |
In 1998, New York DJ Jason Nevins remixed this vintage Run DMC tune. | 0:07:31 | 0:07:35 | |
It's Like That was huge, number one in over 30 countries with almost 5 million copies sold. | 0:07:35 | 0:07:41 | |
The video showed B-boys battling B-girls and introduced a new generation to the dance-off. | 0:07:41 | 0:07:47 | |
And classic '80s breaking moves. | 0:07:47 | 0:07:52 | |
A break dance battle was all about two crews battling each other | 0:07:52 | 0:07:56 | |
with moves to see | 0:07:56 | 0:07:57 | |
who's got supremacy with style and moves, | 0:07:57 | 0:08:00 | |
so you've got different aspects. | 0:08:00 | 0:08:02 | |
You've got power which is like the head spins, the mills, | 0:08:02 | 0:08:05 | |
the flares and all that kind of stuff. | 0:08:05 | 0:08:06 | |
You've got style, which is more the top rocking. | 0:08:06 | 0:08:10 | |
And you've got footwork itself. So it's cool and the gang. | 0:08:10 | 0:08:13 | |
When they're battling, a lot of is freestyle, | 0:08:16 | 0:08:18 | |
so it's all off the top of your head. | 0:08:18 | 0:08:20 | |
Just going with the song, | 0:08:20 | 0:08:21 | |
so everything you're doing is just like... | 0:08:21 | 0:08:24 | |
# ..Street soldiers killing... # | 0:08:24 | 0:08:27 | |
OK, players, we're going to take it down and do some B-boys styles. Let's go. | 0:08:27 | 0:08:31 | |
# It's like that, and that's the way it is. # | 0:08:31 | 0:08:36 | |
That's my boy. | 0:08:46 | 0:08:47 | |
# ..Eating out of a garbage can... # | 0:08:47 | 0:08:50 | |
For me, it was all about that dude with the crazy curly hair. | 0:08:50 | 0:08:55 | |
It was just such a weird style, you know, his top rocking was just shaking his head. | 0:08:55 | 0:09:00 | |
-There was someone in it that looked like me. -Was there? -Had hair like me. | 0:09:02 | 0:09:06 | |
He did have my hair. | 0:09:06 | 0:09:09 | |
-I think I told people I was in that video as a laugh. -How would that have even worked?! | 0:09:09 | 0:09:13 | |
Break dancing is perhaps the least accessible dance craze on this countdown. | 0:09:17 | 0:09:21 | |
Only people like me with real skills can pull off these moves, | 0:09:21 | 0:09:24 | |
but there are many who have tried and bear the scars to this day. | 0:09:24 | 0:09:29 | |
When Run DMC comes on, I think a lot of men think | 0:09:30 | 0:09:33 | |
they can break dance and they will give it a go. | 0:09:33 | 0:09:36 | |
We've had people try to do the caterpillar and open their chin up | 0:09:36 | 0:09:39 | |
so there's just claret, you know, everywhere. | 0:09:39 | 0:09:42 | |
It's hilarious because when that song comes on, a circle immediately develops, and nobody knows why. | 0:09:42 | 0:09:49 | |
It's just a thing that happens. | 0:09:49 | 0:09:51 | |
And for the first two minutes as well, no one get in the middle. | 0:09:51 | 0:09:55 | |
-Everyone's like, "You go. -You do it. | 0:09:55 | 0:09:57 | |
-"You go. -You do it." | 0:09:57 | 0:09:59 | |
You'll get like five, six drunken men that can't break dance. | 0:09:59 | 0:10:04 | |
Like, I used to just do a roly-poly. | 0:10:04 | 0:10:07 | |
But as soon as you did the roly-poly, as long as you looked confident, | 0:10:07 | 0:10:10 | |
like, "I did a roly-poly" and I'd go... | 0:10:10 | 0:10:12 | |
And people would cheer. | 0:10:12 | 0:10:14 | |
# Run DMC and Jam Master Jay. # | 0:10:14 | 0:10:18 | |
When pop stars are children, they dream of making music for grown-ups | 0:10:20 | 0:10:23 | |
but when pop stars are grown-ups | 0:10:23 | 0:10:25 | |
it seems they dream of making music for children, which explains why they give themselves baby names like | 0:10:25 | 0:10:30 | |
Dappy and Biffy and GaGa. | 0:10:30 | 0:10:31 | |
The dance craze at number 35 in our chart | 0:10:31 | 0:10:34 | |
is definitely one for the under-fives. | 0:10:34 | 0:10:37 | |
It's the Kings in da Ghetto proving that the UK urban music scene | 0:10:37 | 0:10:41 | |
isn't too cool to embrace a primary school jig | 0:10:41 | 0:10:44 | |
with their take on Heads, Shoulders, Knees and Toes. | 0:10:44 | 0:10:48 | |
Personally, I prefer The Wheels Of The Bus Go Round and Round | 0:10:48 | 0:10:51 | |
by the Wu-Tang Clan. | 0:10:51 | 0:10:52 | |
A brand-new dance is sweeping the nation. | 0:10:54 | 0:10:56 | |
Ladies, let me see you go down low. | 0:10:56 | 0:10:59 | |
# Head Shoulders Knees N Toez | 0:10:59 | 0:11:02 | |
# Head Shoulders Knees N Toez... # | 0:11:02 | 0:11:03 | |
If someone said to you, they put Head, Shoulders, Knees and Toes into a song, you'd probably go, "Really?" | 0:11:03 | 0:11:08 | |
# Head and shoulders knees and toes, knees and toes | 0:11:08 | 0:11:13 | |
# Head Shoulders Knees N Toez... # | 0:11:13 | 0:11:15 | |
But until you actually hear it, and the fact that it's on a grime tune, it's cool. | 0:11:15 | 0:11:20 | |
# Heads, shoulders, knees and toes, knees and toes... # | 0:11:21 | 0:11:24 | |
But our one is just better. | 0:11:24 | 0:11:25 | |
These enterprising lads made their very own video that they posted online | 0:11:27 | 0:11:31 | |
and their amateur efforts became a surprise hit. | 0:11:31 | 0:11:34 | |
I made the video, we all made the video, but I mean like... | 0:11:34 | 0:11:39 | |
He was the man behind the camera. | 0:11:39 | 0:11:41 | |
I was there walking round asking, | 0:11:41 | 0:11:44 | |
"Can you do Head, Shoulders, Knees and Toes, please?" | 0:11:44 | 0:11:47 | |
We're just seeing normal people Head Shoulders Knees N Toez | 0:11:47 | 0:11:51 | |
and the whole point of it is to embarrass yourself. | 0:11:51 | 0:11:54 | |
The more you embarrass yourself, the better it looks. | 0:11:54 | 0:11:57 | |
It's not very hard to learn that dance, is it? Heads, shoulders... but they did it in a cool way. | 0:11:57 | 0:12:01 | |
Heads, shoulders, knees and toes. | 0:12:01 | 0:12:03 | |
When that first dropped on 1Xtra, | 0:12:05 | 0:12:07 | |
I couldn't quite believe my ears. | 0:12:07 | 0:12:09 | |
And I was like, is it that simple? | 0:12:09 | 0:12:12 | |
We just literally got heads, shoulders, knees and toes? Amazing! | 0:12:12 | 0:12:15 | |
We all got our own versions. Like, he does it in a specific, like... | 0:12:15 | 0:12:20 | |
Basically, he's like the Mr Motivator of heads, shoulders, knees and toes. Minus the spandex. | 0:12:20 | 0:12:27 | |
HE LAUGHS | 0:12:27 | 0:12:29 | |
-He does it the most stiff. -He's the stiff one! | 0:12:29 | 0:12:32 | |
And then I do it for the basic, for the people that just can't get down to their toes. | 0:12:34 | 0:12:39 | |
# Let me see you go down low Let me see you go down low... # | 0:12:39 | 0:12:42 | |
He keeps going, "Ladies, let me see you go down low." | 0:12:42 | 0:12:45 | |
And there's a point where you think the ladies can't get any lower. | 0:12:45 | 0:12:48 | |
It doesn't matter if you're at the bar, sitting down, you're gonna come to the dance floor | 0:12:50 | 0:12:54 | |
and then everyone just does it, | 0:12:54 | 0:12:56 | |
and it looks wicked when you see 3,000 people all doing the dance at the same time. | 0:12:56 | 0:13:01 | |
I went to Ayia Napa last year and Head Shoulders Knees N Toez was the one. | 0:13:01 | 0:13:05 | |
When you see everyone do it in unison, | 0:13:05 | 0:13:08 | |
you forget it was ever a ridiculous kiddie tune. | 0:13:08 | 0:13:10 | |
Ladies, you gotta wind down low. | 0:13:10 | 0:13:13 | |
So, that's your lot. | 0:13:15 | 0:13:16 | |
If, like me, you spent the whole show dancing along to each and every song, | 0:13:16 | 0:13:20 | |
then, like me, you probably stink. | 0:13:20 | 0:13:23 | |
Take a shower. Seriously, have a shower. Now. | 0:13:23 | 0:13:26 | |
Goodbye! | 0:13:27 | 0:13:30 |